Search results for ""Author Christo"

Travel in the Middle Ages is filled with the stories and adventures of those who hazarded hostile landscapes, elements, and people—out of want or necessity—to get from place to place. While most journeys involved very short distances (home to market or village to village), longer trips were not uncommon in the Middle Ages. Clergy were frequently called upon to act as ambassadors, messengers, and overseers to the various monasteries and churches within their jurisdiction. Merchants, agents of the king, and pilgrims were also frequently required to travel. While sharing the fascinating stories of these ordinary wayfarers, Verdon also relates colorful tales of the journeys of notable historical figures such as Marco Polo and Christopher Columbus. Part I of Travel in the Middle Ages addresses the means by which people traveled. This section contains vivid descriptions of modes of conveyance, road systems, sea lanes, tolls, taxes, and even pirates. Knowing the risks involved, why did people brave the uncertainty of travel? Part II of the book addresses this question by identifying five main motivational categories of medieval travel. Part III deals with travel myths, monsters, and fictitious journeys of medieval fantasy writers. Verdon concludes with a pithy critique of travel in the modern world. Appearing for the first time in an English translation, Travel in the Middle Ages will delight anyone with an interest in medieval culture or travel books.

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Sultans, Spices, and Tsunamis: The Incredible Story of the World's Largest ArchipelagoIndonesia is by far the largest nation in Southeast Asia and has the fourth largest population in the world after the United States. Indonesian history and culture are especially relevant today as the Island nation is an emerging power in the region with a dynamic new leader. It is a land of incredible diversity and unending paradoxes that has a long and rich history stretching back a thousand years and more. Indonesia is the fabled "Spice Islands" of every school child's dreams—one of the most colorful and fascinating countries in history. These are the islands that Europeans set out on countless voyages of discovery to find and later fought bitterly over in the 15th, 16th and 17th centuries. This was the land that Christopher Columbus sought, and Magellan reached and explored. One tiny Indonesian island was even exchanged for the island of Manhattan in 1667! This fascinating history book tells the story of Indonesia as a narrative of kings, traders, missionaries, soldiers and revolutionaries, featuring rough sea crossings, fiery volcanoes, and the occasional tiger. It recounts the colorful visits of foreign travelers who have passed through these shores for many centuries—from Chinese Buddhist pilgrims and Dutch adventurers to English sea captains and American movie stars. For readers who want an entertaining introduction to Asia's most fascinating country, this is delightful reading.

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'The slackers guide to staying in, the antidote to peak frazzle and spending too much time out on the razzle. It's time to tune in to being cosy, because tucking up inside with the ones you love is all that matters.' Laura Weir There seems to be a lot to worry about in the world right now, with Brexit looming, social media draining our time and anxiety on the rise, the public are seeking out value in the small things which are close to home that can bring us maximum simple joy in our daily lives. In this hug of a book, Laura Weir celebrates the very best of our cool and quirky traditions and habits and rituals with a big dose of comfort - think warm cups of tea, toasty open fires and windswept walks that will blow away the cobwebs. Cosy gives readers permission to batten down the hatches and switch off - it is an ode to tucking in, hunkering down and softening life's edges when we need it most.Includes illustrations by Rose Electra Harris, as well as cosy contributions from the likes of Dolly Alderton, Alice Temperley and Christoper Kane. 'A warm, generous, blanket of a book, to reach for whenever you need a dose of comfort.' Sophie Dahl'As someone who has spent the majority of their adult life hunkered down in a big jumper, dodging reasons to leave the house, Cosy is the official justification for not going out.' Alice Levine

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For over forty years now there has been a steady stream of interest in Richard Hooker. This renaissance in Hooker Studies began with the publication of the Folger Library Edition of the Works of Richard Hooker. With this renaissance has come a growing recognition that it is anachronistic to classify Hooker simply as an Anglican thinker, but as yet, no generally agreed-upon alternative label, or context for his thought, has replaced this older conception; in particular, the question of Hooker's Reformed identity remains hotly contested. Given the relatively limited engagement of Hooker scholarship with other branches of Reformation and early modern scholarship to date, there is a growing recognition that Hooker must be evaluated not only against the context of English puritanism and conformism but also in light of his broad international Reformed context. At the same time, it has become clear that, if this is so, scholars of continental Reformed orthodoxy must take stock of Hooker's work as one of the landmark theological achievements of the era.This volume aims to facilitate this long-needed conversation, bringing together a wide range of scholars to consider Richard Hooker's theology within the full context of late 16th- and early 17th-century Reformed orthodoxy, both in England and on the Continent. The essays seek to bring Hooker into conversation not merely with contemporaries familiar to Hooker scholarship, such as William Perkins, but also with such contemporaries as Jerome Zanchi and Franciscus Junius, predecessors such as Heinrich Bullinger, and successors such as John Davenant, John Owen, and Hugo Grotius. In considering how these successors of Hooker identified themselves in relation to his theology, these essays will also shed light on how Hooker was perceived within 17th-century Reformed circles. The theological topics touched on in the course of these essays include such central issues as the doctrine of Scripture, predestination, Christology, soteriology, the sacraments, and law. It is hoped that these essays will continue to stimulate further research on these important questions among a wide community of scholars.

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It is hard to think of an area of Christian theology that provides more scope for interdisciplinary conversation than the doctrine of creation. This doctrine not only invites reflection on an intellectual concept: it calls for contemplation of the endlessly complex, dynamic, and fascinating world that human being inhabit. But the possibilities for wide-ranging discussion are such that scholars sometimes end up talking past one another. Productive conversation requires mutual understanding of insights across disciplinary boundaries. Knowing Creation offers an essential resource for helping scholars from a range of fields to appreciate one another's concerns and perspectives. In so doing, it offers an important step forward in establishing a mutually-enriching dialogue that addresses, amongst others, the following key questions: Who is the God who creates? Why does God create? What is "creation"? What does it mean to recognize that a theology of creation speaks of a natural world that is subject to the observation of the natural sciences? What does it mean to talk about both a "natural" order and a "created" order? What are the major tensions that have arisen between the natural sciences and Christian thinking historically, and why? How can we move beyond such tensions to a positive and constructive conversation, while also avoiding facile notions such as a "god of the gaps"? Is it feasible for a natural scientist to maintain a belief in God's continuing creative activity? In what ways might a naturalistic understanding of the natural world be said to be limited? How can biblical studies, theology, philosophy, history, and science talk better together about these questions? At a time when the doctrine of creation - and even a mention of "creation" - has been disparaged due to its supposed associations with anti-scientific dogma, and theological offerings sometimes risk appearing a little more than reactionary exercises in naive apologetics, ill-informed by science or distinctly wary of engagement with it, it is more important than ever to offer a cross-disciplinary resource that can voice a positive account of a Christian theology of creation, and do so as a genuinely broad-ranging conversation about science and faith.Contributors to Knowing Creation include Marilyn McCord Adams, Denis Alexander, Susan Eastman, C. Stephen Evans, Peter van Inwagen, Christoph Schwobel, John H. Walton, Francis Watson, and more.

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The abolition of the slave trade is normally understood to be the singular achievement of eighteenth-century British liberalism. Abolitionism and Imperialism in Britain, Africa, and the Atlantic expands both the temporal and the geographic framework in which the history of abolitionism is conceived. Abolitionism was a theater in which a variety of actors—slaves, African rulers, Caribbean planters, working-class radicals, British evangelicals, African political entrepreneurs—played a part. The Atlantic was an echo chamber, in which abolitionist symbols, ideas, and evidence were generated from a variety of vantage points. These essays highlight the range of political and moral projects in which the advocates of abolitionism were engaged, and in so doing it joins together geographies that are normally studied in isolation. Where empires are often understood to involve the government of one people over another, Abolitionism and Imperialism shows that British values were formed, debated, and remade in the space of empire. Africans were not simply objects of British liberals’ benevolence. They played an active role in shaping, and extending, the values that Britain now regards as part of its national character. This book is therefore a contribution to the larger scholarship about the nature of modern empires. Contributors: Christopher Leslie Brown, Seymour Drescher, Jonathon Glassman, Boyd Hilton, Robin Law, Phillip D. Morgan, Derek R. Peterson, John K. Thornton

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In the United States, there exists increasing uneasiness about the predominance of self-interest in both public and private life, growing fear about the fragmentation and privatization of American society, mounting concerns about the effects of institutions—ranging from families to schools to the media—on the character of young people, and a renewed tendency to believe that without certain traditional virtues neither public leaders nor public policies are likely to succeed. In this thirty-fourth volume in The American Society of Legal and Political Philosophy, a distinguished group of international scholars from a range of disciplines examines what is meant by virtue, analyzing various historical and analytical meanings of virtue, notions of liberal virtue, civic virtue, and judicial virtue, and the nature of secular and theological virtue. The contributors include: Jean Baechler (University of Paris-Sorbonne), Annette C. Baier (University of Pittsburgh), Ronald Beiner (University of Toronto), Christopher J. Berry (University of Glasgow), J. Budziszweski (University of Texas), Charles Larmore (Columbia University), David Luban (University of Maryland), Stephen Macedo (Harvard University), Michael J. Perry (Northwestern University), Terry Pinkard (Georgetown University), Jonathan Riley (Tulane University), George Sher (University of Vermont), Judith N. Shklar (Harvard University), Rogers M. Smith (Yale University), David A. Strauss (University of Chicago), and Joan C. Williams (American University).

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A passionate, illuminating exploration of Shakespeare's greatest plays and characters, by the director of acclaimed theatre company Shakespeare at the Tobacco Factory. Combining close textual analysis with practical insights based on his extensive experience of directing Shakespeare's plays, Andrew Hilton delves into a fascinating range of topics such as emotional truth in the comedies, the importance of the plays' social dynamics, the choice of settings and periods, making and withholding moral judgements, working with different versions of the texts, and even adapting them. Throughout, Hilton urges us as audiences and theatre-makers to set aside our preconceived notions, and instead to approach Shakespeare's plays with an open mind, moment by moment, so that we can connect with them in fresh and vital ways. 'The clear-sightedness, wit and depth of knowledge and insight into the plays and their worlds is unparalleled... should be required reading for everyone approaching these plays... A fabulous book, brimful of wisdom and revelations and a gift to anyone interested in Shakespeare or, quite frankly, in people' John Heffernan, actor 'Andrew Hilton's Tobacco Factory Shakespeares were an inspiration... What audiences saw and heard was not a display but an uncovering. His productions did not add to the drama: they revealed it... In Shakespeare on the Factory Floor, Hilton has once again lit up Shakespeare: lucid and penetrating on the page and on the stage' Susannah Clapp, theatre critic of the Observer 'The detail and simplicity of Andrew Hilton's directing is as potent in his writing as it is in the rehearsal room... A wonderful book' Dorothea Myer-Bennett, actor 'Andrew Hilton has used his rich experience of many years to create a penetrating, timely and distinctive study of the plays… I only wish this book had been around when first I read Shakespeare. It would have opened my eyes and my mind much earlier' Professor Sir Christopher Frayling, Former Rector of the Royal College of Art and Chair of Arts Council England 'Andrew Hilton's fascinating book reveals how theatrical performance offers insights into longstanding questions of literary interpretation… Written in an engaging and readable style, it will be of interest to actors, directors, scholars and anyone who enjoys reading Shakespeare's plays or seeing them performed' Lesel Dawson, Senior Lecturer in English at the University of Bristol

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Since its sudden and dramatic formation upon winning the competition to design Paisley Civic Centre in 1963, Hutchison, Locke and Monk (HLM Architects) has consistently served and adapted to the changing requirements of Britain’s welfare state, and has instinctively dedicated its professional services to community architecture.Conceived from the perspective of founding partner Tony Monk, this book reveals the inside story of how the partnership has grown over 50 years to become a leading UK national practice. It sets out the early influences and progressive design philosophy of HLM Architects and analyses how they developed their design ethos from late-modern through contextual post-modern architectural styles by the early 1980s, and then matured into producing its own contemporary designs, explaining why these changes took place over that period. As well as reflecting the transformations in the social and political landscapes and in aesthetic approaches, it also inevitably records the changing social history of the architectural profession from labour-intensive manual presentations using drafting pens and drawing boards, through to the slick mass-produced computer modelling that accompanied the digital revolution, and the fundamental adjustments needed to meet the realities of managing an efficient modern commercial business.Working with the HLM Board, the authoritative contributors are Directors who have used their knowledge and experience in responding to government legislation with innovative architectural solutions in their specialist fields. HLM Chairman Christopher Liddle is a leading exponent of defence and custodial procurement, alongside Caroline Buckingham in education and Leslie Welch in healthcare. Their award winning projects now help formulate current policy. The critical Introduction by Dr Edward Denison re-examines the practice’s philosophy and contribution to the evolving welfare state during the second half of the twentieth century. The conclusion is a perceptive assessment of the future direction of the architectural profession and a statement of HLM’s continuing commitment to improving our society. The complex relationships described shed new light on previous architectural theories and, in doing so, this book adds to the knowledge of post-war British architecture.

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Shaped by the increasing commercialization of economic relations, the social agitation of the agricultural and artisan classes, and the growing formalization of status consciousness, the cultural landscape of late medieval England was fertile territory for the representation of work. In The Voice of the Hammer, Nicola Masciandaro examines the Middle English lexicon, accounts of the history of work, and the poetry of Geoffrey Chaucer to reveal that late medieval society understood work as a distinct and problematical field of experience, and that concerns over the relation of work to life were as pressing then as now. "This book deals with questions that historians of late medieval labour scarcely dare to ask—what is the meaning of the words werk, swink, and craft? How did people in the fourteenth century conceptualize and value work? Much superficial speculation about whether people regarded work as punishing or virtuous can be set aside, as Nicola Masciandaro has applied his formidable learning to supply a nuanced and authoritative analysis of the thinking of such writers as Chaucer and Gower. Anyone enquiring into late medieval attitudes to labour must now take account of this important book."—Christopher Dyer, University of Leicester "In The Voice of the Hammer, Nicola Masciandaro engagingly presents a large issue with elegance and capaciousness. His subtle and significant readings of all of the works he addresses support the ingenious topics and important ideas he has highlighted in the broad field of late medieval ideas of labor, at once so central to the concerns of later Middle English poetry and so widely disseminated in the culture from which that arose."—Andrew Galloway, Cornell University "Nicola Masciandaro shows us a contested and complex Middle English set of attitudes towards work, incorporating ideas about nature, humanity's place in the world, and the relation of the present to a simpler past. He gives an intriguing account of the multiple meanings of work in English and shows that texts often regarded as denunciations of workers or of technical progress are more interesting statements about the ambiguity of humanity's control over the world and subjugation to its laws. The result is an important and perceptive contribution to the history of medieval social thought."—Paul Freedman, Chester D. Tripp Professor of History, Yale University

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WARRIORS AND SOLDIERS TIED TOGETHER THROUGHOUT TIME AND SPACE. From the distant past to the far future, those who carry the sword rack up commendations for bravery. They are men and women who, like the swords they carry, have been forged in blood. These are their stories. In medieval Japan, a surly ronin is called upon to defend a village against a thieving tax collector who soon finds out it's not wise to anger an old, tired man. In the ugliest fighting in the Pacific Theater, an American sergeant and a Japanese lieutenant must face each other, and themselves. A former US Marine chooses sides with outnumbered Indonesian refugees against an invading army from Java. When her lover is stolen by death, a sergeant fighting on a far-flung world vows vengeance that will become legendary. And, when a planet fragments in violent chaos, seven Freeholders volunteer to help protect another nation's embassy against a horde. Featuring all-new stories by Michael Z. Williamson, Larry Correia, Tom Kratman, Tony Daniel, Micahel Massa, Peter Grant, John F. Holmes, and many more. Contributors: Zachary Hill Larry Correia Michael Massa John F. Holmes Rob Reed Dale Flowers Tom Kratman Leo Champion Peter Grant Christopher L. Smith Jason Cordova Tony Daniel Kacey Ezell Michael Z. Williamson About Michael Z. Williamson: “A fast-paced, compulsive read . . . will appeal to fans of John Ringo, David Drake, Lois McMaster Bujold, and David Weber.”—Kliatt “Williamson's military expertise is impressive.”—SF Reviews Novels of Michael Z. Williamson's Freehold Universe: Freehold series Freehold The Weapon The Rogue Contact with Chaos Angeleyes Freehold: Forged in Blood Ripple Creek series Better to Beg Forgiveness . . . Do Unto Others . . . When Diplomacy Fails . . . Standalone A Long Time Until Now

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Gnostic poet, painter, writer, and magician Aleister Crowley arrived in Berlin on April 18, 1930. As prophet of his syncretic religion "Thelema," he wanted to be among the leaders of art and thought, and Berlin, the liberated future-gazing metropolis, wanted him. There he would live, until his hurried departure on June 22, 1932, as Hitler was rapidly rising to power and the black curtain of intolerance came down upon the city. Known to his friends affectionately as "The Beast," Crowley saw the closing lights of Berlin's artistic renaissance of the Weimar period when Berlin played host to many of the world's most outstanding artists, writers, filmmakers, performers, composers, architects, philosophers, and scientists, including Albert Einstein, Bertolt Brecht, Ethel Mannin, Otto Dix, Aldous Huxley, Jean Ross, Christopher Isherwood, and many other luminaries of a glittering world soon to be trampled into the mud by the global bloodbath of World War II. Drawing on previously unpublished letters and diary material by Crowley, Tobias Churton examines Crowley's years in Berlin and his intense focus on his art, his work as a spy for British Intelligence, his colorful love life and sex magick exploits, and his contacts with German Theosophy, Freemasonry, and magical orders. He recounts the fates of Crowley's colleagues under the Nazis as well as what happened to Crowley's lost art exhibition--six crates of paintings left behind in Germany as the Gestapo was closing in. Revealing the real Crowley long hidden from the historical record, Churton presents "the Beast" anew in all his ambiguous and, for some, terrifying glory, at a blazing, seminal moment in the history of the world.

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Cities and Citizenship is a prize-winning collection of essays that considers the importance of cities in the making of modern citizens. For most of the modern era the nation and not the city has been the principal domain of citizenship. This volume demonstrates, however, that cities are especially salient sites for examining the current renegotiations of citizenship, democracy, and national belonging. Just as relations between nations are changing in the current phase of global capitalism, so too are relations between nations and cities. Written by internationally prominent scholars, the essays in Cities and Citizenship propose that “place” remains fundamental to these changes and that cities are crucial places for the development of new alignments of local and global identity. Through case studies from Africa, Europe, Latin America, and North America, the volume shows how cities make manifest national and transnational realignments of citizenship and how they generate new possibilities for democratic politics that transform people as citizens. Previously published as a special issue of Public Culture that won the 1996 Best Single Issue of a Journal Award from the Professional/Scholarly Publishing Division of the Association of American Publishers, the collection showcases a photo essay by Cristiano Mascaro, as well as two new essays by James Holston and Thomas Bender. Cities and Citizenship will interest students and scholars of anthropology, geography, sociology, planning, and urban studies, as well as globalization and political science.Contributors. Arjun Appadurai, Etienne Balibar, Thomas Bender, Teresa P. R. Caldeira, Mamadou Diouf, Dilip Parameshwar Gaonkar, James Holston, Marco Jacquemet, Christopher Kamrath, Cristiano Mascaro, Saskia Sassen, Michael Watts, Michel Wieviorka

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Train-loving children ages 0 to 3 will be thrilled to read this new Thomas & Friends™ Halloween board book based on the Thomas & Friends: All Engines Go™ series on Netflix and Cartoon Network.Train-loving boys and girls ages 0 to 3 will be thrilled to read this new board book based on the Thomas & Friends: All Engines Go™ series on Netflix and Cartoon Network..As the hero of his own adventure in the Thomas & Friends: All Engines Go™ series, Thomas will be center stage and we will see the world through his young eyes. More playful and relatable than ever before, his competitive spirit will be readily apparent as he strives to be the Number One Tank Engine on Sodor through play, trial and error, and just enjoying being a kid.In the early 1940s, a loving father crafted a small blue wooden train engine for his son, Christopher. The stories that this father, the Reverend W Awdry, made up to accompany the wonderful toy were first published in 1945 and became the basis for the Railway Series, a collection of books about Thomas the Tank Engine and his friends--and the rest is history.The Thomas & Friends characters are now a big extended family of engines and others on the Island of Sodor. They appear not only in books but also in television shows and movies, and as a wide variety of beautifully made toys. The adventures of Thomas and his friends, which are always, ultimately, about friendship, have delighted generations of train-loving boys and girls for more than 70 years and will continue to do so for generations to come.

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The life of William Shakespeare, Britain's greatest dramatist, was inextricably linked with the history of London. Together, the great writer and the great city came of age and confronted triumph and tragedy. Triumph came when Shakespeare's company, the Chamberlain's Men, opened the Globe playhouse on Bankside in 1599, under the patronage of Queen Elizabeth I. Tragedy touched the lives of many of his contemporaries, from fellow playwright Christopher Marlowe to the disgraced Earl of Essex, while London struggled against the ever-present threat of riots, rebellions and outbreaks of plague. Globetakes its readers on a tour of London through Shakespeare's life and work, as, in fascinating detail, Catharine Arnold tells how acting came of age. We learn about James Burbage, founder of the original Theatre in Shoreditch, who carried timbers across the Thames to build the Globe among the bear-gardens and brothels of Bankside, and of the terrible night in 1613 when the theatre caught fire during a performance of King Henry VIII. Rebuilt, the Globe continued to stand as a monument to Shakespeare's genius until 1642 when it was destroyed on the orders of Oliver Cromwell. And finally we learn how 300 years later, Shakespeare's Globe opened once more upon the Bankside, to great acclaim, rising like a phoenix from the flames Arnold creates a vivid portrait of Shakespeare and his London from the bard's own plays and contemporary sources, combining a novelist's eye for detail with a historian's grasp of his unique contribution to the development of the English theatre. This is a portrait of Shakespeare, London, the man and the myth.

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A key way that behavioral ecologists develop general theories of animal behavior is by studying one species or a closely related group of species--"model systems"--over a long period. This book brings together some of the field's most respected researchers to describe why they chose their systems, how they integrate theoretical, conceptual, and empirical work, lessons for the practice of the discipline, and potential avenues of future research. Their model systems encompass a wide range of animals and behavioral issues, from dung flies to sticklebacks, dolphins to African wild dogs, from foraging to aggression, territoriality to reproductive suppression. Model Systems in Behavioral Ecology offers an unprecedented "systems" focus and revealing insights into the confluence of personal curiosity and scientific inquiry. It will be an invaluable text for behavioral ecology courses and a helpful overview--and a preview of coming developments--for advanced researchers. The twenty-five chapters are divided into four sections: insects and arachnids, amphibians and reptiles, birds, and mammals. In addition to the editor, the contributors include Geoff A. Parker, Thomas D. Seeley, Naomi Pierce, Kern Reeve, Gerald S. Wilkinson, Bert Holldobler and Flavio Roces, George W. Uetz, Michael J. Ryan and Gil Rosenthal, Judy Stamps, H. Carl Gerhardt, Barry Sinervo, Robert Warner, Manfred Milinski, David F. Westneat, Alan C. Kamil and Alan B. Bond, Paul Sherman, Jerram L. Brown, Anders Pape Moller, Marc Bekoff, Richard C. Connor, Joan B. Silk, Christopher Boesch, Scott Creel, A.H. Harcourt, and Tim Caro and M. J. Kelly.

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'Theo’s book is brilliant. What you would call a delightful sunny Mediterranean day on a plate' Jean-Christophe Novelli 'Inventively combines ingredients and foods...fun and accessible...These tempting recipes will inspire both novice and skilled party hosts' – Publishers Weekly Create a brand new dining experience in your own home with 75 recipes from MasterChef UK’s Theo Michaels, presented as themed menus on stunning sharing boards. Here you will discover delicious food, presented with maximum visual appeal and designed to be shared by a group of people. Theo has been presenting his creative cooking this way at events of all sizes and styles for some time, his aim to create an interactive and relaxed dining experience that brings people together. Now he brings his unique vision to your home. Downsized to feed six to eight people and easily achievable, these exciting sharing menus are perfect for modern, communal eating. The book opens with a sharing board comprised of bought-in deli-style foods to get you started, with expert pointers on how to create a visually stunning presentation. Next, each of the themed boards is dedicated to one concept and features recipes as well as suggestions for aromatic and edible garnishes to help you create a feast for the eyes, senses and taste buds. Menus include a relaxed brunch, a summer picnic, a harvest celebration, an indulgent feast, treats to satisfy a sweet tooth, plus plenty for vegans, pescatarians and meat-lovers.

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This is a unique book written by one of the leading scholars in the field. It uses detailed case studies to analyze the successes, failures and challenges of renewable energy initiatives in developing and emerging countries.Incorporating the insights and perspectives of researchers who come from the respective countries covered, the study compares some of the most exciting success stories, including: China's meteoric rise from near zero use of renewable energy to being the world leader in solar thermal, solar photovoltaic and wind energy; Brazil's success in becoming the world s top ethanol producer and exporter; and India's pioneering use of a hedge plant to produce biodiesel and its use of animal and human wastes for rural electrification. The book also describes Indonesia s disastrous palm oil program which cut down its forests and excavated its peat bogs. It concludes that good leadership is the largest factor in success, but that it is also critical to include public participation, training, transparency, environmental consideration, fair labor practices, protection against exploitation and enforcement.This book is designed to be helpful to other countries seeking to initiate renewable energy programs. It will appeal to local administrators and policymakers, field personnel from UN agencies and NGOs, and renewable energy funders, as well as to academic researchers.Contents: Preface Introduction 1. Case Studies of Renewable Energy in China with Chen Yitong, Long Xue and Zheyuan Liu 2. Nuclear Power in China: Successes and Challenges with Jingru Feng 3. Renewable Energy in the Philippines with Alvin K. Leong 4. Case Study of the Implementation of the Integrated Solar Combined Cycle Pilot Plant in Aïn Beni Mathar, Morocco with Alexis Thuau 5. Case Study of Biofuels in India with Sayan S. Das 6. Case Study of Renewable Energy in Brazil with Douglas S. Figueiredo and Lia Helena M.L. Demange 7. Case Study of Indonesia's Palm Oil-based Biodiesel Program with Christopher J. Riti 8. Case Study of Renewable Energy in Pakistan with Shakeel Kazmi 9. Conclusion Index

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What do our myths say about us? Why do we choose to believe stories that have been disproven? David M. Krueger takes an in-depth look at a legend that held tremendous power in one corner of Minnesota, helping to define both a community’s and a state’s identity for decades.In 1898, a Swedish immigrant farmer claimed to have discovered a large rock with writing carved into its surface in a field near Kensington, Minnesota. The writing told a North American origin story, predating Christopher Columbus’s exploration, in which Viking missionaries reached what is now Minnesota in 1362 only to be massacred by Indians. The tale’s credibility was quickly challenged and ultimately undermined by experts, but the myth took hold.Faith in the authenticity of the Kensington Rune Stone was a crucial part of the local Nordic identity. Accepted and proclaimed as truth, the story of the Rune Stone recast Native Americans as villains. The community used the account as the basis for civic celebrations for years, and advocates for the stone continue to promote its validity despite the overwhelming evidence that it was a hoax. Krueger puts this stubborn conviction in context and shows how confidence in the legitimacy of the stone has deep implications for a wide variety of Minnesotans who embraced it, including Scandinavian immigrants, Catholics, small-town boosters, and those who desired to commemorate the white settlers who died in the Dakota War of 1862.Krueger demonstrates how the resilient belief in the Rune Stone is a form of civil religion, with aspects that defy logic but illustrate how communities characterize themselves. He reveals something unique about America’s preoccupation with divine right and its troubled way of coming to terms with the history of the continent’s first residents. By considering who is included, who is left out, and how heroes and villains are created in the stories we tell about the past, Myths of the Rune Stone offers an enlightening perspective on not just Minnesota but the United States as well.

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Everything stays the same for the tenants of The Beresford, a grand old apartment building just outside the city … until the doorbell rings… Will Carver returns with an eerie, deliciously and uncomfortably dark standalone thriller. ‘A gripping novel laced with humour and cutting character insight … a thrill from start to finish. Expect the unexpected!' Sarah Pinborough ‘Equally enthralling and appalling … unlike anything I’ve read in a very long while’ James Oswald ‘Ridiculously addictive’ S J Watson _______________ Just outside the city – any city, every city – is a grand, spacious but affordable apartment building called The Beresford. There’s a routine at The Beresford. For Mrs May, every day’s the same: a cup of cold, black coffee in the morning, pruning roses, checking on her tenants, wine, prayer and an afternoon nap. She never leaves the building. Abe Schwartz also lives at The Beresford. His housemate, Sythe, no longer does. Because Abe just killed him. In exactly sixty seconds, Blair Conroy will ring the doorbell to her new home and Abe will answer the door. They will become friends. Perhaps lovers. And, when the time comes for one of them to die, as is always the case at The Beresford, there will be sixty seconds to move the body before the next unknowing soul arrives at the door. Because nothing changes at The Beresford, until the doorbell rings… Eerie, dark, superbly twisted and majestically plotted, The Beresford is the stunning standalone thriller from one of crime fiction’s most exciting names. _______________ ‘Creepy and brilliant’ Khurrum Rahman ‘Reminiscent of The Shining … a creeping and perfectly crafted novel tinged with dark humour and malice’ Victoria Selman ‘A masterfully macabre tale’ Louise Mumford ‘I stepped into the imagination of Will Carver and it swallowed me whole’ Matt Wesolowski ‘Magnificently, compulsively chilling’ Margaret Kirk ‘Fans of Chuck Palahniuk will adore Carver … he is utterly brilliant’ Christopher Hooley ‘Devilishly dark and maniacally brilliant" Raven Crime Reads ‘Slick, stylish ... a sharply crafted and delectable slice of entertaining darkness’ The Tattooed Book Geek ‘Intense, brilliant, horrific, humorous and everything in between’ Liz Loves Books

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NOMINATED FOR THE RIBA INTERNATIONAL BOOK AWARD 2007. In this book Nili Portugali, presents her particular interpretation of the holistic-phenomenological worldview in theory and in practice, a worldview which stands in recent years at the forefront of the scientific discourse, and is tightly related to Buddhist philosophy. The purpose of architecture is first and foremost to create a human environment for human beings. The real challenge of current architectural practice is to make the best use of the potential inherent in our modern technological age. Yet, modern society has lost the value of man and thus created a feeling of alienation between man and the environment. Contemporary architecture sought to dissociate itself from the world of emotions and connect the design process to the world of ideas, thus creating a rational relation between building and man, devoid of any emotion. Portugali argues that in order to change the feeling of the environment and create places and buildings we really feel at home' and want to live in, what is needed is not a change of style or fashion, but a transformation of the mechanistic worldview underlying current thought and approaches. Based on Christopher Alexander's basic assumption that behind human architecture there are universal and eternal codes common to us all as human beings, and that there is absolute truth underlying beauty and comfort, Portugali demonstrates how this approach, as well as her unique planning process stemming from it (based on the way things actually exist already on site) generates that common spiritual experience people undergo in buildings endowed with soul, no matter where or from what culture they come from. That she demonstrates through a variety of her buildings and projects (with over 600 color illustrations and drawings), in relation to the physical, cultural and social reality of the place they were planned and built on, an Israeli reality which reflects a unique interface between the orient and the west, a cultural interface she personally represents. The book is valuable to architects, artists, scientists, philosophers and anyone who cares about the quality and beauty of the environment we live in.

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Volume 101 of Harvard Studies in Classical Philology includes the following contributions: Stephen Scully, “Reading the Shield of Achilles: Terror, Anger, Delight”; Hugh Lloyd-Jones, “Zeus, Prometheus, and Greek Ethics”; Robert W. Wallace, “An Early Fifth-Century Athenian Revolution in Aulos Music”; Lucia Athanassaki, “Transformations of Colonial Disruption into Narrative Continuity in Pindar’s Epinician Odes”; Christina Clark, “Minos’ Touch and Theseus’ Glare: Gestures in Bakkhylides 17”; Peter Grossardt, “The Title of Aeschylus’ Ostologoi”; John Gibert, “Apollo’s Sacrifice: The Limits of a Metaphor in Greek Tragedy”; Albert Henrichs, “Hieroi Logoi and Hierai Bibloi: The (Un)Written Margins of the Sacred in Ancient Greece”; David M. Engel, “Women’s Role in the Home and the State: Stoic Theory Reconsidered”; James J. Clauss, “Once upon a Time on Cos: A Banquet with Pan on the Side in Theocritus Idyll 7”; Alexander Sens, “Pleasures Recalled: A.R. 3.813–814, Asclepiades, and Homer”; Christopher S. Mackay, “Quaestiones Pisonianae: Procedural and Chronological Notes on the S.C. De Cn. Pisone Patre”; Alex Hardie, “The Pindaric Sources of Horace Odes 1.12”; Charles E. Murgia, “The Date of the Helen Episode”; Mark Toher, “Nicolaus and Herod in the Antiquitates Judaicae”; W. S. Watt,† “Notes on the Anthologia Latina”; D. R. Shackleton Bailey, “New Readings in Valerius Maximus”; and R. Sklenář, “The Cosm(et)ology of Claudian’s ‘In Sepulchrum Speciosae.’”

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Classic hardback edition of the first volume of The Lord of the Rings, featuring Tolkien’s original unused dust-jacket design. Includes special packaging and the definitive edition of the text with fold-out map and colour plate section. Sauron, the Dark Lord, has gathered to him all the Rings of Power – the means by which he intends to rule Middle-earth. All he lacks in his plans for dominion is the One Ring – the ring that rules them all – which has fallen into the hands of the hobbit, Bilbo Baggins. In a sleepy village in the Shire, young Frodo Baggins finds himself faced with an immense task, as his elderly cousin Bilbo entrusts the Ring to his care. Frodo must leave his home and make a perilous journey across Middle-earth to the Cracks of Doom, there to destroy the Ring and foil the Dark Lord in his evil purpose. This classic hardback features Tolkien’s original unused dust-jacket design, and its text has been fully restored with almost 400 corrections – with the full co-operation of Christopher Tolkien – making it the definitive version, and as close as possible to the version that J.R.R. Tolkien intended. Also included is the original red and black map of the Shire and – for the first time – a special plate section containing the pages from the Book of Mazarbul.

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Practices of experimentation lie at the heart of creative research and teaching in higher education in arts. The Department of Art & Media at Zurich University of the Arts offers a unique teaching and research environment as a laboratory of converging and diverging practices of experimentation. Its Bachelor and Master's programs are supported by two research institutes within the department, the Institute for Contemporary Art Research (IFCAR) and the Institute for Critical Theory (ith). Practices of Experimentation investigates how the different fields of fine arts, photography, media arts and theory interlace with each other, inspire and differentiate one and another. The book presents 15 positions in text, image, video and sound by theorists and artists. They enquire how practices of experimentation constitute one of the most advanced approaches to research and teaching in arts worldwide. They ask how practices of experimentation are able to unfold, take position and enquire current discourses on artistic creation, the relation between art schools and society, the specific production of knowledge in the arts and the particularities of inter- and trans-disciplinary teaching and research in the arts. Contains essays by Essays by Ute Meta Bauer, Maria Eichhorn, Knowbotic Research, Jorg Huber, Marianne Muller, Gerald Raunig, Nils Roller, Richard Wentworth. With a foreword by Giaco Schiesser and Christoph Brunner.

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In eighteen enlightening essays, the critic Brooke Allen explores the lives and work of some of the last century's most brilliant and eccentric literary talents. It was a century that apotheosized ideology and frequently demanded evidence of political engagement from its artists and intellectuals. Some of the writers considered in Twentieth-Century Attitudes found a spiritual home in the left (George Bernard Shaw, Christopher Isherwood, Sylvia Townsend Warner); others, like Evelyn Waugh, in the right; still others maneuvered the shifting ideological sands with a more measured skepticism. It was also a century during which the dictates of fashion, both social and intellectual, changed with unprecedented rapidity. A few of the writers Ms. Allen considers, like James Baldwin and Saul Bellow, struggled honorably but not always with success to reconcile their artistic intentions with intellectual fashion; others, like Colette and H. G. Wells, took an avid role in the drama of their historical moment and triumphantly communicated that sense of drama to their descendants. Really good writers, as Ms. Allen shows, do not write well in spite of the foibles, prejudices, and fallacies of their times; instead they crystallize these oddities into something universal. The writers in Twentieth-Century Attitudes embody in their very different ways the various attitudes of their contentious century and the success or failure of attempts to transcend these attitudes. Ms. Allen's essays, which combine extensive biographical information with new critical insights, richly illustrate the tenuous and often bizarre links between character and talent, between historical circumstances and individual vision.

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Pope John Paul II was a great defender of truly vulnerable human beings throughout his life, affirming their personhood consistently and powerfully. In John Paul II on the Vulnerable, Jeffrey Tranzillo provides a lucid introduction to John Paul II’s philosophical and theological understanding of the human person. Unlike other writings on the topic, Tranzillo’s explicit aim is to highlight an aspect of John Paul’s work that has been largely neglected until now. He shows convincingly that John Paul’s seminal reflections on the human being as a personal agent progressed over time to include human beings at even the most vulnerable stages of development or decline. With this advance in thought, the pontiff began to declare eloquently that the vulnerable are capable of contributing to and enriching the human community through their activity. An engaging overview of John Paul II’s life, thought, and work introduces the book and provides readers with helpful background material. It shows that John Paul’s interest in, and lofty regard for, the human person is rooted in his strong Catholic faith and in the extraordinary life experiences that he interpreted in its light. Following this is an examination of his principal works on the human person, emphasizing their implications for vulnerable human beings as persons and actors. Tranzillo considers this theme in the light of selected Christological texts of John Paul II and then reflects on John Paul’s portrayal of the vulnerable in his social encyclicals and Evangelium Vitae. A final chapter develops the anthropological underpinnings of John Paul’s thought on the radically vulnerable and their personal agency.

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Nicholas Hawksmoor (1662-1736) is considered one of Britain's greatest architects. He was involved in the grandest architectural projects of his age and today is best known for his London churches - six idiosyncratic edifices of white Portland stone that remain standing today, proud and tall in the otherwise radically changed cityscape. Until comparatively recently, however, Hawksmoor was thought to be, at best, a second-rate talent: merely Sir Christopher Wren's slightly odd apprentice, or the practically minded assistant to Sir John Vanbrugh. This book brings to life the dramatic story of Hawksmoor's resurrection from the margins of history.Charting Hawksmoor's career and the decline of his reputation, Owen Hopkins offers fresh interpretations of many of his famous works - notably his three East End churches - and shows how over their history Hawksmoor's buildings have been ignored, abused, altered, recovered and celebrated. Hopkins also charts how, as Hawksmoor returned to prominenceduring the twentieth century, his work caught the eye of observers as diverse as T. S.Eliot, James Stirling, Robert Venturi and, most famously, Peter Ackroyd, whose novel Hawksmoor (1985) popularized 12 the mythical association of his work with the occult. Meanwhile, passionate campaigns were mounted to save and restore Hawksmoor's churches, reflecting the strange hold his architecture can have over observers. There is surely no other body of work in British architectural history with the same capacity to intrigue and inspire, perplex and provoke as Hawksmoor's has done for nearly three centuries.

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Shows how postwar writers in Austria and Yugoslavia re-imagined the concept of Mitteleuropa, Central Europe, as a cultural space between nostalgia and totalitarianism. The German term Mitteleuropa, or Central Europe, was never just a geographical concept: it connoted extending German influence to the east. In the 1980s, the eastern European dissident writers György Konrád, Czesław Miłosz, and Milan Kundera revived the concept to counter a perceived Cold War memory vacuum, aligning themselves with the multiethnic and multilingual legacy of the Habsburg Empire. Their observations gave rise to a protracted public debate that posited literature against politics. This debate was both anticipated and expanded upon in postwar literary works by Ingeborg Bachmann, Peter Handke, and Christoph Ransmayr in Austria, and Danilo Kiš, Aleksandar Tišma, and Dubravka Ugrešić in (the former) Yugoslavia, all of whom questioned notions of geographic identity and national allegiance by imagining Mitteleuropa as a cultural space between nostalgia and totalitarianism. Yvonne Zivkovic draws on space and memory studies to show how Mitteleuropa emerged as an alternate memory discourse that reveals deep ties between the Second Austrian Republic and the Socialist Federal Republic of Yugoslavia. The writers discussed address the major themes of the 1980s debate - traumatic memory, geographic displacement, and transnationalism - but also share a literary aesthetics that privileges the intersections of prose fiction and the essay, the literary fragment, and intertextuality. Zivkovic's book shows the persistence of Mitteleuropa as a literary network and as a cultural collective that examines civic values against public tendencies of memory manipulation.

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Illuminates our understanding of the soul as a historically and philosophically vital concept through Shakespearean drama Second Death seeks to revitalise our understanding of the soul as a philosophically profound, theoretically radical, and ultimately—and counterintuitively—theatrically realised concept. The book contends that the work of Shakespeare, when closely read alongside early modern cultural and religious writings, helps us understand the soul’s historical placement as a powerful paradox: it was essential to establishing humanity but resistant to clear representation. Drawing from current critical theory as well as extensive historical research, Second Death examines works of Shakespearean drama, including The Merchant of Venice, Coriolanus, and The Winter’s Tale, to suggest that rather than simply being incapable of understanding or physical realisation, the soul expressed itself in complex and subtle modes of performance. As a result, this book offers new ways of looking at identity, theatre, and spirituality in Shakespeare’s era and in our own. Key Features Provides understanding of the soul as not only a religious, cultural, and literary concept, but also a theatrical one Discusses genealogy of the philosophical and theological traditions that inform the soul’s placement in the early modern era, from Plato to Protestantism Includes novel readings of key works of Shakespearean drama along with substantial analyses of other Shakespeare plays (King Lear, Hamlet) as well as other early modern works (by John Donne, Christopher Marlowe, John Foxe, John Stow, Thomas Middleton, John Milton, and others) Draws new interdisciplinary connections among theatre studies, Shakespeare, critical theory, and religious studies

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As Christopher Nolan’s Batman films and releases from the Marvel Cinematic Universe have regularly topped the box office charts, fans and critics alike might assume that the “comic book movie” is a distinctly twenty-first-century form. Yet adaptations of comics have been an integral part of American cinema from its very inception, with comics characters regularly leaping from the page to the screen and cinematic icons spawning comics of their own. Movie Comics is the first book to study the long history of both comics-to-film and film-to-comics adaptations, covering everything from silent films starring Happy Hooligan to sound films and serials featuring Dick Tracy and Superman to comic books starring John Wayne, Gene Autry, Bob Hope, Abbott & Costello, Alan Ladd, and Dean Martin and Jerry Lewis. With a special focus on the Classical Hollywood era, Blair Davis investigates the factors that spurred this media convergence, as the film and comics industries joined forces to expand the reach of their various brands. While analyzing this production history, he also tracks the artistic coevolution of films and comics, considering the many formal elements that each medium adopted and adapted from the other. As it explores our abiding desire to experience the same characters and stories in multiple forms, Movie Comics gives readers a new appreciation for the unique qualities of the illustrated page and the cinematic moving image.

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An unusual, searching, and poignant memoir of one man's quest to make sense of depression George Scialabba is a prolific critic and essayist known for his incisive, wide-ranging commentary on literature, philosophy, religion, and politics. He is also, like millions of others, a lifelong sufferer from clinical depression. In How To Be Depressed, Scialabba presents an edited selection of his mental health records spanning decades of treatment, framed by an introduction and an interview with renowned podcaster Christopher Lydon. The book also includes a wry and ruminative collection of "tips for the depressed," organized into something like a glossary of terms—among which are the names of numerous medications he has tried or researched over the years. Together, these texts form an unusual, searching, and poignant hybrid of essay and memoir, inviting readers into the hospital and the therapy office as Scialabba and his caregivers try to make sense of this baffling disease. In Scialabba's view, clinical depression amounts to an "utter waste." Unlike heart surgery or a broken leg, there is no relaxing convalescence and nothing to be learned (except, perhaps, who your friends are). It leaves you weakened and bewildered, unsure why you got sick or how you got well, praying that it never happens again but certain that it will. Scialabba documents his own struggles and draws from them insights that may prove useful to fellow-sufferers and general readers alike. In the place of dispensable banalities—"Hold on," "You will feel better," and so on—he offers an account of how it's been for him, in the hope that doing so might prove helpful to others.

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Camille Saint-Saens--perhaps the foremost French musical figure of the late nineteenth century and a composer who wrote in nearly every musical genre, from opera and the symphony to film music--is now being rediscovered after a century of modernism overshadowed his earlier importance. In a wide-ranging and trenchant series of essays, articles, and documents, Camille Saint-Saens and His World deconstructs the multiple realities behind the man and his music. Topics range from intimate glimpses of the private and playful Saint-Saens, to the composer's interest in astronomy and republican politics, his performances of Mozart and Rameau over eight decades, and his extensive travels around the world. This collection also analyzes the role he played in various musical societies and his complicated relationship with such composers as Liszt, Massenet, Wagner, and Ravel. Featuring the best contemporary scholarship on this crucial, formative period in French music, Camille Saint-Saens and His World restores the composer to his vital role as innovator and curator of Western music. The contributors are Byron Adams, Leon Botstein, Jean-Christophe Branger, Michel Duchesneau, Katharine Ellis, Annegret Fauser, Yves Gerard, Dana Gooley, Carolyn Guzski, Carol Hess, D. Kern Holoman, Leo Houziaux, Florence Launay, Stephane Leteure, Martin Marks, Mitchell Morris, Jann Pasler, William Peterson, Michael Puri, Sabina Teller Ratner, Laure Schnapper, Marie-Gabrielle Soret, Michael Stegemann, and Michael Strasser.

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American social critics in the 1970s, convinced that their nation was in decline, turned to psychoanalysis for answers and seized on narcissism as the sickness of the age. Books indicting Americans as greedy, shallow, and self-indulgent appeared, none more influential than Christopher Lasch’s famous 1978 jeremiad The Culture of Narcissism. This line of critique reached a crescendo the following year in Jimmy Carter’s “malaise speech” and has endured to this day.But as Elizabeth Lunbeck reveals, the American critics missed altogether the breakthrough in psychoanalytic thinking that was championing narcissism’s positive aspects. Psychoanalysts had clashed over narcissism from the moment Freud introduced it in 1914, and they had long been split on its defining aspects: How much self-love, self-esteem, and self-indulgence was normal and desirable? While Freud’s orthodox followers sided with asceticism, analytic dissenters argued for gratification. Fifty years later, the Viennese émigré Heinz Kohut led a psychoanalytic revolution centered on a “normal narcissism” that he claimed was the wellspring of human ambition, creativity, and empathy. But critics saw only pathology in narcissism. The result was the loss of a vital way to understand ourselves, our needs, and our desires.Narcissism’s rich and complex history is also the history of the shifting fortunes and powerful influence of psychoanalysis in American thought and culture. Telling this story, The Americanization of Narcissism ultimately opens a new view on the central questions faced by the self struggling amid the tumultuous crosscurrents of modernity.

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In A Social History of Modern Art, a sweeping multivolume social history of Western art from the French Revolution to World War I, Albert Boime moves beyond the concern with style and form that has traditionally characterized the study of art history and, in the tradition of Arnold Hauser, examines art in a broad historical context. Into his wide-ranging cultural inquiry Boime incorporates not only frequently studied mainstream artists and sculptors but also neglected and lesser known artists and unattributed popular imagery. He examines popular as well as official culture, the family as well as the state, and the conditions of the poor as well as of the affluent that affected cultural practice. This inaugural volume explores the artistic repercussions of the major political and economic events of the latter half of the eighteenth century: the Seven Years' War, the French Revolution, and the English industrial revolution. Boime examines the prerevolutionary popularity of the rococo style and the emergence of the cult of antiquity that followed the Seven Years' War. He shows how the continual experiments of Jacques-Louis David and others with neoclassical symbols and themes in the latter part of the century actively contributed to the transformation of French and English politics. Boime's analyses reveal the complex relationship of art with a wide range of contemporary attitudes and conditions—technological innovation, social and political tensions, commercial expansion, and the growth of capitalism. "Provocative and endlessly revealing."—Christopher Knight, Los Angeles Herald Examiner

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How the division of the Americas from the rest of the world affected human history.In 15,000 B.C. early humankind, who had evolved in Africa tens of thousands of years before and spread out to populate the Earth, arrived in Siberia, during the Ice Age. Because so much water was locked up at that time in the great ice sheets, several miles thick, the levels of the world's oceans were much lower than they are today, and early humans were able to walk across the Bering Strait, then a land bridge, without getting their feet wet and enter the Americas. Then, the Ice Age came to an end, the Bering Strait refilled with water and humans in the Americas were cut off from humans elsewhere in the world. This division - with two great populations on Earth, each oblivious of the other - continued until Christopher Columbus 'discovered' America just before 1500 A.D. This is the fascinating subject of THE GREAT DIVIDE, which compares and contrasts the development of humankind in the 'Old World' and the 'New' between 15,000 B.C. and 1500 A.D. This unprecedented comparison of early peoples means that, when these factors are taken together, they offer a uniquely revealing insight into what it means to be human.THE GREAT DIVIDE offers a masterly and totally original synthesis of archaeology, anthropology, geology, meteorology, cosmology and mythology, to give a new shape - and a new understanding - to human history.

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In recent decades, the technical handling of custody business in the OHADA region has undergone a lasting change. There has been a shift from a direct to an indirect holding system, in which the interests of an investor in respect of the underlying securities are recorded in the books of an intermediary (such as a bank or a securities firm). Under the law of all states within the OHADA region, the traditional conflict of laws rule for determining the enforceability of a securities pledge that occurs in the indirect holding system is the lex rei sitae (or the lex cartae sitae or the lex situs ) rule. However, the traditional lex rei sitae rule cannot be appropriately applied to a system where the dematerialised securities are held through multiple layers of intermediaries located in different jurisdictions. Yet, until the intermediated system and the collateralisation of intermediated securities in the OHADA region will continue to operate in somewhat legally murky waters, leading to more instability in the financial markets. Therefore, Justin Monsenepwoaims to find an appropriate and consistent approach that reflects the reality of the indirect holding system in the OHADA region. “This publication is essential reading for policy makers, academics, market participants, and legal practitioners in the OHADA region and beyond. I am convinced that its in-depth analysis of OHADA’s substantive and conflict of laws rules will go a long way in filling the gap in this area and encouraging further development in the future.” Christophe Bernasconi, Secretary General of the „Hague Conference on Private International Law“ – HCCH in the foreword

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Winner, APMA Best Atlantic-Published Book Award and The Critical Eye AwardHonourable Mention, Canadian Museums Association’s Outstanding Achievement in ResearchIn Future Possible, Mireille Eagan and other writers and artists navigate the tangled histories and cultures of Newfoundland and Labrador to investigate the visual output and to write the narrative that it has created. The result is an ambitious volume, arising from a two-part exhibition of the same name at The Rooms, that provides a multi-vocal, multi-faceted history spanning pre- and post-Confederation Newfoundland.Lavishly illustrated with reproductions of original works and installation views, Future Possible features essays by curators and artists on topics such as pre-Confederation art; contemporary art, craft, and Indigenous culture; and outsider and folk art. This intriguing volume places artifacts from the province’s history and work by iconic Newfoundland and Labrador artists such as Gerald Squires and Mary Pratt in conversation with works by contemporary artists like Jordan Bennett and Kym Greeley. Together they explore how history is told and retold through objects and images and how these objects and images, and the power structures that preserve them, define an understanding of place.Contributions from Mireille Eagan, Jamie Fitzpatrick, Andy Jones, Heather Igloliorte, Jeff Webb, Darryn Doull, Bushra Junaid, Cory Thorne, Kelley Totten, Patricia Grattan, Gerard Curtis, Caroline Stone, Craig Francis Power, Christopher Pratt, Logan MacDonald, Lisa Moore, Eva Crocker, Andria Hickey, and a foreword by Anne Chafe.

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A THE TIMES BOOK OF THE YEAR 2019'The best introduction to the plays I've read, perhaps the best book on Shakespeare, full stop' Alex Preston, Observer'It makes you impatient to see or re-read the plays at once' Hilary MantelA genius and prophet whose timeless works encapsulate the human condition like no others. A writer who surpassed his contemporaries in vision, originality and literary mastery. Who wrote like an angel, putting it all so much better than anyone else.Is this Shakespeare? Well, sort of.But it doesn't really tell us the whole truth. So much of what we say about Shakespeare is either not true, or just not relevant, deflecting us from investigating the challenges of his inconsistencies and flaws. This electrifying new book thrives on revealing, not resolving, the ambiguities of Shakespeare's plays and their changing topicality. It introduces an intellectually, theatrically and ethically exciting writer who engages with intersectionality as much as with Ovid, with economics as much as poetry: who writes in strikingly modern ways about individual agency, privacy, politics, celebrity and sex. It takes us into a world of politicking and copy-catting, as we watch him emulating the blockbusters of Christopher Marlowe and Thomas Kyd, the Spielberg and Tarantino of their day; flirting with and skirting round the cut-throat issues of succession politics, religious upheaval and technological change. The Shakespeare in this book poses awkward questions rather than offering bland answers, always implicating us in working out what it might mean.This is Shakespeare. And he needs your attention.

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'The cruelty and magnificence of Restoration London provides endless fascination . . . there's much to delight in this volume' The Times'Don Jordan's history captures the shifts [Charles II] engineered in trade and culture' NatureDuring the reign of Charles II, London was a city in flux. After years of civil war and political turmoil, England's capital became the centre for major advances in the sciences, the theatre, architecture, trade and ship-building that paved the way for the creation of the British Empire.At the heart of this activity was the King, whose return to power from exile in 1660 lit the fuse for an explosion in activity in all spheres of city life. London flourished, its wealth, vibrancy and success due to many figures famous today including Christopher Wren, Samuel Pepys and John Dryden - and others whom history has overlooked until now.Throughout the quarter-century Charles was on the throne, London suffered several serious reverses: the plague in 1665 and the Great Fire in 1666, and severe defeat in the Second Anglo-Dutch War, which brought about notable economic decline. But thanks to the genius and resilience of the people of London, and the occasionally wavering stewardship of the King, the city rose from the ashes to become the economic capital of Europe.The King's City tells the gripping story of a city that defined a nation and birthed modern Britain - and how the vision of great individuals helped to build the richly diverse place we know today.

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Although formal analysis programming techniques may be quite old, the introduction of formal methods only dates from the 1980s. These techniques enable us to analyze the behavior of a software application, described in a programming language. It took until the end of the 1990s before formal methods or the B method could be implemented in industrial applications or be usable in an industrial setting. Current literature only gives students and researchers very general overviews of formal methods. The purpose of this book is to present feedback from experience on the use of “formal methods” (such as proof and model-checking) in industrial examples within the transportation domain. This book is based on the experience of people who are currently involved in the creation and evaluation of safety critical system software. The involvement of people from within the industry allows us to avoid the usual problems of confidentiality which could arise and thus enables us to supply new useful information (photos, architecture plans, real examples, etc.). Topics covered by the chapters of this book include SAET-METEOR, the B method and B tools, model-based design using Simulink, the Simulink design verifier proof tool, the implementation and applications of SCADE (Safety Critical Application Development Environment), GATeL: A V&V Platform for SCADE models and ControlBuild. Contents 1. From Classic Languages to Formal Methods, Jean-Louis Boulanger. 2. Formal Method in the Railway Sector 
the First Complex Application: SAET-METEOR, Jean-Louis Boulanger. 3. The B Method and B Tools, Jean-Louis Boulanger. 4. Model-Based Design Using Simulink – Modeling, Code Generation, Verification, and Validation, Mirko Conrad and Pieter J. Mosterman. 5. Proving Global Properties with the Aid of the SIMULINK DESIGN VERIFIER Proof Tool, Véronique Delebarre and Jean-Frédéric Etienne. 6. SCADE: Implementation and Applications, Jean-Louis Camus. 7. GATeL: A V&V Platform for SCADE Models, Bruno Marre, Benjamin Bianc, Patricia Mouy and Christophe Junke. 8. ControlBuild, a Development Framework 
for Control Engineering, Franck Corbier. 9. Conclusion, Jean-Louis Boulanger.

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IT'S THE END OF THE WORLD AS WE KNOW IT...For decades, the apocalypse and its aftermath have yielded some of the most exciting short stories of all time. From David Brin's seminal "The Postman" to Hugh Howey's "Deep Blood Kettle" and Tananarive Due's prescient "Patient Zero," the end of the world continues to thrill. This companion volume to the critically acclaimed WASTELANDS offers thirty of the finest examples of post-apocalyptic short fiction, with works by: Ann Aguirre Megan Arkenberg Paolo Bacigalupi Christopher Barzak Lauren Beukes David Brin Orson Scott Card Junot Diaz Cory Doctorow Tananarive Due Toiya Kristen Finley Milo James Fowler Maria Dahvana Headley Hugh Howey Keffy R. M. Kehrli Jake Kerr Nancy Kress Joe R. Lansdale George R. R. Martin Jack McDevitt Seanan McGuire Maureen F. McHugh D. Thomas Minton Rudy Rucker & Bruce Sterling Ramsey Shehadeh Robert Silverberg Rachel Swirsky Genevieve Valentine James Van Pelt Christie Yant Award-winning editor John Joseph Adams has once again assembled a who's who of short fiction, and the result is nothing short of mind-blowing. PRAISE FOR WASTELANDS "Everything that is best about the trope, from bleak, empty worlds to beacons of hope." Booklist "The best anthology of any kind I have read to date." Grasping for the Wind "A great collection that gets my highest recommendation." Bookgasm

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In the thirteenth century, Italian merchant and explorer Marco Polo traveled from Venice to the far reaches of Asia, a journey he chronicled in a narrative titled Il Milione, later known as The Travels of Marco Polo. While Polo's writings would go on to inspire the likes of Christopher Columbus, scholars have long debated their veracity. Now, there's new evidence connected to this historical puzzle: a very curious collection of fourteen little-known maps and related documents said to have belonged to the family of Marco Polo himself. In The Mysteries of the Marco Polo Maps, historian of cartography Benjamin B. Olshin offers the first credible book-length analysis of these artifacts, charting their course from obscure origins in the private collection of Italian-American immigrant Marcian Rossi in the 1930s; to investigations of their authenticity by the Library of Congress, J. Edgar Hoover, and the FBI; to the work of the late cartographic scholar Leo Bagrow; to Olshin's own efforts to track down and study the Rossi maps. Are the maps forgeries, facsimiles, or modernized copies? Did Marco Polo's daughters - whose names appear on several of the artifacts - preserve in them geographic information about Asia first recorded by their father? Or did they inherit maps created by him? If the maps have no connection to Marco Polo, who made them, when, and why? Regardless of the maps' provenance, Olshin's tale takes readers on a journey into Italian history, the age of exploration, and the wonders of cartography.

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Howard Marks's The Most Important Thing distilled the investing insight of his celebrated client memos into a single volume and, for the first time, made his time-tested philosophy available to general readers. In this edition, Marks's wisdom is joined by the comments, insights, and counterpoints of four renowned investors and investment educators: Christopher C. Davis (Davis Funds), Joel Greenblatt (Gotham Capital), Paul Johnson (Nicusa Capital), and Seth A. Klarman (Baupost Group). These experts lend insight into such concepts as "second-level thinking," the price/value relationship, patient opportunism, and defensive investing. Marks also adds his own annotations, expanding on his book's original themes and issues. A new chapter addresses the importance of reasonable expectations, and a foreword by Bruce C. Greenwald, called "a guru to Wall Street's gurus" by the New York Times, speaks on value investing, productivity, and the economics of information. *** Howard Marks, the chairman and cofounder of Oaktree Capital Management, is renowned for his insightful assessments of market opportunity and risk. After four decades spent ascending to the top of the investment management profession, he is today sought out by the world's leading value investors, and his client memos brim with insightful commentary and a time-tested, fundamental philosophy. Now for the first time, all readers can benefit from Marks's wisdom, concentrated into a single volume that speaks to both the amateur and seasoned investor. Informed by a lifetime of experience and study, The Most Important Thing explains the keys to successful investment and the pitfalls that can destroy capital or ruin a career. Utilizing passages from his memos to illustrate his ideas, Marks teaches by example, detailing the development of an investment philosophy that fully acknowledges the complexities of investing and the perils of the financial world. Brilliantly applying insight to today's volatile markets, Marks offers a volume that is part memoir, part creed, with a number of broad takeaways. Marks expounds on such concepts as "second-level thinking," the price/value relationship, patient opportunism, and defensive investing. Frankly and honestly assessing his own decisions--and occasional missteps--he provides valuable lessons for critical thinking, risk assessment, and investment strategy. Encouraging investors to be "contrarian," Marks wisely judges market cycles and achieves returns through aggressive yet measured action. Which element is the most essential? Successful investing requires thoughtful attention to many separate aspects, and each of Marks's subjects proves to be the most important thing. "This is that rarity, a useful book."--Warren Buffett

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Die hier zusammengestellten Abhandlungen Reinhard Feldmeiers zu Texten und Themen der hellenistischen Religionsgeschichte, des Antiken Judentums und des Neuen Testaments sind bei aller Unterschiedenheit verbunden durch ihr gemeinsames Thema, die von Juden, Christen und Heiden immer wieder neu gestellte Frage nach Gott. Neben exegetischen und religionsgeschichtlichen Untersuchungen wurden dabei auch Vorträge aufgenommen, die auf Tagungen, vor Pfarrkapiteln oder in Gemeinden gehalten wurden.Titel und Untertitel deuten schon an, dass es um den biblischen Gottesglauben geht, der im Kontext der antiken Religionsgeschichte und Philosophie in einem fortwährenden dialektischen Prozess von Anpassung und Abgrenzung, Abstoßung und Aneignung, Überbietung und Überformung immer wieder neu zur Sprache gebracht wurde. Gerade die Auseinandersetzung mit den 'Heiden' und die sorgfältige Beachtung der Außenperspektive (die nicht zu verwechseln ist mit der ahistorischen Konstruktion eines Kontrastbildes) verhilft dazu, die Konturen des biblischen Zeugnisses umso schärfer wahrzunehmen.Systematisch ist der Band in drei Hauptteile gegliedert. Der erste widmet sich der Religionsgeschichte der kaiserzeitlichen Antike mit Schwerpunkt auf Plutarch. Der zweite Hauptteil zeichnet nach, wie Juden und Christen in diesem Kontext ihren Glauben an den Gott Israels und den Vater Jesu Christi reflektiert und auf neue Weise zur Sprache gebracht haben. Im dritten Teil ist vor allem die Verbindung des Gottesglaubens mit der Christologie und hier vor allem mit der Passion im Blick."Feldmeiers Überlegungen inspirieren ausdrücklich nicht nur diejenigen, die einen Faible für antike Philosophie und Religionsgeschichte haben, sondern alle, die an einem theologischen Urteil in Kohärenz zu den biblischen Gedanken interessiert sind."Simon Blatz in ichthys 32 (2016), S. 203-205

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Die Diskussionen um Kontinuitäten und Umbrüche zwischen dem späten Mittelalter und der Reformationszeit nötigen zu einer Klärung der historiographischen Stellung der Reformation. Im Zentrum der einzelnen Studien dieses Buches steht die Frage nach dem "Anfang" der Reformation als eines in sich komplexen Ereignisses. Dabei zeigt sich, dass die literarischen Akteure der reformatorischen Bewegung, allen voran Luther, Traditionen konstruierten, in denen sie ihre Anliegen legitimierten und plausibilisierten. An den "Anfängen" der Reformation stehen auch bestimmte Traditionskonstruktionen der vorreformatorischen Ketzergeschichte, des Bibelgebrauchs und der reform- und der politiktheoretischen Literatur des 15. Jahrhunderts.Ein weiterer Schwerpunkt in Thomas Kaufmanns Studien liegt auf den Kommunikationsdynamiken, die die Reformation mittels "neuer Medien" über den Bereich der akademischen Diskussionen in eine breitere Öffentlichkeit getragen haben. Lehrbildungen und Identitätsentwürfe, die den inneren Zusammenhang und die Dissoziationsprozesse der reformatorischen Bewegung darstellen, bilden einen weiteren Fokus. Dem Verfasser geht es im Kern darum, Luther und die unterschiedlichen Rezeptionen, die ihm zuteilwurden, aufeinander zu beziehen. Dies wird vornehmlich an Texten und Sachverhalten der frühen 1520er Jahre aufgezeigt."Ein unglaublich gelehrtes, in viele Einzelheiten der frühen Neuzeit einführendes Buch, weit über theologische Fragen hinausgehend und doch immer nach der Relevanz für die Theologie fragend. […] Der Stand der Forschung, die Fülle der Quellen, spannende Ergebnisse. Spitzenforschung."Christoph Auffarth auf http://buchempfehlungen.blogs.rip-virtuell.net (02/2013)"Ein großes Werk des Göttinger Kirchenhistorikers Thomas Kaufmann."Karl-Friedrich Wiggermann in PV-aktuell Nr. 3 (2012), S. 9"Mit diesem Werk legt Kaufmann erneut ein sorgfältig recherchiertes Buch vor, das zahlreiche Anknüpfungspunkte für eine fruchtbringende Diskussion bietet."Jan Martin Lies in Ebernburg-Hefte 48 (2014), S. 318-320

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Copper Nickel is a meeting place for multiple aesthetics, bringing work that engages with our social and historical context to the world with original pieces and dynamic translations.Issue 27 is particularly international—even for Copper Nickel—and features an expansive folio of younger and less-established Irish and UK poets, including Irish poets Martin Dyar, Elaine Feeney, Victoria Kennefick, Conor O'Callaghan, Paul Perry, Stephen Sexton, Lorna Shaughnessy, and Jessica Traynor; and UK poets James Byrne, Vahni Capildeo, Manuela Moser, Sam Riviere, Zoë Brigley Thompson, and Chrissy Williams. The oldest poet in the folio was born in 1968; the youngest poets were born in the 1990s. Issue 27 also features three translation folios (which are a regular feature in Copper Nickel): (1) a group of five prose poems by Danish poet Carsten Rene Nielsen (b. 1966), translated and introduced by David Keplinger; (2) three longer poems by Mexican poet Cristina Rivera Garza (b. 1964), translated by Julia Leverone; and (3) four poems by Mauritian poet Khal Torabully (b. 1956), translated and introduced by Nancy Naomi Carlson. This issue also includes fiction by Farah Ali, Amy Stuber, Jyotsna Sreenivasan, and Jacinda Townsend. Nonfiction includes a personal essay on Günter Grass by poet and German translator Stuart Friebert, a lyric essay on hexes by Laughlin award winner Kathryn Nuernberger, and a lyric essay on hide-and-seek by Ira Sukrungruang. Poets in issue 27 include two-time Pushcart Prize winner T. R. Hummer, NEA Fellow Christopher Kempf, Kingsley Tufts Award winner John Koethe, Whitman Award winner Emily Skaja, Best American Poetry contributor Corey Van Landingham, Jenny Boychuk, Juan Morales, Paul Otremba, Paige Quiñones, Arthur Russell, Francis Santana, and Chelsea Wagenaar. The cover features work by Denver-based photographer Kristen Hatgi Sink.

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Hereford Cathedral is proud of its four stained-glass windows commemorating Traherne, but these volumes are as glorious a memorial. DAILY TELEGRAPH [Christopher Howse] Thomas Traherne (1637?-1674), a clergyman of the Church of England during the Restoration, was little known until the early twentieth century, when his poetry and Centuries of Meditations were first printed. There have beensince only miscellaneous publications of his poetry and devotional writings. The Works of Thomas Traherne brings together for the first time all Traherne's extant works, including his notebooks, in a definitive, printed edition. The poems in this volume are independent, not extracted from Traherne's prose, and demonstrate the range of his imagination. Each poem has its own unique form, line numbers, meter and rhyme, and they are personal in nature with a didactic purpose, filled with joy and thanksgiving. They are also new transcriptions from four manuscripts, held variously at the Bodleian, the British Library, and the Folger Shakespeare Library. They include thirty-seven autograph poems from the "Dobell Folio"; Poems of Felicity, taken from Philip Traherne's incomplete edition of his brother's poems; The Ceremonial Law, an incomplete, autograph, narrative poem in rhyming couplets, wherein Traherne not only gives a reading of events in the Old Testament as types fulfilled in the New, but also interprets his own spiritual journey in terms of the stories from Pentateuch; and the "Early Notebook", made up ofnotes from various sources, probably from Thomas's undergraduate days, as well as five autograph poems. Included in the Appendix are the "Manuscript foliation of Poems" and "The Story of the Traherne MSS. by their Finder" byWilliam T. Brooke; a glossary and index of titles and first lines complete the volume.

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The City of London was always going to be an obvious target for German bombers during the Second World War. What better way for Nazi Germany to spread fear and panic amongst the British people than by attacking their capital city?Although not vastly populated in the same way that a bigger city or larger town would be, there were still enough people working there during the day for attacks on it to take their toll. The city's ancient and iconic buildings also bore the brunt of the German bombs, including churches designed by Sir Christopher Wren after the Great Fire in 1666. The book looks at the effects of war on the City of London, including the damage caused by the 8 months of the Blitz between September 1940 and May 1941. The most devastating of the raids took place on 29 December 1940, with both incendiary and explosive bombs causing a firestorm so intense it was known as the Second Great Fire of London. It also looks at the bravery of the staff at St Bart's Hospital, which was one of the medical facilities that remained open during the course of the war. Other stories include the sterling work carried out by the City's civilian population and the different voluntary roles that they performed to help keep the city safe, including the Home Guard and the Fire Watchers, who spent their nights on the city's rooftops looking out for incendiary devices dropped by the German Luftwaffe. Despite the damage to its buildings and its population, by the end of the war the City of London was able to rise, like a phoenix, from the flames of destruction, ready to become the vibrant and flourishing borough that it is today.

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