Search results for ""Author Black"

A picture-book biography of celebrated poet Gwendolyn Brooks, the first Black person to win the Pulitzer Prize Gwendolyn Brooks (1917–2000) is known for her poems about “real life.” She wrote about love, loneliness, family, and poverty—showing readers how just about anything could become a beautiful poem. Exquisite follows Gwendolyn from early girlhood into her adult life, showcasing her desire to write poetry from a very young age. This picture-book biography explores the intersections of race, gender, and the ubiquitous poverty of the Great Depression—all with a lyrical touch worthy of the subject. Gwendolyn Brooks was the first Black person to win the Pulitzer Prize, receiving the award for poetry in 1950. And in 1958, she was named the poet laureate of Illinois. A bold artist who from a very young age dared to dream, Brooks will inspire young readers to create poetry from their own lives.

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"Do you want to learn more about software telemetry? Don't look any further, this book is the one you need." - Sander Zegveld Software telemetry is the discipline of tracing, logging, and monitoring infrastructure by observing and analyzing the events generated by the system. In Software Telemetry, you'll master the best practices for operating and updating telemetry systems. This practical guide is filled with techniques you can apply to any organization upgrading and optimizing their telemetry systems, from lean startups to well-established companies. You'll learn troubleshooting techniques to deal with every eventuality, such as building easily-auditable systems, preventing and handling accidental data leaks, and ensuring compliance with standards like GDPR. about the technologyComplex systems can become black boxes. Telemetry provides feedback on what's happening inside. Telemetry systems are built for gathering, transforming, and communicating data on the performance, functionality, processing speeds, errors, and security events of production systems. There are many forms of telemetry systems, from classic centralized logging to cutting-edge distributed tracing that follows data across microservices. But despite their difference in functionality, all telemetry systems share core operational similarities—and best practices for optimizing them to support your business needs. about the bookSoftware Telemetry is a guide to operating the telemetry systems that monitor and report on your applications. It takes a big picture view of telemetry, teaching you to manage your logging, metrics, and events as a complete end-to-end ecosystem. You'll learn the base architecture that underpins any software telemetry system, allowing you to easily integrate new systems into your existing infrastructure, and how these systems work under the hood. Throughout, you'll follow three very different companies to see how telemetry techniques impact a software-producing startup, a large legacy enterprise, and any organization that writes software for internal use. You'll even cover how software telemetry is used by court processes—ensuring that when your first telemetry discovery request arrives, there's no reason to panic! what's inside- Processes for legal compliance- Cleaning up after toxic data spills and leaks- Safely handling toxic telemetry and confidential records- Multi-tenant techniques and transformation processes- Updating metrics aggregation and sampling traces to display accurate data for longer- Revising software telemetry emissions to be easier to parse- Justifying increased spend on telemetry software about the readerFor software developers and infrastructure engineers supporting and building telemetry systems. about the authorJamie Riedesel is a staff engineer at Dropbox. She has over twenty years of experience in IT, working in government, education, legacy companies, and startups. She has specialized in DevOps for the past decade, running distributed systems in public clouds, getting over workplace trauma, and designing software telemetry architectures.

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An LA Times Best Book of the Year • A New York Times Editors' Pick • A Newsweek 25 Best Fall Books • A The Millions Most Anticipated Book of the Year"Gripping and beautiful. With the artistry of a poet and the intensity of a revolutionary, Lovato untangles the tightly knit skein of love and terror that connects El Salvador and the United States." —Barbara Ehrenreich, author of Natural Causes and Nickel and DimedAn urgent, no-holds-barred tale of gang life, guerrilla warfare, intergenerational trauma, and interconnected violence between the United States and El Salvador, Roberto Lovato’s memoir excavates family history and reveals the intimate stories beneath headlines about gang violence and mass Central American migration, one of the most important, yet least-understood humanitarian crises of our time—and one in which the perspectives of Central Americans in the United States have been silenced and forgotten. The child of Salvadoran immigrants, Roberto Lovato grew up in 1970s and 80s San Francisco as MS-13 and other notorious Salvadoran gangs were forming in California. In his teens, he lost friends to the escalating violence, and survived acts of brutality himself. He eventually traded the violence of the streets for human rights advocacy in wartime El Salvador where he joined the guerilla movement against the U.S.-backed, fascist military government responsible for some of the most barbaric massacres and crimes against humanity in recent history. Roberto returned from war-torn El Salvador to find the United States on the verge of unprecedented crises of its own. There, he channeled his own pain into activism and journalism, focusing his attention on how trauma affects individual lives and societies, and began the difficult journey of confronting the roots of his own trauma. As a child, Roberto endured a tumultuous relationship with his father Ramón. Raised in extreme poverty in the countryside of El Salvador during one of the most violent periods of its history, Ramón learned to survive by straddling intersecting underworlds of family secrets, traumatic silences, and dealing in black-market goods and guns. The repression of the violence in his life took its toll, however. Ramón was plagued with silences and fits of anger that had a profound impact on his youngest son, and which Roberto attributes as a source of constant reckoning with the violence and rebellion in his own life. In Unforgetting, Roberto interweaves his father’s complicated history and his own with first-hand reportage on gang life, state violence, and the heart of the immigration crisis in both El Salvador and the United States. In doing so he makes the political personal, revealing the cyclical ways violence operates in our homes and our societies, as well as the ways hope and tenderness can rise up out of the darkness if we are courageous enough to unforget.

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They thought they were safe. They were wrong.The murder of a young prostitute and a baby found abandoned on the same winter night signals the start of a disturbing investigation for Detective Kim Stone - one which brings her face to face with someone from her own horrific childhood.As three more sex workers in the Black Country are murdered in quick succession, each death more violent than the last, Kim and her team realise that the initial killing was no one-off frenzied attack, but a twisted serial killer preying on the vulnerable. At the same time, the search begins for the desperate woman who left her newborn baby at the station - but what at first looks like a tragic abandonment soon takes an even more sinister turn.When another young woman goes missing, the two investigations bring the team into a terrifying, hidden world, and a showdown puts Kim's life at risk as secrets from her own past come to light.As Kim battles her own demons, can she stop the killer, before another life is lost?A gripping new crime thriller from the Number One bestseller - you will be hooked until the final jaw-dropping twist.Praise for Broken Bones:'Angela Marsons has yet again nailed and delivered an outstanding five star read...Had me hook, line and sinker until the shocking end. The author certainly knows how to keep me on my toes until delivering a final punch that knocked me well and truly off my feet.' By the letter Book Reviews 'Angela Marsons yet again drags you into the story and locks you in until the final word. I can honestly say this is my favourite book of the best British Crime Series I've ever read! If I could give it 6 stars I would.' Goodreads reviewer 'Timely, hard-hitting and makes for some emotional reading...Once again this is another faultless book from Angela Marsons who I firmly believe is in a league of her own in this genre.' Book Addict Shaun'With an opening that will have you gripped from start to finish, I devoured it in a matter of hours - I simply couldn't put it down...I was literally on the edge of my seat with anticipation wanting to know what was going to happen next.' Chelle's Book Reviews'Marsons for me is the QUEEN of this genre. She knows how to add the human touch to each story and I just adore her. Bloody FABULOUS.' Postcard Reviews'Angela Marsons is one of the most immensely talented writers out there; she has an exceptional skill in creating a cast of characters and a spider web of plots that will keep you glued to the book until it is finished. I'd strongly advise getting yourself well comfy before you start reading this as you are not going to move until you are done!' Goodreads reviewer

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Who''s your favourite character from the Marvel Cinematic Universe? Whether you like Super Heroes or villains, the movies or TV series, learn all about them in this updated edition! Now including more than 200 characters from Black Panther and Ms. Marvel to Iron Man and Shang-Chi. The Marvel Studios Character Encyclopedia Updated Edition is any young fan''s go-to guide to find out all about the heroes, villains, spies, school kids, scientists, aliens, inventors, and others in the Marvel Cinematic Universe (MCU). Discover their strengths, super-powers, friends, allies, weapons, epic battles, and much more.Dive into the action with 90 new pages covering characters from recent movies and Disney+ series, including Black Panther: Wakanda Forever, Shang-Chi and The Legend of the Ten Rings, Doctor Strange in The Multiverse of Madness, Black Widow, Thor: Love and Thunder, Ms. Marvel, WandaVision, Loki, The Falcon and The Winter Soldier, Hawkeye, Ant-Man and

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"...a terrific read for lovers of great music and vinyl" —Ruth O'Connor, Irish Examiner "Peppered with more than 200 colour and black and white images, this book shows off how photogenic the world of vinyl is for photographers." —Amateur Photography "From a recording medium to a cult object - this book is for fans of music and vintage items." —New Design The good old record is still spinning! With its demise predicted over and over, the vinyl has shown itself to triumphant over technology trends, beloved by music professionals and fans, collectors and DJs alike. This richly illustrated photo book celebrates the history of the record with over 200 colour and black and white images, seasoned with essential vinyl knowledge on record magazines, consoles, shops and cafes. From the art legends who shaped the cover art to the LPs that became coveted collector’s items, this is a must-have compendium for all vinyl fans and collectors. Text in English and German.

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From the pen of multi-million copy bestselling author Douglas Reeman, this is the fourth novel in the Blackwood saga, spanning 150 years in the history of a great seafaring family. Set in World War Two, Dust on the Sea is a rip-roaring, rollicking read and perfect for fans of Clive Cussler, Bernard Cornwell and Wilbur Smith. 'One of our foremost writers of naval fiction' -- Sunday Times'Mr Reeman writes with great knowledge about the sea and those who sail on it' -- The Times'A compelling read' -- ***** Reader review'The only downside of this book is I couldn't put it down' -- ***** Reader review'Keeps you enthralled throughout' -- ***** Reader review'Fun and gripping' -- ***** Reader review'Magnificent' -- ***** Reader review***************************************************************************************1943: Captain Mike Blackwood, Royal Marine Commando, is a survivor. Young, toughened and tried in the hellish crucible of Burma, he labours, sometimes faltering, beneath the weight of tradition, the glorious heritage of his family, and the burden of his own self-doubt.For Blackwood, the horizon is not the lip of the trench seen by men of the Corps in the previous war, but the ramp of a landing craft smashing down into the sea, and the fire of the enemy on a Sicilian beach. Here, tradition is not enough, and Mike Blackwood must find within himself qualities of leadership which will inspire those Royal Marines who are once again the first to land, and among the first to die.

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A powerful and provocative collection of essays that offers poignant reflections on living between society’s most charged, politicized, and intractably polar spaces—between black and white, rich and poor, thin and fat. Savala Nolan knows what it means to live in the in-between. Descended from a Black and Mexican father and a white mother, Nolan’s mixed-race identity is obvious, for better and worse. At her mother’s encouragement, she began her first diet at the age of three and has been both fat and painfully thin throughout her life. She has experienced both the discomfort of generational poverty and the ease of wealth and privilege. It is these liminal spaces—of race, class, and body type—that the essays in Don’t Let It Get You Down excavate, presenting a clear and nuanced understanding of our society’s most intractable points of tension. The twelve essays that comprise this collection are rich with unforgettable anecdotes and are as humorous and as full of Nolan’s appetites as they are of anxieties. Over and over again, Nolan reminds us that our true identities are often most authentically lived not in the black and white, but in the grey of the in-between.

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Josephine Baker and Katherine Dunham were the two most acclaimed and commercially successful African American dancers of their era and among the first black women to enjoy international screen careers. Both also produced fascinating memoirs that provided vital insights into their artistic philosophies and choices. However, difficulties in accessing and categorizing their works on the screen and on the page have obscured their contributions to film and literature. Hannah Durkin investigates Baker and Dunham’s films and writings to shed new light on their legacies as transatlantic artists and civil rights figures. Their trailblazing dancing and choreography reflected a belief that they could use film to confront racist assumptions while also imagining—within significant confines—new aesthetic possibilities for black women. Their writings, meanwhile, revealed their creative process, engagement with criticism, and the ways each mediated cultural constructions of black women's identities. Durkin pays particular attention to the ways dancing bodies function as ever-changing signifiers and de-stabilizing transmitters of cultural identity. In addition, she offers an overdue appraisal of Baker and Dunham's places in cinematic and literary history.

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This book addresses magical ideas and practices in early modern Norway. It examines a large corpus of Norwegian manuscripts from 1650-1850 commonly called Black Books which contained a mixture of recipes on medicine, magic, and art. Ane Ohrvik assesses the Black Books from the vantage point of those who wrote the manuscripts and thus offers an original study of how early modern magical practitioners presented their ideas and saw their practices. The book show how the writers viewed magic and medicine both as practical and sacred art and as knowledge worth protecting through encoding the text. The study of the Black Books illuminates how ordinary people in Norway conceptualized magic as valuable and useful knowledge worth of collecting and saving despite the ongoing witchcraft prosecutions targeting the very same ideas and practices as the books promoted. Medicine, Magic and Art in Early Modern Norway is essential for those looking to advance their studies in magical beliefs and practices in early modern Europe as well as those interested in witchcraft studies, book history, and the history of knowledge.

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Clara has one crucial rule: Avoid Trouble. Dragged along by her friend Bella on her latest quest, this time to stop the class bullies who plan to ruin the afternoon's science lesson by messing around with the chemicals in their teacher's big black bag, and Clara's Spiderman-like trouble sense is going crazy.

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In What If Zen Gardens, Henry Beissel, often considered the master of the long poem, turns to the time-honoured tradition of the haiku to help bring to light what he calls "the world's hidden affairs." Included in the collection are a series of black-and-white illustrations by Arlette Francière, themselves polished gems that highlight, reflect and enhance the poems.

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The fourth book in the hilarious and enthralling Vinyl Detective mystery series. "Like an old 45rpm record, this book crackles with brilliance." David Quantick on Written in Dead Wax It's all Tinkler's fault. If it weren't for his obsession with the 1970s electric folk band, Black Dog, none of this would have happened. At the height of their success, the members of Black Dog invited journalists to Holy Island, a desolate island off the northeast coast of England, to an infamous publicity stunt: they burned a million pounds on an enormous bonfire. But the stunt backfired, and tensions between the band members exploded, splitting the band for good, and increasing the value of their final, recalled album tenfold. It is this album that Tinkler's got his eye on. The Vinyl Detective and Nevada accept the challenge to hunt a copy down for Tinkler, but soon realize that the search for this record is going to be their most dangerous yet. Narrowly avoiding a killing spree, negotiating deranged Black Dog fans, and being pursued by hack journalist Stinky Stamner and his camera crew, they discover that perhaps all was not as it seemed on Holy Island--and that in the embers of that fire are clues of a motive for murder...

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Packed with joyful scenes showing Lunar New Year being celebrated in different countries around the world, from dragon dancers and delicious food to kite flying in South Korea and a gloriously decorated temple in Malaysia. Just brush water over the black and white designs to reveal an array of vivid hues.

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Following the success of Jazz Covers, this epic volume of groove assembles over 500 legendary covers from a golden era in Black music. Psychedelia meets Black Power, sexual liberation meets social conscience, and street portraiture meets fantastical comic art in this dazzling anthology of visualized funk and soul. Gathering both classic and rare covers, the collection celebrates each artwork’s ability to capture not only a buyer’s interest, but an entire musical mood. Browse through and discover the brilliant, the bold, the outlandish and the incredibly beautiful designs that fans rushed to get their hands on as the likes of Marvin Gaye, James Brown, Curtis Mayfield, Michael Jackson, and Prince changed the world with their unique and unforgettable sounds. Featuring interviews with key industry figures, Funk & Soul Covers also provides cultural context and design analysis for many of the chosen record covers.

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The first monograph by sculptor, filmmaker, and photographer Shikeith, Notes towards Becoming a Spill brings together a series of striking studio portraits of Black male subjects as they inhabit various states of meditation, prayer, and ecstasy. Shikeith describes the work as “leaning into the uncanny,” visualizing ritual and the process of excavating Black men’s erotic potential, the better to exorcise the “intangible presences that haunt their bodies and psyches.” The men’s faces and bodies glisten with sweat (and tears)—the manifestation and evidence of desire. This ecstasy is what critic Antwaun Sargent proclaims as “an ideal, a warm depiction that insists on concrete possibility for another world.” In this revelatory volume, Shikeith redefines the idea of sacred space and positions a Queer ethic identified by its investment in vulnerability, tenderness, and joy. Shikeith: Notes towards Becoming a Spill is made possible, in part, thanks to the generous contribution of 7G Foundation.

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'She decided she would teach him to speak and he was very soon able to say, 'Pretty boy!', 'Your servant, sir!' and 'Hail Mary!''With pathos and humour, Flaubert imagines the unexamined life of a servant girl.Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions.Gustave Flaubert (1821-1880). Flaubert's works available in Penguin Classics are Madame Bovary, Sentimental Education, Three Tales and Salammbo.

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The word 'park' conjures a kaleidoscope of bucolic images. Childhood frolics in urban playgrounds. Strolls through the country estates of Stourhead and Versailles. Wilderness adventures in the Serengeti. White-knuckle thrill rides at Blackpool Pleasure Beach and Coney Island. The Invention of the Park explores our fascination with making parks. In a broad-ranging environmental and social history, authors Karen Jones and John Wills search for a common set of ideas that inform park design. From Greek philosophers wandering sacred groves in the ancient world to today's kids watching Mickey Mouse in Disney's Magic Kingdom, the park has inspired and thrilled in equal measure. In a work spanning all five continents and several thousand years, Jones and Wills chart the evolution of the park idea. They ponder the intersection of the green pleasure ground with notions of democracy and freedom, welfare and consumption, conservation and nature. They forward the principle of a universal park idea malleable enough to survive war and revolution. Contributing to a growing literature on global environmental history, the Invention of the Park explores how the park idea has come to transcend national boundaries and found appeal among a worldwide audience. Jones and Wills situate the park as a complex product of natural and cultural forces. Their work is of interest not just to students and scholars of environmental philosophy, history, and landscape design, but to amateur gardeners, rollercoaster 'adrenalin junkies' and all those who like to take a 'walk in the park.'

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Introduces key terms, interdisciplinary research, debates, and histories for African American Studies As the longest-standing interdisciplinary field, African American Studies has laid the foundation for critically analyzing issues of race, ethnicity, and culture within the academy and beyond. This volume assembles the keywords of this field for the first time, exploring not only the history of those categories but their continued relevance in the contemporary moment. Taking up a vast array of issues such as slavery, colonialism, prison expansion, sexuality, gender, feminism, war, and popular culture, Keywords for African American Studies showcases the startling breadth that characterizes the field. Featuring an august group of contributors across the social sciences and the humanities, the keywords assembled within the pages of this volume exemplify the depth and range of scholarly inquiry into Black life in the United States. Connecting lineages of Black knowledge production to contemporary considerations of race, gender, class, and sexuality, Keywords for African American Studies provides a model for how the scholarship of the field can meet the challenges of our social world.

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This book is a reprint of a classic work of Virginia history. It is the story of religion on the Eastern Shore of Virginia from Colonial times to the late 1970s. Here in microcosm are many of the same forces and movements that moulded the religion of the entire nation: the Colonial establishment, the camp meetings and revivals of the Second Great Awakening, the bitter battle over slavery, the emergence of the black churches, the Holiness movement, Pentecostalism, and the rich diversity of the 20th century. Among the well-known figures are Francis Makemie, founder of the first American presbytery, Francis Asbury, the pioneer Methodist bishop, James Cannon, Jr., the controversial temperance leader and power in Virginia politics. Revival's Children includes a catalogue of every religious congregation known to have existed on the Shore, Christian and Jewish, Protestant and Catholic, black and white, since 1624. Over 300 separate congregations are traced individually.

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Works of Distinction, LDEI M.F.K. Fisher Prize for Excellence in Culinary Media Content, 2022 A rare woman’s-eye-view of working in the professional French kitchen Though women enter France’s culinary professions at higher rates than ever, men still receive the lion’s share of the major awards and Michelin stars. Rachel E. Black looks at the experiences of women in Lyon to examine issues of gender inequality in France’s culinary industry. Known for its female-led kitchens, Lyon provides a unique setting for understanding the gender divide, as Lyonnais women have played a major role in maintaining the city’s culinary heritage and its status as a center for innovation. Voices from history combine with present-day interviews and participant observation to reveal the strategies women use to navigate male-dominated workplaces or, in many cases, avoid men in kitchens altogether. Black also charts how constraints imposed by French culture minimize the impact of #MeToo and other reform-minded movements. Evocative and original, Cheffes de Cuisine celebrates the successes of women inside the professional French kitchen and reveals the obstacles women face in the culinary industry and other male-dominated professions.

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Loved by millions of children around the world Pippi Longstocking is one of the most popular children's characters of all time. This story sees Pippi, Tommy and Annika go on their greatest adventure yet - to Koratuttutt Island, where Pippi's father is king. This new edition contains brand new black and white artwork by award-winning illustrator Mini Grey.

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The Day I Stopped Being Pretty, chronicles the life of a young, black, gay male who awakes and finds himself in the emergency room after a failed suicide attempt, reflecting on the men who shaped him into the person he has become.After waking up after failed suicide attempt, a young, black, gay man begins to reflect on the vent of his life that led to this moment. His story addresses the discovery of his burgeoning sexuality and his life filled with low self-esteem, leading him to seek love in the arms of many to compensate for the love he never received from his father. During the course of his life, we see his battle with substance abuse, physical abuse, and sexual activities that lead to his eventual HIV diagnosis. After he shares the path that led him to his own self-destruction, he realizes the love that he has sought in many others, has always been in the one place he never looked: within himself. This raw and gritty story spans twenty-seven year of the lead character’s life, as he faces racism, homophobia, rape, and coping with being HIV positive. It is a story that shows the face of growing up black, living gay, and staying positive. The Day I Stopped Being Pretty is one that shows triumph over adversity and the ability to find the love we all search for: self-love.

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Discover the first thrilling novel in the No. 1 Sunday Times bestselling Traitor Spy Trilogy from the fantasy phenomenon Trudi Canavan.As the son of the late High Lord Akkarin, saviour of the city, and Sonea, the former street urchin turned Black Magician, Lorkin has a legacy of heroism and adventure to live up to. So when Lord Dannyl takes the position of Guild Ambassador to Sachaka, Lorkin volunteers to be his assistant in the hopes of making his mark on the world. When news comes that Lorkin is in danger, the law that forbids Black Magicians leaving the city forces Sonea to trust that Dannyl will save him. Besides, her old friend Cery needs her as never before: someone has been assassinating Thieves, and when his family is targeted he finds evidence that this Thief Hunter uses magic. Either a member of the Guild is hunting down the Thieves one by one, or there is - once again - a rogue magician on the streets of Imardin. And this one has full control of their powers - and is willing to kill with them.Set in the same world as her global bestselling Black Magician Trilogy, Trudi Canavan's Traitor Spy Trilogy is a gripping fantasy adventure filled with danger and forbidden magic. ESCAPE TO A NEW WORLD. DISCOVER THE MAGIC OF TRUDI CANAVAN.'It's easy to see why Trudi Canavan's novels so often make the bestseller lists. Her easy, flowing style makes for effortless reading . . . Delightful worldbuilding . . . Vivid and enjoyable' SFXThe Traitor Spy Trilogy: The Ambassador's Mission The Rogue The Traitor Queen

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ONE OF THE BBC '100 NOVELS THAT SHAPED OUR WORLD''A lush celebration of all that it means to be a black female'Chimamanda Ngozi Adichie'A story about Black women living in the intersections of racialized and gendered violence, who find liberation through community with each other. A brutal and beautiful novel'Brit Bennett'Every single time I read this book, I walk away as a slightly better person than I was when I picked it up'Tayari Jones'I think that The Color Purple was the first book that made me think that I could try to be a writer - or that made me aware that a young black woman from the South could write about the South'Jesmyn Ward'I got the book and read it, in one day, when it came out. And then I went back, the next day, and bought every copy they had'Oprah WinfreySisters Celie and Nettie share the pain and struggle of growing up as African American women in early twentieh-century rural Georgia. Forced into an abusive marriage, at least Celie can offer Nettie refuge from their violent father in her new home - until Nettie catches the attention of Celie's husband and is forced to leave and forge her own journey. Through a series of letters spanning twenty years - first from Celie to God, then between the two sisters - they manage to sustain their hope in each other across time, distance and silence, in a triumph of resilience, bravery and ultimately, love.

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worm dreaming dreaming root and branch and whale and ant and dinosaur and dreaming you and me Black smokers, glacier worms and tardigrades… arctic terns, snow leopards and the Aleppo cat… living in the Abyss, conquering Everest, marvelling at the Northern Lights. An exciting and thought-provoking celebration of all that is extraordinary in the natural world. Includes fascinating information about the creatures depicted.

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Renowned for his gorgeous mountain scenes and spectacular photos of winter athletes, Peter Mathis has chosen black and white film to capture the essence of snow in this book. These stunning duotone images render a traditional Alpen landscape into painterly canvases that are in turns otherworldly, sensuous, haunting, and heavenly. Skiers’ tracks zig and zag through the powder and windswept waves of snow undulate like desert sand. Impeccably reproduced in large, full-bleed format, these images showcase an enormous palette, from the deepest black to the most immaculate white, and every imaginable tone in between. Mathis’ texts recall the instances of each shot, many of which require days of trekking through mountains with nearly fifty pounds of equipment strapped to his back. Reminiscent of the works of Ansel Adams and Edward Weston, Mathis’s photographs perfectly evoke the biting cold, blazing sun, deep shadows, and blinding lights that make the Alps a uniquely beautiful landscape and snow a powerful force of nature.

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ONE OF THE NEW YORKER'S BEST BOOKS OF 2023 SO FARCHOSEN BY FINANCIAL TIMES' READERS' FOR BEST BOOKS OF 2023A NEW YORK TIMES BOOKS EDITOR' S CHOICE'Essential reading as a human.' - Alex Marzano-Lesnevich'Chilling and vital. . . sensitive and thought-provoking.' - The TimesAn anthropologist working with forensic teams and victims' families to investigate crimes against humanity in Latin America explores what science can tell us about the lives of the dead in this haunting account of grief, the power of ritual, and a quest for justice."Exhumation can divide brothers and restore fathers, open old wounds and open the possibility of regeneration-of building something new with the pile of broken mirrors that is loss and mourning."Over the course of Guatemala's thirty-year armed conflict -the longest ever in Central America-over 200,000 people were killed. During Argentina's military dictatorship in the seventies, over 30,000 people were disappeared. Today, forensic anthropologists in each country are gathering evidence to prove atrocities and seek justice. But these teams do more than just study skeletons-they work to repair families and countries torn apart by violence.In Still Life with Bones, anthropologist Alexa Hagerty learns to see the dead body with a forensic eye. She examines bones for evidence of torture and fatal wounds-hands bound by rope, cuts from machetes-but also for signs of a life lived: to articulate how life shapes us down to the bone. A weaver is recognized from the tiny bones of the toes, molded by years of kneeling before a loom; a girl is identified alongside her pet dog. In the tenderness of understanding these bones, Hagerty discovers how exhumation serves as a ritual in the naming and placement of the dead, and connects ancestors with future generations. She shows us how this work can bring meaning to families dealing with unimaginable loss, and how its symbolic force can also extend to entire societies in the aftermath of state terror and genocide. Encountering the dead has the power to transform us, making us consider each other, our lives, and the world differently.Weaving together powerful stories about investigative breakthroughs, grieving families, histories of violence, and her own forensic coming of age, Hagerty crafts a moving portrait of the living and the dead."Touching, but achingly honest - a most amazing account of training as a forensic anthropologist. When Hagerty talks about "lives being violently made into bones," I defy you not to be moved. The text is unflinching, but then the crimes and the victims deserve nothing less. I guarantee this will make you think long and hard about cruelty and human rights and the dedication and humanity of the forensic scientist." - Sue Black, author of All That Remains

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In original and insightful ways, Caribbean writers have turned to Jewish experiences of exodus and reinvention, from the Sephardim expelled from Iberia in the 1490s to the "Calypso Jews" who fled Europe for Trinidad in the 1930s. Examining these historical migrations through the lens of postwar Caribbean fiction and poetry, Sarah Phillips Casteel presents the first major study of representations of Jewishness in Caribbean literature. Bridging the gap between postcolonial and Jewish studies, Calypso Jews enriches cross-cultural investigations of Caribbean creolization. Caribbean writers invoke both the 1492 expulsion and the Holocaust as part of their literary archaeology of slavery and its legacies. Despite the unequal and sometimes fraught relations between Blacks and Jews in the Caribbean before and after emancipation, Black-Jewish literary encounters reflect sympathy and identification more than antagonism and competition. Providing an alternative to U.S.-based critical narratives of Black-Jewish relations, Casteel reads Derek Walcott, Maryse Conde, Michelle Cliff, Jamaica Kincaid, Caryl Phillips, David Dabydeen, and Paul Gilroy, among others, to reveal a distinctive interdiasporic literature.

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Was there such a thing as a modern notion of race in the English Renaissance, and, if so, was skin color its necessary marker? In fact, early modern texts described human beings of various national origins—including English—as turning white, brown, tawny, black, green, or red for any number of reasons, from the effects of the sun's rays or imbalance of the bodily humors to sexual desire or the application of makeup. It is in this cultural environment that the seventeenth-century London Gazette used the term "black" to describe both dark-skinned African runaways and dark-haired Britons, such as Scots, who are now unquestioningly conceived of as "white." In Shades of Difference, Sujata Iyengar explores the cultural mythologies of skin color in a period during which colonial expansion and the slave trade introduced Britons to more dark-skinned persons than at any other time in their history. Looking to texts as divergent as sixteenth-century Elizabethan erotic verse, seventeenth-century lyrics, and Restoration prose romances, Iyengar considers the construction of race during the early modern period without oversimplifying the emergence of race as a color-coded classification or a black/white opposition. Rather, "race," embodiment, and skin color are examined in their multiple contexts—historical, geographical, and literary. Iyengar engages works that have not previously been incorporated into discussions of the formation of race, such as Marlowe's "Hero and Leander" and Shakespeare's "Venus and Adonis." By rethinking the emerging early modern connections between the notions of race, skin color, and gender, Shades of Difference furthers an ongoing discussion with originality and impeccable scholarship.

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'I could see that she was still terribly afraid, but I didn't soften anything; instead, seeing that she was afraid I deliberately intensified it.'In this short story, Dostoyevsky masterfully depicts desperation, greed, manipulation and suicide.Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions.Fyodor Dostoyevsky (1821-1881). Dostoyevsky's works available in Penguin Classics are Crime and Punishment, The Idiot, The Double, The Gambler and Other Stories, The Grand Inquisitor, Notes From The Underground, Netochka Nezvanova, The House of The Dead, The Brothers Karamazov and The Village of Stepanchikovo.

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Illuminates how the Rastafari movement managed to evolve in the face of severe biases Misunderstood, misappropriated, belittled: though the Rastafari feature frequently in media and culture, they have most often been misrepresented, their political and religious significance minimized. But they have not been vanquished. Charles Price’s Rastafari: The Evolution of a People and Their Identity reclaims the rich history of this relatively new world religion. Charting its humble and rebellious roots in Jamaica’s backcountry in the late nineteenth century to the present day, Price explains how Jamaicans’ obsession with the Rastafari wavered from campaigns of violence to appeasement and cooptation. Indeed, he argues that the Rastafari as a political, religious, and cultural movement survived the biases and violence they faced through their race consciousness and uncanny ability to ride the waves of anti-colonialism and Black Power. This social movement traveled throughout the Caribbean, Africa, Central America, and the United States, capturing the heart and imagination of much of the African diaspora. Rastafari spans the movement’s struggle for autonomy, its multiple campaigns for repatriation to Africa, and its leading role in the Black consciousness movements of the twentieth century. Not satisfied with simply narrating the past, Rastafari also takes on the challenges of gender equality and the commodification of Rastafari culture in the twenty-first century without abandoning its message of equality and empowering the downpressed. Rastafari shows how this cultural and political context helped to shape the development of a Black collective identity, demonstrating how Rastafarians confronted society-wide ridicule and oppression and emerged prouder and more united, steadfast in their conviction that they were a chosen people.

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Illuminates how the Rastafari movement managed to evolve in the face of severe biases Misunderstood, misappropriated, belittled: though the Rastafari feature frequently in media and culture, they have most often been misrepresented, their political and religious significance minimized. But they have not been vanquished. Charles Price’s Rastafari: The Evolution of a People and Their Identity reclaims the rich history of this relatively new world religion. Charting its humble and rebellious roots in Jamaica’s backcountry in the late nineteenth century to the present day, Price explains how Jamaicans’ obsession with the Rastafari wavered from campaigns of violence to appeasement and cooptation. Indeed, he argues that the Rastafari as a political, religious, and cultural movement survived the biases and violence they faced through their race consciousness and uncanny ability to ride the waves of anti-colonialism and Black Power. This social movement traveled throughout the Caribbean, Africa, Central America, and the United States, capturing the heart and imagination of much of the African diaspora. Rastafari spans the movement’s struggle for autonomy, its multiple campaigns for repatriation to Africa, and its leading role in the Black consciousness movements of the twentieth century. Not satisfied with simply narrating the past, Rastafari also takes on the challenges of gender equality and the commodification of Rastafari culture in the twenty-first century without abandoning its message of equality and empowering the downpressed. Rastafari shows how this cultural and political context helped to shape the development of a Black collective identity, demonstrating how Rastafarians confronted society-wide ridicule and oppression and emerged prouder and more united, steadfast in their conviction that they were a chosen people.

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Patrick Manning refuses to divide the African diaspora into the experiences of separate regions and nations. Instead, he follows the multiple routes that brought Africans and people of African descent into contact with one another and with Europe, Asia, and the Americas. In weaving these stories together, Manning shows how the waters of the Atlantic Ocean, the Mediterranean Sea, and the Indian Ocean fueled dynamic interactions among black communities and cultures and how these patterns resembled those of a number of connected diasporas concurrently taking shape across the globe. Manning begins in 1400 and traces five central themes: the connections that enabled Africans to mutually identify and hold together as a global community; discourses on race; changes in economic circumstance; the character of family life; and the evolution of popular culture. His approach reveals links among seemingly disparate worlds. In the mid-nineteenth century, for example, slavery came under attack in North America, South America, southern Africa, West Africa, the Ottoman Empire, and India, with former slaves rising to positions of political prominence. Yet at the beginning of the twentieth century, the near-elimination of slavery brought new forms of discrimination that removed almost all blacks from government for half a century. Manning underscores the profound influence that the African diaspora had on world history, demonstrating the inextricable link between black migration and the rise of modernity, especially in regards to the processes of industrialization and urbanization. A remarkably inclusive and far-reaching work, The African Diaspora proves that the advent of modernity cannot be imaginatively or comprehensively engaged without taking the African peoples and the African continent as a whole into account.

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Seeking wisdom and guidance from the expansive energies of the Universe. This oracle captures the spiritual wisdom from the known universe: the individual energies, twinkling stars, greatest fiery suns,mysterious black holes, spinning galaxies, shining constellations and all the planets great and small. Humans have always been fascinated by the night sky and the spin of the planets. The earliest cave paintings feature the stars, the sun, the moon and constellations all woven into mythos, stories and lessons. Everyday we learn that little bit more about the vastness of space. Not only are we exploring constellations, stars, planets, black holes and even whole galaxies that we now know exist, but also energies such as dark matter and new space phenomena that are now being discovered and further understood. This oracle is created by the winning combination of Stacey Demarco and Kinga Britschgi, both of whom are obsessed by space and the mythos and beauty of the stars. This card deck is perfectly created for those who have always sought the cosmos for divine guidance and inspiration.

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This pastel belongs to a small number of works of art at the Frick by a female artist. Rosalba Carriera (Italian, 1673 1757) spent most of her life in Venice, then a popular destination for young aristocrats from all over Europe undertaking the Grand Tour-a tour of the continent that served as an educational rite of passage into adulthood. Many of these travelers would go to Rosalba's studio to have a portrait painted, and Rosalba, who began her career as a miniaturist painter in Venice, became internationally acclaimed. Rosalba's pastels are technically innovative, remarkable for their soft edges and sumptuous effects. By binding colored chalk into sticks, she obtained a much wider range of prepared colors, which ultimately expanded the visual possibilities of this medium. Little is known about this portrait, painted about 1730. Despite the fragility of the medium-pastel-it is in pristine condition. The portrayal of the man as a pilgrim, with a black cape and holding a staff, may indicate that he was a member of the Pellegrini family-pellegrini being the Italian word for pilgrims-or that he is someone who traveled on a pilgrimage. More likely, however, his attire is simply a costume related to the Venetian Carnival. Designed to foster critical engagement and interest specialist and non-specialist alike, each book in the Frick Diptych series illuminates a single work in the Frick's rich collection with an essay by a Frick curator paired with a contribution from a contemporary artist or writer. AUTHORS: Born in Lausanne in 1980, Nicolas Party is a figurative painter who has achieved critical admiration for his familiar yet unsettling landscapes, portraits, and still lifes that simultaneously celebrate and challenge conventions of representational painting. His works are primarily created in soft pastel, an idiosyncratic choice of medium in the 21st-century, and one that allows for exceptional degrees of intensity and fluidity in his depictions of objects both natural and manmade. Xavier F. Salomon is deputy director and Peter Jay Sharp Chief Curator, The Frick Collection, New York. SELLING POINTS: . New volume in the best selling Frick Diptych series that began with Holbein's Sir Thomas More by Hilary Mantel . Volume 13 focuses on an exquisite eighteenth-century Italian portrait 45 colour illustrations

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Welcome to the amazing world of flags! Did you know that each flag is actually a picture that sends a message to everyone who sees it? In The Flag Book, Lonely Planet Kids introduces you to the flags of every country in the world, from Afghanistan to Zimbabwe, and tells you what their design, colours, and images represent, along with lots of other incredible facts. What's the only country that doesn't have a rectangular flag? Why does Hawaii's state flag feature the UK's Union Jack in one corner? And what do the 13 stripes of the USA's Star Spangled Banner represent? You'll find out the answer to all these and much, much more. We'll then show you the other fascinating ways flags are used throughout the world. Learn the International Code of Flag Symbols to communicate with ships at sea; read about flags used in sports, like Formula 1's chequered flag; marvel at flags commemorating world records and incredible human achievements; and peer with a microscope at the planet's smallest flag, which is no wider than a human hair. But that's not all! Travel back in time to the Golden Age of Piracy and have your timbers shivered by the bloodthirsty flags of 'Black Bart' Roberts and his fellow pirates sailing the Caribbean. Chapters include: What are flags for? Speaking in flag Flag designs Coats of arms Pirate flags Ships and aeroplane flags The world's oldest flags Semaphore flags Flag record breakers Flag tales Sports flags International flags About Lonely Planet Kids: Lonely Planet Kids - an imprint of the world's leading travel authority Lonely Planet - published its first book in 2011. Over the past 45 years, Lonely Planet has grown a dedicated global community of travellers, many of whom are now sharing a passion for exploration with their children. Lonely Planet Kids educates and encourages young readers at home and in school to learn about the world with engaging books on culture, sociology, geography, nature, history, space and more. We want to inspire the next generation of global citizens and help kids and their parents to approach life in a way that makes every day an adventure. Come explore!

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Longlisted for the 2022 International Booker Prize Winner of the 2023 Jabuti Prize in the Brazilian Book Published Abroad category Federico and Lourenco are brothers. Their father is black, a famed forensic pathologist for the police; their mother is white. Federico - distant, angry, analytical - has light skin, which means he's always been able to avoid the worst of the racism that Brazilian culture has to offer. He can 'pass' as white, and yet, because of this, he has devoted his life to racial justice. Lourenco, on the other hand, is dark-skinned, easy-going, and well-liked in the brothers' hometown of Porto Alegre - and has become a father himself. As Federico's fiftieth birthday looms, he joins a governmental committee in the capital. It is tasked with quelling the increasingly violent student protests rocking Brazil by overseeing the design of a software program that will adjudicate the degree to which each university applicant is sufficiently black to warrant admittance under new affirmative-action quotas. Before he can come to grips with his feelings about this initiative, not to mention a budding romance with one of his committee colleagues, Federico is called home: his niece has just been arrested at a protest carrying a concealed gun. And not just any gun. A stolen police service revolver that Federico and Lourenco hid for a friend decades before. A gun used in a killing. Paulo Scott here probes the old wounds of race in Brazil, and in particular the loss of a black identity independent from the history of slavery. Exploratory rather than didactic, a story of crime, street-life and regret as much as a satirical novel of ideas, Phenotypes is a seething masterpiece of rage and reconciliation.

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Is violent self-defense ethical? In the history of colonialism, racism, sexism, capitalism, there has long been a dividing line between bodies "worthy of defending" and those who have been disarmed and rendered defenseless. In 1685, for example, France's infamous "Code Noir" forbade slaves from carrying weapons, under penalty of the whip. In nineteenth-century Algeria, the colonial state outlawed the use of arms by Algerians, but granted French settlers the right to bear arms. Today, some lives are seen to be worth so little that Black teenagers can be shot in the back for appearing "threatening" while their killers are understood, by the state, to be justified. That those subject to the most violence have been forcibly made defenseless raises, for any movement of liberation, the question of using violence in the interest of self-defense.Here, philosopher Elsa Dorlin looks across the global history of the left - from slave revolts to the knitting women of the French Revolution and British suffragists' training in ju-jitsu, from the Warsaw Ghetto Uprising to the Black Panther Party, from queer neighborhood patrols to Black Lives Matter - to trace the politics, philosophy, and ethics of self defense. In this history she finds a "martial ethics of the self": a practice in which violent self defense is the only means for the oppressed to ensure survival and to build a liveable future. In this sparkling and provocative book, drawing on theorists from Thomas Hobbes to Fred Hampton, Frantz Fanon to Judith Butler, Michel Foucault to June Jordan, Dorlin has reworked the very idea of modern governance and political subjectivity.Translated from the French by Kieran Aarons.

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A compelling story of power, passion and intrigue based on real events, The Prime Minister's Affair is a terrific read - Nick Robinson, Presenter, BBC Today programme Andrew Williams has fashioned a wickedly entertaining tale of political chicanery - Daily TelegraphLondon 1929. Very much not a land fit for heroes. Frenchie knows his occasional work for MI5 serves only the ruling classes. But he needs to feed his children. Scruples died in the trenches.When Ramsay MacDonald, Britain's first Labour Prime Minister, is blackmailed by a former lover, Frenchie must go to Paris to buy her silence.It is clear there are many people who would see MacDonald fall - the Conservatives, their friends in the press, even some of his own colleagues. But his own secret service? When Frenchie hears the other side of the story, everything changes.The Prime Minister's Affair is another brilliant historical thriller from the author of Witchfinder, based on a real blackmail plot, hidden in the shadows.'If le Carre needs a successor, Williams has all the equipment for the role' Times Literary Supplement Books of the Year'Spy tradecraft of the old school, with no computers, fast cars or mobile phones, but not a whit less exciting for that. Highly recommended as both a spy story and a piece of social and political history' Shots Magazine

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Transforming Saints explores the transformation and function of the images of holy females within wider religious, social, and political contexts of Old Spain and New Spain from the Spanish conquest to Mexican independence. The chapters here examine the rise of the cults of the lactating Madonna, St. Anne, St. Librada, St. Mary Magdalene, and the Suffering Virgin. Concerned with holy figures presented as feminine archetypes, images that came under Inquisition scrutiny, as well as cults suspected of concealing indigenous influences, Charlene VillaseÑor Black argues that these images would come to reflect the empowerment and agency of women in viceregal Mexico. Her close analysis of the imagery additionally demonstrates artists' innovative responses to Inquisition censorship and the new artistic demands occasioned by conversion. The concerns that motivated the twenty-first century protests against Chicana artists Yolanda LÓpez in 2001 and Alma LÓpez in 2003 have a long history in the Hispanic world—anxieties about the humanization of sacred female bodies and fears of indigenous influences infiltrating Catholicism. In this context Black also examines a number of important artists in depth, including El Greco, Murillo, Jusepe de Ribera, and Pedro de Mena in Spain and Naples and Baltasar de Echave IbÍa, Juan Correa, CristÓbal de Villalpando, and Miguel Cabrera.

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Public policy is a set of principles used to uphold the well-being of citizens. These principles are often unwritten and form the basis of social laws. This book focuses on 'unlocking the black box of UAE Public Policy'. It presents several cases that give an insight into the UAE leadership, the areas the government has prioritized and how these fold into UAE Vision 2021. Viewpoints on provoking topics by thought leaders like Her Excellency Sheikha Lubna bint Khalid Al Qasimi, UAE Cabinet Member and UAE Minister of State for Tolerance; Fadi Ghandour, Co-Founder and Vice Chairman of Aramex and Managing Partner, Wamda Capital and Christopher M. Schroeder, Venture Investor and Author. Under the leadership of His Highness Sheikh Mohammed bin Rashid Al Maktoum, Prime Minister and Vice President of UAE and Ruler of Dubai, Dubai has grown from a tiny village by a creek to a globally recognized megapolis. Through these cases, you will get a glimpse of strategic decisions taken by His Highness Sheikh Mohammed and how these decisions taken by the UAE Government have led to the creation of one of the most connected cities and competitive countries in the world. The book is divided into six sections: Government leadership, national competitive advantage, social and sustainable development, national human capital development, entrepreneurship and government systems. The UAE 2021 Vision aims for UAE to be one of the top 10 countries in the world. The future focus for UAE is to increase competitiveness in foreign markets especially looking at trade, entrepreneurship and focusing on seven high-value adding innovation sectors like renewable energy, transport, education, health, technology, water, and space. One of the challenges this resource-rich country has had is moving away from oil dependency. By 2016, oil formed less than 30% of the UAE GDP, and the plan is to have a 20% dependency by 2021. The book covers a variety of cases that address many of these issues. This book can be used to teach public policy and help international industry leaders and academics understand the context of UAE and the role it plays in the global arena. This project is a series by the Academy of International Business - MENA chapter, supported by the Mohammed Bin Rashid School of Government, Dubai. For more information on AIB- MENA, go to: http://www.uowdubai.ac.ae/aib

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In their history of Cornell since 1940, Glenn C. Altschuler and Isaac Kramnick examine the institution in the context of the emergence of the modern research university. The book examines Cornell during the Cold War, the civil rights movement, Vietnam, antiapartheid protests, the ups and downs of varsity athletics, the women's movement, the opening of relations with China, and the creation of Cornell NYC Tech. It relates profound, fascinating, and little-known incidents involving the faculty, administration, and student life, connecting them to the "Cornell idea" of freedom and responsibility. The authors had access to all existing papers of the presidents of Cornell, which deeply informs their respectful but unvarnished portrait of the university. Institutions, like individuals, develop narratives about themselves. Cornell constructed its sense of self, of how it was special and different, on the eve of World War II, when America defended democracy from fascist dictatorship. Cornell’s fifth president, Edmund Ezra Day, and Carl Becker, its preeminent historian, discerned what they called a Cornell "soul," a Cornell "character," a Cornell "personality," a Cornell "tradition"—and they called it "freedom." "The Cornell idea" was tested and contested in Cornell’s second seventy-five years. Cornellians used the ideals of freedom and responsibility as weapons for change—and justifications for retaining the status quo; to protect academic freedom—and to rein in radical professors; to end in loco parentis and parietal rules, to preempt panty raids, pornography, and pot parties, and to reintroduce regulations to protect and promote the physical and emotional well-being of students; to add nanofabrication, entrepreneurship, and genomics to the curriculum—and to require language courses, freshmen writing, and physical education. In the name of freedom (and responsibility), black students occupied Willard Straight Hall, the anti–Vietnam War SDS took over the Engineering Library, proponents of divestment from South Africa built campus shantytowns, and Latinos seized Day Hall. In the name of responsibility (and freedom), the university reclaimed them. The history of Cornell since World War II, Altschuler and Kramnick believe, is in large part a set of variations on the narrative of freedom and its partner, responsibility, the obligation to others and to one’s self to do what is right and useful, with a principled commitment to the Cornell community—and to the world outside the Eddy Street gate.

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After successfully freeing Alliance POWs, 'Black Jack' Geary discovers that the Syndics plan to ambush the fleet with their powerful reserve flotilla in an attempt to annihilate it once and for all. And as Geary has the fleet jump from one star system to the next, hoping to avoid the inevitable confrontation, saboteurs contribute to the chaos.

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Understanding the explosive protests over police killings and the legacy of racism Following the high-profile deaths of eighteen-year-old Michael Brown in Ferguson, Missouri, and twenty-five-year-old Freddie Gray in Baltimore, Maryland, both cities erupted in protest over the unjustified homicides of unarmed black males at the hands of police officers. These local tragedies—and the protests surrounding them—assumed national significance, igniting fierce debate about the fairness and efficacy of the American criminal justice system. Yet, outside the gaze of mainstream attention, how do local residents and protestors in Ferguson and Baltimore understand their own experiences with race, place, and policing? In Hands Up, Don’t Shoot, Jennifer Cobbina draws on in-depth interviews with nearly two hundred residents of Ferguson and Baltimore, conducted within two months of the deaths of Brown and Gray. She examines how protestors in both cities understood their experiences with the police, how those experiences influenced their perceptions of policing, what galvanized Black Lives Matter as a social movement, and how policing tactics during demonstrations influenced subsequent mobilization decisions among protesters. Ultimately, she humanizes people’s deep and abiding anger, underscoring how a movement emerged to denounce both racial biases by police and the broader economic and social system that has stacked the deck against young black civilians. Hands Up, Don’t Shoot is a remarkably current, on-the-ground assessment of the powerful, protestor-driven movement around race, justice, and policing in America.

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Understanding the explosive protests over police killings and the legacy of racism Following the high-profile deaths of eighteen-year-old Michael Brown in Ferguson, Missouri, and twenty-five-year-old Freddie Gray in Baltimore, Maryland, both cities erupted in protest over the unjustified homicides of unarmed black males at the hands of police officers. These local tragedies—and the protests surrounding them—assumed national significance, igniting fierce debate about the fairness and efficacy of the American criminal justice system. Yet, outside the gaze of mainstream attention, how do local residents and protestors in Ferguson and Baltimore understand their own experiences with race, place, and policing? In Hands Up, Don’t Shoot, Jennifer Cobbina draws on in-depth interviews with nearly two hundred residents of Ferguson and Baltimore, conducted within two months of the deaths of Brown and Gray. She examines how protestors in both cities understood their experiences with the police, how those experiences influenced their perceptions of policing, what galvanized Black Lives Matter as a social movement, and how policing tactics during demonstrations influenced subsequent mobilization decisions among protesters. Ultimately, she humanizes people’s deep and abiding anger, underscoring how a movement emerged to denounce both racial biases by police and the broader economic and social system that has stacked the deck against young black civilians. Hands Up, Don’t Shoot is a remarkably current, on-the-ground assessment of the powerful, protestor-driven movement around race, justice, and policing in America.

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Race Horse Men recaptures the vivid sights, sensations, and illusions of nineteenth-century thoroughbred racing, America’s first mass spectator sport. Inviting readers into the pageantry of the racetrack, Katherine C. Mooney conveys the sport’s inherent drama while also revealing the significant intersections between horse racing and another quintessential institution of the antebellum South: slavery.A popular pastime across American society, horse racing was most closely identified with an elite class of southern owners who bred horses and bet large sums of money on these spirited animals. The central characters in this story are not privileged whites, however, but the black jockeys, grooms, and horse trainers who sometimes called themselves race horse men and who made the racetrack run. Mooney describes a world of patriarchal privilege and social prestige where blacks as well as whites could achieve status and recognition and where favored slaves endured an unusual form of bondage. For wealthy white men, the racetrack illustrated their cherished visions of a harmonious, modern society based on human slavery.After emancipation, a number of black horsemen went on to become sports celebrities, their success a potential threat to white supremacy and a source of pride for African Americans. The rise of Jim Crow in the early twentieth century drove many horsemen from their jobs, with devastating consequences for them and their families. Mooney illuminates the role these too often forgotten men played in Americans’ continuing struggle to define the meaning of freedom.

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Three weeks after Lyndon Johnson signed the Civil Rights Act of 1964, a New York City police officer shot and killed a fifteen-year-old black youth, inciting the first of almost a decade of black and Latino riots throughout the United States. In October 2005, French police chased three black and Arab teenagers into an electrical substation outside Paris, culminating in the fatal electrocution of two of them. Fires blazed in Parisian suburbs and housing projects throughout France for three consecutive weeks. Cathy Lisa Schneider explores the political, legal, and economic conditions that led to violent confrontations in neighborhoods on opposite sides of the Atlantic half a century apart. Police Power and Race Riots traces the history of urban upheaval in New York and greater Paris, focusing on the interaction between police and minority youth. Schneider shows that riots erupted when elites activated racial boundaries, police engaged in racialized violence, and racial minorities lacked alternative avenues of redress. She also demonstrates how local activists who cut their teeth on the American race riots painstakingly constructed social movement organizations with standard nonviolent repertoires for dealing with police violence. These efforts, along with the opening of access to courts of law for ethnic and racial minorities, have made riots a far less common response to police violence in the United States today. Rich in historical and ethnographic detail, Police Power and Race Riots offers a compelling account of the processes that fan the flames of urban unrest and the dynamics that subsequently quell the fires.

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