Search results for ""Author Black"

The Sunday Times bestseller Shortlisted for the Women’s Prize for Fiction Longlisted for the Booker Prize ‘It is a book not read, but lived’ Telegraph ‘Her Cromwell novels are, for my money, the greatest English novels of this century’ Observer The bestselling sequel to Wolf Hall and Bring Up the Bodies, the stunning conclusion to Hilary Mantel’s Man Booker Prize-winning Wolf Hall trilogy. ‘If you cannot speak truth at a beheading, when can you speak it?’ England, May 1536. Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Thomas Cromwell breakfasts with the victors. The blacksmith’s son from Putney emerges from the spring’s bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen, Jane Seymour. Cromwell is a man with only his wits to rely on; he has no great family to back him, no private army. Despite rebellion at home, traitors plotting abroad and the threat of invasion testing Henry’s regime to breaking point, Cromwell’s robust imagination sees a new country in the mirror of the future. But can a nation, or a person, shed the past like a skin? Do the dead continually unbury themselves? What will you do, the Spanish ambassador asks Cromwell, when the king turns on you, as sooner or later he turns on everyone close to him? With The Mirror and the Light, Hilary Mantel brings to a triumphant close the trilogy she began with Wolf Hall and Bring Up the Bodies. She traces the final years of Thomas Cromwell, the boy from nowhere who climbs to the heights of power, offering a defining portrait of predator and prey, of a ferocious contest between present and past, between royal will and a common man’s vision: of a modern nation making itself through conflict, passion and courage. A Guardian Book of the Year • A Times Book of the Year • A Daily Telegraph Book of the Year • A Sunday Times Book of the Year • A New Statesman Book of the Year • A Spectator Book of the Year Sunday Times Bestseller (08/03/2020)

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'Oh Miriam! risks the curse of the sequel, and pulls it off . . . A force of nature, a tour de farce. Bold, brave and bright, but also revealing, shocking and touching. Miriam is an icon, a cocksucker - and the star of her show' ROBERT McCRUM, Independent'Our naughtiest national treasure . . . famously filthy, funny and phlegmatic . . . Oh Miriam! is Margolyes's manifesto for a fulfilled life . . . She loves to tell it straight. And the older she gets, the straighter she tells it' SIMON HATTENSTONE, Guardian'Irrepressible . . . A life-enhancing rollercoaster of a ride . . . this book is like Margolyes herself - outspoken, ebullient and unexpectedly wise' EMMA LEE-POTTER, Daily Express'Snortingly funny . . . deliciously unbridled . . . There is something heroic in her unruliness. Let Miriam take the lead and enjoy the show' RHIK SAMADDER, Observer'Insanely interesting, full of profanity and profundity, Oh Miriam!'s title comes from all the people who have ever exclaimed her name in every tone from horror to hilarity; and her unfiltered personality leaps off the page - honesty, kindness, generosity, sanity, erudition, outspokenness' SUZANNE HARRINGTON, Irish Examiner'Endearingly eccentric' WOMEN'S WEEKLY From declaring my love to Vanessa Redgrave to being fed cockroaches by Steve Buscemi, from turnip-based comedy with Blackadder to being farted on by Arnold Schwarzenegger, from Graham Norton's sofa to Alan Cumming's camper van, my life has been (and continues to be) an uproarious adventure.Oh Miriam! has been such a constant refrain in my life, said in all kinds of tones - laughs, surprised gasps and orgasmic sighs (I'm hoping for all of those from you as you read on!) - that it had to be the title of this book. And with a cast list that stretches from Churchill to DiCaprio, Dahl to Dietrich, Princess Margaret to Maggie Smith, I've so much more to tell you and so much more to say.My chapters range from 'How to Stay Married' to 'Don't Let the Bastards Get You Down'. Discover how to break the thickest conversational ice; why swearing is actually good for you (though not on the Today programme); the unexpected things I learned at school and what my Spice Girl name would be. Not to mention my Tale of the Unexpected and my very own Vagina Monologue.Buckle up and join me on another unforgettable adventure, but this time through my heart and head . . .

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Honoring relatives by tending graves, building altars, and cooking festive meals has been a major tradition among Latin Americans for centuries. The tribute, "El Día de los Muertos," has enjoyed renewed popularity since the 1970s when Latinx activists and artists in the United States began expanding "Day of the Dead" north of the border with celebrations of performance art, Aztec danza, art exhibits, and other public expressions. Focusing on the power of public ritual to serve as a communication medium, this revised and updated edition combines a mix of ethnography, historical research, oral history, and critical cultural analysis to explore the manifold and unexpected transformations that occur when the tradition is embraced by the mainstream. A testament to the complex role of media and commercial forces in constructions of ethnic identity, Day of the Dead in the USA provides insight into the power of art and ritual to create community, transmit oppositional messages, and advance educational, political, and economic goals. Today Chicano-style Day of the Dead events take place in all fifty states. This revised edition provides new information about: The increase in events across the US, incorporating media coverage and financial aspects, Recent political movements expressed in contemporary Day of the Dead celebrations, including #BlackLivesMatter and #MeToo Greater media coverage and online presence of the celebration in blogs, websites, and streaming video Día de los Muertos themes and iconography in video games and films The proliferation of commercialized merchandise such as home goods, apparel, face paints and jewelry at mainstream big box and web retailers, as well as the widespread proliferation of calavera-themed decorations and costumes for Halloween 24 new full color illustrations

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Rebecca Valette’s Clitso Dedman, Navajo Carver is the first biography of artist Clitso Dedman (1876–1953), one of the most important but overlooked Diné (Navajo) artists of his generation. Dedman was born to a traditional Navajo family in Chinle, Arizona, and herded sheep as a child. He was educated in the late 1880s and early 1890s at the Fort Defiance Indian School, then at the Teller Institute in Grand Junction, Colorado. After graduation Dedman moved to Gallup, New Mexico, where he worked in the machine shop of the Atchison, Topeka, and Santa Fe Railway before opening his first of three Navajo trading posts in Rough Rock, Arizona. After tragedy struck his life in 1915, he moved back to Chinle and abruptly changed careers to become a blacksmith and builder. At age sixty, suffering from arthritis, Dedman turned his creative talent to wood carving, thus initiating a new Navajo art form. Although the neighboring Hopis had been carving Kachina dolls for generations, the Navajos traditionally avoided any permanent reproduction of their Holy People, and even of human figures. Dedman was the first to ignore this proscription, and for the rest of his life he focused on creating wooden sculptures of the various participants in the Yeibichai dance, which closed the Navajo Nightway ceremony. These secular carvings were immediately purchased and sold to tourists by regional Indian traders. Today Dedman’s distinctive and highly regarded work can be found in private collections, galleries, and museums, such as the Navajo Nation Museum at Window Rock, the California Academy of Sciences in San Francisco, and the Arizona State Museum in Tucson. Clitso Dedman, Navajo Carver, with its extensive illustrations, is the story of a remarkable and underrecognized figure of twentieth-century Navajo artistic creation and innovation.

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Since the release of the documentary Blackfish in 2013, millions around the world have focused on the plight of the orca, the most profitable and controversial display animal in history. Yet, until now, no historical account has explained how we came to care about killer whales in the first place. Drawing on interviews, official records, private archives, and his own family history, Jason M. Colby tells the exhilarating and often heartbreaking story of how people came to love the ocean's greatest predator. Historically reviled as dangerous pests, killer whales were dying by the hundreds, even thousands, by the 1950s--the victims of whalers, fishermen, and even the US military. In the Pacific Northwest, fishermen shot them, scientists harpooned them, and the Canadian government mounted a machine gun to eliminate them. But that all changed in 1965, when Seattle entrepreneur Ted Griffin became the first person to swim and perform with a captive killer whale. The show proved wildly popular, and he began capturing and selling others, including Sea World's first Shamu. Over the following decade, live display transformed views of Orcinus orca. The public embraced killer whales as charismatic and friendly, while scientists enjoyed their first access to live orcas. In the Pacific Northwest, these captive encounters reshaped regional values and helped drive environmental activism, including Greenpeace's anti-whaling campaigns. Yet even as Northwesterners taught the world to love whales, they came to oppose their captivity and to fight for the freedom of a marine predator that had become a regional icon. This is the definitive history of how the feared and despised "killer" became the beloved "orca"--and what that has meant for our relationship with the ocean and its creatures.

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The second part of Vincent Roth's memoirs of a life in Guyana covers the years between 1923 and 1935 when a second bout of blackwater fever nearly killed him and forced his retirement from working in the interior.In addition to his job as a government surveyor (one task was to survey a mere 400,000 acres between the Demerara and Berbice rivers) Roth was appointed as Warden of the Mazaruni, a post which combined being magistrate, inspector of weights and measures and regulator of the diamond and gold mining in the area - tasks which brought him into a world far from the proprieties of colonial Georgetown. There are vivid accounts of the Saturday night festivities when hundreds of prospectors and the 'women of the fields', gaudy birds of paradise, gathered at the trading posts for music, drinking, gambling and much more.What comes over is a picture (a mixed and contradictory one) of Guyana as, on the whole, an enterprising and pioneering society. Much of Roth's work was concerned with surveying the lots of farmers and gold and diamond prospectors - people creating if not great wealth, at least making things happen. But he also has a sharp eye for grandiose follies; interior enterprises built on dreams of wealth but inadequate foundations of knowledge. Their memorials lie in the ruins of mines collapsing into bush. And though Roth has an acerbic view of jumped-up officialdom and bureaucratic incompetence, he neverthess gives a picture of a country that worked, where the mail and the daily papers reached the remotest parts of the interior, but where the obliterating power of nature over human effort had to be constantly resisted. His accounts of roadbuilding and ideas for agricultural schemes suggest possibilities not yet realised in the Guyana of the present.In this volume, Roth grows from energetic and opinionated young manhood to a more relaxed and unbuttoned maturity. There is an affectionate portrayal of his relations with his father (and samples of Roth senior's appalling jokes!) and with his two sons who join him on his later expeditions. An epilogue, written by his son-in-law, Michael Bennett, takes Roth's story beyond the days of his journal to note the contribution he made to Guyana in his journalism, his historical writing and his work with the museum and the zoological gardens.Between 1907 and 1964, Vincent Roth contributed immensely to the development of Guyana, first as a surveyor in the interior, then as a journalist, historian and naturalist.

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'Escapism of a high order.' INDEPENDENT ON SUNDAY'A slyly intelligent page turner.' PUBLISHERS WEEKLYAN AURELIO ZEN MYSTERY When a group of Austrian cavers in the Italian Alps come across human remains at the bottom of a deep shaft, everyone assumes the death was accidental - until the still unidentified body is stolen from the morgue and the Defence Ministry puts a news blackout on the case. The whole affair has the whiff of political intrigue. That's enough to interest Aurelio Zen's boss at the Interior Ministry, who wants to know who is hiding what from who and why. The search for the truth leads Zen into the murky history of post-war Italy and obscure corners of modern-day society to uncover the truth about a crime that everyone thought was as dead and buried as the victim.'As the plot quickens, we are soon deep in Dibdin's favourite territory: the murky political conflicts of Italy's past and the oily chicanery of its present.' SUNDAY TIMES'Dibdin's misanthropic wit finds plenty to play with.' GUARDIAN'A terrific detective story.' 5* reader review'Beautifully written . . . You get a real sense of the turbulence in the Italian state during that era.' 5* reader review'MEDUSA is the best I've read so far, with a complex but pleasing plot.' 5* reader reviewPRAISE FOR MICHAEL DIBDIN AND THE INSPECTOR ZEN SERIES:'He wrote with real fire.' IAN RANKIN'A maestro of crime writing.' SUNDAY TIMES'One of the genre's finest stylists . . . And Zen himself is a masterly creation: he is anti-heroic and pragmatic but obstinate, cunning and positively burdened with integrity.' GUARDIAN'Dibdin tells a rollicking good tale that you want both to read fast, because of its gripping storyline, and to linger over, to savour the evocative descriptions of place and mood.' INDEPENDENT'One of British crime fiction's most distinguished and distinctive voices.' ANDREW TAYLOR'Dibdin has a gift for shocking the unshockable reader.' Ruth Rendell'Zen is one of the greatest creations of contemporary crime fiction.' OBSERVER'I love the way these books capture the atmosphere and contradictions of Italy.' 5* reader review'Aurelio Zen novels are a great treat.' 5* reader review'There is no better writer than Dibdin. His books are a joy to read.' 5* reader review'Love these books . . . I am sure you will get hooked too!' 5* reader review

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A Telegraph readers' best book of the yearA Financial Times readers' best 2021 summer book'A powerful new book' - The Daily Mail'Quite the story... fascinating' - Claire Byrne, RTE1'This memoir meets manual with expert tips is both honest and helpful' - Victoria Woodhall, Get the GlossFOREWORD BY DR SOPHIE BOSTOCK'29th June 0 HOURS, 0 MINUTES Eleven forty-seven pm. A door slams as the neighbour's teenage son comes home from the pub. An hour later, the last Tube rumbles past and I thump my pillow over to find a cool spot. I refuse to open the window because of my fear of hearing the first bird of morning, confirmation that the next day is about to start and I have failed, yet again. Failed in my quest to sleep, which one would think is a basic human right.But I am not a POW whose captors breach the Geneva Convention. No one has stolen my sleep from me. I am not wired up to electrodes, a neon light is not shining in my face all night long. I have blackout blinds and a king-size bed all to myself. My enemies are my brain and a body that has forgotten how to shut down.'After a single, catastrophic event, journalist Miranda Levy had one sleepless night, then another, and then another. She sought help from anyone she could: doctors, a therapist, an acupuncturist, a hypnotist, a reiki practitioner and a personal trainer - but nothing seemed to work.Sleep, wellbeing and mental health are intrinsically linked. Yet sleeplessness is surprisingly common: 16 million of us suffer from insomnia, and the sleep industry is worth £100 billion (Daily Mail). In The Insomnia Diaries, Miranda Levy tells the story of her experience of severe, disabling insomnia that affected every aspect of her life for years, and how she ultimately recovered. Part memoir, part reportage, this book will help anyone who struggles to get a good night's sleep - whether occasionally or all of the time - appreciate the issues and understand the options as they find their best way to get the rest they need. Dr Sophie Bostock, scientist, sleep expert and member of the team who developed the award-winning digital programme Sleepio, contributes a foreword. She and a host of expert contributors have advised on the medical elements within the text throughout.

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ONE OF THE GUARDIAN'S BEST CRIME/THRILLERS OF 2023**DON'T MISS CASSIE RAVEN'S NEWEST MYSTERY, DEAD FALL, AVAILABLE TO PRE-ORDER NOW!**'I LOVE THIS SERIES!' ELLY GRIFFITHS'TIMELY, GRITTY AND DARK' PAULA HAWKINS'THIS SERIES IS NOT TO BE MISSED' THE GUARDIANWhen the dead are silent, she will be their voice . . .Goth-girl mortuary technician Cassie Raven has seen thousands of dead bodies but when a drowned man knocks against the hull of her canalboat, it's a bit too close to home.Cassie is grappling with the loss of her 'gift' - her conviction that she could sense the last thoughts of the dead - and at first the mystery man with the golden-green eyes isn't sharing his secrets.But the case gets under her skin and when Cassie joins forces with Detective Phyllida Flyte, together they start to dredge up secrets from the past . . .Yet someone is watching, someone who's ready to kill to stop those secrets coming to the surface.FEATURED IN HEAT MAGAZINE, THE SUNDAY TIMES AND THE GUARDIAN.PRAISE FOR THE CASSIE RAVEN SERIES:'Spellbinding storytelling' Val McDermid'Like Silent Witness but more believable' Susi Holliday 'Blackly humorous, with a fabulously one-of-a-kind protagonist' Heat Magazine'Ingenious and sardonically written' Financial Times'[A] gritty novel with an engaging heroine' Sunday Times'A terrific, well-placed plot' Spectator'Cassie Raven is a lot of fun to spend time with' Big Issue'Excellent fun, compulsive and Cassie Raven is a protagonist I want to meet again soon' James Oswald'Cassie Raven is a blast of fresh air, striding onto the crime scene like a punk superstar' Sarah Hilary'Move over Silent Witness - Cassie Raven is an utterly compelling contemporary forensic heroine' Isabelle Grey'A fresh and exciting new series' Claire McGowan'One of the best series openers I've read in years' Jane Casey

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Since its publication in 2002, Science and Religion has proven to be a widely admired survey of the complex relationship of Western religious traditions to science from the beginning of the Christian era to the late twentieth century. In the second edition, eleven new essays expand the scope and enhance the analysis of this enduringly popular book. Tracing the rise of science from its birth in the medieval West through the scientific revolution, the contributors here assess historical changes in scientific understanding brought about by transformations in physics, anthropology, and the neurosciences and major shifts marked by the discoveries of Copernicus, Galileo, Isaac Newton, Charles Darwin, and others. In seeking to appreciate the intersection of scientific discovery and the responses of religious groups, contributors also explore the theological implications of contemporary science and evaluate approaches such as the Bible in science and the modern synthesis in evolution, which are at the center of debates in the historiography, understanding, and application of science. The second edition provides chapters that have been revised to reflect current scholarship along with new chapters that bring fresh perspectives on a diverse range of topics, including new scientific approaches and disciplines and non-Christian traditions such as Judaism, Islam, Asiatic religions, and atheism. This indispensible classroom guide is now more useful than ever before. Contributors: Richard J. Blackwell, Peter J. Bowler, John Hedley Brooke, Glen M. Cooper, Edward B. Davis, Alnoor Dhanani, Diarmid A. Finnegan, Noah Efron, Owen Gingerich, Edward Grant, Steven J. Harris, Matthew S. Hedstrom, John Henry, Peter M. Hess, Edward J. Larsen, Timothy Larson, David C. Lindberg, David N. Livingstone, Craig Martin, Craig Sean McConnell, James Moore, Joshua M. Moritz, Mark A. Noll, Ronald L. Numbers, Richard Olson, Christopher M. Rios, Nicolaas A. Rupke, Michael H. Shank, Stephen David Snobelen, John Stenhouse, Peter J. Susalla, Mariusz Tabaczek, Alan C. Weissenbacher, Stephen P. Weldon, and Tomoko Yoshida

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At first glance, the U.S. decision to escalate the war in Vietnam in the mid-1960s, China's position on North Korea's nuclear program in the late 1990s and early 2000s, and the EU resolution to lift what remained of the arms embargo against Libya in the mid-2000s would appear to share little in common. Yet each of these seemingly unconnected and far-reaching foreign policy decisions resulted at least in part from the exercise of a unique kind of coercion, one predicated on the intentional creation, manipulation, and exploitation of real or threatened mass population movements. In Weapons of Mass Migration, Kelly M. Greenhill offers the first systematic examination of this widely deployed but largely unrecognized instrument of state influence. She shows both how often this unorthodox brand of coercion has been attempted (more than fifty times in the last half century) and how successful it has been (well over half the time). She also tackles the questions of who employs this policy tool, to what ends, and how and why it ever works. Coercers aim to affect target states' behavior by exploiting the existence of competing political interests and groups, Greenhill argues, and by manipulating the costs or risks imposed on target state populations. This "coercion by punishment" strategy can be effected in two ways: the first relies on straightforward threats to overwhelm a target's capacity to accommodate a refugee or migrant influx; the second, on a kind of norms-enhanced political blackmail that exploits the existence of legal and normative commitments to those fleeing violence, persecution, or privation. The theory is further illustrated and tested in a variety of case studies from Europe, East Asia, and North America. To help potential targets better respond to-and protect themselves against-this kind of unconventional predation, Weapons of Mass Migration also offers practicable policy recommendations for scholars, government officials, and anyone concerned about the true victims of this kind of coercion—the displaced themselves.

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FEATURED ON THE SUNDAY TIMES' CRIME BOOKS OF THE YEAR LIST - 'SUPERB' JOAN SMITH, SUNDAY TIMES**DON'T MISS CASSIE RAVEN'S NEWEST MYSTERY, DEAD FALL, AVAILABLE TO PRE-ORDER NOW!**'I LOVE THIS SERIES!' ELLY GRIFFITHS'ENGROSSING, SHARP, UTTERLY ORIGINAL' TAMMY COHEN'A MUST-READ SERIES' JAMES OSWALD'CASSIE RAVEN IS MY FAVOURITE NEW CHARACTER' WILLIAM SHAW'WARM, ENGAGING AND ORIGINAL' MARI HANNAH'AN ENGROSSING AND INTRIGUING READ' FAITH MARTIN 'TWISTY AND TREMENDOUS' MARA TIMONCamden mortuary technician Cassie Raven returns to solve another ingenious forensic mystery. Perfect for fans of Tess Gerritsen, Patricia Cornwell and Kathy Reichs. Mortuary technician Cassie Raven believes the last thoughts of the dead linger like static in the air...Cassie has always had a strange affinity with death, ever since her parents were killed in a car crash when she was four. At least that's what she grew up believing...But that was a lie. Cassie's father is alive. He was convicted of murdering her mother and spent years behind bars. Now he's out - and he's looking for her.He swears he didn't do it. And Cassie wants to believe him.To find the truth, she must turn detective. As she seeks answers, help is to be found in inexplicable places - for the dead are ready to talk.PRAISE FOR THE CASSIE RAVEN SERIES:'Spellbinding storytelling' Val McDermid'Like Silent Witness but more believable' Susi Holliday'Blackly humorous, with a fabulously one-of-a-kind protagonist' Heat Magazine'[A] gritty novel with an engaging heroine' Sunday Times'Ingenious and sardonically written' Financial Times'Cassie Raven is an utterly compelling contemporary forensic heroine' Isabelle Grey'A fresh and exciting new series' Claire McGowan'One of the best series openers I've read in years' Jane Casey'Cassie Raven is a blast of fresh air, striding onto the crime scene like a punk superstar' Sarah Hilary

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Weed Management Handbook updates the 8th edition of Weed Control Handbook (1990). The change in the title and contents of the book from previous editions reflects both the current emphasis on producing crops in a sustainable and environmentally-friendly manner, and the new weed management challenges presenting themselves. This landmark publication contains cutting edge chapters, each written by acknowledged experts in their fields and carefully drawn together and edited by Professor Robert Naylor, known and respected world-wide for his knowledge of the area. The sequence of chapters included reflects a progression from the biology of weeds, through the underpinning science and technology relating to weed management techniques including herbicides and their application to crops, leading to principles of weed management techniques. Finally a set of relevant case studies describes the main management options available and addresses the challenges of reduced chemical options in many crops. Weed Management Handbook is a vital tool for all those involved in the crop protection / agrochemical industry, including business managers, horticultural and agricultural scientists, plant physiologists, botanists and those studying and teaching BASIS courses. As an important reference guide for undergraduate and postgraduate students studying horticultural and agricultural sciences, plant physiology, botany and crop protection, copies of the book should be available on the shelves of all research establishments and universities where these subjects are studied and taught. Weed Management Handbook is published for the British Crop Protection Council (BCPC) by Blackwell Publishing.

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The sequel and companion volume to C.A. Bayly's ground-breaking The Birth of the Modern World, 1780-1914, this wide-ranging and sophisticated study explores global history since the First World War, offering a coherent, comparative overview of developments in politics, economics, and society at large. Written by one of the leading historians of his generation, an early intellectual leader in the study of World History Weaves a clear narrative history that explores the themes of politics, economics, social, cultural, and intellectual life throughout the long twentieth century Identifies the themes of state, capital, and communication as key drivers of change on a global scale in the last century, and explores the impact of those ideas Interrogates whether warfare was really the pre-eminent driving force of twentieth-century history, and what other ideas shaped the course of history in this period Explores the causes behind the resurgence of local conflict, rather than global-scale conflict, in the years since the turn of the millennium Delves into the narrative of inequality, a story that has shaped and been shaped by the events of the last hundred years Part of The Blackwell History of the World Series The goal of this ambitious series is to provide an accessible source of knowledge about the entire human past, for every curious person in every part of the world. It will comprise some two dozen volumes, of which some provide synoptic views of the history of particular regions while others consider the world as a whole during a particular period of time. The volumes are narrative in form, giving balanced attention to social and cultural history (in the broadest sense) as well as to institutional development and political change. Each provides a systematic account of a very large subject, but they are also both imaginative and interpretative. The Series is intended to be accessible to the widest possible readership, and the accessibility of its volumes is matched by the style of presentation and production.

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THE VOLUME relates the history of the south-east corner of Somerset. The area comprises the outliers of Salisbury Plain on the east and part of a clay vale to the west. It included a natural route followed by the two principal roads from London to Exeter and by the railway. Of the towns, Milborne Port and Wincanton each owed its prosperity to one of those roads. Bruton and Milborne Port were royal urban centres in the late 11th century, both centres of minster parishes. Milborne Port, a borough in 1086, returned members to parliament for some years from 1298; at Wincanton a borough had been created by the mid 14th century. Settlement in nucleated villages was dense in the clay valebut ancient scattered farmsteads were found both south of Wincanton and west of Selwood forest. Quarries in most parishes provided local building stone; millstones from the Upper Greensand at Penselwood were widely distributed inthe 13th and 14th centuries. The area remains chiefly agricultural. Arable farming was at first often in paired open fields, mostly inclosed and consolidated by private agreement before 1800. Acts between 1771 and 1821 inclosed and allotted surviving common meadow and pasture. Dairying, significant by 1600, predominated by 1700. The heart of Selwood forest, still heavily wooded, supported a timber industry in the 18th and 19th centuries. Deer parks preceded two 18th century landscaped parks at Redlynch and Bruton Abbey. Textiles were long made in the countryside as well as in the three towns. Milborne Port, from the 1670s a centre for tanning, was from the early 19th century to the late 20th an important gloving town, employing outworkers in surrounding villages. PARISHES: BLACKFORD, BRATTON SEYMOUR, BREWHAM, BREWHAM LODGE, BRUTON, CHARLTON HORETHORNE, CHARLTON MUSGROVE, NORTH CHERITON, ABBAS AND TEMPLECOMBE, CORTON DENHAM, CUCKLINGTON, EASTRIP, HENSTRIDGE, HOLTON, HORSINGTON, MARSTON MAGNA, MILBORNE PORT, MILTON CLEVEDON, PENSELWOOD, PITCOMBE, RIMPTON, SHEPTON MONTAGUE, STOKE TRISTER, STOWELL, UPTON NOBLE, WINCANTON, YARLINGTON

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While there have been monographs on British artist-travellers in the eighteenth and early nineteenth centuries, there has been no equivalent survey of what the writer, Henry Blackburn, described as ‘artistic travel' a hundred years later. By 1900, the ‘Grand Tourist' became a ‘globe-trotter' equipped with a camera, and despite the development of ‘knapsack photography', visual recording by the oldmedia of oil and watercolour on-the-spot sketching remained ever-popular.Kenneth McConkey's exciting new book explores the complex reasons for this in a series of chapters that take the reader from southern Europe to north Africa, the Middle East, India and Japan revealing many artist-travellers whose lives and works are scarcely remembered today. He alerts us to a generation of painters, trained in academies and artists' colonies in Europe that acted as crèches for those would go on to explore life and landscape further afi eld. The seeds of wanderlust were sown in student years in places where tuition was conducted in French or German, and models were often Spanish, Italian, or North African. At fi rst the countries of western Europe were explored afresh and cities like Tangier became artists' haunts. Training that prioritized plein air naturalism led to the common belief that a well-schooled young painter should be capable of working anywhere, and in any circumstances.At the height of British Imperial power, and facilitated by engineering and technological advance, the burgeoning tourism and travel industry rippled into the production of specialist goods and services that included a dedicated publishing sector. Essential to this phenomenon, the artist-traveller was often commissioned by London dealers to supply themed exhibitions that coincided with contracts for colour-illustrated books recording those exotic parts of the world that were newly available to the tourist, traveller, explorer, emigrant, or colonial civil servant.These works were not, however, value-neutral, and in some instances, they directly address Orientalism, Imperialism, and the Post-Colonial, in pictures that hybridize, or mimic indigenous ways of life. Behind each there is a range of interesting questions. Does experience live up to expectation? Is the street more desirable than the ancient ruin or sacred site? How were older ideas of the ‘picturesque' reborn in an age when ‘Grand Tours' once confi ned to Italy, now encompassed the globe? McConkey's widerangingsurvey hopes to address some of these issues.This richly illustrated book explores key sites visited by artist-travellers and investigates artists including Frank Brangwyn, Mary Cameron, Alfred East, John Lavery, Arthur Melville, Mortimer Menpes, as well as other under-researched British artists. Drawing the strands together, it redefi nes the picturesque, by considering issues of visualization and verisimilitude, dissemination and aesthetic value.

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This volume is a collection of the Nobel lectures delivered by the prizewinners, together with their biographies and the presentation speeches by Nobel Committee members for the period 2006-2010. The criterion for the Physics award is to the discoverer of a physical phenomenon that changed our views, or to the inventor of a new physical process that gave enormous benefits to either science at large or to the public. The biographies are remarkably interesting to read and the Nobel lectures provide detailed explanations of the phenomena for which the Laureates were awarded the Nobel Prize.Aspiring young scientists as well as more experienced ones, but also the interested public will learn a lot from and appreciate the geniuses of these narrations.List of prizewinners and their discoveries:(2006) to John C Mather and George F Smoot “for their discovery of the blackbody form and anisotropy of the cosmic microwave background radiation”The very detailed observations that the Laureates have carried out from the COBE satellite have played a major role in the development of modern cosmology into a precise science.(2007) to Albert Fert and Peter Grünberg “for the discovery of Giant Magnetoresistance”Applications of this phenomenon have revolutionized techniques for retrieving data from hard disks. The discovery also plays a major role in various magnetic sensors as well as for the development of a new generation of electronics. The use of Giant Magnetoresistance can be regarded as one of the first major applications of nanotechnology.(2008) to Yoichiro Nambu “for the discovery of the mechanism of spontaneous broken symmetry in subatomic physics“, and to Makoto Kobayashi and Toshihide Maskawa “for the discovery of the origin of the broken symmetry which predicts the existence of at least three families of quarks in nature”Why is there something instead of nothing? Why are there so many different elementary particles? The Laureates presented theoretical insights that give us a deeper understanding of what happens far inside the tiniest building blocks of matter.(2009) to Charles Kuen Kao “for groundbreaking achievements concerning the transmission of light in fibers for optical communication“, and to Willard S Boyle and George E Smith “for the invention of an imaging semiconductor circuit — the CCD sensor”Kao's discoveries have paved the way for optical fiber technology, which today is used for almost all telephony and data communication. Boyle and Smith have invented a digital image sensor — CCD, or charge-coupled device — which today has become an electronic eye in almost all areas of photography.(2010) to Andre Geim and Konstantin Novoselov “for groundbreaking experiments regarding the two-dimensional material graphene”The Laureates have shown that a thin flake of ordinary carbon, just one atom thick, has exceptional properties that originate from the remarkable world of quantum physics.

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'The Bone Keeper will corrupt your days and shatter your nights' Val McDermid ‘A dark and brilliant thriller from a writer who just gets better and better. The Bone Keeper is tense, chilling and HUGELY scary’ Mark Billingham ‘Luca Veste proves you don’t need to go to the Bayou or the Everglades to find something terrifying in the deep, dark woods. Sometimes evil is lurking just around the corner. An entertainingly nasty piece of work' Christopher BrookmyreWhat if the figure that haunted your nightmares as child, the myth of the man in the woods, was real? He'll slice your flesh. Your bones he'll keep. Twenty years ago, four teenagers went exploring in the local woods, trying to find to the supposed home of The Bone Keeper. Only three returned. Now, a woman is found wandering the streets of Liverpool, horrifically injured, claiming to have fled the Bone Keeper. Investigating officer DC Louise Henderson must convince sceptical colleagues that this urban myth might be flesh and blood. But when a body is unearthed in the woodland the woman has fled from, the case takes on a much darker tone. The disappeared have been found. And their killer is watching every move the police make. ‘Candyman meets The Silence of the Lambs’ Eva Dolan ‘Possibly the finest serial killer novel since Red Dragon’ Steve Cavanagh ‘A chillingcrime read. Full of tension and with a sinister undercurrent, it will definitely get under your skin’ Bibliophile bookclub ‘A sinuous and compelling tale of the power of a monstrous past, with a real sense of evil and the insidious influence of urban myth’ Ramsey Campbell 'A chilling twist on a modern day myth this story had me hooked: eerie, terrifying and masterfully suspenseful' Stephanie Marland ‘Absolutely chilling. Don't read it at night, but make sure you do read it’ Jenny Blackhurst 'Terrifying, gasp-out-loud, totally compelling and twisted... I loved it!" Miranda Dickinson 'Seriously creepy with a killer twist - Luca Veste goes from strength to strength' Mark Edwards ‘Creepy and compelling. The serial killer thriller of the year’ Mason Cross 'Urban legend meets serial killer thriller - a terrifying book that walks the line between crime and horror, not unlike Thomas Harris's best work' Stuart Neville'The Bone Keeper is everything you want in a killer thriller. Creepy, addictive and guaranteed to make you think twice before walking into the woods. Perfectly terrifying' Amanda Jennings ‘One to watch for 2018. A terrific and terrifying serial killer thriller that will keep you up all night – you’ll be gripped by the storyline and too scared to go to sleep’ Daily Record

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In the imaginations of young and old alike, the word pirate resonates with spine-tingling fear and swashbuckling adventure. Over centuries, our cultural landscape has been populated by a host of famous real and fictional figures immortalized in literature and art: Edward Teach, also known as Blackbeard, with his fearsome reputation for cruelty; Henry Bloody' Morgan, whose treasure is still sought today; and of course Long John Silver, the archetypal anti-hero of Robert Louis Stevenson's Treasure Island (1885).Pirate Tales gathers a treasure trove of excerpts from literary works inspired by the historical pirates of the 16th and 17th centuries. The edition begins with Daniel Defoe's Robinson Crusoe (1719), a book containing all the trappings of pirate lore shipwrecks, mutineers, undiscovered islands, and talking parrots and one which influenced hundreds of works of adventure fiction, not least Jules Verne's The Mysterious Island (1871). The third nerve-jangling novel is

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A rare look into the world of contemporary graffiti culture On the sides of buildings, on bridges, billboards, mailboxes, and street signs, and especially in the subway and train tunnels, graffiti covers much of New York City. Love it or hate it, graffiti, from the humble tag to the intricate piece (short for masterpiece), is an undeniable part of the cityscape. In Graffiti Lives, Gregory J. Snyder offers a fascinating and rare look into this world of contemporary graffiti culture. A world in which kids, often, shoplift for spray paint, scale impossibly high places to find a great spot to “get up,” run from the police, journey into underground train tunnels, fight over turf, and spend countless hours perfecting their style. Over the ten years Snyder studied this culture he even created a few works himself (under the moniker “GWIZ”), found himself serving as a lookout for other artists engaged in this illegal activity, spent time in the train tunnels in search of new work, created a blackbook for writers to tag, and took countless photographs to document this world — over sixty included in the book. A combination of amazing “flicks” and exhilarating prose, Graffiti Lives is ultimately an exploration into how graffiti writers define themselves. Snyder details that writers are not bound together by appearance or language or birthplace or class but by what they do. And what they do is reach for fame, painting their names as prominently as they can. What’s more, he discovers that, though many public officials think graffiti writing will only lead to other criminal activity, many graffiti writers have turned their youthful exploits into adult careers—from professional aerosol muralists and fine artists to designers of all kinds, employed in such fields as tattooing, studio art, magazine production, fashion, and guerilla marketing. In fact, some of the artists featured have gone on to international acclaim and to their own gallery shows. Snyder’s illuminating work shows that getting up tags, throw-ups, and pieces on New York City’s walls and subway tunnels can lead to getting out into the city’s competitive professional world. Graffiti Lives details the exciting, risky, and surprisingly rewarding pursuits of contemporary graffiti writers.

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Provides an all-encompassing look at the history of Russia, Central Asia, and Mongolia Beginning with the breakup of the Mongol Empire in the mid-thirteenth century, Volume II of this comprehensive work covers the remarkable history of “Inner Eurasia,” from 1260 up to modern times, completing the story begun in Volume I. Volume II describes how agriculture spread through Inner Eurasia, providing the foundations for new agricultural states, including the Russian Empire. It focuses on the idea of “mobilization”—the distinctive ways in which elite groups mobilized resources from their populations, and how those methods were shaped by the region’s distinctive ecology, which differed greatly from that of “Outer Eurasia,” the southern half of Eurasia and the part of Eurasia most studied by historians. This work also examines how fossil fuels created a bonanza of energy that helped shape the history of the Communist world during much of the twentieth century. Filled with figures, maps, and tables to help give readers a fuller understanding of what has transpired over 750 years in this distinctive world region, A History of Russia, Central Asia and Mongolia: Volume II: Inner Eurasia from the Mongol Empire to Today, 1260-2000 is a magisterial but accessible account of this area’s past, that will offer readers new insights into the history of an often misunderstood part of the world. Situates the histories of Russia, Central Asia, and Mongolia within the larger narrative of world history Concentrates on the idea of Inner Eurasia as a coherent ecological and geographical zone Focuses on the powerful ways in which the region’s geography shaped its history Places great emphasis on how “mobilization” played a major part in the development of the regions Offers a distinctive interpretation of modernity that highlights the importance of fossil fuels Offers new ways of understanding the Soviet era A History of Russia, Central Asia and Mongolia: Volume II is an ideal book for general audiences and for use in undergraduate and graduate courses in world history. The Blackwell History of the World Series The goal of this ambitious series is to provide an accessible source of knowledge about the entire human past, for every curious person in every part of the world. It will comprise some two dozen volumes, of which some provide synoptic views of the history of particular regions while others consider the world as a whole during a particular period of time. The volumes are narrative in form, giving balanced attention to social and cultural history (in the broadest sense) as well as to institutional development and political change. Each provides a systematic account of a very large subject, but they are also both imaginative and interpretative. The Series is intended to be accessible to the widest possible readership, and the accessibility of its volumes is matched by the style of presentation and production.

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THE FOURTH NOVEL IN THE MULTIMILLION-COPY BESTSELLING ADAM DALGLIESH SERIES FROM THE 'QUEEN OF ENGLISH CRIME' (Guardian) 'Kept guessing until the final pages! Read in one go. Totally unputdownable. Ready to read the next one.' 5* reader review'Plenty of scrupulously laid false trails, credible detectives and a totally unexpected ending.' Sunday Telegraph'P. D. James at the top or her form, the twisting plot laid out with clarity and an acid wit.' 5* reader reviewPERFECT FOR FANS OF VAL MCDERMID, RUTH RENDELL AND ELLY GRIFFITHS__________________________________________________________________________________First, do no harm . . .On a crisp January morning, a group of third year nursing students gather in Nightingale House for a clinical lesson. One student will play the patient, while the others practice their nursing skills. But none of them is prepared for the demonstration to end in a gruesome murder. When a second student dies, this time by apparent suicide, Superintendent Adam Dalgliesh thinks the deaths must be connected, but in order to prove this and unmask the murderer, he must sweep away a cloud of secrets, lies and blackmail at the nursing school - before they can kill again.__________________________________________________________________________________'Probably the best Dalgliesh.' 5* reader review'Absolutely brilliant.' 5* reader review'An assured mystery, with a closed community and a great cast of characters.' 5* reader review'A very clever and accurate portrait of the strict, claustrophobic atmosphere of nursing sisters, nurse tutors in the training school and the student nurses in their care. Brilliant.' 5* reader review**Now a major Channel 5 series**__________________________________________________________________________________READERS LOVE THE ADAM DALGLEISH SERIES:'Adam Dalgleish is one of the best characters in modern detective fiction.' 5* reader review'If you are not already an Adam Dalgliesh fan, I urge you to become one . . . James can describe a scene or delineate a character with precision and depth, like no other writer I have read . . . I usually stay up all night to read a P. D. James novel once I start one.' 5* reader review'I would never give less than 5 stars to any P. D. James book. She is one of a kind, always constant, always wonderful writing, always great characters, and always a good mystery that you cannot put down.' 5* reader review'P. D. James writes mysteries for ordinary people. Her characters are relatable and her hero is dynamic. But don't expect cell phones or computers. Her stories are strictly old school, which is what I love about them.' 5* reader review'Crime writing at its very best!' 5* reader reviewPRAISE FOR P. D. JAMES:'A legend.' VAL MCDERMID'Masterful.' MICK HERRON'James manages a depth and intelligence that few in her trade can match.' THE TIMES'One of the literary greats. Her sense of place was exquisite, characterisation and plotting unrivalled.' MARI HANNAH'There are very few thriller writers who can compete with P. D. James at her best.' SPECTATOR'P. D. James [was] simply a wonderful writer.' NEW YORK TIMES'The queen of English crime.' GUARDIAN

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