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THE NO.1 SUNDAY TIMES BESTSELLERShortlisted for the Book of the Year - Food & Travel Reader AwardsFrom the author of Persiana - the golden girl of Middle Eastern cookery - Sirocco will bring tastes of the East to Western-style dishes in a collection of 100 delicious and accessible recipes. With an emphasis on simple ingredients and strong flavours, Ghayour will bring her modern inspirational touch to a variety of dishes ranging from classics and comfort food to spectacular salads and sweet treats.Praise for Persiana:'Loving Persiana' - Nigella Lawson'An instant classic' - Observer Food Monthly'The most exciting debut cookbook of the year' - Sunday Telegraph Stella'A fantastic treasure trove of good food' - Raymond Blanc'Sumptuous, thrilling, learned and downright brilliant' - Mail on Sunday'The most appetizing book - I want to eat every page of it' - Pierre Koffmann'Sabrina cooks the kind of food I love to eat' - Bruno Loubet'Brilliant for the novice, the timepoor and even the seasoned cook' - Guardian'Will have you salivating with Pavlovian gusto on page after page' - Independent'This book will delight fans of Ottolenghi-style food' - Waitrose Kitchen'Easy to decipher, packed with lots of flavour and... surprisingly easy to pull off' - Huffington Post'A gorgeously produced ode to richly spiced, exotic food from the Middle East and beyond' - A Little Bird'The latest doyenne of Persian food' - Metro

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In 1959 Daniel Spoerri pioneered the first programmatic series of multiples―three-dimensional objects issued in edition―to be broadly distributed. With a radical emphasis on multiplication and movement, Edition MAT (Multiplication d’art transformable) presented an international selection of work by key figures in postwar kinetic and Op art. Multiplied is the first in-depth English-language study of this seminal project in the history of postwar art. The catalog presents the entirety of the three collections—1959, 1964, and 1965—consisting of 48 artworks by 35 European and US artists associated with kinetic and Op art, including such leading figures as Marcel Duchamp, Dieter Roth, and Jean Tinguely, alongside lesser known artists. With four essays, artist entries, and an appendix of newly translated historical texts, this volume sheds light on under-studied artworks as well as the body of critical thought connecting art, commerce, and display in the postwar period. Artists: Yaacov Agam, Josef Albers, Arman, Jean Arp, Enrico Baj, Davide Boriani, George Brecht, Pol Bury, Christo, Gabriele De Vecchi, Marcel Duchamp, Bo Ek, Robert Filliou, Karl Gerstner, Maurice Henry, Julio Le Parc, Roy Lichtenstein, Heinz Mack, Frank J. Malina, Enzo Mari, Christian Megert, François Morellet, Bruno Munari, Arnulf Rainer, Man Ray, Dieter Roth, Jesús Rafael Soto, Daniel Spoerri, Paul Talman, André Thomkins, Jean Tinguely, Victor Vasarely, Jacques Villeglé, Emmett Williams

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The publication of Reading Capital—by Louis Althusser, Étienne Balibar, Roger Establet, Pierre Macherey, and Jacques Rancière—in 1965 marked a key intervention in Marxist philosophy and critical theory, bringing forth a stunning array of concepts that continue to inspire philosophical reflection of the highest magnitude. The Concept in Crisis reconsiders the volume’s reading of Marx and renews its call for a critique of capitalism and culture for the twenty-first century. The contributors—who include Alain Badiou, Étienne Balibar, and Fernanda Navarro—interrogate Althusser's contributions in particular within the context of what is surely the most famous collective reading of Marx ever undertaken. Among other topics, they offer a symptomatic critique of Althusser; consider his writing as a materialist production of knowledge; analyze the volume’s conceptualization of value and crisis; examine how leftist Latin American leaders like Che Guevara and Subcomandante Marcos engaged with Althusser and Reading Capital; and draw out the volume's implications and use for feminist theory and praxis. Retrieving the inspiration that drove Althusser's reinterpretation of Marx, The Concept in Crisis explains why Reading Capital's revolutionary inflection retains its critical appeal, prompting readers to reconsider Marx's relevance in an era of neoliberal capitalism. Contributors. Emily Apter, Alain Badiou, Étienne Balibar, Bruno Bosteels, Adrian Johnston, Warren Montag, Fernanda Navarro, Nick Nesbitt, Knox Peden, Nina Power, Robert J. C. Young

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Site Reading offers a new method of literary and cultural interpretation and a new theory of narrative setting by examining five sites—supermarkets, dumps, roads, ruins, and asylums—that have been crucial to American literature and visual art since the mid-twentieth century. Against the traditional understanding of setting as a static background for narrative action and character development, David Alworth argues that sites figure in novels as social agents. Engaging a wide range of social and cultural theorists, especially Bruno Latour and Erving Goffman, Site Reading examines how the literary figuration of real, material environments reorients our sense of social relations. To read the sites of fiction, Alworth demonstrates, is to reveal literature as a profound sociological resource, one that simultaneously models and theorizes collective life.Each chapter identifies a particular site as a point of contact for writers and artists—the supermarket for Don DeLillo and Andy Warhol; the dump for William Burroughs and Mierle Laderman Ukeles; the road for Jack Kerouac, Joan Didion, and John Chamberlain; the ruin for Thomas Pynchon and Robert Smithson; and the asylum for Ralph Ellison, Gordon Parks, and Jeff Wall—and shows how this site mediates complex interactions among humans and nonhumans. The result is an interdisciplinary study of American culture that brings together literature, visual art, and social theory to develop a new sociology of literature that emphasizes the sociology in literature.

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The mathematical implications of personal beliefs and values inscience and commerce Amid a worldwide resurgence of interest in subjectivist statisticalmethod, this book offers a fresh look at the role of personaljudgments in statistical analysis. Frank Lad demonstrates howphilosophical attention to meaning provides a sensible assessmentof the prospects and procedures of empirical inferentiallearning. Operational Subjective Statistical Methods offers a systematicinvestigation of Bruno de Finetti's theory of probability and logicof uncertainty, which recognizes probability as the measure ofpersonal uncertainty at the heart of its mathematical presentation.It identifies de Finetti's "fundamental theorem of coherentprovision" as the unifying structure of probabilistic logic, andhighlights the judgment of exchangeability rather than causalindependence as the key probabilistic component of statisticalinference. Broad in scope, yet firmly grounded in mathematical detail, thistext/reference Invites readers to address the subjective personalist meaning ofprobability as motivating the mathematical construction * Contains numerous examples and problems, including computingproblems using Matlab, assuming no background in Matlab * Explains how to use the material in three distinct sequentialcourses in math and statistics, as well as in courses at thegraduate level in applied fields * Provides an introductory basis for understanding more complexstructures of statistical analysis Complete with fifty illustrations, Operational SubjectiveStatistical Methods makes an intriguing discipline accessible toprofessionals, students, and the interested general reader. Itcontains a wealth of teaching and research material, and offersprofound insight into the relationship between philosophy, faith,and scientific method.

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In 1936, Bruno Richard Hauptmann was executed for the kidnapping and murder of Charles Lindbergh Jr. Almost all of America believed Hauptmann guilty; only a few magazines and tabloids published articles questioning his conviction. In the ensuing decades, many books about the Lindbergh case have been published. Some have declared Hauptmann the victim of a police conspiracy and frame-up, and one posited that Lindbergh actually killed his own son and fabricated the entire kidnapping to mask the deed. Because books about the crime have been used as a means to advance personal theories, the truth has often been sacrificed and readers misinformed.Hauptmann's Ladder is a testament to the truth that counters the revisionist histories all too common in the true crime genre. Author Richard T. Cahill Jr. puts the true back in true crime, providing credible information and undistorted evidence that enables readers to form their own opinions and reach their own conclusions.Cahill presents conclusions based upon facts and documentary evidence uncovered in his twenty years of research. Using primary sources and painstakingly presenting a chronological reconstruction of the crime and its aftermath, he debunks false claims and explodes outrageous theories, while presenting evidence that has never before been revealed.Hauptmann's Ladder is a meticulously researched examination of the Lindbergh kidnapping that restores and preserves the truth of the crime of the century.

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The Train to Orvieto, set in Orvieto, Florence, and Milan, Italy, and in the heartland of America, is an intimate story of love, loss, betrayal, and reconciliation that unfolds against an historical background of war and dramatic social change. It is a story enacted by fascinating three-dimensional characters and told by one of them, Fina, a history teacher who warns the reader, "The truth never mattered." It is a story depicting the clash of opposites—the desire for union with another and the need for solitude; loyalty and betrayal; change and tradition; the fatalism of rural Italy and the sense of familial and social duty, as against one's obligations to oneself—and it explores the classic theme of how the consequences of decisions made in youth carry through the remainder of one's life. The Train to Orvieto invites us to consider how much we re able to understand the truths of our own lives and what it costs to accept them.The novel consists of the three parts. The first part concerns Willa, her adventurous mother; the second Losine, Willa's elegant lover; and the third, Fina herself. Together, they compose a cross-cultural family saga of the marriage of Willa, a passionate artist from Ohio, and Gabriel, her possessive husband; and of Fina, a daughter who stands at the center of questions about who we are, what we can know of one another, and whether we can forgive.Part I begins in 1935. Fina's mother, Willa Carver, is determined to leave stifling Erhart, Ohio to become an artist in Italy. Her parents are opposed until her impecunious drawing teacher asks for Willa's hand. Willa is quickly sent to Italy chaperoned by the well-connected Sra. Farnese. The two women meet Gabriele Marcheschi, a soldier from Orvieto, on the train. He eagerly courts Willa and sets their marriage date without asking her. After their wedding, Orvieto's provincial culture presents daunting obstacles to Willa and her artistic ambitions.Part II begins in 1949. Michel Losine is a Milanese jeweler, smuggler, thief, faux archaeologist who specializes in locating people gone missing during WWII. A decade earlier in Germany he evaded capture with help from Fr. Eric, a priest whom he has come to Orvieto to thank for that assistance, albeit belatedly. He encounters Willa by chance. The meeting with Fr. Eric raises questions about faith and truth for Losine, and he also receives an unwelcome warning about Willa.Part III begins in 1968. Fina expects to marry Bruno, Gabriele's assistant, who is widely thought to be a "catch." When she is accepted to university in Milan, both Gabriele and Bruno try to prevent her from going. During the conflict, long-hidden family secrets are revealed. Fina's bitter parting propel her on a journey that leads to more revelations about a past that has imprisoned her entire family.

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Contemporary media artist Claudia Schmitz (b. 1975) explores the limits and paradigms of media translation, both as a solo artist and through collaborative projects. Her work focuses on identity in virtual, expanded and real spaces, reactivity and interactivity, intermediality and transmediality, machine learning and artificial intelligence. She also examines issues of sustainability and synaesthetic experience and questions socio-urban structures and hegemonial perceptions. Tracing these boundaries, she develops spaces for transmedial experiences; pneumatic sculptures; multidimensional drawings. She also creates gustatory sculptures that develop their meaning on the viewer’s tongue. Invisyllables is the first volume in her monograph, which is based on the concept of an open archive. The three volumes in the archive, entitled Moving Space, Moving Air, Moving Line each convey alternative phenomenological depictions while reciprocally integrating the others. Invisyllables is dedicated to Moving Space and shows current series of work and collaborations of this internationally acclaimed artist. With texts by: Ana María Romano G., Bruno Besana, Chris Chafe, Dong Yeon Koh 고동연, EfeCeEle, Felipe Cesar Lodoño, Geroco, Ingo Reulecke, Jorge Barco, Kim Alpert, Kisso Kim 김기수, Laetitia Sonami, Lee YOO 유리, Liana Zanfrisco, Maria Colusi, Mariela Yeregui, Mikyung Song 송미경, Mimi Jeong, Nicola L. Hein, Rebekkah Palov, Sabine Ercklentz, Sarah Weaver, Seth Cluett, Silke Lisek, Susanna Schoenberg, Stefanie Stallschus, Sue-C, Tatiana Durán Text in English, German and Spanish.

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This innovative book proposes a new institutional arrangement for government to fulfil the needs of its citizens as well as possible. Existing aspects of federalism and direct democracy in Europe are strengthened, and as a result future developments arising in the region are coped with better.In this book Bruno Frey and Reiner Eichenberger propose a new model of federalism which includes new types of governmental units established by citizens from below. These units are called functional, overlapping and competing jurisdictions as they extend over task-specific areas and therefore overlap. They also provide competitive governance via direct and representative democratic institutions, and as jurisdictions they have independent power over taxation policy. This new model is more responsive to citizens' preferences and adjusts more dynamically to provide public services efficiently. The authors suggest that this new system should be allowed to develop in Europe to safeguard diversity and ensure that decentralization emerges effectively. It would also allow for the flexible integration of East European transition economies into the European Union and may also combine with traditional modes of government in developing countries.This book will be warmly welcomed by economists, political scientists and sociologists interested in the future of the European Union, by all those studying federal systems of government, and by those interested in the prospects for improving democratic institutions throughout the world.

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This innovative book proposes a new institutional arrangement for government to fulfil the needs of its citizens as well as possible. Existing aspects of federalism and direct democracy in Europe are strengthened, and as a result future developments arising in the region are coped with better.In this book Bruno Frey and Reiner Eichenberger propose a new model of federalism which includes new types of governmental units established by citizens from below. These units are called functional, overlapping and competing jurisdictions as they extend over task-specific areas and therefore overlap. They also provide competitive governance via direct and representative democratic institutions, and as jurisdictions they have independent power over taxation policy. This new model is more responsive to citizens' preferences and adjusts more dynamically to provide public services efficiently. The authors suggest that this new system should be allowed to develop in Europe to safeguard diversity and ensure that decentralization emerges effectively. It would also allow for the flexible integration of East European transition economies into the European Union and may also combine with traditional modes of government in developing countries.This book will be warmly welcomed by economists, political scientists and sociologists interested in the future of the European Union, by all those studying federal systems of government, and by those interested in the prospects for improving democratic institutions throughout the world.

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The Two Cultures of English examines the academic discipline of English in the final decades of the twentieth century and the first years of the new millennium. During this period, longstanding organizational patterns within the discipline were disrupted. With the introduction of French theory into the American academy in the 1960s and 1970s, both literary studies and composition studies experienced a significant reorientation. The introduction of theory into English studies not only intensified existing tensions between those in literature and those in composition but also produced commonalities among colleagues that had not previously existed. As a result, the various fields within English began to share an increasing number of investments at the same time that institutional conflicts between them became more intense than ever before. Through careful reconsiderations of some of the key figures who shaped and were shaped by this new landscape—including Michel Foucault, Kenneth Burke, Paul de Man, Fredric Jameson, James Berlin, Susan Miller, John Guillory, and Bruno Latour—the book offers a more comprehensive map of the discipline than is usually understood from the perspective of either literature or composition alone. Possessing a clear view of the entire discipline is essential today as the contemporary corporate university pushes English studies to abandon its liberal arts tradition and embrace a more vocational curriculum. This book provides important conceptual tools for responding to and resisting in this environment.

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Cultural accounts of scientific ideas and practices have increasingly come to be welcomed as a corrective to previous—and still widely held—theories of scientific knowledge and practices as universal. The editors caution, however, against the temptation to overgeneralize the work of culture, and to lapse into a kind of essentialism that flattens the range and variety of scientific work. The book refers to this tendency as culturalism. The contributors to the volume model a new path where historicized and cultural accounts of scientific practice retain their specificity and complexity without falling into the traps of culturalism. They examine, among other issues, the potential of using notions of culture to study behavior in financial markets; the ideology, organization, and practice of earthquake monitoring and prediction during China's Cultural Revolution; the history of quadratic equations in China; and how studying the "glass ceiling" and employment discrimination became accepted in the social sciences. Demonstrating the need to understand the work of culture as a fluid and dynamic process that directly both shapes and is shaped by scientific practice, Cultures without Culturalism makes an important intervention in science studies. Contributors. Bruno Belhoste, Karine Chemla, Caroline Ehrhardt, Fa-ti Fan,Kenji Ito, Evelyn Fox Keller, Guillaume Lachenal, Donald MacKenzie, Mary S. Morgan, Nancy J. Nersessian, David Rabouin, Hans-Jörg Rheinberger, Claude Rosental, Koen Vermeir

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In this collection of essays representing fifty years of scholarship on Laurence Sterne, Melvyn New brings Sterne into conversation with other authors—both his contemporaries, such as James Boswell and Samuel Richardson, and modernists, such as Marcel Proust and James Joyce.New begins by focusing on Sterne’s texts and their sources, discussing the purposes of his famous borrowings from past writings, his Anglicanism, and his reliance on John Norris of Bemerton. This section concludes with an argument for the removal from Sterne’s canon of “The Unknown World.” New then offers several readings based on placing diverse texts in proximity, Charles Dickens’s Dombey and Son alongside the philosophy of Emmanuel Levinas, and Samuel Johnson’s “London” against T. S. Eliot’s “The Love Song of J. Alfred Prufrock. The final section offers several proximate readings of Sterne alongside his contemporaries, Jonathan Swift, Richardson, and Boswell, and modernist authors and texts—Proust, Bruno Schulz, Virginia Woolf’s Mrs. Dalloway, and Joyce’s A Portrait of the Artist as a Young Man.As he brings these varied authors together, New suggests that literary greatness inheres in the uncertainties and mysteries—in the words of Keats—of works proven capable of attracting thoughtful attention over varying times and wide spaces. He encourages the continued teaching of these challenging texts in the future of literary studies.

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Exploring the role of boundaries and limits in the writing of James JoyceBeating the Bounds examines the role of boundaries and limits in James Joyce’s later works, primarily Finnegans Wake but also Ulyssesand other texts. Building on the ideas of philosophers Friedrich Nietzsche, Giordano Bruno, and scholar Fritz Senn, Roy Benjamin explains and reconciles Joyce’s contrary tendencies to establish and transgress limits.Benjamin begins by contrasting Joyce’s exploration of the artificial impositions of ritual and political power with the writer’s attention to natural boundaries of rivers and mountains. The next section considers sexual, spiritual, and interpersonal boundaries in the Wake. Benjamin then discusses how Joyce simultaneously affirms and undermines the limits of philosophy, geometry, and aesthetics. The final section covers Joyce’s representation of the boundaries imposed in cosmogonic myths, the collision between the bounded medieval world and the boundless world of modern science, and the drive to escape from the boundaries of place.In this detailed and original analysis, Benjamin demonstrates that in Joyce’s writing, the tendency to disintegrate into chaos is countered by an urge to impose order. Benjamin’s close readings put an abundance of subjects in conversation through the concept of limits, showing the Wake’s relevance to many different fields of thought.A volume in the Florida James Joyce Series, edited by Sebastian D. G. Knowles.

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"Music Divided" explores how political pressures affected musical life on both sides of the iron curtain during the early years of the cold war. In this groundbreaking study, Danielle Fosler-Lussier illuminates the pervasive political anxieties of the day through particular attention to artistic, music-theoretical, and propagandistic responses to the music of Hungary's most renowned twentieth-century composer, Bela Bartok. She shows how a tense period of political transition plagued Bartok's music and imperiled those who took a stand on its aesthetic value in the emerging socialist state. Her fascinating investigation of Bartok's reception outside of Hungary demonstrates that Western composers, too, formulated their ideas about musical style under the influence of ever-escalating cold war tensions. "Music Divided" surveys Bartok's role in provoking negative reactions to 'accessible' music from Pierre Boulez, Hermann Scherchen, and Theodor Adorno. It considers Bartok's influence on the youthful compositions and thinking of Bruno Maderna and Karlheinz Stockhausen, and it outlines Bartok's legacy in the music of the Hungarian composers Andras Mihaly, Ferenc Szabo, and Endre Szervanszky. These details reveal the impact of local and international politics on the selection of music for concert and radio programs, on composers' choices about musical style, on government radio propaganda about music, on the development of socialist realism, and on the use of modernism as an instrument of political action.

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This accessible book explores the creative uses of photography with political purpose, both in terms of subject matter and of the political perspectives that have driven attitudes to viewing photographs. The shorter Part I reviews twentieth-century thinking that has influenced attitudes to photography and the political. Part II identifies the political ideas that drive practical strategies in the twenty-first century. It considers the politics of photography by looking at what affects people’s lives and agency: attitudes to difference and identity; power relations between institutions, individuals, and communities; the impact of trauma and global change. With a focus on the exchange of ideas between visual practice and theories, a selection of projects are examined from a range of perspectives, such as post-colonial and feminist thinking, post-humanism, and cultural and social theory, with references ranging from Michel Foucault and Judith Butler to Achille Mbembe, Bruno Latour, and Chantal Mouffe. The pursuit of ‘political aesthetics’ borrows from Jacques Rancière’s ideas about cultural production. Photography and Political Aesthetics identifies photography as politically productive when positioned within political movements, and champions practices that perform, investigate, or give attention to presentation and public dissemination. This book is ideally suited to students studying photography, art and aesthetics, visual politics, and cultural studies, and researchers across the fields of photography, media, art, and politics.

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The Two Cultures of English examines the academic discipline of English in the final decades of the twentieth century and the first years of the new millennium. During this period, longstanding organizational patterns within the discipline were disrupted. With the introduction of French theory into the American academy in the 1960s and 1970s, both literary studies and composition studies experienced a significant reorientation. The introduction of theory into English studies not only intensified existing tensions between those in literature and those in composition but also produced commonalities among colleagues that had not previously existed. As a result, the various fields within English began to share an increasing number of investments at the same time that institutional conflicts between them became more intense than ever before. Through careful reconsiderations of some of the key figures who shaped and were shaped by this new landscape—including Michel Foucault, Kenneth Burke, Paul de Man, Fredric Jameson, James Berlin, Susan Miller, John Guillory, and Bruno Latour—the book offers a more comprehensive map of the discipline than is usually understood from the perspective of either literature or composition alone. Possessing a clear view of the entire discipline is essential today as the contemporary corporate university pushes English studies to abandon its liberal arts tradition and embrace a more vocational curriculum. This book provides important conceptual tools for responding to and resisting in this environment.

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Posthumanism synthesizes philosophical, literary, and artistic responses to technological advancements, globalization, and mass extinction in the Anthropocene. It asks what it can mean to be human in an increasingly more-than-human world that has lost faith in the ideal of humanism, the autonomous, rational subject, and it models generative alternatives cognizant of the demands of social and ecological justice. Amid rising social justice movements, collapsing economic structures, and the dwindling power of cultural institutions, posthumanism advances thinking on new and previously unenvisionable challenges.Posthumanism in Art and Science is an anthology of indispensable statements and artworks that provide an unprecedented mapping of this intellectual and aesthetic development in a global context. It features groundbreaking theorists including Donna Haraway, Rosi Braidotti, Mel Y. Chen, Michael Marder, Alexander Weheliye, Anna Tsing, Timothy Morton, N. Katherine Hayles, Bruno Latour, Francesca Ferrando, and Cary Wolfe, as well as innovative, influential artists and curators such as Yvonne Rainer, Skawennati, Chus Martínez, William Wegman, Nandipha Mntambo, Cassils, Pauline Oliveros, and Doo-sung Yoo. These provocative and compelling works, including previously unpublished interviews and essays, speak to the ongoing conceptual and political challenge of posthumanist thinking in a time of unprecedented cultural and environmental crises.An essential primer and reference for educators, students, artists, and art enthusiasts, this volume offers a powerful framework for rethinking anthropocentric certitudes and reenvisioning equitable and sustainable futures.

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The Wiley Classics Library consists of selected books that havebecome recognized classics in their respective fields. With thesenew unabridged and inexpensive editions, Wiley hopes to extend thelife of these important works by making them available to futuregenerations of mathematicians and scientists. Currently availablein the Series: T. W. Anderson Statistical Analysis of Time SeriesT. S. Arthanari & Yadolah Dodge Mathematical Programming inStatistics Emil Artin Geometric Algebra Norman T. J. Bailey TheElements of Stochastic Processes with Applications to the NaturalSciences George E. P. Box & George C. Tiao Bayesian Inferencein Statistical Analysis R. W. Carter Simple Groups of Lie TypeWilliam G. Cochran & Gertrude M. Cox Experimental Designs,Second Edition Richard Courant Differential and Integral Calculus,Volume I Richard Courant Differential and Integral Calculus, VolumeII Richard Courant & D. Hilbert Methods of MathematicalPhysics, Volume I Richard Courant & D. Hilbert Methods ofMathematical Physics, Volume II D. R. Cox Planning of ExperimentsHarold M. S. Coxeter Introduction to Modern Geometry, SecondEdition Charles W. Curtis & Irving Reiner Representation Theoryof Finite Groups and Associative Algebras Charles W. Curtis &Irving Reiner Methods of Representation Theory with Applications toFinite Groups and Orders, Volume I Charles W. Curtis & IrvingReiner Methods of Representation Theory with Applications to FiniteGroups and Orders, Volume II Bruno de Finetti Theory ofProbability, Volume 1 Bruno de Finetti Theory of Probability,Volume 2 W. Edwards Deming Sample Design in Business Research Amosde Shalit & Herman Feshbach Theoretical Nuclear Physics, Volume1 --Nuclear Structure J. L. Doob Stochastic Processes NelsonDunford & Jacob T. Schwartz Linear Operators, Part One, GeneralTheory Nelson Dunford & Jacob T. Schwartz Linear Operators,Part Two, Spectral Theory--Self Adjoint Operators in Hilbert SpaceNelson Dunford & Jacob T. Schwartz Linear Operators, PartThree, Spectral Operators Herman Fsehbach Theoretical NuclearPhysics: Nuclear Reactions Bernard Friedman Lectures onApplications-Oriented Mathematics Gerald d. Hahn & Samuel S.Shapiro Statistical Models in Engineering Morris H. Hansen, WilliamN. Hurwitz & William G. Madow Sample Survey Methods and Theory,Volume I--Methods and Applications Morris H. Hansen, William N.Hurwitz & William G. Madow Sample Survey Methods and Theory,Volume II--Theory Peter Henrici Applied and Computational ComplexAnalysis, Volume 1--Power Series--lntegration--ConformalMapping--Location of Zeros Peter Henrici Applied and ComputationalComplex Analysis, Volume 2--Special Functions--IntegralTransforms--Asymptotics--Continued Fractions Peter Henrici Appliedand Computational Complex Analysis, Volume 3--Discrete FourierAnalysis--Cauchy Integrals--Construction of ConformalMaps--Univalent Functions Peter Hilton & Yel-Chiang Wu A Coursein Modern Algebra Harry Hochetadt Integral Equations Erwin O.Kreyezig Introductory Functional Analysis with Applications WilliamH. Louisell Quantum Statistical Properties of Radiation All HasanNayfeh Introduction to Perturbation Techniques Emanuel ParzenModern Probability Theory and Its Applications P.M. Prenter Splinesand Variational Methods Walter Rudin Fourier Analysis on Groups C.L. Siegel Topics in Complex Function Theory, Volume I--EllipticFunctions and Uniformization Theory C. L. Siegel Topics in ComplexFunction Theory, Volume II--Automorphic and Abelian integrals C. LSiegel Topics in Complex Function Theory, Volume III--AbelianFunctions & Modular Functions of Several Variables J. J. StokerDifferential Geometry J. J. Stoker Water Waves: The MathematicalTheory with Applications J. J. Stoker Nonlinear Vibrations inMechanical and Electrical Systems

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William Vacchiano (1912–2005) was principal trumpet with the New York Philharmonic from 1942 to 1973, and taught at Juilliard, the Manhattan School of Music, the Mannes College of Music, Queens College, and Columbia Teachers College. While at the Philharmonic, Vacchiano performed under the batons of Arturo Toscanini, Bruno Walter, Dimitri Mitropoulos, and Leonard Bernstein and played in the world premieres of almost 200 pieces by such composers as Vaughan Williams, Copland, and Barber. Vacchiano was important not only for his performances, but also for his teaching.His students have held the principal chairs of many major orchestras and areprominent teachers themselves, and they have enriched non-classical music as well. Two of his better known students are Miles Davis and Wynton Marsalis. Last Stop, Carnegie Hall features an overview of the life of this very private artist, based on several personal interviews conducted by Brian A. Shook and Vacchiano's notes for his own unpublished memoir. Shook also interviewed many of his students and colleagues and includes a chapter containing their recollections. Other important topics include analyses of Vacchiano's pedagogical methods and his interpretations of important trumpet pieces, his 'rules of orchestral performance,' and his equipment. A discography, a bibliography of Vacchiano's own works, and lists of his students and the conductors and players with whom he performed round out this richly illustrated examination of one of the most influential trumpet players and teachersof the twentieth century.

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A groundbreaking look at Gaia theory’s intersections with neocybernetic systems theory Often seen as an outlier in science, Gaia has run a long and varied course since its formulation in the 1970s by atmospheric chemist James Lovelock and microbiologist Lynn Margulis. Gaian Systems is a pioneering exploration of the dynamic and complex evolution of Gaia’s many variants, with special attention to Margulis’s foundational role in these developments.Bruce Clarke assesses the different dialects of systems theory brought to bear on Gaia discourse. Focusing in particular on Margulis’s work—including multiple pieces of her unpublished Gaia correspondence—he shows how her research and that of Lovelock was concurrent and conceptually parallel with the new discourse of self-referential systems that emerged within neocybernetic systems theory. The recent Gaia writings of Donna Haraway, Isabelle Stengers, and Bruno Latour contest its cybernetic status. Clarke engages Latour on the issue of Gaia’s systems description and extends his own systems-theoretical synthesis under what he terms “metabiotic Gaia.” This study illuminates current issues in neighboring theoretical conversations—from biopolitics and the immunitary paradigm to NASA astrobiology and the Anthropocene. Along the way, he points to science fiction as a vehicle of Gaian thought. Delving into many issues not previously treated in accounts of Gaia, Gaian Systems describes the history of a theory that has the potential to help us survive an environmental crisis of our own making.

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Derivatives Models on Models takes a theoretical and practical look at some of the latest and most important ideas behind derivatives pricing models. In each chapter the author highlights the latest thinking and trends in the area. A wide range of topics are covered, including valuation methods on stocks paying discrete dividend, Asian options, American barrier options, Complex barrier options, reset options, and electricity derivatives. The book also discusses the latest ideas surrounding finance like the robustness of dynamic delta hedging, option hedging, negative probabilities and space-time finance. The accompanying CD-ROM with additional Excel sheets includes the mathematical models covered in the book. The book also includes interviews with some of the world’s top names in the industry, and an insight into the history behind some of the greatest discoveries in quantitative finance. Interviewees include: Clive Granger, Nobel Prize winner in Economics 2003, on Cointegration Nassim Taleb on Black Swans Stephen Ross on Arbitrage Pricing Theory Emanuel Derman the Wall Street Quant Edward Thorp on Gambling and Trading Peter Carr the Wall Street Wizard of Option Symmetry and Volatility Aaron Brown on Gambling, Poker and Trading David Bates on Crash and Jumps Andrei Khrennikov on Negative Probabilities Elie Ayache on Option Trading and Modeling Peter Jaeckel on Monte Carlo Simulation Alan Lewis on Stochastic Volatility and Jumps Paul Wilmott on Paul Wilmott Knut Aase on Catastrophes and Financial Economics Eduardo Schwartz the Yoga Master of Quantitative Finance Bruno Dupire on Local and Stochastic Volatility Models

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This absorbing account of Catholic and anti-Catholic plots and machinations at the English, French, and exiled Scottish courts in the latter part of the sixteenth century is a sequel to John Bossy’s highly acclaimed Giordano Bruno and the Embassy Affair. It tells the story of an espionage operation in Elizabethan London that was designed to find out what side France would take in the hostilities between Protestant England and the Catholic powers of Europe. France was a Catholic country whose king was nonetheless hostile to Spanish and papal aggression, Bossy explains, but the king’s sister-in-law, Mary Queen of Scots, in custody in England since 1568, was a magnet for Catholic activists, and the French ambassador in London, Michel de Castelnau, was of uncertain leanings.Bossy relates how Queen Elizabeth’s Secretary of State, Sir Francis Walsingham, found a mole in Castelnau’s household establishment, who passed information to someone in Walsingham’s employ. Bossy discovers the identity of these persons, what items of intelligence were passed over, and what the English government decided to do with the information. He describes how individuals were arrested or fled, a political crisis occurred, an ambassador was expelled, deals were made. He concludes with a discussion of the authenticity of Elizabethan secret operations, arguing that they were not theatrical devices to prop up an unpopular regime but were a response to genuine threats of counter-revolution inspired by Catholic zeal.

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As humanity continues to consume planetary resources at an unsustainable rate, we require not only new and renewable forms of energy but also new ways of understanding energy itself. Clayton Crockett offers an innovative philosophy of energy that cuts across a number of leading-edge disciplines. Drawing from contemporary philosophies of New Materialism, non-Western traditions, and the sciences, he develops a comprehensive vision of energy as a material process spanning physics, biology, politics, ecology, and religion.Crockett argues that change is foundational to material reality, which is ceaselessly self-organizing. We can observe energy’s effects in the operations of natural selection as well as those at work in human societies. Matter and energy are not an oppositional binary; rather, they are expressions of how change functions in the universe. Ultimately, Crockett argues, we can conceive of God neither as a deity nor as a being but as the principle of change.Informed by cutting-edge theoretical discourses in thermodynamics, science studies, energy humanities, systems theory, continental philosophy, and radical theology, Energy and Change draws on theorists such as Gilles Deleuze, Catherine Malabou, Slavoj Žižek, Karen Barad, Bruno Latour, and Kojin Karatani as well as ideas about spirituality, society, and nature from Amerindian, Vodou, and Neo-Confucian traditions. A foundational work in New Materialist philosophy of religion, this book offers compelling new insights into the structure of the cosmos and our place in it.

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What do Socrates, Hypatia, Giordano Bruno, Thomas More, and Jan Patocka have in common? First, they were all faced one day with the most difficult of choices: stay faithful to your ideas and die or renounce them and stay alive. Second, they all chose to die. Their spectacular deaths have become not only an integral part of their biographies, but are also inseparable from their work. A "death for ideas" is a piece of philosophical work in its own right; Socrates may have never written a line, but his death is one of the greatest philosophical best-sellers of all time. Dying for Ideas explores the limit-situation in which philosophers find themselves when the only means of persuasion they can use is their own dying bodies and the public spectacle of their death. The book tells the story of the philosopher's encounter with death as seen from several angles: the tradition of philosophy as an art of living; the body as the site of self-transcending; death as a classical philosophical topic; taming death and self-fashioning; finally, the philosophers' scapegoating and their live performance of a martyr's death, followed by apotheosis and disappearance into myth. While rooted in the history of philosophy, Dying for Ideas is an exercise in breaking disciplinary boundaries. This is a book about Socrates and Heidegger, but also about Gandhi's "fasting unto death" and self-immolation; about Girard and Passolini, and self-fashioning and the art of the essay.

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'A thoroughly enjoyable book and the introduction to a great series' 5* READER REVIEWCrime fiction fans worldwide are talking about the Dordogne Mysteries. In the first book in this beloved series, read and discover why, and what dark secrets are lurking in the idyllic French town of St Denis.When an old man, head of an immigrant North African family, is found murdered, suspicion falls on the son of the local doctor, discovered playing sex games surrounded by Nazi paraphernalia.But policeman Bruno isn't convinced, and suspects the crime has its roots in that most tortured period of French history - World War 2, a time of terror and betrayal that set brother against brother. Now it's up to him to find the killer - but will the people of St Denis allow him to go digging through a past they long to forget in order to do so?'An auspicious beginning and can be recommended unreservedly' 5* READER REVIEW'The descriptions of people, the area, food and wine give a great insight to this part in France' 5* READER REVIEW'I could almost see the countryside, taste the food, appreciate the characters' 5* READER REVIEW'The book is wonderful and I have purchased the next four' 5* READER REVIEW'Whether you fancy a trip through the sleepy Dordogne or a fascinating crime story then this book is for you' 5* READER REVIEW

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'It is about time that economists - and other social scientists - go beyond material aspects and seriously study interpersonal relationships such as giving and informal work. And Lorna Zischka does this by providing an excellent overview of the existing literature and by contributing important empirical analyses.' - Bruno S. Frey, CREMA - Center for Research in Economics, Management and the Arts, SwitzerlandRelationships between people are known to impact our quality of life, and the cohesive nature of those relationships can be evaluated by the time and money that people put into them. In this book, Lorna Zischka explores ways in which a person s willingness to 'give' both reflects and generates social cohesion. Zischka draws together two distinct bodies of literature; on social capital and on generosity, as well as analysing UK data to reveal the strong links between 'giving' patterns and community cohesion. Reacting to the needs and interests of others brings communities together, building positive relationships and enabling people to work together more effectively. Welfare policy can be improved by directing attention to the relationships that underlie 'giving', and as such this book is an important read for community development practitioners and policy makers. Finding out if a programme stimulates more people to 'give' represents a measurable goal that has a tangible impact on social cohesion. This is also a valuable read for social science scholars wishing to explore the feedback loops between thriving communities and the act of 'giving'.

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An interdisciplinary approach to a crucial part of the systems of medieval authority and governance. In the medieval world, what happened when a figure of recognised authority was absent? What terminology, principles and solutions of proxy authority were developed and adopted? Did these solutions differ and change over time depending on whether the absence was short or long and caused by issues of incapacity, minority, disputed succession, geography or elective absenteeism? Did the models of proxy authority adopted by ruling dynasties and large institutions influence the proxy choices of lesser authority? The circumstances and consequences of absentee authority, a major aspect of the systems of medieval power, are the focus of this volume. Ranging across the realms of medieval Europe (but with a focus upon the British Isles and France), its essays embrace a wide variety of experience - royal, parliamentary, conciliar, magnatial, military, ecclesiastical (papal to parochial), burghal, household, minoror major, male or female, exiled, captive or infirm - and explore not merely political developments, but the dynastic, diplomatic, financial, ideological, religious and cultural ramifications of such episodes. Frédérique Lachaud is Professor of medieval history at the Université de Lorraine, France; Michael Penman is Senior Lecturer in history at the University of Stirling, Scotland. Contributors: James Bothwell Michelle Bubenicek, Léonard Dauphant , Bruno Dumézil, Laurent Hablot, Torsten Hiltmann, Tom Horler-Underwood, Robert Houghton, Olivier de Laborderie, Frédérique Lachaud, Hans Jacob Orning, Michael Penman. Norman Reid

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Higher education worldwide, including the university and other related academic programs, is currently undergoing intensive change and transformation perhaps as no other time in its long history. One factor contributing to this rapid transformation is the global expansion of higher education at unprecedented rates. More of the world's population is continuing to higher education (and other forms of tertiary education) now than ever before. In fact, enrollment in institutions of higher education around the world is growing at a rapid rate. Some scholars have suggested that one reason for this rapid expansion is that the role of higher education has shifted over the last 50 years from an elite to a mass institution. As a result of this rapid expansion and shift in focus, the nature of students, faculty, the curriculum, and assessment is changing within the institution. And in society, the value of higher education and its impact on socioeconomic status, human capital, and technical innovation is changing as well. As a whole, the chapters in this volume in the "International Perspectives on Education and Society" series present a thoughtful discussion of the worldwide transformation of higher education from multiple perspectives. Contributors include Gaele Goastellec, David Turner, John C. Weidman, Adiya Enkhjargal, Christine Min Wotipka, Francisco O. Ramirez, Karin Amos, Lucia Bruno, Marcelo Parreira do Amaral, Mark S. Johnson, Christopher Collins, Robert A. Rhoads, Sunwoong Kim, Jun Li, Jing Lin, Chuing Prudence Chou, Philip G. Altbach, and Patti McGill Peterson.

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A charged biography of a notorious Nazi art plunderer and his career in the postwar art world “[Petropoulos] brings Lohse into sharper focus, as a personality and axis point from which to explore a network of art dealers, collectors and museum curators connected to Nazi looting. . . . What emerges from Petropoulos’s research is a portrait of a charismatic and nefarious figure who tainted everyone he touched.”—Nina Siegal, New York Times “Readers of art history and WWII biographies will appreciate this engrossing deep dive into one of the world’s most prolific art looters.”—Publishers Weekly Bruno Lohse (1911–2007) was one of the most notorious art plunderers in history. Appointed by Hermann Göring to Hitler’s art looting agency in Paris, he went on to help supervise the systematic theft and distribution of more than thirty thousand artworks, taken largely from French Jews, and to assist Göring in amassing an enormous private art collection. By the 1950s Lohse was officially denazified but was back in the art dealing world, offering masterpieces of dubious origin to American museums. After his death, dozens of paintings by Renoir, Monet, and Pissarro, among others, were found in his Zurich bank vault and adorning the walls of his Munich home. Jonathan Petropoulos spent nearly a decade interviewing Lohse and continues to serve as an expert witness for Holocaust restitution cases. Here he tells the story of Lohse’s life, offering a critical examination of the postwar art world.

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An astute exploration of the most outrageous shoe designs of the 21st century This fabulously illustrated book explores western culture’s fascination with extravagant and fashionable shoes. Over the past decade, shoe design has become increasingly central to fashion, with fashion companies paying ever more attention to shoes and other accessories. High-heeled shoes, in particular, have become the fashion accessory of the 21st century.Co-written by one of the world’s leading historians of fashion and an authority on fashion accessories, the book features approximately 150 pairs of the most extreme and ultra-fashionable styles of the past 12 years, including work by such prominent designers as Manolo Blahnik, Pierre Hardy, Christian Louboutin and Bruno Frisoni for Roger Vivier, as well as shoes by influential design houses such as Azzedine Alaïa, Balenciaga, Alexander McQueen, and Prada. Avant-garde styles by up-and-coming designers such as Japan’s Kei Kagami and Noritaka Tatehana are also highlighted.Shoe Obsession examines recent extreme and fantastical shoe styles in relation to the history of high heels, the role of shoes as a reflection of their wearers’ personality traits, and the importance of shoes in art and exhibitions. The book is lavishly illustrated with full-color photographs of spectacular contemporary shoe designs.Published in association with The Fashion Institute of Technology, New YorkExhibition Schedule:The Fashion Institute of Technology, New York(02/07/13-04/13/13)

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Jung’s lectures on the psychology of Jesuit spiritual practice—unabridged in English for the first timeBetween 1933 and 1941, C. G. Jung delivered a series of public lectures at the Swiss Federal Institute of Technology (ETH) in Zurich. Intended for a general audience, these lectures addressed a broad range of topics, from yoga and meditation to dream analysis and the psychology of alchemy. Here for the first time are Jung’s complete lectures on Ignatius of Loyola’s Spiritual Exercises, delivered in the winter of 1939–1940.These illuminating lectures are the culmination of Jung’s investigation into traditional forms of meditation and their parallels to his psychotherapeutic method of active imagination. Jung presents Loyola’s exercises as the prime example of a Christian practice comparable to yoga and Eastern meditation, and gives a psychological interpretation of the visions depicted in the saint’s autobiographical writings. Offering a unique opportunity to encounter the brilliant psychologist as he shares his ideas with the general public, the lectures reflect Jung’s increasingly positive engagement with Roman Catholicism, a development that would lead to his fruitful collaborations after the war with eminent Catholic theologians such as Victor White, Bruno de Jésus-Marie, and Hugo Rahner.Featuring an authoritative introduction by Martin Liebscher along with explanations of Jungian concepts and psychological terminology, this splendid book provides an invaluable window on the evolution of Jung’s thought and a vital key to understanding his later work.

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The Delta is a densely populated place. Whole countries inhabit it, exercising their powers and authority, presenting their offers of complicity and compliance. Individuals move through the night and come upon themselves in its mirrors. Dreamers and fantasists repopulate its hidden corners: Rimbaud, Bruno Schultz, William Blake, Arthur Schnitzler and the physicist Dennis Gabor lay claim to their own visions of it. Animals gaze at their human companions who gaze back. They try to puzzle each other out, looking to climb into each other's eyes. They court each other, desire their own species, are captivated both by each other's and their own beauty. Life goes on its desultory way, finding itself between creeks and cracks. And occasionally the world does crack open. Planes crash, boats sink, weather changes, floodwaters rise, people vanish on journeys. Anxiety remains: disaster zones persist into old age and death, and into the life, death and resurrection of language itself. At the core of the book is The Yellow Room, a sequence of mirror poems contemplating the Jewishness of the poet's father. The room constricts and glows.The poem breaks up across the page at intervals then reassembles into its mirrors. Many of the poems are formal haiku sequences. They are new parts of a personal Delta. Others are in rhymed and broken stanzas. The Delta has to survive - if it survives at all - on its broken patterns. Poetry Book Society Choice.

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The French philosopher Gilles Deleuze was one of the most innovative and revolutionary thinkers of the twentieth century. Author of more than twenty books on literature, music, and the visual arts, Deleuze published the first volume of his two-volume study of film, Cinema 1: The Movement-Image, in 1983 and the second volume, Cinema 2: The Time-Image, in 1985. Since their publication, these books have had a profound impact on the study of film and philosophy. Film, media, and cultural studies scholars still grapple today with how they can most productively incorporate Deleuze's thought.The first new collection of critical studies on Deleuze's cinema writings in nearly a decade, Afterimages of Gilles Deleuze's Film Philosophy provides original essays that evaluate the continuing significance of Deleuze's film theories, accounting systematically for the ways in which they have influenced the investigation of contemporary visual culture and offering new directions for research.Contributors: Raymond Bellour, Centre Nationale de Recherches Scientifiques; Ronald Bogue, U of Georgia; Giuliana Bruno, Harvard U; Ian Buchanan, Cardiff U; James K. Chandler, U of Chicago; Tom Conley, Harvard U; Amy Herzog, CUNY; András Bálint Kovács, Eötvös Loránd U; Patricia MacCormack, Anglia Ruskin U; Timothy Murray, Cornell U; Dorothea Olkowski, U of Colorado; John Rajchman, Columbia U; Marie-Claire Ropars-Wuilleumier, U Paris VIII; Garrett Stewart, U of Iowa; Damian Sutton, Glasgow School of Art; Melinda Szaloky, UC Santa Barbara.

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Europe's long sixteenth century--a period spanning the years roughly from the voyages of Columbus in the 1490s to the English Civil War in the 1640s--was an era of power struggles between avaricious and unscrupulous princes, inquisitions and torture chambers, and religious differences of ever more violent fervor. Ideas of Liberty in Early Modern Europe argues that this turbulent age also laid the conceptual foundations of our modern ideas about liberty, justice, and democracy. Hilary Gatti shows how these ideas emerged in response to the often-violent entrenchment of monarchical power and the fragmentation of religious authority, against the backdrop of the westward advance of Islam and the discovery of the New World. She looks at Machiavelli's defense of republican political liberty, and traces how liberty became intertwined with free will and religious pluralism in the writings of Luther, Erasmus, Jean Bodin, and Giordano Bruno. She examines how the St. Bartholomew's Day Massacre and the clash of science and religion gave rise to concepts of liberty as freedom of thought and expression. Returning to Machiavelli and moving on to Jacques Auguste de Thou, Paolo Sarpi, and Milton, Gatti delves into debates about the roles of parliamentary government and a free press in guaranteeing liberties. Drawing on a breadth of canonical and lesser-known writings, Ideas of Liberty in Early Modern Europe reveals how an era stricken by war and injustice gave birth to a more enlightened world.

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In the fall of 1950, newspapers around the world reported that the Italian-born nuclear physicist Bruno Pontecorvo and his family had mysteriously disappeared while returning to Britain from a holiday trip. Because Pontecorvo was known to be an expert working for the UK Atomic Energy Research Establishment, this raised immediate concern for the safety of atomic secrets, especially when it became known in the following months that he had defected to the Soviet Union. Was Pontecorvo a spy? Did he know and pass sensitive information about the bomb to Soviet experts? At the time, nuclear scientists, security personnel, Western government officials, and journalists assessed the case, but their efforts were inconclusive and speculations quickly turned to silence. In the years since, some have downplayed Pontecorvo's knowledge of atomic weaponry, while others have claimed him as part of a spy ring that infiltrated the Manhattan Project. "The Pontecorvo Affair" draws from newly disclosed sources to challenge previous attempts to solve the case, offering a balanced and well-documented account of Pontecorvo, his activities, and his possible motivations for defecting. Along the way, Simone Turchetti reconsiders the place of nuclear physics and nuclear physicists in the twentieth century and reveals that as the discipline's promise of military and industrial uses came to the fore, so did the enforcement of new secrecy provisions on the few experts in the world specializing in its application.

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A groundbreaking look at Gaia theory’s intersections with neocybernetic systems theory Often seen as an outlier in science, Gaia has run a long and varied course since its formulation in the 1970s by atmospheric chemist James Lovelock and microbiologist Lynn Margulis. Gaian Systems is a pioneering exploration of the dynamic and complex evolution of Gaia’s many variants, with special attention to Margulis’s foundational role in these developments.Bruce Clarke assesses the different dialects of systems theory brought to bear on Gaia discourse. Focusing in particular on Margulis’s work—including multiple pieces of her unpublished Gaia correspondence—he shows how her research and that of Lovelock was concurrent and conceptually parallel with the new discourse of self-referential systems that emerged within neocybernetic systems theory. The recent Gaia writings of Donna Haraway, Isabelle Stengers, and Bruno Latour contest its cybernetic status. Clarke engages Latour on the issue of Gaia’s systems description and extends his own systems-theoretical synthesis under what he terms “metabiotic Gaia.” This study illuminates current issues in neighboring theoretical conversations—from biopolitics and the immunitary paradigm to NASA astrobiology and the Anthropocene. Along the way, he points to science fiction as a vehicle of Gaian thought. Delving into many issues not previously treated in accounts of Gaia, Gaian Systems describes the history of a theory that has the potential to help us survive an environmental crisis of our own making.

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Presenting an unprecedented, integrated view of migration in North America, this interdisciplinary collection of essays illuminates the movements of people within and between Canada, the Caribbean, Mexico, and the United States over the past two centuries. Several essays discuss recent migrations from Central America as well. In the introduction, Dirk Hoerder provides a sweeping historical overview of North American societies in the Atlantic world. He also develops and advocates what he and Nora Faires call “transcultural societal studies,” an interdisciplinary approach to migration studies that combines migration research across disciplines and at the local, regional, national, and transnational levels. The contributors examine the movements of diverse populations across North America in relation to changing cultural, political, and economic patterns. They describe the ways that people have fashioned cross-border lives, as well as the effects of shifting labor markets in facilitating or hindering cross-border movement, the place of formal and informal politics in migration processes and migrants’ lives, and the creation and transformation of borderlands economies, societies, and cultures. This collection offers rich new perspectives on migration in North America and on the broader study of migration history. Contributors. Jaime R. Aguila. Rodolfo Casillas-R., Nora Faires, Maria Cristina Garcia, Delia Gonzáles de Reufels, Brian Gratton, Susan E. Gray, James N. Gregory, John Mason Hart, Dirk Hoerder, Dan Killoren, Sarah-Jane (Saje) Mathieu, Catherine O’Donnell, Kerry Preibisch, Lara Putnam, Bruno Ramirez, Angelika Sauer, Melanie Shell-Weiss, Yukari Takai, Omar S. Valerio-Jiménez, Carlos G. Vélez-Ibáñez

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How have our conceptions of primate behaviour and society changed since primatology came into its own after World War II? What kind of science is primatology, and what role have women scientists played in its development? "Primate Encounters" represents a pioneering attempt to answer these questions by bringing together two groups of scholars who often ask them: scientists and those who study them. The result is a fascinating and provocative collective reflection on primatology and on science in general, and on the relations of both broader cultural, historical and social issues. Beginning with a history of ideas about primate society, the book continues with personal reflections from senior primatologists who have lived that history. Other chapters reveal the diversity of "primatologies" that exist outside North America, compare the history of primatology to that of closely related disciplines such as archaeology and animal behaviour, and examine the roles that gender, media, society and technology have played in the development of the field. With contributions by a number of well known scholars in both primatology and science studies, including Donna Haraway, Alison Jolly, Bruno Latour and Robert W. Sussman, "Primate Encounters" demonstrates the exciting possibilities that arise when scholars from both sides of the "science wars" trade ideas rather than insults. The book also includes a selection of informal e-mail exchanges that allows readers to experience firsthand some of the lively discussions generated by such a diverse group of contributors.

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The long-established dialogue between architecture and film offers an interdisciplinary platform for a critical examination of spaces of in-between. Apart from architecture informing scenography and cities serving as backdrops to the moving image, films have actively participated in shaping the public opinion about architecture and its allied disciplines. While architecture and design may not necessarily be central themes in a film, their spatial contextualization of the narrative informs cinematic productions. Screen, Space, and the In-Between looks at both the filmic imagination/representation of architectural in-betweenness, as well as the in-between spaces within the inherent architectural structure of filmic expression. On the one hand, cinematic production serves as a site to project utopian fantasies of the built environment, and on the other hand, the processes, tools, and methods involved in both architecture and film, function as mediators between abstract ideation and its materialized manifestation. The book interrogates the filmic creation of spatial imaginaries through the anthropological lens, especially as the disciplines in the built environment react to the liminal spaces of the cinematic. It adopts cinematic experiences of the built environment as a vantage point to reframe ongoing theoretical debates about liminal spaces. Foreword by Mark Foster Gage Contributors: Giuliana Bruno, Beatriz Colomina, James F. Kerestes, Graham Harman, Ferda Kolatan, Juhani Pallasmaa, Eva Perez De Vega, Mehmet Sahinler, Patrik Schumacher, Maria Sieira, Alican Taylan, Vahid Vahdat, Jason Vigneri-Beane, Jon Yoder, Michael Young

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As humanity continues to consume planetary resources at an unsustainable rate, we require not only new and renewable forms of energy but also new ways of understanding energy itself. Clayton Crockett offers an innovative philosophy of energy that cuts across a number of leading-edge disciplines. Drawing from contemporary philosophies of New Materialism, non-Western traditions, and the sciences, he develops a comprehensive vision of energy as a material process spanning physics, biology, politics, ecology, and religion.Crockett argues that change is foundational to material reality, which is ceaselessly self-organizing. We can observe energy’s effects in the operations of natural selection as well as those at work in human societies. Matter and energy are not an oppositional binary; rather, they are expressions of how change functions in the universe. Ultimately, Crockett argues, we can conceive of God neither as a deity nor as a being but as the principle of change.Informed by cutting-edge theoretical discourses in thermodynamics, science studies, energy humanities, systems theory, continental philosophy, and radical theology, Energy and Change draws on theorists such as Gilles Deleuze, Catherine Malabou, Slavoj Žižek, Karen Barad, Bruno Latour, and Kojin Karatani as well as ideas about spirituality, society, and nature from Amerindian, Vodou, and Neo-Confucian traditions. A foundational work in New Materialist philosophy of religion, this book offers compelling new insights into the structure of the cosmos and our place in it.

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In the 21st century, architects and engineers are being challenged to produce work that is concurrently sustainable and resilient. Buildings need to mitigate their impact on climate change by minimising their carbon footprint, while also countering the challenging new weather conditions. Globally, severe storms, extreme droughts and rising sea levels are becoming an increasingly reoccurring feature. To respond, a design process is required that seeks to integrate resiliency by building in the capacity to absorb the impacts of these disruptive events and adapt over time to further changes, while simultaneously being part of the solution to the problem itself. This issue of AD is guest-edited by the interdisciplinary team at Stevens Institute of Technology who developed the winning entry for the 2015 US Department of Energy Solar Decathlon competition, the SU+RE House. While particular focus is paid to this student designed and built prototype home, the publication also provides a broader discussion of the value of design-build as a model for tackling the issue of integrating sustainability and resilience, and what changes are required across education, policy, practice and industry for widespread implementation. Contributors include: Bronwyn Barry, Michael Bruno, Alex Carpenter, Adam Cohen, Ann Holtzman, Ken Levenson, Brady Peters, Terri Peters, Karin Stieldorf, Alex Washburn, Claire Weisz, and Graham Wright. Featured architects: 3XN/GXN, FXFOWLE Architects, Local Office Landscape Architecture (LOLA), Lateral Office, Skidmore, Owings & Merrill (SOM), Snohetta, Structures Design Build, and WXY Studio.

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Europe's long sixteenth century--a period spanning the years roughly from the voyages of Columbus in the 1490s to the English Civil War in the 1640s--was an era of power struggles between avaricious and unscrupulous princes, inquisitions and torture chambers, and religious differences of ever more violent fervor. Ideas of Liberty in Early Modern Europe argues that this turbulent age also laid the conceptual foundations of our modern ideas about liberty, justice, and democracy. Hilary Gatti shows how these ideas emerged in response to the often-violent entrenchment of monarchical power and the fragmentation of religious authority, against the backdrop of the westward advance of Islam and the discovery of the New World. She looks at Machiavelli's defense of republican political liberty, and traces how liberty became intertwined with free will and religious pluralism in the writings of Luther, Erasmus, Jean Bodin, and Giordano Bruno. She examines how the St. Bartholomew's Day Massacre and the clash of science and religion gave rise to concepts of liberty as freedom of thought and expression. Returning to Machiavelli and moving on to Jacques Auguste de Thou, Paolo Sarpi, and Milton, Gatti delves into debates about the roles of parliamentary government and a free press in guaranteeing liberties. Drawing on a breadth of canonical and lesser-known writings, Ideas of Liberty in Early Modern Europe reveals how an era stricken by war and injustice gave birth to a more enlightened world.

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The inspirational story of two women whose lives have been destroyed by disaster but find healing in a special house.When Beck Holiday lost her father in the North Tower on 9/11, she also lost her memories of him. Eighteen years later, she’s a tough New York City cop burdened with a damaging secret, suspended for misconduct, and struggling to get her life in order.When a mysterious letter arrives informing Beck that she’s inherited a house along Florida’s northern coast, she discovers something there that will change her life forever. Matters of the heart only become more complicated when she runs into handsome Bruno Endicott, a sports agent who has never forgotten their connection as teenagers. But Beck can't even remember him.Decades earlier, widow Everleigh Applegate lives a steady, uneventful life with her widowed mother after a tornado ripped through Waco, Texas, and destroyed her new, young married life. When she runs into her former high school friend Don Callahan, she begins to yearn for change. Yet no matter how much she longs to love again, she is hindered by a secret she can never share.New York Times bestselling author Rachel Hauck brings us a sweet romance where the power of love and the miracle of faith promise hope and healing in a beautiful Victorian home known affectionately as The Memory House. A split-time (contemporary and historical) standalone romance Book length: approximately 100,000 words Includes discussion questions for book clubs Also by Rachel Hauck: The Wedding Dress, Once Upon a Prince, and The Writing Desk

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Cookie is a restaurant in Glasgow which has an open kitchen at its heart, featuring seasonal cooking and a fusion of Scottish and Italian food traditions. Cookie Cooks brings together the restaurant's most delicious recipes, and tells the story of cooking between two countries. Melanie and Domenico are Scottish and Italian respectively, with a family here in Scotland and another home with a large, productive olive grove in Umbria, Italy. The things that set them apart as restauranteurs are their dedication to genuinely local, artisan ingredients (they use everything from their own olive oil to local southside honey), and their passion for sharing knowledge and recipes, traditions and culture. 'We run a barter system with local allotment gardeners, and often they will grow specific items for our chefs. We use local producers and source all of our products individually. We can tell you the story behind everything available in Cookie.' Cookie Cooks traces the story behind their food: from the classic southern Italian recipes cooked by Domenico's father Bruno to Melanie's allotment cooking, via home-made fish-fingers and Grandma's rowan and crab-apple jelly the book is all about how families eat and how food traditions fit with contemporary life. Fresh, simple recipes, that make it easy to eat well. With illustrations by Glasgow-based graffiti artist Conzo Throb, Cookie Cooks is as much of a pleasure to read as it is to cook from. 'If only we all had somewhere like this on our doorsteps.' Joanna Blythman

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The bestselling advanced management accounting textbook. For Management Control or Advanced Management Accounting modules on undergraduate, postgraduate or MBA courses. Management Control Systems, 5th edition is the latest edition of the bestselling textbook in the field of management accounting, renowned for its authorship and excellently researched material. An essential learning resource presenting a wealth of international examples from real companies, this text will help you gain a solid grasp of this important subject. Whether or not you have a management background, the clear explanations in this textbook will introduce you to the authors' leading framework and approach, helping you understand a wide variety of performance measures and controls as well as how to use them. Its extensive range of 75 case studies grounds the concepts in reality, emphasising the difference that well-designed controls can make. Key features A brand-new chapter on environmental, social and governance issues, including corporate social responsibility, reflects new initiatives and policies and their impact on today's organisations. Comprehensive and detailed coverage of measures that focuses not only on results, but also broader management controls, with aims other than profit maximisation. Updated examples and cases bring the subject to life by exploring examples of well-known businesses such as Microsoft and the implications of infamous scandals such as Carillion. New content considers the impacts of recent global shocks and world events and their influence on companies. This title is recommended as a significant textbook within Bruno S. Frey and Christoph A. Schaltegger (eds), 21st Century Economics – Economic Ideas You Should Read and Remember (Springer, 2019).

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What objects exist in the social world and how should we understand them? Is a specific Pizza Hut restaurant as real as the employees, tables, napkins and pizzas of which it is composed, and as real as the Pizza Hut corporation with its headquarters in Wichita, the United States, the planet Earth and the social and economic impact of the restaurant on the lives of its employees and customers? In this book the founder of object-oriented philosophy develops his approach in order to shed light on the nature and status of objects in social life. While it is often assumed that an interest in objects amounts to a form of materialism, Harman rejects this view and develops instead an “immaterialist” method. By examining the work of leading contemporary thinkers such as Bruno Latour and Levi Bryant, he develops a forceful critique of ‘actor-network theory’. In an extended discussion of Leibniz’s famous example of the Dutch East India Company, Harman argues that this company qualifies for objecthood neither through ‘what it is’ or ‘what it does’, but through its irreducibility to either of these forms. The phases of its life, argues Harman, are not demarcated primarily by dramatic incidents but by moments of symbiosis, a term he draws from the biologist Lynn Margulis. This book provides a key counterpoint to the now ubiquitous social theories of constant change, holistic networks, performative identities, and the construction of things by human practice. It will appeal to anyone interested in cutting-edge debates in philosophy and social and cultural theory.

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Socially, politically, and artistically, the 1950s make up an odd interlude between the first half of the twentieth century-still tied to the problems and orders of the Victorian era and Gilded Age-and the pervasive transformations of the later sixties. In Revolution, Matthew Wilkens argues that postwar fiction functions as a fascinating model of revolutionary change. Uniting literary criticism, cultural analysis, political theory, and science studies, Revolution reimagines the years after World War II as at once distinct from the decades surrounding them and part of a larger-scale series of rare, revolutionary moments stretching across centuries. Focusing on the odd mix of allegory, encyclopedism, and failure that characterizes fifties fiction, Wilkens examines a range of literature written during similar times of crisis, in the process engaging theoretical perspectives from Walter Benjamin and Fredric Jameson to Bruno Latour and Alain Badiou alongside readings of major novels by Ralph Ellison, William Gaddis, Doris Lessing, Jack Kerouac, Thomas Pynchon, and others. Revolution links the forces that shaped postwar fiction to the dynamics of revolutionary events in other eras and social domains. Like physicists at the turn of the twentieth century or the French peasantry of 1789, midcentury writers confronted a world that did not fit their existing models. Pressed to adapt but lacking any obvious alternative, their work became sprawling and figurative, accumulating unrelated details and reusing older forms to ambiguous new ends. While the imperatives of the postmodern eventually gave order to this chaos, Wilkens explains that the same forces are again at work in today's fracturing literary market.

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