Search results for ""Globe Pequot""

The creator of Story Theater, the original director of Second City, and one of the greatest popularizers of improvisational theater, Paul Sills has assembled some of his favorite adaptations from world literature. Includes: The Blue Light and Other Stories, A Christmas Carol (Dickens), Stories of God, and Rumi.

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The story of Rent is a theatrical legend, but one that has not been properly told: the story of Jonathan Larson, the young composer working in a diner when Rent became his big off-Broadway break; the composer who was mentored by Sondheim but struggling to break through; and the young man who tragically died the night of its final dress rehearsal. Seasons of Love: Why Rent Matters is an ode to the small Off-Broadway musical that swiftly moved uptown without its composer and broke box office records and won every award in the book. Alongside that legendary romantic story is a musical that changed musical theatre. The importance of Rent is often overlooked, sometimes reduced to parody and pulled apart for its narrative in ways other classics have not been. Emily Garside has serious questions to ask about why Rent is taken less seriously than other musicals of its caliber. It may have had a "romantic" and "media friendly" subplot, but musicals do not win the Pulitzer Prize for column inches. Rent is a robust work, and one whose history and significance should be recorded.Seasons of Love concludes with a celebration of the twenty-fifth anniversary of Rent, which falls in 2021. Garside considers that as we look to older works for inspiration, and to fill our theatres, we may well be returning to Larson's work as a reflection of our times.

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Fugitive Billy Houston, keen to bring about a Nazi-run Britain, needs money. Intent on burglary, his victim has in his possession the entire anti-invasion plans for Southern Britain. Billy must get the plans to the German delegation. Will he succeed? If he does, Hitler will lead Britain to a German invasion.

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This is the seventh novel in the Nathan Peake series of nautical historical fiction set during the wars with Revolutionary and Napoleonic France. The war moves to the Americas as Captain Nathan Peake, freed from service in the Royal Navy, is secretly commissioned by President Thomas Jefferson to command a naval operation in the Caribbean Sea and frustrate plans to establish a new French Empire on the North American mainland which would pose an existential threat to the infant United States.With Europe temporarily at peace, Napoleon Bonaparte has dispatched his victorious army with a vast fleet to the Caribbean. Its aim is to re-impose French authority in the region, and then occupy a vastswathe of territory stretching from New Orleans to the Canada border and westward from the Mississippi to the Rocky Mountains. But first they must re-conquer Saint-Domingue (now Haiti) where they are opposed by rebel slaves led by the African general Toussaint L'Ouverture. Nathan is sent from England with a small squadron crewed by British and American sailors tasked with disrupting French supply lines at sea and running guns to the rebel forces. But if they are caught they will be disowned by the British and US governments and very likely hanged by the French as pirates.This adventure will lead Nathan into a running battle with the French Navy in the troubled waters off Saint-Domingue, an increasingly desperate involvement in one of the most brutal colonial conflicts in history, a dangerous liaison with Pauline Bonaparte, sister of Napoleon and wife of the French commander, and a battle of ideas and ideologies that persists to the present-day.

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Riley Fitzhugh is recruited by the OSS for temporary duty as a naval spy in Morocco. Riley’s assignment is to kidnap a French river pilot and extract him from Casablanca. Riley meets an old flame from his days in Hollywood and these two have some surprises waiting for them.

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Pulitzer Prize–winning playwright Paula Vogel once said that theater helps us learn how to be comfortable with being uncomfortable with each other. Revolving around the theme of 'this is who we are," the one-act plays in this latest edition of the Best American Short Plays series (now in its ninth decade) explore the thoughtful ways in which playwrights are wrestling to make sense of our world today. The selected plays reflect how we perform our identities (private and public) and how we negotiate who we are with others who often have different perspectives, perspectives that make us uncomfortable. The theme of this collection is topical and apt—as our country continues to shore up its borders along party lines, from pride parades to strict abortion laws, from inclusivity in education curricula to children in detention centers at the US–Mexico border. Each of the plays presents a clear reflection of who we are (and who we aspire to be) as individuals and as a nation. The styles of the plays also reflect different approaches to storytelling: two characters, four characters, a single setting, multiple settings, or a utopian "nowhere." The rich and compelling characters try to work out their differences and overcome obstacles using humor and a sense of magic that comes with simple moments of human connection. This is who we are: people who are grappling with the desire to be understood, the hope to be loved and accepted, and to allow that hope to shape a larger sense of who we could be if we continue to work and listen.

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Renowned editor Larry Harbison brings together approximately one-hundred never-before-published women’s monologues for actors to use for auditions and in class, all from recently produced plays. The selections include monologues from plays by both well-known playwrights and future stars, including Michael Ross Albert, Don Nigro, Daniel Damiano, Molly Goforth, Seth Svi Rosenfeld, Brian Dykstra, Michael A. Jones, Sam Graber, Penny Jackson, Christi Stewart-Brown, George Sapio, Sarah M. Chichester, Constance Congdon, Steven Hayet, and Ashlin Halfnight. There are terrific comic pieces (laughs) and terrific dramatic pieces (no laughs), and all represent the best of contemporary playwriting. This collection is an invaluable resource for aspiring actors hoping to ace their auditions and impress directors and teachers with contemporary pieces.

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In this behind-the-scenes look at the making of Fleetwood Mac s epic, platinum-selling double album, Tusk, producers and engineers Ken Caillat and Hernan Rojas tell their stories of spending a year with the band in their new million-dollar studio trying to follow up Rumours, the biggest rock album of the time. Following their massive success, the band continued its infamous soap opera when its musical leader and guitarist, Lindsey Buckingham, threatened to quit if he didn t get things his way, resulting in clashes not only with his band but especially Caillat, who had been essential to the band s Grammy-winning sound. Hernan Rojas s story recounts a young man who leaves Chile after General Pinochet s coup to seek his future in the music industry of Los Angeles, where he finds success at one of the hottest studios in town. When Fleetwood Mac arrives, Rojas falls in love with its star singer, Stevie Nicks, and the two of them become romantically involved. Throughout the book, both Caillat and Rojas d.

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In the 1840s and 50s, the Jicarilla Apache were the terror of the Santa Fe Trail and the Rio Arriba. They repeatedly clashed with the cavalry and raided wagon trains, and there was bad blood between the band and the Army after the Battle of San Pasqual, when they were on opposite sides during the Mexican American War. In 1854, as traffic was on the increase along the historic trade route, the Jicarilla soundly defeated the 1st United States Dragoons in the Battle of Cieneguilla. Cieneguilla was the worst defeat of the US Army in the West up to that time, and it was just one of the first major battles between the US Army and Apache forces during the Ute Wars. According to one version of events, the 60 dragoons, under the direction of a Lt. Davidson, had engaged in an unauthorized attack on theJicarilla while they were out on patrol. Others claimed that the Jicarilla either ambushed the Army or taunted them into attack. Kit Carson, who was agent for the Jicarilla, would defend Davidson’s actions—and after this fight, he served as a scout against the Jicarilla. Much like the Sioux defeat of Custer at Little Big Horn, the Jicarilla’s victory over the Army led to retribution and disaster. The Jicarilla were defeated and faded from memory before the Civil War. These are the events that brought them to ruin.

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In this series, private investigators pick up where the historians left off, taking on a series of major cold cases in history, starting with the mishandling of evidence relating to the life and times of Billy the Kid. Cold Case: Billy the Kid tackles the myths and legends about the misadventures and eventual killing of the notorious outlaw one by one, considering the evidence surrounding his life, death, and crimes from contemporary sources and looking at the physical evidence still extant today to consider the veracity of historical claims and considering the evidence through the lens of a legal investigation. In this first book, the writers tackle the evolution of an outlaw in myth and lore, claiming that Billy the Kid as a notorious outlaw is a manufactured concept. They offer evidence that the Kid was little more than one of several small time cattle and horse thieves whose rustling netted him only a small amount of intermittent income. He killed no fewer, and probably no more, than four or five men. For the most part he worked on ranches, notably those of John Chisum and John Henry Tunstall. The Kid, as a cattle thief, was known to many in southern New Mexico and the Texas Panhandle, along with a number of other troublesome rustlers.

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Before Herzog and Kinski, before Simon and Garfunkel, there was Charles Brackett and Billy Wilder. Despite their shared nickname, writer-producer Charles Brackett and writer-director Billy Wilder were not, in fact, the “happiest couple in Hollywood.” Actually, they disliked each other intensely, even as they collaborated on some of the most iconic films of Hollywood’s Golden Age, including Sunset Boulevard, Double Indemnity, The Lost Weekend, and A Foreign Affair.Just how two men who found each other so irritating could together make such enduring contributions to cinematic history is the subject of Double Solitaire, a joint biography of a fascinating and explosive creative collaboration. In the course of making their mark on genres ranging from film noir to the screwball comedy, they achieved an almost inexplicable alchemy that highlights the paradoxical nature of shared genius. Author Donald Brackett—whose grandfather was Charles Brackett’s cousin—delves into family lore, correspondence, contemporary media reports, and all other manner of historical records to reconstruct the strange magic of Brackett & Wilder’s combustible partnership, showing how their creative tensions yielded one classic film after another, and how their entrepreneurial drive pushed against the constraints of the studio system, anticipating the independent-producer models of today.

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In an age of ubiquitous music and countless new songs releasing every minute, the Great American Songbook endures. After all, the Songbook—that sprawling canon of popular songs, standards, and show tunes from roughly the 1920s through the 1950s—is a foundational text of American pop music. Rare indeed is the song that doesn’t in some way draw on this magnificent corpus, and rare is the person who hasn’t heard at least a few of its most enduring melodies.Nonetheless, the Songbook is broader and deeper than most listeners can imagine, and on the margins, the question of whether this or that song should be included is the source of regular arguments among scholars and buffs alike. Attempting to plumb its depths can be a daunting prospect.Enter Steven Suskin, who has been writing about music since the days that Rodgers, Arlen, and Berlin still roamed the streets of Manhattan. In this carefully curated and cheerfully opinionated guidebook, Suskin surveys 201 of the most significant selections from the Songbook, ranging from celebrated masterpieces to forgotten gems. Year by year, he puts songwriters and their contributions in their context, and explains what makes each song such a distinctive treat—whether felicitous melody, colorful harmony, compositional originality, or merely the sheer, irreducible joy of listening to it. Old and new favorites await all readers of this painstakingly compiled, enthusiastically written catalog.

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A Young Actor Prepares provides a constructive form for young people to create with their own life experiences, imagination, and emotions through acting. It provides a step-by-step approach to help kids tackle emotionally challenging roles and portray complex characters at a very young age. For over thirty years, author Jeff Alan-Lee has worked with thousands of young people, teaching the work presented in this book. It has been the springboard for award-winning artists in acting, directing, playwriting, screenwriting, and music.Artistic director of the Young Actor's Studio in Los Angeles, Alan-Lee shares his experience training many top young actors. A Young Actor Prepares is written for teachers and students alike. Presented in play form, the book gives teachers the insight to help work with a multitude of personalities and provides a fun and easy way to help children and teens learn to apply Stanislavski-based exercises. Inspired by Stanislavski's An Actor Prepares, Alan-Lee has developed engaging and exciting ways to create great acting using this unique version of the Stanislavski system, reworked for the young actor. Discover the incredible journey that can take both teachers and young actors to the next level.

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Includes a code for free CD download of many of the bands featured in this book!Nirvana, the White Stripes, Hole, the Hives – all sprang from an underground music scene where similarly raw bands, enjoying various degrees of success and hard luck, played for throngs of fans in venues ranging from dive bars to massive festivals, but were mostly ignored by a music industry focused on mega-bands and shiny pop stars. We Never Learn: The Gunk Punk Undergut, 1988-2001 tracks the inspiration and beautiful destruction of this largely undocumented movement. What they took, they fought for, every night. They reveled in '50s rock 'n' roll and '60s garage rock while creating their own wave of gut-busting riffs and rhythm.The majority of bands that populate this book – the Dwarves, the Gories, the Supersuckers, the Mummies, Rocket from the Crypt, Jon Spencer Blues Explosion, the Muffs, and the Donnas among them – gained little long-term reward from their nonstop touring and brain-slapping records. What they did have was free liquor, good drugs, guilt-free sex, and a crazy good time, all the while building a dedicated fan base that extends across America, Europe, and Japan. Truly, this is the last great wave of down-and-dirty rock 'n' roll.

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It is well known that many musicians, from amateurs to famous professionals, are largely and sometimes exclusively self-taught. Most of the time, these musicians tend to put music theory aside, but there comes a time when many become curious about this science and understand its utility and potential. Unfortunately, they often get discouraged and think it’s too late to learn theory, that they needed to start early, and of course, know how to read. Fortunately, this turns out to be completely untrue. Most self-taught musicians will also turn to books and realize many are written for specialists and those who can already read music. They talk about scales and how to write chords on a staff, but if you are not sure what a note is and it takes you twenty minutes to figure out where a C is, it just adds to the frustration. Yet I promise that a late start in learning theory has no impact on the quality of musician you can become and your future ability to understand it. It is not too late! I have also felt this frustration, which is why I wrote this book. It was originally written for my "former self," who not too long ago was desperate to learn theory in a way that would finally be clear, coherent, and understandable, while not having to read notes. This is the book I wish I had back then! I know there are many people who share this feeling, and my main goal is to provide help and clarity. This book is based on simple, day-to-day common sense, and if you know your alphabet and can count to seven, I promise you will understand theory. You may actually find it surprisingly easy, and I can guarantee it will considerably improve your playing and appreciation for music.

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Chairman at the Board is an intimate, funny, and absorbing look at the music business by an insider who has recorded a host of the greatest musical artists of the twentieth century. Bill Schnee takes the reader inside the studio—behind the curtain—and through the decades with a cavalcade of famous artists as he helped them to realize their vision. After his high school band was dropped by Decca Records, Schnee began his quest to learn everything he could about making records. Mentored by recording legend Richie Podolor at his American Recording Studio and mastering guru Doug Sax, he immediately began recording the top acts of the day as a freelance engineer/producer in Hollywood. Clive Davis soon hired him to work for CBS where he partnered with famed music producer Richard Perry. Schnee went on to record and/or mix most of Perry's biggest albums of the '70s and '80s, including those by Barbra Streisand, Carly Simon, Ringo Starr, Art Garfunkel, and the Pointer Sisters. With his deft personal touch with musicians, he continued to engineer and produce the likes of Marvin Gaye, Thelma Houston (the Grammy-nominated, direct-to-disc album I've Got the Music in Me), Pablo Cruise, Neil Diamond, Boz Scaggs, the Jacksons, Huey Lewis & the News, Dire Straits, and Whitney Houston. With over 125 gold and platinum records, and two Grammys for Steely Dan's Aja and Gaucho, Schnee has been called a living legend—recognized and respected in the industry as the consummate music man with an incomparable career that he lovingly shares with his readers in humorous detail.

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Hot Rats, the second solo album by Frank Zappa, is considered by his fans and critics alike to be a groundbreaking, important record, as well as one of his most innovative efforts of all time. The first recording project after the dissolution of the original Mothers of Invention, Zappa composed, arranged, and produced all of the music on Hot Rats while playing electric guitar on all tracks. The album contains the song "Peaches en Regalia," widely recognized as a modern jazz-fusion standard. This entire groundbreaking and historical record including using new sixteen-multitrack recording and overdub technics for the first time ever was captured in photos by Bill Gubbins, who shot the recording sessions and live performances of the record immediately following its release. Most of these images have never before been published in book form, appearing here for the first time. The "Hot Rats" Book: A Fifty-Year Retrospective of Frank Zappa s "Hot Rats": also contains essays by author Bill Gubbins; Ian Underwood, who was involved in working with Zappa on the recording sessions; Steve Vai; David Fricke; and Matt Groening.

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James L. Nelson's Revolution at sea saga has brought to life a never-before-seen side of America's war for independence. With the expertise of a seasoned mariner, a historian's vivid attention to detail, and a natural gift for sensational storgtelling, "the American counterpart to Patrick O'Brian" (David Brink) carries us along on his bold and stirring course through history. After ferrying General George Washington's troops across the East River and through the hell known as the Battle of Long Island, Captain Isaac Biddlecomb receives a monumental order. He is to transport to France the most powerful secret weapon in the country's arsenal -- scientist, philosopher, and spirit of the enlightenment Dr. Benjamin Franklin. With a new team of men forging through the wintry North Atlantic, and braving the cordon of the Royal Navy, Biddlecomb's seemingly simple mission is just the first volley in a grand scheme: to topple France's neutrality by gaining its vital support, and turn the colonial uprising into a full-scale world war for freedom.

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Pithy, provocative, poignant advice on a variety of self-help topics-in four well-chosen words.

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The German war machine is in retreat as the Russians advance. In Warsaw, Resistance fighters rise up against their Nazi occupiers, but the Germans retaliate, ruthlessly leveling the once-beautiful city. American Adam Nowak has been dropped into Poland by British intelligence as an assassin and Resistance fighter. During the Warsaw Uprising he meets Natalia, a covert operative who has lost everything—just as he has. Amid the Allied power struggle left by Germany’s defeat, Adam and Natalia join in a desperate hunt for the 1940 Soviet order authorizing the murders of 20,000 Polish army officers and civilians. If they can find the Katyn Order before the Russians do, they just might change the fate of Poland.

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The splendor and beauty of New York's Finger Lakes are illuminated in this gorgeous photography collection. From idyllic country scenes featuring whimsical roadside stands and small town festivals to magnificent images of the region's spectacular waterfalls, gorges, and wineries, this visual journey through a western portion of the Empire State will charm and delight.

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All that is within me cries out to go back to my home on The Hudson River, President Franklin Roosevelt once declared. For it was at his home in Hyde Park, New York that FDR could indulge in his favorite avocationtree farmer. This book introduces children to FDR's love of nature through a lifetime in which he oversaw the planting of over a million trees on his estate. It tells of a childhood hiking the trails through his forest, later widening those trails into roads after polio deprived him of the use of his legs and only able to get around by car. It describes the creation of the Civilian Conservation Corps during the Great Depression, which came to be known as Roosevelt's Tree Army. It also tells the story of how FDR sent England's Prime Minister Winston Churchill a Norway spruce one Christmas to cheer up the English people. Today, FDR's love of trees is remembered at the Franklin D. Roosevelt Historic Site in Hyde Park, New York, where many of the trees he planted still rise on

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Winter 1795: Lieutenant John Pearce, reckoning to have finally ditched his old enemy, Admiral Hotham, has found a new one in Henry Digby, previously a friend. Meanwhile, Pearce's pregnant and recently widowed lover is adamant they cannot be seen together for the sake of their unborn child as she seeks respectability in society.Aboard HMS Flirt as part of the squadron led by Horatio Nelson, Pearce and his Pelicans soon join a reconnaissance mission which results in the destruction of a key French battery—though the success is short-lived. In raids ashore, split loyalties, and bloody sea fights, Pearce must show bravery and resourcefulness to ensure his survival and return to Emily. But the headstrong lieutenant is faced with immense danger, not only from the enemy but also from his own captain. Only luck and Pearce's fierce appetite for battle can save them from the perils ahead.

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On March 2, 1965, The Sound of Music was released in the United States and the love affair between moviegoers and the classic Rodgers and Hammerstein musical was on. Rarely has a film captured the love and imagination of the moviegoing public in the way that The Sound of Music did as it blended history, music, Austrian location filming, heartfelt emotion, and the yodeling of Julie Andrews into a monster hit. Tom Santopietro has written the ultimate Sound of Music fan book with all the details from behind-the-scenes stories of the filming in Austria and Hollywood to new interviews with Johannes von Trapp and others. Santopietro looks back at the real-life story of Maria von Trapp, goes on to chronicle the sensational success of the Broadway musical, and recounts the story of the near cancellation of the film when Cleopatra bankrupted 20th Century Fox. We all know that Julie Andrews and Christopher Plummer played Maria and Captain Von Trapp, but who else had been considered? Tom Santopietro knows and will tell all while providing a historian's critical analysis of the careers of director Robert Wise and screenwriter Ernest Lehman, a look at the critical controversy which greeted the movie, the film's relationship to the turbulent 1960s and the super stardom which engulfed Julie Andrews. Tom Santopietro's The Story of The Sound of Music is book for everyone who cherishes this American classic.

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There have been many books written about Johnny Thunders and the Heartbreakers, but only by people who weren t there. Walter Lure was from the band's chaotic beginnings on New York's Lower East Side, through a now-legendary UK tour with the Sex Pistols and the Clash, and on to a yearlong stay in London eyewitness and midwife to the birth of UK punk. Now, he tells his story in To Hell and Back, a thrilling ride through the clubs and dives of two continents, in the company of one of the most notorious junkies in rock 'n' roll history. Drawing from his own contemporary journals, Lure paints a vivid portrait of life in both cities, during perhaps the most crucial musical uprising of the past forty years the music, the characters, the clothes, the fights, the drugs, the orgies, the lot. Lure lays bare his own battle with drugs, and reflects upon his life after the band's split rising to become a Wall Street fixture yet still finding time to make music.

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One of the most colorful parts of American History is the time of train robberies and the daring outlaws who undertook them in the period covering from just after the Civil War to 1924. For decades, the railroads were the principal transporters of payrolls, gold and silver, bonds, and passengers who often carried large sums of money as well as valuable jewelry. For the creative outlaw, trains became an obvious target for robbery. The list of America’s train robbers is a veritable Who’s Who of American outlawry and includes: Frank and Jesse James, Butch Cassidy and The Sundance Kid, Charles Searcy, Charles Morganfield, Sam Bass, Black Jack Ketchum, Seaborn Barnes, and others. To this cast of train robbery-related characters can be added the relentless investigations and pursuit by individuals associated with the Pinkerton Detectives, Texas Rangers, Wells Fargo detectives, railroad company detectives, as well as local and area law enforcement authorities. In addition, there are numerous tales of bravery that took place during train robberies involving heroic express car messengers, conductors, engineers, brakemen, and even passengers.

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From the earliest days of the western frontier, women heeded the call to go west along with their husbands, sweethearts, and parents. Many of these women were attached to the army camps and outposts that dotted the prairies. Some were active participants in the skirmishes and battles that took place in the western territories. Each of these women-wives, mothers, daughters, laundresses, soldiers, and shamans-risked their lives in unsettled lands, facing such challenges as bearing children in primitive conditions and defying military orders in an effort to save innocent people. Soldier, Sister, Spy, Scout tells the story of twelve such brave women-Buffalo Soldiers, scouts, interpreters, nurses, and others-who served their country in the early frontier. These heroic women displayed a depth of courage and physical bravery not found in many men of the time. Their remarkable commitment and willingness to throw off the constraints of nineteenth-century conventions helped build the west for generations to come.

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Most of the books that have been written about territorial Arizona and the southwest focus on the Indian Wars, outlaws, violent crimes, gambling, saloons, and bawdy houses. They foster and perpetuate the notion that southwest mining towns in the nineteenth century were little more than battlefields and lawless dens of vice and corruption. This is only half true. The lawyers, judges, doctors, army officers, bankers, journalists, teachers, and businessmen and women who actually ran the towns were educated and culturally sophisticated people who yearned for the niceties of Atlantic Coast culture. They built churches, founded choral societies and amateur theater troupes, and built libraries, multi-purpose halls, and “opera houses” where talented professional actors and their companies performed both the classics and contemporary melodramas, operas, minstrels shows, etc. These men and women spent a considerable amount of their leisure time in the theater, often as much as three nights per week. The plays they attended reflected their social and moral values, their taste, and their worship of theatrical celebrities. Their attendance and financial support of the theater was a measure of their civic pride and social consciousness. This popular history will help to balance the image of the Wild West.

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In the mid-nineteenth centrury, Martha Maupin left home at a young age and defied her parents to marry the dashing Garrett Maupin. After years of hardship and difficult marriage, Garrett Maupin died in 1866, leaving Martha alone on the frontier with her young children. Single mothers had few options in her day, but with an unwavering spirit, Martha seized her dream and bought her own farm. Few could have predicted that her life would intersect with some of the most extraordinary events in antebellum American history, eventually leading to her journey to a new life on the Oregon Trail. A Place of Her Own is the story of the author’s great-great-grandmother’s daring decision to buy that farm on the Oregon frontier after the death of her husband--and story of the author's own decision to keep that farm in the family. Janet Fisher's journey into the past to uncover her own family history as she worked to keep the property interweaves with the tales from her ancestors' lives during the years leading up to the Mexican-American War in the East and her great-great-grandmother's harrowing journey across the Oregon Trail with her young family and finally tells the tale of Martha's courageous decision to strike out on her own in Oregon.

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Although most credit Wilbur and Orville Wright with America's first powered flight, two months before the brothers lifted off the sands of Kitty Hawk, a French immigrant named August Greth flew theCalifornia Eagle, an airship of his own design, across the skies of San Francisco. While the Wrights claimed they had invented a flying machine, Greth and the California aviators proved it in front of thousands of spectators at state fairs and festivals across the country.L.A. Birdmenis the fascinating and forgotten story of America's first aviatorsCalifornians like August Greth, Tom Baldwin, Roy Knabenshue, John Montgomery, and James Zerbe. Possessing a rare blend of ingenuity, creativity, and bravery, these pilots captured the world's attention in 1910 when Los Angeles hosted America's first international airshow. Inspired by a flying exhibition held in Reims, France, Los Angeles promoter Dick Ferris convinced the city to host a competing eventa show that feature

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