Search results for ""Author Christo"

Traditional jazz studies have tended to see jazz in purely musical terms, as a series of changes in rhythm, tonality, and harmony, or as a parade of great players. But jazz has also entered the cultural mix through its significant impact on novelists, filmmakers, dancers, painters, biographers, and photographers. Representing Jazz explores the "other" history of jazz created by these artists, a history that tells us as much about the meaning of the music as do the many books that narrate the lives of musicians or describe their recordings. Krin Gabbard has gathered essays by distinguished writers from a variety of fields. They provide engaging analyses of films such as Round Midnight, Bird, Mo’ Better Blues, Cabin in the Sky, and Jammin’ the Blues; the writings of Eudora Welty and Dorothy Baker; the careers of the great lindy hoppers of the 1930s and 1940s; Mura Dehn’s extraordinary documentary on jazz dance; the jazz photography of William Claxton; painters of the New York School; the traditions of jazz autobiography; and the art of "vocalese." The contributors to this volume assess the influence of extramusical sources on our knowledge of jazz and suggest that the living contexts of the music must be considered if a more sophisticated jazz scholarship is ever to evolve. Transcending the familiar patterns of jazz history and criticism, Representing Jazz looks at how the music actually has been heard and felt at different levels of American culture. With its companion anthology, Jazz Among the Discourses, this volume will enrich and transform the literature of jazz studies. Its provocative essays will interest both aficionados and potential jazz fans.Contributors. Karen Backstein, Leland H. Chambers, Robert P. Crease, Krin Gabbard, Frederick Garber, Barry K. Grant, Mona Hadler, Christopher Harlos, Michael Jarrett, Adam Knee, Arthur Knight, James Naremore

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Steven Leiber was a pioneering San Francisco art dealer, collector and gallerist who specialized in the dematerialized art practices of the 1960s and 1970s and the ephemera and documentation spawned by conceptual art and other postwar movements. To sell this material, Leiber produced a series of 52 iconic catalogues between 1992 and 2010. Far from your ordinary dealer catalog, Leiber's catalogs paid homage to the kind of historic printed matter that he bought and sold, mimicking iconic publications like Wallace Berman's Semina journal and the exhibition catalog for Documenta V (1972). Leiber's reputation spread via these unique volumes, which included works by John Baldessari, Lynda Benglis, Ray Johnson, Lucy Lippard, Allan Kaprow, Yayoi Kusama, Claes Oldenburg, Ed Ruscha, Lawrence Weiner and many more. Across 252 pages, this book documents the full set of 52 dealer catalogs produced by Steven Leiber between 1992 and 2010. Inspired by Leiber's often humorous borrowing for his catalog designs, the book's format references Sol Lewitt's Autobiography and includes an essay and contextual notes by SFMOMA Head Librarian David Senior. Additional contributors include Ann Butler, Christophe Cherix, Marc Fischer, Tom Patchett, David Platzker, Marcia Reed, Lawrence Rinder and Robin Wright. Steven Leiber (1957 2012) began to buy and sell ephemera while working as a private dealer selling prints, drawings and multiples in the early 1980s. Scrupulously organized and cataloged, Leiber's collection housed in his grandmother's basement became an important resource for scholars, curators and other enthusiasts. The collection included the work of some 1,000 artists and represented basically every major movement within late 20th-century avant-garde practice, including Fluxus, conceptual art, land art, mail art, performance and video.

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Though little known, the name of the judge Roland Freisler is inextricably linked to the judiciary in Nazi Germany. As well as serving as the State Secretary of the Reich Ministry of Justice, he was the notorious president of the People s Court , a man directly responsible for more than 2,200 death sentences; with almost no exceptions, cases in the People s Court had predetermined guilty verdicts. It was Freisler, for example, who tried three activists of the White Rose resistance movement in February 1943\. Along with Christoph Probst, Sophie and Hans Scholl were arrested for their part in an anonymous leaflet and graffiti campaign which called for active opposition against the Nazi regime. Found guilty of treason, Freisler sentenced the trio to death by beheading; a sentence carried out the same day by guillotine. In August 1944, Freisler played a central role in the show trials that followed the failed attempt to assassinate Adolf Hitler on 20 July that year a plot known more commonly as Operation Valkyrie. Many of the ringleaders were tried by Freisler in the People s Court . The proceedings were filmed, the intention being to use the images as propaganda in newsreels. Freisler could be seen alternating between clinical interrogations of the defendants through to his yelling of personalized and theatrically enraged abuse at them from the bench. Nearly all of those found guilty were sentenced to death by hanging, the sentences being carried out within two hours of the verdicts being passed. Roland Freisler s mastery of legal texts and dramatic court-room verbal dexterity made him the most feared judge in the Third Reich. In this in-depth examination, Helmut Ortner not only investigates the development and judgments of the Nazi tribunal, but the career of Freisler, a man who was killed in February 1945 during an Allied air raid.

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LONGLISTED FOR THE ORWELL PRIZE 2018 NEW STATESMAN BOOKS OF THE YEAR 2017'The kind of vision the world needs right now...Pankaj Mishra shouldn't stop thinking' Christopher de Bellaigue, Financial Times'This is the most astonishing, convincing, and disturbing book I've read in years' Joe Sacco'Urgent, profound and extraordinarily timely' John BanvilleHow can we explain the origins of the great wave of paranoid hatreds that seem inescapable in our close-knit world - from American 'shooters' and ISIS to Trump, from a rise in vengeful nationalism across the world to racism and misogyny on social media? In Age of Anger, Pankaj Mishra answers our bewilderment by casting his gaze back to the eighteenth century, before leading us to the present.He shows that as the world became modern those who were unable to fulfil its promises - freedom, stability and prosperity - were increasingly susceptible to demagogues. The many who came late to this new world or were left, or pushed, behind, reacted in horrifyingly similar ways: intense hatred of invented enemies, attempts to re-create an imaginary golden age, and self-empowerment through spectacular violence. It was from among the ranks of the disaffected that the militants of the 19th century arose - angry young men who became cultural nationalists in Germany, messianic revolutionaries in Russia, bellicose chauvinists in Italy, and anarchist terrorists internationally.Today, just as then, the wider embrace of mass politics, technology, and the pursuit of wealth and individualism has cast many more millions adrift in a literally demoralized world, uprooted from tradition but still far from modernity - with the same terrible resultsMaking startling connections and comparisons, Age of Anger is a book of immense urgency and profound argument. It is a history of our present predicament unlike any other.

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Focusing on the past, present, and future of American eighteenth-century studies.In a section commemorating the fiftieth anniversary of the American Society for Eighteenth-Century Studies, Howard D. Weinbrot, Felicity A. Nussbaum, and Heather McPherson trace the history of the Society. Logan J. Connors, Jason H. Pearl, Jessica Zimble, Adam Schoene, Rebecca Messbarger, and Morgan Vanek then assess the disciplinary divides that still stymie the field. Melissa Hyde's Presidential Address recovers the lives and careers of two female artists in Paris. Laurent Dubois's Clifford Lecture examines the centrality of theater to political action in Saint-Domingue.In the next section, "Consumption and Remediation," Alison DeSimone, Amy Dunagin, Erica Levenson, and Julia Hamilton consider the reception in England of foreign music and theater, including Italian opera, French comic troupes, and abolitionist "African" songs. These are followed by Michael Edson's investigation of marginalia in Anne Hamilton's Epics of the Ton and Anaclara Castro-Santana's rethinking of the relation between Sophia Western and the Jacobite celebrity Jenny Cameron in Tom Jones.In "Teaching Tough Texts," Anne Greenfield, Holly Faith Nelson and Sharon Alker, and W. Scott Howard offer innovative tactics for engaging students. The penultimate section, "Eighteenth-Century Bodies," features essays by Olivia Carpenter on the politics of The Woman of Colour and Meghan Kobza on masquerade costumes. The final section, "Disability in the Eighteenth Century," assembles work by Travis Chi Wing Lau, Madeline Sutherland-Meier, D. Christopher Gabbard, Jason S. Farr, Hannah Chaskin, and Declan Kavanagh that aims to push the field forward toward more historically nuanced interpretations of disability.

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When Owl’s house is blown down in a blusterous storm there’s only one Small Animal who can save the day. This story first appeared in A.A.Milne’s The House at Pooh Corner, accompanied by E.H.Shepard’s original, iconic decorations. Classic Winnie-the-Pooh Story Piglet Does a Very Grand Thing – With The Original Text By A.A.Milne And Decorations By E.H.Shepard It’s A Timeless Gift For Fans Of All Ages. Collect The Range. When Owl’s house is blown down in a blusterous storm there’s only one Small Animal who can save the day. This story first appeared in A.A.Milne’s The House at Pooh Corner. This book is all the more special due to E.H.Shepard’s decorations, which are shown in full, glorious colour. They contributed to him being known as ‘the man who drew Pooh’. Look out for all the titles in the collection: Winnie-the-Pooh and the Wrong Bees Winnie-the-Pooh: Pooh Goes Visiting Winnie-the-Pooh: Piglet Meets a Heffalump Winnie-the-Pooh: Piglet Does a Very Grand Thing Winnie-the-Pooh: Eeyore Has a Birthday Winnie-the-Pooh: A House is Built for Eeyore Winnie-the-Pooh: Pooh Invents A New Game Winnie-the-Pooh: Eeyore Loses a Tail The nation’s favourite teddy bear has been delighting generations of children for over 95 years. Milne’s classic children’s stories – featuring Piglet, Eeyore, Christopher Robin and, of course, Pooh himself – are gently humorous while teaching lessons about friendship and kindness. Pooh ranks alongside other beloved character such as Paddington Bear, and Peter Rabbit as an essential part of our literary heritage. Whether you’re 5 or 55, Pooh is the bear for all ages.

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Your Last Breath: 1876 - Christopher leaves his young family behind to work in Norway. He will map the uncharted mountains for the very first time. 1999 - Anna's body freezes after an extreme skiing accident and her heart stops. But doctors gradually warm her until it miraculously starts beating again. 2011 - Freija, a successful business woman, has just lost her father. She travels to scatter his ashes in Norway. 2034 - Nicholas explains a medical breakthrough which saved his life as a baby, whereby the human body can be 'suspended in animation.' Spanning 150 years, Your Last Breath piece fuses movement, live piano score and video unravelling the landscapes of the heart and our own personal geographies. It was a Fringe First Winner in 2011 and will be touring, potentially to Scandinavia, in the Spring. After the Rainfall: Throughout history, the study of ants (myrmecology) has been used as an analogy for human behaviour. This piece uses myrmecology as a prism through which to view the present day. Navigating the arid Egyptian desert, continental Europe, the British Museum and a quiet village green, this piece is a patchwork of multidimensional narratives about the aftermath of the Empire. Curious Directive conjure a world where multimedia, movement and sound unpick Britain's relationship to artefacts, mining and the secret life of ants. An epic, thumping, passionate story asking questions about the relationship between our past, present and into eternity. A collaboration between Curious Directive, Watford Palace Theatre and Escalator East to Edinburgh, and it will play at the Edinburgh Festival (Pleasance Dome, 4-27 August) followed by a run at the Watford Palace Theatre. Olfactory: Over 10,000 different smells drift across our planet in various configurations. Olfactory gives you a choice to craft your identity and to decode the invisible molecules floating through the air. Who do you want to be in the future? This miniature explores our invisible relationship with perfumes and smell.

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Winner of the Newfoundland and Labrador Writers' Association Prize for Non-FictionMary Pratt is famous throughout Canada for her luminous paintings and prints. Her 1995 exhibition, The Art of Mary Pratt: The Substance of Light, drew record-breaking crowds on its tour of Canada. It also resulted in an unprecedented amount of press coverage on the biographical content of her work. The accompanying book by Tom Smart sold more than 6,000 copies and made almost every "best book of the year" list in Canada.Mary Pratt: A Personal Calligraphy features Mary's own writings, drawn and adapted from her personal journals, the essays that she has written for numerous publications ranging from The Globe and Mail to The Glass Gazette, and the lectures that she has given at many public events. For the first time, Mary has written her own book in her own words, rather than rely on others to write about her. Treating both public and private issues, she writes of her childhood in Fredericton — her connection to her family, life in Salmonier as a young mother, her decision to pursue her own career as an artist, and her complicated relationship with her husband, Christopher. She writes about public issues — the death of Joey Smallwood, the 50th anniversary of Newfoundland's entry into Confederation, and the cod fishery. She writes about the images that interest her and influence her art, and the process of painting. Like her paintings, Pratt's writing packs a sucker punch. At first it appears to be a paean to the pleasures of house and home, until the more disturbing aspects subtly reveal themselves. Ironing shirts become an erotic act; a memory of visiting the local market with her grandmother conjures images of violence; dead chickens, meticulously plucked, and carcasses of cattle, meticulously flayed, suggest rituals of sacrifice.In Spring of 2001, Mary Pratt was awarded the Newfoundland and Labrador Writers' Association prize for Non-fiction for A Personal Calligraphy.

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*SHORTLISTED FOR THE RSL CHRISTOPHER BLAND PRIZE 2023**SHORTLISTED FOR THE POLARI FIRST BOOK PRIZE 2023*'I read the book in one go. I laughed and cried like a baby, and was transported back to a time of innocence, clouded by the enormity of the harsh reality . . . Just amazing' CATHERINE ZETA JONES'As it happens, I was also a Jill in the eighties - but not half as good a Jill as real Jill' DAWN FRENCH'Jill met the crisis head on . . . She held the hands of so many men. She lost them, and remembered them, and somehow kept going' RUSSELL T DAVIESA heartbreaking, life-affirming memoir of love, loss and cabaret through the AIDS crisis, from IT'S A SIN's Jill NalderWhen Jill Nalder arrived at drama school in London in the early 1980s, she was ready for her life to begin. With her band of best friends - of which many were young, talented gay men with big dreams of their own - she grabbed London by the horns: partying with drag queens at the Royal Vauxhall Tavern, hosting cabarets at her glamorous flat, flitting across town to any jobs she could get.But soon rumours were spreading from America about a frightening illness being dubbed the 'gay flu', and Jill and her friends now found their formerly carefree existence under threat.In this moving memoir, IT'S A SIN's Jill Nalder tells the true story of her and her friends' lives during the AIDS crisis -- juggling a busy West End career while campaigning for AIDS awareness and research, educating herself and caring for the sick. Most of all, she shines a light on those who were stigmatised and shamed, and remembers those brave and beautiful boys who were lost too soon.'Thank God for people like [Jill] . . . I cannot recommend this book highly enough' MICHAEL BALL'An engaging, moving account' TIMES SATURDAY REVIEW'Simultaneously devastating and uplifting' GRAZIA'Engrossing, heart-breaking and inspiring' MATT CAIN

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*SHORTLISTED FOR THE RSL CHRISTOPHER BLAND PRIZE 2023**SHORTLISTED FOR THE POLARI FIRST BOOK PRIZE 2023*'I read the book in one go. I laughed and cried like a baby, and was transported back to a time of innocence, clouded by the enormity of the harsh reality . . . Just amazing' CATHERINE ZETA JONES'As it happens, I was also a Jill in the eighties - but not half as good a Jill as real Jill' DAWN FRENCH'Jill met the crisis head on . . . She held the hands of so many men. She lost them, and remembered them, and somehow kept going' RUSSELL T DAVIESA heartbreaking, life-affirming memoir of love, loss and cabaret through the AIDS crisis, from IT'S A SIN's Jill NalderWhen Jill Nalder arrived at drama school in London in the early 1980s, she was ready for her life to begin. With her band of best friends - of which many were young, talented gay men with big dreams of their own - she grabbed London by the horns: partying with drag queens at the Royal Vauxhall Tavern, hosting cabarets at her glamorous flat, flitting across town to any jobs she could get.But soon rumours were spreading from America about a frightening illness being dubbed the 'gay flu', and Jill and her friends now found their formerly carefree existence under threat.In this moving memoir, IT'S A SIN's Jill Nalder tells the true story of her and her friends' lives during the AIDS crisis -- juggling a busy West End career while campaigning for AIDS awareness and research, educating herself and caring for the sick. Most of all, she shines a light on those who were stigmatised and shamed, and remembers those brave and beautiful boys who were lost too soon.'Thank God for people like [Jill] . . . I cannot recommend this book highly enough' MICHAEL BALL'An engaging, moving account' TIMES SATURDAY REVIEW'Simultaneously devastating and uplifting' GRAZIA'Engrossing, heart-breaking and inspiring' MATT CAIN

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'D'Ancona makes his case well... The book is well written and thoughtful' -- The Times'A heartfelt attempt to renew liberal ideals for the coming decades... How sorely our public debate needs others to express themselves similarly.' -- Henry Mance, Financial Times'An urgent and exhilarating account of how populism, prejudice & polarisation have corrupted objective truth and public discourse. D'Ancona's sparkling prose provides an explanation of how we got here and, crucially, how we might get out.' -- James O'Brien'A book so rich in thought, wisdom and persuasion I find myself sharing the ideas within it with everyone I meet... In the much-mourned absence of Christopher Hitchens, d'Ancona is fast becoming the voice of enlightenment for our bewildered age.' -- Emily Maitlis'A tonic for our times that blows open any complacency following Trump's defeat that the demise of populism and nativism is inevitable. In beautifully written prose, D'Ancona puts forward hopeful ideas and timely inspiration for a progressive politics to replace it.' -- David Lammy'A brilliant, lucid, fearless tract, just what the historical moment ordered.' -- Andrew O'Hagan'D'Ancona's regular practical suggestions help to take it beyond mere theory and into the real world... Decision-makers would do well to read it.' -- Charlotte Henry, TLS***This is a call to arms. The old tools of political analysis are obsolete - they have rusted and are no longer fit for purpose. We've grown lazy, wedded to the assumption that, after ruptures such as Brexit, the pandemic, and the rise of the populist Right, things will eventually go 'back to normal'.Award-winning political writer Matthew d'Ancona invites you to think afresh: to seek new ways of challenging political extremism, bombastic populism and democratic torpor on both Left and Right. In this ground-breaking book, he proposes a new way of understanding our era and plots a way forward. With rigorous analysis, he argues that we need to understand the world in a new way, with a framework built from the three I's: Identity, Ignorance and Innovation.

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How the actions of a few in Europe destroyed the prosperity of the many (and how it's happening again now in America) After the fall of the Roman Empire, vicious barbaric tribes including the Hunds lead by Atilla, the Mongols, Charlemagne and the Vikings invaded Europe, plundering property and destroying homes. But, they didn't just steal and destroy property in the villages; they also stole and destroyed any prosperity the villagers had previously enjoyed. What's worse is the barbarians of the Dark Ages did all of this not out of any deeply held religious or political belief, but, rather, for the oldest reason in the book – their own personal financial gain. Some things never change. Barbarians of Wealth examines how the greedy, self-serving decisions of a select group of politicians and financial institutions negatively impacts the economy and, ultimately, destroys America's prosperity and the American way of life. Compelling and engaging, the book Details how Goldman Sachs peddled mortgage backed securities up and down Wall Street while secretly betting against their demise Discusses how Sanford Weill, founder of Citigroup spent $100 million lobbying for the repeal of the Glass-Steagall Act that prevented the merger of commercial and investment banks and got his way. Examines Christopher Dodd, head of the U.S. Senate Banking Committee, has enriched himself while driving down the prosperity of his constituents Offers up examples of other modern barbarians, including the Federal Reserve, Alan Greenspan, Hank Paulson, and Timothy Geithner. Highlights greed driven tactics of Wall Street corporations including JP Morgan, Merrill Lynch, and Salomon Brothers. Barbarians of Wealth is a timely must read for hard-working Americans concerned with their prosperity, as well as for those fascinated with the inner workings of Washington and Wall Street.

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A vital contribution to environmental humanities that explores artistic responses to the plastic age Since at least the 1960s, plastics have been a defining feature of contemporary life. They are undeniably utopian—wondrously innovative, cheap, malleable, durable, and convenient. Yet our proliferating use of plastics has also triggered catastrophic environmental consequences. Plastics are piling up in landfills, floating in oceans, and contributing to climate change and cancer clusters. They are derived from petrochemicals and enmeshed with the global oil economy, and they permeate our consumer goods and their packaging, our clothing and buildings, our bodies and minds. Plastic reshapes our cultural and social imaginaries. With impressive breadth and compelling urgency, the essays in Life in Plastic examine the arts and literature of the plastic age. Focusing mainly on post-1960s North America, the collection spans a wide variety of genres, including graphic novels, superhero comics, utopic and dystopic science fiction, poetry, and satirical prose, as well as vinyl records and visual arts. Essays by a remarkable lineup of cultural theorists interrogate how plastic—as material and concept—has affected human sensibilities and expression. The collection reveals the place of plastic in reshaping how we perceive, relate to, represent, and re-imagine bodies, senses, environment, scale, mortality, and collective well-being.Ultimately, the contributors to Life in Plastic think through plastic with an eye to imagining our way out of plastic, moving toward a postplastic future.Contributors: Crystal Bartolovich, Syracuse U; Maurizia Boscagli, U of California, Santa Barbara; Christopher Breu, Illinois State U; Loren Glass, U of Iowa; Sean Grattan, U of Kent; Nayoung Kim, Brandeis U; Jane Kuenz, U of Southern Maine; Paul Morrison, Brandeis U; W. Dana Phillips, Towson U in Maryland and Rhodes U in Grahamstown, South Africa; Margaret Ronda, UC-Davis; Lisa Swanstrom, U of Utah; Jennifer Wagner-Lawlor, Pennsylvania State U; Phillip E. Wegner, U of Florida; Daniel Worden, Rochester Institute of Technology.

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There were plans for an official welcome. It was to take place the following Sunday. But those who came to the rectory on Father Pennant's second day were the ones who could not resist seeing him sooner. Here was the man to whom they would confess the darkest things. It was important to feel him out. Mrs Young, for instance, after she had seen him eat a piece of her macaroni pie, quietly asked what he thought of adultery. Andre Alexis brings a modern sensibility and a new liveliness to an age-old genre, the pastoral. For his very first parish, Father Christopher Pennant is sent to the sleepy town of Barrow. With more sheep than people, it's very bucolic--too much Barrow Brew on Barrow Day is the rowdiest it gets. Bu things aren't so idyllic for Liz Denny, whose fiance doesn't want to decide between Liz and his more worldly mistress Jane, and for Father Pennant himself, who greets some miracles of nature--mayors walking on water, talking sheep--with a profound crisis of faith. 'It's been clear since his debut novel, Childhood, that Alexis is one of our most distinctive and exacting prose stylists, and at its highest pitch, as in the breathtaking final paragraph, these are sentences that attain the level of the best music.' - Montreal Gazette Praise for Andre Alexis's previous books: "Astonishing ...an irresistible, one-of-a-kind work."--Quill & Quire "Alexis [has an] astute understanding of the madly shimmering, beautifully weaving patterns created by what we have agreed to call memory."--Ottawa Citizen Andre Alexis was born in Trinidad and grew up in Canada. His debut novel, Childhood, won the Books in Canada First Novel Award, the Trillium Book Award, and was shortlisted for the Giller Prize and the Writers' Trust Fiction Prize. His books include Asylum and Ingrid and the Wolf.

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The conversation of this book is structured around five major documents from the Second Vatican Council, each of which Barth commented upon in his short but penetrating response to the Council, published as Ad Limina Apostolorum. In the two opening essays, Thomas Joseph White reflects upon the contribution that this book seeks to make to contem­porary ecumenism rooted in awareness of the value of dogmatic theol­ogy; and Matthew Levering explores the way in which Barth’s Ad Limina Apostolorum flows from his preconciliar dialogues with Catholic repre­sentatives of the nouvelle théologie and remain relevant to the issues facing Catholic theology today. The next two essays turn to Dei Verbum, the Dogmatic Constitution on Divine Revelation; here Katherine Sondereg­ger (Protestant) reflects on scripture and Lewis Ayres (Catholic) reflects on tradition. The next two essays address the Dogmatic Constitution on the Church, Lumen Gentium, which touches upon central differences of Cath­olic and Protestant self-understanding. Christoph Schwöbel (Protestant) analyzes visible ecclesial identity as conceived in a Protestant context, while Thomas Joseph White (Catholic) engages Barth’s Reformed crit­icisms of the Catholic notion of the Church. The next two essays take up Nostra Aetate: Bruce McCormack (Protestant) asks whether it is true to say that Muslims worship the same God as Christians, and Bruce D. Marshall (Catholic) explores the implications of the Council’s reflections on the Jewish people. The next two essays take up the Pastoral Constitu­tion on the Church in the Modern World, Gaudium et Spes: John Bowlin (Protestant) makes use of the thought of Aquinas to consider the prom­ise and perils of the document, while Francesca Aran Murphy (Catho­lic) engages critically with George Lindbeck’s analysis of the document. The next two essays explore Unitatis Redintegratio: Hans Boersma (Prot­estant) asks whether the ecumenical intention of the document is im­paired by its insistence that the unity of the Church is already present in the Catholic Church, and Reinhard Hütter (Catholic) systematically addresses Barth’s questions regarding the document. The noted ecumen­ist and Catholic theologian Richard Schenk brings the volume to a close by reflecting on “true and false ecumenism” in the post-conciliar period.

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This volume contains the Proceedings of the 25th Congress of the Union Européenne des Arabisants et Islamisants (Naples, September 8-12, 2010) on Islam and Globalisation: Historical and Contemporary Perspectives. Besides a general view on globalisation (Agostino Cilardo) and the history of the Union on the occasion of its fiftieth anniversary (Urbain Vermeulen), the contributions concern History (Axel Havemann, Pasquale Macaluso, Antonino Pellitteri, Maria Giovanna Stasolla, Maria Vidyasova), Islam (Roswitha Badry, Marek M. Dziekan, Dmitry Frolov, Christopher Melchert, Katarzyna Pachniak, Orsolya Varsanyi), Islamic Law (María Arcas Campoy, Reiner Brunner, Ana María Carballeira Debasa & Camilo Álvarez De Morales, Agostino Cilardo, Vasco Fronzoni, Wilferd Madelung), Literature & Linguistics (Abdessamad Belhaj, Julia Bray, Hélène Condylis, Francesca Maria Corrao, Adelya Gaynutdinova, Ali Kadem Kalati, Vladimir Lebedev, Ewa Machut-Mendecka, Mariangela Masullo, Barbara Michalak-Pikulska, Christina Ossipova, Arie Schippers, Krystyna Skarzynska-Bochenska, Ludmila Torlakova, Urbain Vermeulen, Monika Winet), Travel (Oriana Capezio, Roberta Denaro, Maria Grazia Sciortino, Richard van Leeuwen), Philosophy & Science (Carmela Baffioni, Daniel De Smet, Montse Díaz-Fajardo, Paulina B. Lewicka, Miklós Maróth, Juan Martos Quesada & María del Carmen Escribano Ródenas, Antonella Straface, Johannes Thomann), Art (Vincenza Grassi, Eva-Maria von Kemnitz).

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Since the late 1970s, theologians have been attempting to integrate mimetic theory into different fields of theology, yet a distrust of mimetic theory persists in some theological camps. In René Girard, Unlikely Apologist: Mimetic Theory and Fundamental Theology, Grant Kaplan brings mimetic theory into conversation with theology both to elucidate the relevance of mimetic theory for the discipline of fundamental theology and to understand the work of René Girard within a theological framework. Rather than focus on Christology or atonement theory as the locus of interaction between Girard and theology, Kaplan centers his discussion on the apologetic quality of mimetic theory and the impact of mimetic theory on fundamental theology, the subdiscipline that grew to replace apologetics. His book explores the relation between Girard and fundamental theology in several keys. In one, it understands mimetic theory as a heuristic device that allows theological narratives and positions to become more intelligible and, by so doing, makes theology more persuasive. In another key, Kaplan shows how mimetic theory, when placed in dialogue with particular theologians, can advance theological discussion in areas where mimetic theory has seldom been invoked. On this level the book performs a dialogue with theology that both revisits earlier theological efforts and also demonstrates how mimetic theory brings valuable dimensions to questions of fundamental theology.

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Explores contemporary art that challenges deadly desires for mastery and dominion. Amid times of emboldened cruelty and perpetual war, Rosalyn Deutsche links contemporary art to three practices that counter the prevailing destructiveness: psychoanalytic feminism, radical democracy, and war resistance. Deutsche considers how art joins these radical practices to challenge desires for mastery and dominion, which are encapsulated in the Eurocentric conception of the human that goes under the name “Man” and is driven by deadly inclinations that Deutsche calls masculinist. The masculinist subject—as an individual or a group—universalizes itself, claims to speak on behalf of humanity, and meets differences with conquest. Analyzing artworks by Christopher D’Arcangelo, Robert Filliou, Hans Haacke, Mary Kelly, Silvia Kolbowski, Barbara Kruger, Louise Lawler, Martha Rosler, James Welling, and Krzysztof Wodiczko, Deutsche illuminates the diverse ways in which they expose, question, and trouble the visual fantasies that express masculinist desire. Undermining the mastering subject, these artworks invite viewers to question the positions they assume in relation to others. Together, the essays in Not-Forgetting, written between 1999 and 2020, argue that this art offers a unique contribution to building a less cruel and violent society.

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When Allied troops fell into enemy hands, one secret and ingenious branch of military intelligence was tasked with their rescue. M.I.9 created and supported a network of escape and evasion lines across war-torn Europe to ensure the safe return of Allied fighters. These escape lines were essential in the Total War against Nazi Germany. Every individual was vital to the fight, and failure wasn't an option. Published for the first time since its creation in 1942, this 'most secret' facsimile reveals the many marvellous escape aids created by M.I.9 to help Allied personnel both evade capture and escape from prisoner of war camps. From silk maps designed for concealment in garments to tiny radio receivers hidden in cigar boxes, these gadgets and inventions were the brainchild of Christopher Clayton Hutton – the eccentric M.I.9 inventor who inspired many of Q's creations in James Bond. Most Secret offers a rare look at the most highly classified and clandestine tools of British intelligence. An accompanying introduction uncovers the history of this secret volume and traces the origin and use of escape aids from their emergence in the First World War to their development and wider use in the Second World War.

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Postcolonialism Revisited is a ground-breaking book, the first to explore and analyse Anglophone Welsh writing, both literary and otherwise, in the context of contemporary thinking about colonial and post-colonial cultures. Kirsti Bohata considers how far the paradigms of postcolonial theory may be usefully adopted and adapted to provide an illuminating exploration of Welsh writing in English, while simultaneously considering the challenges that such writing might offer to the field of postcolonial theory. In addition to dealing with a range of theorists in the field, including Frantz Fanon, Albert Memmi, Charlotte Williams and Homi Bhabha, the book looks at how Wales has been constructed as a colonized nation in nineteenth- and twentieth-century writing. Themed chapters include the treatment of place in English- and Welsh-language writing of the 1950s and 1960s; hybridity and assimilation; the position of the Welsh as 'outsiders inside'; the women's movement in Wales during the fin de siecle; and postcolonial understanding of linguistic power struggles. A variety of forgotten writers have been unearthed in this study and are considered alongside more famous names such as R. Thomas, Margiad Evans, Arthur Machen, Christopher Meredith and Rhys Davies. Written in an accessible style, Postcolonialism Revisited will be required reading for those involved in the study of Welsh writing in English.

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SHORTLISTED FOR THE MAN BOOKER PRIZE 2018 WINNER OF THE GILLER PRIZE SHORTLISTED FOR THE INTERNATIONAL DUBLIN LITERARY AWARD 2020 FINALIST FOR THE CARNEGIE MEDAL AND THE ROGERS WRITERS TRUST FICTION PRIZE LONGLISTED FOR THE WALTER SCOTT PRIZE 2019 New York Times Top Ten Book of the Year 2018 Sunday Times Paperback of the Year 2019 'A masterpiece' Attica Locke 'Strong, beautiful and beguiling' Observer 'Destined to become a future classic ... that rare book that should appeal to every kind of reader' Guardian When two English brothers take the helm of a Barbados sugar plantation, Washington Black - an eleven-year-old field slave - finds himself selected as personal servant to one of them. The eccentric Christopher 'Titch' Wilde is a naturalist, explorer, scientist, inventor and abolitionist, whose single-minded pursuit of the perfect aerial machine mystifies all around him. Titch's idealistic plans are soon shattered and Washington finds himself in mortal danger. They escape together, but then Titch disappears and Washington must make his way alone, following the promise of freedom further than he ever dreamed possible. Inspired by a true story, Washington Black is an extraordinary tale of a world destroyed and made whole again.

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These four stories or 'nouvelles' date from 1945, though all were published much later, in French and subsequently in English. All make use of a first-person narrator, and relish its vagaries - the inability to remember facts, the uncertainty as to why he is speaking in the first place, the loss of heart when explanations seem called for... Above all, the stories crisply plot the narrator's plotless descent into vagrancy, the steeper as it approaches The End. Out of these short works and their patient procedures grew the large canvases of Molloy and Malone Dies.My bench was still there. It was shaped to fit the curves of the seated body. It stood beside a watering trough, gift of a Mrs Maxwell to the city horses, according to the inscription. During the short time I rested there, several horses took advantage of the monument. The iron shoes approached and the jingle of the harness. Then silence. That was the horse looking at me. Then the noise of pebbles and mud that horses make when drinking. Then the silence again. That was the horse looking at me again. Then the pebbles again. Then the silence again. Till the horse had finished drinking or the driver deemed it had drunk its fill.Edited by Christopher Ricks

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‘When I am disturbed, even angry, gardening has been a therapy. When I don't want to talk I turn to Plot 29, or to a wilder piece of land by a northern sea. There, among seeds and trees, my breathing slows; my heart rate too. My anxieties slip away.’ As a young boy in 1960s Plymouth, Allan Jenkins and his brother, Christopher, were rescued from their care home and fostered by an elderly couple. There, the brothers started to grow flowers in their riverside cottage. They found a new life with their new mum and dad. As Allan grew older, his foster parents were never quite able to provide the family he and his brother needed, but the solace he found in tending a small London allotment echoed the childhood moments when he grew nasturtiums from seed. Over the course of a year, Allan digs deeper into his past, seeking to learn more about his absent parents. Examining the truths and untruths that he’d been told, he discovers the secrets to why the two boys were in care. What emerges is a vivid portrait of the violence and neglect that lay at the heart of his family. A beautifully written, haunting memoir, Plot 29 is a mystery story and meditation on nature and nurture. It’s also a celebration of the joy to be found in sharing food and flowers with people you love.

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Berlin, in the words of Philip Hensher, editor of this anthology, 'has always been a city of desperate modernity', both in terms of urban architecture - largely a creation of the progressive 19th century, laid waste by World War II, temporary home of the infamous Wall - and in ways of living and behaving. As early as the 1920s it was the gay capital of Europe; the Communist East/free West barrier presented unique problems for a divided population; and in the 1990s, in the aftermath of reunification, the cheap, run-down city became a vibrant centre for creative artists. 'The sense of making it up as you go along is never far away in Berlin.' The stories in this volume are the product of this series of multiple rebirths from the viewpoint of both insiders and outsiders. From pre- 1914 there are contributions from Theodor Fontane and Robert Walser; from the Weimar Republic, Alexander Döblin, Vladimir Nabokov, Erich Kästner, Ernst Haffner, Irmgeud Keun and Christopher Isherwood; from the Third Reich, Thomas Wolfe, Hans Fallada and Heinz Rein; from the Cold War era, Peter Schneider, Thomas Brussig, Len Deighton, Christa Wolf and Ian McEwan; from post-reunification, Günter Grass, Wladimir Kaminer, Chloe Aridjis, Uwe Timm, Kevin Barry, Jean-Philippe Toussaint and Jenny Erpenbeck.

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1666 was a watershed year for England. The outbreak of the Great Plague, the eruption of the second Dutch War and the Great Fire of London all struck the country in rapid succession and with devastating repercussions.Shedding light on these dramatic events, historian Rebecca Rideal reveals an unprecedented period of terror and triumph. Based on original archival research and drawing on little-known sources, 1666: Plague, War and Hellfire takes readers on a thrilling journey through a crucial turning point in English history, as seen through the eyes of an extraordinary cast of historical characters. While the central events of this significant year were ones of devastation and defeat, 1666 also offers a glimpse of the incredible scientific and artistic progress being made at that time, from Isaac Newton's discovery of gravity to Robert Hooke's microscopic wonders. It was in this year that John Milton completed Paradise Lost, Frances Stewart posed for the now-iconic image of Britannia, and a young architect named Christopher Wren proposed a plan for a new London - a stone phoenix to rise from the charred ashes of the old city.With flair and style, 1666 shows a city and a country on the cusp of modernity, and a series of events that forever altered the course of history.

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Selections from the "Pandemic Files" published by The Yale Review, the preeminent journal of literature and ideas“If only our response to the pandemic on other fronts could have been as speedy and potent as this literary one.”—Kirkus Reviews, starred review In beautifully written and powerfully thought prose, A World Out of Reach offers a crucial record of COVID-19 and the cataclysmic spring of 2020—a record for us and for posterity—in the arresting voices of poets, essayists, scholars, and health care workers. Ranging from matters of policy and social justice to ancient history and personal stories of living under lockdown, this vivid compilation from The Yale Review presents a first draft of one of the most tumultuous periods in recent history.Contributors: Katie Kitamura • Laura Kolbe • Nitin Ahuja • Rena Xu • Alicia Christoff • Miranda Featherstone • Maya C. Popa • Major Jackson • John Witt • Octávio Luiz Motta Ferraz • Joan Naviyuk Kane • Nell Freudenberger • Briallen Hopper • Brandon Shimoda • Yusef Komunyakaa • Laren McClung • Eric O’Keefe-Krebs • Sean Lynch • Millicent Marcus • Meghana Mysore • Rachel Jamison Webster • Emily Ziff Griffin • Rowan Ricardo Philips • Kathryn Lofton • Monica Ferrell • Russell Morse • Randi Hutter Epstein • Noreen Khawaja • Victoria Chang • Joyelle McSweeney • Khameer Kidia • Emily Greenwood • Elisa Gabbert • Emily Bernard • Hafizah Geter • Emily Gogolak • Roger Reeves

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How should Christians read the Old Testament today? Answers to this question gravitate between two poles. On the one hand, some pay little attention to the gap between the Old Testament and today, reading the Old Testament like a devotional allegory that points the Christian directly to Jesus. On the other hand, there are folks who prioritize an Old Testament passage's original context to such an extent that it is by no means clear if and how a given Old Testament text might bear witness to Christ and address the church.This volume is a tribute to Willem A. VanGemeren, an ecclesial scholar who operated amidst the tension between understanding texts in their original context and their theological witness to Christ and the church. The contributors in this volume share a conviction that Christians must read the Old Testament with a theological concern for how it bears witness to Christ and nourishes the church, while not undermining the basic principles of exegesis.Two questions drive these essays as they address the topic of reading the Old Testament theologically. Christology. If the Old Testament bears witness to Christ, how do we move from an Old Testament text, theme, or book to Christ? Ecclesiology. If the Old Testament is meant to nourish the church, how do scriptures originally given to Israel address the church today? The volume unfolds by first considering exegetical habits that are essential for interpreting the Old Testament theologically. Then several essays wrestle with how topics from select Old Testament books can be read theologically. Finally, it concludes by addressing several communal matters that arise when reading the Old Testament theologically.

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Dmitri Shostakovich (1906-1975) has a reputation as one of the leading composers of the twentieth century. But the story of his controversial role in history is still being told, and his full measure as a musician still being taken. This collection of essays goes far in expanding the traditional purview of Shostakovich's world, exploring the composer's creativity and art in terms of the expectations--historical, cultural, and political--that forged them. The collection contains documents that appear for the first time in English. Letters that young "Miti" wrote to his mother offer a glimpse into his dreams and ambitions at the outset of his career. Shostakovich's answers to a 1927 questionnaire reveal much about his formative tastes in the arts and the way he experienced the creative process. His previously unknown letters to Stalin shed new light on Shostakovich's position within the Soviet artistic elite. The essays delve into neglected aspects of Shostakovich's formidable legacy. Simon Morrison provides an in-depth examination of the choreography, costumes, decor, and music of his ballet The Bolt and Gerard McBurney of the musical references, parodies, and quotations in his operetta Moscow, Cheryomushki. David Fanning looks at Shostakovich's activities as a pedagogue and the mark they left on his students' and his own music. Peter J. Schmelz explores the composer's late-period adoption of twelve-tone writing in the context of the distinctively "Soviet" practice of serialism. Other contributors include Caryl Emerson, Christopher H. Gibbs, Levon Hakobian, Leonid Maximenkov, and Rosa Sadykhova. In a provocative concluding essay, Leon Botstein reflects on the different ways listeners approach the music of Shostakovich.

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This book shows how Irenaeus creatively selects and develops distinctive Matthean material, within his interpretive networks of other biblical texts in order to verbally and conceptually oppose the theses of the heretics and provide helpful language for his expression of the church's faith. He is attracted to this Matthean material not because it holds an extraordinary place in the canon, but because in his view each gospel makes a distinctive, but equal contribution to the church's canon and polemic. Irenaeus sees some of Matthew's distinctive contributions in terms of language which emphasizes Christ's humanity and virgin birth, explains the theological and economical unity of the two covenants, and opposes the heretics' cosmological, anthropological, Christological, theological, and economical dualism. Although the bishop works within the framework of the church's tradition, the interpretive inter-textual networks he builds, his magnification of particular terms, and his polemic against dualism demonstrate his creative, anti-heretic innovation. Rarely, does he ever merely repeat the thought of a predecessor. Irenaeus exegetes Matthew for the church within a particular milieu, using a methodology of inter-textual connection common to his milieu, and developing theological language which counters the heretics of his milieu.

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An in-depth study of Romans from today's foremost interpreter of Paul.Romans is often and for good reason considered a crux of Christian thought and theology, the greatest of Paul's letters. And within Romans, chapter 8 is one of the most spectacular pieces of early Christian writing.But to many readers, Romans can be a deceptively difficult book. Its scope and basic meaning may be clear, but it can be hard to see how it all fits together into a cohesive, if complex, doctrinal argument.N. T. Wright—widely regarded as the most influential commentator and interpreter of Paul—deftly unpacks this dense and sometimes elusive letter, detailing Paul's arguments and showing how it illuminates the Gospel from the promises to Abraham through the visions of Revelation. Wright takes a deep dive into Romans 8, showing how it illuminates so much else that God reveals in Scripture: God the Father, Christology, and the Spirit; Jesus' Messiahship, cross, resurrection, and ascension; salvation, redemption, and adoption; suffering and glory; holiness and hope.Into the Heart of Romans will help you become familiar with the book of Romans in a deeper way that will also deepen your understanding and appreciation of the Gospel itself.

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Bradley's stunning volume offers a surprising and delightful glimpse behind the scenes of New York history, and invites readers into the world of Diedrich Knickerbocker, the antihero who surprised everyone by becoming the standard-bearer for the city's exceptional sense of self, or what we now call a New York "attitude." A 2010 AAUP Best of the Best title “A briskly engaging book.” —Christopher Benfey, New York Review of Books “This is cultural history at its best.” —Journal of American Culture “Elizabeth L. Bradley sorts, catalogues and deciphers the shifting Knickerbocker currents in a metropolis constantly reinventing itself. She does the sturdy Dutchman proud in a scholarly and polished rendition.” —Star-Ledger “Bradley creates an engaging account of the city through the fictional Knickerbocker, who was a steady presence ‘over two centuries of wrenching urban transformation, from the post-colonial to the postmodern.’ Bradley is a perceptive and lively writer and does a superb job of tracing the many strands of the Knickerbocker myth. She provided the historical context necessary to illustrate the ways the Knickerbocker brand was invoked and provides deft analysis of the cultural meanings it accrued.” —Bookforum

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An all-new Star Trek adventure—the first novel based on the thrilling Paramount+ TV series Star Trek: Strange New Worlds!When an experimental shuttlecraft fails, Captain Christopher Pike suspects a mechanical malfunction—only to discover the very principles on which Starfleet bases its technology have simply stopped functioning. He and his crewmates are forced to abandon ship in a dangerous maneuver that scatters their party across the strangest new world they’ve ever encountered. First Officer Una finds herself fighting to survive an untamed wilderness where dangers lurk at every turn. Young cadet Nyota Uhura struggles in a volcanic wasteland where things are not as they seem. Science Officer Spock is missing altogether. And Pike gets the chance to fulfill a childhood dream: to live the life of a cowboy in a world where the tools of the 23rd century are of no use. Yet even in the saddle, Pike is still very much a starship captain, with all the responsibilities that entails. Setting out to find his crewmates, he encounters a surprising face from his past—and discovers that one people’s utopia might be someone else’s purgatory. He must lead an exodus—or risk a calamity of galactic proportions that even the Starship Enterprise is powerless to stop....

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In an age of distraction, this issue of Plough Quarterly looks at inwardness – how sustainable human community and social activism must be rooted in the spiritual life. How much of your day is spent in reality, and how much in a fake world? We’ve learned that screen time is bad for you, too much media consumption damages your heart, and Facebook can make you mentally ill. We’re aware of the mind-altering power of advertising, the dehumanizing passions of our polarized politics, and the fact that millions of us have learned to multitask while watching footage of refugees drowning. But what are we to do about it? If this fake world is invading our souls, it’s in our souls that we must find the cure. Only a return to inwardness can bring distracted moderns back to Jesus and to constructive work for his kingdom. Here activists may object: Isn’t it the height of selfishness to retreat into our interior life when we ought to be out saving starving children? Yet Christians through the ages have insisted that inwardness is crucial to the life of discipleship. It’s what keeps us from falling for demagogues and false gospels, from wasting life on superficialities, and from ignoring our neighbor. In fact, throughout history it has often been the mystics who were most active in serving others. In true Plough fashion, this issue brings together a colorful cast of examples: from medieval Beguines and Benedictines to Gerard Manley Hopkins, Simone Weil, and Fannie Lou Hamer, to contemporary voices like Robert Cardinal Sarah, Johann Christoph Arnold, and three persecuted Syrian priests. These lives offer us glimpses of the real world from which our fake world seeks to distract us, and can guide us in our own refusal to conform. Also in this issue: • Poetry from Gerard Manley Hopkins and Malcolm Guite • Insights on inwardness from Meister Eckhart, Eberhard Arnold, Marguerite Porete, Simone Weil, and Isaac Penington • A forum on the Benedict Option with Rod Dreher, Ross Douthat, Jacqueline C. Rivers, and Randall Gauger • Artwork by Jason Landsel, Bruce Herman, Jane Chapin, Graham Berry, Fra Angelico, Francisco de Zurbarán, Eleanor Fortescue-Brickdale, Matthew J. Cutter, John August Swanson, Vittorio Matteo Corcos, and Leon Dabo Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus’ message into practice and find common cause with others.

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Fast track route to mastering all aspects of e-marketing Covers all the key techniques for successful e-marketing, fromaffiliation marketing to e-mail alerts, and from viral marketing tobanner ads Examples and lessons from some of the world's most successfulbusinesses, including Hotmail, Pepsi and Honda, and ideas from thesmartest thinkers, including Christopher Locke and Seth Godin Includes a glossary of key concepts and a comprehensive resourcesguide ExpressExec is a unique business resource of one hundred books.These books present the best current thinking and span the entirerange of contemporary business practice. Each book gives you thekey concepts behind the subject and the techniques to implement theideas effectively, together with lessons from benchmark companiesand ideas from the world's smartest thinkers. ExpressExec is organised into ten core subject areas making iteasy to find the information you need: 01 Innovation 02 Enterprise 03 Strategy 04 Marketing 05 Finance 06 Operations and Technology 07 Organizations 08 Leading 09 People 10 Life and Work ExpressExec is a perfect learning solution for people who need tomaster the latest business thinking and practice quickly.

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In the shade of the Giant's Throne Mountain, and on the coast of the Indian Ocean, Port St. Christopher is home to Apley Towers; a riding school for girls and boys, young or old, who learn what it means to be a true horse rider. Kaela and Trixie call Apley Towers their Neverland. It's the best place in the world a place for friendship, laughter and learning. But when both girls take on more responsibilities than they can handle, they have to make some tough choices that take a toll on their friendship. Kaela and Trixie call Apley Towers their Neverland. It's the best place in the world a place for friendship, laughter and learning. But when both girls take on more responsibilities than they can handle, they have to make some tough choices that take a toll on their friendship. Will they have to sacrifice Apley in the end? It takes a girl on the other side of the world to remind them of what's important and that challenges are there to be overcome. As the series continues, a mysterious

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Feminism represents a radical challenge to Christianity. Having developed its doctrine and its scriptures in a world in which women were considered subordinate, the Christian religion is now confronted with a deeply held ethical belief that women should be treated as equals. Dr Hampson argues that this ethical challenge confronts the church over the issues of priesthood and ordination, language and imagery, and hermeneutics and theology. In each of these areas, she claims, the Christian religion cannot by definition come to terms with the equality of women. Feminism however suggests new ways to conceive God and reformulate theological ideas for a world in which Christianity is no longer tenable. Theology and Feminism contains chapters on methodology, Christology, symbolism, anthropology and theology. It is the first book from a post-Christian perspective to grapple with all the major areas of theology. Covering the work of conservative Christian, Christian feminist and radical feminist thinkers in religion, it will be welcomed by those already familiar with the discussion, as well as providing a clear introduction for those who are new to the subject.

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For around two decades, the architectural duo of Niklaus Graber & Christoph Steiger from Lucerne have been continuously working on the design and construction of high quality buildings that can without doubt be regarded as an enrichment to Swiss building culture. Although the architects attempt to make their works generally understandable and give them a timeless legibility, when designing them they take the risk of fundamentally questioning the relevant task. That often leads to surprising interpretations and tailored solutions that reveal the specific characteristics of each project. By now, their work includes private family homes and apartment buildings, as well as a considerable number of public buildings for educational, cultural, industrial and tourist purposes, which have attracted a great deal of attention on the specialist scene both in Switzerland and abroad. For instance the extension to a window factory in Hagendorn, the therapy centre for the Heilpadagogische Zentrum Uri and the panorama gallery on the peak of Mt. Pilatus have been awarded national and international architecture prizes. Text in German, with English translation booklet enclosed.

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This is a big story. The Coppolas are one of the great American filmmaking dynasties, a classic example of an immigrant family who have thrived in America — the parallels with the Corleones of The Godfather are there for all to see, albeit without the organised crime. Centred on two extraordinary filmmaking generations: father and daughter Francis Ford Coppola and Sofia Coppola, each in different ways has defined their times. And of course, their stories are intimately entwined. But the story will encompass so much more than the careers of two directors. There will be subplots extending out across the Coppola clan to include Nicolas Cage, Talia Shire, Roman Coppola, Jack Schwartzman and lesser-known scions like Marc and Christopher Coppola. It is also the case that the respective stories of Francis and Sofia offer a fascinating insight into the changing face of Hollywood and American culture from the seventies until now. It is also a book about America, a land of opportunity and the template on which the Coppolas can forge their art.

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Birmingham City On This Day revisits the most magical and memorable moments from the club's distinguished history, mixing in a maelstrom of anecdotes and characters to produce an irresistibly dippable Blues diary - with an entry for every day of the year. From its beginnings as Small Heath Alliance in 1875 right through to the modern era and golden goals at Wembley, here are all the rollercoaster highs and lows. The club won the first ever Second Division title in 1893; Blues were the first English team to compete in European competition and the first to reach a European final. Birmingham City have twice won the League Cup and twice reached the FA Cup final. Relive the day in 1963 when Blues beat Villa to win a first major trophy, remember when Darren Carter's penalty clinched promotion in Cardiff, and when Obafemi Martins shocked Arsenal to recapture the League Cup. Recall the exploits of legends such as Joe Bradford, Gil Merrick and Bob Latchford, Trevor Francis, Michael Johnson and Christophe Dugarry.

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A selection of the most touching and transformative expressions of romantic love drawn from Tate's collection. Divided among key themes - such as courtship, passion, symbolism, enduring love and even loss - each of the 50 works of art included has been individually selected for the particular way in which the artist has attempted to capture the ineffable, affirmative, devotional aspects of love. Works of art - including paintings, drawings, sculptures, illustrations and installations - are punctuated by brief captions adding background detail or additional information about the art, artists and their subjects. Sometimes chaste, sometimes frenzied, often passionate and occasionally heartbreaking, placed together these beautiful images create a fascinating and enlightening journey through the visual portrayal of love and sexuality in Western art. Proposed artists for inclusion: Felix Gonzalez-Torres, Wolfgang Tillmans, David Hockney, Sunil Gupta, Diane Arbus, Gwen John, Simeon Solomon, Auguste Rodin, William Blake, Bandele `Tex' Ajetunmobi, Duncan Grant, Christopher Wool, Sir Lawrence Alma-Tadema, Sylvia Sleigh, Sophie Calle and many, many more.

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'A tour de force of biography, history, politics, philosophy and experimental science' ECONOMISTThe remarkable and inspiring story of how London was transformed after the Great Fire of 1666 into the most powerful city in the world, and the men who were responsible for that achievement. 'Wonderfully rich and informative ... a rare achievement' Tom Holland'Fascinating' Lucy Moore'An ingenious and fluent overview of extraordinary men at an extraordinary moment, with St Paul's standing as its symbolic heart' SUNDAY TELEGRAPHOpening in the 1640s, as the city was gripped in tumult leading up to the English Civil War, THE PHOENIX charts the lives and works of five extraordinary men, who would grow up in the chaos of a world turned upside down: the architect, Sir Christopher Wren; gardener and virtuosi, John Evelyn; the scientist, Robert Hooke; the radical philosopher, John Locke and the builder, Nicholas Barbon.At the heart of the story is the rebuilding of London's iconic cathedral, St Paul's. Interweaving science, architecture, history and philosophy, THE PHOENIX tells the story of the formation of the first modern city.

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A neurotically funny collection that looks under the hood of adult lifeAs in life, she was a pain in the arsein death. He could hear her roaringall the way from the fifth circle,'Why the hell do you get to be in abetter circle than me, I'm wrathfulbecause of your lust -'Deploying a chorus of voices both ancient and modern to explore a world of sexual politics and singles cruises, dysfunctional families and psychoanalysis, awkward cohabitations and self-help guides for the would-be Dream Girl, this is the third collection from a unique poetic talent: observant, obsessive and wickedly witty.'The funniest book I've read in years. Maris flexes her wit and wisdom to create a litany of nervous characters in a style that's mordant, sarcastic, satiric yet often compassionate . . . a poet of risk, she is dark, deep and often laugh out loud'DALJIT NAGRA'Her dry, droll, clinically deadpan manner is all her own; but her themes - obscure hurts, implacable dissatisfactions, hardwired propensity for victimhood and suffering - reflect the experience of humanity at large'CHRISTOPHER REID

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'A dazzling chronicle, a bracing challenge to modernity's smug assumptions' - Bryce Christensen, Booklist'O what a world of profit and delightOf power, of honour and omnipotenceIs promised to the studious artisan.'Christopher Marlowe, Dr FaustusBetween the Renaissance and the Enlightenment, Europe changed out of all recognition. Particularly transformative was the ardent quest for knowledge and the astounding discoveries and inventions which resulted from it. The movement of blood round the body; the movement of the earth round the sun; the velocity of falling objects (and, indeed, why objects fall) - these and numerous other mysteries had been solved by scholars in earnest pursuit of scientia. This fascinating account of the profound changes undergone by Europe between the Renaissance and the Enlightenment will cover ground including folk religion and its pagan past; Catholicism and its saintly dogma; alchemy, astrology and natural philosophy; Islamic and Jewish traditions; and the discovery of new countries and cultures.By the mid-seventeenth century 'science mania' had set in; the quest for knowledge had become a pursuit of cultured gentlemen. In 1663 The Royal Society of London for Improving Natural Knowledge received its charter. Three years later the French Academy of Sciences was founded. Most other European capitals were not slow to follow suit. In 1725 we encounter the first use of the word 'science' meaning 'a branch of study concerned either with a connected body of demonstrated truths or with observed facts systematically classified'. Yet, it was only nine years since the last witch had been executed in Britain - a reminder that, although the relationship of people to their environment was changing profoundly, deep-rooted fears and attitudes remained strong.

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It is now widely acknowledged that institutions are a crucial factor in economic performance. Major developments have been made in our understanding of the nature and evolution of economic institutions in the last few years. This book brings together some key contributions in this area by leading internationally renowned scholars including Paul A. David, Christopher Freeman, Alan P. Kirman, Jan Kregel, Brian J. Loasby, J. Stanley Metcalfe, Bart Nooteboom and Ugo Pagano. This essential reader covers topics such as the relationship between institutions and individuals, institutions and economic development, the nature and role of markets, and the theory of institutional evolution. The book not only outlines cutting-edge developments in the field but also indicates key directions of future research for institutional and evolutionary economics.Vital reading on one of the most dynamic and rapidly growing areas of research today, The Evolution of Economic Institutions will be of great interest to researchers, students and lecturers in economics and business studies.

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What do Winston Churchill, Rosa Parks, Emile Zola, Billy Beane and Christopher Hitchens have in common? They are all Contrarians. This book is about the people who do not quietly slip into the shadows, who revel in playing devil’s advocate, who zig when everyone else zags and who dare ask the question: ‘Yes, but just supposing that everyone else is wrong?’ They are not always successful all of the time. In fact some are spectacularly unsuccessful on occasions. They may not be popular or easy to live with, but are always interesting and usually inspiring. Some make a point of arguing the opposite point of view on every occasion; some are mainstream on everything, but resolute in opposing the mainstream on one particular issue. For some, the issue which they contest so vigorously becomes mainstream through their exertions. In Compendium of Contrarians, Robert Orr-Ewing shows how he has been inspired by these amusing, challenging, interesting and unusual characters.

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Filling today's religious book market are Apocalypse commentaries teaching that the seven seals of Revelation 5-8 describe tragedies that are to take place in the last days. Medieval Europeans, on the other hand, thought very differently about the seven seals. Some used the seven seals for catechetical purposes and associated them with seven major events in the life of Christ or seven gifts of the Holy Spirit. Other medieval writers taught that the seven seals contained symbols about life in the church between the first and second comings of Christ. Still others viewed the seals as milestones in the grand outline of salvation history. This book illustrates this vastness of medieval interpretive tradition on the seven seals. It includes fifteen texts from the sixth through the fifteenth centuries, which have been organized under three headings: those illustrating christological interpretations of the seven seals, those proposing ecclesiastical interpretations, and those giving historical interpretations.

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WARRIORS AND SOLDIERS TIED TOGETHER THROUGHOUT TIME AND SPACE. From the distant past to the far future, those who carry the sword rack up commendations for bravery. They are men and women who, like the swords they carry, have been forged in blood. These are their stories. In medieval Japan, a surly ronin is called upon to defend a village against a thieving tax collector who soon finds out it's not wise to anger an old, tired man. In the ugliest fighting in the Pacific Theater, an American sergeant and a Japanese lieutenant must face each other, and themselves. A former US Marine chooses sides with outnumbered Indonesian refugees against an invading army from Java. When her lover is stolen by death, a sergeant fighting on a far-flung world vows vengeance that will become legendary. And, when a planet fragments in violent chaos, seven Freeholders volunteer to help protect another nation's embassy against a horde. Featuring all-new stories by Michael Z. Williamson, Larry Correia, Tom Kratman, Tony Daniel, Micahel Massa, Peter Grant, John F. Holmes, and many more. Contributors: Zachary Hill Larry Correia Michael Massa John F. Holmes Rob Reed Dale Flowers Tom Kratman Leo Champion Peter Grant Christopher L. Smith Jason Cordova Tony Daniel Kacey Ezell Michael Z. Williamson About Michael Z. Williamson: “A fast-paced, compulsive read . . . will appeal to fans of John Ringo, David Drake, Lois McMaster Bujold, and David Weber.”—Kliatt “Williamson's military expertise is impressive.”—SF Reviews Novels of Michael Z. Williamson's Freehold Universe: Freehold series Freehold The Weapon The Rogue Contact with Chaos Angeleyes Freehold: Forged in Blood Ripple Creek series Better to Beg Forgiveness . . . Do Unto Others . . . When Diplomacy Fails . . . Standalone A Long Time Until Now

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En el presente libro, John F. Haught ofrece respuestas claras, concisas y convincentes a las acusaciones lanzadas contra la religión en tres recientes superventas: El espejismo de Dios, de Richard Dawkins; El fin de la fe, de Sam Harris; y Dios no es bueno, del difunto Christopher Hitchens.Para algunos, estos nuevos ateos formulan de forma sumamente acertada lo que consideran problemático en las religiones. Pero, como muestra Haught, el tratamiento de la religión en estas obras está plagado de incoherencias lógicas, ideas erróneas y superficiales y burdas generalizaciones.Puede ser rechazado Dios como un mero espejismo? Es la fe realmente enemiga de la razón? Es cierto que la religión lo emponzoña todo? Al hilo de estas preguntas, el autor desarrolla una profunda e interpelante visión de la fe, la experiencia religiosa y el Dios cristiano.En las últimas centurias, la teología cristiana ha ido recuperando, no sin algunos reveses, su originaria y más intrépida fe en que Dios no

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