Search results for ""Globe Pequot""

The greatest backup group in the history of recorded music undoubtedly was the Jordanaires, a gospel group of mostly Tennessee boys, formed in the 1940s, that set the standard for studio vocal groups in the '50s, '60s, '70s, and beyond. In their sixty-five-year career, from 1948 through 2013, the recordings they sang on have sold an estimated eight billion copies.They sang on more than 200 of Elvis's recordings, including most of his biggest hits. They were in three of his best-known movies, appeared with him on most of his early nation-wide TV shows, and toured with him for many years. Throughout Elvis's early career, they were his most trusted friends and probably his most positive influence. "No telling how many thousands of miles we rode together over those fourteen years," remembered Gordon Stoker, the group's manager and high tenor, "and most of those miles were good miles, with lots of laughs, and lots of talk about life."While the Jordanaires' bread and butter may have been Nashville's burgeoning recording industry, it seemed that there was always a plane waiting to take them cross country to the pop sessions in L.A. They sang on most of Ricky Nelson's biggest hits and over the years backed up Andy Williams, Fats Domino, Willie Nelson, Dolly Parton, Dinah Shore, The Everly Brothers, Glen Campbell, Patti Page, Neil Young, Perry Como, Loretta Lynn, Ringo Starr, Tom Jones, Andy Griffith, Bobby Vinton, Brenda Lee, Patsy Cline, Billy Ray Cyrus, Clyde McPhatter, and about 2,100 other recording acts.

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Transforming Space over Time: Set Design and Visual Storytelling with Broadway's Legendary Directors tells the stories of six diverse productions: five on Broadway and one Off-Broadway. Beowulf Boritt, theater designer and Tony Award winner, begins with the moment he was offered each job and takes readers through the conceptual development of the set, in collaboration with the director, the challenges of its physical creation, and the intense process of readying it for the stage. Since theater is at heart a collaborative art form, he includes details of his work with the many professionals—designers, technicians, producers, stage managers, and actors—who contribute their talent and ideas to each show. Boritt offers insight into the sometimes frustrating but unavoidable realities of the "biz" part of showbiz: budgets, promotion, reviews, and awards, and he provides enough detail to interest aspiring and seasoned theater professionals and enough spice to satisfy passionate theatergoers. Boritt includes extensive conversations with the directors of the productions, theater legends such as James Lapine, Kenny Leon, Hal Prince, Susan Stroman, Jerry Zaks, and Stephen Sondheim. Each takes a very different approach to theater, which necessitates a different approach to collaboration. By focusing on a variety of specific shows Boritt has worked on, he attempts to peel back the curtain on the creative and intellectual process—in particular, the way his designs develop over time, in concert with the director and other members of the creative team. Transforming Space over Time is about the creative journey of a production.

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Superheroes! is the ultimate reference book about the men and women in tights who fight for what’s right and the comic book phenomenon that conquered the world. From their origins in stories created by barely grown men during an era of global war and printed on cheap paper for consumption by children, superheroes have grown into a popular culture whirlwind that has attracted millions of fans and crossed over into every form of media.Encompassing early coming books, indie outliers, and the mammoth fictional universes managed by DC and Marvel, Superheroes! chronicles the rise of a distinctly American invention, the modern-day evolution of the myths and legends of old. Superman, Batman, Spider-Man, Iron Man, Wonder Woman, the Flash, Captain America, X-Men, the Justice League and the Avengers—they all represent our greatest hopes, and sometimes our darkest fantasies. Pop culture expert Brian Solomon tells a story that goes from the Golden, Silver and Bronze Ages of comic book history right up to the Modern Age of multimillion-dollar Hollywood movies, and beyond. Perhaps no fictional genre has endured and blossomed over the past eighty years the way superheroes have. Learn all about the creators who have brought them to life: artists like Jack Kirby and Jim Lee, writers like Stan Lee and Alan Moore, actors like Christopher Reeve and Robert Downey Jr., and directors like Tim Burton and Joss Whedon. They’re all here, in all their high-flying, eye-zapping, goon-punching glory. Up, up and away!

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Hamlet calls death "that undiscovered country from whose bourn no traveler returns."But he's wrong. Some do return.Each night after the applause dies, the curtain falls, the audience vanishes, the cleaners dust, and the lights are killed, great theatres become dark and silent places. But not always quite empty. That's when the theatre ghosts make their entrance and strut and fret their hour upon the shadowed boards, illuminated only by the ghost light, the solitary lamp that is required to burn through the night on every Broadway stage.Many of Broadway's busiest theatres continue to be just as busily haunted by spirits, some with well-known names and histories. Good Morning, Olive (named for one of the most beautiful and temperamental of Broadway's ghosts) is about the ghosts that haunt theatres in New York and around the world.Broadway is the playground of stars, so it's probably not surprising to learn that even its ghosts are stars. Meet some of Broadway's best known—and most active—celebrity ghosts. Don't worry: like Casper, they tend to be friendly. For the most part. There's something special about theatres, something especially conducive and welcoming to ghosts. Charles J. Adams III wrote, "By its very nature, a theatre is a vault within which every human emotion is at once imprisoned, impersonated, imitated, and elicited. Tangles of cords and ropes…tall curtains and backdrops which fade into high darkness…cubicles and trap doors and passageways."Good Morning, Olive takes readers on a tour of that world.

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Paul Dooley has been an actor for sixty-five years and has portrayed fathers in more than twenty-five movies. He is best known for his roles as the father in Breaking Away, Sixteen Candles, and Run Away Bride. While he was the on-screen dad to Julia Roberts, Molly Ringwald, Toni Collette, Robin Wright, and Helen Hunt, his personal life held a painful secret. In Movie Dad, Dooley reveals that before he became a father to Hollywood actresses, his own fatherhood was jeopardized when his ex-wife kidnapped his two children, Robin and Adam. His touching biography shows the shock and denial he experienced when he read the letter his ex-wife left that said, “I’m leaving. I’m taking the kids. We’re not coming back.” What followed was private detectives, court, and frantically looking for his children. When he only found dead-ends, he threw himself into work, and after twenty-five years as an actor, he was in the movies overnight. The success he found as a father on-screen is a story of wry irony, which he tells in Movie Dad.

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Spanning more than fifty years of modern music history, Peter Asher: A Life in Music highlights every turn in Peter Asher's amazing career. Over a dozen years of research has gone into telling his story, with numerous interviews conducted with Asher, along with first-hand observations of him at work in various recording studios around Los Angeles. The author also had access to Asher's archives, which offered rare photographs and other career memorabilia to help illustrate this biography.Over one hundred artists, friends, and colleagues agreed to be interviewed, and they help to provide insight into Asher's personality and working methodology. Included are singers Jackson Browne, David Crosby, Marianne Faithfull, Carole King, Kenny Loggins, Graham Nash, Aaron Neville, Randy Newman, Bonnie Raitt, Linda Ronstadt, JD Souther, and James Taylor; producers Lou Adler, Mike Curb, Richard Perry, Al Schmitt, and Sir George Martin; musicians Hal Blaine, Andrew Gold, Danny Kortchmar, Paul Shaffer, and Waddy Wachtel; and actors Kevin Kline and Robin Williams. Many of these participants also provided previously unseen photographs. Asher was also one of the first producers to list the musicians that played on his sessions, realizing how important they were to the success of each project. These mini-portraits not only contribute to the telling of his story, they ultimately give the reader a history lesson on the last fifty years of popular music. Of course, Asher's life and work did not occur in a vacuum, and David Jacks places his progress in context with what was occurring in the culture that surrounded him, from the pervasive doldrums that America was experiencing right before the Beatles (and Peter and Gordon) exploded upon its shores to the civil rights tensions that surrounded the interracial tour Dick Clark sent through the Southern US in 1965, to the end of the 1960s and the public's need for a soothing confessional tone in their music after a decade of turmoil, which artists like James Taylor provided.Asher has also had a unique insider's view into the changing world of the music business—from the mid-1960s explosion of British artists to the 1970s corporate takeovers of independent labels, from the MTV era of the mid-1980s to the modern era of 360 degree deals and digital streaming. He is practically alone in his success as a hit-making artist, a hit-making producer, and a manager for hit-making talent. His ability to produce projects with such a broad range—rock, pop, folk, country, rhythm and blues, jazz, dance, Latin, classical, comedy, and Broadway and movie soundtracks—is almost unheard of. And in a business rife with shady characters, his intelligence, honesty, and business sense has earned the respect of all he's worked with. Still producing exciting work in the entertainment industry, Peter Asher has quite a story to tell.

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In the early months of 1966, a handsome, hardworking thirty-five-year-old Canadian-born actor named William Shatner was cast as Captain Kirk in Star Trek, a troubled, low-budget science-fiction television series set to premiere that fall on NBC. Star Trek struggled for viewers and lasted only three seasons, but it found a huge, rabidly dedicated audience when it premiered in syndication following its cancellation—turning Shatner into a pop-culture icon and launching him on a career path he never could have imagined after graduating from McGill University with an economics degree twenty years earlier. As he approaches his ninetieth year, he's still working at a furious pace as a man of boundless contradictions: by turns one of the most dissected, disliked, revered, respected, mocked, imitated, and beloved stars in the show business firmament. Shatner takes a comprehensive look at this singular performer, using archival sources and information culled from interviews with friends and colleagues to transport readers through William Shatner's remarkably bumpy career: his spectacular failures and triumphs; tragedies, including the shocking death of his third wife, Nerine; and, ultimately, the resilience Shatner has shown, time and again, in the face of overwhelming odds. Author Michael Seth Starr unravels the mystery of William Shatner, stripping away the many myths associated with his personal life and his relationships with fellow actors, presenting a no-holds-barred, unvarnished look at the unique career of an inimitable performer.

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The most frequently asked question about writing musicals is, "Which comes first, the music or the lyrics?" As anyone on Broadway will tell you, the answer is, "The book." Tony-winning book writer Robert L. Freedman takes you through the process of writing a new musical, including story structure, song placement, dialogue, character development, and more that led to the creation of A Gentleman's Guide to Love and Murder, the 2014 Best Musical Tony winner. With candor and insight, Freedman describes the challenging and rewarding growing pains of what the critics called "Hilarious!" and "Ingenious!" and said "Ranks among the most inspired and entertaining new musical comedies I've seen in years."

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Anne & Emmett is an imaginary conversation between Anne Frank and Emmett Till, both victims of racial intolerance and hatred. Frank is the thirteen-year-old Jewish girl whose diary provided a gripping perspective of the Holocaust. Till is the fourteen-year-old African-American boy whose brutal murder in Mississippi sparked the modern American civil rights movement. The one-act play opens with the two teenagers meeting in memory, a place that isolates them from the cruelty they experienced during their lives. The beyond-the-grave encounter draws the startling similarities between the two youths' harrowing experiences at the hands of societies that couldn't protect them. In memory, Anne recounts hiding in a cramped attic with her family after German dictator Adolf Hitler ordered the Nazi military to round up Jewish people throughout Europe, and put them in concentration camps in route to gas chambers. At the age of fifteen, Anne died of typhus at the Bergen-Belsen Nazi concentration camp in March 1945, a few weeks before British troops liberated the camp. Emmett tells Anne how he, in 1955, ended up being brutally attacked by two white racists who beat and tortured him before shooting him in the head and tossing his body into the Tallahatchie River with a cotton-gin fan tied to his neck. This happened after he whistled at a white woman while visiting his uncle in Money, Mississippi.

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The vast space of the American West that has been designated as the state of Montana is such a diverse and varied landscape that it’s been said it could easily be sliced up into several smaller states. And with its smorgasbord of industry, history, culture and the various worldviews held by its residents, getting a bead on Montana’s personality is a challenge. That may be because Montana, in fact, has several fairly distinct personalities. This book examines those personalities, through the lens of seven geographic and cultural regions commonly recognized in the state. While Montanans share a few attitudes and love of the land that attracts them to Big Sky country, it’s the differences between the regions that truly give the state its unique flavor. Through interviews, photos, history and personal observations, Therriault profiles each region and in the process gives a more complete view of the state as a whole. Along the way the reader will learn why some people choose to live where they do, how they view the rest of the state, and what some of the factors are that give each region its singularity.

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Long before the screen placed the face of Mary Pickford before the eyes of millions of Americans, this girl, born August 13, 1860 as Phoebe Anne Oakley Moses, had won the right to the title of “America’s Sweetheart.” Having grown up learning to shoot game to help support her family, Annie won first prize and met her future husband at a shooting match when she was fifteen years old. He convinced her to change her name to Annie Oakley and became her husband, manager, and number-one fan for the next fifty years. Annie quickly gained worldwide fame as an incredible crack shot, and could amaze audiences at her uncanny accuracy with nearly any rifle or pistol, whether aiming at stationary objects or shooting fast-flying targets from the cockpit of a moving airplane. Despite struggles with her health and even a long, drawn-out legal battle with media magnate William Randolph Hearst, Annie Oakley poured her energy into advocating for the U.S. military, encouraging women to engage in sport shooting, and supporting orphans.

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During the rise of second-wave feminism in the ‘60s and ‘70s, political activists were not the only ones at work to usher in a more equitable world. In the music world, female rock performers were pursuing a revolution of their own: rejecting the industry’s manufactured pop personas and the unacknowledged labor they contributed to male-led groups, women took control of their own music, messages, and images. Even while they often used music to critique rampant chauvinism, they made some of their greatest impacts by paving the way for subsequent musicians to simply be true to themselves. In this way, they helped to transform the music business and society more broadly.In She’s a Badass, rock critic Katherine Yeske Taylor interviews more than a dozen of these influential, fearless women about their experiences in an era when female rockers were not given the same respect and opportunities as their male peers. Each chapter focuses on an individual artist, taking an in-depth look at her most memorable experiences in the music business that helped cement her place on the list of influential artists. From Suzi Quatro (the first female rock star to front her own band, singing and playing bass as well as writing her own songs) through superstar singer-songwriter Jewel, She’s a Badass reveals the incredible talent, determination, and humor these women deployed in order to further the feminist cause while building brilliant musical careers.

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Have you ever been curious about what it takes to get an original Broadway musical to opening night? Ted Chapin, college student at the time, had a front row seat at the creation of Stephen Sondheim's Follies, now considered one of the most important musicals of modern time. He kept a detailed journal of his experience as the sole production assistant, which he used as the basis for Everything Was Possible: The Birth of the Musical Follies, originally published in 2003. He was there in the drama-filled rehearsal room, typing the endless rewrites, ferrying new songs around town, pampering the film and television stars in the cast, travelling with the show to its Boston tryout and back to New York for the Broadway opening night. With an enthusiast's focus on detail and a journalist's skill, Chapin takes the reader on the roller-coaster ride of creating a new and original Broadway musical. Musical theater giants, still rising in their careers, were working at top form on what became a Tony Award-winning classic: Stephen Sondheim, Harold Prince, and Michael Bennett. Many classic Sondheim songs like "I'm Still Here," "Losing My Mind," and "Broadway Baby" were part of the score, some written in a hotel room in Boston.Celebrate the 50th anniversary of Follies with Ted Chapin. A new afterword brings the history of the show forward, diving into recent productions around the world, new recordings, and the continued promise of a film version.

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I hear with my breath, I get frightened with my breath. When I fall in love the breath knows it first. I feel furious and the breath registered the emotion, long before the brain catches on.—Beatrice ManleyOriginal and quirky, this collection of expert advice and observations once reserved for actors has been specially formatted for a new generation and a broader audience interested in: Breathwork Mindfulness Personal Presence Presentation and Authenticity Improvisation. Performing. Fear. Fame. Laughing. Being Sexy. Emotions. Ego. Technique. Timing. Doing Nothing. Just Doing It. In her wry, entertaining, and astute style, master of her craft Beatrice Manley dispenses wide-ranging insights and nuanced wisdom accumulated from a lifetime on the stage.

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Moving Pictures takes a novel historical approach to the making and recording of Rush's album by the same name. This 1981 release was a landmark record, not only for Rush, but also for the entirety of progressive rock.There's nothing else like it in the Rush catalog. Permanent Waves and Hemispheres were important releases in their evolution as a progressive band, but neither provided the necessary commercial firepower to blast the Canadian trio into the stratosphere of rock stardom. Moving Pictures, with its thematic work and positioning as the antithesis of a concept record, balanced opposing creative sensibilities, garnered the attention of radio programmers across North America, and sold millions of copies around the globe.As the title of the record suggests, each track projects unique filmic properties, allowing the collective work to escape into the realm of the audiovisual. Unparalleled in the band's recorded output, Moving Pictures boasts multisensory qualities, such as a snarling synth portal opening the record ("Tom Sawyer"), pulse-quickening cyclical patterns corkscrewing through the genre fluid "Vital Signs," a spine-tingling sci-fi thrill ride thinly masking social commentary ("Red Barchetta"), technically precise musical jousting amid time signature changes ("YYZ"), chilling glimpses of a hellish, torch-lit mob haunting "Witch Hunt," the wide-screen dual optics of "The Camera Eye," and a ferocious guitar tone taking a bite out of fame ("Limelight"). Put simply, the seven-track offering solidified the band's global appeal and continues to inspire musicians of all walks of life—forty years after its release. This is its story.

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Hold On World revisits Lennon and Ono's love affair and startling collaborations. John Lennon's Plastic Ono Band was arguably the most emotionally honest album ever made. It wasn't merely another record but more like a sonic exorcism, a spiritual, public bloodletting. Lennon's album drove a stake through the heart of the Beatles' myth while confronting everything else in John's life, from Dylan to God to his glorified status as a "Working Class Hero." Determined to rid himself of childhood traumas—abandoned by his father, John, at age nine, watched helplessly as his mother was killed by a car—Lennon wrote the most powerful song cycle of his career, confronting fear, disappointment, and illusion, all the while espousing his love for Yoko Ono. Released simultaneously, Ono's album Yoko Ono/Plastic Ono Band is emotionally raw and challenging. It inspired bands like the B-52s and Yo La Tengo to employ pure sound, whether shrieking vocals or guitar feedback, to express their deepest feelings.

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Robert Macomber's Honor series of naval fiction follows the life and career of Peter Wake in the U.S. Navy during the tumultuous years from 1863 to 1901. At the Edge of Honor is the first in the series and winner of the Patrick D. Smith Literary Award as Best Historical Novel of Florida. The year is 1863. The Civil War is leaving its bloody trail across the nation as Peter Wake, born and bred in the snowy North, joins the U.S. Navy as a volunteer officer and arrives in steamy Florida for duty with the East Gulf Blockading Squadron. The idealistic Peter Wake has handled boats before, but he's new to the politics and illicit liaisons that war creates among men. Assigned to the Rosalie, a tiny, armed sloop, Captain Wake commands a group of seasoned seamen on a series of voyages to seek and arrest Confederate blockade-runners and sympathizers, from Florida's coastal waters through to near the remote out-islands of the Bahamas. Wake risks his reputation when he falls in love with Linda Donahue, whose father is a Confederate zealot, and steals away to spend precious hours with her at her Key West home. Their love is tested as Wake learns he must make the ugly decisions of war even in a beautiful, tropical paradise—decisions that take him up to the edge of honor.

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When Geronimo and his warriors surrendered to the US Army, General Miles made a number of promises for the surrender terms that were in fact false. Geromino: Prisoner of Lies provides insights into how Chiricahua prisoners of war lived while held in captivity by the United States Army in the late nineteenth and early twentieth centuries as seen through the eyes of their war leader Geronimo. The indignities and lies they suffered, and how they maintained their tribal culture in the face of great pressure to change or vanish entirely, are brought to life and provided new context through this book.

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1797: Britain stands alone against the forces of Revolutionary France. A victorious French Army, led by the youthful Napoleon Bonaparte, is poised to invade Britain. And in his country's darkest hour, Captain Nathan Peake finds himself imprisoned by his own side on the Rock of Gibraltar charged with treason. To prove his innocence Nathan must uncover the great deception that masks the French war aims. Is the great armada being assembled in Toulon bound for the shores of Great Britain or Egypt? His secret mission to discover the truth about Napoleon's invasion plans will hurl him into two of the greatest battles of the 18th century.

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In the late summer of 1775, General George Washington discovers that his cache of gunpowder has dwindled to a mere nine shots per man. A desperate plan is hatched—to send a ship under the command of Captain Isaac Biddlecomb to Bermuda to capture the British powder known to be there. But the plan is a trap, set by a traitor among the patriots, and one from which even Biddlecomb cannot escape. Washington dispatches his aide-de-camp, Major Edward Fitzgerald, to hunt the traitor down, while Biddlecomb must rely on cunning and seamanship to free his men and the ship, and to capture the gunpowder that is the lifeblood of the fight for liberty. Divided by an ocean but bound by the cause, as well as by their own private fears, Biddlecomb and Fitzgerald must take on a common enemy—the greatest military power on earth. This is a powerful saga of the American Revolution—a stirring maritime adventure in the epic, true-to-life tradition of Patrick O’Brian.

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The natural beauty of the Finger Lakes region of New York is captured in these stunning landscape photographs. From thundering waterfalls to early morning mist rising off a still lake, these images evoke the mystery and splendor of this unique geological area that was shaped by glaciers and honed by water. Iridescent rainbows and vivid sunsets combine with shaded woodland glens and fields of phlox to make up this gorgeous photo book that celebrates the majesty of upstate New York in all her many colors.

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For as long as people have known that a smudge of ash rubbed into an opening in the skin would leave a permanent mark, tattoos have been a facet of society. Every people on the planet have had a tradition of tattooing, from the ocean-faring Polynesians that spread their culture from Tahiti to Hawaii and New Zealand, to the ancient Egyptians and the nomadic peoples of Africa, to both North and South America and the ancient peoples of Eurasia and the Middle East. Tattoos have been used to mark rites of passage, offer relief from pain and illness, provide magical protection against evil, or carry an identifying family mark. While the idea of having a tattoo has been, up until recently, considered a risque activity of a certain subsection of the population, the reality is that getting a tattoo has been a fairly ordinary thing for most people to do for thousands of years. Some topics include tattoos and circus performers, tattoo machines, medicinal effects of inking, tattoos in literature and films, and more. The book covers the earliest known examples of tattoos to the more recent innovations in the field, such as ultraviolet ink, and temporary tattoos containing one s personal and financial data.

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An insider's look at the iconic drink and its role in shaping the American West Distilleries are the new microbreweries, cropping up all over the West and producing brands that emulate the predecessors that were made in copper stills by emigrants and served in saloons and dance halls. This history of the spirit and its origins and migration across the country—and its place in shaping the West—celebrates the story of the golden elixir through first-hand accounts, evocative photographs, and historic cocktail recipes.

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In this collection are the poems of cowgirl poets who are regulars at the numerous state, local, and national cowboy poetry gatherings that happen throughout the year. There are a few songwriters as well—after all, their songs are simply poetry set to music. Some of the poets have never been published and were shy about being included but the true poet is always, just under the surface, eager to have her voice heard. Why else would she go to the trouble? The poets and songwriters featured here were quick to respond to the invitation to be included. In “true Western fashion”, they saddled their fast ponies and galloped in with their poetry and lyrics for your enjoyment. Gifted photographer Robin L. Green chose the captivating photographs to accompany these lovely verses and songs. She captures the stark, lush, brutal, gentle and ever-changing western landscape and the creatures that inhabit it (including intrepid humans) in all sorts of weather—harsh or gentle—like no other.

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Celebrate the Holidays Old West Style Holidays on the frontier were a time for celebration, stopping work and chores, and honoring their purpose. This book includes stories of all the biggest celebrations, including traditions, food, songs, games, and other fun tidbits. Fifty food and drink recipes and the rules for typical parlor games of the time are included along with sidebars on common gifts of the time. First-hand accounts, newspaper articles, journals, photos, and Victorian memorabilia complete the package.

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This collection of short, action-filled stories of the Old West goes beyond the tales everyone knows of the OK Corral and the Dead Man’s Hand to focus on the gunfights, massacres, and daring deeds that are the stars of local historians but not featured in general histories of the old west. These events, while less well known, offer new territory for the Wild West buff to explore. Each chapter in this book tells a story that deserves to be remembered—either because of its importance, its intrigue, or just because it’s interesting. From cowboys and Indians to explorers and electricity to warfare and gunfights to royalty and rogues, the stories here cover a frontier West your education may have missed.

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Lieutenant Lord Ramage, in command of the Triton brig, is escorting a convoy from Barbados to Jamaica, normally a routine and tedious chore. But this time Ramage has to be especially vigilant to guard the convoy's precious cargo—a family of important French refugees.

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More Tales Behind the Tombstones tells the stories behind the deaths (or supposed deaths) and burials of even more of the Old West's most nefarious outlaws, notorious women, and celebrated lawmen. Readers will learn the stories behind these legendary characters and visit the sites of tombs long forgotten while legends have lived on. Read about the lives (and deaths) of fearless, famous lawmen such as Bass Reeves, Chalk Beeson, Bill Tilghman, and Pat Garrett; learn about the dauntless women who blazed new paths for their sex in medicine, journalism, entertainment, and voting rights; and discover the intriguing facts and myths that continue to circulate about these and other infamous characters long after their grave markers have become worn down or simply lost to time.

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Everyone loves a heel, especially one to whom nothing was sacred and who charmed his or her way into the hearts, minds, and wallets of bumpkins and belles alike. This collection offers twenty-four tales of petty bandits, sleazy bunko artists, and conniving conmen and –women who traveled West to seek their fortunes by preying on the men and women who went before them to settle and explore. These stories of who they were, what they did, and why they are remembered for their deeds include ample and engaging historic illustrations of the shady characters at work and at play.

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Best known for co-founding the early punk duo Suicide, Alan Vega lived a complex and labyrinthine life, driven by a desire to express himself uncompromisingly through art. From his first sketch in art class at Brooklyn College to the 2021 release of the album Mutator five years after his death, Vega continues to shock and inspire.This first-ever biography of Vega tells the story of the man's life and art, beginning with his early attempts to live a normal life and his epiphanic encounter with Iggy Pop in 1969. Although becoming a performer on stage had been at the bottom of Vega's list of lifetime ambitions, Iggy changed his mind: he needed music to truly express his vision. Radical Dreams goes on to describe Vega's many experiments across a variety of media, including the partnership with Marty Rev that became Suicide, which challenged audiences to look deep inside themselves and to not settle for distractions.Written by Vega's widow Liz Lamere in collaboration with a

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The 2022 underground hit Dimes Square announced Matthew Gasda as the Chekhov of New York City's downtown scene, the theatrical chronicler of a self-chronicling generation, as well as a young dramatist of lasting power and impressive range. Self-produced, performed in loft apartments and other nontraditional spaces, Dimes enjoyed a month's long, sold-out run at a time when most larger, institutional theaters were still finding their footing post-pandemic. Matt's meteoric rise over the past two years has been greeted with profiles in The New York Times, reviews in New York magazine and Spike, publication in Air Mail, mentions in Vanity Fair, and a host of blogs and podcasts where he has become the subject of heated debate. Matthew's work has become synonymous with post-Covid literary culture, not merely in terms of coverage and the endlessly productive conversation around it but also in terms of creating a new social space populated by leading thinkers and writers. This collection contains the plays Dimes Square, Quartet, Berlin Story, and Minotaur.

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BASS NOTES: REFLECTIONS ON MY LIFE IN JAZZ AND JAZZ IN THE LIFE OF OUR CULTURE

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When you sit down at a play, movie, or concert—or even in front of the TV or scrollinl on your—you are taking part in one of the oldest and most mysterious forms of human behavior. Being part of an audience is an age-old experience that we all crave that has evolved from amphitheaters to screens. Right This Way is a pop history of audiences through the ages.Playbill editor Robert Viagas unfolds the unique aspects of what he calls “audiencing” with stories from the age of the Greeks to the world of Zoom. He walks through the different types of audiences and the history of their responses, what science has to say about how our brains respond to what they see and the reactions of the people around them, and why, during COVID-19, people risked a deadly virus to be part of a crowd. Right This Way explores what the audience experience brings us and how it may evolve in the 21st century.

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I SAW THEM STANDING THERE: A 60TH ANNIVERSARY OF MY STORY WITH THE BEATLES BEFORE, DURING AND AFTER THEY CONQUERED AMERICA

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BREAKING THE CODE: OTTO PREMINGER VERSUS HOLLYWOD'S CENSORS: PLUS: CODE BLUE, A PLAY BY ARNIE REISMAN & NAT SEGALOFF

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1935: Cal Jardine is a soldier of fortune. Forced to leave Hamburg, where he has been helping Jews flee the Nazis, he is recruited by a secretive British committee to smuggle guns to Abyssinia, a country threatened by Italian invasion. But first Jardine must procure the weapons from Romania, a country full of treacherous locals as well as German agents seeking his arrest. By sleight of hand, he contrives to steal the weapons he wanted to buy before escaping the country, leaving both the Romanians and Germans floundering. Taken to the Horn of Africa, the arms are then transported over a harsh landscape, along an old slave trader's route full of danger, into the hands of the Ethiopian Army. On his travels, Jardine acquires more baggage than he anticipated, including a beautiful but difficult American woman in search of her archaeologist mother, a determined reporter, and a daredevil French flyer, while missing out on a painful death by sheer good fortune. But the Ethiopians are ill-equipped to face a modern Italian army using tanks, bombers, and poison gas. Trained for war, can Jardine simply walk away? Or will he be drawn into a bloody conflict against massive odds, and manage to save those who now depend on him?

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Few songs have captured the contradictions and ambiguities of the 1960s as memorably as “California Dreamin’,” the iconic folk music single that catapulted The Mamas & The Papas into rock and roll history. In All the Leaves Are Brown, SiriusXM producer Scott Shea details how John Phillips, Denny Doherty, Michelle Phillips, and “Mama Cass” Elliot became standard-bearers for California counterculture, following their transformation from folk music wannabes to rock sensations and chronicling the tumultuous events that followed their unexpected success. Shea gives a definitive account of the group’s short time together, from their hitmaking approach with legendary producer Lou Adler to John’s unique songwriting to their tours and friendships with other musicians riding the folk-rock wave. He explores the emotional vicissitudes that came with being in the Mamas & the Papas, from Cass’s unrequited love for Denny, his affair with Michelle, and the ebb and flow of dysfunction in John and Michelle’s marriage. Shea explains how it all came to a crashing end with John’s brainchild, the Monterey Pop Festival, which should have launched them even further into the rock music stratosphere, but only served to be their undoing. Through interviews with former bandmates, session musicians, family members, and many others, All the Leaves Are Brown is a layered and revelatory tale of overnight stardom and its many pitfalls.

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