Search results for ""broadview press""

When the Anti-Jacobin Review described Memoirs of Modern Philosophers in 1800 as “the first novel of the day” and as proof that “all the female writers of the day are not corrupted by the voluptuous dogmas of Mary Godwin, or her more profligate imitators,” they clearly situated Elizabeth Hamilton’s work within the revolutionary debate of the 1790s. As with her successful first novel, Letters of a Hindoo Rajah, Hamilton uses fiction to enter the political fray and discuss issues such as female education, the rights of woman and new philosophy.The novel follows the plight of three heroines. The mock heroine, Bridgetina Botherim—a crude caricature of Mary Hays—participates in an English-Jacobin group, leading her to abandon her mother and home to pursue her beloved to London in hopes of emigrating to the Hottentots in Africa. The second heroine, Julia Delmont, is another member of the local group; she is seduced by a hairdresser masquerading as a New Philosopher. She is left pregnant and destitute only to discover that her actions caused her father’s untimely death. The third heroine is the virtuous Harriet, whose Christian faith enables her to resist the teachings of the New Philosophers.

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Originally published in serial form from December 1860 to August 1861, Great Expectations is the ‘autobiography’ of Pip, as he transformed from apprentice village blacksmith to a London gentleman. Unlike many of Dickens’s earlier works, the novel is not so much a protest against social evils as a sustained meditation upon the process of social reform in Victorian England. It is this which gives such importance to the book’s handling of the theme of the gentleman, a theme central both to Dickens’s society and to his own life story.

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To borrow a phrase used by one of the characters in the novel, Dracula is "nineteenth century up-to-date with a vengeance." In her introduction to this edition Glennis Byron first discusses the famous novel as an expression not of universal fears and desires, but of specifically late nineteenth-century concerns. And she discusses too the ways in which to the modern reader it is not Transylvania but London that is the location of the monstrosity in Dracula.The many appendices include contemporary reviews; source materials drawn on by Stoker; documents expressing contemporary views on trances, sleepwalking and hypnotism; and other relevant writing by Stoker, including "the censorship of Fiction," in which he expresses his belief in the need to defend the social and moral purity of the nation.

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In Oscar Wilde's famous novel, Dorian Gray is tempted by Henry Wotton to sell his soul in order to hold on to beauty and youth. Dorian succumbs and murders the portrait painter Basil Haliward, who stands between him and his goal. Though in the end vice is punished and virtue rewarded, the novel remains one of the most important expressions of fin de siècle decadence. It is in the preface to the expanded edition of The Picture of Dorian Gray that Wilde coined the most famous expression of his aesthetic: "There is no such thing as a moral or an immoral book. Books are well-written or badly-written. That is all."Like other Broadview Editions, this edition includes a wide range of materials from the period that help to set the text in context. In particular, the editor locates the text both in relation to elements in the mainstream culture of the day (such as the aesthetes); and in relation to the gay subculture.

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Perhaps the first extended non-fiction prose satire written by an English woman, Jane Collier’s An Essay on the Art of Ingeniously Tormenting (1753) is a wickedly satirical send-up of eighteenth-century advice manuals and educational tracts. It takes the form of a mock advice manual in which the speaker instructs her readers in the arts of tormenting, offering advice on how to torment servants, humble companions and spouses, and on how to bring one’s children up to be a torment to others. The work’s satirical style, which focuses on the different kinds of power that individuals exercise over one another, follows in the footsteps of Jonathan Swift and paves the way for Jane Austen.This Broadview edition uses the first edition, the only edition published during the author’s lifetime. The appendices include excerpts from texts that influenced the essay (by Sarah Fielding, Jonathan Swift, Francis Coventry); excerpts from later texts that were influenced by it (by Maria Edgeworth, Frances Burney, Jane Austen); and relevant writings on education and conduct (by John Locke, George Savile, Dr. John Gregory).

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This compact but complete guide shows that less is more—with fewer extraneous details getting in the way of students trying to learn on the run, it allows them to focus on the most important principles of effective technical communication. The Concise Guide takes a rhetorical approach to technical communication; instead of setting up a list of rules that you should apply uniformly to all writing situations, it introduces students to the bigger picture of how the words they write can affect the people intended to use them. Assignments and exercises are integrated throughout to reinforce and test knowledge.

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Trojan Women tells the story of the survivors of the Trojan War, the women and children taken into slavery by the victorious Greek army. Through the tragedy's central character, the matriarch Hecuba, this late play (415 BCE) demonstrates Euripides' commitment to speaking on behalf of the less powerful and offers a scathing critique of Athenian behavior as the city fought its own disastrous war with its southern neighbor, Sparta. Trojan Women features well-known characters from Greek mythology, including the prophetess Cassandra, the gods Athena and Poseidon, and most notably, the infamous Helen, the cause of the war, who must defend herself to the husband she abandoned. This new translation features a text committed to accuracy and clarity, one developed in collaboration with actors for clear reading and performance. Appendices provide other important literary treatment of the women in the play, from Homer to Shakespeare.

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Academic Writing Now: A Brief Guide for Busy Students is a rhetoric designed to cover the basics of a college writing course in a concise, student-friendly format. Anything inessential to the business of college writing has been excluded. Each chapter concentrates on a crucial element of composing an academic essay and is capable of being read in a single sitting. The book is loaded with “timesaver tips,” ideas for making the most of the student’s time, along with occasional warnings to avoid common errors made by student writers. Each short chapter concludes with questions and suggestions designed to trigger class discussion.

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This Language, A River is an introduction to the history of English that recognizes multiple varieties of the language in both current and historical contexts. Developed over years of undergraduate teaching, the book helps students to both grasp traditional histories of English, and also to extend and complicate those histories. Exercises throughout provide opportunities for puzzling out concepts, committing terms and data to memory, and applying ideas. A comprehensive glossary and up-to-date bibliographies help to guide further study.

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Utilitarianism is a classic work of ethical theory, arguably the most persuasive and comprehensible presentation of this widely infl uential position. Mill argues that it is pleasure and pain that ought to guide our decision-making—and not the pleasure and pain of any one person or group, but the summative experience of all who are affected by our actions. While he didn’t invent utilitarianism, Mill offered its clearest expression and strongest defense, and expanded the theory to account for the variety in quality that we find among specifi c pleasures and pains. Today, Mill’s version of the “Greatest Happiness Principle” is a standard premise in many moral arguments within the academy and in practical ethical and political deliberation.The complete text of the • edition of Utilitarianism is presented here, with footnote annotations added to clarify unfamiliar references and terminology. A detailed introduction by the editor is divided into brief digestible parts discussing the context of the text and offering guidelines on how to read it accurately and critically. This edition has its origin in the acclaimed Broadview Anthology of Social and Political Thought and adheres to the anthology’s format and high standard of accuracy and accessibility.

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The first publisher of Tender Buttons described the book’s effect on readers as “something like terror, there are no known precedents to cling to.” Written in pencil in a small notebook and barely revised after its first composition, the text caused a sensation and was widely reviewed and discussed on its publication. This edition of Gertrude Stein’s transformative work immerses the text in its cultural context. The most opaque of modernist texts, Tender Buttons also had modernism’s most voluminous and varied response.This Broadview Edition uses the response to Tender Buttons as a way of understanding this spectacular moment in publishing history. Stein’s text is published alongside its parodies, defenses, publicity brochure, and selections from the hundreds of responses to it in American daily newspapers, which placed it in the context of Cubism, fashion shows, and celebrity culture.

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The Broadview Canterbury Tales is an edition of the complete tales in a text based on the famous Ellesmere Manuscript. Here one may read a Middle English text that is closer to what Chaucer’s scribe, Adam Pinkhurst, actually wrote than that in any other modern edition. Unlike most editions, which draw on a number of manuscripts to recapture Chaucer’s original intention, this edition preserves the text as it was found in one influential manuscript. A sampling of facsimile pages from the original manuscript is also included, along with a selection of other works that give the reader a rich sense of the cultural, political, and literary worlds in which Chaucer lived.The second edition includes a new Middle English glossary, a timeline of Chaucer’s life and times, and detailed page headers showing the fragment and line numbers to assist readers in finding a specific section of the poem.

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The serial publication of The Clockmaker in 1835-36 launched Canadian judge Thomas Chandler Haliburton to literary fame. A broad satire with a garrulous, deceitful American clock-seller, Sam Slick, as its central character, the book was embraced by reviewers and readers internationally. Some Canadian reviewers were often less enthusiastic, however, with one calling Slick’s comical American slang “low, mean, miserable, and witless.” Almost two centuries later The Clockmaker is still central to Canadian literary history—and still highly controversial, particularly for its treatment of women and black Canadians.Richard A. Davies provides a nuanced and illuminating discussion of the controversies about The Clockmaker from 1835 to the present, and of the complex historical and political factors that led to its mixed reception. Historical documents include other writings and speeches by Haliburton, earlier satires of Canadian and American culture, and contemporary reviews.

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Mary Wollstonecraft wrote these two novellas at the beginning and end of her years of writing and political activism. Though written at different times, they explore some of the same issues: ideals of femininity as celebrated by the cult of sensibility, the unequal education of women, and domestic subjugation. Mary counters the contemporary trend of weak, emotional heroines with the story of an intelligent and creative young woman who educates herself through her close friendships with men and women. Darker and more overtly feminist, The Wrongs of Woman is set in an insane asylum, where a young woman has been wrongly imprisoned by her husband.By presenting the novellas in light of such texts as Wollstonecraft’s letters, her polemical and educational prose, similar works by other feminists and political reformists, the literature of sentiment, and contemporary medical texts, this edition encourages an appreciation of the complexity and sophistication of Wollstonecraft’s writing goals as a radical feminist in the 1790s.

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First published in 1886 as a “shilling shocker,” Dr Jekyll and Mr Hyde takes the basic struggle between good and evil and adds to the mix bourgeois respectability, urban violence, and class conflict. The result is a tale that has taken on the force of myth in the popular imagination. This Broadview edition provides a fascinating selection of contextual material, including contemporary reviews of the novel, Stevenson’s essay “A Chapter on Dreams,” and excerpts from the 1887 stage version of Dr Jekyll and Mr Hyde. Also included are historical documents on criminality and degeneracy, the “Jack the Ripper” murders, the “double brain,” and London in the 1880s.New to this third edition are an appendix on the figure of the Victorian gentleman and an expanded selection of letters related to the novel; the introduction and bibliography have also been updated to reflect recent criticism.

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This book is designed to ease the beginner into competent reading of Old English texts. It presents the essential points of Old English grammar and also includes a selection of short, relatively simple original language texts, glossed and annotated. Numerous practice exercises are also included throughout. A companion website includes additional interactive exercises, a fuller grammar, and further original language texts.

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This entertaining novel’s full title, which claims that it will show “All the Artifices and Strategems which the Ladies of Pleasure make use of for the Intreaguing and Decoying of Men,” suggests that it is a cautionary tale. And in fact, The London Jilt is presented as the memoir of a courtesan by an anonymous editor who justifies its publication as a warning to young men. Yet the narrative is remarkable for its time in allowing the “jilt” to speak for herself, and she tells the much more sympathetic story of a woman who turns to prostitution only after her father is cheated out of his estate and she is thrust into the world without resources. Her struggles are as much economic as they are sexual, and include encounters with a wide variety of amorous but unsatisfactory men.This Broadview edition provides a critical introduction, commentary, explanatory notes, and appendices that incorporate selections from related contemporary works, including Spanish picaresque novels in which the narrator is a woman.

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The Romance of a Shop is an early “New Woman” novel about four sisters, who decide to establish their own photography business and their own home in central London after their father’s death and their loss of financial security. In this novel, Amy Levy examines both the opportunities and dangers of urban experience for women in the late nineteenth century who pursue independent work rather than follow the established paths of domestic service. By outfitting her characters as photographers, Levy emphasizes the importance of the gendered gaze in this narrative of the modern city.This Broadview edition prints for the first time since the 1880s Levy’s essay on Christina Rossetti and a short story set in North London, both published in Oscar Wilde’s magazine The Woman’s World. Other appendices include poetry by Levy, Michael Field, Dollie Radford, and A. Mary F. Robinson, and essays on Victorian photography, literary realism, “the woman question” at the end of the nineteenth century, and the plight of women working in London.

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Long central to the canon of British Romantic literature, Samuel Taylor Coleridge and William Wordsworth’s Lyrical Ballads is a fascinating case study in the history of poetry, publishing, and authorship. This Broadview edition is the first to reprint both the 1798 and the 1800 editions of Lyrical Ballads in their entirety.In the appendices to this Broadview edition, reviews, correspondence, and a selection of contemporary verse and prose situate the work within the popular and experimental literature of its time, and allow readers to trace the work’s transformations in response to the pressures of the literary marketplace.

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Edward Bellamy’s Looking Backward: 2000-1887 (1888) is one of the most influential utopian novels in English. The narrative follows Julian West, who goes to sleep in Boston in 1887 and wakes in the year 2000 to find that the era of competitive capitalism is long over, replaced by an era of co-operation. Wealth is produced by an “industrial army” and every citizen receives the same wage.This edition contains a rich selection of appendices, including excerpts from Bellamy’s Equality and other writings; contemporary responses (by William Morris, Charlotte Perkins Gilman, and others); excerpts from utopian works by Morris and William Dean Howells; and an excerpt from Henry George’s Progress and Poverty.

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Margaret Oliphant, one of the most prolific and popular Victorian novelists, essayists, and reviewers, has been compared both in her day and our own to George Eliot. Oliphant wrote domestic novels that richly represent the broad social, political, and religious contexts of Victorian England. The Broadview edition of Phoebe Junior, the last novel in Oliphant’s Chronicles of Carlingford series, restores the earliest extant text.The supplemental materials provide a rich background for examining key nineteenth-century issues such as religion and church reform, gender and the woman question, society and politics. They include excerpts from contemporary novels and poetry; newspaper articles; reviews; essays; polemic on religion and church reform; materials on gender and the woman question, and on etiquette and dress.

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The Coming Race is the crowning achievement of the genre of hollow earth fiction, in which a hero makes a perilous journey underground and discovers a superior race. The customs and political systems of these “aliens from inner space” are researched and contrasted with the deficient practices of old-fashioned, muddling, imperfect humanity. The subterranean race in this novel, the Vril-ya, are seemingly angelic creatures whose amazing powers come from their harnessing of a force called Vril. Bulwer’s novel is unequaled for the depth of its intellectual explorations—inquiries into an astonishing range of social, political, scientific, religious, linguistic, and sexual issues that are enabled by the hollow earth plot. The novel is accompanied and illuminated in this edition by a broad range of historical materials on evolution, electromagnetism, gender roles, and nineteenth-century science fiction.

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First accepted by a publisher in 1803, Northanger Abbey was eventually published posthumously in 1818. In it Austen weaves a romance full of suspense and comedy around the heroine Catherine Morland's first foray into society. The style of the novel is a unique hybrid; along the way Austen parodies the eighteenth-century novel of manners, the Gothic novel, and even the educational treatises of the time.The second Broadview edition includes a revised introduction, notes, bibliography, and expanded appendices of background contextual materials.

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Both a witty satire of literary cliché and a tender meditation on the varieties of love, As You Like It continues to be one of Shakespeare’s most beloved and widely performed comedies. In the introduction to this new edition, David Bevington traces the complex relationships between the characters in the play, and explores the history of its criticism from Samuel Johnson to the twenty-first century.As part of the newly launched Broadview Press / Internet Shakespeare Editions series, this edition features a variety of interleaved materials—from facsimile pages, diagrams, and musical scores to illustrations and extended discussions of myth and folklore—that provide a context for the social and cultural allusions in the play. Appendices offer excerpts from Shakespeare’s key sources and influences, including Thomas Lodge’s Rosalind and Ben Jonson’s Every Man in His Humor.A collaboration between Broadview Press and the Internet Shakespeare Editions project at the University of Victoria, the editions developed for this series have been comprehensively annotated and draw on the authoritative texts newly edited for the ISE. This innovative series allows readers to access extensive and reliable online resources linked to the print edition.

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Globalization has reached even the most remote areas of Latin America, pushing traditional peoples and habitats to the brink of extinction and offering a stark choice: adapt or perish. Local communities are scrambling to adjust to new market and social realities while trying to hold on to those cultural values that they regard as non-negotiable. This book tells the important story of three Latin American communities experiencing globalization at the point of contact between tradition and modernity: Brazil's rubber tappers, Bolivia's Guaran Indians, and Nicaragua's women cooperativists. Through exclusive, in-depth interviews, Heyck describes globalization and development in the words of people who are experiencing these forces at the grassroots level. The result is a multifaceted understanding of local and global connections and of the human, cultural, and religious dimensions of globalization.

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Gwerful Mechain is the only Welsh female poet from the late middle ages whose poems have survived as a substantial body of work. One of the most immediately striking characteristics of her poetry is the easy coexistence in her oeuvre of devotional and erotic works. Even to those who may be familiar with the bawdiness of Chaucer or Boccaccio, Gwerful’s work is remarkably direct. Yet, as the introduction discusses, some coexistence of the erotic and the religious was not entirely untypical of medieval literary production in Wales; overall, indeed, one of the most important characteristics of Gwerful’s work is its position in the mainstream of medieval Welsh poetry. Her themes and techniques do not mark her as a marginal or isolated figure, participating in some putative female sub-culture; on the contrary, she engages in poetic dialogues with her male contemporaries, using the same forms, tropes, and vocabulary as they do, and jousting with them verbally as their equal. At the same time, she often speaks with a female voice, taking her peers to task for their male arrogance.All of Gwerful’s known work is included here—as are several poems of uncertain authorship, and a number of other works that help to fill in the historical and literary context.A unique feature of the volume is the provision, for each work of medieval Welsh poetry included, of two different translations. The first, a literal translation, is presented in facing page format opposite the original Welsh; a second, freer translation, with rhyme patterns approximating those of the original, follows.

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This compact edition, designed for use in undergraduate courses, combines a substantial selection of Dickinson’s poems (including one complete fascicle) with a selection of letters and a range of contextual materials. In a number of cases several different versions of a poem are presented side by side. The texts are based on the handwritten manuscripts themselves, in the facsimile form in which the Emily Dickinson Archive now makes the vast majority of Dickinson’s manuscript versions available to the general public. The three major editions that are based directly on the manuscripts—those of Thomas H. Johnson (1955), R.W. Franklin (1998) and Cristanne Miller (2016)—have also been consulted; in many cases where the transcriptions of these editors differ from one another, this edition provides information in the notes as to those differences. Extensive explanatory footnotes are also provided, as is a concise but wide-ranging introduction to Dickinson and her work.The appendices include excerpts from numerous nineteenth-century reviews of Dickinson’s first published volume (including by William Dean Howells and Andrew Lang). Thomas Wentworth Higginson’s influential Atlantic Monthly article, “Emily Dickinson’s Letters,” is also included in its entirety.This volume is one of a number of editions that have been drawn from the pages of the acclaimed Broadview Anthology of American Literature; like the others, it is designed to make a range of material from the anthology available in a format convenient for use in a wide variety of contexts. This edition departs from other editions in the series in one important respect—its format. The large page size of the edition facilitates the reproduction of manuscript pages in readable facsimile form, and the two-column format of the text facilitates comparison between different versions.

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This edition of one of the Western canon's most iconic plays brings back into print the pivotal 1890 translation by William Archer. It was this translation that was largely responsible for the huge impact that A Doll's House had in the English-speaking world, igniting as it did, in the words of one critic, 'a firestorm of critical debate and dissent' about marriage and women's rights. Accompanying the comprehensively annotated text of the play is a substantial introduction that combines critical analysis with biographical and historical context. An extensive series of appendices provides extracts from contemporary adaptations of A Doll's House; writings by William Archer and Bernard Shaw about the play; reviews of early productions in London, New York, Montreal, and Sydney; contemporary documents relating to Ibsen and feminism; and views of actresses on playing the role of Nora.

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Adeline, the protagonist of Ann Radcliffe's The Romance of the Forest, became a model for later Gothic heroines. Passionate, imaginative, and sensitive, in the course of the novel she travels rapidly through the forests and Gothic ruins of France, pursued by the villain de Montfort and perpetually threatened by what appear to be supernatural events. The publication of The Romance of the Forest in 1791 had a significant impact on Radcliffe's career and on the rise of what would be known as the Gothic novel. The novel was widely praised upon publication and became a measure of quality against which all her future novels were gauged. Along with critical praise, The Romance of the Forest found an enthusiastic general audience and opened the new genre of Gothic Romance to a wider range of readers. The extensive historical appendices provide material on the novel's contemporary reception, the Gothic novel, sensibility and sentiment, and the aesthetics of the sublime and picturesque.

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How are sex and gender related? Are they the same thing? What exactly is gender? How many genders are there? What is the science on all of this? Is gender a product of nature, nurture, or both? This book introduces readers to fundamental questions about sex and gender categories as they’ve been considered across the centuries and through a wide array of disciplines and perspectives. From the Bible to Darwin, from Enlightenment thinkers to contemporary trans philosophers, Beyond the Binary comprises an accessible survey of the wide range of views about sex and gender. This revised and expanded edition uses updated terminology and diagnostic criteria and offers new material with a greater focus on trans, Indigenous, racialized, and subaltern thinkers. It includes useful discussion questions and further reading recommendations at the end of each chapter, as well as an extensive glossary of terms.

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The Great Gatsby is widely regarded as one of the masterpieces of American fiction. It tells of the mysterious Jay Gatsby's grand effort to win the love of Daisy Buchanan, the rich girl who embodies for him the promise of the American dream. Deeply romantic in its concern with self-making, ideal love, and the power of illusion, it draws on modernist techniques to capture the spirit of the materialistic, morally adrift, post-war era Fitzgerald dubbed "the jazz age." Gatsby's aspirations remain inseparable from the rhythms and possibilities suggested by modern consumer culture, popular song, the movies; his obstacles inseparable from contemporary American anxieties about social mobility, racial mongrelization, and the fate of Western civilization.This Broadview edition sets the novel in context by providing readers with a critical introduction and crucial background material about the consumer culture in which Fitzgerald was immersed; about the spirit of the jazz age; and about racial discourse in the 1920s.

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The transformation of the American West is one of the key topics in the study of United States history and global environmental history. The role of ranching in the West is also central to the growing field of animal history. This volume covers the periods between the early Indigenous acquisition of horses in the 18th century, to the introduction of Hispanic horsemanship techniques and market cattle in the “Old West,” and finally to the work of ranching families to sustain their way of life.The documents in this volume reveal not simply the human past, but also the distinct histories of cattle, horses, and the land. Readers will explore intersecting themes of capitalism and beef, environmental change, rural labor, gender and racial politics as debated by westerners themselves, as well as the meaning and power of the cowboy myth in American life. The introduction incorporates recent scholarship and provides a fresh look at this key topic in American history, along with the informative headnotes and rich annotations that help orient the reader within the historical sources.

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“At the beginning stands Wedekind.” So wrote German literary critic Rudolf Kayser in 1917 of the new forms of expressionist theater that were then becoming central to German culture. In Schloss Wetterstein (Castle Wetterstein), one of his most important plays, Wedekind offers a satirical take on marriage and the bourgeois nuclear family; at the play’s center is a rebellious teenage girl who turns to prostitution after her upbringing in an unstable household. The play was published in 1912, but a performance ban was put into effect immediately, and continued until after Wedekind’s death.This new edition offers a fresh translation, an illuminating brief introduction, and a selection of background materials that help to set the play in context.

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This book features various accounts of a cholera outbreak in West London that killed over 500 people in ten days during the late summer of 1854. What had happened? Local authorities were flummoxed about the mode by which the disease had spread. What has become known as 'the Broad Street pump episode' is one of the most significant early examples of team-oriented investigations into the causes of epidemic disease - a hallmark of epidemiology and public health today.This collection includes documents from the five separate investigations into possible causes that were conducted. John Snow and Henry Whitehead made independent investigations. Inspectors from the General Board of Health and the Sewer Commission as well as a parish inquiry committee also scrutinized the outbreak. This volume traces competing notions of how this disease was communicated, starting with the first pandemic which reached England in 1831, and it documents how they developed over time.

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Frances Harper’s fourth novel follows the life of the beautiful, light-skinned Iola Leroy to tell the story of black families in slavery, during the Civil War, and after Emancipation. Iola Leroy adopts and adapts three genres that commanded significant audiences in the nineteenth century: the sentimental romance, the slave narrative, and plantation fiction. Written by the foremost black woman activist of the nineteenth century, the novel sheds light on the movements for abolition, public education, and voting rights through a compelling narrative. This edition engages the latest research on Harper’s life and work and offers ways to teach these major moments in United States history by centering the experiences of African Americans. The appendices provide primary documents that help readers do what they are seldom encouraged to do: consider the experiences and perspectives of people who are not white. The Introduction traces Harper’s biography and the changing critical perspectives on the novel.

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Tell Me Something I Don’t Know is a collection of original dialogues in epistemology, suitable for student readers but also of interest to experts. Familiar problems, theories, and arguments are explored: second-order knowledge, epistemic closure, the preface paradox, skepticism, pragmatic encroachment, the Gettier problem, and more. New ideas on each of these issues are also offered, defended and critiqued, often in humorous and entertaining ways.

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This edition brings together Tolstoy’s 1886 masterpiece and several shorter works that connect with it in thought-provoking ways. The stories are accompanied by a fascinating selection of contextual materials, including nineteenth-century reviews, excerpts from Tolstoy’s letters concerning death, excerpts from a pamphlet he wrote after witnessing the slaughtering of livestock, and a portfolio of relevant photographs. As well as crafting fresh translations both of the stories themselves and of the background materials, Kirsten Lodge has provided an illuminating introduction and helpful annotations.

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Immensely popular with contemporary readers, Smith’s major poetic works are foundational poetic texts of the Romantic period. Smith’s innovations in poetic form have also placed her at the forefront of twenty-first century scholarship on the period. This edition presents her three major poetic works — Elegiac Sonnets (1784-1800), The Emigrants (1793), and Beachy Head (1807). They also remain major texts for thinking through such questions as the relationship between public and private; the ethical treatment of refugees and other persecuted people; the position of women in a patriarchal society; and the usefulness of science as a way of making sense of a complex and ever-changing world.This Broadview edition includes a new critical introduction which takes into account the developments in scholarship on Smith’s work and women’s writing over the past three decades, and it provides readers with a wealth of contextual material for understanding the writer and the social and literary environment within which she wrote, including key works by her precursors and contemporaries, selections from her letters, and reviews of her poetry.

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The titular “Roaring Girl” of Thomas Middleton and Thomas Dekker’s comedy is Moll Cutpurse, a fictionalized version of Mary Frith, who attained legendary status in London by flouting gendered dress conventions, illegally performing onstage, and engaging in all manner of transgressive behavior from smoking and swearing to stealing. In the course of The Roaring Girl’s lively and complex plot of seduction and clever ruses, Moll shares her views on gender and sexuality, defends her honor in a duel, and demonstrates her knowledge of London’s criminal underworld. This edition of the play offers an informative introduction, thorough annotation, and a substantial selection of contextual materials from the period.

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Notable for its use of real document examples throughout in addition to its central section's extended focus on narrative medicine and new media writing, Healthcare Writing: A Practical Guide to Professional Success provides a wide-ranging, much-needed contemporary interdisciplinary perspective on the modes and contexts of writing that are most pertinent to healthcare professionals today. Aimed at students enrolled in university or college-level healthcare programs of various types as well as at current practitioners who might be seeking a portable, readable reference and guide, this book usefully and practically combines the detailed discussion of approaches to key healthcare document types - both professional and academic - with a thorough but focused overview of essential points of grammar, punctuation, and style.

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Critical Thinking is a comprehensive and accessible introduction to the essential skills of good reasoning, written by Canadian authors for Canadian readers. The book includes a thorough treatment of such central topics as deductive and inductive reasoning, logical fallacies, how to recognize and avoid ambiguity, and how to distinguish what is relevant from what is not. Later chapters discuss the application of critical thinking skills to particular topics and tasks, including scientific reasoning, moral reasoning, legal reasoning, media analysis, and essay writing. The book also provides access to a companion website containing additional questions, flashcards, and other useful critical thinking resources.

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Unjustly overlooked in its own time, Frank J. Webb’s novel of pre-Civil War Philadelphia weaves together action, humor, and social commentary. The Garies and Their Friends tells the story of two families struggling for di¦ erent sorts of respectability: the Garies, a well-to-do interracial couple who relocate to Philadelphia from the plantation South in order to legalize their marriage, and their friends the Ellises, free black Philadelphians hoping to make the move from the working class into the bourgeoisie. Along the way the families confront racialized violence, melodramatic villainy, and sentimental reversals. Entertaining and fastmoving, the novel has a Dickensian mix of uncanny coincidence and interwoven personal experiences.The historical documents accompanying this Broadview Edition provide reviews of the novel along with extensive materials on slavery, the color line, and contemporary Philadelphia.

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John Milton’s epic story of cosmic rebellion and the beginning of human history has long been considered one of the greatest and most gripping narratives ever written in English. Yet its intensely poetic language, now-antiquated syntax and vocabulary, and dense allusions to mythical and Biblical figures make it inaccessible to many modern readers. This is, as the critic Harold Bloom wrote in 2000, “a great sorrow, and a true cultural loss.”Dennis Danielson aims to open up Milton’s epic for a twenty-first-century readership by providing a fluid, accessible rendition in contemporary prose alongside the original. The edition allows readers to experience the power of the original poem without barriers to understanding.

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