Search results for ""Author Christo"

How should Christians read the Old Testament today? Answers to this question gravitate between two poles. On the one hand, some pay little attention to the gap between the Old Testament and today, reading the Old Testament like a devotional allegory that points the Christian directly to Jesus. On the other hand, there are folks who prioritize an Old Testament passage's original context to such an extent that it is by no means clear if and how a given Old Testament text might bear witness to Christ and address the church.This volume is a tribute to Willem A. VanGemeren, an ecclesial scholar who operated amidst the tension between understanding texts in their original context and their theological witness to Christ and the church. The contributors in this volume share a conviction that Christians must read the Old Testament with a theological concern for how it bears witness to Christ and nourishes the church, while not undermining the basic principles of exegesis.Two questions drive these essays as they address the topic of reading the Old Testament theologically. Christology. If the Old Testament bears witness to Christ, how do we move from an Old Testament text, theme, or book to Christ? Ecclesiology. If the Old Testament is meant to nourish the church, how do scriptures originally given to Israel address the church today? The volume unfolds by first considering exegetical habits that are essential for interpreting the Old Testament theologically. Then several essays wrestle with how topics from select Old Testament books can be read theologically. Finally, it concludes by addressing several communal matters that arise when reading the Old Testament theologically.

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Dmitri Shostakovich (1906-1975) has a reputation as one of the leading composers of the twentieth century. But the story of his controversial role in history is still being told, and his full measure as a musician still being taken. This collection of essays goes far in expanding the traditional purview of Shostakovich's world, exploring the composer's creativity and art in terms of the expectations--historical, cultural, and political--that forged them. The collection contains documents that appear for the first time in English. Letters that young "Miti" wrote to his mother offer a glimpse into his dreams and ambitions at the outset of his career. Shostakovich's answers to a 1927 questionnaire reveal much about his formative tastes in the arts and the way he experienced the creative process. His previously unknown letters to Stalin shed new light on Shostakovich's position within the Soviet artistic elite. The essays delve into neglected aspects of Shostakovich's formidable legacy. Simon Morrison provides an in-depth examination of the choreography, costumes, decor, and music of his ballet The Bolt and Gerard McBurney of the musical references, parodies, and quotations in his operetta Moscow, Cheryomushki. David Fanning looks at Shostakovich's activities as a pedagogue and the mark they left on his students' and his own music. Peter J. Schmelz explores the composer's late-period adoption of twelve-tone writing in the context of the distinctively "Soviet" practice of serialism. Other contributors include Caryl Emerson, Christopher H. Gibbs, Levon Hakobian, Leonid Maximenkov, and Rosa Sadykhova. In a provocative concluding essay, Leon Botstein reflects on the different ways listeners approach the music of Shostakovich.

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WARRIORS AND SOLDIERS TIED TOGETHER THROUGHOUT TIME AND SPACE. From the distant past to the far future, those who carry the sword rack up commendations for bravery. They are men and women who, like the swords they carry, have been forged in blood. These are their stories. In medieval Japan, a surly ronin is called upon to defend a village against a thieving tax collector who soon finds out it's not wise to anger an old, tired man. In the ugliest fighting in the Pacific Theater, an American sergeant and a Japanese lieutenant must face each other, and themselves. A former US Marine chooses sides with outnumbered Indonesian refugees against an invading army from Java. When her lover is stolen by death, a sergeant fighting on a far-flung world vows vengeance that will become legendary. And, when a planet fragments in violent chaos, seven Freeholders volunteer to help protect another nation's embassy against a horde. Featuring all-new stories by Michael Z. Williamson, Larry Correia, Tom Kratman, Tony Daniel, Micahel Massa, Peter Grant, John F. Holmes, and many more. Contributors: Zachary Hill Larry Correia Michael Massa John F. Holmes Rob Reed Dale Flowers Tom Kratman Leo Champion Peter Grant Christopher L. Smith Jason Cordova Tony Daniel Kacey Ezell Michael Z. Williamson About Michael Z. Williamson: “A fast-paced, compulsive read . . . will appeal to fans of John Ringo, David Drake, Lois McMaster Bujold, and David Weber.”—Kliatt “Williamson's military expertise is impressive.”—SF Reviews Novels of Michael Z. Williamson's Freehold Universe: Freehold series Freehold The Weapon The Rogue Contact with Chaos Angeleyes Freehold: Forged in Blood Ripple Creek series Better to Beg Forgiveness . . . Do Unto Others . . . When Diplomacy Fails . . . Standalone A Long Time Until Now

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It is 2185 CE. Humans now live throughout the Solar System, but their most ambitious adventure is about to begin. The starship Victoria will carry over 10,000 colonists to a new world outside the solar system. The larger-than-life exploits of those colonists will become legendary. The colonists will build a new civilization, and the actions of a few individuals will become famous—and infamous—forever marking their new colony with the Founder Effect. Contributors:Larry CorreiaMark H. WandreyLes JohnsonChristopher L. SmithDavid WeberDaniel M. HoytBrad R. TorgersenMonalisa FosterSarah A. HoytChris KennedyVivienne RaperJody Lynn NyeBrent M. RoederCatherine L. SmithPhilip WohlrabD.J. ButlerAbout Stellaris: People of the Stars, co-edited by Robert E. Hampson:[A] thought-provoking look at a selection of real-world challenges and speculative fiction solutions. . . . Readers will enjoy this collection that is as educational as it is entertaining."—Bookist"This was an enjoyable collection of science fiction dealing with colonizing the stars. In the collection were several gems and the overall quality was high."—Tangent

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**Winner of the Christopher Isherwood Prize for Autobiographical Prose**'A devastating front-line account of the police killings and the young activism that sparked one of the most significant racial justice movements since the 1960s: Black Lives Matter ... Lowery more or less pulls the sheet off America ... essential reading' Junot Díaz, The New York Times, Books of 2016'Electric ... so well reported, so plainly told and so evidently the work of a man who has not grown a callus on his heart' Dwight Garner, The New York Times, 'A Top Ten Book of 2016''I'd recommend everyone to read this book ... it's not just statistics, it's not just the information, but it's the connective tissue that shows the human story behind it. I really enjoyed it' Trevor Noah, host of Comedy Central's 'The Daily Show'A deeply reported book on the birth of the Black Lives Matter movement, offering unparalleled insight into the reality of police violence in America, and an intimate, moving portrait of those working to end it In over a year of on-the-ground reportage, Washington Post writer Wesley Lowery traveled across the US to uncover life inside the most heavily policed, if otherwise neglected, corners of America today. In an effort to grasp the scale of the response to Michael Brown's death and understand the magnitude of the problem police violence represents, Lowery conducted hundreds of interviews with the families of victims of police brutality, as well as with local activists working to stop it. Lowery investigates the cumulative effect of decades of racially biased policing in segregated neighborhoods with constant discrimination, failing schools, crumbling infrastructure and too few jobs. Offering a historically informed look at the standoff between the police and those they are sworn to protect, They Can't Kill Us All demonstrates that civil unrest is just one tool of resistance in the broader struggle for justice. And at the end of President Obama's tenure, it grapples with a worrying and largely unexamined aspect of his legacy: the failure to deliver tangible security and opportunity to the marginalised Americans most in need of it.

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Having reunited his companions, the Doctor decides to lift their spirits by treating each of them to a trip to their home world. On Kaldor Liv is confronted by a face from her past, and on Earth Helen must summon all her skill and knowledge to help save her friends from eternal damnation. But try as they might to stay out of danger, dark forces are emerging. Dark enough to strike fear into the hearts of a Time Lord. 2.1 Escape from Kaldor by Matt Fitton. Returning to a home world she'd rather forget, Liv reluctantly accompanies Helen to the grand opening of a luxury shopping mall. But when a glitch in the system sends the Robots of Death on a rampage, Liv's past comes crashing down about her. 2.2 Better Watch Out by John Dorney. The Doctor hopes to take Liv's mind off recent events by treating his companions to a traditional European Christmas. But not everybody is full of the spirit of Christmas when a wave of misery follows the Krampus as they run through the streets of Salzburg.2.3 Fairytale of Salzburg by John Dorney With the Doctor and most of the population condemned to hell, Liv and Helen race against time to discover the source of all this chaos, and to find the one man who can save the people of Salzburg from eternal damnation. 2.4 Seizure by Guy Adams. As if it wasn't enough to be trapped in the labyrinth of a dying TARDIS and pursued by a ghost, the team find themselves face to face once more with the Eleven. But the Doctor has bigger things to worry about when he discovers they're being hunted by the only creature to strike fear into the hearts of a Time Lord: The Ravenous. Big Finish's run of Eighth Doctor adventures star Paul McGann reprising his much loved portrayal of the Eighth incarnation of TV's Time Lord, and cover both single adventures and epic boxed set arcs! This new set kicked off with Series 1, including a return for one of the Doctor's most grisly foes: the Kandyman, while this set includes fan favourite the Robots of Death! CAST: Paul McGann (The Doctor), Nicola Walker (Liv Chenka), Hattie Morahan (Helen Sinclair), Mark Bonnar (The Eleven), Claire Rushbrook (Tula Chenka / SV111 / SV23), Richard Popple( Kit Laver), David Rintoul (Galla Posca),Tracy Wiles(Hadway / Salma / V75),John Dorney (Sol / Security Guard / Comtech / V21 / V616), Jamie Newall (Shafranek),Carla Mendonca (Waltraud Raither / Imp 1), Kate Rawson (Inge / Imp 2),Ewan Goddard (Christophe / Krampus Runner), Robert Whitelock (Bruno / Vagabond / Priest), Siân Phillips (Pilgrim), Raad Rawi (Bishop) Kate Duchêne(AntoniaWerner), Susan Hingley (Maria Werner), Pippa Haywood (Jaxa), George Asprey (Ravenous).

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Everything stays the same for the tenants of The Beresford, a grand old apartment building just outside the city … until the doorbell rings… Will Carver returns with an eerie, deliciously and uncomfortably dark standalone thriller. ‘A gripping novel laced with humour and cutting character insight … a thrill from start to finish. Expect the unexpected!' Sarah Pinborough ‘Equally enthralling and appalling … unlike anything I’ve read in a very long while’ James Oswald ‘Ridiculously addictive’ S J Watson _______________ Just outside the city – any city, every city – is a grand, spacious but affordable apartment building called The Beresford. There’s a routine at The Beresford. For Mrs May, every day’s the same: a cup of cold, black coffee in the morning, pruning roses, checking on her tenants, wine, prayer and an afternoon nap. She never leaves the building. Abe Schwartz also lives at The Beresford. His housemate, Sythe, no longer does. Because Abe just killed him. In exactly sixty seconds, Blair Conroy will ring the doorbell to her new home and Abe will answer the door. They will become friends. Perhaps lovers. And, when the time comes for one of them to die, as is always the case at The Beresford, there will be sixty seconds to move the body before the next unknowing soul arrives at the door. Because nothing changes at The Beresford, until the doorbell rings… Eerie, dark, superbly twisted and majestically plotted, The Beresford is the stunning standalone thriller from one of crime fiction’s most exciting names. _______________ ‘Creepy and brilliant’ Khurrum Rahman ‘Reminiscent of The Shining … a creeping and perfectly crafted novel tinged with dark humour and malice’ Victoria Selman ‘A masterfully macabre tale’ Louise Mumford ‘I stepped into the imagination of Will Carver and it swallowed me whole’ Matt Wesolowski ‘Magnificently, compulsively chilling’ Margaret Kirk ‘Fans of Chuck Palahniuk will adore Carver … he is utterly brilliant’ Christopher Hooley ‘Devilishly dark and maniacally brilliant" Raven Crime Reads ‘Slick, stylish ... a sharply crafted and delectable slice of entertaining darkness’ The Tattooed Book Geek ‘Intense, brilliant, horrific, humorous and everything in between’ Liz Loves Books

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NOMINATED FOR THE RIBA INTERNATIONAL BOOK AWARD 2007. In this book Nili Portugali, presents her particular interpretation of the holistic-phenomenological worldview in theory and in practice, a worldview which stands in recent years at the forefront of the scientific discourse, and is tightly related to Buddhist philosophy. The purpose of architecture is first and foremost to create a human environment for human beings. The real challenge of current architectural practice is to make the best use of the potential inherent in our modern technological age. Yet, modern society has lost the value of man and thus created a feeling of alienation between man and the environment. Contemporary architecture sought to dissociate itself from the world of emotions and connect the design process to the world of ideas, thus creating a rational relation between building and man, devoid of any emotion. Portugali argues that in order to change the feeling of the environment and create places and buildings we really feel at home' and want to live in, what is needed is not a change of style or fashion, but a transformation of the mechanistic worldview underlying current thought and approaches. Based on Christopher Alexander's basic assumption that behind human architecture there are universal and eternal codes common to us all as human beings, and that there is absolute truth underlying beauty and comfort, Portugali demonstrates how this approach, as well as her unique planning process stemming from it (based on the way things actually exist already on site) generates that common spiritual experience people undergo in buildings endowed with soul, no matter where or from what culture they come from. That she demonstrates through a variety of her buildings and projects (with over 600 color illustrations and drawings), in relation to the physical, cultural and social reality of the place they were planned and built on, an Israeli reality which reflects a unique interface between the orient and the west, a cultural interface she personally represents. The book is valuable to architects, artists, scientists, philosophers and anyone who cares about the quality and beauty of the environment we live in.

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“The lowdown on what it’s like to be raised by a legend. Frequently funny and consistently intimate. . . . A great read.” —BookPage “Those searching for a moving Father’s Day gift need look no further.”—Publishers Weekly Men like John Wayne and John Lennon, Nolan Ryan and Bruce Lee, Cesar Chavez, Christopher Reeve, and Miles Davis have touched the lives of millions. But at home, to their children, they were not their public personas. They were Dad. Maybe Davis didn’t leave the office at five o’clock to come home and play catch with his son Erin, but the man we see through Erin’s eyes is so alive, so real, so not the “king of cool” (he taught his son to box, made a killer pot of chili, watched MTV alongside him) that it brings us to a whole new appreciation for the artist. Each of these forty first-person narratives—intimate, heartfelt, unvarnished, surprising, and profoundly universal—shows us not only a very different view of a figure we thought we knew but also a wholly fresh and moving idea of what it means to be a father.

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In Sensing Sound Nina Sun Eidsheim offers a vibrational theory of music that radically re-envisions how we think about sound, music, and listening. Eidsheim shows how sound, music, and listening are dynamic and contextually dependent, rather than being fixed, knowable, and constant. She uses twenty-first-century operas by Juliana Snapper, Meredith Monk, Christopher Cerrone, and Alba Triana as case studies to challenge common assumptions about sound—such as air being the default medium through which it travels—and to demonstrate the importance a performance's location and reception play in its contingency. By theorizing the voice as an object of knowledge and rejecting the notion of an a priori definition of sound, Eidsheim releases the voice from a constraining set of fixed concepts and meanings. In Eidsheim's theory, music consists of aural, tactile, spatial, physical, material, and vibrational sensations. This expanded definition of music as manifested through material and personal relations suggests that we are all connected to each other in and through sound. Sensing Sound will appeal to readers interested in sound studies, new musicology, contemporary opera, and performance studies.

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Text in English & German. Rob Krier, perhaps the only urban-planning artist among Germany's architects, has, for the first time in 30 years, completed a major urban project in his home country of Luxembourg. With regard to its authorship, this is a true "family project". With the significant contribution of his brother Léon to the masterplan for the site, which is situated opposite his parental home, Krier has, in his own words, fulfilled a "youthful dream". Krier's son-in-law and office partner, Christoph Kohl was involved in the execution, as was his distant relation and Luxembourgian contact architect, Jean Herr. The concept reaches far beyond Luxembourg's borders in its significance, as Krier's crew has formulated something of a manifesto for classical European urban architecture. Rather than a further high-rise for this European city, an entire quarter has been created with public roads, lanes and squares in which the various judicial departments are distributed across eight buildings. The plot structure, small-sized units and traditional plasterwork façades with their three-dimensional sculpted details all enhance the quarter's vitality, as does the masterful treatment of spatial divisions. This new approach is decisive in solving an ever more complex construction problem in contemporary urban planning: the integration of major administration complexes into the existing make-up of the city. In Luxembourg, the Kriers have succeeded in providing model evidence that, even today, this task can be achieved by means of top-quality architecture, without having to forfeit anything in terms of the modernity of equipment, the parsimony of economical execution, the reduction of energy consumption, or in the basic demands of public proximity. With this publication, Rob Krier has created a novelty in architectural literature. It is the first volume in sketchbook format of a series which document the design process from the first hand-drawn sketches, right through to realisation. Here, the entire spectrum of the creative process and its irrepressible joy for variation are revealed.

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This volume provides a comprehensive resource for those wishing to understand the German theologian, pastor, and resistance conspirator Dietrich Bonhoeffer (1906-1945) and his writings. During his lifetime he made important contributions to many of the major areas of theology: ecclesiology, creation, Christology, discipleship, and ethics. The Oxford Handbook of Dietrich Bonhoeffer surveys, assesses, and presents the field of research and debates of Bonhoeffer and his legacy, as well as of previous Bonhoeffer scholarship. Featuring contributions from leading Bonhoeffer scholars, historians, theologians, and ethicists, many essays draw attention to Bonhoeffer's positive contributions, while several essays also identify limits and problems with his thinking as it stands. Divided into five parts, the first section provides a detailed outline of Bonhoeffer's biography and the contexts that gave rise to his theology. The contributors explore the dynamic relationship between Bonhoeffer's life and theology. Section two provides rigorous engagements with and assessments of Bonhoeffer's theology on its own terms. Part three demonstrates how Bonhoeffer's ethical claims and engagements are deeply integrated with theological commitments. The fourth section showcases some of the best work drawing upon Bonhoeffer for engaging contemporary challenges, including feminism, race, public theology in South Africa, and contemporary philosophy. In recent decades, Bonhoeffer's theology has provoked significant critical reflection on social and cultural issues. The essays in this section exemplify how his writings can continue to contribute to such reflection today. The fifth and final section consists of essays on resources for the contemporary study of Bonhoeffer and his theology, including sources and texts, biographies and portraits, and readings and receptions. These essays also address pressing historiographical issues and problems surrounding writing about Bonhoeffer's life and theology. This authoritative collection draws together and assesses the very best of existing research on Bonhoeffer and promotes new avenues for research on Bonhoeffer.

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A groundbreaking new book, Still the Same Hawk: Reflections on Nature and New York brings into conversation diverse and intriguing perspectives on the relationship between nature and America’s most prominent city. The volume’s title derives from a telling observation in Robert Sullivan’s contribution that considers how a hawk in the city is perceived so much differently from a hawk in the countryside. Yet it’s still the same hawk. How can a hawk nesting above Fifth Avenue become a citywide phenomenon? Or a sudden butterfly migration at Coney Island energize the community? Why does the presence of a community garden or an empty lot ripple so differently through the surrounding neighborhood? Is the city an oasis or a desert for biodiversity? Why does nature even matter to New Yorkers, who choose to live in the concrete jungle? Still the Same Hawk examines these questions with a rich mix of creative nonfiction that ranges from analytical to anecdotal and humorous. John Waldman’s sharp, well-crafted introduction presenting dualism as the defining quality of urban nature is followed by compelling contributions from Besty McCully, Christopher Meier, Tony Hiss, Kelly McMasters, Dara Ross, William Kornblum, Phillip Lopate, David Rosane, Robert Sullivan, Anne Matthews, Devin Zuber, and Frederick Buell. Together these pieces capture a wide range of viewpoints, including the myriad and shifting ways New Yorkers experience and consider the outdoors, the historical role of nature in shaping New York’s development, what natural attributes contribute to New York’s regional identity, the many environmental tradeoffs made by urbanization, and even nature’s dark side where “urban legends” flourish. Still the Same Hawk intermingles elements of natural history, urban ecology, and environmental politics, providing fresh insights into nature and the urban environment on one of the world’s great stages for the clash of these seemingly disparate realms—New York City.

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Exploring the broad implications of evolutionary theorist Lynn Margulis’s work, this collection brings together specialists across a range of disciplines, from paleontology, molecular biology, evolutionary theory, and geobiology to developmental systems theory, archaeology, history of science, cultural science studies, and literature and science. Addressing the multiple themes that animated Margulis’s science, the essays within take up, variously, astrobiology and the origin of life, ecology and symbiosis from the microbial to the planetary scale, the coupled interactions of earthly environments and evolving life in Gaia theory and earth system science, and the connections of these newer scientific ideas to cultural and creative productions. Dorion Sagan acquaints the reader with salient issues in Lynn Margulis’s scientific work, the controversies they raised, and the vocabulary necessary to follow the arguments. Sankar Chatterjee synthesizes several strands of current theory for the origin of life on earth. James Strick tells the intertwined origin stories of James Lovelock’s Gaia hypothesis and Margulis’s serial endosymbiosis theory. Jan Sapp explores the distinct phylogenetic visions of Margulis and Carl Woese. Susan Squier examines the epigenetics of embryologist and developmental biologist C. H. Waddington. Bruce Clarke studies the convergence of ecosystem ecology, systems theory, and science fiction between the 1960s and the 1980s. James Shapiro discusses the genome evolution that results not from random changes but rather from active cell processes. Susan Oyama shows how the concept of development balances an over-emphasis on genetic coding and other deterministic schemas. Christopher Witmore studies the ways in which a concentrated animal feeding operation, or CAFO, mixes up natural resources, animal lives, and human appetites. And Peter Westbroek brings the insights of earth system science toward a new worldview essential for a proper response to global change.

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Der vorliegende Band widmet sich einer umstrittenen Frage der Theologie des ersten Evangeliums. Ausgangspunkt ist der zentrale Text Mt 5,17-20, der nicht ohne die dazugehörenden Verse 13-16 verstanden werden kann. In ihm stellt der Evangelist programmatisch sein Verständnis der Tora in der Zeit der Erfüllung dar, die mit dem Wirken Jesu begonnen hat. Als Sohn Davids ist Jesus derjenige, der die biblischen Erwartungen und Hoffnungen auf eine eschatologische Gerechtigkeit "erfüllt". Wenn aber der Messias den Weg der Gerechtigkeit eröffnet hat, dann ist die Frage zu klären, welche Funktion der Tora in dieser heilsgeschichtlich neuen Epoche zukommt. Matthäus stellt sich dieser Aufgabe, indem er das Verhältnis von Gerechtigkeit, Tora und Messias aufgrund seiner biblisch-theologischen Reflexion des Christusereignisses neu bestimmt, wobei dem Messias als Sohn Davids die entscheidende Funktion zur Heraufführung der Gerechtigkeit zugeschrieben wird. Die Tora wird in die "Gebote Jesu" transformiert und behält ihre Relevanz für die christliche Gemeinde einzig in dieser Gestalt und aufgrund seiner Autorität.Das Ziel der neuen eschatologischen Gerechtigkeit ist das Hineinbringen aller Völker in das Reich Gottes. So kann die Bergpredigt in Übereinstimmung mit dem Gesamtkontext des ersten Evangeliums als Anleitung zu einer missionarischen Jüngerexistenz gelesen werden. Damit eröffnen sich zahlreiche neue Verständnismöglichkeiten, die es erlauben, Matthäus als dezidiert christologisch argumentierenden und heilsgeschichtlich orientierten Theologen wiederzuentdecken.

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Explores how contemporary novels dealing with flight and expulsion after the Second World War unsettle traditional notions of Heimat without abandoning place-based notions of belonging. At the end of the Second World War, millions of Germans and Poles fled or were expelled from the border regions of what had been their countries. This monograph examines how, in Cold War and post-Cold War Europe since the 1970s, writers have responded to memories or postmemories of this traumatic displacement. Friederike Eigler engages with important currents in scholarship -- on "Heimat," the much-debated German concept of "homeland"; on the spatial turnin literary studies; and on German-Polish relations -- arguing for a transnational approach to the legacies of flight and expulsion and for a spatial approach to Heimat. She explores notions of belonging in selected postwar and contemporary German novels, with a comparative look at a Polish novel, Olga Tokarczuk's House of Day, House of Night (1998). Eigler finds dynamic manifestations of place in Tokarczuk's novel, in Horst Bienek's 1972-82 Gleiwitz tetralogy about the historical border region of Upper Silesia, and in contemporary novels by Reinhard Jirgl, Christoph Hein, Kathrin Schmidt, Tanja Dückers, Olaf Müller, and Sabrina Janesch. In a decisive departure from earlierapproaches, Eigler explores how these novels foster an awareness of the regions' multiethnic and multinational histories, unsettling traditional notions of Heimat without altogether abandoning place-based notions of belonging. Friederike Eigler is Professor of German at Georgetown University.

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"The greatest American dramatist of our age" - Evening Standard In this third volume of collected works, three of Arthur Miller’s stage plays from the early 1980s are brought together in a new edition. Expanding on the themes and explorations of his earlier work, this volume also contains an introduction from the playwright himself, as well as an afterword by acclaimed Miller scholar Christopher Bigsby. A sweeping, hard-hitting look at the Great Depression of the 1930s, The American Clock(1982) is a vaudevillian celebration of American resilience and optimism in the face of national crisis, and was later performed on Broadway. Set in an Eastern European capital, The Archbishop's Ceiling (1984), examines the relationship between four writers, and the erosion of personal integrity during the cold war: a thrilling study of the effects of surveillance and political pressure on an individual's actions Also included is a revised version of Two-Way Mirror (1984): a double bill for a man and a woman, consisting of two short plays - Elegy for a Lady and Some Kind of Love Story. These fantastic two-handers explore the nuances in relationships, and have come to be come to be recognised as some sort of coded epitaph to the tumult and tragedy of Miller’s marriage to Marilyn Monroe Freshly edited and featuring a bold new design, this updated edition of Arthur Miller Plays 3 is a must-have for theatre fans and students alike.

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American literary studies has undergone a series of field redefinitions over the past two decades that have been consistently described as "turns," whether transnational, hemispheric, postnational, spatial, temporal, postsecular, aesthetic, or affective. In Turns of Event, Hester Blum and a splendid roster of contributors explore the conditions that have produced such movements. Offering an overview of the state of the study of nineteenth-century American literature, Blum contends that the field's propensity to turn, to reinvent itself constantly without dissolution, is one of its greatest strengths. The essays in the volume's first half, "Provocations," trace the theoretical and methodological development and institutional emergence of certain turns, as well as providing calls to arms. The geopolitically oriented turns toward the transnational, hemispheric, and oceanic (whether Atlantic, Caribbean, Pacific, or archipelagic in focus) have held a certain prevalence in American studies in recent years, and the second half of this volume presents a series of scholarly essays that exemplify these subfields. Taken together, these essays survey the field of American literary studies as it moves beyond new historicism as its primary methodology and evolves in light of ideological, conceptual, and material considerations. There is much at stake in these movements: the consequences and opportunities range from citational and evidentiary practices to canon expansion, resource allocation, and institutional futurity. Contributors: Monique Allewaert, Ralph Bauer, Hester Blum, Martin Brückner, Michelle Burnham, Christopher Castiglia, Sean X. Goudie, Meredith L. McGill, Geoffrey Sanborn.

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In 1732, a blasphemous burlesque of the Christian Atonement was published in England without comment from the government or the Church of England. In Hogarth's Harlot, Ronald Paulson explains this absence of official censure through a detailed examination of the parameters of blasphemy in eighteenth-century England and the changing attitudes toward the central tenets of the Christian Church among artists in this period. Discerning a profound spiritual and cultural shift from atonement and personal salvation to redemption, incarnation, and acts of charity and love, Paulson focuses on such influential factors as English antipopery and anti-Jacobitism, as well as the ideas of the English Enlightenment. Offering imaginative and deeply informed readings of a wide range of artistic works-engravings by Hogarth; poems by Milton, Pope, Christopher Smart, and Blake; plays by Nicholas Rowe and George Lillo; paintings and sculptures by Benjamin West, John Zoffany, Joseph Wright of Derby, and Louis-Francois Roubiliac; and oratorios by George Frederic Handel-Paulson explores the significance of the medium in which artists produced "sacred parody" and how these works both reflected and influenced attitudes toward the nature of Christianity in England. As England's faithful began to worry less about everlasting felicity in heaven and more about life on earth, these diverse artists provided them with new ways of thinking about both their spiritual and their social existence.

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Addressing representation and identity in a variety of production styles and genres, including experimental film and documentary, independent and mainstream film, and television drama, Filming Difference poses fundamental questions about the ways in which the art and craft of filmmaking force creative people to confront stereotypes and examine their own identities while representing the complexities of their subjects. Selections range from C. A. Griffith's "Del Otro Lado: Border Crossings, Disappearing Souls, and Other Transgressions" and Celine Perreñas Shimizu's "Pain and Pleasure in the Flesh of Machiko Saito's Experimental Movies" to Christopher Bradley's "I Saw You Naked: 'Hard' Acting in 'Gay' Movies," along with Kevin Sandler's interview with Paris Barclay, Yuri Makino's interview with Chris Eyre, and many other perspectives on the implications of film production, writing, producing, and acting. Technical aspects of the craft are considered as well, including how contributors to filmmaking plan and design films and episodic television that feature difference, and how the tools of cinema—such as cinematography and lighting—influence portrayals of gender, race, and sexuality. The struggle between economic pressures and the desire to produce thought-provoking, socially conscious stories forms another core issue raised in Filming Difference. Speaking with critical rigor and creative experience, the contributors to this collection communicate the power of their media.

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Growing up, Kate Fagan and her father forged their relationship on the basketball court. They were an inseparable pair, two kindred spirits bonded together by sweaty high fives, and an unflappable dedication to the New York Knicks. But as Kate grew older and life added complications to both her love of sport and her role as a daughter, they drifted apart -relying on a yearly pair of matching sneakers to remind each other of their connection.When Christopher, Kate's 6'5" athletic father, was diagnosed with ALS they embarked on a new, entirely uncharted chapter of their relationship. Kate took on the role of full-time caregiver, watching over her father like he had done for her, until his eventual assisted death. And yet while enduring the painful experience of witnessing her idol's rapid deterioration, Kate reconnected with her father to find an even deeper, more meaningful relationship. At its heart, this is a love story between Kate and her dad, the lessons learned, and, ultimately, how his debilitating disease made her reconsider their powerful relationship, along with her own life choices. A perfect meeting of TUESDAYS WITH MORRIE and RUNNING HOME, UNTITLED MEMOIR is written for the women who found their dad on the court, track, pitch, or field. It is an ode to the unbreakable bond between father and daughter and the invaluable understanding they share.

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"A 'must have' in the design arsenal."—Cat Normoyle, Professor of Graphic Design, East Carolina University "Provides enough thinking techniques to break out of even the worst creative rut."—Creative Woman's Circle Legendary designer Ellen Lupton demystifies the creative process in another essential graphic design book. Graphic Design Thinking explores a variety of techniques to stimulate fresh thinking to arrive at compelling and viable solutions. Each approach is explained with a brief narrative text followed by a variety of visual demonstrations and case studies. Lupton's hands-on, close-up approach, made famous with Thinking with Type, makes the creative process accessible to anyone and removes the myth that creativity is an in-born talent. Presents a wide range of methods applicable to any brainstorming scenario. • Techniques are grouped around the three basic phases of the design process: defining the problem, inventing ideas, and creating form • From informal strategies that are ideal for quick, seat-of-the-pants thinking, to formal research methods • Learn to approach problems through focus groups, interviewing, brand mapping, and co-design Includes discussions with leading professional designers. Art Chantry, Ivan Chermayeff, Jessica Helfand, Steven Heller, Abbott Miller, Christoph Niemann, Paula Scher, and Martin Venezk reveal how they get ideas and overcome blocks to creativity. Graphic Design Thinking is directed at working designers, design students, and anyone who wants to apply inventive thought patterns to everyday creative challenges in the design process.

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Uncomplicating the Complicated Ways We Talk about Faith.You're not alone. Many people think of theology—the study of the nature of God and His truth—as a subject for scholars and people with seminary degrees. It seems irrelevant to those of us with jobs and lives that aren't wrapped up in highbrow academia.But the fact is that theology has everything to do with us. It's essential to how we wrestle with our inner doubts and how we talk to others about what we believe. Its current runs through every political debate, moral judgement, and new idea.This companion workbook to Phylicia Masonheimer's book Every Woman a Theologian brings the fundamentals of Christian theology down to earth in a straightforward, relatable way so that you can: Identify your existing beliefs about God, salvation, and the Christian life. Understand the vocabulary of theology without feeling overwhelmed. Develop a stronger faith and a better sense of what it means and why it matters. Feel more confident about sharing your faith with others. Grow into a woman able to discern truth and bring God’s wisdom and love to difficult moments. It’s time to become comfortable with the word "theology."Lessons: Bibliology (Scripture) Theology (God) Cosmology (Creation, Humanity, Sin) Christology (Jesus) Soteriology (Salvation) Pneumatology (Holy Spirit) Ecclesiology (Church) Eschatology (Last Things) Includes access to videos from Phylicia summarizing each lesson.

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The fully revised second edition of the Encyclopedia of Heart Diseases is an ideal resource for practicing clinicians and researchers. Available in print, online, and with dual access, it is a clear and comprehensive aggregation of the most crucial information and essential data on cardiovascular diseases and therapeutics.Comprised of over 95 entries with regular online updates, the Encyclopedia of Heart Diseases is fully referenced, and major points of interests are hyperlinked to complementary sections. Each entry is logically and superbly written, providing accurate core knowledge of pathogenesis, pathophysiology, clinical features, diagnostic techniques, and management strategies. Specific detail is paid to technological advances in imaging and diagnostics. Therapy focused entries give powerful insights into not only prescribing drug regimens, but also into the controversies surrounding their use.This major reference work is invaluable for all those involved in the care of cardiovascular patients. From the front-line practitioner to the basic science researcher to the student in training, the Encyclopedia of Heart Diseases offers an astute authoritative guide to navigating an immense body of fascinating information. From the trainee to the internist and cardiologist, all will find it useful. It is an essential resource for medical libraries and academic institutions worldwide. From the Foreword:So, what would we want from an encyclopedia on heart disease? Ideally, a book would be comprehensive, yet concise, and be practically oriented, and explain pathophysiology and treatment. In addition, it should be accessible online so that it can be accessed at the bedside or anywhere.Dr. Khan has written exactly such a book. Encyclopedia of Heart Diseases is comprehensive, yet concise, and very practically oriented. Importantly, it takes a step-by-step approach, walking the reader through a thorough pathophysiology of conditions, their evaluation and treatment. For therapies, he provides the mechanism of the drug, its doses, side effects and clinical efficacy....A terrific online resource with all the information you need!- Christopher P. Cannon, MD, TIMI Study Group, Brigham and Women's Hospital, Harvard Medical School, Boston, MA, USA

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Culture is the lens through which we make sense of the world. In any conflict, from petty disputes to wars between nation-states, the players invariably view that conflict through the filter of their own cultural experiences. This innovative volume prompts us to pause and think through our most fundamental assumptions about how conflict arises and how it is resolved. Even as certain culturally based disputes, such as the high-profile cases in which an immigrant engages in conduct considered normal in the homeland but which is explicitly illegal in his/her new country, enter public consciousness, many of the most basic intersections of culture and conflict remain unexamined. How are some processes cultured, gendered, or racialized? In what ways do certain groups and cultures define such concepts as "justice" and "fairness" differently? Do women and men perceive events in similar fashion, use different reasoning, or emphasize disparate values and goals? Spanning a wide array of disciplines, from anthropology and psychology to law and business, and culling dozens of intriguing essays, The Culture and Conflict Reader is edited for maximum pedagogical usefulness and represents a bedrock text for anyone interested in conflict and dispute resolution. Contributors include: Kevin Avruch, Peter W. Black, Jeffrey Z. Rubin, Frank E. A. Sander, John Paul Lederach, Heather Forest, Sara Cobb, Janet Rifkin, Ryunosuke Akutagawa, Laura Nader, Pat Chew, Stella Ting-Toomey, Harry C. Triandis, Christopher McCusker, C. Harry Hui, Anita Taylor, Judi Beinstein Miller, Carol Gilligan, Trina Grillo, James W. Grosch, Karen G. Duffy, Paul V. Olczak, Michele Hermann, Martha Chamallas, Loraleigh Keashly, Phil Zuckerman, Tracy E. Higgins, Howard Gadlin, Janie Victoria Ward, Kyeyoung Park, Taunya Lovell Banks, Margaret Read MacDonald, Mary Patrice Erdmans, Manu Aluli Meyer, Doriane Lambelet Coleman, Bruce D. Bonta, Paul E. Salem, Mohammed Abu-Nimer, Marc H. Ross, Z.D. Gurevitch, Mari J. Matsuda, Charles R. Lawrence III, Hsien Chin Hu, Glenn R. Butterton,Walter Otto Weyrauch, Maureen Anne Bell, Martti Gronfors, Thomas Donaldson, Marjorie Shostak, and Heather Forest.

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Although formal analysis programming techniques may be quite old, the introduction of formal methods only dates from the 1980s. These techniques enable us to analyze the behavior of a software application, described in a programming language. It took until the end of the 1990s before formal methods or the B method could be implemented in industrial applications or be usable in an industrial setting. Current literature only gives students and researchers very general overviews of formal methods. The purpose of this book is to present feedback from experience on the use of “formal methods” (such as proof and model-checking) in industrial examples within the transportation domain. This book is based on the experience of people who are currently involved in the creation and evaluation of safety critical system software. The involvement of people from within the industry allows us to avoid the usual problems of confidentiality which could arise and thus enables us to supply new useful information (photos, architecture plans, real examples, etc.). Topics covered by the chapters of this book include SAET-METEOR, the B method and B tools, model-based design using Simulink, the Simulink design verifier proof tool, the implementation and applications of SCADE (Safety Critical Application Development Environment), GATeL: A V&V Platform for SCADE models and ControlBuild. Contents 1. From Classic Languages to Formal Methods, Jean-Louis Boulanger. 2. Formal Method in the Railway Sector 
the First Complex Application: SAET-METEOR, Jean-Louis Boulanger. 3. The B Method and B Tools, Jean-Louis Boulanger. 4. Model-Based Design Using Simulink – Modeling, Code Generation, Verification, and Validation, Mirko Conrad and Pieter J. Mosterman. 5. Proving Global Properties with the Aid of the SIMULINK DESIGN VERIFIER Proof Tool, Véronique Delebarre and Jean-Frédéric Etienne. 6. SCADE: Implementation and Applications, Jean-Louis Camus. 7. GATeL: A V&V Platform for SCADE Models, Bruno Marre, Benjamin Bianc, Patricia Mouy and Christophe Junke. 8. ControlBuild, a Development Framework 
for Control Engineering, Franck Corbier. 9. Conclusion, Jean-Louis Boulanger.

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Raised by Wolves is a unique and vibrant gathering of poems from Graywolf Press's fifty years. The anthology is conceived as a community document: fifty Graywolf poets have selected fifty poems by Graywolf poets, offering insightful prose reflections on their selections. What arises is a choral arrangement of voices and lineages across decades, languages, styles, and divergences, inspiring a shared vision for the future. Included here are established and emerging poets, international poets and poets in translation, and many of the most significant poets of our time. There are extraordinary pairings: Tracy K. Smith on Linda Gregg; Vijay Seshadri on Tomas Tranströmer, translated by Robert Bly; Natalie Diaz on Mary Szybist; Diane Seuss on D. A. Powell; Elizabeth Alexander on Christopher Gilbert; Ilya Kaminsky on Vénus Khoury-Ghata, translated by Marilyn Hacker; Mai Der Vang on Larry Levis; Layli Long Soldier on Solmaz Sharif; Solmaz Sharif on Claudia Rankine. In these poets' championing of others, fascinating threads emerge: Stephanie Burt writes on Monica Youn, who selects Harryette Mullen, who writes on Liu Xiaobo, translated by Jeffrey Yang, who chooses Fanny Howe, who writes on Carl Phillips, who selects Danez Smith, who chooses Donika Kelly, who writes on Natasha Trethewey. With an introduction by Graywolf publisher Carmen Giménez, Raised by Wolves is an echoing outward of poetry's possibilities.

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One of early Christianity's most carefully crafted sermons, Epistle to the Hebrews addresses listeners who have experienced the elation of conversion and the heat of hostility, but who now must confront the formidable task of remaining faithful in a society that rejects their commitments. The letter probes into the one of most profound questions of faith: If it is God's will that believers be crowned with glory and honor, why are the faithful subject to suffering and shame? Through the stories of Abraham and Sarah, Moses, and Rahab, whose faith enabled them to overcome severe trials and conflicts, and through the story of Jesus himself, whose sufferings opened the way to God's presence for all, the sermon confirms the foundations of the Christian faith.In a magisterial introduction, Koester presents a compelling portrait of the early Christian community and examines the debates that have surrounded Epistle to the Hebrews for two millennia. Drawing on his knowledge of classical rhetoric, he clarifies the book's arguments and discusses the use of evocative language and imagery to appeal to its audience's minds, emotions, and will. Providing an authoritative, accessible discussion of the book's high priestly Christology, this landmark commentary charts new directions for the interpretation of Epistle to the Hebrews and its influence on Christian theology and worship.

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The alienation of the self, the annihilation of the body, the fracturing, dispersal, and reconstruction of the disembodied voice: the themes of modernism, even of modern consciousness, occur as a matter of course in the phantasmic realm of radio. In this original work of cultural criticism, Allen S. Weiss explores the meaning of radio to the modern imagination. Weaving together cultural and technological history, aesthetic analysis, and epistemological reflection, his investigation reveals how radiophony transforms expression and, in doing so, calls into question assumptions about language and being, body and voice.Phantasmic Radio presents a new perspective on the avant-garde radio experiments of Antonin Artaud and John Cage, and brings to light fascinating, lesser-known work by, among others, Valère Novarina, Gregory Whitehead, and Christof Migone. Weiss shows how Artaud’s "body without organs" establishes the closure of the flesh after the death of God; how Cage’s "imaginary landscapes" proffer the indissociability of techne and psyche; how Novarina reinvents the body through the word in his "theater of the ears." Going beyond the art historical context of these experiments, Weiss describes how, with their emphasis on montage and networks of transmission, they marked out the coordinates of modernism and prefigured what we now recognize as the postmodern.

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The multi-million-copy bestseller WONDER showed how choosing kindness and empathy can change the lives of those around you.Now, in AUGGIE & ME, you can discover a new side to the WONDER story in three new chapters from three different characters:Julian: Auggie's classroom bullyChristopher: Auggie's oldest friendCharlotte: Auggie's classmateThese three stories are heartbreaking, surprising, funny and hopeful. Just like WONDER, AUGGIE & ME will make you laugh, cry and try to choose kind.Praise for WONDER:"Remarkable . . . It has the power to move hearts and change minds" (Guardian)"Incredibly charming, brutal and brilliant" (Observer)"It wreaks emotional havoc . . . To finish it with a firm resolve to be a better person - well, you can't ask much more of any book than that" (Independent)"When the kids have finished with this, the adults will want to read it. Everybody should" (Financial Times)"Awesome . . . So authentic you'll swear a kid wrote the book. And yes, that's a good thing" (Glamour)Discover more from the World of Wonder:WonderWhite Bird, a graphic novel *Soon to be a motion picture!*365 Days of WonderWe're All Wonders And read more from R. J. Palacio with Pony, an unforgettable new story!

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'With A Delicate Truth, le Carré has in a sense come home. And it's a splendid homecoming . . . the novel is the most satisfying, subtle and compelling of his recent oeuvre' The TimesA counter-terror operation, codenamed Wildlife, is being mounted in Britain's most precious colony, Gibraltar. Its purpose: to capture and abduct a high-value jihadist arms-buyer. So delicate is the operation that even the Minister's Private Secretary, Toby Bell, is not cleared for it.Suspecting a disastrous conspiracy, Toby attempts to forestall it, but is promptly posted overseas. Three years on, summoned by Sir Christopher Probyn, retired British diplomat, to his decaying Cornish manor house, and closely watched by Probyn's daughter Emily, Toby must choose between his conscience and his duty to the Service.If the only thing necessary for the triumph of evil is that good men do nothing, how can he keep silent?__________________'No other writer has charted - pitilessly for politicians but thrillingly for readers - the public and secret histories of his times, from the Second World War to the 'War on Terror'' Guardian'The master of the modern spy novel returns . . . John le Carré was never a spy-turned-writer, he was a writer who found his canvas in espionage' Daily Mail 'A brilliant climax, with sinister deaths, casual torture, wrecked lives and shameful compromises' Observer

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Das Verhältnis von Christologie und Theologie ist in der Vergangenheit häufig aus der Perspektive der Theologie bestimmt worden. Der älteste Evangelist aber schlägt den entgegengesetzten Weg ein: Er geht von Jesus Christus aus und erzählt von dessen Auftreten und Wirken. So wahrgenommen, erscheint das Markusevangelium als eine bestimmte Form narrativer Theologie; es ist eine "Theologie als Erzählung". Für die Analyse des ältesten Evangeliums wendet Christian Rose deshalb narratologische und rezeptionsästhetische Fragestellungen an; einen Schwerpunkt bildet Gérard Genettes "Die Erzählung", einen anderen zwei neuere rezeptionsorientiert arbeitende exegetische Entwürfe von Moises Mayordomo-Marín und Detlef Dieckmann. Die Literaturwissenschaft weist dem Anfang eines Textes besondere Bedeutung zu; der Anfang einer Erzählung hat Basisfunktion für die ganze Erzählung. Dieser Anfang liegt im Markusevangelium in Mk 1,1-15. Hier erarbeitet der Erzähler die Grundlagen für das, was er im folgenden Text berichten wird. Neben einer genauen Analyse dieser Verse werden als weitere exemplarische Textabschnitte Mk 1,21-28; 2,1-12; 9,2-13 und 15,33-41 untersucht, um die Bezüge zum Anfang aufzuzeigen. Dabei wird deutlich, daß nicht nur Markus der Erzähler des Evangeliums ist, sondern daß durch die bewußt polyvalente Formulierung von Mk 1,1 auch Jesus Christus selbst als Erzähler des Evangeliums Gottes (Mk 1,14f.) gelten muß.

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The Austrian tradition in economic thought had a profound influence on the development of post-war economics including neoclassical orthodoxy, game theory, public choice, behavioral economics, experimental economics and complexity economics. Much of what was once unique to the Austrian school has become part of the cognitive DNA of work-a-day economists. Because these Austrian roots have gone largely unrecognized, economists often wonder quite sincerely what the fuss is about when it comes to the Austrian school. In this sense, the Austrian school has been a victim of its own success. The papers in this volume reveal that the riches of the Austrian school have not been exhausted and further inquiry in the Austrian tradition will continue to yield much that is new and valuable. The volume publishes a carefully selected subset of papers presented at the inaugural Wirth Institute Conference on the Austrian School of Economics. The contributors are Lawrence H White; Hansjorg Klausinger; Martin Gregor; Peter Boettke, Christopher Coyne, & Peter Leeson; Roger Koppl, Torsten Niechoj, Steven Horwitz; and, Peter Lewin. These scholars explore issues in economic policy, applied economics, and pure theory from a variety of perspectives. Their explorations of the frontiers of Austrian economics reveal a rich tradition of scholarship with continuing relevance to social thought is all its dimensions.

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Through a study of the contemporary German film movement the Berlin School, Olivia Landry examines how narrative film has responded to our highly digitalized and mediatized age, not with a focus on stasis and realism, but by turning back to movement, spectacle, and performance. She argues that a preoccupation with presence, liveness, and affect—all of which are viewed as critical components of live performance—can be found in many of the films of the Berlin School. Challenging the perception that the Berlin School is a sheer adherent of "slow cinema," Landry closely analyzes the use of movement, dynamism, presence, and speed in a broad selection of films to show how filmmakers such as Christian Petzold, Angela Schanelec, Thomas Arslan, and Christoph Hochhäusler invoke the pulse of the kinesthetic and the tangibly affective. Her analysis draws on an array of film theories from early materialism to body theories, phenomenology, and contemporary affect theories. Arguing that these theories readily and energetically forge a path from film to performance, Landry traces a trajectory between the two through which live experience, presence, spectacle, intersubjectivity, and the body in motion emerge and powerfully intersect. Ultimately, Movement and Performance in Berlin School Cinema expands the methodological and disciplinary boundaries of film studies by offering new ways of articulating and understanding movement in cinema.

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Through a study of the contemporary German film movement the Berlin School, Olivia Landry examines how narrative film has responded to our highly digitalized and mediatized age, not with a focus on stasis and realism, but by turning back to movement, spectacle, and performance. She argues that a preoccupation with presence, liveness, and affect—all of which are viewed as critical components of live performance—can be found in many of the films of the Berlin School. Challenging the perception that the Berlin School is a sheer adherent of "slow cinema," Landry closely analyzes the use of movement, dynamism, presence, and speed in a broad selection of films to show how filmmakers such as Christian Petzold, Angela Schanelec, Thomas Arslan, and Christoph Hochhäusler invoke the pulse of the kinesthetic and the tangibly affective. Her analysis draws on an array of film theories from early materialism to body theories, phenomenology, and contemporary affect theories. Arguing that these theories readily and energetically forge a path from film to performance, Landry traces a trajectory between the two through which live experience, presence, spectacle, intersubjectivity, and the body in motion emerge and powerfully intersect. Ultimately, Movement and Performance in Berlin School Cinema expands the methodological and disciplinary boundaries of film studies by offering new ways of articulating and understanding movement in cinema.

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When Sophia Dorothea of Celle married her first cousin, the future King George I, she was an unhappy bride. Filled with dreams of romance and privilege, she hated the groom she called pig snout and wept at news of her engagement. In the austere court of Hanover, the vibrant young princess found herself ignored and unwanted. Bewildered by dusty protocol and regarded as a necessary evil by her husband, Sophia Dorothea grew lonely as he gallivanted with his mistress under her nose. When Sophia Dorothea plunged headlong into a passionate and dangerous affair with Count Phillip Christoph von K nigsmarck, the stage was set for disaster. This dashing soldier was as celebrated for his looks as his bravery, and when he and Sophia Dorothea fell in love, they were dicing with death. Watched by a scheming and manipulative countess who had ambitions of her own, it was only a matter of time before scandal gripped the House of Hanover and tore the marriage of the heir to the British throne and his unhappy wife apart. Divorced and disgraced, Sophia Dorothea was locked away in a gilded cage for 30 years, whilst her lover faced an even darker fate. The story of Sophia:Mother of Kings haunted George I to his dying day.

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This volume collects over 350 works created by Francesco Jodice – artist, photographer and filmmaker – over 25 years of his career. His entire production is accompanied by texts by 65 critics, curators and artists. Photographs, films, maps and installations bring about a kaleidoscopic fresco of our time. Texts by: Cecilia Andersson, Gabriele Basilico, Marcella Beccaria, Stefano Boeri, Ilaria Bonacossa, Annelie Bortolotti, Silvia Camporesi, Raúl Cárdenas Osuna, Luca Cerizza, Laura Cherubini, Antonella Crippa, Denis Curti, Catherine David, Anna Dethridge, Giacinto Di Pietrantonio, Sergio Edelsztein, Emiliano Gandolfi, Walter Guadagnini, Anna Maria Guash, Rafael Doctor Roncero, Patrick Henry, Horacio Hernandez, Mimmo Jodice, Filippo Maggia, Rem Koolhaas, Bruno Latour, Amparo Lozano, Gianfranco Maraniello, Thomas Mayr, Massimo Melotti, Marco Meneguzzo, Francesca Alfano Miglietti, Juan José Millás, Luca Molinari, Roberto Murgia, Nobuo Nakamura, Franziska Nori, Rosa Olivares, Costanza Paissan, Cristiana Perrella, Saverio Pesapane, Sandro Petraglia, Christopher Phillips, Rafael Pinilla, Andrea Pinkets, Carlo Artuto Quintavalle, Letizia Ragaglia, Cathy Rémy, Eleonora Roaro, Carlo Sala, Francesco Sala, Gabriele Sassone, Gabi Scardi, Thomas Seelig, Marta Sesé, Angela tecce, The Cool Couple, Roberta Valtorta, Lea vergine, Eugenio Viola, Paul Virilio, Arianna Visani, Francesco Zanot, and Miguel Zugaza.

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Few figures tower over twentieth-century art like Salvador Dali and Andy Warhol. Their works were ground-breaking and incalculably influential, yet at the same time both artists were wildly popular in their lifetime and have only become more so in the decades since their deaths. Despite the striking differences in their art and personalities, the two men nonetheless had a lot in common the most obvious being a strong sense of the power of publicity and an affinity for eccentricity and extravagance. They also shared a love of New York, which both men made the heart of their social lives; it was there, in the 1960s, that they met for the first time. This book offers the first-ever direct juxtaposition of Dali and Warhol as personalities and artists. Torsten Otte builds his account through perceptive analyses of similarities in their lives and work, and reconstructs their many encounters based on first-hand accounts by some 120 people who knew and worked with the men. Around sixty images, many of them published here for the first time, by eminent photographers such as Richard Avedon, David Bailey, Philippe Halsman, Christopher Makos, Man Ray, or Robert Whitaker, round out the book.

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'[Selznick is] a postmodern hero of middle-grade children’s fiction... Those who revel in puzzles, philosophical conundrums and musings on transience, time and grief will adore this challenging read’ The Times ‘The most perfect feat of storytelling’ Scott Evans, The Reader Teacher ‘It has touched me in a way I can’t express… Breath-taking’ Ceridwen Eccles, primary teacher and blogger at Teacher Glitter A ship. A garden. A library. In Kaleidoscope, the incomparable Brian Selznick presents the story of two people bound to each other through time and space, memory and dreams. At the centre of their relationship is a mystery about the nature of grief and love which will look different to each reader. Kaleidoscope is a feat of storytelling that illuminates how even the wildest tales can help us in the hardest times. Brian Selznick's first book, The Invention of Hugo Cabret, was the winner of the esteemed Caldecott Medal, the first novel to do so, as the Caldecott Medal is for picture books Released as a live-action film Hugo in 2011, directed by Martin Scorsase and starring Asa Butterfield, Ben Kingsley, Jude Law, Sacha Baron Cohen, Richard Griffiths, Ray Winstone, and Christopher Lee. Brian Selznick's second book, Wonderstruck, was also made into a feature film, starring Julianne Moore and Michelle Williams

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Salvation and human flourishingâa life marked by fulfillment and well-beingâhave often been divorced in the thinking and practice of the church. For the apostle Paul, however, the two were inseparable in the vision for the good life. Drawing on the revolutionary teachings and kingdom proclamation of Jesus, Paul and the early church issued a challenge to the ancient world's dominant narratives of flourishing. Paul's conviction of Jesus' universal Lordship emboldened him to imagine not just another world, but this world as it might be when transformed. With Paul and the Good Life , Julien Smith introduces us afresh to Paul's vision for the life of human flourishing under the reign of Jesus. By placing Paul's letters in conversation with both ancient virtue ethics and kingship discourse, Smith outlines the Apostle's christologically shaped understanding of the good life. Numerous Hellenistic philosophical traditions situated the individual cultivation of virtue within the larger telos of the flourishing polis . Against this backdrop, Paul regards the church as a heavenly commonwealth whose citizens are being transformed into the character of its king, Jesus. Within this vision, salvation entails both deliverance from the deforming power of sin and the re-forming of the person and the church through embodied allegiance to Jesus. Citizenship within this commonwealth calls for a countercultural set of virtues, ones that foster unity amidst diversity and the care of creation. Smith concludes by enlisting the help of present-day interlocutors to draw out the implications of Paul's argument for our own context. The resulting conversation aims to place Paul in engagement with missional hermeneutics, spiritual disciplines, liturgical formation, and agrarianism. Ultimately, Paul and the Good Life invites us to imagine how citizens of this heavenly commonwealth might live in the in-between time, in which Jesus's reign has been inaugurated but not consummated.

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L'édition de l'épître de saint Paul aux Philippiens ici offerte est un premier fruit du programme de recherches La Bible en ses traditions. La finalité et les principes essentiels de ce programme ont été publiés il y a quelques années dans un Volume de démonstration, disponible sur l'internet à l'adresse suivante: http://www.bibletraditions.org/demonstrationvolume. Moins doctrinale que d'autres textes de Paul, l'épître aux Philippiens est une lettre d'amitié et d'exhortation. L'Apôtre, tout en consolidant son partenariat économique et spirituel avec la communauté de Philippes, l'appelle à persévérer dans l'obéissance et dans la joie. La formule de Philippiens 1,27 condense bien son intention profonde: axiôs tou euaggeliou tou Christou politeuesthe. Sa traduction littérale pourrait être: «Vivez seulement en citoyens selon l'Évangile du Christ». L'écart entre cette traduction et son rendu traditionnel en latin ou en syriaque - «Conduisez vous selon l'Évangile du Christ» - donne une idée de la distance entre le contexte originel de l'épître, au temps de l'empire romain, et l'application que ne cessent d'en faire les communautés de lecteurs au fil des siècles... Car l'enseignement paulinien demeure: aux membres d'une Église qu'il avait lui-même fondée, Paul se donnait en exemple pour adresser un appel bouleversant à aimer jusqu'à se vider de soi-même, en suivant le Christ.

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Many fans of Robin Hardy’s The Wicker Man (1973) may know that this classic is considered a fine sample of folk horror. Few will consider that it’s also a prime example of holiday horror. Holiday horror draws its energy from the featured festive day, here May Day. Sergeant Neil Howie (Edward Woodward), a “Christian copper,” is lured to the remote Scottish island Summerisle where, hidden from the eyes of all, a thriving Celtic, pagan religion holds sway. His arrival at the start of the May Day celebration is no accident. The clash between religions, fought on the landscape of the holiday, drives the story to its famous conclusion. In this Devil’s Advocate, Steve A. Wiggins delineates what holiday horror is and surveys various aspects of “the Citizen Kane of horror movies” that utilize the holiday. Beginning with a brief overview of Beltane and how May Day has been celebrated, this study considers the role of sexuality and fertility in the film. Conflicting with Howie’s Christian principles, this leads to an exploration of his theology as contrasted with that of Lord Summerisle (Christopher Lee) and his tenants. Such differences in belief make the fiery ending practically inevitable.

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For Pulitzer Prize–winning historian Joseph J. Ellis, The Cause marks the culmination of a lifetime of engagement with the founding era, completing a trilogy of books that began with Founding Brothers. Here Ellis, countering popular histories that romanticize the “Spirit of ’76,” demonstrates through “evocative profiles of British loyalists, slaves, Native Americans and soldiers uncertain of what was being founded” (Christopher Borrelli, Chicago Tribune) that the rebels fought not for a nation but under the mantle of “The Cause,” a mutable, conveniently ambiguous principle all but destined to give rise to the warring factions of later American history. Combining action-packed tales of North American military campaigns with characteristically trenchant insight, The Cause “deftly foreshadows all the issues that would complicate America’s trajectory” (Richard Stengel, New York Times Book Review), forcing us to finally reconsider the story we have long told ourselves about our origins—as a people, and as a nation. “At the intersection of his expertise and our need for coherence about our national founding arrives historian Joseph J. Ellis. . . . Ellis is no apologist, but he is a chronicler of the entire revolution, its best aspirations, its worst contradictions, and its ongoing dilemmas.” —Hugh Hewitt, Washington Post

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Written while Federico Garcia Lorca was a student at Columbia University in 1929-30, Poet in New York is one of the most important books he produced, and certainly one of the most important books ever published about New York City. Indeed, it is a book that changed the direction of poetry in both Spain and the Americas, a path breaking and defining work of modern literature. Timed to coincide with the citywide celebration of Garcia Lorca in New York planned for 2013, this edition, which has been revised once again by the renowned Garcia Lorca scholar Christopher Maurer, includes thrilling material -new photographs, new and emended letters - that has only recently come to light. Complementing these additions are Garcia Lorca's witty and insightful letters to his family describing his feelings about America and his temporary home there (a dorm room in Columbia's John Jay Hall), the annotated photographs that accompany those letters, a prose poem, extensive notes, and an interpretive lecture by Garcia Lorca himself. An excellent introduction to the work of a key figure of modern poetry, this bilingual edition of Poet in New York, a strange, timeless, vital book of verse, is also an exposition of the American city in the twentieth century.

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The Elizabethan age was a tumultuous time, when long-cherished certainties were crumbling and life was exhilaratingly uncertain. Shakespeare's Restless World uncovers the extraordinary stories behind twenty objects from the period to re-create an age at once distant and yet surprisingly familiar. From knife crime to belief in witches, religious battles to the horizons of the New World, Neil MacGregor brings the past to life in a fresh, unexpected portrait of a dangerous and dynamic era.'Fascinating ... filled with anecdotes and insights, eerie, funny, poignant and grotesque ... another brilliant vindication of MacGregor's understanding of physical objects to enter deep into our fore­fathers' mental and spiritual world' Christopher Hart, Sunday Times'Enjoyable and intriguing, an absorbing evocation ... he draws us into the minds of the Elizabethan and Jacobean audience. Next time you see one of the plays reading this book will make those first audiences seem real to you' Peter Lewis, Daily Mail'How gripping are these tales from a lost world. And what a world Shakespeare's was - adventurous, melancholy, rich and plagued by beggary, courteous and quarrelsome, sceptical and credulous' Daily Telegraph 'Elegant, informative ... provides stimulating insights' Anne Somerset, Spectator

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"The most thorough examination we have of how early Americans wrestled with what types of political dissent should be permitted, even promoted, in the new republic they were forming. Martin shows the modern relevance of their debates in ways that all will find valuable—even those who dissent from his views!"—Rogers M. Smith, Christopher H. Browne Distinguished Professor of Political Science, University of Pennsylvania Democracy is the rule of the people. But what exactly does it mean for a people to rule? Which practices and behaviors are legitimate, and which are democratically suspect? We generally think of democracy as government by consent; a government of, by, and for the people. This has been true from Locke through Lincoln to the present day. Yet in understandably stressing the importance—indeed, the monumental achievement—of popular consent, we commonly downplay or even denigrate the role of dissent in democratic governments. But in Government by Dissent, Robert W.T. Martin explores the idea that the people most important in a flourishing democracy are those who challenge the status quo. The American political radicals of the 1790s understood, articulated, and defended the crucial necessity of dissent to democracy. By returning to their struggles, successes, and setbacks, and analyzing their imaginative arguments, Martin recovers a more robust approach to popular politics, one centered on the ever-present need to challenge the status quo and the powerful institutions that both support it and profit from it. Dissent has rarely been the mainstream of democratic politics. But the figures explored here—forgotten farmers as well as revered framers—understood that dissent is always the essential undercurrent of democracy and is often the critical crosscurrent. Only by returning to their political insights can we hope to reinvigorate our own popular politics.

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Longlisted, 2018 International DUBLIN Literary AwardLong-shortlisted, 2017 ReLit Awards"Complex, lyrical, and with a profound sense of a world long passed and humanity’s eternal motivations." — Quill & Quire"In Butler Hallett’s hands, Kit comes off as a fascinating and contradictory figure, part martyred freethinker and part unscrupulous opportunist." — Winnipeg Review"Perfectly paced and gracefully wrought." — Toronto Star1593. Queen Elizabeth still reigns but grows old. Two rival spymasters — Sir Robert Cecil and the Earl of Essex — plot from the shadows. Their goal: to control succession upon the aged queen’s death. The man on which their schemes depend: Christopher Marlowe ("Kit" to his friends), a cobbler’s son from Canterbury who has defied expectations and become an accomplished poet and playwright.And spy.As the novel opens, Kit Marlowe, fresh from betraying the target of his espionage, is himself betrayed. Fighting to stay one step ahead in a dizzying game that threatens the lives of those he holds most dear, including his beloved Tom Kyd, he comes to question his allegiances and nearly everything he once believed.In this psychological thriller, Michelle Butler Hallett fleshes out the historical record with insight and the rigor of authenticity. Her 16th-century England, surprising and fresh, offers historical figures both famous and obscure, casual descriptions of quotidian life, and vivid representations of cruelty and violence that reverberate with echoes of our own time.But it’s Kit, the fascinating Marlowe, an endless source of brilliance, passion and defiance, that brings the novel to life. Writes playwright Robert Chafe, "History’s Marlowe becomes [Butler Hallet’s] own, offering us his wit and wisdom and seemingly new lessons about faith, ambition, loyalty, and yes, love."

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While derivatives continue to play an increasingly vital role in driving today's global financial markets, they also continue to be one of the most complicated and often misunderstood financial instruments in the marketplace. In Derivatives Handbook: Risk Management and Control, two of the field's leading experts bring together the best, current cutting-edge thinking on derivatives to provide a comprehensive and accessible resource on risk management. Derivatives Handbook presents a cogent, clear-eyed, and fresh perspective with an all-star roster of leading practitioners, academics, attorneys, accountants, consultants, and professionals who share their invaluable insights. These seasoned players provide incisive discussions on a wide range of topics, including Risk and Regulation in Derivatives Markets, Credit Derivatives, and Minimizing Operations Risk. Plus, there are comprehensive sections dedicated to case law and legal risk, risk measurement, risk oversight, regulation, and transparency and disclosure. For further guidance, Derivatives Handbook provides a concise survey of literature on some of the most significant scholarship in recent years. This book contains a wealth of probing, informative articles for not only finance professionals, but also for senior managers, corporate boards, lawyers, students, and anyone with an interest in the financial markets. Derivatives-the latest thinking, the top minds in the field, the newest applications Derivatives Handbook: Risk Management and Control brings together the latest and best thinking on derivatives and risk management from some of the world's leading practitioners, academics, attorneys, accountants, consultants, and professionals all in one acclaimed book. Robert Schwartz and Clifford Smith have created a solid resource for derivatives use. Sections include: * Risk and Regulation in Derivatives Markets * Credit Derivatives Report Card on VAR * Hedge Accounting * Minimizing Operations Risk The Board of Directors' Role * Firm-wide Risk Management An entire section of derivative case studies * Plus, a complete review of case law affecting swaps and related derivative instruments "Derivatives Handbook: Risk Management and Control covers a wide range of subjects related to risk management-including legal risks, accounting issues, the current global regulatory debate and an explanation of how to manage and measure risk. The editors have formed a truly impressive group of contributors. This book strikes a good balance throughout to focus on the significant issues in the industry and provide a broad perspective on risk management."- Gay H. Evans, Senior Managing Director, Bankers Trust International, PLC and Chairman of the International Swaps and Derivatives Association Derivatives Handbook: Risk Management and Control provides the most reliable, current information and authoritative guidance for anyone with an interest in the derivatives markets. The Contributors Brandon Becker, Tanya Styblo Beder, Harold Bierman, Jr., Wendy H. Brewer, Michael S. Canter, Andrew J. C. Clark, Christopher L. Culp, Daniel P. Cunningham, Franklin R. Edwards, Gerald D. Gay, Anthony C. Gooch, Wendy Lee Gramm, Alan Greenspan, Margaret E. Grottenthaler, Douglas E. Harris, Ludger Hentschel, Jamie Hutchinson, Frank Iacono, James V. Jordan, Linda B. Klein, Anatoli Kuprianov, James C. Lam, Robert J. Mackay, Robert M. Mark, Francois-Ihor Mazur, Joanne T. Medero, Antonio S. Mello, Merton H. Miller, John E. Parsons, Jeffrey L. Seltzer, Charles W. Smithson, and Thomas J. Werlen.

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