Search results for ""Monacelli Press""

The Mount, Edith Wharton’s country place in the Berkshires, is truly an autobiographical house. There Wharton wrote some of her best-known and successful novels, including Ethan Frome and House of Mirth. The house itself, completed in 1902, embodies principles set forth in Wharton's famous book The Decoration of Houses, and the surrounding landscape displays her deep knowledge of Italian gardens. Wandering the grounds of this historic home, one can see the influence of Wharton’s inimitable spirit in its architecture and design, just as one can sense the Mount’s impact on the extraordinary life of Edith Wharton herself. The Mount sits in the rolling landscape of the Berkshire Hills, with views overlooking Laurel Lake and all the way out to the mountains. At the turn of the century, Lenox and Stockbridge were thriving summer resort communities, home to Vanderbilts, Sloanes, and other prominent families of the Gilded Age. At once a leader and a recorder of this glamorous society, Edith Wharton stands at the pinnacle of turn of the twentieth-century American literature and social history. The Mount was crucial to her success, and the story of her life there is filled with gatherings of literary figures and artists. Edith Wharton at Home presents Wharton’s life at The Mount in vivid detail with authoritative text by Richard Guy Wilson and archival images, as well as new color photography of the restoration of The Mount and its spectacular gardens. "The Mount was to give me country cares and joys, long happy rides and drives through the wooded lanes of that loveliest region, the companionship of dear friends, and the freedom from trivial obligations, which was necessary if I was to go on with my writing. The Mount was my first real home . . . its blessed influence still lives in me." - Edith Wharton, 1934

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Traces the evolution of midcentury houses and demonstrates how they are experienced and lived in today This expanded and updated edition of the 2014 classic focuses on the concentration of midcentury houses in New Canaan, Connecticut, built by noted architects including Marcel Breuer, Eliot Noyes, Philip Johnson, John Black Lee, and Edward Durell Stone. This new edition addresses the issue of preservation and adaptive reuse as a sustainable architectural strategy. A representative group of 17 houses reveals an evolving legacy, now adapting to contemporary life. Each is examined in detail, with plans, timelines, and both archival and new photography, capturing the clean, minimalist look of the initial construction and re-imagining by significant architects of our time. Today preservation and renovation of older buildings has new visibility as a sustainable approach. As the National Trust for Historic Preservation has said, The greenest building is the one that is

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A guide to the art, artists, and culture of graffiti from the 1970s to today, as told by the taggers themselves This major co-publication with the Museum of Graffiti chronicles the worldwide graffiti movement from its birth in the 1970s, through the street and train painting of the 1980s, to its emergence as an artistic genre admired in museums and sold at auction. With hundreds of never-before-seen photographs of graffiti art from the 1970s to today, many of which have been provided exclusively for this volume by the artists themselves, the book gives an insider’s view through multiple interviews with celebrated graffiti artists, including Roger Smith of Sane Smith, Hotboy Hert, DESA, Shirt King Phade, RIME, MadC, Saber, AURA, and others. Told through essays, hundreds of images, and interviews with the artists – both the underground outlaws and the writers who went mainstream – The Wide World of Graffiti will become the standard-bearer of the art form’s history and life today, a unique contribution from the first and only museum dedicated to graffiti as an art form.

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The latest spectacular celebration from Architizer of the most inspiring contemporary architecture from around the globe. The Architizer A+ Awards represent 2021's best architecture and products, celebrated by a diverse group of influencers within and outside the architectural community. Entries are judged by more than 400 luminaries from fields as diverse as fashion, publishing, product design, real-estate development, and technology, and voted on by the public, culminating in a collection of the world's finest buildings. Each year, winners are honored in this fully illustrated compendium, and on Architizer.com, the largest online architecture community on the planet. Featuring select A+ Award winners, this is the definitive guide to the year's best buildings and spaces.

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The first monograph on GRADE New York, an architecture and design studio dedicated to creating artistically curated environments in a cutting-edge contemporary setting. Architect Thomas Hickey and interior designer Edward Yedid partnered to establish GRADE New York as a unique practice where architecture and interiors merge into a seamless continuum. Within their refined and beautifully proportioned spaces, a meticulously curated selection of furnishings, contemporary art, and exquisite objects create a luxurious and personal environment for their clients. New York Contemporary presents seven apartments in the most glamorous condominium buildings in Manhattan, including a penthouse at Place 57, a pied-à-terre at 551 West 21st Street by Norman Foster, and 56 Leonard Street by Herzog & de Meuron. A special feature is an in-depth look at Edward Yedid's own duplex on Madison Avenue, where the principles of structuring and curating the space have created a sleek but warm and inviting home for his family.

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A photographic portrait of 16 private gardens in New York and Connecticut through the seasons, weathers, and times of day. For his third book of landscape photographs with Monacelli, following Magnificent Trees of the New York Botanical Garden and The Rockefeller Family Gardens, Larry Lederman has selected 16 private gardens in New York State and Connecticut and studied them in depth, presenting views through the seasons and weathers to capture their essential spirit. As Gregory Long, President Emeritus of the New York Botanical Garden, observes: "After selecting the gardens, Lederman sets out to learn and understand them. He visits in all seasons, in all weather, at many times of day, in many light conditions. He wants to analyze their design and study their character. He wants to know their plants and see their environmental conditions and visual elements from many points of view. He wanders. He walks the paths, forward and backward, and stops frequently so that his camera can memorize views and details. As a result of this time spent and such intense scrutiny, he sometimes discovers aspects of a place that the residents themselves have never seen or fully appreciated. I think the owners of the gardens in this book will see vistas, patterns, designs on the land they did not know they possess. They will love their even gardens more, and their commitments will grow."

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For everyone interested in the enduring appeal of Louis Kahn, this book demonstrates that a close look at how Kahn put his buildings together will reveal a deeply felt philosophy. Louis I. Kahn is one of the most influential and poetic architects of the twentieth century, a figure whose appeal extends beyond the realm of specialists. In this book, noted Kahn expert John Lobell explores how Kahn's focus on structure, respect for materials, clarity of program, and reverence for details come together to manifest an overall philosophy. Kahn's work clearly conveys a kind of "transcendent rootedness" - a rootedness in the fundamentals of architecture that also asks soaring questions about our experience of light and space, and even how we fit into the world. In Louis Kahn: Architecture as Philosophy, John Lobell seeks to reveal how Kahn's buildings speak to grand humanistic concerns. Through examinations of five of Kahn's great buildings - the Richards Medical Research Building in Philadelphia; the Salk Institute for Biological Studies in La Jolla; the Phillips Exeter Academy Library in New Hampshire; the Kimbell Art Museum in Fort Worth; and the Yale Center for British Art in New Haven - Lobell presents a clear but detailed look at how the way these buildings are put together presents Kahn's philosophy, including how Kahn wishes us to experience them. An architecture book that touches on topics that addresses the universal human interests of consciousness and creativity, Louis Kahn: Architecture as Philosophy helps us understand our place and the nature of well-being in the built environment.

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An in-depth look at the design process of James Huniford, who is renowned for his skill in juxtaposing opposites - contemporary with traditional, rustic with refined - to create a timeless whole. James Huniford, universally known as Ford, explores his design process thematically, with chapters on approaching a room, considering scale and proportion, selecting materials and art, using color effectively, and marrying form and function. His goal is to create "a modern sensibility of calm." Of special interest is his ability to create artworks out of found objects, compositions of tools, baskets, or metalwork that become compelling wall sculptures or freestanding pieces. Examples are drawn from a rich variety of projects - elegant Upper East Side apartments to raw lofts on the Lower East Side to contemporary condominiums in new "supertall" towers in Manhattan, country houses in Connecticut, Upstate New York, and Martha's Vineyard, and across the country in Nashville and Marin Country, California. Special insight into his process can be gleaned from his own homes, a loft in Tribeca and a historic house in Bridgehampton that he readily admits are laboratories for his ideas.

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A unique survey of the projects, products, and processes that define LOT-EK, the firm at the forefront of adapting prefabricated industrial units to create cutting-edge architecture. LOT-EK is a design practice that believes in being unoriginal, ugly, and cheap. Also in being revolutionary, gorgeous, and completely luxurious. LOT-EK’s work reveals extraordinary transformations of ordinary things - from their famous shipping container projects onward - combining maker culture and hacker culture into beautiful and radical visions for sustainable and meaningful living. LOT-EK: Objects + Operations surveys dozens of projects - built, unbuilt and in-progress; polemical, practical, and in-between - complemented by photographs from LOT-EK’s multi-year URBAN SCAN project, a vast photographic document of infrastructure and incident, as well as essays by Thomas de Monchaux and interviews with founding partners Ada Tolla and Giuseppe Lignano.

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The most thoroughgoing survey of nearly all of Le Corbusier's extant projects, beautifully photographed and authoritatively detailed. Le Corbusier is widely acknowledged as the most influential architect of the twentieth century. As extensively researched and documented as his works are, however, they have never been exhaustively surveyed in photographs until now. Photographer Richard Pare has crossed the globe for years to document the extant works of Le Corbusier - from his first villas in Switzerland to his mid-career works in his role as the first global architect in locations as far-flung as Argentina and Russia, and his late works, including his sole North American project, at Harvard University, and an extensive civic plan for Chandigarh, India. Le Corbusier: The Built Work provides numerous views of each project to bring a fuller understanding of the architect's command of space, sometimes surprising use of materials and color, and the almost ineffable qualities that only result from a commanding synthesis of all aspects of design. With an authoritative text by scholar and curator Jean-Louis Cohen, Le Corbusier: The Built Work is a groundbreaking opportunity to appreciate the master's work anew.

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Edmund Hollander and Maryanne Connelly, two of New York's most eminent landscape designers, best known for their work in the Hamptons, reveal how plants can add sensuality, texture, structure, and color to any garden. Crisp hornbeam hedges lining a country drive and throwing geometric shadows on the gravel below. Decadent cascades of fragrant wisteria spilling over a stone pergola. Rustling leaves along an allée of delicate crepe myrtle trees. Waving blossoms of roses, sage, and hydrangeas - along a salty shoreline. Edmund Hollander Landscape Architects creates gardens filled with unexpected textures, colors, and sounds meant to appeal to all the senses, inviting us to truly live in the landscape. This volume presents dozens of gorgeous estate gardens throughout the Northeast, approached thematically; individual sections reveal how components such as gateways, paths, pool terraces, bosques and groves, walls, and borders contribute to lush garden rooms, windblown seaside gardens, calming meadow gardens, intricate formal gardens, and shady tracts of woodland. Over 300 color photographs of beautiful properties in the Hamptons, Connecticut, and upstate New York provide glimpses of the best garden design happening today while breaking down its ideas for the home gardener. Evocative text by New York Times and Landscape Architecture columnist Anne Raver details how the firm works to envelop visitors in landscapes that feel entirely whole: plantings near architecture create a dynamic entry progression; hardscape features that lead out into a broader garden gradually cede to more natural, living elements; pools are surrounded by gracious swaths of flowers that bloom in sequence as the season progresses to provide privacy for bathers and a sense of quiet seclusion. The ideas presented here will help owners of gardens of every size enjoy their land to the fullest.

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Carrot City is a collection of ideas, both conceptual and realized, that use design to enable sustainable food production, helping to reintroduce urban agriculture to our cities. Focusing on the need and desire to grow food within the city to supply food from local sources, the contributions of architecture, landscape design, and urban design are explored. Forty projects demonstrate how the production of food can lead to visually striking and artistically interesting solutions that create community and provide inhabitants with immediate access to fresh, healthful ingredients. The authors show how city planning and architecture that considers food production as a fundamental requirement of design result in more community gardens, greenhouses tucked under raised highways, edible landscapes in front yards in place of resource-devouring lawns, living walls that bring greenery into dense city blocks, and productive green roofs on schools and large apartment blocks that can be tended and harvested by students and residents alike.

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The first book to document the history of the groundbreaking company Architectural Pottery, tracing its critical influence on midcentury design and its enduring appeal todayArchitectural Pottery's strikingly minimalist designs heralded new domestic housewares that could uniquely accent the modern homeinside and out. Formally expressive yet accessible, their refreshingly unembellished, elegant pots and planters were enthusiastically received by the public upon Architectural Pottery's launch in 1950, soon ubiquitous in spaces representing the epitome of modern living. Highly coveted and prized in design circles, they were seen in houses by Richard Neutra, John Lautner, and the historic Case Study Houses, and featured in the first of MoMA's legendary Good Design exhibitions alongside now-iconic designs by Ray and Charles Eames, Alexander Girard, and George Nelson. Over three decades, Architectural Pottery also developed innovations in stoneware production, expan

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From FREDERIC magazine, the best and most unexpected decorating pro tips and tricks of the trade in one accessible guide Decorate Like a Decorator highlights the decorating tricks that only experienced designers know how to pull off until now! Culled from FREDERIC magazine's educational columns, this book shares with readers more than one hundred decorator pro moves: like how to use stripes on the bias, upholster doors, deploy curtain tiebacks, hang plates on the walls, and fabricate bespoke lampshades. Divided into twenty-one chapters covering everything from pelmets and valances, trim, upholstery ideas, slipcovers, folding screens, and fabric-covered walls, to accent paints, bedspreads, decorative lampshades, scenic wallpaper, and more it's a lavishly illustrated cheat sheet for what it takes to transform a room from standard to sensational. Decorate Like a Decorator features rooms by some of the world's most cele

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The first monograph of interior designer Nina Magon, featuring the glamorous spaces that have made her sought-after by a jet-set clientele Growing up in Houston, yet born in Canada, interior designer Nina Magon would frequently return to India with her family, and with every passage take a different course, visiting the world’s cultural capitals. These dramatic detours profoundly impacted her global approach and shaped her award-winning practice. In Evoke, her first book, Magon shares with readers the cosmopolitan glamour that has become her signature, a sophisticated style carefully balancing high-gloss modernism and old-world grandeur that has been embodied in designs she has created for many prominent families, prestigious hotel brands, and star athletes. Each unique space she creates is evocative of a well-traveled lifestyle, synthesizing art, architecture, and fashion.

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From a renowned illustrator of DC and Marvel comic books, an engaging full-color instruction book for teens and adults alike This is an art instruction book filled with original, full-color art and step-by-step instructional texts, teaching burgeoning artists of all ages how to conceptualize, design, and draw their own science-fiction characters, good and evil, from fantastical realms of their imagination – including how to colorize characters, draw anatomical poses, and create inventive costumes. The book will also feature supplementary inspirational images culled from movies, TV, history, and pop culture. From the same author as the bestselling How to Draw Sci-Fi Utopias and Dystopias, Prentis Rollins, veteran illustrator of DC and Marvel Comics, teaches artists of all ages the fundamentals of drawing imaginative ‘good’ and ‘evil’ science-fiction characters.

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Incorporating both formal details and welcoming elements, a sophisticated and balanced look tailored to a sense of home, as shown through the portfolio of Foley & Cox Foley & Cox is a New York-based interior design firm renowned for serene spaces subtly layered with color and texture that create a sense of welcome and comfort. Taking creative cues directly from their clients–their perceptions, preferences, and passions–the firm creates serene interiors infused with personal style. This elegant book presents 24 homes, ranging from elegant prewar apartments in Manhattan to retreats in the Hamptons and summer places along the coast of New England and in Europe, and even to a private jet and a yacht that cruises the Mediterranean. What unites these spaces is an overall balance and elegance, infused with luxurious fabrics in subtle tonal variations and a judicious use of highlight color, often in the artwork and accessories. Founder Michael Cox is a master at creating settings for art collections and selecting distinctive vintage pieces that add a sophisticated touch to the rooms.

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The first monograph of Rogan Gregory, the artist/designer on the forefront of contemporary organic form-making Rogan Gregory’s work pushes boundaries across media and scale – from miniature bronze animal forms to towering sculptures and furniture in innovative aggregated materials. Gregory’s iterative process and life-long interests in abstract forms, geology, and evolutionary biology allow him to develop an organic aesthetic unlike that of any designer working today. This debut monograph explores Gregory’s work through the elemental inspirations that condition his work. Contributions by landscape architect Edwina von Gal, interior designer Pamela Shamshiri, and conservation biologist Tremaine Gregory reflect the synthesis of disciplines Gregory brings to his practice. Co-published with R & Company, this book is an object in its own right, incorporating Gregory’s design and materials sensibilities.

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The definitive book on one of the foremost modernist cities and architecture destinations in the USA: Columbus, IndianaThe midwestern city of Columbus, Indiana, is more than a mecca of modern architecture; it is an example of how design can help foster a remarkable community. The dozens of buildings and projects by legendary architects from mid-century titans such as Eero Saarinen and I. M. Pei to contemporary practitioners Deborah Berke and IwamotoScott remain integral to its urban fabric. This book explores Columbus's optimistic program of bold new architecture and landscapes, initiated by the legendary industrialist J. Irwin Miller and local leaders, and the generations-long quest to develop the ideal American city through design excellence.This is the first in-depth history of Columbus, Indiana, demonstrating the unique convergence of civic, industrial, and social forces that produced the pre-eminent laboratory of architectural modernism in the U

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The first monograph on the architectural sculptor and installation artist and long-time collaborator with the New York School poets Best known for creating large-scale installation work inspired by American vernacular architecture, Dennis finds beauty in places shaped by ordinary people, which become repositories for memory and feelings. Her seemingly familiar yet often darkly mysterious sites evoke memories, encourage reflection, and allude to the transient nature of life. This book contextualizes Dennis’s work within contemporary art and the women’s movements and traces the arc of her career, tracing the evolution of her architectural sculpture over more than forty years, exploring her artistic collaborations with poets, and presenting her most recent work, a series of gouaches and dioramas, for the first time. A conversation between Dennis and painter Rackstraw Downes brings to life the artist’s influences through her own words. With insightful text by feminist art scholar Helaine Posner, plus commentary from Dennis on the sources and process of creating the work, this book is an essential addition to the libraries of collectors and art historians interested in the architectural sculpture movement of the 1970s, and all those interested in feminism in art.

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An industry insider's look at glamorous, eccentric, captivating, and storied modern homes that embody California cool For more than twenty years, globe-trotting English-born, Los Angeles–based photographer Roger Davies has shot stunning, luxurious, and unique residences by the world’s most acclaimed designers and architects for the most prestigious magazines. In Beyond the Canyon, he trains his camera on residences in the Golden State, his adopted home, driving the coast to shoot interiors from Malibu to Marin County, Laurel Canyon to Rancho Mirage. Davies takes readers into the often glamorous, always compelling homes of the artists, film directors, actors, interior designers, art collectors, and others who lend the West Coast its cachet. Across the variety of spaces represented—among them legacy works by midcentury masters John Lautner, A. Quincy Jones, and Craig Ellwood, and contemporary designs by Tadao Ando and Frank Gehry—he captures the essence of California living in his portraits of spectacular spaces and breathtaking views, all bathed in a warm glow. As one of the world's top photographers of interiors, Davies's work has appeared in many interior design and architecture monographs. In Beyond the Canyon, his own first book, he provides in his own words a rare behind-the-scenes, industry insider's experience of photographing the stunning residences.

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A privileged peek at the homes and gardens of the exclusive Southern California enclave, Montecito "In Montecito Style, photographer Firooz Zahedi and writer Lorie Dewhirst Porter capture the sheer beauty of the West Coast town, known for incredible homes." - Galerie Magazine The seaside town of Montecito is often overshadowed by its neighbor Santa Barbara—which is generally how its residents like it. Though home and refuge to numerous celebrities, Montecito’s intentional cultivation of a low-key profile has allowed for a unique community to emerge, and with it, a multifaceted interior and garden design culture. Montecito Style: Paradise on California’s Gold Coast is the first book to present twenty houses and landscapes in an eclectic range of styles and rich architectural legacy that coalesce into a quintessential “California style.” The residences featured in this book reflect the diversity of design that has defined California living for more than a century: early standard-setters by George Washington Smith and an Andalusian-style abode by his protégé (and Santa Barbara’s first licensed female architect) Lutah Maria Riggs, Beaux-Arts mansions, converted carriage houses, nouveau palazzi, low-slung midcentury modern abodes, an iconic concrete-and-glass house from the 1970s, and even a studio apartment above a garage. With houses and gardens by prominent interior and landscape designers—from the home of living legend John Saladino, and recent projects by Richard Hallberg, Daniel Cuevas, Stacy Fausset, and Lee Kirch—Montecito Style provides an inside look at this coastal design haven. Heavily illustrated, Montecito Style features more than 250 photographs by celebrity and interiors photographer Firooz Zahedi, alongside captivating text by established design writer Lorie Dewhirst Porter, both longtime residents of the area. Zahedi’s photographs are alluring, and his passion for these homes and gardens is palpable, as well as the design elements and art collections of these creative homeowners. An informed foreword by Marc Appleton, an architect and California architectural history expert, also helps establish the local context for these homes. Montecito is the hidden Southern California treasure, and with Montecito Style, readers will experience peak interior inspiration and have unprecedented access to this truly special design haven in all its coastal glory.

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A privileged tour of a lavish estate in Greenwich featuring an abundance of garden experiences - formal boxwood and undulating hornbeam hedges, dense woodland, reflecting pools, arbors and follies - and a "ferme ornée" offering organic produce to the community. Sleepy Cat Farm is the vision of one man, Fred Landman, who acquired the handsome Georgian Revival house and grounds in 1994. Deeply committed to the concept of harmony between house and garden, he has dedicated himself to the landscape to create "a garden of which the house could be proud." Collaborating with Greenwich architect Charles Hilton and noted landscape architect Charles J. Stick and drawing inspiration from travels in Europe and Asia, Landman has done just that. The landscape unfolds in a series of garden rooms and pavilions, pathways and pools, statuary and staircases, trees, shrubs and flowerbeds, hillsides and vistas that change daily, monthly, almost minute by minute, as the visitor explores this undulating landscape of surprises, intrigue and unexpected beauty. Names were given to the various aspects: The Golden Path, the Grotto, The Iris Garden, the Spirit Walk, the Perennial Long Border Garden, the Pebble Terrace, the Woodland Walk. Buildings and follies were added, also with storybook names--the Celestial Pavilion, the Barn, the Limonaia, the Chinese Pavilion, the Cat Maze and Arbor. Down the hill from the main house is an working organic farm that supplies produce to the community, a project of Landman's wife, Seen Lippert, a professional chef who worked with Alice Waters in California before moving East. Landman and Lippert are committed to sharing the beauty that they have created. They are generous in opening the property for charitable events and tours of gardeners and horticultural enthusiasts, particularly through the Open Days program of the Garden Conservancy. As Landman says, "One of my greatest joys is when other people come here and get to experience what I experience every day. The most important thing is that they leave happy."

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A fascinating survey of contemporary houses on Martha's Vineyard that responds to the varied landscape and extends the vernacular vocabulary of this magical island Each year the pristine beaches, lush pine forests, and picturesque New England towns of Martha’s Vineyard draw tens of thousands of admirers to this beautiful island. Some of these visitors have become part-time residents, building contemporary homes alongside the traditional Victorian cottages, sea captains’ mansions, and colonial farmhouses that comprise the island’s cultural and architectural heritage. Rarely does one find such a concentration of outstanding contemporary design. Authors Keith Moskow and Robert Linn expand their 2005 survey of Vineyard residential design to present twenty-five new houses that extend the traditional Vineyard vernacular of shingled houses and cottages. Each of the architects has described the goals for the project and the source of the design. Some reference nautical themes, others environmental concerns, and still others appropriateness of materials and scale. A significant number rely on a plan strategy based on a series of pavilions to minimize intrusion in the landscape while still taking advantage of views and prevailing breezes. What links the houses is that they are all built to stand the test of time in the sometimes extreme marine environment and they respectfully break with tradition.

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A memoir by photographic artist Jona Frank told in captivating stories and poignant images with a cast of actors, including Laura Dern and Imogene Wolodarsky, Cherry Hill tells the story of one girl's suburban youth and deliverance. Cherry Hill is a multimedia memoir of photographic artist Jona Frank's upbringing in - and flight from - a stifling suburban household. Told in words and evocative photographs, Frank's account of her childhood struggles with a repressive mother, mentally ill brother, and overwhelming expectations is leavened with episodes from her rich interior world. Akin to a graphic novel, this hybrid of personal essay and photography breaks open the memoir format, detailing the life of a young artist as she spends her days dreaming of a friendship with Emily Dickinson, longing for Bruce Springsteen and eschewing the rules of femininity. Frank employs a cinematic approach to construct vivid scenes from her youth. Using elaborately dressed sets, era-specific wardrobes, and multiple actors to portray herself as a child, Frank refashions her memories into vibrant tableaux. Strikingly, Frank cast Academy Award-winning actor Laura Dern in the role of her strict and complicated mother in a performance as bravura as her film and television work. As Frank outgrows the confines of her environment and suffocating domestic life, discovering art and photography as the path to her personal fulfillment, she plots her ultimate escape. A unique photographic storytelling project reminiscent of such classics as Fun Home and The Best We Could Do, Cherry Hill is an intimate self-portrait of what it takes to break free of convention and answer the question, "Who am I meant to be?"

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The first monograph of photographer Wayne Thom, whose documentation of Late Modern architecture constitutes an architectural/visual archive unlike any other. A key primer to late-twentieth century Modernism, this monograph devoted to Wayne Thom chronicles his photographic practice and the architectural and urban environment in which he worked. An innovative chronicler of the booming West Coast urbanism of the 1960s and 70s, Thom’s photographs of key projects by path-breaking architecture firms such as William Pereira & Associates, Edward Durell Stone, SOM, Gio Ponti, John Portman, I. M. Pei, and A. Quincy Jones helped establish the idea of cool architectural glamour of the era. Raised in Hong Kong, Thom moved to California in the mid-1960s and trained in the technical craftsmanship of photography, adept at harnessing natural light for both interior and exterior compositions. He soon began working with the figures who would become his clients and benefactors, most importantly William Pereira and A. Quincy Jones, a prolific architect and Dean of the School of Architecture at USC. As Emily Bills critically assess Thom’s career, she demonstrates that his photography became inseparable from Late Modernism in the popular imagination, a period of architectural production that ran from the late 1960s through the 1980s. Wayne Thom: Photographing the Late Modern is a celebration of this key architectural photographer and a unique chronicle of the works of this transformative period of architectural expression.

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Imagining the Modern explores Pittsburgh's ambitious modern architecture and urban renewal program that made it a gem of American postwar cities, and set the stage for its stature today. In the 1950s and '60s an ambitious program of urban revitalization transformed Pittsburgh and became a model for other American cities. Billed as the Pittsburgh Renaissance, this era of superlatives - the city claimed the tallest aluminum clad building, the world's largest retractable dome, the tallest steel structure - developed through visionary mayors and business leaders, powerful urban planning authorities, and architects and urban designers of international renown, including Frank Lloyd Wright, I.M. Pei, Mies van der Rohe, SOM, and Harrison & Abramovitz. These leaders, civic groups, and architects worked together to reconceive the city through local and federal initiatives that aimed to address the problems that confronted Pittsburgh's postwar development. Initiated as an award-winning exhibition at the Carnegie Museum of Art in 2014, Imagining the Modern untangles this complicated relationship with modern architecture and planning through a history of Pittsburgh's major sites, protagonists, and voices of intervention. Through original documentation, photographs and drawings, as well as essays, analytical drawings, and interviews with participants, this book provides a nuanced view of this crucial moment in Pittsburgh's evolution. Addressing both positive and negative impacts of the era, Imagining the Modern examines what took place during the city's urban renewal era, what was gained and lost, and what these histories might suggest for the city's future.

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The first survey of the classic twentieth-century houses that defined American Midwestern modernism. Famed as the birthplace of that icon of twentieth-century architecture, the skyscraper, Chicago also cultivated a more humble but no less consequential form of modernism - the private residence. Modern in the Middle: Chicago Houses 1929-75 explores the substantial yet overlooked role that Chicago and its suburbs played in the development of the modern single-family house in the twentieth century. In a city often associated with the outsize reputations of Frank Lloyd Wright and Ludwig Mies van der Rohe, the examples discussed in this generously illustrated book expand and enrich the story of the region's built environment. Authors Susan Benjamin and Michelangelo Sabatino survey dozens of influential houses by architects whose contributions are ripe for reappraisal, such as Paul Schweikher, Harry Weese, Keck & Keck, and William Pereira. From the bold, early example of the "Battledeck House" by Henry Dubin (1930) to John Vinci and Lawrence Kenny's gem the Freeark House (1975), the generation-spanning residences discussed here reveal how these architects contended with climate and natural setting while negotiating the dominant influences of Wright and Mies. They also reveal how residential clients - typically middle-class professionals, progressive in their thinking - helped to trailblaze modern architecture in America. Though reflecting different approaches to site, space, structure, and materials, the examples in Modern in the Middle reveal an abundance of astonishing houses that have never been collected into one study - until now.

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Dror Benshetrit's massively successful design for brands like Tumi, Rosenthal, and Cappellini and his next phase of visionary large-scale projects are now assembled in this debut monograph. Since 2002, Dror Benshetrit has developed an interdisciplinary practice specializing in truly innovative design projects. His multifaceted approach to design at wildly varying scales and concepts encompass product design, interior design, graphic design, and architecture. In this survey of Dror Benshetrit's first fifteen years of practice, readers are introduced to an ingenious design practice that started with household objects and furniture, to a collaborator with top brands such as Tumi, Rosenthal, Cappellini, and Bentley, and has since evolved into a visionary architecture office. Dror Dreams showcases the evolution of the designer's work, reflecting the diversification of his practice over time and the profound results that stem from its holistic approach. Told in his own approachable voice, charting his path from impassioned novice to ambitious ideator, Dror shares the conceptual origins and process behind his projects, as well as marking successes, failures, and conclusions. Dror seeks to communicate the value of creativity without limitation, promote the importance of collaboration, and through example inspire tomorrow's designers to dream big.

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The first book to present great landmarked interiors of New York in all their intricate detail, Interior Landmarks is a visual celebration of space that captures the rich heritage of the city. Since 1965, the New York City Landmarks Law has preserved for generations to come a remarkable number of significant spaces in New York City's cultural, social, economic, political, and architectural history. Not only do the exterior facades of these buildings fall within the law's purview, but many of their stunning interiors as well. Newly updated with current information, this book tells the stories of forty-six interior landmarks from the widely celebrated - Radio City Music Hall, the Great Hall of the Metropolitan Museum of Art, Grand Central Station - to others that are virtually unknown. A catalogue of all 120 interior landmarks, with names of their architects and locations, is also included. Readers will learn about their original construction and style, their exceptional design features, materials, and architectural details, as well as the challenges to preserving them - whether they were unanimously accepted or hotly contested in legal battles - and the preservationists, philanthropists, politicians, and designers who made it possible. The book also includes updated details on the restorations or re-imaginings that took place. Combining strong visuals and thorough research, this valuable reference work will fascinate all readers with an interest in the city's history. This paperback edition is updated with current information, including the 2017 addition of The New York Public Library's historic Rose Main Reading Room to the list of protected landmarks.

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Interior design firm Cullman & Kravis infuses traditional interiors with a modern perspective, embracing historicism and referencing a wide range of cultures and contemporary design motifs. In From Classic to Contemporary: Decorating with Cullman & Kravis, Ellie Cullman and Tracey Pruzan explore the lessons from modernism that add a new and welcome dynamism to the firm’s most recent projects, both traditional and modern. “We believe in the alchemy of old and new,” observes Ellie Cullman, founder and principal of Cullman & Kravis. “We approach every project with the rigor of a jigsaw puzzle, but with the desire to create a magnificent tapestry.” Cullman and Pruzan share how the venerable interior design firm applies principles of modernism to add a new and welcome tension to their more classical work, while in their more modern schemes, the classic principles of design guide their process. The fourteen distinct projects in this book are collaborations between Ellie Cullman and her partners Lee Cavanaugh, Sarah Ramsey, Claire Ratliff, and Alyssa Urban. Running the gamut from modest revisions to ground-up construction and complete renovations, these interiors include a sumptuous New York City duplex that is a clever mix of traditional furnishings and an impressive contemporary art collection; a glass-clad modern Miami villa with vivid colors and bold prints; an oceanfront Palm Beach house with museum-quality art and antiques; an historic Westchester estate once owned by Brooke Astor; and Ellie Cullman’s own home, whose “refresh” illustrates how to renew, modernize, and reinvigorate any project.

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Cities are where solutions to the twenty-first century’s key challenges - addressing inequality, fostering political participation, responding to climate change - will be tested. And as cities adapt to new developments in technology, infrastructure, public space, transportation, and housing, so too must urban practices and our understanding of how to effect positive change evolve. In Citymakers, Cassim Shepard - 2019 Guggenheim Fellow for Architecture, Planning, and Design - offers a vivid survey of how urbanism today is no longer the domain of just planners, politicians, and power brokers removed from the effects of their decisions, but an array of citizens working at the vanguard of increasingly diverse practices, from community gardeners to architects to housing advocates. Drawing on six years as the editor of Urban Omnibus, one of the leading publications charting innovations in urban practice (launched in 2009 by The Architectural League of New York), Shepard explores a broad variety of projects in New York, a city at the forefront of experimental and practical research: a constructed wetland in Staten Island, a workforce development and technology program in Red Hook, Brooklyn, a public art installation in a Bronx housing project, a housing advocacy initiative in Jackson Heights, Queens. These and a wide variety of other examples in Citymakers comprise a cross-disciplinary, from-the-ground-up approach that encourage better choices for cities of the future. By blending intimate portraits of individuals and projects with incisive social analysis, Citymakers reports from the front lines of urban practice with up-to-the-minute examples and arguments that reframe our understanding of urbanism. With original photography by Alex Fradkin, the book fuses the rich visual and graphic sensibility of architectural publishing with the informative readability of sophisticated, long-format journalism. Revising traditional notions of urban intervention and providing new directions for the next generation of citizen-practitioners, Citymakers is a lasting document of the perspectives driving cities today, and tomorrow.

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Introducing a practice to enhance mental and spiritual well-being for the enrichment of one’s life in The Path of Drawing, author Patricia Watwood offers readers a systematic approach to drawing that combines basic instruction and mindfulness exercises. Today, many people look to cultivating creativity as a means to improve one’s quality of life, to unplug, to alleviate negative conditions like stress, anxiety, and depression, and to build resilience and enjoy the present moment. Adjacent to such practices as meditation and journaling, drawing is an accessible and personal medium that can facilitate both creativity and mental and spiritual health. The sample projects in this book are designed to be approachable and manageable in a short period of time. They are not intended to be a rigorous course of study toward mastering complex skills, but, rather, are designed to offer the reader exercises that will help them enjoy time spent working creatively, and develop some technical skills and master simple concepts along the way. Readers should find that daily creative practice and being more open to observing the joys of the world around them can help build qualities of patience, confidence, calm, connectedness, and bravery.

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Since its original publication in 1978, Delirious New York has attained mythic status. Back in print in a newly designed edition, this influential cultural, architectural, and social history of New York is even more popular, selling out its first printing on publication. Rem Koolhaas's celebration and analysis of New York depicts the city as a metaphor for the incredible variety of human behavior. At the end of the nineteenth century, population, information, and technology explosions made Manhattan a laboratory for the invention and testing of a metropolitan lifestyle -- "the culture of congestion" -- and its architecture."Manhattan," he writes, "is the 20th century's Rosetta Stone . . . occupied by architectural mutations (Central Park, the Skyscraper), utopian fragments (Rockefeller Center, the U.N. Building), and irrational phenomena (Radio City Music Hall)." Koolhaas interprets and reinterprets the dynamic relationship between architecture and culture in a number of telling episodes of New York's history, including the imposition of the Manhattan grid, the creation of Coney Island, and the development of the skyscraper. Delirious New York is also packed with intriguing and fun facts and illustrated with witty watercolors and quirky archival drawings, photographs, postcards, and maps. The spirit of this visionary investigation of Manhattan equals the energy of the city itself.

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An inspiring collection of luxury and privately-run boutique hotels and curated regional insider’s guides in the definitive volume for year-round Alpine travel. This lavishly illustrated and engaging book is the authoritative guide to the most exclusive Alpine destinations in Europe. Notable hotel expert and 84 Rooms Founder, Sebastian Schoellgen, presents a uniquely curated selection of 84 luxury and family-run boutique hotels in the five Alpine countries (France, Switzerland, Italy, Austria, Germany) in over 180 superb photographs with lively storytelling and practical information, too. Featured throughout are insider guides by the author and such tastemakers as hotelier Arnauld Zannier, who map out the most stylish and scenic places to shop, dine, stroll, and wind down after a long day on the slopes.

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'Milton Glaser's designs changed the way we see the world.' - Gloria Steinem An overview of the work of illustrator and designer Milton Glaser during the 1960s and 70s From 1954, when he co-founded the legendary Push Pin Studios, to the late ’70s, Milton Glaser was one of the most celebrated graphic designers of his day, whose work graced countless book and album covers, posters, magazine covers, and advertisements, both famous and little-known. Glaser largely defined the international visual style for illustration, advertising, and typeface design and interest in his legacy continues unabated, with modern creatives acknowledging his influence; for example, in 2014 Mad Men creator Matthew Weiner enlisted Glaser to design the ad campaign and branding for the show’s final season. His renowned work garnered solo exhibitions at the Centre Georges Pompidou in Paris and the Museum of Modern Art in New York. Creator of the iconic ‘I love NY’ logo (featuring a heart symbol in place of the word ‘love’) and cofounder of New York magazine, Glaser received numerous accolades and lifetime achievement awards. Across thousands of works across all print media, he invented a graphic language of bright, flat color, drawing and collage, imbued with wit. This collection of work from Glaser’s Pop period features hundreds of examples of his design that have not been seen since their original publication, demonstrating the graphic revolution that transformed design and popular culture.

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The first book to tell the stories of the most revered living Japanese ceramists of the century in their own words, tracing the evolution of modern and contemporary craft and art in Japan, and the artists’ considerable influence, which far transcends national borders. This groundbreaking volume is the first to present conversations with the most important living Japanese ceramic artists of the last century, figures whose unparalleled skill and creative brilliance have lent them an influence that far transcends national borders. Despite forging illustrious careers and earning international recognition, these sixteen artists have customarily been subsumed by their work. Ranging in age from sixty-two to ninety-two, they embody the diverse experiences of several generations who have been active and successful from the late 1940s to the present day, a period of massive change. Now, sharing their stories for the first time, they not only describe their unique processes, inspirations, and relationships with clay, but together trace a seismic cultural shift through a field in which centuries-old but highly exclusionary potting traditions opened to new practitioners and kinds of practices; significantly, the book includes both conversations with artists born into pottery-making families, and the first women admitted to the Tokyo University of the Arts. In the process, Listening to Clay tells a larger story about ingenuity and trailblazing that has shaped contemporary art in Japan and around the world.

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A book of deeply personal and lush photographs, drawings, and writing, Blue Violet is Cig Harvey's celebration of the natural world and the senses. Blue Violet is a vibrant meditation on the procession of seasons, sensory abundance, and the magic in everyday life. Part art book, botanical guide, historical encyclopedia, and poetry collection, Blue Violet is a compendium of beauty, color, and the senses. Plants, flowers, and our experience of the natural world are the threads that tie this unique book together. Exploring the five senses, Blue Violet takes the reader on a personal journey through nature and the range of human emotions. As with her previous three titles - You Look At Me Like An Emergency, Gardening at Night, and You an Orchestra You a Bomb - this book invites the reader to pause, laugh, cry, create, and become more aware of the natural world. Images and text in a variety of forms (prose poetry, recipes, lists, research pieces, diagrams) focus on immediate experience to understand the vibrancy of the senses on memory and feelings.

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A beautiful and illuminating guide to the use and cultural history of edible flowers, featuring gorgeous original photography, simple recipes and preparation methods, and thoughtful essays on eating flowers by leading voices. This stunning guide to edible flowers - conceived by Monica Nelson, the founding creative and photo director of the influential journal Wilder Quarterly, and Adrianna Glaviano, a noted food and lifestyle photographer - is packed with information and features lush original photography. Organizing more than 100 flowers alphabetically by their common name, the book offers in each entry handy reference notes including the flower’s Latin name, its general flavor profile, its origins, and which parts of the plant are edible, all accompanied by a vibrant photographic portrait. Punctuated by simple recipes and short, essayistic moments written by a diverse roster of celebrated chefs, artists, and writers recalling the use of edible flowers in their creative and gastronomic histories, Edible Flowers is both a practical primer and a delightful read.

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This inspiring collection of compelling and characterful interiors will have city and country dwellers alike dreaming of carving out a personal haven far beyond the big city. Through two hundred newly commissioned photographs and engaging profiles of twelve unique, personal, and creative interiors on both sides of the Hudson, Upstate features a variety of spaces - from tranquil minimalist retreats to exuberant small-town residences. Among them are a farmhouse of globetrotting food photographers, a lavender-hued Victorian brimming with eclectic curios, a striking cottage with modern furnishings and elegant Georgian bones, and the country-house-on-acid of an artist and art director, complete with giant mushroom side tables and permanently installed party streamers. Shared by these distinctive spaces is a common approach to decoration that centers on collections gradually accumulated, delights in the handmade, embraces the beauty in imperfection, and values comfort and character above all.

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An engaging, playfully designed survey of the small- and large-scale projects that define WORKac as one of the most progressive and optimistic architecture firms in practice today. This book surveys the projects that define WORKac (WORK Architecture Company) as one of the most progressive and playful architecture firms in practice today. WORKac: We’ll Get There When We Cross That Bridge traces fifteen years of collaboration between architects Amale Andraos and Dan Wood. Structured as a conversation between the two partners, the book alternates between explorations of seminal projects and discussions framing a series of issues that are key to their work. The book follows the firm’s career over the course of three Five-Year Plans (Say Yes to Everything, Make No Medium-Sized Plans, Stuff the Envelope), examining the relationships between work and life, and the limits and opportunities of collaborative creativity and practice. WORKac has achieved international acclaim, winning design competitions in Russia, Gabon, and China, and in 2015 the practice was named the 2015 AIANY State Firm of the Year. Showcasing projects for MoMA PS1, Edible Schoolyards NYC, Anthropologie, Diane von Furstenberg, Creative Time, and many more, the book is a tasting menu of everything the practice embraces: never assuming what architecture “is” but always imagining together what it can become. From residential interiors to futuristic masterplans of ecological cities, WORKac samples the wide spectrum of their critical, witty, and dialogued work.

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"The best way to learn about art is to make it. Discover the secrets of great figure drawing as you sketch along with past and present masters. This working artist's sketchbook guides you from beginning gestures to delicate rendering. It's your art, your tradition, your time. Take your voice and add it to the tradition as if the history of art has saved the best for now." Juliette Aristides Figure Drawing Atelier offers a comprehensive, contemporary twist to the very traditional atelier approach to the methods that instruct artists on the techniques they need to successfully draw and ultimately paint the figure. The book offers art instruction, practical and progressive lessons on drawing the figure, and high-quality sketchbook paper in a beautiful package that includes blank pages for sketching and copying. Artists will then have a record of their process, like with a sketchbook, which many artists like to document and save. In this elegant and inspiring workbook, master contemporary artist and author Juliette Aristides breaks down the figure drawing process into small, manageable lessons, presents them progressively, introduces time-tested principles and techniques in the atelier tradition that are easily accessible, and shares the language and context necessary to understand the artistic process and create superior, well-crafted drawings. Atelier education is centered on the belief that working in a studio, not sitting in the lecture hall, is the best way to learn about art. Every artist needs to learn to master figure drawing. Ateliers have produced the greatest artists of all time--and now that educational model is experiencing a renaissance. These studios, a return to classical art training, are based on the nineteenth-century model of teaching artists by pairing them with a master artist over a period of years. Students begin by copying masterworks, then gradually progress to painting as their skills develop. Figure Drawing Atelier is like having an atelier in a book - and the master is Juliette Aristides, a classically trained artist and best-selling art-instruction author with almost rock star popularity in the contemporary world of representational art. On every page, Aristides uses the works of Old Masters and today's most respected realist artists to demonstrate and teach the principles of realistic figure drawing and painting, taking students step by step through the learning curve yet allowing them to work at their own pace. Unique and inspiring, this book offers a serious art course for serious art students and beginners alike.

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Hudson Modern showcases stunning new houses in the Hudson River Valley that embrace the dramatic settings and cultural bounty of this popular region. As the birthplace of American landscape painting, the Hudson River Valley has long been a refuge from the city and a laboratory for new aesthetic expression. Today, thanks to its ascendant reputation as a weekend utopia, architects are extending that tradition into the built environment. Designing residences that revere local climate, landscape, and history in a distinctly modernist language, these talents are sowing a new Hudson River school of architectural thought. Hudson Modern surveys this emerging domestic architecture, featuring nearly twenty houses that integrate with site and region through composition, scale, and materials, and which strike a balance between innovation and rootedness. A reconstructed midcentury house accented in cedar, walnut, and bluestone by Joel Sanders and landscaped by the late Diana Balmori blurs the edge of habitation and nature. KieranTimberlake revises the classic vision of a glass box by cladding a home on a rocky site in Pound Ridge in a tapestry of steel, aluminum, copper, and glass. In Rhinebeck, Steven Holl experiments with a radical form that has both ecological and social dimensions. Author David Sokol presents these and numerous other examples of design-forward residences that are responsive to terrain, building vernacular, and cultural legacy. Together, the new Hudson Valley houses point a way forward for rural living in the twenty-first century.

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A new pictorial reference book for artists and designers, with over 400 images from sources ranging from Greco-Roman art to Benjamin Franklin and Wes Anderson - Symbols offers a fresh approach to understanding symbolism in the visual arts. Symbols are embedded everywhere in our global visual culture, from oil paintings to biscuit packaging, monuments to mass-produced ashtrays. Designers and California College of the Arts instructors Mark Fox and Angie Wang recognize sources both historical and contemporary, high and low, revealing the narrative riches of symbolism found in a range of media and across times, places, and cultures. Whether human or animate, natural or man-made - each symbol (from sun, moon, lightning, and serpent to lozenge, spiral, and swastika) is illustrated with both classical and archetypal examples and often surprising contributions from textiles, fine art photography, ceramics, African sculpture, ancient coins, modern architecture, Native American crafts, European heraldry, Soviet propaganda, bookplates, film stills, military insignia, and much more. A beautiful, visually arresting compendium that both informs and inspires, Symbols is a vital resource.

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A survey of thirty well-conceived and beautiful contemporary landscapes and gardens in which design is driven first and foremost by ecologically appropriate plant selection. In contemporary American garden design, beauty for beauty’s sake is making a comeback. The sixty gardens featured here trace current planting trends across the country, showcasing the best designs of recent years from the verdant Pacific Northwest to the tailored Eastern Seaboard, as well as prairies in Denver and Texas and exquisitely detailed private gardens in the Southwest that create a sense of lushness even while working exclusively within the vocabulary of cactuses and succulents. Plants are used to reinforce meaningful content, ecological strategies, and, most importantly, to create immersive and emotional experiences. As the movements of architectural, naturalistic, meadow, matrix, graphic, and ecological planting design have been adopted in such notable incarnations as the High Line in New York and Citygarden in St. Louis, they have rekindled interest in using plants that suit a given site’s ecology - and in letting plants, rather than hardscape elements, lead design. Residential as well as public gardens are featured, and all are united by an immediately perceptible, intelligent selection of plants that create an enthralling, memorable, and fitting sense of place: this is what makes a garden truly authentic. Over 250 full-color images reveal gardens created by the top American firms working today, including Andrea Cochran, Jack deLashmet, Doyle Herman, Elysian Landscapes, Gustafson Guthrie Nichol, Hoerr Schaudt, Ron Lutsko, Steve Martino, Nelson Byrd Woltz, Nievera Williams, Oehme van Sweden, OLIN, Raymond Jungles, Christine Ten Eyck, Bernard Trainor, and Michael Vergason, as well as beautiful gems of gardens by lesser known regional firms. Detail as well as overview images of gardens throughout the seasons and abundant plant identifications make this volume a valuable reference for all home gardeners as well as landscape design professionals interested in tracing the themes prevalent in contemporary American gardens.

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Basic Human Anatomy teaches artists the simple yet powerful formula artists have used for centuries to draw the human figure from the inside out. A comprehensive, yet flexible and holistic approach, Roberto Osti’s method of teaching anatomy is exhaustive, but never loses sight of the fact that this understanding should lead to the creation of art. A comprehensive, yet flexible and holistic approach to the human body for artists, Roberto Osti’s method of teaching anatomy is exhaustive, but never loses sight of the fact that this understanding should lead to the creation of art. Basic Human Anatomy teaches artists the simple yet powerful formula artists have used for centuries to draw the human figure from the inside out. Osti, using the basic system of line, shape, and form used by da Vinci, Raphael, and Michelangelo, takes readers step-by-step through all the lessons needed in order to master this essential foundation skill. Organized progressively, the book shows readers how to replicate the underlying structure of the body using easy-to-understand scales and ratios; conceptualize the front and side views of the skeleton with basic shapes; add detail with simplified depictions of complex bones and joints; draw a muscle map of the body with volumetric form and realistic dimension; master the feet, hands, and skull to create realistic renderings of the human form; and apply a deeper knowledge of anatomy to finished drawings for more impact.

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Surrealist artist, muse of Man Ray, photographer, fashion model and Vogue war correspondent - Lee Miller defies categorization. Beginning her career as a Condé Nast model in 1920s New York, she made the unprecedented transition from one side of the lens to the other, creating stunning photos that imbued fashion with surrealist wit and whimsy. Fashion model, surrealist artist, muse, photographer, war correspondent - Lee Miller defies categorization. She was a woman who refused to be penned in, a free spirit constantly on the move from New York to London to Paris, from husbands to lovers and back, from photojournalistic objectivism to surrealism. Midcareer, she made the unprecedented transition from one side of the lens to the other, from a Condé Nast model in Jazz Age New York to fashion photographer, creating stunning images that imbued fashion with her signature wit and whimsy. Miller became a celebrated Surrealist under the tutelage of her lover, Man Ray, and then joined the war effort during World War II, documenting everything from the liberation of concentration camps to the daily life of Nazi-occupied Paris. Miller was recognized as “one of the most distinguished living photographers” during her hey-day as a fashion photographer, but an astonishing number of these images have remained unpublished. Lee Miller in Fashion is the first book to examine how her career as a model and fashion photographer illuminates her life story and connects to international fashion history from the late 1920s until the early 1950s. The world of fashion emerges as the backbone of Miller’s creative development, as well as an integral lens through which to understand the effects of war on the lives of women in the 1940s and 1950s. Miller witnessed incredible acts of resistance born out through fashion - and her photographic record of women’s indomitable spirit even in times of war has remained an invaluable resource in fashion and global history. Lee Miller in Fashion presents these striking archival fashion photographs as well as contact sheets, memos, and Miller’s published illustrations, vividly setting the wit, irrepressible creativity, and daring of Miller within the larger story of women’s experience of fashion, art, and war in the twentieth century. “In all her different worlds, she moved with freedom. In all her roles, she was her own bold self.” - Antony Penrose

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