Search results for ""Author Black"

Never in Lisa and Abi's wildest dreams had they imagined having a Magic Kitten for a friend!In A Summer Spell, Lisa's boring summer is transformed when tiny marmalade kitten Flame comes into her life. AND......there's Classroom Chaos when fluffy black and white kitten Flame appears at lonely Abi's boarding school.

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The town of Croydon is often invoked as a byword for the banal. But its hidden history reveals it consistently to have been at the centre of things, and leading the way: continental air travel, brutalist architecture, punk rock, black musicians from nineteenth to twenty-first century. Now, Will Noble tells Croydon's surprising, remarkable story.

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A car and a fire engine, a train and a boat…there are these and so many other things on the go for busy babies to discover in this chunky board book. Each of the clearly outlined pictures is designed using bright, bold colours, and the use of alternating black and white backgrounds provides a high contrast of both colour and shape for baby to focus on.

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In original and insightful ways, Caribbean writers have turned to Jewish experiences of exodus and reinvention, from the Sephardim expelled from Iberia in the 1490s to the "Calypso Jews" who fled Europe for Trinidad in the 1930s. Examining these historical migrations through the lens of postwar Caribbean fiction and poetry, Sarah Phillips Casteel presents the first major study of representations of Jewishness in Caribbean literature. Bridging the gap between postcolonial and Jewish studies, Calypso Jews enriches cross-cultural investigations of Caribbean creolization. Caribbean writers invoke both the 1492 expulsion and the Holocaust as part of their literary archaeology of slavery and its legacies. Despite the unequal and sometimes fraught relations between Blacks and Jews in the Caribbean before and after emancipation, Black-Jewish literary encounters reflect sympathy and identification more than antagonism and competition. Providing an alternative to U.S.-based critical narratives of Black-Jewish relations, Casteel reads Derek Walcott, Maryse Conde, Michelle Cliff, Jamaica Kincaid, Caryl Phillips, David Dabydeen, and Paul Gilroy, among others, to reveal a distinctive interdiasporic literature.

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“How we should think about board games, and what do they do to us as we play them?” Writer and critic Eric Thurm digs deep into his own experience as a board game enthusiast to explore the emotional and social rules that games create and reveal, telling a series of stories about a pastime that is also about relationships. From the outdated gender roles in Life and Mystery Date to the cutthroat, capitalist priorities of Monopoly and its socialist counterpart, Class Struggle, Thurm thinks through his ongoing rivalries with his siblings and ponders the ways games both upset and enforce hierarchies and relationships—from the familial to the geopolitical. Like sitting down at the table for family game night, Board Games is an engaging book of twists and turns, trivia, and nostalgia. Avidly Reads is a series of short books about how culture makes us feel. Founded in 2012 by Sarah Blackwood and Sarah Mesle, Avidly—an online magazine supported by the Los Angeles Review of Books—specializes in short-form critical essays devoted to thinking and feeling. Avidly Reads is an exciting new series featuring books that are part memoir, part cultural criticism, each bringing to life the author’s emotional relationship to a cultural artifact or experience. Avidly Reads invites us to explore the surprising pleasures and obstacles of everyday life.

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Get loud and get mixing! Metal Cocktails features a world tour’s worth of delicious hardcore drinks inspired by your favorite metal and hard rock bands.Guarantee that your drinks rock as hard as your playlist with Metal Cocktails! This cocktail book has drinks inspired by 50 years of bass-bursting, headbanging rock bands. From Black Sabbath to Guns N’ Roses, Metallica to Kiss, all the legends of rock are toasted in these pages. You can mix their drinks straight from the book—or improvise a riff of your own! So, get out your cocktail shaker, crank up the volume, and mix those drinks ’til the neighbors call the cops! 40+ HEADBANGING COCKTAILS: Over 40 recipes for delicious drinks that will keep you rocking all night long! BIG HEADLINERS: Featuring drinks inspired by AC/DC, Black Sabbath, Kiss, Guns N’ Roses, Metallica, and more MASTER OF RECIPES: Mix the right way with easy, st

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In a dangerous world, everyone needs protection.Bodyguard: Hostage is the new thriller from Chris Bradford, bestselling author of Young Samurai. Bodyguard is a bulletproof action-adventure series that fans of Cherub and Alex Rider will love. This is Lee Child for younger readers - Jason Bourne for the next generation.With the rise of teen stars, the intense media focus on celeb families and a new wave of billionaires, adults are no longer the only target for hostage-taking, blackmail and assassination - kids are too.That's why they need a young bodyguard like Connor Reeves to protect them.Recruited into the ranks of a covert young bodyguard squad, 14-year-old Connor Reeves embarks on a rigorous close protection course. Training in surveillance, anti-ambush exercises, hostage survival and unarmed combat, he's put through his paces and wonders if he will actually survive the course.But when the US President summons Connor to protect his impulsive teenage daughter, Connor's training is put to the ultimate test. For Connor discovers that the First Daughter, Alicia, doesn't want to be guarded. She just wants to have fun. And with no clue Connor is her bodyguard, Alicia tries to elude her Secret Service agents and lead Connor astray. But unknown to her, a terrorist sleeper cell has been activated.Its mission: to take the president's daughter HOSTAGE...And don't miss Bodyguard: Ransom coming soon.

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Following the success of Jazz Covers, this epic volume of groove assembles over 500 legendary covers from a golden era in Black music. Psychedelia meets Black Power, sexual liberation meets social conscience, and street portraiture meets fantastical comic art in this dazzling anthology of visualized funk and soul. Gathering both classic and rare covers, the collection celebrates each artwork’s ability to capture not only a buyer’s interest, but an entire musical mood. Browse through and discover the brilliant, the bold, the outlandish and the incredibly beautiful designs that fans rushed to get their hands on as the likes of Marvin Gaye, James Brown, Curtis Mayfield, Michael Jackson, and Prince changed the world with their unique and unforgettable sounds. Featuring interviews with key industry figures, Funk & Soul Covers also provides cultural context and design analysis for many of the chosen record covers.

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The first monograph by sculptor, filmmaker, and photographer Shikeith, Notes towards Becoming a Spill brings together a series of striking studio portraits of Black male subjects as they inhabit various states of meditation, prayer, and ecstasy. Shikeith describes the work as “leaning into the uncanny,” visualizing ritual and the process of excavating Black men’s erotic potential, the better to exorcise the “intangible presences that haunt their bodies and psyches.” The men’s faces and bodies glisten with sweat (and tears)—the manifestation and evidence of desire. This ecstasy is what critic Antwaun Sargent proclaims as “an ideal, a warm depiction that insists on concrete possibility for another world.” In this revelatory volume, Shikeith redefines the idea of sacred space and positions a Queer ethic identified by its investment in vulnerability, tenderness, and joy. Shikeith: Notes towards Becoming a Spill is made possible, in part, thanks to the generous contribution of 7G Foundation.

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'She decided she would teach him to speak and he was very soon able to say, 'Pretty boy!', 'Your servant, sir!' and 'Hail Mary!''With pathos and humour, Flaubert imagines the unexamined life of a servant girl.Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions.Gustave Flaubert (1821-1880). Flaubert's works available in Penguin Classics are Madame Bovary, Sentimental Education, Three Tales and Salammbo.

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This fascinating cultural history of the personal computer explains how user-friendly design allows tech companies to build systems that we cannot understand.Modern personal computers are easy to use, and their welcoming, user-friendly interfaces encourage us to see them as designed for our individual benefit. Rarely, however, do these interfaces invite us to consider how our individual uses support the broader political and economic strategies of their designers.In Transparent Designs, Michael L. Black revisits early debates from hobbyist newsletters, computing magazines, user manuals, and advertisements about how personal computers could be seen as usable and useful by the average person. Black examines how early personal computers from the Tandy TRS-80 and Commodore PET to the IBM PC and Apple Macintosh were marketed to an American public that was high on the bold promises of the computing revolution but also skeptical about their ability to participate in it. Through this careful archival study, he shows how many of the foundational principles of usability theory were shaped through disagreements over the languages and business strategies developed in response to this skepticism. In short, this book asks us to consider the consequences of a computational culture that is based on the assumption that the average person does not need to know anything about the internal operations of the computers we've come to depend on for everything.Expanding our definition of usability, Transparent Designs examines how popular and technical rhetoric shapes user expectations about what counts as usable and useful as much as or even more so than hardware and software interfaces. Offering a fresh look at the first decade of personal computing, Black highlights how the concept of usability has been leveraged historically to smooth over conflicts between the rhetoric of computing and its material experience. Readers interested in vintage computing, the history of technology, digital rhetoric, or American culture will be fascinated in this book.

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This book is a reprint of a classic work of Virginia history. It is the story of religion on the Eastern Shore of Virginia from Colonial times to the late 1970s. Here in microcosm are many of the same forces and movements that moulded the religion of the entire nation: the Colonial establishment, the camp meetings and revivals of the Second Great Awakening, the bitter battle over slavery, the emergence of the black churches, the Holiness movement, Pentecostalism, and the rich diversity of the 20th century. Among the well-known figures are Francis Makemie, founder of the first American presbytery, Francis Asbury, the pioneer Methodist bishop, James Cannon, Jr., the controversial temperance leader and power in Virginia politics. Revival's Children includes a catalogue of every religious congregation known to have existed on the Shore, Christian and Jewish, Protestant and Catholic, black and white, since 1624. Over 300 separate congregations are traced individually.

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The New York Times bestselling author and entrepreneur investigates what would happen if a new financial world order took hold, one in which global elites own everything and you own nothing—and yet you are somehow happy. When Carol Roth first heard that one of the World Economic Forum’s predictions for 2030 was “You will own nothing, and be happy,” she thought it was an outlandish fantasy. Then, she researched it. What she found was that a number of businesses, governments, and global elites share a vision of a future that sounds utopian: Everyone will have everything they need, and no one will own anything.From declines in home and vehicle ownership to global inflation and government spending, many of the trends of modern life reveal that a new world that is emerging—one in which Western citizens, by choice or by circumstance, increasingly do not own possessions or accumulate wealth. It’s the perfect economic environment for the rich and powerful to solidify their positions and prevent anyone else from getting ahead.In You Will Own Nothing¸ Roth reveals how the agendas of Wall Street, world governments, international organizations, socialist activists, and multinational corporations like Blackrock all work together to reduce the power of the dollar and prevent millions of Americans from taking control of their wealth. She shows why owning fewer assets makes you poorer and less free. This book is essential guide to protecting your hard-earned wealth for the coming generations.

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This book is about the Marshall Attack and the lines which can be grouped together under the banner of the so-called Anti-Marshall. The theory has developed so much in the last decade that there is more than enough material to be going on with just in those areas, but I also decided to include a detailed look at an important line in the Exchange Variation. Black’s key concept in the Marshall is giving up a central pawn in return for activity, and I have tried to give as many lines as possible which adhere closely to this principle. Why is this so significant? Well, for starters, usually in the Ruy Lopez Black is looking for long, slow games in solid, closed positions. The Marshall flips this on its head and Black tries to accelerate the play and radically change the character of the game at an early stage. Let’s briefly discuss the material of the book itself and the lines that I have decided to give. First of all, I started off with the standard Marshall Attack, after the initial moves: 1.e4 e5 2.Nf3 Nc6 3.Bb5 a6 4.Ba4 Nf6 5.0-0 Be7 6.Re1 b5 7.Bb3 0-0 8.c3 d5. I have given direct analysis wherever possible and I have tried to cover all the essential lines. Of course, with the passing of the years and the continual development of theory we can see how the popularity of some positions has shifted and, in some cases, how certain lines have simply been rendered obsolete. I also discovered, to my surprise, that there are still new, unexplored, and interesting paths for further analysis.

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Half a century after the launch of the War on Poverty, its complex origins remain obscure. Battle for Bed-Stuy reinterprets President Lyndon Johnson’s much-debated crusade from the perspective of its foot soldiers in New York City, showing how 1960s antipoverty programs were rooted in a rich local tradition of grassroots activism and policy experiments.Bedford-Stuyvesant, a Brooklyn neighborhood housing 400,000 mostly black, mostly poor residents, was often labeled “America’s largest ghetto.” But in its elegant brownstones lived a coterie of home-owning professionals who campaigned to stem disorder and unify the community. Acting as brokers between politicians and the street, Bed-Stuy’s black middle class worked with city officials in the 1950s and 1960s to craft innovative responses to youth crime, physical decay, and capital flight. These partnerships laid the groundwork for the federal Community Action Program, the controversial centerpiece of the War on Poverty. Later, Bed-Stuy activists teamed with Senator Robert Kennedy to create America’s first Community Development Corporation, which pursued housing renewal and business investment.Bed-Stuy’s antipoverty initiatives brought hope amid dark days, reinforced the social safety net, and democratized urban politics by fostering citizen participation in government. They also empowered women like Elsie Richardson and Shirley Chisholm, who translated their experience as community organizers into leadership positions. Yet, as Michael Woodsworth reveals, these new forms of black political power, though exercised in the name of poor people, often did more to benefit middle-class homeowners. Bed-Stuy today, shaped by gentrification and displacement, reflects the paradoxical legacies of midcentury reform.

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Reclaiming 42 centers on one of America’s most respected cultural icons, Jackie Robinson, and the forgotten aspects of his cultural legacy. Since his retirement in 1956, and more strongly in the last twenty years, America has primarily remembered Robinson’s legacy in an oversimplified way, as the pioneering first black baseball player to integrate the Major Leagues. The mainstream commemorative discourse regarding Robinson’s career has been created and directed largely by Major League Baseball (MLB), which sanitized and oversimplified his legacy into narratives of racial reconciliation that celebrate his integrity, character, and courage while excluding other aspects of his life, such as his controversial political activity, his public clashes with other prominent members of the black community, and his criticism of MLB. MLB’s commemoration of Robinson reflects a professional sport that is inclusive, racially and culturally tolerant, and largely postracial. Yet Robinson’s identity—and therefore his memory—has been relegated to the boundaries of a baseball diamond and to the context of a sport, and it is within this oversimplified legacy that history has failed him. The dominant version of Robinson’s legacy ignores his political voice during and after his baseball career and pays little attention to the repercussions that his integration had on many factions within the black community.Reclaiming 42 illuminates how public memory of Robinson has undergone changes over the last sixty-plus years and moves his story beyond Robinson the baseball player, opening a new, broader interpretation of an otherwise seemingly convenient narrative to show how Robinson’s legacy ultimately should both challenge and inspire public memory.

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New Bones Abolition addresses “those of us broken enough to grow new bones” in order to stabilize our political traditions that renew freedom struggles. Reflecting on police violence, political movements, Black feminism, Erica Garner, Mumia Abu-Jamal, caretakers and compradors, Joy James analyzes the “Captive Maternal,” which emerges from legacies of colonialism, chattel slavery and predatory policing, to explore the stages of resistance and communal rebellion that manifest through war resistance. She recognizes a long line of gendered and ungendered freedom fighters, who, within a racialized and economically-stratified democracy, transform from coerced or conflicted caretakers into builders of movements, who realize the necessity of maroon spaces, and ultimately the inevitability of becoming war resisters that mobilize against genocide and state violence. New Bones Abolition weaves a narrative of a historically complex and engaged people seeking to quell state violence. James discusses the contributions of the mother Mamie Till-Mobley who held a 1955 open-casket funeral for her fourteen-year-old Emmett Till, murdered by white nationalists; the 1971 rebels at Attica prison; the resilience of political prisoners despite the surplus torture they endured; the emergence of Black feminists as political theorists; human rights advocates seeking abolition; and the radical intellectualism of Erica Garner, daughter of Eric Garner slain in 2014 by the NYPD. James positions the Captive Maternal within the evolution of contemporary abolition. Her meditation on, and theorizing of, Black radicals and revolutionaries works to honor Agape-driven communities and organizers that deter state/police predatory violence through love, caretaking, protest, movements, marronage, and war resistance.

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Tropical Multiculturalism provides a major study of race in Brazilian culture through the most complete critical analysis of Brazilian cinema in any language. Focusing on representations of multicultural themes involving Euro- and Afro-Brazilians, other immigrants, and indigenous peoples in the rich tradition of Brazilian fictional feature film, Robert Stam puts Brazilian culture at the center of a wide-ranging analysis of race, representation, history, and film. Drawing parallels between the histories of colonialism, slavery, and immigration in Brazil and the United States, he also contends that questions of ethnic and racial representations are best viewed within the larger context of a comparative analysis of racially plural societies.Stam examines the broad historical and cultural links that connect Brazil and the United States before considering multicultural imagery in Brazilian film as it has changed from the silent era to the present. His analysis moves through the comic chanchadas of the 1930s and 1940s, to the Hollywood-style films from Sao Paulo in the 1950s, and the diverse phases of Cinema Novo beginning in the 1960s. He explores a wealth of subjects, including the submerged "blackness" of Carmen Miranda, the anti-racist agenda of Orson Welles’s never-released Brazilian film It’s All True, the international background behind Black Orpheus, the career of Grande Otelo (Brazil’s greatest black film star), the allegorical "cannibalistic" films like How Tasty Was My Frenchman, and "indigenous media"—the attempt by Brazilian "indians" to use camcorders and VCRs for their own cultural and political purposes. Tropical Multiculturalism is simultaneously a history of Brazilian cinema from the standpoint of race, a history of Brazil itself through its cinematic representations, a comparative study of racial formations in Brazil and the United States, and a theorized analysis of racialized representations.

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SHORTLISTED FOR THE WOLFSON HISTORY PRIZE A major new history of Britain that transforms our understanding of this country's past'I've waited so long so read a comprehensively researched book about Black history on this island. This is it: a journey of discovery and a truly exciting and important work' Zainab Abbas Despite the best efforts of researchers and campaigners, there remains today a steadfast tendency to reduce the history of African and Caribbean people in Britain to a simple story: it is one that begins in 1948 with the arrival of a single ship, the Empire Windrush, and continues mostly apart from a distinct British history, overlapping only on occasion amid grotesque injustice or pioneering protest.Yet, as acclaimed historian Hakim Adi demonstrates, from the very beginning, from the moment humans first stood on this rainy isle, there have been African and Caribbean men and women set at Britain's heart. Libyan legionaries patrolled Hadrian's Wall while Rome's first 'African Emperor' died in York. In Elizabethan England, 'Black Tudors' served in the land's most eminent households while intrepid African explorers helped Sir Francis Drake to circumnavigate the globe. And, as Britain became a major colonial and commercial power, it was African and Caribbean people who led the radical struggle for freedom - a struggle which raged throughout the twentieth century and continues today in Black Lives Matter campaigns.Charting a course through British history with an unobscured view of the actions of African and Caribbean people, Adi reveals how much our greatest collective achievements - universal suffrage, our victory over fascism, the forging of the NHS - owe to these men and women, and how, in understanding our history in these terms, we are more able to fully understand our present moment.

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Before you play the video game, get to know the heroes of MARVEL''S AVENGERS! The stage is set with all-new stories leading directly into the events of the highly anticipated game - featuring all your favourite heroes! Iron Man, Captain America, Black Widow, Thor and Hulk are the Avengers, but when the Lethal Legion strikes, it''s going to take more than their usual teamwork to save the day! When Tony Stark discovers his enemies have co-opted his technology for nefarious purposes, it''s up to him to stop the leak. But can his teammates be trusted - or is something more sinister at play? And can Captain Marvel help set things right? Avengers Assemble! Collecting: Marvel''s Avengers: Iron Man (2019) 1, Marvel''s Avengers: Thor (2020) 1, Marvel''s Avengers: Captain America (2020) 1, Marvel''s Avengers: Hulk (2020) 1, Marvel''s Avengers: Black Widow (2020) 1

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Another Crossing tells the stories of an individual life, of a family, of the communities of Chapeltown and Harehills, and of crucial moments in the making of Leeds as a place where cultures meet. In poetry that sings from the page, Another Crossing recreates places that have been swept away by time, like the house on 56 Cowper Street where Kadijah Ibrahiim's Jamaican grandmother captured her from time to time, where there was black pride and Victorian respectability, where there were aunts who gave the young girl a cultural education, where her grandfather entertained his friends in the sanctum of the West Indian front room - and where there was a forbidden attic whose religious significance only became clear long afterwards. Or there was her mother's house on Gathorne Mount, a place that moved to the looser beat of reggae, where there was strict discipline, love, good food - and blues parties in the cellar. The poems tell of the days when youths were excluded from school for growing their locks, of the bonfire night riots, police harassment and overt racism. But they were also the days when black people in Leeds were creating their own culture in music, dance, dress - shaped by influences from the Caribbean, from Black American music, and from British punk, into something unique. In rhythms that draw from the music being celebrated, with an unerring eye for the details of style that catch a moment, Another Crossing both recreates the recent past, and uses that recreation to ask questions about the present. Where has that political fire gone? Where the energies that danced to a political beat? But if there are notes of regret for a lost clarity of vision, there is also celebration of times that continue to inspire.

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Today most Americans, black and white, identify slavery with cotton, the deep South, and the African-American church. But at the beginning of the nineteenth century, after almost two hundred years of African-American life in mainland North America, few slaves grew cotton, lived in the deep South, or embraced Christianity. Many Thousands Gone traces the evolution of black society from the first arrivals in the early seventeenth century through the Revolution. In telling their story, Ira Berlin, a leading historian of southern and African-American life, reintegrates slaves into the history of the American working class and into the tapestry of our nation.Laboring as field hands on tobacco and rice plantations, as skilled artisans in port cities, or soldiers along the frontier, generation after generation of African Americans struggled to create a world of their own in circumstances not of their own making. In a panoramic view that stretches from the North to the Chesapeake Bay and Carolina lowcountry to the Mississippi Valley, Many Thousands Gone reveals the diverse forms that slavery and freedom assumed before cotton was king. We witness the transformation that occurred as the first generations of creole slaves—who worked alongside their owners, free blacks, and indentured whites—gave way to the plantation generations, whose back-breaking labor was the sole engine of their society and whose physical and linguistic isolation sustained African traditions on American soil.As the nature of the slaves’ labor changed with place and time, so did the relationship between slave and master, and between slave and society. In this fresh and vivid interpretation, Berlin demonstrates that the meaning of slavery and of race itself was continually renegotiated and redefined, as the nation lurched toward political and economic independence and grappled with the Enlightenment ideals that had inspired its birth.

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From early sitcoms such as I Love Lucy to contemporary prime-time dramas like Scandal and How to Get Away with Murder, African Americans on television have too often been asked to portray tired stereotypes of blacks as villains, vixens, victims, and disposable minorities. In Technicolored black feminist critic Ann duCille combines cultural critique with personal reflections on growing up with the new medium of TV to examine how televisual representations of African Americans have changed over the last sixty years. Whether explaining how watching Shirley Temple led her to question her own self-worth or how televisual representation functions as a form of racial profiling, duCille traces the real-life social and political repercussions of the portrayal and presence of African Americans on television. Neither a conventional memoir nor a traditional media study, Technicolored offers one lifelong television watcher's careful, personal, and timely analysis of how television continues to shape notions of race in the American imagination.

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In her stunning debut, Cheryl Isaacs (Mohawk) pulls the reader into an unsettling tale of monsters, mystery, and secrets that refuse to stay submerged.When small-town athlete Avery’s morning run leads her to a strange pond in the middle of the forest, she awakens a horror the townspeople of Crook’s Falls have long forgotten.The black water has been waiting. Watching. Hungry for the souls it needs to survive. Avery can smell the water, see it flooding everywhere; she thinks she''s losing her mind. And as the black water haunts Avery—taking a new form each time—people in town begin to go missing.Though Avery had heard whispers of monsters from her Kanien’kéha:ka (Mohawk) relatives, she has never really connected to her Indigenous culture or understood the stories. But the Elders she has distanced herself from now may have the answers she needs.When Key, her best friend and longtime crush, is th

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Chess Developments is a brand new series providing state-of-the-art openings coverage. Chess Developments focuses on the current trends - concentrating on critical lines, theoretical novelties and powerful new ideas. It offers players of all levels the opportunity to keep up-to-date with current opening theory whilst also expanding and improving their repertoires. The Modern Benoni is an exciting, counter-attacking weapon against 1 d4. Black willingly creates an early imbalance which allows both sides to fight for the initiative in positions which are rich in tactical and strategic possibilities. In this book, Richard Palliser examines the most theoretically important and instructive Modern Benoni games from recent years, highlighting the main developments and novelties for both sides. Whether playing White or Black, studying this book will provide you with essential information on a popular opening. *Written by a renowned Modern Benoni expert *Packed with new ideas and critical analysis *User-friendly design to help readers absorb information

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More than three decades after her election to Parliament, Diane Abbott is still racking up firsts. The first black woman elected to Parliament, she also recently became the first black person to represent their party at PMQs. Abbott came to fame in the 1980s as part of a new generation of Labour activists, quickly dubbed the 'loony left' by right-wing tabloids. Decades later she is still a divisive figure. Inside the Brexit echo chamber she is treated with unparalleled contempt. Yet for her supporters she is a trailblazer, someone who has remained true to her principles and her community after thirty years in 'the belly of the beast'. Based on interviews with her colleagues, her political opponents and friends from school and university, as well as extensive archival research, Diane Abbott: The Authorised Biography traces Abbott's path from London, via Cambridge University, through the media and radical politics into Parliament, and then to the top of Jeremy Corbyn's shadow Cabinet.

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From Cleveland to Cincinnati and everywhere in between, Ohio rocks. Rebels and Underdogs: The Story of Ohio Rock and Roll takes readers behind the scenes to the birth and rise of musical legends like the Black Keys, Nine Inch Nails, Devo, the Breeders, Chrissie Hynde of the Pretenders, and many others who started in garages and bars across Ohio. Through candid first-hand interviews, Garin Pirnia captures new, unheard stories from national legends like the Black Keys and slow-burn local bands like Wussy from Cincinnati. Discover why Greenhornes' members Patrick Keeler and Brian Olive almost killed each other on stage one night, what happened to the pink guitar Trent Reznor of Nine Inch Nails gave to band member Richard Patrick, why Devo loved the dissonance when they were booed by 400,000 music lovers in England, and so much more! Entertaining, inspiring, and revolutionary, Rebels and Underdogs is the untold story of the bands, the state, and rock itself.

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In The Sonic Episteme Robin James examines how twenty-first-century conceptions of sound as acoustic resonance shape notions of the social world, personhood, and materiality in ways that support white supremacist capitalist patriarchy. Drawing on fields ranging from philosophy and sound studies to black feminist studies and musicology, James shows how what she calls the sonic episteme—a set of sound-based rules that qualitatively structure social practices in much the same way that neoliberalism uses statistics—employs a politics of exception to maintain hegemonic neoliberal and biopolitical projects. Where James sees the normcore averageness of Taylor Swift and Spandau Ballet as contributing to the sonic episteme's marginalization of nonnormative conceptions of gender, race, and personhood, the black feminist political ontologies she identifies in Beyoncé's and Rihanna's music challenge such marginalization. In using sound to theorize political ontology, subjectivity, and power, James argues for the further articulation of sonic practices that avoid contributing to the systemic relations of domination that biopolitical neoliberalism creates and polices.

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Buffalo, New York, 2022. Ten black people murdered. The killer, 18-year-old Payton Gendron, says he was driven by ''Great Replacement'' - the conspiracy theory that a Jewish-led elite is replacing white people with black and brown people. This, and a spate of similar hate crimes, begs the question: what are the origins of such behaviour? Gavin Evans traces the historical roots of white supremacy. He begins in the 19th century with Charles Darwin and his cousin Francis Galton''s race-based theories before looking at the spread of eugenics ideas throughout the UK, Europe and the United States, their Holocaust-prompted decline after the Second World War, and their revival in a different guise through the promotion of race science from the late 20th century. Evans also examines the hatching of ''Great Replacement'' conspiratorial ideas in the 21st century - and their expression via alt-right forums to the minds of troubled young men with access to assault rifles. White Supremacy breaks n

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Can Detective Conan crack the case…while trapped in a kid’s body?When ace high school detective Jimmy Kudo is fed a mysterious substance by a pair of nefarious men in black—poof! He is physically transformed into a first grader. Until Jimmy can find a cure for his miniature malady, he takes on the pseudonym Conan Edogawa and continues to solve all the cases that come his way.When an heiress drowns in a hotel pool, Conan and Sera are on the scene to dredge up the truth. Then a screenwriter is found dead in a scenario straight out of one of her mystery scripts. And Conan and Harley investigate a mythical beast that seems to be committing very real murders.Meanwhile, Conan tries to learn something—anything—about Rum, the high-ranking Man in Black who’s as secretive as he is dangerous. There’s also the question of the strange little girl monitoring Conan and his friends from a distance. With these mysteries lurking in the shadows, how can Conan keep his mind on his cases?

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From bestselling Feminist Baby and It Had to Be You creator Loryn Brantz comes a fun-filled high-contrast black-and-white board book that celebrates the experiences kids of all abilities may have with their loved ones Now that you’re here, there’s so much we can do. We’ve been waiting so long for the chance to show you!From blowing bubbles to exploring in the park, these moments and more are cherished in this sweet poem from caregiver to baby. With playful text perfect for fans of You Are My Happy and Guess How Much I Love You, bestselling Feminist Baby creator, Loryn Brantz, compliments her poem with black and white illustrations that babies can actually see!Now That You’re Here is a must-have addition to every baby’s nursery and a perfect gift for baby showers, Mother’s Day, Father’s Day, and Valentine’s Day.Also available in the LOVE POEMS YOUR BABY CAN SEE series: It Had to Be You For Your Smile

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4 starred reviews!Orange Is the New Black meets Walter Dean Myer’s Monster in this gritty, twisty, and haunting debut by Tiffany D. Jackson about a girl convicted of murder seeking the truth while surviving life in a group home.Mary B. Addison killed a baby. Allegedly. She didn’t say much in that first interview with detectives, and the media filled in the only blanks that mattered: a white baby had died while under the care of a churchgoing black woman and her nine-year-old daughter. The public convicted Mary and the jury made it official. But did she do it? There wasn’t a point to setting the record straight before, but now she’s got Ted—and their unborn child—to think about. When the state threatens to take her baby, Mary’s fate now lies in the hands of the one person she distrusts the most: her Momma. No one knows the real Momma. But does anyone know the real Mary?

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A Rough Trade Book of the YearThe Sunday Times bestsellerThe much-anticipated first book from Black Sabbath bassist Geezer ButlerWith over 70 million records sold, heavy metal pioneers Black Sabbath are one of the most influential bands of all time. From the very beginning, Geezer Butler was at the heart of their success. He named the group, provided the bass behind their distinctive sound and wrote the lyrics that resonated so powerfully with fans around the world.At long last, Geezer is ready to tell his side of the Sabbath story, from early days as a scrappy blues quartet through to the many lineup changes, the record-breaking tours and the international hell-raising with Ozzy Osbourne, Tony Iommi and Bill Ward.Featuring Geezer's candid reflections on his working-class childhood in Luftwaffe-battered Birmingham, his almost-life as an accountant and his fascination with horror, religion and the occult, Into the Void reveals the softer side of the heavy metal legend, while holding not

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Each 96 page, hard cover book in the series is 10 1/2" x 7 5/8" and contains color and black and white photos, drawings, charts, and catalog facsimiles. Each classic model is presented in its historic and developmental aspects.

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Each 96 page, hard cover book in the series is 10 1/2" x 7 5/8" and contains color and black and white photos, drawings, charts, and catalog facsimiles. Each classic model is presented in its historic and developmental aspects.

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Each 96 page, hard cover book in the series is 10 1/2" x 7 5/8" and contains color and black and white photos, drawings, charts, and catalog facsimiles. Each classic model is presented in its historic and developmental aspects.

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Brush water over the black and white illustrations and watch as the bugs burst into brilliant colour! Scenes include ladybirds, butterflies, ants and grasshoppers, and there’s a handy fold-out back cover to prevent colours running through to the page beneath. Part of a range of pocket-sized paperbacks that are perfect for holidays and journeys.

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The Emigrants is an elaborately conceived novel, dense with dynamic characters and evocative details. First published in 1954, it focuses initially on the emigrant journey, then on the settling-in process. The journey by sea and subsequent attempts at resettlement provide the fictional framework for Lamming's exploration of the alienation and displacement caused by colonialism.This is the epic journey of a group of West Indians who emigrate to Great Britain in the 1950s in search of educational opportunities unattainable at home. Seeking to redefine themselves in the "mother country," an idealized landscape that they have been taught to revere, the emigrants settle uncomfortably in England's industrial cities. Within two years, ghettoization is firmly in place. The emigrants discover the meaning of their marginality in the British Empire in an environment that is unexpectedly hostile and strange. For some, alienation prompts a new sense of community, a new sense of identity as West Indians. For others, alienation leads to a crisis of confrontation with the law and fugitive status.There is a wealth of information here about the genesis of the black British community and about the cultural differences between the black British and West Indian/Caribbean.

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The second book of the Eisner Award-winning horror series from writer JEFF LEMIRE (Sweet Tooth, Black Hammer) and artist ANDREA SORRENTINO (Old Man Logan, Primordial) collected in a deluxe edition hardcover!The Black Barn continues to wreak havoc on the lives of our heroes as they are forced to confront their greater fears within its walls. Realities are finally converging and the end is nigh! Will they be able to stop the Laughing Man or will he triumph in spreading his evil throughout the multiverse?Rural mystery and urban horror collide in this character-driven meditation on obsession, mental illness, and faith from the creators that writer BRIAN MICHAEL BENDIS said: “will go down as one of the greatest comic teams of all time!” This edition features plenty of extras including a variant cover gallery from some of comics' best artists and a revealing behind-the-scenes with insight into the inner workings of Gideon Falls.Collects issues #17-27

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The classic graphic novel. The first of Tintin's black-and-white adventures. Sent on assignment to the Soviet Union, Tintin boards a train...but after an explosion, Tintin is blamed for the bombing, and he must make his way to the Soviet Union by stealth. Once there, he uncovers some shocking Bolshevik secrets.

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Dean Blunt is the most important British artist of the current century because he fundamentally does not care about Britain. His importance makes it shocking that such little critical attention has been paid to his work. His indifference explains it. Dhanveer Singh Brar’s Beefy’s Tune (Dean Blunt Edit) looks to initiate a conversation that needs to be had about Dean Blunt, about Britain (through Blunt’s indifference to it), and about Blackness in Britain (through the depth and complexity of Blunt’s feeling for it). Using the 2016 album ‘BBF Hosted By DJ Escrow’ as a means of navigation, Brar hears Blunt in order to access the long contested dream of Britain’s disappearance that was conducted under the name of Black British Arts. Partial (in the sense of his relation to Blunt) and partial (in the sense of unfinished), Beefy’s Tune (Dean Blunt Edit) see’s Dhanveer Singh Brar give the dream a grammar, if not a name.“To encounter BBF Hosted by DJ Escrow through Dhanveer Brar’s ears is to see Babylon through his eyes, and to sense Britain — to uncover with ‘accuracy, brutality and beauty’ the complexities of its meaning — through the social music, social vision and social feel of those who refuse the Britishness that is withheld from them. Brar discerns Dean Blunt’s rightful place in a cultural field where critical discourse and sonic dream are fundaments of a dub university curriculum whose various approaches show the absolute necessity and generativity of stealth, flaw and the resistance to category. Blunt’s “love letter to the blackness of Hackney” deserves the most rigorous, gentle, erudite attention. Happily, Dhanveer Brar is here to provide it.” – Fred Moten

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The fifth volume of this monumental series chronicles what was perhaps the stormiest period in the history of Marcus Garvey and the UNIA: the aftermath of the tumultuous 1922 convention. Outside the UNIA a growing list of opponents, including the black Socialists A. Philip Randolph and Chandler Owen, and the NAACP's Robert Bagnall and William Pickens, were turning their criticism of the controversial Jamaican into a "Garvey Must Go" campaign. Meanwhile, Garvey's former UNIA ally, Rev. J. W. H. Eason-who had been impeached at the 1922 convention-was emerging as a dangerous rival. Eason was assassinated in January 1923, just as he was to testify against Garvey in the latter's mail-fraud trial. Though it may be impossible to determine if Garvey had a role in the killing, the murder generated negative publicity that did untold damage to Garvey and his organization. Throughout all this, the federal government pressed its case against Garvey and his co-defendants on mail-fraud charges stemming from irregularities in the sale of Black Star Line stock. In June 1923 a jury found Garvey guilty and he was sentenced to five years in prison. Internecine feuds wracked the movement while Garvey languished in New York City's Tombs prison, awaiting bail so that he could mount an appeal. As soon as he was released in September 1923, he turned his energy to reconsolidating the UNIA. while considering the best appeal strategy. For the UNIA Garvey resurrected an old commercial message: that economic salvation was to be found in ships. In March 1924 he reconstituted the defunct Black Star Line as the Black Cross Navigation and Trading Co. and bought a ship, the S. S. General Goethals, in time for a tour of it by convention delegates. The shipboard tour proved to be a highlight of the 1924 convention, during which UNIA leadership was stunned by the Liberian government's formal repudiation of the movement's African colonization plans. Despite the UNIA's unexpected setback in Liberia, the movement continued to spread into new places, particularly in America's southern states. Generously illustrated with photographs and facsimile documents, Volume V of The Marcus Garvey and Universal Negro Improvement Association Papers upholds the impeccable editorial standards of the first four volumes. Once again, a wealth of new sources collected from around the world demonstrates how vitally important Marcus Garvey and the mass movement he controlled were to Afro-American history.

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This pastel belongs to a small number of works of art at the Frick by a female artist. Rosalba Carriera (Italian, 1673 1757) spent most of her life in Venice, then a popular destination for young aristocrats from all over Europe undertaking the Grand Tour-a tour of the continent that served as an educational rite of passage into adulthood. Many of these travelers would go to Rosalba's studio to have a portrait painted, and Rosalba, who began her career as a miniaturist painter in Venice, became internationally acclaimed. Rosalba's pastels are technically innovative, remarkable for their soft edges and sumptuous effects. By binding colored chalk into sticks, she obtained a much wider range of prepared colors, which ultimately expanded the visual possibilities of this medium. Little is known about this portrait, painted about 1730. Despite the fragility of the medium-pastel-it is in pristine condition. The portrayal of the man as a pilgrim, with a black cape and holding a staff, may indicate that he was a member of the Pellegrini family-pellegrini being the Italian word for pilgrims-or that he is someone who traveled on a pilgrimage. More likely, however, his attire is simply a costume related to the Venetian Carnival. Designed to foster critical engagement and interest specialist and non-specialist alike, each book in the Frick Diptych series illuminates a single work in the Frick's rich collection with an essay by a Frick curator paired with a contribution from a contemporary artist or writer. AUTHORS: Born in Lausanne in 1980, Nicolas Party is a figurative painter who has achieved critical admiration for his familiar yet unsettling landscapes, portraits, and still lifes that simultaneously celebrate and challenge conventions of representational painting. His works are primarily created in soft pastel, an idiosyncratic choice of medium in the 21st-century, and one that allows for exceptional degrees of intensity and fluidity in his depictions of objects both natural and manmade. Xavier F. Salomon is deputy director and Peter Jay Sharp Chief Curator, The Frick Collection, New York. SELLING POINTS: . New volume in the best selling Frick Diptych series that began with Holbein's Sir Thomas More by Hilary Mantel . Volume 13 focuses on an exquisite eighteenth-century Italian portrait 45 colour illustrations

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Welcome to the amazing world of flags! Did you know that each flag is actually a picture that sends a message to everyone who sees it? In The Flag Book, Lonely Planet Kids introduces you to the flags of every country in the world, from Afghanistan to Zimbabwe, and tells you what their design, colours, and images represent, along with lots of other incredible facts. What's the only country that doesn't have a rectangular flag? Why does Hawaii's state flag feature the UK's Union Jack in one corner? And what do the 13 stripes of the USA's Star Spangled Banner represent? You'll find out the answer to all these and much, much more. We'll then show you the other fascinating ways flags are used throughout the world. Learn the International Code of Flag Symbols to communicate with ships at sea; read about flags used in sports, like Formula 1's chequered flag; marvel at flags commemorating world records and incredible human achievements; and peer with a microscope at the planet's smallest flag, which is no wider than a human hair. But that's not all! Travel back in time to the Golden Age of Piracy and have your timbers shivered by the bloodthirsty flags of 'Black Bart' Roberts and his fellow pirates sailing the Caribbean. Chapters include: What are flags for? Speaking in flag Flag designs Coats of arms Pirate flags Ships and aeroplane flags The world's oldest flags Semaphore flags Flag record breakers Flag tales Sports flags International flags About Lonely Planet Kids: Lonely Planet Kids - an imprint of the world's leading travel authority Lonely Planet - published its first book in 2011. Over the past 45 years, Lonely Planet has grown a dedicated global community of travellers, many of whom are now sharing a passion for exploration with their children. Lonely Planet Kids educates and encourages young readers at home and in school to learn about the world with engaging books on culture, sociology, geography, nature, history, space and more. We want to inspire the next generation of global citizens and help kids and their parents to approach life in a way that makes every day an adventure. Come explore!

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Bath of Herbs is her beautifully crafted, honest and thoughtful first collection which explores the complexity of mixed-race, hybrid identities and relationships to the English and Welsh mountains, fells, rivers and shorelines from an ‘othered’, unmappable, positionality. It honours the lives of Black and Brown women and asks how they can reclaim space, both practically and conceptually. It celebrates and mourns the unspoken pain and joys of motherhood; of menstrual cycles, childbirth, tending to sick children with life-threatening illnesses, the death of mothers, love in all its myriad forms and the desire to escape the constraints of domestic and family life towards different kinds of freedoms. It also revisits the confusing world of childhood; the inexplicable actions of adults and the bullies who despise perceived difference. There is her ownership of a writerly inheritance handed down from her grandfather, the Black Martiniquan writer, Joseph Zobel, but also an awareness that this heritage has involved a movement away from the Black peasant world Zobel wrote about towards a comfortable Europeanness of being. Other poems address the security of a middle-class life and the many pleasures it offers – but also how that world can be broken apart by death, by serious illness, by the fear that the channels of communication in a marriage have ‘gone down’ and how, as a woman expected to hold everything together, one is sometimes forced to take refuge in the wildest fantasies. Linking the whole is an engagement with the possibilities of healing: as in the bath of herbs in which her grandmother bathed her mother after giving birth; in the physicality of running and purificatory swimming in a river; in the care a hospital gives to her child and in the healing power of the natural world.

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A collector’s edition of Lewis Carroll’s Alice’s Adventures in Wonderland, and Through the Looking Glass, with letters, poems and a biography of their creator, Charles Lutwidge Dodgson. Featuring over 100 black and white illustrations by Arthur Rackham, Sir John Tenniel, Henry Holiday and Arthur B. Frost.

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The abolitionist movement launched the global human rights struggle in the 18th and 19th centuries and redefined the meaning of equality throughout the Atlantic world. Even in the 21st century, it remains a touchstone of democratic activism-a timeless example of mobilizing against injustice. As famed black abolitionist Frederick Douglass commented in the 1890s, the antislavery struggle constituted a grand army of activists whose labors would cast a long shadow over American history. This introduction to the abolitionist movement, written by African American and abolition expert Richard Newman, highlights the key people, institutions, and events that shaped the antislavery struggle between the American Revolutionary and Civil War eras as well as the major themes that guide scholarly understandings of the antislavery struggle. From early abolitionist activism in the Anglo American world and the impact of slave revolutions on antislavery reformers to the rise of black pamphleteers and the emergence of antislavery women before the Civil War, the study of the abolitionist movement has been completely reoriented during the past decade. Where before scholars focused largely on radical (white) abolitionists along the Atlantic seaboard in the years just before the Civil War, they now understand abolitionism via an ever-expanding roster of activists through both time and space. While this book will examine famous antislavery figures such as William Lloyd Garrison and Frederick Douglass, it will also underscore the significance of early abolitionist lawsuits, the impact of the Haitian Revolution on both black and white abolitionists in the United States, and women's increasingly prominent role as abolitionist editors, organizers, and orators. By drawing on the exciting insights of recent work on these and other themes, a very short introduction to the abolitionist movement will provide a compelling and up-to-date narrative of the American antislavery struggle

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From Charlamagne Tha God, host of the morning radio phenomenon The Breakfast Club, and founder and CEO of iHeartRadio’s Black Effect Podcast Network, a rundown on how small talk from small minds has taken over our world, and the BIG conversations needed to climb our way back.For fourteen years, Charlamagne Tha God has been cohost of iHeartRadio’s nationally syndicated morning radio show The Breakfast Club and has proven his power as a culture mover and thought leader, by being his completely authentic self on-air, from his famous “You ain''t black” moment with President Biden, to heartfelt chats with cultural icons like Sean “Jay-Z” Carter and Judy Blume, to viral classics with Kamala Harris and Soulja Boy, his incredible reach and impact on the pulse of America continues to grow. In his new book, Get Honest or Die Lying: Why Small Talk Sucks, Charlamagne takes full command of his new perch,

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