Search results for ""Author Christo"

'The cruelty and magnificence of Restoration London provides endless fascination . . . there's much to delight in this volume' The Times'Don Jordan's history captures the shifts [Charles II] engineered in trade and culture' NatureDuring the reign of Charles II, London was a city in flux. After years of civil war and political turmoil, England's capital became the centre for major advances in the sciences, the theatre, architecture, trade and ship-building that paved the way for the creation of the British Empire.At the heart of this activity was the King, whose return to power from exile in 1660 lit the fuse for an explosion in activity in all spheres of city life. London flourished, its wealth, vibrancy and success due to many figures famous today including Christopher Wren, Samuel Pepys and John Dryden - and others whom history has overlooked until now.Throughout the quarter-century Charles was on the throne, London suffered several serious reverses: the plague in 1665 and the Great Fire in 1666, and severe defeat in the Second Anglo-Dutch War, which brought about notable economic decline. But thanks to the genius and resilience of the people of London, and the occasionally wavering stewardship of the King, the city rose from the ashes to become the economic capital of Europe.The King's City tells the gripping story of a city that defined a nation and birthed modern Britain - and how the vision of great individuals helped to build the richly diverse place we know today.

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Neil M. Gunn (1891 - 1973) has been widely recognized as the most important novelist of the twentieth-century Scottish Literary Renaissance. Most of his novels are still in print and they continue to find in each generation an enthusiastic popular and academic readership. His novels have been adopted for cinema, television and radio and they have had an important influence on contemporary Scottish writers such as James Robertson. What is perhaps less well known is Gunn's role in the development of contemporary Scottish nationalism as both activist and thinker. Not that he would have agreed to such a division as he believed in a seamless commitment to the goal of a fairer and more equitable Scotland through the delivery of election leaflets and the setting out of the intellectual case for independence. Gunn was instrumental in the foundation of the contemporary SNP, through the bringing together of disparate groups in favour of independence, and continued to play a part in its development and in the development of the Highlands and Islands throughout his life.This collection of essays on Gunn's involvement in politics and his ideas about nation and nationalism represents a guide to both for the reader of his novels and those interested in contemporary political developments in Scotland. Alistair McCleery draws parallels between the situation in 1931, using Gunn's account of it in his diary, and the present day. Michael Russell, Cabinet Secretary for Education and Lifelong Learning, examines Gunn's debt to Ireland, the role of the writer in nationalism, and the need for Scottish literature within the Scottish curriculum. Ewen Cameron, now Professor of History at Edinburgh University, considers the gaps in his own school education in the Highlands and how he was led to fill them through an enthusiastic teacher leading him to Gunn's novels and thereby to the history and culture of his own locality. Dairmid Gunn draws on his intimate knowledge of his uncle to provide an account of his home in Inverness as a centre for lively company and stimulating discussion of art and politics. This picture is reinforced in the late Neil MacCormick's memoir of Gunn and the influence he had on John MacCormick, his father.The collection also contains two of Gunn's essays on writing and politics as well as a complete bibliography of his political writings by Christopher Stokoe.The collection as a whole is timely in its contribution to understanding of Scottish nationalism just under a year before the Scottish people come to decide, as Gunn hoped they would have the opportunity to, on Scotland's future as an independent state or not.

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This innovative book discloses Karl Rahner's foremost achievement: discovering and delineating an ethos of Catholicism, a multi-faceted and comprehensive approach to life in Christ. Karl Rahner's Theological Aesthetics does so by placing the German Jesuit and his teacher, philosopher Martin Heidegger, into a richly detailed dialogue on aesthetics. The book treats classic Rahner topics such as anthropology and Christology. But it breaks new ground by exploring themes such as angels, Mary, and the apocalypse, juxtaposed with analogous philosophical topics in Heidegger.Peter Joseph Fritz reveals that Rahner, contrary to a widespread opinion, did not ""turn to the subject."" Rather, Rahner meticulously avoided the spirit of modern subjectivity. In doing so, Rahner follows paths cleared by Heidegger. The counter-subjective thrust of Rahner's thought has aesthetic implications. In fact, Rahner's turn away from modern subjectivity begins with his philosophical dissertation, Spirit in the World, which this work shows to be an aesthetic text through and through. Rahner's aesthetics in Spirit in the World and other works prove distinctive because of its resonance with a Heideggerian variety of the sublime, which Rahner first encounters during Heidegger's lectures on the poetry of Friedrich Hölderlin.Rahner's improvement upon the Heideggerian sublime gradually matures over the course of Rahner's career into a complex strategy of resistance toward Heideggerian thinking. This becomes most clear in Rahner's eschatology, which is an apocalyptic discourse that rejects Heidegger's own apocalypse of being's history.Karl Rahner's Theological Aesthetics offers a fresh and innovative reconsideration of the classic pairing of Rahner and Heidegger. By doing so, it contributes to ongoing conversations on theological aesthetics, the interfacing of postmodernity and theology, and, most of all, on the enduring legacy of Rahner himself.

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Perhaps more than any other Supreme Court ruling, Brown v. Board of Education, the 1954 decision declaring the segregation of public schools unconstitutional, highlighted both the possibilities and the limitations of American democracy. This collection of sixteen original essays by historians and legal scholars takes the occasion of the fiftieth anniversary of Brown to reconsider the history and legacy of that landmark decision. From the Grassroots to the Supreme Court juxtaposes oral histories and legal analysis to provide a nuanced look at how men and women understood Brown and sought to make the decision meaningful in their own lives.The contributors illuminate the breadth of developments that led to Brown, from the parallel struggles for social justice among African Americans in the South and Mexican, Asian, and Native Americans in the West during the late nineteenth century to the political and legal strategies implemented by the National Association for the Advancement of Colored People (naacp) in the twentieth century. Describing the decision’s impact on local communities, essayists explore the conflict among African Americans over the implementation of Brown in Atlanta’s public schools as well as understandings of the ruling and its relevance among Puerto Rican migrants in New York City. Assessing the legacy of Brown today, contributors analyze its influence on contemporary law, African American thought, and educational opportunities for minority children.ContributorsTomiko Brown-NaginDavison M. DouglasRaymond GavinsLaurie B. GreenChristina GreeneBlair L. M. KelleyMichael J. KlarmanPeter F. LauMadeleine E. LopezWaldo E. Martin Jr.Vicki L. RuizChristopher SchmidtLarissa M. SmithPatricia SullivanKara Miles TurnerMark V. Tushnet

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In late seventeenth-century London, the most provocative images were produced not by artists, but by scientists. Magnified fly-eyes drawn with the aid of microscopes, apparitions cast on laboratory walls by projection machines, cut-paper figures revealing the "exact proportions" of sea monsters - all were created by members of the Royal Society of London, the leading institutional platform of the early Scientific Revolution. Wicked Intelligence reveals that these natural philosophers shaped Restoration London's emergent artistic cultures by forging collaborations with court painters, penning art theory, and designing triumphs of baroque architecture such as St Paul's Cathedral. Offering an innovative approach to the scientific image-making of the time, Matthew C. Hunter demonstrates how the Restoration project of synthesizing experimental images into scientific knowledge, as practiced by Royal Society leaders Robert Hooke and Christopher Wren, might be called "wicked intelligence." Hunter uses episodes involving specific visual practices-for instance, concocting a lethal amalgam of wax, steel, and sulfuric acid to produce an active model of a comet-to explore how Hooke, Wren, and their colleagues devised representational modes that aided their experiments. Ultimately, Hunter argues, the craft and craftiness of experimental visual practice both promoted and menaced the artistic traditions on which they drew, turning the Royal Society projects into objects of suspicion in Enlightenment England. The first book to use the physical evidence of Royal Society experiments to produce forensic evaluations of how scientific knowledge was generated, Wicked Intelligence rethinks the parameters of visual art, experimental philosophy, and architecture at the cusp of Britain's imperial power and artistic efflorescence.

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THE SUNDAY TIMES AND ECONOMIST BOOKS OF THE YEAR 2016'A definitive study of the amorphous state that lasted a thousand years ... The Holy Roman Empire deserves to be hailed as a magnum opus' Tom Holland, Daily Telegraph'Engrossing ... staggering ... a book that is relevant to our own times' The Times'Masterly ... If, like most people, you know little more about the Holy Roman Empire other than Voltaire's bon mot - "neither holy, nor Roman, nor an empire" - then this is the book for you' Daniel Johnson, Sunday Times'A history that helps us understand Europe's problems today ... interesting and provocative, makes the complex understandable' Christopher Kissane, GuardianA great, sprawling, ancient and unique entity, the Holy Roman Empire, from its founding by Charlemagne to its destruction by Napoleon a millennium later, formed the heart of Europe. It was a great engine for inventions and ideas, it was the origin of many modern European states, from Germany to the Czech Republic, its relations with Italy, France and Poland dictated the course of countless wars - indeed European history as a whole makes no sense without it.In this strikingly ambitious book, Peter H. Wilson explains how the Empire worked. It is not a chronological history, but an attempt to convey to readers why it was so important and how it changed over its existence. The result is a tour de force - a book that raises countless questions about the nature of political and military power, about diplomacy and the nature of European civilization and about the legacy of the Empire, which has continued to haunt its offspring, from Imperial and Nazi Germany to the European Union.

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David Bentley Hart offers an intense and thorough reflection upon the issue of the supernatural in Christian theology and doctrine. In recent years, the theological—and, more specifically, Roman Catholic—question of the supernatural has made an astonishing return from seeming oblivion. David Bentley Hart’s You Are Gods presents a series of meditations on the vexed theological question of the relation of nature and supernature. In its merely controversial aspect, the book is intended most directly as a rejection of a certain Thomistic construal of that relation, as well as an argument in favor of a model of nature and supernature at once more Eastern and patristic, and also more in keeping with the healthier currents of mediaeval and modern Catholic thought. In its more constructive and confessedly radical aspects, the book makes a vigorous case for the all-but-complete eradication of every qualitative, ontological, or logical distinction between the natural and the supernatural in the life of spiritual creatures. It advances a radically monistic vision of Christian metaphysics but does so wholly on the basis of credal orthodoxy. Hart, one of the most widely read theologians in America today, presents a bold gesture of resistance to the recent revival of what used to be called “two-tier Thomism,” especially in the Anglophone theological world. In this astute exercise in classical Christian orthodoxy, Hart takes the metaphysics of participation, high Trinitarianism, Christology, and the soteriological language of theosis to their inevitable logical conclusions. You Are Gods will provoke many readers interested in theological metaphysics. The book also offers a vision of Christian thought that draws on traditions (such as Vedanta) from which Christian philosophers and theologians, biblical scholars, and religious studies scholars still have a great deal to learn.

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The Religious History of the Roman Empire: The Republican Centuries is the second Oxford Readings in Classical Studies volume on the religious history of the Roman Empire, accompanying the volume on paganism, Judaism, and Christianity. This volume presents fourteen chapters dealing with aspects of the religious life of Republican Rome between c. 500 BCE and the fall of the Republican constitution in c. 30 BCE. The topics covered include Iron Age rituals (Christopher Smith); Roman Priesthood (John Scheid; Mary Beard); religion and war (Jörg Rüpke); religious behaviour in the context of polytheism (Andreas Bendlin); religious ritual in early and middle Republic (John North); Italian warfare practices (Olivier de Cazanove); the role of women (Rebecca Flemming); sacrificial ritual in Roman poetry (Denis Feeney); the centuriation-ritual (Daniel Gargola); Roman divination (Mary Beard); Augustan Peace and the stars (Alfred Schmid); the great cult-places of Italy (John Scheid); the grove of Pesaro (Filippo Coarelli). Originally published between 1981 and 2011, these chapters provide a vivid picture of key issues under discussion in this period, providing a missing link in the historiography of Roman republican religion. A central question concerns the balance to be found between ritual and belief, both problematic concepts in interpreting this religious tradition. While there can be no question that the performance of rituals was a regular traditional activity to which Romans attached great significance, particularly those who were in a responsible position as priests or senators, the later years of the Republic increasingly saw religious issues taken as matters for debate, and books on religious themes, unknown before the age of Cicero and Varro, began to appear.

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IT'S THE END OF THE WORLD AS WE KNOW IT...For decades, the apocalypse and its aftermath have yielded some of the most exciting short stories of all time. From David Brin's seminal "The Postman" to Hugh Howey's "Deep Blood Kettle" and Tananarive Due's prescient "Patient Zero," the end of the world continues to thrill. This companion volume to the critically acclaimed WASTELANDS offers thirty of the finest examples of post-apocalyptic short fiction, with works by: Ann Aguirre Megan Arkenberg Paolo Bacigalupi Christopher Barzak Lauren Beukes David Brin Orson Scott Card Junot Diaz Cory Doctorow Tananarive Due Toiya Kristen Finley Milo James Fowler Maria Dahvana Headley Hugh Howey Keffy R. M. Kehrli Jake Kerr Nancy Kress Joe R. Lansdale George R. R. Martin Jack McDevitt Seanan McGuire Maureen F. McHugh D. Thomas Minton Rudy Rucker & Bruce Sterling Ramsey Shehadeh Robert Silverberg Rachel Swirsky Genevieve Valentine James Van Pelt Christie Yant Award-winning editor John Joseph Adams has once again assembled a who's who of short fiction, and the result is nothing short of mind-blowing. PRAISE FOR WASTELANDS "Everything that is best about the trope, from bleak, empty worlds to beacons of hope." Booklist "The best anthology of any kind I have read to date." Grasping for the Wind "A great collection that gets my highest recommendation." Bookgasm

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In the thirteenth century, Italian merchant and explorer Marco Polo traveled from Venice to the far reaches of Asia, a journey he chronicled in a narrative titled Il Milione, later known as The Travels of Marco Polo. While Polo's writings would go on to inspire the likes of Christopher Columbus, scholars have long debated their veracity. Now, there's new evidence connected to this historical puzzle: a very curious collection of fourteen little-known maps and related documents said to have belonged to the family of Marco Polo himself. In The Mysteries of the Marco Polo Maps, historian of cartography Benjamin B. Olshin offers the first credible book-length analysis of these artifacts, charting their course from obscure origins in the private collection of Italian-American immigrant Marcian Rossi in the 1930s; to investigations of their authenticity by the Library of Congress, J. Edgar Hoover, and the FBI; to the work of the late cartographic scholar Leo Bagrow; to Olshin's own efforts to track down and study the Rossi maps. Are the maps forgeries, facsimiles, or modernized copies? Did Marco Polo's daughters - whose names appear on several of the artifacts - preserve in them geographic information about Asia first recorded by their father? Or did they inherit maps created by him? If the maps have no connection to Marco Polo, who made them, when, and why? Regardless of the maps' provenance, Olshin's tale takes readers on a journey into Italian history, the age of exploration, and the wonders of cartography.

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The Crocker Art Museum has one of the finest and earliest German drawings collections in the United States. Featuring artists such as Johann Wolfgang Baumgartner, Anton Raphael Mengs and Johann Heinrich Wilhelm Tischbein, The Splendor of Germany examines the major developments in German draughtsmanship over the course of the eighteenth century. Published to coincide with the collection’s 150th anniversary. In the 21st century, the collecting and study of 18th-century German drawings has become a major focus for American museums. One of the finest collections of them, however, has been in California for 150 years. The superb drawings at the Crocker Art Museum, from a Baroque altarpiece design by Johann Georg Bergmüller to a Neoclassical mythology by Johann Heinrich Wilhelm Tischbein, provide a panorama of German draughtsmen and draughtsmanship throughout the century. Many of the drawings are remarkable for their modernity. A self-portrait by Johann Gottlieb Prestel bypasses convention to achieve a direct, unmediated likeness. Well-placed slashes with brush and black ink define the features below his peruke outlined in black chalk. Other drawings encapsulate specific developments and styles, such as Johann Wolfgang Baumgartner’s Lazarus and the Rich Man, which shows the florid dynamism of the Augsburg Rococo. A full range of eighteenth-century German artists are represented here, from the satirizing moralists Johann Elias Ridinger and Daniel Chodowiecki to the Classicist and friend of the art theorist Johann Joachim Winkelmann, Anton Raphael Mengs. Landscape artists are especially well represented, such as the key figure Johann Georg Wille, printmaker to the French king Louis XV, and generations of artists he taught and influenced all the way to the early Romantic landscapists. The exhibition and catalogue gather together a variety of dynamic and sensitive portraits, charming scenes of daily life, and often humorous moralizing subjects, as well as narratives, both religious and mythological, from the late Baroque to Neoclassicism. In the realm of landscape, the depth of the collection allows the exhibition to trace schools and influences—in addition to Wille’s mentioned above—even in families such as that of Prestel, whose wife and daughter were both landscapists. It also allows it to demonstrate the great variety of works by single artists such as Christoph Nathe, represented by four landscapes in four different genres including a splendid scene near Görlitz. Some artists, in fact, work in several genres as in the case of Johann Christian Klengel, whose works include the scene of a family by candlelight, a farmstead landscape, and a sketchbook that he carried through the countryside to record picturesque views. This is a rare opportunity for the public and for drawings enthusiasts. Two-thirds of the drawings in the exhibition have not been shown before; most of the exceptions have not been seen since 1989. Because of the drawings’ 150-year history of limited exposure, the state of preservation of the collection is exceptional, as is the condition of the new acquisitions included in the exhibition.

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Howard Marks's The Most Important Thing distilled the investing insight of his celebrated client memos into a single volume and, for the first time, made his time-tested philosophy available to general readers. In this edition, Marks's wisdom is joined by the comments, insights, and counterpoints of four renowned investors and investment educators: Christopher C. Davis (Davis Funds), Joel Greenblatt (Gotham Capital), Paul Johnson (Nicusa Capital), and Seth A. Klarman (Baupost Group). These experts lend insight into such concepts as "second-level thinking," the price/value relationship, patient opportunism, and defensive investing. Marks also adds his own annotations, expanding on his book's original themes and issues. A new chapter addresses the importance of reasonable expectations, and a foreword by Bruce C. Greenwald, called "a guru to Wall Street's gurus" by the New York Times, speaks on value investing, productivity, and the economics of information. *** Howard Marks, the chairman and cofounder of Oaktree Capital Management, is renowned for his insightful assessments of market opportunity and risk. After four decades spent ascending to the top of the investment management profession, he is today sought out by the world's leading value investors, and his client memos brim with insightful commentary and a time-tested, fundamental philosophy. Now for the first time, all readers can benefit from Marks's wisdom, concentrated into a single volume that speaks to both the amateur and seasoned investor. Informed by a lifetime of experience and study, The Most Important Thing explains the keys to successful investment and the pitfalls that can destroy capital or ruin a career. Utilizing passages from his memos to illustrate his ideas, Marks teaches by example, detailing the development of an investment philosophy that fully acknowledges the complexities of investing and the perils of the financial world. Brilliantly applying insight to today's volatile markets, Marks offers a volume that is part memoir, part creed, with a number of broad takeaways. Marks expounds on such concepts as "second-level thinking," the price/value relationship, patient opportunism, and defensive investing. Frankly and honestly assessing his own decisions--and occasional missteps--he provides valuable lessons for critical thinking, risk assessment, and investment strategy. Encouraging investors to be "contrarian," Marks wisely judges market cycles and achieves returns through aggressive yet measured action. Which element is the most essential? Successful investing requires thoughtful attention to many separate aspects, and each of Marks's subjects proves to be the most important thing. "This is that rarity, a useful book."--Warren Buffett

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In September of 2014 thirty new members were appointed for a five-year term to the Vatican's International Theological Commission. These theologians, clerical and lay, were chosen from twenty-six different countries and from five continents. The commission was charged with composing three documents of contemporary theological importance, one of which was that of the relationship between faith and the sacraments. This finished document was published, with the approval of the Congregation for the Doctrine of the Faith and by Pope Francis in Spanish in early 2020 under the title: La Reciprocidad entre Fe y Sacramentos en la Economía Sacramental. A subsequent English translation was published thereafter under the title The Reciprocity Between Faith and Sacraments in the Sacramental Economy.This present volume contains the text of the English translation. There follows an introduction by a member of the ITC, Thomas G. Weinandy, OFM, Cap., and subsequently followed by six explanatory and interpretive commentaries on various chapters of the document. Dr. John Yocum considers the contemporary relevance of the topic. Dr. Christopher Ruddy examines the dialogical nature of the sacramental economy of salvation. Dr. Jennifer Holmes Martin discusses the relationship between faith and the sacraments of initiation. There are two commentaries for section four concerning faith and the sacrament of marriage. Professor John Grabowski treats the strictly theological issues relating to faith and marriage. Canonist Timothy Cavanaugh takes up the canonical issues regarding faith and its relationship to enacting a valid sacramental marriage. Dr. Daniel Keating rounds off the commentaries by surveying the conclusion of the document, that is, the present need for evangelization so as to enliven the faith of the faithful, and the present relevance of the new ecclesial movements within the Church today.These commentaries are aimed at aiding priests and seminarians as they address or prepare to address the pastoral and theological concerns they encounter or will encounter on a daily basis. This volume could also be used in parish adult education groups as well, wherein the laity could better understand the relationship between faith and the sacraments.

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What do characters as diverse as Alfred the Great, the architect Sir Christopher Wren, diarist Samuel Pepys and the Victorian poet Gerard Manley Hopkins have in common? All had some involvement in shipwrecks: in causing, recording or salvaging them. This book examines a variety of wrecks from logboats, Roman galleys and medieval cogs to East Indiamen, grand ocean liners, fishing boats and warships - all are woven into the history of shipwrecks along the coastline of England and in her territorial waters. Wrecks are not just physically embedded in this marine landscape - they are also an intrinsic part of a domestic cultural landscape with links that go beyond the navy, mercantile marine and fishing trade. Evidence of shipwrecks is widespread: in literature, in domestic architecture and as a major component of industrial archaeology. Shipwrecks also transcend national boundaries, forming tangible monuments to the movement of goods and people between nations in war and peace. In peacetime they link the architecture and monuments of different countries, from shipyards to factories, warehouses to processing plants; in time of war wrecks have formed a landscape scattered across the oceans, linking friend and foe in common heritage. England's Shipwreck Heritage explores the type of evidence we have for shipwrecks and their causes, including the often devastating effects fo the natural environment and human-led disaster. Ships at war, global trade and the movement of people - such as passengers, convict transports and the slave trade - are also investigated. Along the way we meet the white elephant who perished in 1730, the medieval merchant who pursued a claim for compensation for nearly 20 years, the most famous privateer for the American revolutionary wars and the men who held their nerve in the minesweeper trawls of the First World War. Highly illustrated and based on extensive new research, this book will appeal to anyone with an interest in England's maritime heritage.

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Andrew Roberts's Masters and Commanders: The Military Geniuses who led the West to Victory in WWII tells the story of how four great leaders fought each other over how best to fight Hitler. During the Second World War the master strategy of the West was shaped by four titanic figures: Winston Churchill and Franklin Roosevelt, and their respective military commanders - General Sir Alan Brooke and General George C. Marshall. Each man was tough-willed and strong minded. And each was certain he knew best how to achieve victory. Drawing on previously unpublished material, including for the first time verbatim reports of Churchill's War Cabinet meetings, Andrew Roberts's acclaimed history recreates with vivid immediacy the fiery debates and political maneuverings, the rebuffs and the charm, the explosive rows and dramatic reconciliations, as the masters and commanders of the Western Alliance fought each other over the best way to fight Adolf Hitler. 'History as it should be written; a gripping narrative' Michael Gove, Mail on Sunday Books of the Year 'Scintillating historical writing on the whole rich panorama of Britain and the US at war' Martin Gilbert, Evening Standard 'A compelling analysis of American and British military strategy during the war. He also tells a profoundly human story' Laurence Rees, Sunday Times 'A masterpiece' Christopher Silvester, Daily Express 'Britain's finest contemporary military historian' Economist Books of the Year Andrew Roberts is a biographer and historian of international renown whose previous books include Salisbury: Victorian Titan (1999), which won the Wolfson History Prize and the James Stern Silver Pen Award for Non-Fiction; Napoleon and Wellington (2001); Hitler and Churchill: Secrets of Leadership (2003), which coincided with four-part BBC2 history series, and A History of the English-Speaking Peoples Since 1900 (2005).

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"[A] fascinating and indispensable book."—Christopher Knight, Los Angeles TimesBest Books of 2018—The Guardian Gold Medal for Contribution to Publishing, 2019 California Book Awards Carleton Watkins (1829–1916) is widely considered the greatest American photographer of the nineteenth century and arguably the most influential artist of his era. He is best known for his pictures of Yosemite Valley and the nearby Mariposa Grove of giant sequoias. Watkins made his first trip to Yosemite Valley and Mariposa Grove in 1861 just as the Civil War was beginning. His photographs of Yosemite were exhibited in New York for the first time in 1862, as news of the Union’s disastrous defeat at Fredericksburg was landing in newspapers and while the Matthew Brady Studio’s horrific photographs of Antietam were on view. Watkins’s work tied the West to Northern cultural traditions and played a key role in pledging the once-wavering West to Union. Motivated by Watkins’s pictures, Congress would pass legislation, signed by Abraham Lincoln, that preserved Yosemite as the prototypical “national park,” the first such act of landscape preservation in the world. Carleton Watkins: Making the West American includes the first history of the birth of the national park concept since pioneering environmental historian Hans Huth’s landmark 1948 “Yosemite: The Story of an Idea.” Watkins’s photographs helped shape America’s idea of the West, and helped make the West a full participant in the nation. His pictures of California, Oregon, and Nevada, as well as modern-day Washington, Utah, and Arizona, not only introduced entire landscapes to America but were important to the development of American business, finance, agriculture, government policy, and science. Watkins’s clients, customers, and friends were a veritable “who’s who” of America’s Gilded Age, and his connections with notable figures such as Collis P. Huntington, John and Jessie Benton Frémont, Eadweard Muybridge, Frederick Billings, John Muir, Albert Bierstadt, and Asa Gray reveal how the Gilded Age helped make today’s America. Drawing on recent scholarship and fresh archival discoveries, Tyler Green reveals how an artist didn’t just reflect his time, but acted as an agent of influence. This telling of Watkins’s story will fascinate anyone interested in American history; the West; and how art and artists impacted the development of American ideas, industry, landscape, conservation, and politics.

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Beloved Saturday Night Live alum Kevin Nealon shares original full-color caricatures and insightful personal essays about his famous friendsIn I Exaggerate, famed comedian and actor Kevin Nealon pairs his artwork with sweet, funny, and endearing stories about the subjects he paints. From reminiscences about Saturday Night Live hosts to an excerpt from the eulogy he gave at his dear friend Garry Shandling’s funeral, the writing in this book is warm and nostalgic, and the list of subjects Kevin wants to cover is everyone you could hope for. In addition to Nealon’s paintings, the book includes doodles on SNL scripts, early artwork drafts, and insights into his relationship with art, which he likens to his relationship to comedy. This is a charming project from a comedy all-star. Subjects include: Budd Friedman, Robin Williams, Johnny Carson, David Letterman, Andy Kaufman, Jim Carey, Buzz Aldrin, Tilda Swinton, Dana Carvey, Lorne Michaels, Steve Martin, Chris Farley, Chris Rock, Daisy Edgar Jones, Timothée Chalamet, James Taylor, Arnold Schwarzenegger, Christopher Walken, Lauren Bacall, Humphrey Bogart, Howard Stern, Carrie Fisher, Elizabeth Taylor, Eddie Vedder, Kurt Cobain, Billie Eilish, John Travolta, Harry Dean Stanton, The Pointer Sisters, Garry Shandling, Tom Petty, Tiffany Haddish, Peyton Manning, Eli Manning, Emma Stone, Prince Rogers Nelson, Maggie Gyllenhaal, Freddie Mercury, Brian May, Robert Plant, Rami Malik, Jennifer Aniston, Matt LeBlanc, Dave Chappelle, Lady Gaga, Jeff Daniels, Norm MacDonald, Arnold Palmer, Brad Paisley, Ken Jeong, Ruth Bader Ginsberg, Joaquin Phoenix, Anya-Taylor Joy, Lin-Manuel Miranda, Whitney Houston, and Anthony Bourdain.

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In this book, Shaun Blanchard argues that the roots of the Vatican II reforms must be pushed back beyond the widely acknowledged twentieth-century forerunners of the Council, beyond Newman and the Tübingen School in the nineteenth century, to the eighteenth century, when a variety of reform movements attempted ressourcement and aggiornamento. This close study of the Synod of Pistoia (1786) sheds surprising new light on the nature of church reform and the roots of the Second Vatican Council (1962-65). The high-water mark of the late Jansenist reform movement, this Tuscan diocesan synod was harshly condemned by Pope Pius VI in the Bull Auctorem fidei (1794), and in the increasingly ultramontane nineteenth-century Church the late Jansenist movement was totally discredited. Nevertheless, much of the Pistoian agenda--an exaltation of the role of the local bishop, an emphasis on infallibility as a gift to the entire believing community, religious liberty, a more comprehensible liturgy that incorporates the vernacular, and the encouragement of lay Bible reading and Christocentric devotions--would be officially promulgated at Vatican II. Investigating the theological and historical context and nature of the reforms enacted by the Synod of Pistoia, he notes their parallels with the reforms of Vatican II, and argues that these connections are deeper than mere affinity. The tumultuous events surrounding the reception of the Synod explain why these reforms failed at the time. This book also offers a measured theological judgment on whether the Synod of Pistoia was "true or false reform." Although the Pistoians were completely rejected in their own day, the Second Vatican Council struggled with, and ultimately enacted, remarkably similar ideas.

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Winnie-the-Pooh can travel with you wherever you go with this mini pocket library containing six sweet books! The Winnie-the-Pooh Little Learners Pocket Library is the perfect way to introduce toddlers to early learning concepts. Young Pooh fans will love learning with Winnie-the-Pooh. This little slipcase contains six sturdy board books each based on a different early learning theme: ColoursWordsNumbersEmotionsShapesOpposites The Little Learners Pocket Library has bright appealing images of Pooh and friends with simple text. Young children will enjoy holding the books, turning the pages and pointing to the images. The small size of the slipcase and board books means it’s perfect for carrying in a bag or buggy, so it can be enjoyed by children wherever they go. This Pocket Library is eco-friendly as it doesn’t have plastic shrinkwrap on it. Instead, the cardboard slipcase has a flap that goes around the book spines and is held closed by a small sticker. The Little Learners Pocket Library helps the youngest Pooh fans learn about early concepts. Also collect the Winnie-the-Pooh Pocket Library that features books about Pooh and his friends, the perfect companion title for toddlers.ISBN 978 1 4052 8909 2 A.A.Milne’s classic children’s stories – featuring Piglet, Eeyore, Christopher Robin and, of course, Pooh himself – are both heart-warming and funny, teaching lessons of friendship and reflecting the power of a child’s imagination like no other story before or since. Pooh ranks alongside other beloved character such as Paddington Bear, and Peter Rabbit as an essential part of our literary heritage. Whether you’re 5 or 55, Pooh is the bear for all ages.

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'There was Tolkien, there is Pullman and now there is Katherine Rundell. Wondrous invention, marvellous writing.' – Michael Morpurgo ‘Rundell’s first foray into fantasy is both a deft, rich homage to the greats of children’s literature and an absorbing, profoundly poignant quest story for those aged 9+ – quite possibly her best yet’ – The Guardian 'A book stuffed full of fantastical, magical delight, and a world of richly imagined wonder' – Cressida Cowell * WATERSTONES BOOK OF THE YEAR WINNER * BOOKS ARE MY BAG READERS' AWARD WINNER * FOYLES CHILDREN'S BOOK OF THE YEAR * SHORTLISTED FOR AMAZON KIDS AND YA BOOK OF THE YEAR * THE TIMES CHILDREN'S BOOK OF THE WEEK * THE INDEPENDENT CHILDREN'S BOOK OF THE WEEK * THE DAILY TELEGRAPH CHILDREN'S BOOK OF THE WEEK * SUNDAY TIMES BESTSELLER There’s a place where all the wildest stories began … From Katherine Rundell, winner of the Costa Children’s Book Award, the Blue Peter Book Award and the Waterstones Children’s Book Prize comes the first novel in a landmark trilogy for 9+ fans of His Dark Materials Christopher is stunned when he discovers a passage to the Archipelago: a cluster of magical islands where all the creatures of myth still live and breed and thrive in their thousands. There he meets Mal: a girl from the islands, who is in possession of a flying coat and a baby griffin, and who is being pursued by a killer. Together they embark on an urgent quest to discover why the creatures are suddenly perishing, voyaging across the wild splendour of the Archipelago, where sphinxes hold secrets and centaurs do murder, in a bid to save both the islands and the world beyond them from a rising evil – before it's too late. 'A marvellous, imaginative fantasy told with great style and sparkle – a book to race through in a day and keep for a lifetime' – Jacqueline Wilson 'The world of this new book is so intriguing and so well put together that I couldn’t resist it. Readers who already know her books will seize this with delight, and new readers will love it and demand all her others at once' - Philip Pullman 'Katherine Rundell is a phenomenon.' – Neil Gaiman ‘A masterpiece to rival Tolkien and Pullman’ – The Daily Telegraph 'Fantastically exuberant, wildly imaginative, impossibly brilliant. Rundell’s best, which is something to be marvelled at' – Kiran Millwood Hargrave 'Between the covers of Impossible Creatures is a world as enchanting, as perilous, as richly imagined as Narnia or Middle Earth' – Frank Cottrell-Boyce ‘Rundell's book packs a punch with imagination and creativity in its purest form. She has created a story with potential to be adored by fantasy lovers for years to come’ – The Independent 'With a delightful cast of characters, breathless adventure, and an abundance of myth and magic, Impossible Creatures offers the very best of fantasy' – Aisha Bushby 'A fierce, fantastic, wild-hearted adventure that roars and bristles with imagination. I devoured it like a hungry dragon' – Sam Sedgman 'A rare and remarkable feat of glittering imagination from a truly masterful storyteller' – Catherine Doyle 'The action is gripping. Every sentence sparkles. You can feel the flutter of griffin feathers and the menace of strange poisonous shrews. Magnificent’ – The Times ‘Surely the next classic’ – The I 'My Book of the Year' – Lauren St. John

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Straight from the frontier of scientific investigation . . . PROGRESS in Inorganic Chemistry Nowhere is creative scientific talent busier than in the world of inorganic chemistry. And the respected Progress in Inorganic Chemistry series has long served as an exciting showcase for new research in this area. With contributions from internationally renowned chemists, this latest volume reports the most recent advances in the field, providing a fascinating window on the emerging state of the science. "This series is distinguished not only by its scope and breadth, but also by the depth and quality of the reviews." --Journal of the American Chemical Society. "[This series] has won a deservedly honored place on the bookshelf of the chemist attempting to keep afloat in the torrent of original papers on inorganic chemistry." --Chemistry in Britain. CONTENTS OF VOLUME 47 Terminal Chalcogenido Complexes of the Transition Metals (Gerard Parkin, Columbia University) * Coordination Chemistry of Azacryptands (Jane Nelson, Vickie McKee, and Grace Morgan, The Queen's University, Northern Ireland) * Polyoxometallate Complexes in Organic Oxidation Chemistry (Ronny Neumann, Hebrew University of Jerusalem, Israel) * Metal-Phosphonate Chemistry (Abraham Clearfield, Texas A&M University) * Oxidation of Hydrazine in Aqueous Solution (David M. Stanbury, Auburn University) * Metal Ion Reconstituted Hybrid Hemoglobins (B. Venkatesh, J. M. Rifkind, and P. T. Manoharan, Sophisticated Instrumentation Centre, IIT, Madras, India) * Three-Coordinate Complexes of "Hard" Ligands: Advances in Synthesis, Structure, and Reactivity (Christopher C. Cummins, Massachusetts Institute of Technology) * Metal-Carbohydrate Complexes in Solution (Jean-Francois Verchere and Stella Chapelle, Universite de Rouen, France; Feibo Xin and Debbie C. Crans, Colorado State University).

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McDragon is a fantasy tale for children age 7 and over, which tells the story of Peter as he overcomes the taunts of the school bully. It’s the day before the summer holiday, which means Peter will soon be free from bullying for 6 whole weeks. He and his family venture to the Isle of Harris to a remote cottage by a small beach to spend their holiday. There, Peter finds himself strangely drawn to some rocks on the shore that look just like a dragon. He climbs them so that he can pretend he is flying and is shocked when the rocks melt away and a magnificent black dragon emerges and speaks to him! McDragon has been waiting for the arrival of ‘Petersmith’ because the dragon seer has foretold that ‘Petersmith’ will find what has been stolen from the dragons. Peter accepts the challenge to help save the dragons from extinction and despite feeling that he is not really up to the task – after all, the school bully has branded him a cripple for as long as he can remember – he encounters some amazing creatures while on his quest, enjoying the sights and sounds of the Isle of Harris with his family. McDragon is an exciting read involving fabulous dragons, a young bullied boy, scary and mystical creatures like gargoyles and wizards, and it is all based in the beautiful, magical Isle of Harris in the Outer Hebrides in Scotland. This book will appeal to children who enjoy fantasy novels, and specifically the work of Christopher Paolini.

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A common misconception holds that Marco Polo "opened up" a closed and recalcitrant "Orient" to the West. However, this sweeping history covering 4,000 years of international relations from the perspective of China, Japan, Korea, and Southeast Asia shows that the region's extensive involvement in world affairs began thousands of years ago. In a time when the writing of history is increasingly specialized, Warren I. Cohen has made a bold move against the grain. In broad but revealing brushstrokes, he paints a huge canvas of East Asia's place in world affairs throughout four millennia. Just as Cohen thinks broadly across time, so too, he defines the boundaries of East Asia liberally, looking beyond China, Japan, and Korea to include Southeast Asia. In addition, Cohen stretches the scope of international relations beyond its usual limitations to consider the vital role of cultural and economic exchanges. Within this vast framework, Cohen explores the system of Chinese domination in the ancient world, the exchanges between East Asia and the Islamic world from the thirteenth to the seventeenth centuries, and the emergence of a European-defined international system in the eighteenth and nineteenth centuries. The book covers the new imperialism of the 1890s, the Manchurian crisis of the early 1930s, the ascendancy of Japan, the trials of World War II, the drama of the Cold War, and the fleeting "Asian Century" from the mid-1970s to the mid-1990s. East Asia at the Center is replete with often-overlooked or little-known facts, such as: * A record of persistent Chinese imperialism in the region * Tibet's status as a major power from the 7th to the 9th centuries C.E., when it frequently invaded China and decimated Chinese armies * Japan's profound dependence on Korea for its early cultural development * The enormous influence of Indian cuisine on that of China * Egyptian and Ottoman military aid to their Muslim brethren in India and Sumatra against European powers * Extensive Chinese sea voyages to Arabia and East Africa-long before such famous Westerners as Vasco da Gama and Christopher Columbus took to the seas East Asia at the Center's expansive historical view puts the trials and advances of the past four millennia into perspective, showing that East Asia has often been preeminent on the world stage-and conjecturing that it might be so again in the not-so-distant future.

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This book is also available as an ebook: buy it from Amazon here.Byrne's poetry sparkles with wit and irony, and Blood / Sugar is his long-awaited first collection. The editor of a highly-regarded poetry magazine, Byrne maintains great technical proficiency in his structuring of verse, moving effortlessly between the traditional and the innovative to shape poems that brim with lyricism and confidence."James Byrneís second collection, Blood / Sugar is packed, ambitious and absorbing... The comparison that comes to mind is with Christopher Middleton, with whom Byrne shares a restless hunger."Sean O'Brien, Poetry Review"His poetry is clean, clear and contemporary; it cuts to the bone of the beast every time."Keith Richmond, Tribune"In Blood Sugar James Byrne's fine poems explore a variety of themes, combining light and shadow, tenderness and wit."Wayfarers "The way the Peruvian avant-gardist poet Cesar Vallejo described language as being the ëdark nebulae of life that dwells on the turn of a sentence...í can be applied here to the irrefutable poetics of James Byrne. For he has constructed a collection of poems of considerable imaginative pressure, a vice-like poetical ethos... poems of such exactitude and accuracy that it is almost as if Byrne is attempting to replicate and reconstruct his own jaw at the potterís wheel of his imagining... According to Geoffrey Hill, 'difficult poetry is the most democratic, because you are doing your audience the honour of supposing that they are intelligent human beings', and this can most definitely be said of the requirements of the reader facing these innovative poems."Paul StubbsJames Byrne was born in 1977 and is the editor and co-founder of The Wolf poetry magazine. His debut collection, Passages of Time, was published in 2003. In 2008 he won the prestigious Treci Trg poetry prize in Serbia. Since 2006 James has taught Wolf Workshops, which have helped many students with first book and pamphlet publications.

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Sanjay Patils tryst with architecture began in his early childhood as he soaked up the environs that surrounded him in his birthplace, Nashik. Moving on to formal education in architecture at the Sir JJ College of Architecture in Mumbai, Sanjay returned to his hometown in 1981 to immerse himself into a meaningful and sensitive architectural practice. Over the years, Sanjay Patil has received many honours from the industry and his projects have been widely published in architectural journals. His greatest reward however continues to be the appreciation and support of his numerous clients who have played a vital role in his approach to architecture. His Workspace 'Environ Planners' has also evolved into a centre for learning; inspiring, training and providing roots and wings to budding architects from various parts of the country. 'Knowledge sharing is integral to me and has always given me great pleasure and satisfaction. I have always made a conscious effort to share with others the little bit that I have learnt through my work, travel and other hobbies. This book is just an extension of this love for sharing; a humble effort to document some of my works across the last three decades and present it to a wider audience. It is an honest endeavour to make the reader a part of the design process and my passion for my work that is so much a part of my being.' The book is an attempt to chronicle the architects journey and delve deeper into his philosophy towards architecture and life, his love for nature and his commitment to architecture. Our journey thus encompasses influences from vernacular architecture, his leaning towards sustainable design, response to nature and his diverse use of courtyards in varying building typologies. It showcases 19 noteworthy projects, which include private residences, restoration projects, educational institutions, resorts and retreats, office spaces including his own workspace and farmhouse. It also includes essays by Christopher Benninger, Anand Mahindra (chairman and managing director, Mahindra Group) and Anu-rag Kashyap (principal, BNCA College of Architecture, Pune) providing valuable insights and perceptions about Sanjay Patils work.

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'David Esterly's handsome book on Gibbons has been republished by the V&A with sumptuous pictures' Laura Freeman, The Times, 14th August 2021 Reissued to mark 300 years since the death of Grinling Gibbons (1648-1721), this study views the work of the greatest of decorative woodcarvers from the perspective of a fellow carver, the late David Esterly. Grinling Gibbons is famous for giving wood "the loose and airy lightness of flowers." His flamboyant cascades of lifelike blossoms, fruits, foliage, birds and fish dominate English interiors of the late seventeenth century. They are among the glories of Windsor Castle, Hampton Court Palace, and St. Paul's Cathedral, as well as Badminton, Burghley, Petworth, and other great country houses. A contemporary of Christopher Wren and of the diarists Samuel Pepys and John Evelyn, Gibbons was part of the colourful world of Restoration England. His discovery by Evelyn in a tumble-down cottage near the River Thames was followed by a presentation to King Charles II, who rejected his early sculptural work. Gibbons responded by inventing his spectacular style of decorative carving. He was then rediscovered, reintroduced to the king, and launched into a triumphant career. After setting Gibbons in historical context, David Esterly's ground-breaking approach allows us to understand the process by which these exuberant carvings were created and how their forms reflect the organization of Gibbon's workshop. Esterly, a professional woodcarver who restored some of Gibbons' most important carvings, shares his unique knowledge of the layering process by which Gibbons built up such masterpieces as the Cosimo panel or the elaborate overmantels at Hampton Court Palace. Specially commissioned photographs show these carvings in a disassembled state, revealing the secrets of their construction. Esterly also discusses Gibbons' formidable carving techniques, and his tools, workshop practice, materials, and finishing are described in detail. This generously illustrated volume will have a special appeal for carvers as well as for those interested in seventeenth-century interiors and the decorative arts.

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The book behind Anton Corbijn’s film Squaring the Circle (the story of Hipgnosis)Founded in 1968 by Aubrey “Po” Powell, Storm Thorgerson and Peter Christopherson, graphic design firm Hipgnosis gained a legendary status by transforming the look of album art through their designs for AC/DC, Black Sabbath, The Police, Genesis, Led Zeppelin, Pink Floyd, Paul McCartney, Syd Barrett, and The Who. In this lively volume, Powell presents brutally honest, entertaining and revealing insider stories from the world of rock, featuring an eclectic cast of pop stars, comedians, actors, managers, gangsters, and inspirational world figures from 1966 on. His thrilling narrative is packed with anecdotes - from the founding of Hipgnosis to surviving drugs busts, and from the creative process behind the most iconic album artworks of all time to mounting the Pink Floyd exhibition, Their Mortal Remains - and is richly illustrated with Hipgnosis artwork and Powell’s own photographs. Drama and creativity are the common threads throughout these amazing stories. With candor and insightful reflection, Powell reveals how he and Storm became an effective creative partnership despite their volatile relationship; how the final colour artwork for Led Zeppelin’s Houses Of The Holy was created; how the most iconic album cover of all time – The Dark Side Of The Moon – came about; and how the 2017 Pink Floyd retrospective became the largest and most successful music exhibition ever mounted by the Victoria and Albert Museum – despite the deeply antagonistic and dysfunctional relationship between Roger Waters and David Gilmour. Throughout, Powell exposes how the trappings of fame and glory upset the balance of everyday life, bringing creativity and destruction in equal measure. Packed with exciting insider stories and anecdotes featuring famous musicians, managers, and actors, Through the Prism is a must-have for music and pop-culture fans.With 253 illustrations

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'D'Ancona makes his case well... The book is well written and thoughtful' -- The Times'A heartfelt attempt to renew liberal ideals for the coming decades... How sorely our public debate needs others to express themselves similarly.' -- Henry Mance, Financial Times'An urgent and exhilarating account of how populism, prejudice & polarisation have corrupted objective truth and public discourse. D'Ancona's sparkling prose provides an explanation of how we got here and, crucially, how we might get out.' -- James O'Brien'A book so rich in thought, wisdom and persuasion I find myself sharing the ideas within it with everyone I meet... In the much-mourned absence of Christopher Hitchens, d'Ancona is fast becoming the voice of enlightenment for our bewildered age.' -- Emily Maitlis'A tonic for our times that blows open any complacency following Trump's defeat that the demise of populism and nativism is inevitable. In beautifully written prose, D'Ancona puts forward hopeful ideas and timely inspiration for a progressive politics to replace it.' -- David Lammy'A brilliant, lucid, fearless tract, just what the historical moment ordered.' -- Andrew O'Hagan'D'Ancona's regular practical suggestions help to take it beyond mere theory and into the real world... Decision-makers would do well to read it.' -- Charlotte Henry, TLS***This is a call to arms. The old tools of political analysis are obsolete - they have rusted and are no longer fit for purpose. We've grown lazy, wedded to the assumption that, after ruptures such as Brexit, the pandemic, and the rise of the populist Right, things will eventually go 'back to normal'.Award-winning political writer Matthew d'Ancona invites you to think afresh: to seek new ways of challenging political extremism, bombastic populism and democratic torpor on both Left and Right. In this ground-breaking book, he proposes a new way of understanding our era and plots a way forward. With rigorous analysis, he argues that we need to understand the world in a new way, with a framework built from the three I's: Identity, Ignorance and Innovation.

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The Sunday Times Gardening Book of the Year Described by Vogue as 'the revelatory garden book for our age' and a 'splendid new book' (Sebastian Shakespeare, Daily Mail), The Private Gardens of England is a glorious celebration of the art of gardening through some of the country's hidden horticultural jewels. Thirty-five English private gardens, thoughtfully selected by the writer and designer Tania Compton, are vividly described in the words of their owners, who bring an astonishing sense of intimacy to their own creations as well as their collaborations with some of the leading garden designers of today. From the Bannermans' romantic Cornish castle to the windswept shores of Howick in Northumberland via Jasper Conran in Somerset and Tom Stuart-Smith in Hertfordshire, an eclectic range of gardens is revealed. The traditional English garden is seen through the fresh eyes of plantswomen such as Mary-Anne Robb at Cothay Manor and Arabella Lennox-Boyd at Gresgarth Hall, alongside Hilborough House in Norfolk and Ferne Park in Dorset that recently only existed as fields. The historic landscape gardens of Boughton House and St Paul's Walden Bury are explored alongside the contemporary and conceptual at Plaz Metaxu in Devon. From the private walled garden at Petworth to the wildflower-strewn meadows of Spye Park, each garden is a testament to the thriving art of English gardening. With contributions from the country's best garden photographers, The Private Gardens of England reveals gardening at its highest level. It will inform and inspire anyone with a love of gardening, beauty and excellence. 'The photographs are take-your-breath-away spellbinding ...The minute level of detail here will satisfy real gardeners, elevating this book far above its competition.' Sarah Feeley, English Garden 'Captures a brilliant moment in our history, where plantsmanship, good design and love of plants have all come together ...compelling format ...the photography and production are superb.' Kathryn Bradley-Hole, Country Life One of Christopher Woodward's Books of the Year in the Evening Standard

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From the stone blade and the fire stick to the latest algorithms of genetic code, we shape our world through the act of design. With its roots in the Renaissance notion disegno, design is the ability not only to make something, but also to conceive of its invention and reflect on its meaning. Whether we valorise it as the democratisation of design or critique it as the perversion of the commodity fetish, designed things are now ubiquitous. Not only things but entire systems must now be designed and objects reconceived and redesigned as mere moments in unfathomably complex ecological flows. The planet itself, and even space beyond, is now presented as a design problem. What does landscape architecture bring to the broader culture of design? What lessons can be learned from other disciplines at the cutting edge of design? What role does design play in a time of transformative technological change? In LA+ Design we move beyond the designed outcome to explore the myths, methods, meanings, and futures of design. Engineer and physicist Adrian Bejan outlines his constructal theory, which predicts natural design and its evolution in engineering, scientific, and social systems. Design researchers Craig Bremner + Paul Rodgers take us through an A Z of design ecology. Architects Lizzie Yarina + Claudia Bode open our eyes to new ways of seeing things through subject-object relations. Jenni Zell explores life as a woman landscape architect through a Kafkaesque lens. Daniel Pittman interviews MoMA's curator of architecture and design, Paola Antonelli. Architect David Salomon explores methods of using data as both fact and fiction. Christopher Marcinkoski interviews Anthony Dunne + Fiona Raby (Dunne + Raby) to discuss how their practice continuously redefines the role of design in society. Thomas Oles challenges stereotypes of landscape architecture s professional identity. Richard Weller discusses the terrarium as the ultimate design experiment. Dane Carlson goes deep into the culture of Nepal s hinterlands to explore new modes and geographies for landscape architecture beyond the first world. Through LA's signage, anthropologist Keith Murphy shows how different groups of people interact with and give meaning to the landscapes they inhabit. Interviewed by Colin Curley, architect Andrés Jaque (Office for Political Innovation) discusses the role of technology and agency of architecture in society today. Game designer Colleen Macklin shows how public space can be redefined and subverted through the agency of play. Javier Arpa interviews urban design guru Winy Maas (MVRDV, The Why Factory) to discuss his views on the future of design and design education. Experimental psychologist Thomas Jacobsen describes current neurological research into the subjectivity of beauty. Landscape architect James Corner talks about the evolution of the profession of landscape architecture in a wide-ranging interview.

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This book is an examination of the teaching of the Russian religious thinker Vladimir Solov'ev (1853-1900) about divine-humanity, the term he used to express the patristic doctrine of deification. The first chapter examines the theme of deification in the patristic tradition and shows that he himself was extremely familiar with the writings of the Church Fathers and the doctrinal teachings of the early Church Councils. The following three chapters are devoted to specific works of Solov'ev which are analysed in detail, Lectures on Divine Humanity, The Spiritual Foundations of Life and The Justification of the Good. Of these, the latter two have, to date, received little extended scholarly study. The over-arching thrust of this work is that Solov'ev's concept of deification started as a reflection of the mystical and cosmic expressions of deification characteristic of the late Greek patristic period but develops so to be expressed in the western terminology of grace and focuses on the active implementation of deification in the world, taking the teaching out of its original monastic context. Chapter Two reveals the significant impact of Maximus the Confessor on Solov'ev's thought and identifies the dyothelite Christological model which Maximus develops from the dogmatic definition of the Council of Chalcedon as crucial hermeneutical principle in Solov'ev's thought. Chapter Three shows the development of Solov'ev's teaching about deification, examining how it expands to embrace different models of deification, adopting western as well as eastern theological approaches and finding its centre in the life of the Church. Finally, Chapter Four shows how Solov'ev's deepening understanding of the western approach to deification through the language of grace is combined with an eastern understanding of human anthropology, enabling him to integrate realistic and moral approaches to deification, and address the whole range of human experience in terms of divine union and the Kingdom of God.

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Bread from Heaven offers a contemporary theological synthesis on the Eucharist that brings together classical and critical biblical exegesis, debates on the early history of the Christian liturgy, patristic doctrine, the teachings offered by the Councils of Florence, Trent and Vatican II, and the Church’s lex orandi, all within a framework provided by the Eucharistic theology of Thomas Aquinas.The volume begins with Christ’s Bread of Life discourse in John 6, in light of the Old Testament theme of the manna, and the Synoptic accounts of the Last Supper. These biblical texts offer solid foundation for a theology of Eucharistic sacrifice, presence and Communion. It then continues with a historical and systematic study of the institution of the Eucharist by Christ, with special attention given to the emergence of the first Eucharistic prayers. Then follows a survey of key Christological and ecclesiological themes which undergird Eucharistic theology. The chapters on Eucharistic sacrifice and presence form the heart of the work. Here, the focus moves to key conciliar, patristic and Thomistic insights on these themes. Bread from Heaven clarifies misunderstandings of Eucharistic sacrifice and renders transubstantiation accessible to beginners.Blankenhorn concludes with a study of the consecration, the minister of the Eucharist and the fruits of communion. The chapter on the debate over the words of institution and the epiclesis gives a fresh perspective that integrates both eastern and western tradition. The study of the Eucharistic celebrant strikes a balance between a spirituality of the priest as acting in persona Christi and of the priest as praying in persona ecclesiae. The concluding chapter centers on the Eucharist’s unitive, mystical fruits in the Church.This textbook is ideal for an advanced undergraduate or graduate course on Eucharistic theology. It also seeks to advance the debate on several controversial historical and speculative issues in sacramental theology.

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Traditional jazz studies have tended to see jazz in purely musical terms, as a series of changes in rhythm, tonality, and harmony, or as a parade of great players. But jazz has also entered the cultural mix through its significant impact on novelists, filmmakers, dancers, painters, biographers, and photographers. Representing Jazz explores the "other" history of jazz created by these artists, a history that tells us as much about the meaning of the music as do the many books that narrate the lives of musicians or describe their recordings. Krin Gabbard has gathered essays by distinguished writers from a variety of fields. They provide engaging analyses of films such as Round Midnight, Bird, Mo’ Better Blues, Cabin in the Sky, and Jammin’ the Blues; the writings of Eudora Welty and Dorothy Baker; the careers of the great lindy hoppers of the 1930s and 1940s; Mura Dehn’s extraordinary documentary on jazz dance; the jazz photography of William Claxton; painters of the New York School; the traditions of jazz autobiography; and the art of "vocalese." The contributors to this volume assess the influence of extramusical sources on our knowledge of jazz and suggest that the living contexts of the music must be considered if a more sophisticated jazz scholarship is ever to evolve. Transcending the familiar patterns of jazz history and criticism, Representing Jazz looks at how the music actually has been heard and felt at different levels of American culture. With its companion anthology, Jazz Among the Discourses, this volume will enrich and transform the literature of jazz studies. Its provocative essays will interest both aficionados and potential jazz fans.Contributors. Karen Backstein, Leland H. Chambers, Robert P. Crease, Krin Gabbard, Frederick Garber, Barry K. Grant, Mona Hadler, Christopher Harlos, Michael Jarrett, Adam Knee, Arthur Knight, James Naremore

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*NOW A MAJOR SKY TV SERIES. Read the novel Season 2 is based on.*Fall deeper under the spell of Diana and Matthew in the captivating second volume of the No.1 internationally bestselling ALL SOULS series, following A DISCOVERY OF WITCHES. Perfect for fans of Neil Gaiman, Diana Gabaldon and J. K. Rowling.---In a world of witches, daemons and vampires the fragile balance of peace is unravelling. Diana and Matthew's forbidden love has broken the laws dividing creatures. To discover the manuscript which holds their hope for the future, they must now travel back to the past.When Diana Bishop, descended from a line of powerful witches, discovered a significant alchemical manuscript in the Bodleian Library, she sparked a struggle in which she became bound to long-lived vampire Matthew Clairmont. Now the coexistence of witches, daemons, vampires and humans is dangerously threatened.Seeking safety, Diana and Matthew travel back in time to London, 1590. But they soon realise that the past may not provide a haven. Reclaiming his former identity as poet and spy for Queen Elizabeth, the vampire falls back in with a group of radicals known as the School of Night. Many are unruly daemons, the creative minds of the age, including playwright Christopher Marlowe and mathematician Thomas Harriot.Together Matthew and Diana scour Tudor London for the elusive manuscript Ashmole 782, and search for the witch who will teach Diana how to control her remarkable powers...Praise for Deborah Harkness:'Rich, thrilling . . . captivating' E L James'Intelligent and off-the-wall' The Sunday Times'I could lose myself in here and never want to come out' Manda Scott'A bubbling cauldron of illicit desire' Daily Mail

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After a gap of two years, the 1812 Salamanca Campaign saw Wellington taking the offensive in Spain against Marshal Marmont's Army of Portugal. Marching from the border fortress of Ciudad Rodrigo which fell to the Allies in January, neither commander was willing to take the risk of a general action without a clear tactical advantage. The result were stand-offs as Wellington offered battle on the San Christobal Heights, but once the small French-garrisoned forts left behind in Salamanca fell, Marmont withdrew to the Douro. For over a week the two armies shared cooling waters of the river before Marmont humbugged' Wellington and fell on the Allied left flank at Castrejon. Wellington rushed to the aid of the Light and 4th divisions with the heavy cavalry. Over the following days Marmont dexterously manoeuvred Wellington back towards Salamanca, with both armies within cannon shot still not risking battle. When it seemed Wellington would have to march back to the safety of Portugal, Marmont finally made a mistake on the plains south of Salamanca on 22 July 1812, by allowing his army to become over extended. Wellington saw what was happening and after weeks of marching and counter marching, the battle the soldiers earnestly hoped for was on. In the past it has been difficult to place the fighting on the ground in the centre of the Salamanca battlefield, where vast clouds of smoke and dust that rolled along the basin' obscured vision even for those fighting. Supplementing their letters, diaries and memoires with modern geographical aids, archaeology and a stout pair of boots, it is now possible to reconcile the sequence of the battle with locations, in a way in which it was not feasible even a few years ago.

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On 13 December 1776, the Rev. William Turner preached the first avowedly anti-slavery sermon in the North of England. Copies of his sermon were distributed far and wide -in so doing, he had fired the first shot in the battle to end slavery had begun. Four years later, Rev. Turner, members of his congregation and the Rev. Christopher Wyvill founded The Yorkshire Association' to agitate for political and social reform. The Association sought universal suffrage, annual parliaments and the abolition of slavery. In the West Riding, despite furious opposition, by 1783 nearly 10,000 signatures were collected in support of the aims of the Association. Slavery, or rather its abolition, was now on the political agenda. _The Battle Against Slavery_ charts the story of a group of West Riding radicals in their bid to abolish slavery both in the United Kingdom and abroad. Such became the influence of this group, whose Unitarian beliefs were illegal in Britain, that the general election of 1806 in Yorkshire was fought on an abolitionist platform. At a time when the rest of the world engaged in slavery, this small body was fighting almost single-handedly to end such practices. Gradually, their beliefs began to spread across the country and across the Channel to France, the principles of which found resonance during the French Revolution and even across the Atlantic to America. At a time, today, when the history of slavery is the subject of considerable debate worldwide, this revealing insight into the abolitionist movement, which demonstrates how ordinary men and women battled against governments and the establishment, needs to be told. _The Battle Against Slavery_ adds an important dimension to the continuing debate over Britain's, and other nations', involvement in the slave trade and demonstrates how the determination of just a few right-minded people can change world opinion forever.

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When the UN invaded the Freehold of Grainne, the intent was simple: Force a noncompliant star nation back into the collective. What the politicians hadn't accounted for was that the Freehold had spent 200 years as the haven for every independent, rebellious, self-reliant adventurer in human space. Its military are scattered remnants, its bases smoking ruins, its cities occupied. But Grainne and its space habitats have resources beyond measure. Retired intelligence agents, disabled veterans, animal handlers, petty smugglers, half-lame computer specialists, research scientists, professional duellists, all have one goal in mind: Make the invaders suffer for their presumption. This isn't just resistance. It's vengeance. Stories by: Larry Correia Michael Z. Williamson Brad R. Torgersen Mike Massa Kacey Ezell Robert E. Hampson John F. Holmes Marisa Wolf Justin Watson Jason Cordova Jamie Ibson Jessica Schlenker Christopher Dinote Philip Wohlrab Rob Reed Chris Smith Praise for Forged in Blood: “The anthology celebrates soldiers and their tools. . . . Most of all, it celebrates warriors and the stuff that makes them so—the mettle more than the metal.”—Tangent "Fans of combat science fiction will find this collection irresistible…an entertaining and engaging book."—The Daily News of Galveston County About Michael Z. Williamson: “A fast-paced, compulsive read . . . will appeal to fans of John Ringo, David Drake, Lois McMaster Bujold, and David Weber.”—Kliatt “Williamson's military expertise is impressive.”—SF Reviews Novels of Michael Z. Williamson's Freehold Universe: Freehold series Freehold The Weapon The Rogue Contact with Chaos Angeleyes Freehold: Forged in Blood Ripple Creek series Better to Beg Forgiveness . . . Do Unto Others . . . When Diplomacy Fails . . . Standalone A Long Time Until Now

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Spain’s American empire began as the serendipitous outgrowth of the search for a shortcut to China. That search derived from two mid-fifteenth-century developments: the Ming Dynasty’s decision to adopt a silver standard for its medium of exchange and the Ottoman Turks’ capture of Constantinople in 1453. China’s great demand for silver and the disruption of the Silk Road drove the need to find alternative access to China. King John II of Portugal sent explorers southward along the coast of Africa and thence to the Orient, but Ferdinand and Isabella sent Christopher Columbus westward, believing he would find a shorter route.A persistent if disorderly push by Spanish conquistadors led to the discovery of previously unknown civilizations, including the empires of the Aztecs and the Incas. The search for a short-cut to China became bound up with the seizure of the riches held by native populations. Although the conquistadors were vastly outnumbered, their superior technology—steel swords, armor, war horses, and firearms—concomitant with diseases that accompanied them, enabled them to subdue native American peoples and confiscate their wealth.The aftermath was fraught with complications and strife. Crown- appointed governors came into conflict with the conquistadors. Distances were great, and the governors tended to place their interests over those of the King. Cortez conquered the Aztecs despite the governor’s attempts to prevent his campaign. Bureaucratic interference bedeviled Francisco Pizzaro’s campaign against the Incas, which, nonetheless, contributed more to the wealth of his country than any other conquistador’s exploits. Ultimately, the vast wealth of the Americas would fuel Spain and its Empire for nearly two centuries.

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For Augustine, that the Word became flesh transformed a merely human understanding of the virtues and grounds all virtue in humility. The Way of Humility: Augustine's Theology of Preaching explores how this truth became a new paradigm for understanding the scriptures and thus, how Augustine embodied the virtue in the preaching of the scriptures. One of Augustine's most devoted students, Possidius, said that anyone can learn from reading Augustine, but ""those were able to profit still more who could hear him speak in church and see him with their own eyes. Truly, he was indeed one of those of whom it is written, 'speak this way and act the same way.'"" The Way of Humility searches for evidence of the virtue of humility in action through the preaching of the humble Word in the sermons of Augustine.Many know of Augustine through his more famous treatises but few have encountered the Doctor of Grace where he had his most immediate impact, preaching. The Way of Humility follows the sermons through several traditional theological loci, ecclesiology, Christology, soteriology to uncover what can be learned about Augustine's theology through the way he preached to a mixed audience of urbanites and rustics, many of whom did not have the benefit of a formal education. Throughout the book, we see the interplay between Augustine's action in speech and Augustine's more direct statements on his theology of Preaching. Through handing over Christ in his sermons, he became himself an example of humility for the congregation on their journey toward the final end for all people, the Beatific Vision.

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Taking a novel approach to the military history of the post-Civil War West, distinguished historian Robert M. Utley examines the careers of seven military leaders who served as major generals for the Union in the Civil War, then as brigadier generals in command of the U.S. Army's western departments. By examining both periods in their careers, Utley makes a unique contribution in delineating these commanders' strengths and weaknesses. While some of the book's subjects - notably Generals George Crook and Nelson A. Miles - are well known, most are no longer widely remembered. Yet their actions were critical in the expansion of federal control in the West. The commanders effected the final subjugation of American Indian tribal groups, exercising direct oversight of troops in the field as they fought the wars that would bring Indians under military and government control. After introducing readers to postwar army doctrine, organization, and administration, Utley takes each general in turn, describing his background, personality, eccentricities, and command style and presenting the rudiments of the campaigns he prosecuted. Crook embodied the ideal field general, personally leading his troops in their operations, though with varying success. Christopher C. Augur and John Pope, in contrast, preferred to command from their desks in department headquarters, an approach that led both of them to victory on the battlefield. And Miles, while perhaps the frontier army's most detestable officer, was also its most successful in the field. Rounding out the book with an objective comparison of all eight generals' performance records, Utley offers keen insights into their influence on the U.S. military as an institution and on the development of the American West.

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Examines Mendelssohn's relationship to the past, shedding light on the construction of historical legacies that, in some cases, served to assert German cultural supremacy only two decades after the composer's death. By upbringing, family connections, and education, Felix Mendelssohn was ideally positioned to contribute to the historical legacies of the German people, who in the aftermath of the Napoleonic Wars discovered that they were a nation with a distinct culture. The number of cultural icons of German nationalism that Mendelssohn "discovered," promoted, or was asked to promote (by way of commissions) in his compositions is striking: Gutenberg and the invention of the printing press, Dürer and Nuremberg, Luther and the Augsburg Confession as the manifesto of Protestantism, Bach and the St. Matthew Passion, Beethoven and his claims to universal brotherhood. The essays in thisvolume investigate from a variety of perspectives Mendelssohn's relationship to the music of the past, including the significance of Bach's music for the Mendelssohn family, the homages to Bach in Mendelssohn's organ compositions,the influence of Beethoven in the Reformation Symphony, and Mendelssohn's reception and use of Handel's oratorios. Together, the essays shed light on the construction of legacies that, in some cases, served to assert German cultural supremacy only two decades after the composer's death in 1847. Contributors: Celia Applegate, John Michael Cooper, Hans Davidsson, Wm. A. Little, Peter Mercer-Taylor, Siegwart Reichwald, Glenn Stanley, Russell Stinson, Benedict Taylor, Nicholas Thistlethwaite, Jürgen Thym, R. Larry Todd, Christoph Wolff Jürgen Thym is professor emeritus of musicology at the Eastman School of Music and editor of Of Poetry and Song: Approaches tothe Nineteenth-Century Lied (University of Rochester Press, 2010).

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We are just beginning to understand masculinity as a fiction or a localizable, historical, and therefore unstable construct. This book points the way to a much-needed interrogation of the many modes of masculinity, as represented in literature. Both women and men who are engaged in critical thinking about genders and sexualities will find these essays always thoughtful and often provocative. —Thas E. Morgan, Associate Professor of English, Arizona State University Peter Murphy has assembled an innovative, challenging, and important set of contributions to a growing field of inquiry into constructions of masculinities in literature, inspired principally by feminist and gay studies. Illuminatingly crossing lines of genders, sexualities, cultures, and methodologies, Fictions of Masculinity greatly advances our understanding of representations of men, masculinities, misandry, and misogyny in a wide range of literary works and genres, and helps us to imagine (and thereby ultimately bring about) alternative constructions. —Harry Brod, Editor, The Making of Masculinities: The New Men's Studies, A Mensch Among Men: Explorations in Jewish Masculinity, and Theorizing Masculinities. Women writing about women dominates contemporary work on sexuality. Men have been far more willing to discuss female sexuality than male sexuality, while the most radical and insightful analyses of male sexuality have come from women. When men consider the issue of female sexuality they often speak from assumptions of security about their own unexamined sexuality. This book maintains that men have to interrogate their own sexuality if there is to be a revision of phallocentric discourse; and, that this revision of masculinity must be done in dialogue with women. The essays included in this collection examine the deep structure of masculine codes. They ask the question Who are the men in modern literature? Examining the force of the dominant values of Western masculinity, they synthesize insights from feminism, psychoanalysis, post-structuralism, and new historicism. These perspectives help explain how male sexuality has been structured by fictional representations. By examining the images of masculinity in modern literature, the essays explore traditional and non-traditional roles of men in society and in personal relationships. They look at how men are represented in literature, the fiction of manhood. They attempt to unravel the assumptions behind these representations by looking at the implications of this imagination. And they speculate on possibilities for creating a new imaginary of masculinity by identifying what literature has to say about that change. With analyses of a range of genres (novels, poetry, plays and autobiography), Western and Third World literatures, and theoretical perspectives, Fictions of Masculinity provides a significant contribution to this rapidly growing field of study. Contributors are: David Bergman (Towson State University), Miriam Cooke (Duke University), Martin Danahy (Emory University), Richard Dellamora (Trent University, Ontario), Leonard Duroche (University of Minnesota), Jim Elledge (Illinois State University), Alfred Habegger (University of Kansas), Suzanne Kehde (California Polytechnic University, San Luis Obispo), David Leverenz (University of Florida), Christopher Metress (Wake Forest University), Peter F. Murphy (SUNY, Empire State College), Rafael Prez-Torres (University of Pennsylvania), David Radavich (Eastern Illinois University), and Peter Schwenger (St. Vincent University, Nova Scotia).

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Claude Debussy's Paris was factionalized, politicized, and litigious. It was against this background of ferment and change--which characterized French society and music from the Franco-Prussian War to World War I--that Debussy re-thought music. This book captures the complexity of the composer's restless personal and artistic identity within the new picture emerging of the musical, social, and political world of fin-de-siecle Paris. Debussy's setting did not simply mold his style. Rather, it challenged him to define a style and then to revamp it again and again as he situated himself simultaneously via the present and the past. These essays trace Debussy's perpetual reinvention, both social and creative, from his earliest to his last works. They explore tensions and contradictions in his best-known compositions and examine lesser-known pieces that reveal new aspects of Debussy's creative appropriation from poetry, painting, and non-Western music. The contributors reveal the extent to which Debussy's personal and professional lives were intertwined and sometimes in conflict. Belonging to no one group or class, but crossing many, Debussy abjured the orthodox. A maverick who reviled all convention and searched for a music that authentically reflected experience, Debussy balked at entering any situation--salons, musical societies, or factions--that would categorize and thus distort him. Because of this, music lovers still argue over the degree to which Debussy's music is Impressionist, symbolist, or even French. Aptly, the volume's editor reads Debussy's last works as a dialogue with himself that reflects his inherently pluralistic, paradoxical, negotiated, and ever-changing identity. William Austin's description of Debussy as "one of the most original and adventurous musicians who ever lived" is often repeated. This book illustrates how right Austin was and shows why Debussy's unclassifiable art continues to fascinate and perplex his historians even as it enthralls new listeners. The contributors are Leon Botstein, Christophe Charle, John Clevenger, Jane F. Fulcher, David Grayson, Brian Hart, Gail Hilson-Woldu, and Marie Rolf.

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If you love Helen Hoang, Abby Jimenez and Talia Hibbert, you'll LOVE Farrah Rochon!One of Cosmopolitan's '12 Books You'll Be Desperate to Read This Summer' and one of Oprah Magazine's Best Romances of 2020!'A prime example of how complex and insightful romances can be' Jasmine Guillory'Relatable and real... I smiled the whole time I was reading' Andie J. Christopher'The free-spirited, tell-it-like-it-is page-turner you've been looking for!' Kwana JacksonWhat happens when three women discover, thanks to the live tweeting of a disastrous date, that they've all been duped by the same man? They become friends of course!Three friends. One pact. And a temptation to break the rules... Samiah Brooks never thought she would be 'that' girl. But a live tweet of a horrific date reveals the painful truth: she's been catfished by her three-timing jerk of a boyfriend. Suddenly Samiah - along with the two other 'girlfriends', London and Taylor - have gone viral. Now the three new besties are making a six-month pact: no men, no dating, just time to focus on themselves. This means Samiah can finally focus on her exciting career in app development - so having the deliciously sexy and distracting Daniel Collins walk into her office definitely isn't part of her plan... But is Daniel really boyfriend material - or is he simply too good to be true?'A multilayered story about friendship, love, and following your dreams - all of it told with heart and emotion' Nalini Singh'Funny, fresh, sexy, and heartfelt. This is my new favorite romance series' Suzanne Brockmann'A smart, funny digital-age romance about real women living in the real world. Couldn't put it down!' Abby Jimenez'A masterpiece of modern-day Jane Austen with effortless, razor-sharp social commentary, romance, and humor. Farrah Rochon is one of the absolute best romance writers today. Period' Kristan Higgins'Swoon-worthy romance, the power of true friendship, and a grand gesture that makes your heart sigh with pure satisfaction. Absolutely a must-read summer romance!' Priscilla Oliveras'Rochon is a romance master who adeptly writes interesting and dynamic characters... A richly layered conflict adds depth and complexity to this charming workplace romance' Kirkus

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'Satisfying and entertaining.' - RT Book Reviews'Entertaining.... Holt has a zany humor that will appeal to fans of Terry Pratchett and Christopher Moore.' - Library JournalA HAPPY WORKFORCE, IT IS SAID, IS A PRODUCTIVE WORKFORCE.Try telling that to an army of belligerent goblins. Or the Big Bad Wolf. Or a professional dragon slayer. Who is looking after their well-being? Who gives a damn about their intolerable working conditions, lack of adequate health insurance, and terrible coffee in the canteen?Thankfully, with access to an astonishingly diverse workforce and limitless natural resources, maximizing revenue and improving operating profit has never really been an issue for the one they call 'the Wizard.' Until now.Because now a perfectly good business model-based on sound fiscal planning, entrepreneurial flair, and only one or two of the infinite parallel worlds that make up our universe-is about to be disrupted by a young man not entirely aware of what's going on.There's also a slight risk that the fabric of reality will be torn to shreds. You really do have to be awfully careful with these things.A story of overlords, underlings and inhuman resources, The Outsorcerer's Apprentice isthe hilarious new novel from comic fantasist Tom Holt.Books by Tom Holt: Walled Orchard Series Goatsong The Walled Orchard J.W. Wells & Co. Series The Portable Door In Your Dreams Earth, Air, Fire and Custard You Don't Have to Be Evil to Work Here, But It Helps The Better Mousetrap May Contain Traces of Magic Life, Liberty and the Pursuit of Sausages YouSpace Series Doughnut When It's A Jar The Outsorcerer's Apprentice The Good, the Bad and the Smug Novels Expecting Someone Taller Who's Afraid of Beowulf Flying Dutch Ye Gods! Overtime Here Comes the Sun Grailblazers Faust Among Equals Odds and Gods Djinn Rummy My Hero Paint your Dragon Open Sesame Wish you Were Here Alexander at World's End Only Human Snow White and the Seven Samurai Olympiad Valhalla Nothing But Blue Skies Falling SidewaysLittle PeopleSong for NeroMeadowlandBarkingBlonde BombshellThe Management Style of the Supreme BeingsAn Orc on the Wild Side

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A HISTORY OF THE MEDICINES WE TAKE gives a lively account of the development of medicines from traces of herbs found with the remains of Neanderthal man, to prescriptions written on clay tablets from Mesopotamia in the third millennium BC, to pure drugs extracted from plants in the nineteenth century to the latest biotechnology antibody products. The first ten chapters of the book in PART ONE give an account of the development of the active drugs from herbs used in early medicine, many of which are still in use, to the synthetic chemical drugs and modern biotechnology products. The remaining eight chapters in PART TWO tell the story of the developments in the preparations that patients take and their inventors, such as Christopher Wren, who gave the first intravenous injection in 1656, and William Brockedon who invented the tablet in 1843\. The book traces the changes in patterns of prescribing from simple dosage forms, such as liquid mixtures, pills, ointments, lotions, poultices, powders for treating wounds, inhalations, eye drops, enemas, pessaries and suppositories mentioned in the Egyptian Ebers papyrus of 1550 BCE to the complex tablets, injections and inhalers in current use. Today nearly three-quarters of medicines dispensed to patients are tablets and capsules. A typical pharmacy now dispenses about as many prescriptions in a working day as a mid-nineteenth- century chemist did in a whole year.

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What do our myths say about us? Why do we choose to believe stories that have been disproven? David M. Krueger takes an in-depth look at a legend that held tremendous power in one corner of Minnesota, helping to define both a community’s and a state’s identity for decades.In 1898, a Swedish immigrant farmer claimed to have discovered a large rock with writing carved into its surface in a field near Kensington, Minnesota. The writing told a North American origin story, predating Christopher Columbus’s exploration, in which Viking missionaries reached what is now Minnesota in 1362 only to be massacred by Indians. The tale’s credibility was quickly challenged and ultimately undermined by experts, but the myth took hold.Faith in the authenticity of the Kensington Rune Stone was a crucial part of the local Nordic identity. Accepted and proclaimed as truth, the story of the Rune Stone recast Native Americans as villains. The community used the account as the basis for civic celebrations for years, and advocates for the stone continue to promote its validity despite the overwhelming evidence that it was a hoax. Krueger puts this stubborn conviction in context and shows how confidence in the legitimacy of the stone has deep implications for a wide variety of Minnesotans who embraced it, including Scandinavian immigrants, Catholics, small-town boosters, and those who desired to commemorate the white settlers who died in the Dakota War of 1862.Krueger demonstrates how the resilient belief in the Rune Stone is a form of civil religion, with aspects that defy logic but illustrate how communities characterize themselves. He reveals something unique about America’s preoccupation with divine right and its troubled way of coming to terms with the history of the continent’s first residents. By considering who is included, who is left out, and how heroes and villains are created in the stories we tell about the past, Myths of the Rune Stone offers an enlightening perspective on not just Minnesota but the United States as well.

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Since the Enlightenment, the idea of progress has spanned right- and left-wing politics, secular and spiritual philosophy, and most every school of art or culture. The belief that humans are capable of making lasting improvements—intellectual, scientific, material, moral, and cultural—continues to be a commonplace of our age. However, events of the preceding century, including but not limited to two world wars, conflicts in Korea and Vietnam, the spread of communism across Eastern Europe and parts of Asia, violent nationalism in the Balkans, and genocides in Cambodia and Rwanda, have called into question this faith in the continued advancement of humankind. In A Road to Nowhere, Matthew W. Slaboch argues that political theorists should entertain the possibility that long-term, continued progress may be more fiction than reality. He examines the work of German philosophers Arthur Schopenhauer and Oswald Spengler, Russian novelists Leo Tolstoy and Aleksandr Solzhenitsyn, and American historians Henry Adams and Christopher Lasch—rare skeptics of the idea of progress who have much to engage political theory, a field dominated by historical optimists. Looking at the figures of Schopenhauer, Tolstoy, and Adams, Slaboch considers the ways in which they defined progress and their reasons for doubting that their cultures, or the world, were progressing. He compares Germany, Russia, and the United States to illustrate how these nineteenth-century critics of the idea of progress contributed to or helped forestall the emergence of forms of government that came to be associated with each country: fascism, communism, and democratic capitalism, respectively. Turning to Spengler, Solzhenitsyn, and Lasch, Slaboch explores the contemporary relevance of the critique of progress and the arguments for and against political engagement in the face of uncertain improvement, one-way inevitable decline, or unending cycles of advancement and decay. A Road to Nowhere concludes that these notable naysayers were not mere defeatists and presents their varied prescriptions for individual and social action.

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