Search results for ""Monacelli Press""

In collaboration with Miami’s Vizcaya Museum and Gardens, a rediscovery of a lost figure of American modernism - the early-twentieth-century American painter born into the Astor family, whose imagination and patrician clientele provide a fascinating artistic and biographical saga. American modernism is populated with a cast of extraordinary characters, but few were as exuberant as Robert Winthrop Chanler, who made his artistic reputation with exotic and brilliantly colored lacquered screens and architectural interiors whose compositions feature fantastical avian, jungle, and aquatic creatures, many overlaid with iridescent metallic finishes. Chanler painted what entertained and interested him, while attracting wealthy Gilded Age patrons and earning popular and critical acclaim at numerous exhibitions - including the 1905 Salon d’Automne, the show featuring paintings by “les fauves,” with Henri Matisse as their leader; and the legendary “International Exhibition of Modern Art” in New York City, popularly known as the 1913 Armory Show. But, despite such a prolific career and a fascinating body of work, Chanler quickly became an obscure figure after his death in 1930. Robert Winthrop Chanler: Discovering the Fantastic is the first comprehensive examination in more than eighty years of an artist who straddled the divide between fine and decorative art, defined notions of originality and authorship during the birth of American modernism, and posthumously challenges twenty-first century preservationists through his idiosyncratic techniques and unorthodox material choices. Co-published with Vizcaya Museum and Gardens, which preserves Chanler’s fantastic undersea mural on the swimming pool grotto ceiling of the historic estate, the book includes essays that explore major commissions and conservation issues, all illustrated with new color photography, as well as a chronology and exhibition history, making this the definitive study on an indelible American modernist.

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Everyday Sketching and Drawing offers an easy-to-follow, 5-step formula, which teaches beginner-friendly techniques for learning the skills necessary to make drawing and sketching an everyday habit. For those who have always wanted to or tried and failed to learn to draw it provides simple step-by-step instruction, plus easy-to-follow practice exercises, and provides the motivation and inspiration readers need to be successful. For those who already draw, Everyday Sketching and Drawing offers another technique to add to their drawing arsenal. Why do so many adults come to view drawing as difficult or fraught with anxiety? Traditional art instruction is often bogged down with jargon, rules, and admonishments that unintentionally stifle the joy of drawing for its own sake. Steven Reddy's new and easy approach to drawing instructs sketchers to document their unique and compelling lives in realistic yet playful sketches that record the places, spaces, and objects that help define them as individuals. He reminds artists to slow down, notice, and attend to the sketch-worthy scenes and subjects that are unstaged and always there in our everyday lives. He offers a versatile technique that can lead to a skill that fills sketchbooks with the visual details that differentiate one life from another. This approach is a meditative, relaxing alternative to academic concerns about perspective, proportion, and accuracy. Reddy encourages artists to capture in whimsical but detail-specific illustrations their unique, subjective interpretation of their visual surroundings. Steven Reddy's drawing method produces extremely detailed and realistic scenes of objects and scenes in everyday life in a relatively short period of time (60 minutes to 3 hours or more, depending on the sketcher's preference). Modifying a technique utilized by Old Master oil painters, the drawings pass through 5 clearly articulated stages where each step focuses on one visual concept at a time.

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Artist Tara Donovan uses commonplace consumer materials - toothpicks, tape, pencils, buttons, paper plates, and the like - to create her dazzling sculptural installations. Often biomorphic or topographical in character, her large-scale abstract works utilize systematic arrangements of thousands or even millions of units. Visually evocative and perceptually seductive, her pieces are at once organic and highly structured. Donovan has been recognized for her commitment to process and her ability to discover how the inherent physical characteristics of an object might allow it to be transformed into art. Published in conjunction with a major solo exhibition at the Institute for Contemporary Art/Boston, this book is the first to document Donovan's complete oeuvre, from her beginnings working in ink to her most recent pieces. Among the many works shown are Untitled (Plastic Cups), a 50-by-60-foot landscape of plastic cups; Haze, a 42-foot-long wall of over two million clear plastic drinking straws stacked like wood; and her three 40-inch cubes, one of steel pins, one of toothpicks, and one of shattered glass. An in-depth conversation between Donovan and Lawrence Weschler traces the artist's schooling, early career, and current work.

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Dreamy coastal residences from Martha's Vineyard to Vermont to Maryland, and beyondArchitect Mark Hutker and his firm design residential heirlooms deeply rooted in New England vernacular but with a modern sensibilitybeach camps with driftwood-hued timber and open-flow rooms; modern, multilevel homes set seamlessly into their landscape; shingle-style dwellings with distilled detailing; and bespoke farmhouses in harmony with tradition but conceived for contemporary living. Through beautiful photography and engaging texts, this book tells the stories of thirteen houses that encapsulate the fantasy of New England coastal summers through a modern perspective.The residences of the award-winning firm behind this collection have been featured in Architectural Digest, Coastal Living, and Veranda, among other publications, and the firm has garnered awards including Best Coastal Architect (Ocean Home; Boston Home; Boston Magazine

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The comprehensive story of an icon of modern architecture: the Edith Farnsworth House, designed by Mies van der Rohe One of the most famous residences in modern history, a glass and steel marvel that seems to float above its site, the Edith Farnsworth House had been legendary in the public imagination long before it could be widely accessed. This book charts the house's original design by Mies van der Rohe and periods of neglect, flooding, and new ownership by Lord Peter Palumbo. Now publicly accessible and celebrating twenty years of being owned and administered by the National Trust for Historic Preservation, this icon of modern architecture commissioned by client and patron Edith Farnsworth now gets its due. The Edith Farnsworth House is one of the most prized residences in modern architectural history, whose sometimes fraught history culminates in its publicly accessible life today. The book, which newly foregrounds the key role of client Ed

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'Richly illustrated with vivid photographs, vintage illustrations, and maps, this book about strolling and looking, about observing and wondering serves as a winning homage to its famous subject. Architecture and history buffs will be enthralled.' - Publishers Weekly Fifth Avenue: From Washington Square to Marcus Garvey Park presents an in-depth exploration of architecture along one of the world’s most iconic streets: New York City’s fabled Fifth Avenue. Through six fact-filled walking tours, this accessible illustrated guide takes readers along the entire length of Fifth Avenue, studying its architecture block by block, building by building, offering the chance to discover exceptional and unusual structures across Greenwich Village, Midtown, the Upper East Side, and Harlem. Heavily illustrated with more than 300 images and practical graphic maps that mark the stops along each route, Fifth Avenue spotlights hundreds of buildings, from familiar tourist destinations to lesser-known gems. Featured are, of course, major monuments including the Empire State Building, New York Public Library, Rockefeller Center, and Saint Patrick’s Cathedral; luxurious shops such as Tiffany’s, Cartier, and Bulgari; elegant hotels like the St. Regis and the Plaza; and the art treasures of Museum Mile on view at the Metropolitan Museum of Art, the Guggenheim, the Jewish Museum, and the Museum of the City of New York. Each of the walks offers a fascinating glimpse into the evolution of architectural styles, from the Beaux-Arts mansions of the turn of the twentieth century to the striking contemporary structures such as the glass flagship stores of Nike, Armani, and the towering One Vanderbilt. Highlights also include works by distinguished architects such as Richard Morris Hunt, Stanford White, and Frank Lloyd Wright and contemporary leaders like Rem Koolhaas and Bjarke Ingels. Written as both a fireside and curbside read, this new book is essential for the curious architecture lover touring the New York streets, as well as anyone looking to gain a comprehensive understanding of the historic, social, and economic forces that shaped Fifth Avenue’s growth and character.

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An in-depth exploration of the pathbreaking works of Nancy Holt, a pioneering practitioner of Conceptual and Land Art Nancy Holt: Inside/Outside takes a journey through the artist’s key experiments in visual art presenting works never seen before, commissioning new critical thinking, and amplifying knowledge of an artist whose ideas are fundamental to how we define art today. Over the course of fifty years, Nancy Holt’s rich output spanned concrete poetry, audio, film and video, photography, drawings, room-sized installations, earthworks, and public sculpture. Nancy Holt: Inside/Outside details her unique and significant contributions, situating an important female voice within the narratives of land art and conceptual art. Initiating her art practice in 1966 with concrete poetry, she soon expanded her ideas into other media and the landscape. Through each of the mediums she worked in, Holt explored how we understand our place in the world by investigating perception and site within and outside of traditional museum contexts. In the mid-1970s Holt completed her most influential earthwork, Sun Tunnels, an artwork central to the definition of land art. Rigorous documentation of Holt’s work, as well as contributions by key scholars, previously unseen photoworks and drawings, and a revealing, never-before-published “self-interview” by the artist bring her work into far fuller context. Developed in close consultation with Holt/Smithson Foundation, an artist endowed organization dedicated to preserving and extending the work of Nancy Holt and her husband Robert Smithson, this expansive publication will serve as a major contribution to the critical ongoing research into the art of our time. This new book is published to coincide with an exhibition anchored at Bildmuseet in Umeå, Sweden, and traveling to MACBA Museu d’Art Contemporani de Barcelona and further internationally.

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Named a Best Book of 2022 by the American Society of Landscape Architects Beatrix Farrand: Private Gardens, Public Landscapes presents the life and work of one of the foremost landscape designers of the early 1900s. Born into a prominent New York family (she was the niece of Edith Wharton), Farrand eschewed the traditional social life of the Gilded Age to pursue her passion for landscape and plants. Many of her clients were members of the highest echelon of society with estates in Newport, the Berkshires, and Maine, but Farrand ultimately became a consultant for university campuses, including Yale and Princeton, and for public gardens, including the Santa Barbara Botanic Garden and the Rose Garden at The New York Botanical Garden. Perhaps her best-known work is the extensive garden at Dumbarton Oaks, originally a private residence and now a research institute of Harvard University. Deeply influenced by the English landscape designer Gertrude Jekyll, Farrand was known for broad expanses of lawn with deep swaths of borders planted in a subtle palette of foliage and flowers. Her gardens have been photographed at their peak especially for this book, and these lush illustrations are complemented by beautiful watercolor wash renderings of her designs, now preserved at the library of the University of California at Berkeley.

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Rocky Mountain Modern is a collection of the most inspiring modern residences in the Rockies, a region with a surprising but deep history of modernist design. Rocky Mountain Modern presents the most inspiring modern residences set within the stunning landscapes of the Rockies. Perched on cliffsides or nestled into verdant valleys, with expansive picture windows framing breathtaking vistas and natural materials such as wood and stone interpreted in new ways, these striking homes reveal modern living at its best in the mountains. Indeed, modern design has a deep connection to the region: in 1945, Aspen, a former mining town in the Colorado Rockies, became an unlikely bastion of modernism, hosting some of the world’s leading designers, including Herbert Bayer, Eero Saarinen, Buckminster Fuller, and Victor Lundy. Over the ensuing decades, a regional modernism developed that blended the International Style’s clean lines, open volumes, and curtain walls, and Wrightian organicism that incorporated the natural features of the rocky landscape with a vernacular that had adapted to the extreme environmental conditions. Rocky Mountain Modern celebrates this enduring tradition of modernism through the most remarkable residences in the region, designed by such architecture studios as Selldorf Architects, Olson Kundig, and Allied Works in Aspen, Vail, Sundance, Sun Valley, Telluride, Jackson, and other picturesque locales across the Rocky Mountains.

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Objects: USA 2020 hails a new generation of artist-craftspeople by revisiting a groundbreaking event that redefined American art. In 1969, an exhibition opened at the Smithsonian Institution that redefined American art. Objects: USA united a cohort of artists inventing new approaches to art-making by way of craft media. Subsequently touring to twenty-two museums across the country, where it was viewed by over half a million Americans, and then to eleven cities in Europe, the exhibition canonized such artists as Anni Albers, Sheila Hicks, Wharton Esherick, Wendell Castle, and George Nakashima, and introduced others who would go on to achieve widespread art-world acclaim, including Dale Chihuly, Michele Oka Doner, J. B. Blunk, and Ron Nagle. Objects: USA 2020 revisits this revolutionary exhibition and its accompanying catalog - which has become a bible of sorts to curators, gallerists, dealers, craftspeople, and artists - by pairing fifty participants from the original exhibition with fifty contemporary artists representing the next generation of practitioners to use - and upend - the traditional methods and materials of craft to create new forms of art. Published to coincide with an exhibition of the same title at the renowned gallery R & Company, and featuring essays by some of the foremost authorities on craft at the intersection of art, including Glenn Adamson, curator and former director of the Museum of Arts & Design; James Zemaitis, curator and former head of twentieth-century design at Sotheby's; and Lena Vigna, curator of exhibitions at the Racine Art Musuem; an interview with Paul J. Smith, the cocurator of Objects: USA 2020 is an essential art historical reference that traces how craft was elevated to the status of museum-quality art, and sets its trajectory forward.

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How to Draw Manga Animals takes readers through step-by-step drawing instructions to successfully create their own super-cute manga animal characters as well as the worlds they live in. This book looks at elements in creating a manga-style animal character with appeal, exploring archetypes and other familiar types of characters. The popularity of manga among young people who love to draw continues to grow. In her third manga book, J.C. Amberlyn focuses on her favorite subject matter, animals, with a fun and lively how-to-draw book aimed at beginners. How to Draw Manga Animals takes readers through all the step-by-step drawing instructions they need to learn how to successfully create their own super-cute manga animal characters as well as the worlds they live in. In How to Draw Manga Animals J.C. Amberlyn takes readers through all the drawing techniques they'll need to create a cast of manga-style animal characters. What makes a good character design? This book looks at elements in creating a manga-style animal character with appeal, exploring archetypes and other familiar types of characters as well as how to add unexpected or unique elements that give characters a memorable twist. In addition, readers will learn to draw cute chibi critters and dangerous-looking monsters and everything in between for comics, games, or simply their own personal enjoyment. This book includes chapters on some common or notable real and mythological Japanese animals to provide readers a foundation of knowledge to start their own animal character designs.

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Understanding Caricature offers a lively guide to an old and respected art form. A great caricature is one that not only captures the subject's look and personality but amplifies them significantly. They are almost always funny and very often (but not always) mean spirited. A truly comprehensive and laser-focused examination of a really wonderful, expressive art form. Understanding Caricature offers artists, aspiring artists, students, journalists, bloggers, etc. a lively guide to an old and respected art form. A great caricature is one that not only captures the subject's look and personality but amplifies them significantly. They are almost always funny and very often (but not always) mean spirited. Eyes, ears, nose, mouth, hairline, cheeks, eyebrows, teeth, chin: There’s no facial feature (or any other body part, for that matter) that can escape the sardonic scrutiny of caricaturist and illustrator Greg Houston. But though he cleverly twists, exaggerates, and distorts each subject’s image, he always makes sure the person remains recognizable - an absolute must for successful caricature. Whether on assignment or simply drawing for his own perverse pleasure, Houston loves skewering the high and mighty - movie stars, moguls, politicians, and assorted other VIPs - especially when they misbehave. Caricature, says Houston, is a very sharp weapon for the powerless to use against the powerful, and he can teach you to wield it, too. After defining caricature, differentiating it from other forms of portraiture, and delving into its centuries-long history, Houston gets down to the nitty gritty of how to do it. He focuses sequentially on the face, the hair, the body, and what he calls “accoutrements” - distinctive items of clothing that help viewers immediately identify celebrities. You yourself will learn to poke artistic fun at the famous through a series of demonstrations that let you follow Houston as he constructs caricatures of Jake Gyllenhaal, Masie Williams, Dwayne Johnson, Rainn Wilson, and other notable victims of his wicked pen. But Houston doesn’t focus solely on his own approach. A whole chapter of Understanding Caricature is devoted to other contemporary caricaturists and the signature mediums they work in, ranging from traditional oils and watercolors, to digital drawing and painting, to sculpture and even puppet-making. And the book’s final chapter displays the work of students who’ve studied with Houston at his Baltimore academy. Brilliant in their own right, these pieces also demonstrate how any artist, with Houston’s guidance, can become a skilled practitioner of the caricaturist’s art.

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A long-sought reprint of this classic of architectural history and criticism, surveying a movement that would inspire architects, fantasists, and filmmakers alike. It is an architectural concept as alluring as it is elusive, as futuristic as it is primordial. Megastructure is what it sounds like: a vastly scaled edifice that can contain potentially countless uses, contexts, and adaptations. Theorized and briefly experimented with in built form in the 1960s, megastructures almost as quickly went out of fashion in the profession. But Reyner Banham's 1976 book compiled the origin stories and ongoing mythos of this visionary movement, seeking to chart its lively rise, rapid fall, and ongoing meaning. Megastructure: Urban Futures of the Recent Past is part of the recent surge in attention to this quixotic form, of which some examples were built but to this day remains - decades after its codification - more of a poetic idea than a real architectural type. Banham, among the most gifted and incisive architectural critics and historians of his time, sought connections between theoretical origins in Le Corbusier's more starry-eyed drawings to the flurry of theories by the Japanese Metabolist architects, to less intentional examples in military architecture, industry, infrastructure, and the emerging instances in pop culture and art. Had he written the book a few years later he would find an abundance of examples in speculative art and science fiction cinema, mediums where it continues to provoke wonder to this day. A long-sought study by an author who combined imagination, wit, and pioneering scholarship, the republication of Megastructure is an opportunity for scholars and laypeople alike to return to the origins of this fantastic urban idea.

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A rich presentation of the sensual and scenographic effects created by the legendary Stanford White, whose designs extend beyond architecture to encompass lavish interiors, jewelry, furniture, gilded frames, and ceremonial events. Once proposed as the "Commissioner of Beauty" for New York City, Stanford White was a master of architecture, interior design, and ornament, fearlessly juxtaposing materials and objects from myriad cultures and times. Drawing on precedents from antiquity and the Renaissance, from Asia, the Middle East, and Europe as well as Colonial America, White created complex surfaces inside and out. Stanford White in Detail examines this innovative and intricate web through lush, tightly framed vignettes of carved wood and marble, metalwork, mosaic, and tile as well as generous overall room views to demonstrate how these are woven together for a unique effect.

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Master of the Midcentury: The Architecture of William F. Cody is the first, long-overdue book on this key Palm Springs architect, abundantly illustrated and detailed. Of the architects who made Palm Springs a crucible of midcentury American modernism, William F. Cody (1916-1978) was one of the most prolific, diverse, and iconic. Directing a practice ranging from residences to commercial centers and industrial complexes to master plans, Cody's designs are so recognizable that they provide visual shorthand for what is widely hailed as "Desert Modern." While his architecture was disciplined and technically innovative, Cody did not practice an austere modernism; he imbued in his projects a love for social spaces, rich with patterns, texture, color, and art. Though the majority of Cody's built work was concentrated in California and Arizona, he had commissions in other western states, Hawaii, Mexico, Honduras, and Cuba. From icons like the Del Marcos Hotel (1946), to inventive country clubs like the Eldorado (1957), to houses for celebrities (Frank Sinatra, Bing Crosby, Walt Disney), Cody's projects defined the emerging West Coast lifestyle that combined luxury, leisure, and experimental design. Cody also pushed the boundaries of engineering, with beams and roof slabs so thin that his buildings seemed to defy gravity. Master of the Midcentury is the first monograph devoted to Cody, authored by the team that curated the acclaimed exhibition Fast Forward: The Architecture of William F. Cody at the Architecture and Design Museum in Los Angeles: his daughter, Cathy Cody, design historian Jo Lauria, and architectural historian Don Choi. Replete with photographs of extant and now-lost structures, as well as masterful color renderings and drawings for architectural commissions and plans for vanguard building systems, Master of the Midcentury is the authoritative resource on Cody.

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An immersive photographic tour of the legendary Chelsea Hotel, whose residents share their stories and reveal the delirious history of this landmark. Jackson Pollock, Robert Mapplethorpe, Patti Smith, Dylan Thomas, Arthur Miller, Bob Dylan, Arthur C. Clarke, Andy Warhol, William S. Burroughs, Janis Joplin, Eugene O'Neill, Rufus Wainwright, Betsey Johnson, R. Crumb, Thomas Wolfe, Jasper Johns - these are just a few of the figures who at one time occupied one of the most alluring and storied residences ever: the Chelsea Hotel. Born during the Gilded Age and once the tallest building in New York, the twelve-story landmark has long been a magnet for artists, writers, musicians, and cultural provocateurs of all stripes. In this book, photographer Colin Miller and writer Ray Mock intimately portray the enduring bohemian spirit of the Chelsea Hotel through interviews with nearly two dozen current residents and richly detailed photographs of their unique spaces. As documented in Miller's abundant photographs, these apartments project the quirky decorating sensibilities of urban aesthetes who largely work in film, theater, and the visual arts, resulting in deliriously ornamental spaces with a kitschy edge. Weathering the overall homogenization of New York and the rapid transformation of the hotel itself - amid recent ownership changeovers and tenant lawsuits - residents remain in about seventy apartments while the rest of the units are converted to rentals (and revert to a hotel-stay basis, which had ceased in 2011). For the community of artists and intellectuals who remain, the uncertain status of the hotel is just another stage in a roller-coaster history. A fascinating portrait of a strand of resilient bohemian New Yorkers and their creative, deeply idiosyncratic homes, Hotel Chelsea is a rich visual and narrative document of a cultural destination as complicated as it is mythical.

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“New York City looks nothing - nothing - like it did just a decade and a half ago. It’s a place of newly gorgeous waterfront promenades, of trees, tall grasses and blooming flowers on patches of land and peninsulas of concrete and even stretches of rail tracks that were blighted or blank before.” - Frank Bruni, The New York Times “Betsy Pinover Schiff’s unerring eye and spectacular photographs tell the story of a city, and how its pre-Dorothy and Oz, colorless and downtrodden existence has been redone as if by wizardry in glorious Technicolor.” - Adrian Benepe, former Parks Commissioner of New York City Betsy Pinover Schiff has been photographing urban plantings and chronicling the “greening” of the city for more than two decades. Once limited to private spaces and elite neighborhoods, these plantings now proliferate throughout the five boroughs. Sidewalk Gardens of New York reveals the transformation of the “city of concrete and glass” into one of the greenest and most richly planted urban centers in America. Nature and architecture combine in ways that will surprise even the most seasoned New Yorkers. Featured are tree beds, planters, hanging baskets, and medians that mitigate the frenzy of the street; plazas and pocket parks that offer respite to pedestrians, building plantings that create a welcoming transition between public and private; community gardens; and parks, both the iconic and the newly planted along the waterfront in Brooklyn, Queens, and Lower Manhattan.

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Through more than thirty projects for major colleges and universities across the country and in China, Designs for Learning presents the principles and practices behind academic buildings, libraries, graduate centers, and academic facilities that sensitively integrate into the fabric of each campus. In its forty years, Robert A.M. Stern Architects has honed a contemporary practice that is in close dialogue with the past, making it one of the most admired architectural firms today. Even in its growing global reach and expanding practice areas, the firm maintains a close attention to form, context, local culture, and received tradition, as well as to the demands and needs of the building users. These principles have served the firm particularly well on campuses, where architectural styles and building traditions are often well established. Robert A.M. Stern Architects has created classroom buildings, student centers, athletic facilities, and libraries that respect and expand those traditions. In each case, the firm demonstrates a deep understanding of the American college campus, with its roots in Thomas Jefferson's design for the University of Virginia. In their buildings, "the present, interacting with memories of the past, can create something that can be interesting in the future." Each campus in Designs for Learning is described in detail, with historic photographs and campus plans illustrating its development. Projects by Robert A. M. Stern are placed in their context, providing a complete view of these distinguished places of learning.

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Seasoned garden writers Susan Lowry and Nancy Berner, along with leading landscape photographer Marion Brenner, tour more than thirty-five private gardens in the San Francisco Bay Area, illuminating the unrivalled beauty of Northern California - the breadth of the sky, the quality of the light, the sparkle of the Bay, the shapes of the hills - that has beckoned landscape designers and gardeners for generations. Organized geographically - starting with the San Francisco Peninsula, moving north into San Francisco itself, crossing the Bay into Berkeley and Oakland, and finishing in Napa, Sonoma, and Marin - Private Gardens of the Bay Area encompasses an extraordinary range of micro-climates that foster the cultivation of an equally extraordinary range of plants. The kaleidoscope of vigorous plants from five continents bursting out of an Oakland front yard is one kind of garden, the clean-lined contemporary composition of drought-tolerant natives and gravel is another, and the garden tucked into the mountain landscape of oaks, manzanitas, and ceanothus is yet another. This fascinating tour includes gardens such as Green Gables, where the 1911 terraced design by Greene & Greene is meticulously preserved; Big Swing, with a world-renowned collection of salvias; a vertical garden on a vertiginous site in San Francisco by Surfacedesign; and a romantic landscape of lawns, perennial beds, and stately oaks owned by noted collectors and gallerists Gretchen and John Berggruen. Lowry and Berner describe the goals of each garden owner and the principles behind the designs.

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A key primer to the broad range of ground-breaking concrete architecture - inclusive of, but well beyond, brutalism - as it developed in its most accommodating city, Boston, and an important contribution to the efforts to preserve the built legacy of this era. Often problematically labeled as “Brutalist” architecture, the concrete buildings that transformed Boston during 1960s and 1970s were conceived with progressive-minded intentions by some of the world’s most influential designers, including Marcel Breuer, Le Corbusier, I. M. Pei, Henry Cobb, Araldo Cossutta, Gerhard Kallmann and Michael McKinnell, Paul Rudolph, Josep Lluís Sert, and The Architects Collaborative. As a worldwide phenomenon, building with concrete represents one of the major architectural movements of the postwar years, but in Boston it was deployed in more numerous and diverse civic, cultural, and academic projects than in any other major U.S. city. After decades of stagnation and corrupt leadership, public investment in Boston in the 1960s catalyzed enormous growth, resulting in a generation of bold buildings that shared a vocabulary of concrete modernism. The period from the 1960 arrival of Edward J. Logue as the powerful and often controversial director of the Boston Redevelopment Authority to the reopening of Quincy Market in 1976 saw Boston as an urban laboratory for the exploration of concrete’s structural and sculptural qualities. What emerged was a vision for the city’s widespread revitalization often referred to as the “New Boston.” Today, when concrete buildings across the nation are in danger of insensitive renovation or demolition, Heroic presents the concrete structures that defined Boston during this remarkable period - from the well-known (Boston City Hall, New England Aquarium, and cornerstones of the Massachusetts Institute of Technology and Harvard University) to the already lost (Mary Otis Stevens and Thomas F. McNulty’s concrete Lincoln House and Studio; Sert, Jackson & Associates’ Martin Luther King Jr. Elementary School) - with hundreds of images; essays by architectural historians Joan Ockman, Lizabeth Cohen, Keith N. Morgan, and Douglass Shand-Tucci; and interviews with a number of the architects themselves. The product of 8 years of research and advocacy, Heroic surveys the intentions and aspirations of this period and considers anew its legacies - both troubled and inspired.

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Featuring forty rooms at Winterthur, The Well-Dressed Window is an important resource in documenting the design and detailing of window treatments. The Well-Dressed Window: Curtains at Winterthur is a unique compendium of design and textile history and an invaluable resource for designers and homeowners alike. Today Henry Francis du Pont, the force behind the transformation of Winterthur from a family house to the premier museum of American decorative arts, is recognized, along with Henry Davis Sleeper and Elsie de Wolfe, as one of the early leaders of interior design in this country. Working with architects, curators, and antiques dealers, du Pont created some 175 room settings within the house. He assembled his rooms using architectural elements from historic houses along the East Coast and filled them with an extraordinary collection of American furniture and decorative arts. Du Pont’s unique talent was his ability to arrange historically related objects in a beautiful way, in settings that enhanced their shape and form through the choice of color, textiles, and style. Du Pont paid particular attention to the design of the curtains, and The Well-Dressed Window surveys his achievement, explaining how the fabrics were selected as well as their relationship to the architecture and other decorative elements in the rooms. Forty rooms are presented, each specially photographed to show the overall space in addition to details of fabric and trim. A series of stereoviews taken in the 1930s as well as other period photographs reveal the evolution of the window treatments and upholstery over nearly sixty years. Of particular interest is du Pont’s seasonal changing of the curtains, which were rotated throughout the year as the lighting and colors in the surrounding garden shifted.

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Established how-to-draw author and artist J.C. Amberlyn's guide to drawing adorable Japanese-style characters and their chibi sidekicks in all the popular manga genres - shojo; shounen; magical girls; fantasy; mecha; school life; and horror. Bring your imagination to life. In her second manga book, best-selling author J.C. Amberlyn focuses on favorite manga archetype characters, with a fun and lively how-to-draw book aimed at beginners. Every genre of manga has its typical characters - plucky hero and heroine; school boys and girls; funny friend/sidekick; serious warrior; young innocent; bishounen; genki girls; chibis; chibi animals; cat girls/cat boys; magical girls; adorable animals; strong/scary animals; gothic characters; fantasy characters - and they are all here along with the step-by-step drawing instructions needed to give even beginners the direction they need to create the favorite characters they can’t get enough of. A final chapter on backgrounds, scenery, and the environment will further give readers the information they need to pull everything together and create their own manga characters and the worlds they live in. Includes 23 step-by-step demonstrations and exercises. J.C. Amberlyn takes you through everything you need to know to create your favorite manga characters from Japanese comics or design your own. Includes in-depth instruction on character types, drawing the head and face, expressions, bodies and gestures, settings, scenes and samples.

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As rigorous as it is sumptuous, the work of Roger Ferris + Partners blends high style and modernist principles. This is the firm's first monograph. From family houses to historic restorations, hotels, and high-tech office spaces - the architectural firm of Roger Ferris + Partners has pursued uncommonly diverse projects at vastly different scales, all with an approach to design that synthesizes imagination and logic. Whether a 1,500-square-foot house on a narrow lot overlooking Long Island Sound, or the Royal Bank of Scotland’s US headquarters in Stamford, Connecticut - with a six-story glazed atrium and a “courtyard in the sky” on the roof of its two-story trading floor - a building that is “well conceived and artfully executed, cannot help but be beautiful.” Among Ferris’ major projects are a golf clubhouse that has turned a conservative typology on its ear with bladelike forms inspired by a racing engine turbine, and a partially sunken service entrance in which impresario Robert Wilson has staged theatrical productions. A design for a restaurant includes not only a central, glass-enclosed kitchen elevated 18 inches above the floor, but an art installation that periodically projects scrolling text on the dining room wall. In every project, the fulfillment of the client’s functional needs is rendered in the most elemental and legible way, resulting in both formal elegance and dramatic power.

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The Mount, Edith Wharton’s country place in the Berkshires, is truly an autobiographical house. There Wharton wrote some of her best-known and successful novels, including Ethan Frome and House of Mirth. The house itself, completed in 1902, embodies principles set forth in Wharton's famous book The Decoration of Houses, and the surrounding landscape displays her deep knowledge of Italian gardens. Wandering the grounds of this historic home, one can see the influence of Wharton’s inimitable spirit in its architecture and design, just as one can sense the Mount’s impact on the extraordinary life of Edith Wharton herself. The Mount sits in the rolling landscape of the Berkshire Hills, with views overlooking Laurel Lake and all the way out to the mountains. At the turn of the century, Lenox and Stockbridge were thriving summer resort communities, home to Vanderbilts, Sloanes, and other prominent families of the Gilded Age. At once a leader and a recorder of this glamorous society, Edith Wharton stands at the pinnacle of turn of the twentieth-century American literature and social history. The Mount was crucial to her success, and the story of her life there is filled with gatherings of literary figures and artists. Edith Wharton at Home presents Wharton’s life at The Mount in vivid detail with authoritative text by Richard Guy Wilson and archival images, as well as new color photography of the restoration of The Mount and its spectacular gardens. "The Mount was to give me country cares and joys, long happy rides and drives through the wooded lanes of that loveliest region, the companionship of dear friends, and the freedom from trivial obligations, which was necessary if I was to go on with my writing. The Mount was my first real home . . . its blessed influence still lives in me." - Edith Wharton, 1934

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Traces the evolution of midcentury houses and demonstrates how they are experienced and lived in today This expanded and updated edition of the 2014 classic focuses on the concentration of midcentury houses in New Canaan, Connecticut, built by noted architects including Marcel Breuer, Eliot Noyes, Philip Johnson, John Black Lee, and Edward Durell Stone. This new edition addresses the issue of preservation and adaptive reuse as a sustainable architectural strategy. A representative group of 17 houses reveals an evolving legacy, now adapting to contemporary life. Each is examined in detail, with plans, timelines, and both archival and new photography, capturing the clean, minimalist look of the initial construction and re-imagining by significant architects of our time. Today preservation and renovation of older buildings has new visibility as a sustainable approach. As the National Trust for Historic Preservation has said, The greenest building is the one that is

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A guide to the art, artists, and culture of graffiti from the 1970s to today, as told by the taggers themselves This major co-publication with the Museum of Graffiti chronicles the worldwide graffiti movement from its birth in the 1970s, through the street and train painting of the 1980s, to its emergence as an artistic genre admired in museums and sold at auction. With hundreds of never-before-seen photographs of graffiti art from the 1970s to today, many of which have been provided exclusively for this volume by the artists themselves, the book gives an insider’s view through multiple interviews with celebrated graffiti artists, including Roger Smith of Sane Smith, Hotboy Hert, DESA, Shirt King Phade, RIME, MadC, Saber, AURA, and others. Told through essays, hundreds of images, and interviews with the artists – both the underground outlaws and the writers who went mainstream – The Wide World of Graffiti will become the standard-bearer of the art form’s history and life today, a unique contribution from the first and only museum dedicated to graffiti as an art form.

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The latest spectacular celebration from Architizer of the most inspiring contemporary architecture from around the globe. The Architizer A+ Awards represent 2021's best architecture and products, celebrated by a diverse group of influencers within and outside the architectural community. Entries are judged by more than 400 luminaries from fields as diverse as fashion, publishing, product design, real-estate development, and technology, and voted on by the public, culminating in a collection of the world's finest buildings. Each year, winners are honored in this fully illustrated compendium, and on Architizer.com, the largest online architecture community on the planet. Featuring select A+ Award winners, this is the definitive guide to the year's best buildings and spaces.

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A contemporary and accessible foundation of color theory and advanced techniques for the oil painter at every skill level "In The Oil Painter's Color Handbook, Todd Casey presents priceless information that every art school should teach and every art student should learn. The book breaks down the subject of color into useful pieces of knowledge that painters can put into practice. He analyzes color in terms of light, value, pigment, mixing strategies, palette arrangements, and painting techniques. Each topic is clearly and succinctly explained in the text, illustrated with captions, charts, diagrams, and finished paintings. By the end of the book, the reader will have a clear understanding of how realist painters and illustrators have used color through history." - James Gurney, artist and author “This is the most impressive and complete book on color ever produced. It covers a wide range of color concepts, including some I'd never seen before. It digs deeply into color harmony, techniques, and has powerful examples to demonstrate every concept.” - Eric Rhoads, Publisher, Fine Art Connoisseur Magazine From Todd M. Casey, acclaimed artist and expert teacher, The Oil Painter’s Color Handbook: A Contemporary Guide to color Mixing, Pigments, Palettes, and Harmony provides everything the oil painter needs to understand all aspects of color and empowers the reader to paint with confidence. As Casey notes, every artist and artist-in-training must learn how to “master the main concepts of picture-making: drawing, light, shadow, value, form, composition, and color.” A follow-up to the bestselling The Art of Still Life: A Contemporary Guide to Classical Techniques, Composition, and Painting in Oil (Monacelli, 2020), The Oil Painter’s Color Handbook begins with an in-depth look at the use of color throughout art history. Casey then breaks down the process of understanding color into easily digestible lessons—each clearly explained and richly illustrated with both historic and contemporary paintings—so that the reader can learn progressively and layer more complex ideas as each skill is achieved. Through clear instruction, step-by-step demonstrations, and challenging exercises, readers will learn to apply these techniques and concepts to their own painting. Once educated with this fundamental knowledge, as an artist, one can begin to find the balance between the science and emotional intuition in creating art. This informative and visually dynamic book will be accessible and appealing to artists, art students, and art instructors, to serious amateurs and hobbyists.

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The first monograph on GRADE New York, an architecture and design studio dedicated to creating artistically curated environments in a cutting-edge contemporary setting. Architect Thomas Hickey and interior designer Edward Yedid partnered to establish GRADE New York as a unique practice where architecture and interiors merge into a seamless continuum. Within their refined and beautifully proportioned spaces, a meticulously curated selection of furnishings, contemporary art, and exquisite objects create a luxurious and personal environment for their clients. New York Contemporary presents seven apartments in the most glamorous condominium buildings in Manhattan, including a penthouse at Place 57, a pied-à-terre at 551 West 21st Street by Norman Foster, and 56 Leonard Street by Herzog & de Meuron. A special feature is an in-depth look at Edward Yedid's own duplex on Madison Avenue, where the principles of structuring and curating the space have created a sleek but warm and inviting home for his family.

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A photographic portrait of 16 private gardens in New York and Connecticut through the seasons, weathers, and times of day. For his third book of landscape photographs with Monacelli, following Magnificent Trees of the New York Botanical Garden and The Rockefeller Family Gardens, Larry Lederman has selected 16 private gardens in New York State and Connecticut and studied them in depth, presenting views through the seasons and weathers to capture their essential spirit. As Gregory Long, President Emeritus of the New York Botanical Garden, observes: "After selecting the gardens, Lederman sets out to learn and understand them. He visits in all seasons, in all weather, at many times of day, in many light conditions. He wants to analyze their design and study their character. He wants to know their plants and see their environmental conditions and visual elements from many points of view. He wanders. He walks the paths, forward and backward, and stops frequently so that his camera can memorize views and details. As a result of this time spent and such intense scrutiny, he sometimes discovers aspects of a place that the residents themselves have never seen or fully appreciated. I think the owners of the gardens in this book will see vistas, patterns, designs on the land they did not know they possess. They will love their even gardens more, and their commitments will grow."

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For everyone interested in the enduring appeal of Louis Kahn, this book demonstrates that a close look at how Kahn put his buildings together will reveal a deeply felt philosophy. Louis I. Kahn is one of the most influential and poetic architects of the twentieth century, a figure whose appeal extends beyond the realm of specialists. In this book, noted Kahn expert John Lobell explores how Kahn's focus on structure, respect for materials, clarity of program, and reverence for details come together to manifest an overall philosophy. Kahn's work clearly conveys a kind of "transcendent rootedness" - a rootedness in the fundamentals of architecture that also asks soaring questions about our experience of light and space, and even how we fit into the world. In Louis Kahn: Architecture as Philosophy, John Lobell seeks to reveal how Kahn's buildings speak to grand humanistic concerns. Through examinations of five of Kahn's great buildings - the Richards Medical Research Building in Philadelphia; the Salk Institute for Biological Studies in La Jolla; the Phillips Exeter Academy Library in New Hampshire; the Kimbell Art Museum in Fort Worth; and the Yale Center for British Art in New Haven - Lobell presents a clear but detailed look at how the way these buildings are put together presents Kahn's philosophy, including how Kahn wishes us to experience them. An architecture book that touches on topics that addresses the universal human interests of consciousness and creativity, Louis Kahn: Architecture as Philosophy helps us understand our place and the nature of well-being in the built environment.

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An in-depth look at the design process of James Huniford, who is renowned for his skill in juxtaposing opposites - contemporary with traditional, rustic with refined - to create a timeless whole. James Huniford, universally known as Ford, explores his design process thematically, with chapters on approaching a room, considering scale and proportion, selecting materials and art, using color effectively, and marrying form and function. His goal is to create "a modern sensibility of calm." Of special interest is his ability to create artworks out of found objects, compositions of tools, baskets, or metalwork that become compelling wall sculptures or freestanding pieces. Examples are drawn from a rich variety of projects - elegant Upper East Side apartments to raw lofts on the Lower East Side to contemporary condominiums in new "supertall" towers in Manhattan, country houses in Connecticut, Upstate New York, and Martha's Vineyard, and across the country in Nashville and Marin Country, California. Special insight into his process can be gleaned from his own homes, a loft in Tribeca and a historic house in Bridgehampton that he readily admits are laboratories for his ideas.

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A unique survey of the projects, products, and processes that define LOT-EK, the firm at the forefront of adapting prefabricated industrial units to create cutting-edge architecture. LOT-EK is a design practice that believes in being unoriginal, ugly, and cheap. Also in being revolutionary, gorgeous, and completely luxurious. LOT-EK’s work reveals extraordinary transformations of ordinary things - from their famous shipping container projects onward - combining maker culture and hacker culture into beautiful and radical visions for sustainable and meaningful living. LOT-EK: Objects + Operations surveys dozens of projects - built, unbuilt and in-progress; polemical, practical, and in-between - complemented by photographs from LOT-EK’s multi-year URBAN SCAN project, a vast photographic document of infrastructure and incident, as well as essays by Thomas de Monchaux and interviews with founding partners Ada Tolla and Giuseppe Lignano.

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The most thoroughgoing survey of nearly all of Le Corbusier's extant projects, beautifully photographed and authoritatively detailed. Le Corbusier is widely acknowledged as the most influential architect of the twentieth century. As extensively researched and documented as his works are, however, they have never been exhaustively surveyed in photographs until now. Photographer Richard Pare has crossed the globe for years to document the extant works of Le Corbusier - from his first villas in Switzerland to his mid-career works in his role as the first global architect in locations as far-flung as Argentina and Russia, and his late works, including his sole North American project, at Harvard University, and an extensive civic plan for Chandigarh, India. Le Corbusier: The Built Work provides numerous views of each project to bring a fuller understanding of the architect's command of space, sometimes surprising use of materials and color, and the almost ineffable qualities that only result from a commanding synthesis of all aspects of design. With an authoritative text by scholar and curator Jean-Louis Cohen, Le Corbusier: The Built Work is a groundbreaking opportunity to appreciate the master's work anew.

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Edmund Hollander and Maryanne Connelly, two of New York's most eminent landscape designers, best known for their work in the Hamptons, reveal how plants can add sensuality, texture, structure, and color to any garden. Crisp hornbeam hedges lining a country drive and throwing geometric shadows on the gravel below. Decadent cascades of fragrant wisteria spilling over a stone pergola. Rustling leaves along an allée of delicate crepe myrtle trees. Waving blossoms of roses, sage, and hydrangeas - along a salty shoreline. Edmund Hollander Landscape Architects creates gardens filled with unexpected textures, colors, and sounds meant to appeal to all the senses, inviting us to truly live in the landscape. This volume presents dozens of gorgeous estate gardens throughout the Northeast, approached thematically; individual sections reveal how components such as gateways, paths, pool terraces, bosques and groves, walls, and borders contribute to lush garden rooms, windblown seaside gardens, calming meadow gardens, intricate formal gardens, and shady tracts of woodland. Over 300 color photographs of beautiful properties in the Hamptons, Connecticut, and upstate New York provide glimpses of the best garden design happening today while breaking down its ideas for the home gardener. Evocative text by New York Times and Landscape Architecture columnist Anne Raver details how the firm works to envelop visitors in landscapes that feel entirely whole: plantings near architecture create a dynamic entry progression; hardscape features that lead out into a broader garden gradually cede to more natural, living elements; pools are surrounded by gracious swaths of flowers that bloom in sequence as the season progresses to provide privacy for bathers and a sense of quiet seclusion. The ideas presented here will help owners of gardens of every size enjoy their land to the fullest.

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An alluring overview to the thirty-year, award-winning output of Brininstool + Lynch, whose rigor, vision, and elegance has distinguished their diverse projects since its founding. Brad Lynch and David Brininstool of Chicago-based Brininstool + Lynch feature their most exemplary built works from over the course of their thirty years in practice. Founded in 1989, their office has become known for modern works that are rooted in the exceptional architectural culture of the American Midwest but also epitomize the best of contemporary design: elegant spatial compositions, remarkable aesthetic quality, and nuanced details. In this volume, partners Brad Lynch and David Brininstool have selected twelve distinguished projects that represent the character of the practice, at once refined and forthright. Among the selected built works are the Racine Art Museum, designed around a collection of crafts in ceramic, fiber, glass, metal, and wood; city and country houses in Illinois and Indiana; sophisticated single-family homes; and multi-unit residential buildings that explore their urban scale and contexts. For thirty years, the office distinguished itself through buildings and interiors whose beauty lies in their restraint: spare, smart structures that manipulate light, space, and a simple material palette to create architecture of unusual grace. Brininstool + Lynch: Making Architecture showcases the signature works of this prestigious firm.

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A step-by-step guide for people who love dragons, unicorns, griphons, and other creatures of legend. Harry Potter, Game of Thrones, The Shape of Water, Fantastic Beasts and Where to Find Them, Lord of the Rings, The Hobbit, even My Little Pony are just a few examples of the mythological, fantastical, and supernatural stories currently in popular culture. Artists old and young enjoy drawing beasts and characters from their favorite fantasy stories. How to Draw Magical Mythological Creatures continues a rich tradition of mythology and art. In this step-by-step guide to drawing all manner of creatures--from the Hydra and the Phoenix to Cerberus and basilisks - in pencil and pen-and-ink, J. C. Amberlyn combines her love of fantasy and mythological storytelling with her beautiful, detailed drawing style and love of all non-human creatures. Amberlyn covers all the basics of drawing so that even beginners will feel confident and successful. Included is introductory information on art technique and material basics and detailed, step-by-step instruction on anatomy, features, and finishing details.

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The story of Alfred Barr and Philip Johnson, two young men, now acknowledged as giants in the history of modernism, who changed the course of design in the United States. The 1920s and 1930s saw the birth of modernism in the United States, a new aesthetic, based on the principles of the Bauhaus in Germany: its merging of architecture with fine and applied arts; and rational, functional design devoid of ornament and without reference to historical styles. Alfred H. Barr Jr., the then 27-year-old founding director of the Museum of Modern Art, and 23-year-old Philip Johnson, director of its architecture department, were the visionary young proponents of the modern approach. Shortly after meeting at Wellesley College, where Barr taught art history, and as Johnson finished his studies in philosophy at Harvard, they set out on a path that would transform the museum world and change the course of design in America. The Museum of Modern Art opened just over a week after the stock market crash of 1929. In the depths of the Depression, using as their laboratories both MoMA and their own apartments in New York City, Barr and Johnson experimented with new ideas in museum ideology, extending the scope beyond painting and sculpture to include architecture, photography, graphic design, furniture, industrial design, and film; with exhibitions of ordinary, machine-made objects (including ball bearings and kitchenware) elevated to art by their elegant design; and with installations in dramatically lit galleries with smooth, white walls. Partners in Design, which accompanies an exhibition opening at the Montreal Museum of Fine Arts in April 2016, chronicles their collaboration, placing it in the larger context of the avant-garde in New York - 1930s salons where they mingled with Julien Levy, the gallerist who brought Surrealism to the United States, and Lincoln Kirstein, co-founder of the New York City Ballet; their work to help Bauhaus artists like Josef and Anni Albers escape Nazi Germany - and the dissemination of their ideas across the United States through MoMA’s traveling exhibition program. Plentifully illustrated with icons of modernist design, MoMA installation views, and previously unpublished images of the Barr and Johnson apartments - domestic laboratories for modernism, and in Johnson’s case, designed and furnished by Ludwig Mies van der Rohe - this fascinating study sheds new light on the introduction and success in North America of a new kind of modernism, thanks to the combined efforts of two uniquely discerning and influential individuals.

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Art photographs of strikingly beautiful and austere shrines of saints and pilgrimage sites erected by the Uyghurs (a mystic, pacifistic branch of Islam) in the deserts of Western China that are threatened by that country's rapid development will appeal to all interested in art, Central Asia, and Chinese or Islamic culture. Lisa Ross's ethereal photographs of Islamic holy sites were created over the course of a decade on journeys to China's Xinjiang region in Central Asia, historically a cultural crossroads but an area to which artists and researchers have generally been denied access since its annexation in 1949. These monumental images show shrines created during pilgrimages, many of which have been maintained continuously over several centuries; visitation to the tombs of saints is a central aspect of daily life in Uyghur Islam, and its pilgrims ask for intercession for physical, mental, and spiritual ailments. The shrines, adorned with small devotional offerings that mark a prayer or visit, are poignant representations of collective memory and a pacifistic faith, and endure despite vulnerability to natural forces of sand, heat, and powerful winds. Their simplicity and austerity as captured by Ross invoke ideas of spirituality, eternity, and transcendence. Three essays—by a historian of Central Asian Islam, a Uyghur folklorist, and the curator of an accompanying exhibition at the Rubin Museum of Art—situate the photographic content in context. This volume emerges at a critical time, as modernization and new policies for development of China's far west bring about rapid, extreme, and irrevocable change; the region is its largest source of untapped natural gas, oil, and minerals. Many of the sites in Ross's work are threatened by political and economic pressures—her images are valuable, therefore, not only for their intrinsic beauty, but as an important record of a rich and vibrant culture.

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In Stripes: Design Between the Lines, writer and design expert Linda O’Keeffe explores the lineage of lines as they shape culture, art, and style. The illustrations create a rollicking visual ride while the accompanying text - by turns witty and weighty - shows how these potent, sometimes-charged symbols have even changed the course of world history. The simplest and most ancient of all decorative markings, stripes perpetually fascinate. Natural inspirations in the forms of zebra stripes, rippled sand dunes, and intricately gnarled wood grain have led us to use stripes in every permutation: on human bodies from elaborate woven textiles to the iconic Breton T-shirt to sharp pin-striped suits, in art from the earliest cave paintings to vibrant op art canvases, and in industrial design from World War II–era dazzle battleships to the ubiquitous bar code. Their appeal endures. With over 250 full-color images, Stripes: Design Between the Lines provides a wholly original look at one of the most recognizable patterns of all time. Eight thematic chapters present stripes in every conceivable manifestation, from diabolical to decorative, historic to postmodern. The result is a wonderfully varied visual collage that shows how design-savvy people throughout the ages and recent design stars including Jonathan Adler, Geoffrey Beene, Jamie Drake, Jean Paul Gaultier, Josef Hoffman, Sol LeWitt, Todd Oldham, Alberto Pinto, Giò Ponti, Karim Rashid, David Rockwell, Carolyne Roehm, Paul Smith, and Vivienne Westwood have incorporated stripes into their work and daily lives.

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This handsome collection of 30 congenial, livable houses will be an invaluable resource for those considering building a house and an inspiration to all who admire good design. “White's project descriptions are lucid, brief and hype-free, and they come stocked with floor plans. He describes terrain contours, materials and palette choices and circulation patterns…This is a practical yet mouthwatering and aspirational study of architects helping people honor the streetscape, keep properties saleable and upgrade their home life by several respectable notches.” - Period Homes “What makes a house nice? Architect Samuel G. White tells us: Nice houses aren’t too big or too formal. They are neighborly, with harmonious proportions. They have inviting spots in which to read a book, take a nap or cook.” - New York Newsday This is a book of houses where we all would like to live. The locations are diverse - New England, Long Island, Pennsylvania, California - and the architecture encompasses both traditional and contemporary vocabulary. What links them is their livable scale and the architect’s commitment to creating congenial spaces with a handsome and functional design. They are unassuming dwellings whose architecture moves easily to the background, supporting comfortable furniture, works of art from a variety of periods and styles, and the plantings and outdoor spaces that are essential to the composition. These houses display grace and style inside and out. They invite a full range of activities from formal to informal, from celebration to repose, from a solitary existence to a house full of children or guests. These houses have good places to read a book or write a letter, to take a nap, and to cook and eat with family and friends.

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The first book to document the history of the groundbreaking company Architectural Pottery, tracing its critical influence on midcentury design and its enduring appeal todayArchitectural Pottery's strikingly minimalist designs heralded new domestic housewares that could uniquely accent the modern homeinside and out. Formally expressive yet accessible, their refreshingly unembellished, elegant pots and planters were enthusiastically received by the public upon Architectural Pottery's launch in 1950, soon ubiquitous in spaces representing the epitome of modern living. Highly coveted and prized in design circles, they were seen in houses by Richard Neutra, John Lautner, and the historic Case Study Houses, and featured in the first of MoMA's legendary Good Design exhibitions alongside now-iconic designs by Ray and Charles Eames, Alexander Girard, and George Nelson. Over three decades, Architectural Pottery also developed innovations in stoneware production, expan

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From FREDERIC magazine, the best and most unexpected decorating pro tips and tricks of the trade in one accessible guide Decorate Like a Decorator highlights the decorating tricks that only experienced designers know how to pull off until now! Culled from FREDERIC magazine's educational columns, this book shares with readers more than one hundred decorator pro moves: like how to use stripes on the bias, upholster doors, deploy curtain tiebacks, hang plates on the walls, and fabricate bespoke lampshades. Divided into twenty-one chapters covering everything from pelmets and valances, trim, upholstery ideas, slipcovers, folding screens, and fabric-covered walls, to accent paints, bedspreads, decorative lampshades, scenic wallpaper, and more it's a lavishly illustrated cheat sheet for what it takes to transform a room from standard to sensational. Decorate Like a Decorator features rooms by some of the world's most cele

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The first monograph of interior designer Nina Magon, featuring the glamorous spaces that have made her sought-after by a jet-set clientele Growing up in Houston, yet born in Canada, interior designer Nina Magon would frequently return to India with her family, and with every passage take a different course, visiting the world’s cultural capitals. These dramatic detours profoundly impacted her global approach and shaped her award-winning practice. In Evoke, her first book, Magon shares with readers the cosmopolitan glamour that has become her signature, a sophisticated style carefully balancing high-gloss modernism and old-world grandeur that has been embodied in designs she has created for many prominent families, prestigious hotel brands, and star athletes. Each unique space she creates is evocative of a well-traveled lifestyle, synthesizing art, architecture, and fashion.

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From a renowned illustrator of DC and Marvel comic books, an engaging full-color instruction book for teens and adults alike This is an art instruction book filled with original, full-color art and step-by-step instructional texts, teaching burgeoning artists of all ages how to conceptualize, design, and draw their own science-fiction characters, good and evil, from fantastical realms of their imagination – including how to colorize characters, draw anatomical poses, and create inventive costumes. The book will also feature supplementary inspirational images culled from movies, TV, history, and pop culture. From the same author as the bestselling How to Draw Sci-Fi Utopias and Dystopias, Prentis Rollins, veteran illustrator of DC and Marvel Comics, teaches artists of all ages the fundamentals of drawing imaginative ‘good’ and ‘evil’ science-fiction characters.

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Incorporating both formal details and welcoming elements, a sophisticated and balanced look tailored to a sense of home, as shown through the portfolio of Foley & Cox Foley & Cox is a New York-based interior design firm renowned for serene spaces subtly layered with color and texture that create a sense of welcome and comfort. Taking creative cues directly from their clients–their perceptions, preferences, and passions–the firm creates serene interiors infused with personal style. This elegant book presents 24 homes, ranging from elegant prewar apartments in Manhattan to retreats in the Hamptons and summer places along the coast of New England and in Europe, and even to a private jet and a yacht that cruises the Mediterranean. What unites these spaces is an overall balance and elegance, infused with luxurious fabrics in subtle tonal variations and a judicious use of highlight color, often in the artwork and accessories. Founder Michael Cox is a master at creating settings for art collections and selecting distinctive vintage pieces that add a sophisticated touch to the rooms.

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The first monograph of Rogan Gregory, the artist/designer on the forefront of contemporary organic form-making Rogan Gregory’s work pushes boundaries across media and scale – from miniature bronze animal forms to towering sculptures and furniture in innovative aggregated materials. Gregory’s iterative process and life-long interests in abstract forms, geology, and evolutionary biology allow him to develop an organic aesthetic unlike that of any designer working today. This debut monograph explores Gregory’s work through the elemental inspirations that condition his work. Contributions by landscape architect Edwina von Gal, interior designer Pamela Shamshiri, and conservation biologist Tremaine Gregory reflect the synthesis of disciplines Gregory brings to his practice. Co-published with R & Company, this book is an object in its own right, incorporating Gregory’s design and materials sensibilities.

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The definitive book on one of the foremost modernist cities and architecture destinations in the USA: Columbus, IndianaThe midwestern city of Columbus, Indiana, is more than a mecca of modern architecture; it is an example of how design can help foster a remarkable community. The dozens of buildings and projects by legendary architects from mid-century titans such as Eero Saarinen and I. M. Pei to contemporary practitioners Deborah Berke and IwamotoScott remain integral to its urban fabric. This book explores Columbus's optimistic program of bold new architecture and landscapes, initiated by the legendary industrialist J. Irwin Miller and local leaders, and the generations-long quest to develop the ideal American city through design excellence.This is the first in-depth history of Columbus, Indiana, demonstrating the unique convergence of civic, industrial, and social forces that produced the pre-eminent laboratory of architectural modernism in the U

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