Search results for ""broadview press""

Harriet Martineau lived an extraordinary literary life. She became a reviewer and journalist in the 1820s when her family’s fortune collapsed; published a best-selling series, Illustrations of Political Economy (1832-34), that made her fame and fortune by the age of thirty; overcame a hearing disability to become a “literary lion” in London society; toured the United States and wrote two founding texts of sociology based on her experiences; explored north Africa and the Middle East to observe non-European societies; wrote “leaders” (editorials) on slavery for the London Daily News during the American Civil War; and commented publicly on matters of politics, history, and religion in an era when women supposedly maintained their place in the sphere of domesticity.This edition of her Autobiography reproduces the original 1877 text, which Martineau composed in 1855 and had printed in anticipation of her death. It includes illustrations of the author and her homes; excerpts from the “Memorials,” added by her editor Maria Chapman; and reviews that praise and critique Martineau’s method as an autobiographer and achievement as a Victorian woman of letters.

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Set in Europe during the Protestant Reformation and first published in 1799, St. Leon tells the story of an impoverished aristocrat who obtains the philosopher’s stone and the elixir of immortality. In this philosophical fable, endless riches and immortal life prove to be curses rather than gifts and transform St. Leon into an outcast. William Godwin’s second full-length novel explores the predicament of a would-be philanthropist whose attempts to benefit humanity are frustrated by superstition and ignorance.This Broadview edition includes a critical introduction and full annotation. The appendices include contemporary reviews of the novel; Godwin’s writings on immortality, the domestic affections, and alchemy; and selections from works influenced by St. Leon, most notably Mary Shelley’s Frankenstein.

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Robert Boyle, one of the most important intellectuals of the seventeenth century, was a gifted experimenter, an exceptionally able philosopher, and a dedicated Christian. In Boyle’s two Excellencies, The Excellency of Theology Compared with Natural Philosophy and About The Excellency and Grounds of the Mechanical Hypothesis, he explains and justifies his new philosophy of science while reconciling it with Christian theology. These pioneering works of early science and theology are now available in a modernized and accessible new edition.This Broadview edition brings spelling and punctuation into line with current conventions and includes notes and references to set the works in their historical and philosophical context. The appendices include works by Boyle’s predecessors in the philosophy of science, other philosophical writings by Boyle, and an appendix of the other figures mentioned in the texts.

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The first book of long fiction by an African to be published in English, this novel tells the story of a young woman of the Vai people in Liberia. Guanya Pau, betrothed as a child to a much older, polygamous man, flees her home rather than be forced into marriage, and the novel recounts her subsequent efforts to reach the Christian community where the man she loves awaits her. Joseph Jeffrey Walters was a Vai man who converted to Christianity, and this, his only novel, is a remarkably complex work, embracing both Christian beliefs and a deep pride in his African heritage.This Broadview edition includes a critical introduction that locates the novel in the context of Vai culture and the history of African missions, and a rich selection of historical documents relating to the education of African women, the Vai writing system, and the author’s life.

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William Beckford’s Vathek is a touchstone of eighteenth-century Orientalism and of the Gothic novel. Beckford’s later work, The Episodes of Vathek, shares Vathek’s irreverent and decadent style, and an edition that unites the two has long been overdue. The Broadview edition includes a newly discovered early version of the first episode, never before in print, that centres on male-male love, as well as the previously published version that was re-written by Beckford as a heterosexual narrative. Based on the 1823 edition—the last one edited by the author himself—the Broadview Edition also introduces The Episodes in the order Beckford planned, and incorporates his final corrections.

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Intrigue, investigations, thievery, drugs and murder all make an appearance in Collins's classic who-done-it, The Moonstone. Published in serial form in 1868, it was inspired in part by a spectacular murder case widely reported in the early 1860s.Collins's story revolves around a diamond stolen from a Hindu holy place. On her eighteenth birthday, Rachel Verinder receives the diamond, but by the following morning the stone has been stolen again. As the story unravels through multiple eyewitness accounts, the elderly Sergeant Cuff—with a face "sharp as a hatchet"—looks for the culprit.One of Collins's best-loved novels, with an exciting plot moved along by deftly-drawn characters and elegant pacing, The Moonstone was also turned into a play by Collins; the play appears as an appendix to this edition.

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In The Old Manor House (1794), Charlotte Smith combines elements of the romance, the Gothic, recent history, and culture to produce both a social document and a compelling novel. A "property romance," the love story of Orlando and Monimia revolves around the Manor House as inheritable property. In situating their romance as dependent on the whims of property owners, Smith critiques a society in love with money at the expense of its most vulnerable members, the dispossessed.Appendices in this edition include: contemporary responses; writings on the genre debate by Anna Letitia Barbauld, John Moore, and Walter Scott; and historical documents focusing on property laws as well as the American and French revolutions.

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When the Anti-Jacobin Review described Memoirs of Modern Philosophers in 1800 as “the first novel of the day” and as proof that “all the female writers of the day are not corrupted by the voluptuous dogmas of Mary Godwin, or her more profligate imitators,” they clearly situated Elizabeth Hamilton’s work within the revolutionary debate of the 1790s. As with her successful first novel, Letters of a Hindoo Rajah, Hamilton uses fiction to enter the political fray and discuss issues such as female education, the rights of woman and new philosophy.The novel follows the plight of three heroines. The mock heroine, Bridgetina Botherim—a crude caricature of Mary Hays—participates in an English-Jacobin group, leading her to abandon her mother and home to pursue her beloved to London in hopes of emigrating to the Hottentots in Africa. The second heroine, Julia Delmont, is another member of the local group; she is seduced by a hairdresser masquerading as a New Philosopher. She is left pregnant and destitute only to discover that her actions caused her father’s untimely death. The third heroine is the virtuous Harriet, whose Christian faith enables her to resist the teachings of the New Philosophers.

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Originally published in serial form from December 1860 to August 1861, Great Expectations is the ‘autobiography’ of Pip, as he transformed from apprentice village blacksmith to a London gentleman. Unlike many of Dickens’s earlier works, the novel is not so much a protest against social evils as a sustained meditation upon the process of social reform in Victorian England. It is this which gives such importance to the book’s handling of the theme of the gentleman, a theme central both to Dickens’s society and to his own life story.

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To borrow a phrase used by one of the characters in the novel, Dracula is "nineteenth century up-to-date with a vengeance." In her introduction to this edition Glennis Byron first discusses the famous novel as an expression not of universal fears and desires, but of specifically late nineteenth-century concerns. And she discusses too the ways in which to the modern reader it is not Transylvania but London that is the location of the monstrosity in Dracula.The many appendices include contemporary reviews; source materials drawn on by Stoker; documents expressing contemporary views on trances, sleepwalking and hypnotism; and other relevant writing by Stoker, including "the censorship of Fiction," in which he expresses his belief in the need to defend the social and moral purity of the nation.

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In Oscar Wilde's famous novel, Dorian Gray is tempted by Henry Wotton to sell his soul in order to hold on to beauty and youth. Dorian succumbs and murders the portrait painter Basil Haliward, who stands between him and his goal. Though in the end vice is punished and virtue rewarded, the novel remains one of the most important expressions of fin de siècle decadence. It is in the preface to the expanded edition of The Picture of Dorian Gray that Wilde coined the most famous expression of his aesthetic: "There is no such thing as a moral or an immoral book. Books are well-written or badly-written. That is all."Like other Broadview Editions, this edition includes a wide range of materials from the period that help to set the text in context. In particular, the editor locates the text both in relation to elements in the mainstream culture of the day (such as the aesthetes); and in relation to the gay subculture.

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Perhaps the first extended non-fiction prose satire written by an English woman, Jane Collier’s An Essay on the Art of Ingeniously Tormenting (1753) is a wickedly satirical send-up of eighteenth-century advice manuals and educational tracts. It takes the form of a mock advice manual in which the speaker instructs her readers in the arts of tormenting, offering advice on how to torment servants, humble companions and spouses, and on how to bring one’s children up to be a torment to others. The work’s satirical style, which focuses on the different kinds of power that individuals exercise over one another, follows in the footsteps of Jonathan Swift and paves the way for Jane Austen.This Broadview edition uses the first edition, the only edition published during the author’s lifetime. The appendices include excerpts from texts that influenced the essay (by Sarah Fielding, Jonathan Swift, Francis Coventry); excerpts from later texts that were influenced by it (by Maria Edgeworth, Frances Burney, Jane Austen); and relevant writings on education and conduct (by John Locke, George Savile, Dr. John Gregory).

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This compact but complete guide shows that less is more—with fewer extraneous details getting in the way of students trying to learn on the run, it allows them to focus on the most important principles of effective technical communication. The Concise Guide takes a rhetorical approach to technical communication; instead of setting up a list of rules that you should apply uniformly to all writing situations, it introduces students to the bigger picture of how the words they write can affect the people intended to use them. Assignments and exercises are integrated throughout to reinforce and test knowledge.

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Trojan Women tells the story of the survivors of the Trojan War, the women and children taken into slavery by the victorious Greek army. Through the tragedy's central character, the matriarch Hecuba, this late play (415 BCE) demonstrates Euripides' commitment to speaking on behalf of the less powerful and offers a scathing critique of Athenian behavior as the city fought its own disastrous war with its southern neighbor, Sparta. Trojan Women features well-known characters from Greek mythology, including the prophetess Cassandra, the gods Athena and Poseidon, and most notably, the infamous Helen, the cause of the war, who must defend herself to the husband she abandoned. This new translation features a text committed to accuracy and clarity, one developed in collaboration with actors for clear reading and performance. Appendices provide other important literary treatment of the women in the play, from Homer to Shakespeare.

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Academic Writing Now: A Brief Guide for Busy Students is a rhetoric designed to cover the basics of a college writing course in a concise, student-friendly format. Anything inessential to the business of college writing has been excluded. Each chapter concentrates on a crucial element of composing an academic essay and is capable of being read in a single sitting. The book is loaded with “timesaver tips,” ideas for making the most of the student’s time, along with occasional warnings to avoid common errors made by student writers. Each short chapter concludes with questions and suggestions designed to trigger class discussion.

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This Language, A River is an introduction to the history of English that recognizes multiple varieties of the language in both current and historical contexts. Developed over years of undergraduate teaching, the book helps students to both grasp traditional histories of English, and also to extend and complicate those histories. Exercises throughout provide opportunities for puzzling out concepts, committing terms and data to memory, and applying ideas. A comprehensive glossary and up-to-date bibliographies help to guide further study.

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Utilitarianism is a classic work of ethical theory, arguably the most persuasive and comprehensible presentation of this widely infl uential position. Mill argues that it is pleasure and pain that ought to guide our decision-making—and not the pleasure and pain of any one person or group, but the summative experience of all who are affected by our actions. While he didn’t invent utilitarianism, Mill offered its clearest expression and strongest defense, and expanded the theory to account for the variety in quality that we find among specifi c pleasures and pains. Today, Mill’s version of the “Greatest Happiness Principle” is a standard premise in many moral arguments within the academy and in practical ethical and political deliberation.The complete text of the • edition of Utilitarianism is presented here, with footnote annotations added to clarify unfamiliar references and terminology. A detailed introduction by the editor is divided into brief digestible parts discussing the context of the text and offering guidelines on how to read it accurately and critically. This edition has its origin in the acclaimed Broadview Anthology of Social and Political Thought and adheres to the anthology’s format and high standard of accuracy and accessibility.

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The first publisher of Tender Buttons described the book’s effect on readers as “something like terror, there are no known precedents to cling to.” Written in pencil in a small notebook and barely revised after its first composition, the text caused a sensation and was widely reviewed and discussed on its publication. This edition of Gertrude Stein’s transformative work immerses the text in its cultural context. The most opaque of modernist texts, Tender Buttons also had modernism’s most voluminous and varied response.This Broadview Edition uses the response to Tender Buttons as a way of understanding this spectacular moment in publishing history. Stein’s text is published alongside its parodies, defenses, publicity brochure, and selections from the hundreds of responses to it in American daily newspapers, which placed it in the context of Cubism, fashion shows, and celebrity culture.

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The Broadview Canterbury Tales is an edition of the complete tales in a text based on the famous Ellesmere Manuscript. Here one may read a Middle English text that is closer to what Chaucer’s scribe, Adam Pinkhurst, actually wrote than that in any other modern edition. Unlike most editions, which draw on a number of manuscripts to recapture Chaucer’s original intention, this edition preserves the text as it was found in one influential manuscript. A sampling of facsimile pages from the original manuscript is also included, along with a selection of other works that give the reader a rich sense of the cultural, political, and literary worlds in which Chaucer lived.The second edition includes a new Middle English glossary, a timeline of Chaucer’s life and times, and detailed page headers showing the fragment and line numbers to assist readers in finding a specific section of the poem.

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The serial publication of The Clockmaker in 1835-36 launched Canadian judge Thomas Chandler Haliburton to literary fame. A broad satire with a garrulous, deceitful American clock-seller, Sam Slick, as its central character, the book was embraced by reviewers and readers internationally. Some Canadian reviewers were often less enthusiastic, however, with one calling Slick’s comical American slang “low, mean, miserable, and witless.” Almost two centuries later The Clockmaker is still central to Canadian literary history—and still highly controversial, particularly for its treatment of women and black Canadians.Richard A. Davies provides a nuanced and illuminating discussion of the controversies about The Clockmaker from 1835 to the present, and of the complex historical and political factors that led to its mixed reception. Historical documents include other writings and speeches by Haliburton, earlier satires of Canadian and American culture, and contemporary reviews.

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Mary Wollstonecraft wrote these two novellas at the beginning and end of her years of writing and political activism. Though written at different times, they explore some of the same issues: ideals of femininity as celebrated by the cult of sensibility, the unequal education of women, and domestic subjugation. Mary counters the contemporary trend of weak, emotional heroines with the story of an intelligent and creative young woman who educates herself through her close friendships with men and women. Darker and more overtly feminist, The Wrongs of Woman is set in an insane asylum, where a young woman has been wrongly imprisoned by her husband.By presenting the novellas in light of such texts as Wollstonecraft’s letters, her polemical and educational prose, similar works by other feminists and political reformists, the literature of sentiment, and contemporary medical texts, this edition encourages an appreciation of the complexity and sophistication of Wollstonecraft’s writing goals as a radical feminist in the 1790s.

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First published in 1886 as a “shilling shocker,” Dr Jekyll and Mr Hyde takes the basic struggle between good and evil and adds to the mix bourgeois respectability, urban violence, and class conflict. The result is a tale that has taken on the force of myth in the popular imagination. This Broadview edition provides a fascinating selection of contextual material, including contemporary reviews of the novel, Stevenson’s essay “A Chapter on Dreams,” and excerpts from the 1887 stage version of Dr Jekyll and Mr Hyde. Also included are historical documents on criminality and degeneracy, the “Jack the Ripper” murders, the “double brain,” and London in the 1880s.New to this third edition are an appendix on the figure of the Victorian gentleman and an expanded selection of letters related to the novel; the introduction and bibliography have also been updated to reflect recent criticism.

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This book is designed to ease the beginner into competent reading of Old English texts. It presents the essential points of Old English grammar and also includes a selection of short, relatively simple original language texts, glossed and annotated. Numerous practice exercises are also included throughout. A companion website includes additional interactive exercises, a fuller grammar, and further original language texts.

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This entertaining novel’s full title, which claims that it will show “All the Artifices and Strategems which the Ladies of Pleasure make use of for the Intreaguing and Decoying of Men,” suggests that it is a cautionary tale. And in fact, The London Jilt is presented as the memoir of a courtesan by an anonymous editor who justifies its publication as a warning to young men. Yet the narrative is remarkable for its time in allowing the “jilt” to speak for herself, and she tells the much more sympathetic story of a woman who turns to prostitution only after her father is cheated out of his estate and she is thrust into the world without resources. Her struggles are as much economic as they are sexual, and include encounters with a wide variety of amorous but unsatisfactory men.This Broadview edition provides a critical introduction, commentary, explanatory notes, and appendices that incorporate selections from related contemporary works, including Spanish picaresque novels in which the narrator is a woman.

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The Romance of a Shop is an early “New Woman” novel about four sisters, who decide to establish their own photography business and their own home in central London after their father’s death and their loss of financial security. In this novel, Amy Levy examines both the opportunities and dangers of urban experience for women in the late nineteenth century who pursue independent work rather than follow the established paths of domestic service. By outfitting her characters as photographers, Levy emphasizes the importance of the gendered gaze in this narrative of the modern city.This Broadview edition prints for the first time since the 1880s Levy’s essay on Christina Rossetti and a short story set in North London, both published in Oscar Wilde’s magazine The Woman’s World. Other appendices include poetry by Levy, Michael Field, Dollie Radford, and A. Mary F. Robinson, and essays on Victorian photography, literary realism, “the woman question” at the end of the nineteenth century, and the plight of women working in London.

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Long central to the canon of British Romantic literature, Samuel Taylor Coleridge and William Wordsworth’s Lyrical Ballads is a fascinating case study in the history of poetry, publishing, and authorship. This Broadview edition is the first to reprint both the 1798 and the 1800 editions of Lyrical Ballads in their entirety.In the appendices to this Broadview edition, reviews, correspondence, and a selection of contemporary verse and prose situate the work within the popular and experimental literature of its time, and allow readers to trace the work’s transformations in response to the pressures of the literary marketplace.

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Edward Bellamy’s Looking Backward: 2000-1887 (1888) is one of the most influential utopian novels in English. The narrative follows Julian West, who goes to sleep in Boston in 1887 and wakes in the year 2000 to find that the era of competitive capitalism is long over, replaced by an era of co-operation. Wealth is produced by an “industrial army” and every citizen receives the same wage.This edition contains a rich selection of appendices, including excerpts from Bellamy’s Equality and other writings; contemporary responses (by William Morris, Charlotte Perkins Gilman, and others); excerpts from utopian works by Morris and William Dean Howells; and an excerpt from Henry George’s Progress and Poverty.

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Margaret Oliphant, one of the most prolific and popular Victorian novelists, essayists, and reviewers, has been compared both in her day and our own to George Eliot. Oliphant wrote domestic novels that richly represent the broad social, political, and religious contexts of Victorian England. The Broadview edition of Phoebe Junior, the last novel in Oliphant’s Chronicles of Carlingford series, restores the earliest extant text.The supplemental materials provide a rich background for examining key nineteenth-century issues such as religion and church reform, gender and the woman question, society and politics. They include excerpts from contemporary novels and poetry; newspaper articles; reviews; essays; polemic on religion and church reform; materials on gender and the woman question, and on etiquette and dress.

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The Coming Race is the crowning achievement of the genre of hollow earth fiction, in which a hero makes a perilous journey underground and discovers a superior race. The customs and political systems of these “aliens from inner space” are researched and contrasted with the deficient practices of old-fashioned, muddling, imperfect humanity. The subterranean race in this novel, the Vril-ya, are seemingly angelic creatures whose amazing powers come from their harnessing of a force called Vril. Bulwer’s novel is unequaled for the depth of its intellectual explorations—inquiries into an astonishing range of social, political, scientific, religious, linguistic, and sexual issues that are enabled by the hollow earth plot. The novel is accompanied and illuminated in this edition by a broad range of historical materials on evolution, electromagnetism, gender roles, and nineteenth-century science fiction.

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First accepted by a publisher in 1803, Northanger Abbey was eventually published posthumously in 1818. In it Austen weaves a romance full of suspense and comedy around the heroine Catherine Morland's first foray into society. The style of the novel is a unique hybrid; along the way Austen parodies the eighteenth-century novel of manners, the Gothic novel, and even the educational treatises of the time.The second Broadview edition includes a revised introduction, notes, bibliography, and expanded appendices of background contextual materials.

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