Search results for ""Globe Pequot""

The Child Ballads are a series of over 300 traditional ballads from England and Scotland that, along with their American variants, were anthologized by folklorist Francis James Child in the nineteenth century. An Evolving Tradition is the story of the Child Ballads—the world’s best-known and most highly regarded repository of traditional English folk songs, and the wellspring for approximately 10,000 recordings over the last century, from obscure musicological archives to classic releases from Bob Dylan, Simon & Garfunkel, and Led Zeppelin.Drawing on interviews with numerous scholars and musicians, author Dave Thompson explains what a ballad is, outlines their dominant themes, and recounts how these ballads survived to become a mainstay of field recordings made by Cecil Sharp, Alan Lomax, and others as they traveled the English and American countryside in search of old songs. Thompson traverses the entire spectrum of rock, pop, folk, roots, experimental music, industrial, and goth to reveal the remarkable legacy and incalculable influence of the Child Ballads on all manner of modern music.

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Carefully Taught looks at American history as depicted in thirty Broadway musicals. Presented chronologically according to the musical timeframe, award-winning theater critic and author Cary Ginell dissects the stories, characters, and songs to not only examine how Broadway viewed historical events, epochs, and personalities, but also to capture how dramatic license separated fact from fantasy. The chosen musicals fall into a variety of categories: biographies of famous Americans, (Andrew Jackson and Fiorello LaGuardia), stories with national conflicts (Hamilton, South Pacific), events that captured the attention of the American public (Floyd Collins, Newsies), and sociological studies or satires of specific eras (The Music Man, Hair). Many books have been written about Broadway, but Carefully Taught uniquely approaches American history from two vantage points: the point of view of the playwright and composer accompanied with the context of how these events were seen when they were produced versus how they are seen today. Ginell’s research of contemporary theater reviews and in-depth studies of productions’ back stories play off his knowledge gained from his quarter century as a theater critic in Southern California.The combination is a complete overview of American history on the stage from the coveted balcony seat.

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She Persisted: One Hundred Monologues from Plays by Women Over Forty is a collection of monologues from plays by members of Honor Roll!, an advocacy group of women over forty. About Honor Roll!:"Honor Roll! is an advocacy and action group of women+ playwrights over forty—and our allies—whose goal is our inclusion in theater. The term "women+" refers to a spectrum of gender identification that includes women, non-binary identifiers, and trans. We are the generation excluded at the outset of our careers because of sexism, now overlooked because of ageism. We celebrate diversity in theater, and work to call attention to the negative impact of age discrimination alongside gender, race, ethnicity, faith, socioeconomic status, disability, and sexual orientation in the American Theatre and beyond.""These women are in their forties and fifties and sixties, and they have been writing a long time, and they are at the height of their craft. These are tight, complex, nuanced pieces of writing, which no one has seen because for too long they weren't looking. These are important writers, and important plays." —Theresa Rebeck, from the introduction

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Paul Gemignani is one of the titans of the modern musical theater industry. Serving as musical director for more than forty Broadway productions since 1971, his collaborations with Stephen Sondheim, Andrew Lloyd Webber, John Kander, Fred Ebb, Hal Prince, Michael Bennett, and Alan Menken have led to countless accolades for his collaborators, but due to the near invisible position of the musical director in the Broadway industry, Gemignani's story is often overlooked. GEMIGNANI seeks to not only bring the reader into the orchestra pit to learn Gemignani's story, but also to educate the reader about the crucial role a music director plays in bringing some of the most iconic musicals in Broadway history to life.Born into a second-generation Italian American family during the aftershocks of the Great Depression, Gemignani worked his way up from playing percussion in USO bands to conducting before Leonard Bernstein, all before becoming a pivotal player in the team that brought some of the most successful musicals of the late twentieth century to the stage. Sweeney Todd, Evita, Merrily We Roll Along, Sunday in the Park with George, and Into the Woods would be quite different without his key contributions, and many of the sonic markers we now associate with the postmodern musical theater can be traced to Gemignani's careful curiosity to expand the bounds of what was possible.

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Favorite examples of cross-dressing or cross-gender performances include Dustin Hoffman in Tootsie, Vesta Tilley as Burlington Bertie, Maxine Peake as Hamlet, and Drag Queen RuPaul outrageously fronting the RuPaul Drag Race. Cross-Dressing in Performance tells the story of the different ways performers cross-dress. Janet Tennant looks at many of the memorable performers over the years who have adopted the characters and dress of others, and why they have done so: to tell stories, to amuse, to create memorable alter-egos, to rebel or call attention to social and political issues or merely for reasons of expediency.Tennant examines cross-dressing at different periods of theatrical history in the Western canon, predominantly in Britain and North America. Not following a conventional historical timeline, Tennant instead examines the different types of cross-dressing/cross-gender performance: Boys in Shakespeare, Heroes in Opera, Pantomime Dames, and Drag Queens being just a few. And no study of cross-dressing can, of course, forget its origins in Ancient Greece.It's a Drag: Cross-Dressing in Performance discusses the present and attempts to predict the future of cross-dressing in performance. How will the drive towards equality affect the use of cross-dressing and cross-gender role casting? Will gender-blind roles become as prevalent as color-blind casting? Will audiences continue to be amused and impressed, or will gender differences in entertainment cease to be important?

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In 1869, more than twenty years after Elizabeth Cady Stanton and Susan B. Anthony made their declaration of the rights of woman at Seneca Falls, New York, the men of the Wyoming Territorial Legislature granted women over the age of 21 the right to vote in general elections. And on September 6, 1870, a grandmother named Eliza Swain stepped up to a ballet box in Laramie, Wyoming, and became the first woman in the United States to exercise that right, ushering in the era of Western states’ early foray into suffrage equality. Wyoming Territory’s motives for extending the vote to women might have had more to do with publicity and attracting female settlers than with any desire to establish a more egalitarian society. However, individual men’s interests in the idea of women’s rights had their roots in diverse ideologies, and the women who agitated for those rights were equally diverse in their attitudes. No Place for a Woman explores the history of the fight for women’s rights in the West, examining the conditions that prevailed during the vast migration of pioneers looking for free land and opportunity on the frontier, the politics of the emerging Western territories at the end of the Civil War, and the changing social and economic conditions of the country recovering from war and on the brink of the Gilded Age. The stories of the women who helped settle the west and who ushered in voting rights decades ahead of the 19th Amendment and the stories of the country they were forging in the west will be of great interest to readers as the 100th anniversary of national woman suffrage approaches and is relevant in our current political climate. Revealed through the individual stories of women like Esther Hobart Morris, Martha Cannon, and Jeannette Rankin, this book fills a hole in the story of the West, revealing the real story of how the hard work and individual lobbying of a few heroines, plus a little bit of publicity-seeking and opportunism by promoters of the Wyoming Territory, ushered in a new era for the expansion of women’s rights.

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In 1900, the young and beautiful Leonel Ross Campbell became the first female reporter to work for the Denver Post. As the journalist known as Polly Pry, she ruffled feathers when she worked to free a convicted cannibal and when she battled the powerful Telluride miners’ union. She was nearly murdered more than once. And a younger female colleague once said, “Polly Pry did not just report the news, she made it!” If only that young reporter had known how true her words were. Polly Pry got her start not just writing the news but inventing it. In spite of herself, however, Campbell would become a respected journalist and activist later in her career. She would establish herself as a champion for rights of the under served in the early twentieth century, taking up the causes of women, children, laborers, victims and soldiers of war, and prisoners. And she wrote some of the most sensational stories that westerners had ever read, all while keeping the truth behind her success a secret from her colleagues and closest friends and family.

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By 1900, the tale of the 300 Texians who died in the 1836 battle of the Alamo had already become legend. But to corporate interests in the growing City of San Antonio, the land where that blood was shed was merely a desirable plot of land across the street from new restaurants and hotels, with only a few remaining crumbling buildings to tell the tale. When two women, Adina Emilia De Zavala, the granddaughter of the first vice-president of the Texas Republic, and Clara Driscoll, the daughter of one of Texas’s most prominent ranch families and first bankers, learned of the plans, they hatched a plan to preserve the site—and in so doing, they reinvigorated both the legend and lore of the Alamo and cemented the site’s status as hallowed ground. But the story of the battle the two women started with each other reverberates to this day. These two strong-willed, pioneering women were very different, but the story of how they banded together and how the Alamo became what it is today despite those differences, is compelling reading for those interested in Texas history and Texas’s larger-than-life personality.

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For some, Rod Stewart embodies all of the conceit and narcissism that susceptible egos are prone to once they make it big in the music industry. Even if that were true, however, that wouldn’t change the fact that he is responsible for some of the greatest recordings ever made. A great number of those songs were recorded for the Mercury label between 1969 and 1975, spread across Stewart’s solo output as well as his side gig as front man for the band Faces. Even when the records were likable more often than they were classic, Stewart was still one of the greatest live attractions in the world, whether on his own or with the band.Rod Stewart: The Classic Years gives an precedented in-depth look at this crucial phase of Stewart’s career. Author Sean Egan brings together interviews with musicians Mick Waller, Pete Sears, and Ray Jackson, engineer Mike Bobak, manager Billy Gaff, Stewart’s then-girlfriend and muse Dee Harrington, his publicist Jonathan Rowlands, and many other key individuals in orbit around Stewart, including a brand-new interview with the man himself for a first-hand account of the Mercury years. Egan offers a striking portrait of big egos, plenty of decadence, and solid-gold rock ‘n’ roll amidst the long post-‘60s hangover.

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THE RAMONES AND THE MAKING OF ROCK 'N' ROLL HIGH SCHOOL

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A comprehensive companion to the six-part Emmy-winning PBS documentary series, Broadway: The American Musical is the gold standard of musical theater history books, tracing the roots of the art form at the turn of the twentieth century through the smashing successes of the new millennium. The in-depth text is lavishly illustrated with a treasure trove of photographs, scenic renderings, production stills, and rehearsal shots, many previously unpublished. With a foreword by Julie Andrews, this edition is revised and updated, with brand-new material on all the Broadway musicals through the 2018–2019 season, including The Book of Mormon, Hamilton, Dear Evan Hansen, and more. Called by Playbill "an epic tome—handsomely produced and intensely researched," this five hundred-page volume is a must-have for theater fans, casual enthusiasts, and students of all ages.

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Through photos, interviews, how-tos, and recipes, this book offers a guide to creating your own Cowboy Christmas and a celebration of the style, traditions, food, and family celebrations unique to the lifestyles of American cowboys. Featuring ranch families, rodeo cowboys, and communities with western-style Christmas celebrations, this book will highlight the things that make a Cowboy Christmas special. Each chapter will feature traditions, recipes, decorations, and stories from the interviewees.

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As the captain of a useful frigate, Thomas Kydd is claimed by the Leeward Islands station, exchanging the harsh situation in South America for the warmth and delights of the Caribbean. It's a sea change for Kydd, who revisits the places and people that figured in his time as a young seaman. Some are nostalgic and pleasing, while others bring challenges of a personal nature. In Europe, Napoleon is triumphant on land, but so far away in the Caribbean, Kydd and the others feel secure and make the most of running down prizes and sending off fat convoys of sugar to England. But, in a stroke of genius, Bonaparte finds a way to take revenge for Trafalgar and shocks Kydd out of complacency when an element from his past returns and Kydd is accused of murder. In a stroke of irony, it is that same past that may just provide Kydd the means to clear his name.

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Bold new burgers are appearing on the menus of the country's top restaurants, reverently prepared by some of the nation's best chefs. The burger has become a fine dining event, expertly crafted and fiendishly devoured. Allow award-winning chef Samuel Monsour and noted burger critic and chef Richard Chudy to serve as your guides in this brave new world, bringing that energy and creativity to your own kitchen and backyard. With a fearless do-it-yourself spirit and respect for the gritty, authentic flavors of American cuisine, Monsour and Chudy share 120 mouthwatering recipes to set your grills ablaze. No top-down, ordinary themed burgers here. Instead, these renegade chefs provide you with the inspiration to realize your own wild creations. (See their baker s dozen of outrageously stacked burger centerfolds to fire up your imagination.) Organized by the elements it takes to reach burger nirvana and sizzling with dynamic writing and design, American Burger Revival will feed the souls of ambitious, devoted burger lovers everywhere. Stoke the coals and prepare to see the light.

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Tarot cards have been used to foretell the future for centuries. In the hands of a sensitive and gifted reader like Jane Stern they can help clarify the decisions we make every day and realign our lives to work more effectively.

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In the Time of Terror, friends turn against friends, patriots are betrayed, and lovers must pay the ultimate price.1793: British navy commander Nathan Peake patrols the English coast, looking for smugglers. Desperate for some real action, Peake gets his chance when France declares war on England and descends into the bloody madness of the Terror. Peake is entrusted with a mission to wreck the French economy by smuggling fake banknotes into Paris. His activities take him down Paris streets patrolled by violent mobs and into the sinister catacombs beneath the French capital. As opposition to the Terror mounts, Peake fights to carry out his mission—and to save the life of the woman he loves.

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A compelling new historical naval adventure from a master of maritime storytelling. 1796: Nathan Peake, captain of the frigate Unicorn is sent with a small squadron into the Adriatic to help bring Venice into an Italian alliance with Britain against the French. He establishes a British naval presence, harrying the French corsairs that swarm out of Ancona in Italy and confronts the politics of "intrigue, poison and the stiletto" in Venice, but learns that Bonaparte is negotiating a peace deal with the Austrians--Britain's only remaining ally. Worse, the Spanish are about to ally with the French. Nathan returns to the Unicorn and rejoins Nelson for the decisive Battle of St. Vincent against the entire Spanish fleet.

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This new revised edition of the trusted guide to vegetarian family cooking is better than ever with recipes for quick, healthy, tasty, kid-tested meals—many of them totally new for this edition. The vegan information has been expanded, too, with plenty of helpful tips on incorporating vegan choices into a diet. This is one recipe book that belongs in every earth-friendly kitchen.

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In Magic to Do, which celebrates the 50th anniversary of Pippin's opening, two-time Pulitzer Prize jury member Elysa Gardner turns her attention to this innovative show, the musical retelling of the story of Prince Pippin, son of Charlemagne, and his quest for an "extraordinary life." Magic to Do dives deep into the legendary clashes, backstage drama, and incredible artistic synergy that produced one of Broadway's most influential musicals, a show that paved the way for the pop-informed musicals that we know and love today. Full of big personalities, brilliant creative minds, and never-before-told stories, Magic to Do is an intimate look at a moment in history, a time and a place in which popular culture was as defined by conflict—between the young and the old, idealism and cynicism, creation and destruction—as anything else. Gardner draws out this friction through her examination of the creative struggles between Pippin's director/choreographer, the iconic Bob Fosse, for whom the show would mark a massive career resurgence, and its young composer/lyricist, Stephen Schwartz (of Wicked fame), who was making his Broadway debut. Magic to Do clearly marks the lasting cultural significance of Pippin, which derives in large part from the timelessness of the search for self, one that presents itself anew to each succeeding generation, accounting for the show's enduring popularity around the world. Infused with R&B sounds and a universal message, it is fair to say that, without Pippin, there is no Spring Awakening, Dear Evan Hansen, or even Hamilton.

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A fond recollection of the West’s one-room school houses, this book celebrates an American institution with stories of heroism and perseverance. Illustrated with archival images of classrooms and students, One Room reflects the earnest striving and innocent hopes of pioneers forging communities. Learn about the unsung and yet mythical frontiersmen and women who “civilized” the west, the children who attended one-room schools, and the teachers who faced hardships on the frontier, including blizzards, fires, and teaching the three “R’s.”

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At Montana’s Chico Hot Springs Resort, their mission is to turn guests into friends and friends into family. For more than a century visitors have soaked in their legendary waters and Chico has been hosting parties and entertaining guests from all over the world, whether they are cowhands or celebrities. The surrounding majesty of the mountains, the free flowing Yellowstone River and the vastness of the valley where it sits, nestled in the shadow of 11,000-foot Emigrant Peak, make this historic and rustic resort unique. And the food keeps the visitors coming back. From their famous brunch, featuring bread puddings, quiches, smoked duck, and coffee cakes, to the bison ravioli appetizers and flaming orange desserts that bookend their fantastic dinners, the dining room at Chico is legendary. The combination of culinary expertise, a chef’s garden and greenhouse, regional ingredients and the subtle elegance of Chico Hot Springs’ dining room brings people together to share in celebrations, festive gatherings, traditions and simple meals. Chico’s chefs stay true to mountain cuisine, relying on the freshest ingredients to make very dish from scratch. They find the best meats and trout from local Montana farms and ranches, and their most important source for ingredients is in their backyard, where two geothermal greenhouses provide the freshest produce available for half the year. The specialty menus and one hundred recipes included in this cookbook will serve as a reminder of the good times, good company and good food in Montana.

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It Happened on the Lewis and Clark Expedition features fascinating events from Meriwether Lewis and William Clark's 1803-1805 expedition from St. Louis to the Pacific Ocean and back, including the first democratic vote west of the Mississippi, the remarkable and unexpected reunion of their Indian guide Sacagawea with the clan brother she hadn't seen in years, the day they found a huge whale on the beach, and their discovery of Carolina parakeets—a now extinct species.

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The first woman ever elected to the U.S. Congress, Jeannette Rankin represented Montana for two terms in the U.S. House of Representatives. A leading advocate for both woman suffrage and world peace, she was instrumental in securing the right or Montana women to vote, five years before the right was granted nationally. As the sole female member of the U.S. Congress in 1919, Jeanette was the only woman to vote for national suffrage. This biography reveals Jeannette Rankin's life and personal story, exposing her many courageous and remarkable accomplishments.

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By 1883 when the rail lines of the Northern Pacific reached the tiny town of Cinnabar, Montana Territory, newspaper and magazine stories of the wonders to be found in Yellowstone National Park had been firing the imaginations of eager potential visitors around the world for a decade. Once the railroad completed that critical bit of their route, the world was poised to actually see the magic of Yellowstone, and the prospect of a trip was no longer just exciting—it was a possibility. It seemed like everyone who could afford the ticket—from middle class residents of New York City to Army Generals William Tecumseh Sherman and Philip Sheridan to President Chester A. Arthur—wanted to ride the train to see Yellowstone . Their jumping off point for their journey into “Wonderland” was the town envisioned by Hugo Hoppe, a raucous Wild West town poised for greatness as the Gateway to all of Yellowstone’s offerings. The town of Cinnabar, Montana, no longer exists, but when it did, it served as the immediate railroad gateway for a generation of visitors to Yellowstone National Park. Visitors passed through its streets from September 1, 1883, through June 15, 1903 This book tells the story of its place in the West, and the legend of the town and its promoters. Its story is one of aspiration and dreams in the American West and its place in the legend and lore of Yellowstone has kept the spirit of Cinnabar alive for more than a hundred years since the town itself faded away.

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"Bill Westbrook's follow-up to The Bermuda Privateer is buoyed by details of history and seamanship that will delight any fan of saltwater yarns and explosive action."—Broos Campbell author of the Matty Graves Novels That dashing British privateer Nicholas Fallon is back again, helping himself to a fistful of mayhem in The Black Ring . The year is 1798. The African slave trade is in brutal flower, and the great powers are fighting for control of the Caribbean's immensely profitable sugar plantations. Nico, meanwhile, has been trying his damnedest to become a salt merchant under Ezra Somers, father of the beautiful Elinore. But when an urgent request arrives from Admiral Davies of the Leeward Island Station, Ezra and Elinore give Nico their blessing to head off in search of plunder and adventure. Sailing aboard the American-built topsail schooner Rascal , Nico takes on the job of slipping a secret agent into Cuba, but soon becomes entangled in numerous dangers—or opportunities, as he likes to call them. There's an escaped slave trying to burn every stalk of sugarcane in Cuba, a pirate running riot with a flotilla of "little wolves," an admiral's lady that needs a bit of rescuing, and a French plot that threatens Britain's very presence in the islands.

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JAMES BOND AND THE SIXTIES SPY CRAZE

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On November 20, 1983, a three-hour made-for-TV movie The Day After premiered on ABC. Set in the heartland of Lawrence, Kansas, the film depicted the events before, during, and after a Soviet nuclear attack with vivid scenes of the post-apocalyptic hellscape that would follow. The film was viewed by over 100 million Americans and remains the highest rated TV movie in history. After the premiere, ABC News aired an episode of Viewpoint, a live special featuring some of the most prominent public intellectuals of the debating the virtues of the Arms Race and the prospect of a winnable nuclear war. The response to the film proved more powerful than perhaps any film or television program in the history of media. Aside from its record-shattering Nielsen ratings, it enjoyed critical acclaim as well as international box office success in theatrical screenings.The path to primetime for The Day After proved nearly as treacherous as the film’s narrative. Battles ensued behind the scenes at the network, between the network and the filmmakers, with Broadcast Standards and Ad Sales, in the edit room and on the set, including the “nuke-mares” experienced by the cast. After the director was pushed aside, he contemplated suicide while also engineering a comeback through the press. But these skirmishes pale in comparison to the culture wars triggered by the film in the press, alongside a growing Nuclear Freeze movement, and from a united, pro-nuclear Right. Once efforts to alter the script failed, the White House conducted a full-throttled propaganda campaign to hijack the film’s message.Before The Day After features a dramatic insider’s account of the making of and backlash against The Day After. No other book has told this story in similar fashion, venturing behind-the-scenes of the programming and news divisions at ABC, Reagan officials in the White House who mounted the propaganda campaign, rogue publicists who hijacked the film to promote a Nuclear Freeze, the backlash from the conservative movement and Religious Right, the challenges encountered by film’s production team from conception to reception, and the experiences of the citizens of Lawrence, Kansas, where the film was set and shot, if also, ground zero in America’s nuclear heartland.

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UNBREAKABLE: THE ENDURING LEGACY OF BRUCE WILLIS ON FILM

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Bea Arthur as the owner of the Mos Eisley Cantina. Long scenes entirely of Wookies bleating at each other, without subtitles. Harvey Korman, in drag, as a four-armed Space Julia Child. Six minutes of Jefferson Starship performing for Art Carney and a bored Imperial Guard. Mark Hamill, fresh from his near-fatal motorcycle accident, slathered in pancake makeup. A salacious holographic burlesque from Diahann Carroll.Even by the standards of the 1970s, even compared to Jar-Jar Binks, the legendary 1978 Star Wars Holiday Special is a peerlessly cringeworthy pop-culture artifact. George Lucas, who completely disowned the production, reportedly has said, “If I had the time and a sledgehammer, I would track down every copy of that show and smash it.” Just how on earth did this thing ever see the light of day?To answer that question, as Steven Kozak shows in this fascinating and often hilarious inside look into the making of the Special, you have to understand the cultural moment in which it appeared—a long, long time ago when cheesy variety shows were a staple of network television and Star Wars was not yet the billion-dollar multimedia behemoth that it is today. Kozak explains how the Special was one piece of a PR blitz undertaken by Lucas and his colleagues as they sought to protect the emerging franchise from hostile studio executives. He shows how, despite the involvement of some of the most talented people in the business, creative differences between movie and television writers led to a wildly uneven product. He gives entertaining accounts of the problems that plagued production, which included a ruinously expensive cantina set; the acrimonious departure of the director and Lucas himself; and a furious Grace Slick, just out of rehab, demanding to be included in the production.Packed with memorable anecdotes, drawing on extensive new interviews with countless people involved in the production, and told with mingled affection and bewilderment, this never-before-told story gives a fascinating look at a strange moment in pop-culture history that remains an object of fascination even today.

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He didn’t know it at the time, but Tim Ghianni’s love affair with Nashville and its musical artists began on a steamy night in 1972, when the twenty-year-old author had unsolicited help from honky-tonkin’ legends Bobby Bare and Shel Silverstein during an after-midnight “salvation” of the city. It was the beginning of a lifelong urban romance that Ghianni would pursue during a career as a journalist in middle Tennessee, interviewing Nashville’s biggest stars and developing friendships with musicians of all kinds.Pilgrims, Pickers & Honky-Tonk Heroes is Tim Ghianni’s love letter and nostalgic swan song, recounting the storied musical history of Nashville as well as the dramatic changes the city has seen over the course of fifty years. The Nashville of today—with one hundred newcomers a day from places like Los Angeles and New York and fresh waves of musicians making up a new modern soundtrack—is not the same city he made his home in 1972, for better and for worse.Time changes everything, even a beloved American city, but this briskly told and warmly remembered book recounts the countless friends, adventures, and anecdotes that capture the essence of Music City across a half-century.

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Before she knew she was Ukranian, Soviet, or Jewish, Inna Faliks knew she was a musician. Growing up in the city of Odessa, the piano became her best friend, and she explored the brilliant, intricate puzzles of Bach’s Goldberg Variations and learned to compose under her mother’s watchful eye. At ten, Faliks and her parents moved to Chicago as part of the tide of Jewish refugees who fled the USSR for the West in the 1980s. During the months-long immigration process, she would silently practice on kitchen tables while imagining a full set of piano keys beneath her fingertips. In Weight in the Fingertips, Faliks gives a globe-trotting account of her upbringing as a child prodigy in a Soviet state, the perils of immigration, the struggle of assimilating as an American, years of training with teachers, and her slow and steady rise in the world of classical music. With a warm and playful style, she helps non-musicians understand the experience of becoming a world-renowned concert pianist. The places she grew up, the books she read, the poems she memorized as a child all connect to her sound at the piano, and the way she hears and shapes a musical phrase illuminate classical music and elite performance. She also explores how a person’s humanity makes their art honest and their voice unique, and how the life-long challenge of retaining that voice is fueled by a balance between being a great musician and being a human being. Throughout, Faliks provides powerful insights into the role of music in a world of conflict, change, and hope for a better tomorrow.

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From the dawn of silent cinema to today, sci-fi movies have been a constant presence in pop culture, with mad scientists, terrifying monsters (giant and otherwise), UFOs, and invading aliens all bursting out from some of the most brilliantly designed posters ever printed, featuring art that was sometimes lurid, always eye-catching, and often simply beautiful.Acknowledging the iconic, but with plenty of room for the rare and unfamiliar, The Art of Classic Sci-Fi Movies presents a stellar selection of imagery, charting the story of the genre from its origins in foundational works like Voyage to the Moon and Metropolis, through Cold War classics like Invasion of the Body-Snatchers and Godzilla, and on to visionary films such as 2001 and Solaris—as well as less celebrated but nonetheless infamous cultural artifacts like Barbarella and Zardoz, and genuine oddities such as Canadian Mounties vs. Atomic Invaders. The most extensive book of its type ever published, it includes ample selections from American movies as well as a range of films from Japan, Italy, Spain, France, Russia, and Eastern Europe.

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Almost thirty years after Rock Opera, his first book on Jesus Christ Superstar, Ellis Nassour returns to the world of Andrew Lloyd Webber and Tim Rice to complete the fascinating story of the Broadway musical that rocked the stage and pushed boundaries. Nassour goes behind the scenes to show the evolution of Jesus Christ Superstar from an album to a Broadway musical, exploring not only the breakthroughs, but also the frustrations and pitfalls. With never-before-seen photos and new interviews, Superstar presents a detailed account of the life of the musical from 1969–1973.

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Addicted to Noise collects the best interviews, profiles, and essays Michael Goldberg has written during his forty-plus years as a journalist. From combative interviews with Frank Zappa and Tom Waits to essays on how Jack Kerouac influenced Bob Dylan and the lasting importance of San Francisco’s first punk rock club, Goldberg, as novelist Dana Spiotta wrote, “shows us how consequential music can be.”Contained within these pages: interviews with Sleater-Kinney, Sonic Youth, Patti Smith, Lou Reed, Flipper, John Fogerty, Neil Young, and Rick James, along with profiles of Robbie Robertson, John Lee Hooker, James Brown, the Clash, Prince, Michael Jackson, the Flamin’ Groovies, Ramblin’ Jack Elliott, X, Laurie Anderson, Stevie Wonder, George Clinton, Devo, San Francisco punks Crime, and more. Plus short takes on Muddy Waters, Townes Van Zandt, Captain Beefheart, Professor Longhair, and others. As Greil Marcus writes in the Foreword, “You can feel the atmosphere: someone has walked into a room with a pencil in his hand—as the words go in perhaps the first song about a music critic, not counting Chuck Berry’s aside about the writers at the rhythm reviews—and suddenly people are relaxed . . . He isn’t after your secrets. He doesn’t want to ruin your career to make his. He doesn’t care what you think you need to hide. He actually is interested in why and how you make your music and what you think of it. So people open up, very quickly, and, very quickly, as a reader, you’re not reading something you’ve read before.”

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