Search results for ""broadview press""

Two of Washington Irving's works of short fiction from his 1819-20 work, The Sketch Book Rip Van Winkle and The Legend of Sleepy Hollow are among the most enduringly popular of American classics. In his own day, Irving's works were widely read in Britain as well as in America; the English novelist William Makepiece Thackeray described him as 'the first ambassador whom the New World of Letters sent to the Old.' This edition takes notice of transatlantic literary history with an appendix of reviews from American and British newspapers, and by printing in facing page format the American and British versions of 'Traits of Indian Character' (which differed from each other in a variety of interesting ways). Also included are an excerpt from Irving's first major work, A History of New York; excerpts from a key source that Irving drew on for Rip Van Winkle and a selection of illustrations showing some of the ways in which this character was imagined in nineteenth-century America. With a concise but wide-ranging introduction and extensive explanatory notes, this edition is ideally suited for course use.This volume is one of a number of editions that have been drawn from the pages of the acclaimed Broadview Anthology of American Literature; like the others, it is designed to make a range of material from the anthology available in a format convenient for use in a wide variety of contexts.

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Uncle Tom's Cabin may well have excited more controversy than any other work of fiction in American history. Welcomed by many abolitionists and met with indignation by supporters of slavery, it gave crucial impetus to the antislavery movement, and its characters and dramatic scenes were quickly absorbed into the nation's consciousness; at the same time, its employment of racial stereotypes and emphasis on Christian nonresistance in the face of violence left behind a troubling legacy that was debated by black Americans in the nineteenth century and that culminated in the popular tradition of 'Tom shows' that persisted well into the twentieth century. With a brief but robust introduction, judicious selection of the most essential and frequently taught portions of the novel, and examples of contemporary responses, this abridged edition of Harriet Beecher Stowe's antislavery classic provides an overview of the novel's plot, themes, and rhetorical strategies, and is ideal for classroom use. This volume is one of a number of editions that have been drawn from the pages of the acclaimed Broadview Anthology of American Literature; like the others, it is designed to make a range of material from the anthology available in a format convenient for use in a wide variety of contexts.

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In 1919, Prime Minister David Lloyd George of the United Kingdom of Great Britain and Ireland noted that "there is a path of fatality which pursues the relations between the two countries and makes them eternally at cross purposes." For better or worse, Ireland has frequently been defined by its relationship with its neighbor to the east. And for centuries, English monarchs and governments have struggled with what they came to term "the Irish Question." Through 75 primary source documents, contextualized by informative introductions and annotations, this volume explores the political, economic, and cultural impacts of the relationship between Ireland and England.

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This guidebook offers a rhetorical framework for writing and analyzing content for social media and the web. In the age of disinformation and hyper-targeted digital advertising, writers and teachers of writing must be prepared to delve into the digital world with a critical and strategic perspective. This book offers an interdisciplinary approach to writing scenarios with insights from classical and contemporary rhetoric, the philosophy of technology, and digital media theory. Special emphases are also placed on preparing for writing, marketing, and communications careers in the digital space, and on ethical issues related to digital and social media.

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The Broadview Pocket Guide to Writing presents essential material from the full Broadview Guide to Writing. Included are key grammatical points, a glossary of usage, advice on various forms of academic writing, coverage of punctuation and writing mechanics, and helpful advice on how to research academic papers. MLA, APA, and Chicago styles of citation and documentation are covered, and each has been revised to include the latest updates. A companion website provides a wealth of interactive exercises, information on the CSE style of citation and documentation, and much more.

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Drawing on the pedagogy, rhetorical theory, and student editor insights of The Argument Handbook, The Argument Toolbox is a very concise resource designed to help first year composition students, rhetoric and writing students, and first year seminar students build persuasive arguments in various genres. Like the more comprehensive text, The Argument Toolbox is organized and designed so that students can zero in on the content they need to respond to an assignment when faced with a blank screen, a hard deadline, and a skeptical audience.

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This book approaches the structure of English from a form-function perspective that is both theoretical and practical. It asks learners to consider meaning, structure and use, in contrast to many grammars that focus on structure, sometimes to the exclusion of use and even meaning. The book presents an extended introduction to areas of grammar that many would see as indispensable, such as participial and infinitive phrases. The analysis is largely achieved through form-function tree diagramming and extends the structure to include finite and nonfinite predicates.

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The great-grandmother of Downton Abbey, Barford Abbey is among the first of a new genre of 'abbey fictions.' Using the abbey as a site and a question mark, Susannah Minifie weaves a story of new and broken relationships, of change and fear of change, and of heredity and inheritance. Here the abbey becomes a symbol not simply tied to the gothic but a setting for social dramas that prefigures the realist novels of the nineteenth century. In two compact volumes, the novel achieves innovations in narrative manner and style. Barford Abbey may seem to offer the consolations of melodrama and the comforts of marriage, but the balance of the novel reminds us that parts of life can sometimes be left out, and that life's losses cannot genuinely be recovered.

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At the center of this remarkable 1621 play is the story of Elizabeth Sawyer, the titular "Witch of Edmonton," a woman who had in fact been executed for the crime of witchcraft mere months before the play's first performance. Yet hers is only one of several plots that animate The Witch of Edmonton. Blending sensational drama with domestic tragedy and comic farce, this complex and multi-layered play by Dekker, Ford, and Rowley emphasizes the mundane realities and interpersonal conflicts that are so often at the heart of sensational occurrences. This edition of their work offers a compelling and informative introduction, thorough annotation, and a selection of contextual materials that helps set the play in the context of the "witch-craze" of Jacobean England.

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This book is a comprehensive introduction to the many ethical and legal issues that arise in the practice of nursing. Ethical analysis is supplemented with rigorous discussion of precedents from the American legal system as well as the requirements of professional codes operating at the national and state levels. Topics include informed consent, end-of-life treatment, impaired decisional capacity, privacy and confidentiality, and much more.

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Wherever we look today, popular culture greets us with “texts” that make implicit arguments; this book helps students to think and write critically about these texts. The World Is a Text teaches critical reading, writing, and argument in the context of pop-culture and visual examples, showing students how to “read” everyday objects and visual texts with basic semiotics. The book shows how texts of all kinds, from a painting to a university building to a pair of sneakers, make complex arguments through their use of signs and symbols, and shows students how to make these arguments in their own essays. This new edition is rich with images, real-world examples, writing and discussion prompts, and examples of academic and student writing. The first part of the book is a rhetoric covering argumentation, research, the writing process, and adapting from high-school to college writing, while the second part explores writing about specific cultural topics. Notes, instruction, and advice about research are woven into the text, with research instruction closely tied to the topic being discussed. New to the updated compact edition are chapters on fashion, sports, and nature and the environment.

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The Merchant of Venice is best known for its complex and ambiguous portrait of the Jewish moneylender Shylock—and of European anti-Semitism. Fascinating in its engagement with prejudice, the play is also a comedy of cross-dressing and disguise, and a dramatic exploration of justice, mercy, and vengeance.This volume contains the full text of the play with explanatory footnotes and marginal glosses for contemporary readers. An extensive introduction and well-rounded selection of background materials not only illuminate anti-Semitism in early modern England but also provide context for other facets of the play, including its comic plot of love and marriage, its examination of commerce and international trade, and its themes of revenge and the law.

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Well and Good presents a combination of classic and little-known cases in health care ethics. These cases, accompanied by information about the major ethical theories, give students a chance to grapple with the ethical challenges faced by health care practitioners, policy makers, and recipients. The authors’ narrative style and leading questions provoke interest and engagement, while allowing readers to work through complicated issues for themselves. This fourth edition includes an expanded discussion of feminist ethics, as well as new cases addressing pandemic ethics, humanitarian aid, the social determinants of health, research and Aboriginal communities, and a number of other emerging issues.

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It is widely known that Charles Dickens gave public readings of his works, and that those readings were enormously popular. Far less well known are the stories themselves; these were not, as is the modern fashion, taken verbatim from the published novels. Instead, Dickens trimmed, reworded, and re-shaped material from the novels to create stories that would be self-contained artistic entities. These concise “performance fictions,” shaped in every way to be accessible to a broad audience, are in many ways an ideal introduction to Dickens’s work for the modern reader.Four of the most successful of these short works have been selected for this volume, including “The Story of Little Dombey” (perhaps the most emotionally affecting of all the readings, and described by Dickens as his “greatest triumph everywhere”) and the violent and suspenseful “Sikes and Nancy” (Dickens’s overpowering performances of which were said to have contributed to his death). Provided in the contextual materials is a selection of reviews and contemporary descriptions that comment on Dickens’s manner of performance and audience reception. A brief excerpt from Dombey and Son is also included, illustrating the extensive revision process that led to “The Story of Little Dombey.”

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This group of fifteen brief narratives connected by a place and a time, the city of Dublin at the beginning of the twentieth century, was written when James Joyce was a precocious young graduate of University College. With great subtlety and artistic restraint, Joyce suggests what lies beneath the pieties of Dublin society and its surface drive for respectability, suggesting the difficulties and despairs that were being endured on a daily basis in homes, pubs, streets, and offices of the city: underemployment, domestic violence, alcoholism, poverty, hunger, emotional and sexual repression. No writer ever took more seriously the details, history, and culture of a particular place than Joyce did with his home city, and these stories combine dark humor with compassion and a searching eye for the causes of suffering.This new edition's historical appendices include contemporary reviews (including one by Ezra Pound) and materials on religion, the struggle for Irish independence, and Dublin's musical and performance culture.

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This edition recovers Elizabeth Oakes Smith’s successful 1842 novel The Western Captive; or, The Times of Tecumseh and includes many of Oakes Smith’s other writings about Native Americans, including short stories, legends, and autobiographical and biographical sketches. The Western Captive portrays the Shawnee leader as an American hero and the white heroine’s spiritual soulmate; in contrast to the later popular legend of Tecumseh’s rejected marriage proposal to a white woman, Margaret, the “captive” of the title, returns Tecumseh’s love and embraces life apart from white society.These texts are accompanied by selections from Oakes Smith’s Woman and Her Needs and her unpublished autobiography, from contemporary captivity narratives and biographies of William Henry Harrison depicting the Shawnee, and from writings by her colleagues Jane Johnston Schoolcraft and Henry Rowe Schoolcraft.

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William Godwin’s Mandeville was described as his best novel by Percy Shelley, who sent a copy to Lord Byron, and it was immediately recognized by its other admirers as a work of unique power. Written one year after the battle of Waterloo and set in an earlier revolutionary period between the execution of Charles I and the Restoration, Mandeville is a novel of psychological warfare. The narrative begins with Mandeville’s rescue from the traumatic aftermath of the Ulster Rebellion of 1641 and proceeds through his early education by a fanatical Presbyterian minister to his persecution at Winchester school, his constant (and not unjustified) paranoia, and his confinement in an asylum. Mandeville’s final, desperate attempt to prevent his sister’s marriage to his enemy ends with his disfiguration, which also defaces endings based on settlement or reconciliation. The novel’s events have many resonances with Godwin’s own period.The historical appendices offer contemporary reviews, including Shelley’s letter to Godwin praising Mandeville, material explaining the novel’s complex historical background, and contemporary writings on war, madness, and trauma.

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R.M. Liuzza's translation of Beowulf, first published by Broadview in 1999, has been widely praised for its accuracy and beauty. The translation is accompanied in this edition by genealogical charts, historical summaries, and a glossary of proper names. Historical appendices include related legends, stories, and religious writings from both Christian and Anglo-Saxon traditions. These texts help readers to see Beowulf as an exploration of the politics of kingship and the psychology of heroism, and as an early English meditation on the bridges and chasms between the pagan past and the Christian present.Appendices also include a generous sample of other modern translations of Beowulf, shedding light on the process of translating the poem. This new edition features an updated introduction and an expanded section of material on Christianity and paganism.

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Edgar Allan Poe’s stories and poems are among the most haunting and indelible in American literature, but critics for decades persisted in seeing Poe as an anomaly, or even an anachronism. His works, with their bizarrely motivated characters and mysterious settings, did not seem to be a part of the literature of early nineteenth-century America. Critics realize now, though, that Poe was even more a part of the contemporary American literary scene than many of his more “nationalistic” peers, and that in much of his work Poe was making commentaries on slavery and Southern social attitudes, technology, the urban landscape, political economy, and other subjects.This Broadview Edition includes a selection of Poe’s poems, tales, and sketches in such diverse modes of writing as tales of the supernatural and psychic conflict, satires and hoaxes, science fiction and detective fiction, and nonfiction essays on literary and social topics. These are supplemented by a selection of contextual documents—newspaper and magazine articles, treatises, and other historical texts—that will help readers understand the social, literary, and intellectual milieus in which Poe wrote.

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On the Genealogy of Morality is a history of ethics, a text about interpreting that history, and a primer on interpretation in general. It also has elements of archaeology, sociology, anthropology, psychology, and etymology. Nietzsche's history-based approach to the development of morality, as well as his keen understanding of how power relations - especially the role played in this process by social, class, and racial divisions - continue to shape our ethical norms and standards of behavior. His reading of history and the human capacity for rationalization anticipated, influenced, and underpinned the interpretative techniques and strategies that emerged as dominant in the humanities and social sciences over the past several decades. In this age of 'alternative truths,' Nietzsche's insight into the nature of interpretation is more valuable than ever before.

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In this book, Marijane Osborn translates into modern English nine lively medieval verse romances, in a form that both reflects the original and makes the romances inviting to a modern audience. All nine tales contain elements of magic: shapeshifters, powerful fairies, trees that are portals to another world, and enchanted clothing and armor. Many of the tales also feature powerful women characters, while others include representations of “Saracens.” The tales address issues of enduring interest and concern, and also address sexuality, agency, and identity formation in unexpected ways.

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Concert of Voices combines poetry, fiction, drama, and essays in an anthology of world literature in English. This second edition preserves the first edition’s breadth and its balance of established and less widely known authors, while including a large selection of exciting new material. Biographical information and explanatory notes have been updated and expanded, and new pieces by Cyril Dabydeen, Vikram Seth, Wole Soyinka, Pauline Johnson, Rudy Wiebe, and many other authors have been added.

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Wittgenstein and the Practice of Philosophy introduces Wittgenstein’s philosophy to senior undergraduates and graduate students. Its pedagogical premise is that the best way to understand Wittgenstein’s thought is to take seriously his methodological remarks. Its interpretive premise is that those methodological remarks are the natural result of Wittgenstein’s rejection of his early view of the ground of value, including semantic value or meaning, as something that must lie “outside the world.”This metaphysical view of meaning is replaced in his transitional writings with a kind of conventionalism, according to which meaning is made possible by the existence of grammatical conventions that are implicit in our linguistic practices. The implicit nature of these conventions makes us vulnerable to a special kind of confusion that results from lacking a clear view of the norms that underlie our linguistic practices. This special confusion is characteristic of philosophical problems, and the task of philosophy is the therapeutic one of alleviating confusion by helping us to see our grammatical norms clearly.This development of this therapeutic view of philosophy is traced from Wittgenstein’s early Tractatus Logico-Philosophicus through his transitional writings and lectures to his great masterwork, Philosophical Investigations, and his final reflections on knowledge and scepticism in On Certainty. Wittgenstein’s discussions of naming, family resemblances, rule-following and private language in Philosophical Investigations are all examined as instances of this sort of method, as is his discussion of knowledge in On Certainty. The book concludes by considering some objections to the viability of Wittgenstein’s method and speculating on how it might be extended to a discussion of moral value to which Wittgenstein never explicitly returns.

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This classic novel tells the story of how the poor rural couple John and Joan Durbeyfield become convinced that they are descended from the ancient family of d’Urbervilles. They encourage their innocent daughter Tess to cement a connection with the d’Urberville family, including their unprincipled son Alec, with tragic consequences. “A Pure Woman Faithfully Presented,” as Hardy subtitled the novel, represented a direct challenge to conventional Victorian notions of sexuality and femininity.This is a revised, updated, and expanded Broadview edition that highlights a feminist interpretation of the novel in an extensive introduction. The range of historical appendices (including contemporary articles, letters, maps, news stories, and reviews) will greatly enhance a reader’s understanding of the text.

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The Aesthetics of Human Environments is a companion volume to Carlson's and Berleant's The Aesthetics of Natural Environments. Whereas the earlier collection focused on the aesthetic appreciation of nature, The Aesthetics of Human Environments investigates philosophical and aesthetics issues that arise from our engagement with human environments ranging from rural landscapes to urban cityscapes. Our experience of public spaces such as shopping centers, theme parks, and gardens as well as the impact of our personal living spaces on the routine activities of our everyday life are discussed in terms of their aesthetic value and the nature of our aesthetic appreciation.This volume will appeal to any reader concerned about the aesthetic quality of the world in which we live.

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Philosophical Conversations is a light, informal, and contemporary introduction to the study of philosophy. Using a dialogue format, Robert M. Martin delves into the traditional questions of philosophy in a manner that readers will find engaging.These substantive yet entertaining conversations emphasize that philosophical questions are contested and open-ended. The characters in each dialogue advocate different answers to questions on religion, ethics, personal identity, and other topics equitably and without naming any clear winners. Philosophic positions are presented with maximum clarity and persuasiveness, so that readers can appreciate all sides of an issue and make their own choices. An excellent tool for newcomers to philosophy, Philosophical Conversations provides the necessary background for further study while vividly portraying the back-and-forth argument that is essential to the philosophical method.

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Novel Definitions captures the lively critical debate surrounding the invention of the English novel, showing how the rise of the novel was accompanied by a rise in popular literary criticism. The anthology collects over 135 primary sources that chart the long eighteenth century’s interpretation of the novel. These sources—many newly-discovered—include essays, prefaces, reviews, and sermons written by authors ranging from Aphra Behn to Walter Scott. Novel Definitions brings together authors’ prefatory analyses of their work; essayists’ debates concerning the novel’s formal qualities; commentators’ questions concerning the novel’s cultural position, including whether or not women and children should read novels; reviewers’ definitions of the qualities that make a novel successful; and literary historians’ first attempts to write the history of the novel.

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Hawthorne's story of the disgraced Hester Prynne (who must wear a scarlet "A" as the mark of her adultery), of her illegitimate child, Pearl, and of the righteous minister Arthur Dimmesdale continues to resonate with modern readers. Set in mid-seventeenth-century Boston, this powerful tale of passion, Puritanism, and revenge is one of the foremost classics of American literature.This Broadview edition contains a selection of historical documents that include Hawthorne's writings on Puritanism, the historical sources of the story, and contemporary reviews of the novel. New to the second edition are an updated critical introduction and bibliography and, in the appendices, additional writings by Margaret Fuller, Elizabeth Cady Stanton, Henry James, and William Dean Howells.

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This accessible, SHORT introduction to symbolic logic includes coverage of sentential and predicate logic, translations, truth tables, and derivations. The author's engaging style makes this the most informal of introductions to formal logic. Topics are explained in a conversational, easy-to-understand way for readers not familiar with mathematics or formal systems, and the author provides patient, reader-friendly explanations—even with the occasional bit of humour.The first half of the book deals with all the basic elements of Sentential Logic: the five truth-functional connectives, formation rules and translation into this language, truth-tables for validity, logical truth/falsity, equivalency, consistency and derivations. The second half deals with Quantifier Logic: the two quantifiers, formation rules and translation, demonstrating certain logical characteristics by “Finding an Interpretation” and derivations.There are plenty of exercises scattered throughout, more than in many texts, arranged in order of increasing difficulty and including separate answer keys.

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Harriet Martineau lived an extraordinary literary life. She became a reviewer and journalist in the 1820s when her family’s fortune collapsed; published a best-selling series, Illustrations of Political Economy (1832-34), that made her fame and fortune by the age of thirty; overcame a hearing disability to become a “literary lion” in London society; toured the United States and wrote two founding texts of sociology based on her experiences; explored north Africa and the Middle East to observe non-European societies; wrote “leaders” (editorials) on slavery for the London Daily News during the American Civil War; and commented publicly on matters of politics, history, and religion in an era when women supposedly maintained their place in the sphere of domesticity.This edition of her Autobiography reproduces the original 1877 text, which Martineau composed in 1855 and had printed in anticipation of her death. It includes illustrations of the author and her homes; excerpts from the “Memorials,” added by her editor Maria Chapman; and reviews that praise and critique Martineau’s method as an autobiographer and achievement as a Victorian woman of letters.

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Set in Europe during the Protestant Reformation and first published in 1799, St. Leon tells the story of an impoverished aristocrat who obtains the philosopher’s stone and the elixir of immortality. In this philosophical fable, endless riches and immortal life prove to be curses rather than gifts and transform St. Leon into an outcast. William Godwin’s second full-length novel explores the predicament of a would-be philanthropist whose attempts to benefit humanity are frustrated by superstition and ignorance.This Broadview edition includes a critical introduction and full annotation. The appendices include contemporary reviews of the novel; Godwin’s writings on immortality, the domestic affections, and alchemy; and selections from works influenced by St. Leon, most notably Mary Shelley’s Frankenstein.

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Robert Boyle, one of the most important intellectuals of the seventeenth century, was a gifted experimenter, an exceptionally able philosopher, and a dedicated Christian. In Boyle’s two Excellencies, The Excellency of Theology Compared with Natural Philosophy and About The Excellency and Grounds of the Mechanical Hypothesis, he explains and justifies his new philosophy of science while reconciling it with Christian theology. These pioneering works of early science and theology are now available in a modernized and accessible new edition.This Broadview edition brings spelling and punctuation into line with current conventions and includes notes and references to set the works in their historical and philosophical context. The appendices include works by Boyle’s predecessors in the philosophy of science, other philosophical writings by Boyle, and an appendix of the other figures mentioned in the texts.

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The Dimensions of Ethics offers a concise but wide-ranging introduction to moral philosophy. In clear and engaging fashion, the author first examines the scope of ethical theory, and explores central metaethical questions such as the issue of relativism, and the relationship between morality and religion. He then turns to an exploration of five theoretical approaches (utilitarianism, the deontological approach of Kant, the ethical pluralism of Ross, virtue ethics, and feminist ethics), in each case providing a consideration of various objections that have been advanced as well as a sympathetic exposition of the core principles of each approach. Throughout he uses a wide range of examples, and integrates references to issues in applied ethics with his discussions of ethical theory.

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The first book of long fiction by an African to be published in English, this novel tells the story of a young woman of the Vai people in Liberia. Guanya Pau, betrothed as a child to a much older, polygamous man, flees her home rather than be forced into marriage, and the novel recounts her subsequent efforts to reach the Christian community where the man she loves awaits her. Joseph Jeffrey Walters was a Vai man who converted to Christianity, and this, his only novel, is a remarkably complex work, embracing both Christian beliefs and a deep pride in his African heritage.This Broadview edition includes a critical introduction that locates the novel in the context of Vai culture and the history of African missions, and a rich selection of historical documents relating to the education of African women, the Vai writing system, and the author’s life.

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An important thinker who contributed to eighteenth-century debates in epistemology, metaphysics, and ethics, Catharine Trotter Cockburn pursued the life of a dramatist and essayist, despite the prevailing social, cultural, and moral prescriptions of her day. Cockburn’s philosophical writings were polemical pieces in defence of such philosophers as John Locke and Samuel Clarke, in which she grappled with the moral and theological questions that concerned them and produced her own unique answers to those questions. Her works are interesting both for their approach to philosophical issues that continue to be debated today and for the way that they inform our understanding of the early-modern period.

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William Beckford’s Vathek is a touchstone of eighteenth-century Orientalism and of the Gothic novel. Beckford’s later work, The Episodes of Vathek, shares Vathek’s irreverent and decadent style, and an edition that unites the two has long been overdue. The Broadview edition includes a newly discovered early version of the first episode, never before in print, that centres on male-male love, as well as the previously published version that was re-written by Beckford as a heterosexual narrative. Based on the 1823 edition—the last one edited by the author himself—the Broadview Edition also introduces The Episodes in the order Beckford planned, and incorporates his final corrections.

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Intrigue, investigations, thievery, drugs and murder all make an appearance in Collins's classic who-done-it, The Moonstone. Published in serial form in 1868, it was inspired in part by a spectacular murder case widely reported in the early 1860s.Collins's story revolves around a diamond stolen from a Hindu holy place. On her eighteenth birthday, Rachel Verinder receives the diamond, but by the following morning the stone has been stolen again. As the story unravels through multiple eyewitness accounts, the elderly Sergeant Cuff—with a face "sharp as a hatchet"—looks for the culprit.One of Collins's best-loved novels, with an exciting plot moved along by deftly-drawn characters and elegant pacing, The Moonstone was also turned into a play by Collins; the play appears as an appendix to this edition.

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In The Old Manor House (1794), Charlotte Smith combines elements of the romance, the Gothic, recent history, and culture to produce both a social document and a compelling novel. A "property romance," the love story of Orlando and Monimia revolves around the Manor House as inheritable property. In situating their romance as dependent on the whims of property owners, Smith critiques a society in love with money at the expense of its most vulnerable members, the dispossessed.Appendices in this edition include: contemporary responses; writings on the genre debate by Anna Letitia Barbauld, John Moore, and Walter Scott; and historical documents focusing on property laws as well as the American and French revolutions.

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When the Anti-Jacobin Review described Memoirs of Modern Philosophers in 1800 as “the first novel of the day” and as proof that “all the female writers of the day are not corrupted by the voluptuous dogmas of Mary Godwin, or her more profligate imitators,” they clearly situated Elizabeth Hamilton’s work within the revolutionary debate of the 1790s. As with her successful first novel, Letters of a Hindoo Rajah, Hamilton uses fiction to enter the political fray and discuss issues such as female education, the rights of woman and new philosophy.The novel follows the plight of three heroines. The mock heroine, Bridgetina Botherim—a crude caricature of Mary Hays—participates in an English-Jacobin group, leading her to abandon her mother and home to pursue her beloved to London in hopes of emigrating to the Hottentots in Africa. The second heroine, Julia Delmont, is another member of the local group; she is seduced by a hairdresser masquerading as a New Philosopher. She is left pregnant and destitute only to discover that her actions caused her father’s untimely death. The third heroine is the virtuous Harriet, whose Christian faith enables her to resist the teachings of the New Philosophers.

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Originally published in serial form from December 1860 to August 1861, Great Expectations is the ‘autobiography’ of Pip, as he transformed from apprentice village blacksmith to a London gentleman. Unlike many of Dickens’s earlier works, the novel is not so much a protest against social evils as a sustained meditation upon the process of social reform in Victorian England. It is this which gives such importance to the book’s handling of the theme of the gentleman, a theme central both to Dickens’s society and to his own life story.

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To borrow a phrase used by one of the characters in the novel, Dracula is "nineteenth century up-to-date with a vengeance." In her introduction to this edition Glennis Byron first discusses the famous novel as an expression not of universal fears and desires, but of specifically late nineteenth-century concerns. And she discusses too the ways in which to the modern reader it is not Transylvania but London that is the location of the monstrosity in Dracula.The many appendices include contemporary reviews; source materials drawn on by Stoker; documents expressing contemporary views on trances, sleepwalking and hypnotism; and other relevant writing by Stoker, including "the censorship of Fiction," in which he expresses his belief in the need to defend the social and moral purity of the nation.

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In Oscar Wilde's famous novel, Dorian Gray is tempted by Henry Wotton to sell his soul in order to hold on to beauty and youth. Dorian succumbs and murders the portrait painter Basil Haliward, who stands between him and his goal. Though in the end vice is punished and virtue rewarded, the novel remains one of the most important expressions of fin de siècle decadence. It is in the preface to the expanded edition of The Picture of Dorian Gray that Wilde coined the most famous expression of his aesthetic: "There is no such thing as a moral or an immoral book. Books are well-written or badly-written. That is all."Like other Broadview Editions, this edition includes a wide range of materials from the period that help to set the text in context. In particular, the editor locates the text both in relation to elements in the mainstream culture of the day (such as the aesthetes); and in relation to the gay subculture.

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Perhaps the first extended non-fiction prose satire written by an English woman, Jane Collier’s An Essay on the Art of Ingeniously Tormenting (1753) is a wickedly satirical send-up of eighteenth-century advice manuals and educational tracts. It takes the form of a mock advice manual in which the speaker instructs her readers in the arts of tormenting, offering advice on how to torment servants, humble companions and spouses, and on how to bring one’s children up to be a torment to others. The work’s satirical style, which focuses on the different kinds of power that individuals exercise over one another, follows in the footsteps of Jonathan Swift and paves the way for Jane Austen.This Broadview edition uses the first edition, the only edition published during the author’s lifetime. The appendices include excerpts from texts that influenced the essay (by Sarah Fielding, Jonathan Swift, Francis Coventry); excerpts from later texts that were influenced by it (by Maria Edgeworth, Frances Burney, Jane Austen); and relevant writings on education and conduct (by John Locke, George Savile, Dr. John Gregory).

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This compact but complete guide shows that less is more—with fewer extraneous details getting in the way of students trying to learn on the run, it allows them to focus on the most important principles of effective technical communication. The Concise Guide takes a rhetorical approach to technical communication; instead of setting up a list of rules that you should apply uniformly to all writing situations, it introduces students to the bigger picture of how the words they write can affect the people intended to use them. Assignments and exercises are integrated throughout to reinforce and test knowledge.

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Trojan Women tells the story of the survivors of the Trojan War, the women and children taken into slavery by the victorious Greek army. Through the tragedy's central character, the matriarch Hecuba, this late play (415 BCE) demonstrates Euripides' commitment to speaking on behalf of the less powerful and offers a scathing critique of Athenian behavior as the city fought its own disastrous war with its southern neighbor, Sparta. Trojan Women features well-known characters from Greek mythology, including the prophetess Cassandra, the gods Athena and Poseidon, and most notably, the infamous Helen, the cause of the war, who must defend herself to the husband she abandoned. This new translation features a text committed to accuracy and clarity, one developed in collaboration with actors for clear reading and performance. Appendices provide other important literary treatment of the women in the play, from Homer to Shakespeare.

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Academic Writing Now: A Brief Guide for Busy Students is a rhetoric designed to cover the basics of a college writing course in a concise, student-friendly format. Anything inessential to the business of college writing has been excluded. Each chapter concentrates on a crucial element of composing an academic essay and is capable of being read in a single sitting. The book is loaded with “timesaver tips,” ideas for making the most of the student’s time, along with occasional warnings to avoid common errors made by student writers. Each short chapter concludes with questions and suggestions designed to trigger class discussion.

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This Language, A River is an introduction to the history of English that recognizes multiple varieties of the language in both current and historical contexts. Developed over years of undergraduate teaching, the book helps students to both grasp traditional histories of English, and also to extend and complicate those histories. Exercises throughout provide opportunities for puzzling out concepts, committing terms and data to memory, and applying ideas. A comprehensive glossary and up-to-date bibliographies help to guide further study.

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Utilitarianism is a classic work of ethical theory, arguably the most persuasive and comprehensible presentation of this widely infl uential position. Mill argues that it is pleasure and pain that ought to guide our decision-making—and not the pleasure and pain of any one person or group, but the summative experience of all who are affected by our actions. While he didn’t invent utilitarianism, Mill offered its clearest expression and strongest defense, and expanded the theory to account for the variety in quality that we find among specifi c pleasures and pains. Today, Mill’s version of the “Greatest Happiness Principle” is a standard premise in many moral arguments within the academy and in practical ethical and political deliberation.The complete text of the • edition of Utilitarianism is presented here, with footnote annotations added to clarify unfamiliar references and terminology. A detailed introduction by the editor is divided into brief digestible parts discussing the context of the text and offering guidelines on how to read it accurately and critically. This edition has its origin in the acclaimed Broadview Anthology of Social and Political Thought and adheres to the anthology’s format and high standard of accuracy and accessibility.

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