Search results for ""Monacelli Press""

The Nutshell Studies of Unexplained Death offers readers an extraordinary glimpse into the mind of a master criminal investigator. Frances Glessner Lee, a wealthy grandmother, founded the Department of Legal Medicine at Harvard in 1936 and was later appointed captain in the New Hampshire police. In the 1940s and 1950s she built dollhouse crime scenes based on real cases in order to train detectives to assess visual evidence. Still used in forensic training today, the eighteen Nutshell dioramas, on a scale of 1:12, display an astounding level of detail: pencils write, window shades move, whistles blow, and clues to the crimes are revealed to those who study the scenes carefully. Corinne May Botz's lush color photographs lure viewers into every crevice of Frances Lee's models and breathe life into these deadly miniatures, which present the dark side of domestic life, unveiling tales of prostitution, alcoholism, and adultery. The accompanying line drawings, specially prepared for this volume, highlight the noteworthy forensic evidence in each case. Botz's introductory essay, which draws on archival research and interviews with Lee's family and police colleagues, presents a captivating portrait of Lee.

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The most comprehensive monograph available on the greatest living glassblower, Lino Tagliapietra. Lino Tagliapietra has been described as the world’s greatest glassblower, a figure born from the five-hundred-year-old culture of Venetian glass, but one who also revolutionized glass as a discipline, inventing new techniques to create his masterful works. Even more astonishing, as Tagliapietra hit his full stride, he has become a notable figure in the unfolding story of modern sculpture – an artist whose distinctive works are coveted by collectors of contemporary abstract art and whose vision makes us think about art history in new and profound ways. This is the most comprehensive monograph available on his work and features insightful texts by Glenn Adamson and Henry Adams, as well as hundreds of new photographs, which showcase the impressive breadth and depth of Taglipietra’s repertoire.

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From Lewis Miller, the celebrated floral designer and "Flower Bandit" himself, an intimate and joyous behind-the-scenes look at his signature Flower Flashes as they introduced bright moments of natural beauty into the city when they were needed most. Before dawn one morning in October 2016, renowned New York-based floral designer Lewis Miller stealthily arranged hundreds of brightly colored dahlias, carnations, and mums into a psychedelic halo around the John Lennon memorial in Central Park. The spontaneous floral installation was Miller's gift to the city - an effort to spark joy during a difficult time. Nearly five years and more than ninety Flower Flashes later, these elaborate flower bombs - bursts of jubilant blooms in trash cans, over bus canopies, on construction sites and traffic medians - have brought moments of delight and wonder to countless New Yorkers and flower lovers everywhere, and earned Miller a following of dedicated fans and the nickname the "Flower Bandit." After New York City entered lockdown, Miller doubled down, creating Flower Flashes outside hospitals to express gratitude to frontline health workers and throughout the city to raise spirits. This gorgeous and poignant visual diary traces the phenomenon from the first, spontaneous Flower Flash to the even more profound installations of the pandemic through a kaleidoscopic collage of photos documenting the Flower Flashes, behind-the-scenes snapshots, Miller's inspiration material, fan contributions, and more.

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Artist's Guide to World Wildlife continues a rich tradition of animals in art and provides basic information on art materials, fundamental mechanics of drawing, species and locale-specific details, and process instructions so that beginners will feel confident as they learn to produce highly detailed, lifelike drawings of these beautiful animals. In her 9th book, best-selling author J.C. Amberlyn takes readers of all ages who aspire to draw or already love to draw wild animals step by step through the entire process of creating drawings of animals from around the world with her easy-to-use drawing method. Artist's Guide to World Wildlife continues a rich tradition of animals in art and gives readers the basic information on art materials, fundamental mechanics of drawing, species and locale-specific details, and process instructions so that even beginners will feel confident and successful as they learn to produce highly detailed, lifelike drawings of these beautiful animals. There's a huge and amazing variety of wildlife in the world and this book will help readers get to know and draw it. First, there's a section on basic techniques and concepts any artist should know when drawing animals, such as information on anatomy, body types, how to draw fur and feathers, and other useful tips. The book then explores many of the best-known or notable species of wildlife around the world, looking at carnivores, omnivores, and herbivores. Most well-known mammals can be found here, plus some lesser-known ones. There's also a look at some birds and reptiles. Each section focuses on a type of animal, compares similar species, and contains step-by-step drawings and other instruction to heighten the reader's skills in drawing wild animals.

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Piet Oudolf's personal account of his celebrated career in the context of the evolution of his own garden. An intimate look at the personal garden of the Dutch landscape designer renowned for his plantings at the High Line in New York City, and Lurie Garden at Chicago’s Millennium Park. Hummelo - near the village of the same name in Gelderland in the eastern Netherlands - is visited by thousands of gardeners seeking inspiration each year. It is Piet Oudolf’s home, his personal garden laboratory, a former nursery run by his wife Anja, and the place where he first tested new designs and created the new varieties of perennials that are now widely available. A follow-up to Oudolf’s successful Landscapes in Landscapes - Hummelo tells the story of how the garden has evolved over the past three decades since Oudolf, Anja, and their two young sons moved onto the property, with its loamy sand and derelict, wood stove-heated farmhouse, in 1982. Text by noted garden author and longtime personal friend Noel Kingsbury places Hummelo in context within gardening history, from The Netherlands’ counterculture and nascent green movement of the 1960s, to prairie restoration in the American Midwest, and shows how its development has mirrored that of Oudolf’s own outstanding career and unique naturalistic aesthetic. Oudolf has long been at the forefront of the Dutch Wave and New Perennial Style movements in garden design, which have ecological considerations at their base. His work stresses a deep knowledge of plants, eschewing short-lived annuals in favor of perennials that can be appreciated for both structure and blooms in every season. He is credited for leading the way to today’s focus on sustainability in garden design. The book will appeal to readers who favor beautiful, biodiverse, and ever-changing plantings: seed heads, grasses, sedges, and winter silhouettes. They will be drawn into its pages by lush photography, often demonstrating how Oudolf views his own work, and providing rare glimpses into his daily life. Short essays highlight important techniques, including scatter plants and matrix planting, and introduce other famed landscape designers - Karl Foerster, Henk Gerritsen, Rob Leopold, Ernst Pagels, and Mien Ruys - to create a full panorama of the movement Oudolf now leads.

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A must-have reference book for today's artists and art students. Every artist needs to learn and master the still life. Written by a well-known artist and expert instructor, The Art of Still Life offers a comprehensive, contemporary approach to the subject that instructs artists on the foundation basics and advanced techniques they need for successful drawing and painting. In addition to Casey's stunning paintings, the work of over fifty past and present masters is included, so that the book will do double duty as a hardworking how-to manual and a visual treasure trove of some of the finest still life art throughout history and being created today.

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'As pleasurable in an easy chair as on foot.' - Library Journal 'Two ingredients make this title as pleasurable in an easy chair as on foot: the author’s exceptional sense of how to capture the particular personality of a building in words and images and [the] book designer’s skilled composition of typography, color, and image.' - Library Journal Walking Broadway encapsulates the architectural history of Manhattan with fourteen walks that guide readers along New York's most famous street. Walking Broadway offers readers an architectural tour of the entire length of Broadway from Bowling Green to the Harlem River. Through fourteen structured walks the book not only presents the history of New York's most famous avenue, but also explores its architecture in depth, block by block, building by building. This is a book about what can be seen and experienced on Broadway today. Buildings are chosen for discussion first and foremost because they are interesting to look at. In a relaxed and engaging style, the author presents the building's story, explores the reasons why it is there, and explains why it looks the way it does. Along the way, the reader not only has the chance to discover fascinating and unusual buildings, but also gains a comprehensive understanding of the historic, social, economic, and political forces which shaped Broadway's growth and character."

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The most comprehensive account available of Michael Heizer's art by a writer and curator who has critical experience with the artist and his work. Michael Heizer is among the greatest, and often least accessible, American artists. As one of the last living figures who launched the Land Art movement, his legacy of works that are literally and metaphorically monumental has an incalculable influence on the world of sculpture and environmental art. But his seclusion in the remote Nevada desert, as well as his notorious obduracy, have resulted in significant gaps in our critical understanding. Michael Heizer: The Once and Future Monuments spans the breadth of Heizer's career, uniquely combining fieldwork, personal narrative, and biographical research to create the first major assessment in years of this titan of American art. Author William L. Fox, founding director of the Center for Art + Environment at the Nevada Museum of Art, has alternately been a sponsor, advocate, and critic of Heizer's work for decades. Fox's understanding of the artist's history and connection to landscape, his time spent with Heizer at the remote ranch where Heizer is finishing his magnum opus - the mile-long sculpture City - and his access to some of Heizer's key associates give him a unique position from which to discuss the artist's work. Fox has also made numerous site visits to Heizer's work - including early pieces in the Nevada desert now largely lost to the elements - to correct the often inconsistent accounts of their locations. Last, Fox imparts a crucial new understanding of Heizer's work by elaborating on the artist's bond with his father, the famed archaeologist and cultural ecologist Robert Heizer, who enlisted his son on important digs in Mexico and Peru, providing the young man with an appreciation of site, landscape, and geology that would thoroughly inform his work. Michael Heizer: The Once and Future Monuments is a long overdue addition to the critical and biographical literature of this major figure in American art.

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Twenty-one houses in and around Marfa, Texas, provide a glimpse at creative life and design in one of the art world’s most intriguing destinations. When Donald Judd began his Marfa project in the early 1970s, it was regarded as an idiosyncratic quest. Today, Judd is revered for his minimalist art and the stringent standards he applied to everything around him, including interiors, architecture, and furniture. The former water stop has become a mecca for artists, art pilgrims, and design aficionados drawn to the creative enclave, the permanent installations called “among the largest and most beautiful in the world,” and the austerely beautiful high-desert landscape. In keeping with Judd’s site-specific intentions, those who call Marfa home have made a choice to live in concert with their untamed, open surroundings. Marfa Modern features houses that represent unique responses to this setting - the sky, its light and sense of isolation - some that even predate Judd’s arrival. Here, conceptual artist Michael Phelan lives in a former Texaco service station with battery acid stains on the concrete floor and a twenty-foot dining table lining one wall. A chef’s modest house comes with the satisfaction of being handmade down to its side tables and bath, which expands into a private courtyard with an outdoor tub. Another artist uses the many rooms of her house, a former jail, to shift between different mediums - with Judd’s Fort D. A. Russell works always visible from her second-story sun porch. Extraordinary building costs mean that Marfa dwellers embrace a culture of frontier ingenuity and freedom from excess—salvaged metal signs become sliding doors and lengths of pipe become lighting fixtures, industrial warehouses are redesigned after the area’s white-cube galleries to create space for private or personally created art collections, and other materials are suggested by the land itself: walls are made of adobe bricks or rammed earth to form sculptural courtyards, or, in one remarkable instance, a mix of mud and brick plastered with local soils, cactus mucilage, horse manure, and straw.

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A long-awaited second book from the Miami-based landscape architect lauded by the Wall Street Journal for “dreaming up dense, thickly forested canopies that give way to modern high rises and million-dollar residences.” Color and texture burst forth at every turn in gardens by landscape architect Raymond Jungles. Sculptural bromeliads, swaying palms, delicate epiphytes, and vibrant orchids combine to immerse visitors in rich, lush environments that captivate the eye with layer upon layer of interest. Taking cues first from a site’s topography and conditions, Jungles combines tapestries of plants with unique water elements that enhance what nature has offered - swaths of grasses and succulents direct the eye toward unspeakably romantic Caribbean vistas, intriguingly pitted and mossy oolitic limestone monoliths create trickling waterfalls and hidden grottoes, and innovative combinations of native trees surround sinuous and calming infinity pools. The Cultivated Wild shows Jungles expanding to such diverse locales as Big Timber, Montana; Monterrey, Mexico; St. Kitts and Nevis in the West Indies; Abacos, Bahamas; and even the temporary Brazilian Modern Orchid Show for the New York Botanical Garden - as well as responding creatively to sites unique to his adopted hometown: rooftop gardens and pools including the penthouse Sky Garden atop the now-iconic Herzog & de Meuron–designed parking garage at 1111 Lincoln Road, along with its famous pedestrian promenade. Jungles presents 21 gardens here in glorious full color, many accompanied by highly personal hand-drawn plans, general and thumbnail plans, sections, sketches, and design details that reveal the creative process. Packed with inspiration for gardeners in warm zones and those interested in creating subtropical gardens of their own, The Cultivated Wild reveals a firm working at the height of its talents.

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In this, the first monograph of Richard Filipowski, a major figure bridging the Bauhaus and American midcentury modernism finally gets his due. Richard Filipowski (1923-2008) was among the most gifted polymaths in the annals of American modernism. Whether as a painter, sculptor, or designer of furniture and jewelry, Filipowski developed a lush, abstract, and amazingly consistent visual language that marks him among the finest figures of midcentury art and design. As a student at the Institute of Design (formerly the New Bauhaus) in Chicago, he quickly became a protégé of founder László Moholy-Nagy, who featured several of Filipowski's works in his seminal text Vision in Motion (1947); Filipowski was the only student Moholy-Nagy called upon to join the faculty, where he taught alongside Walter Gropius and Marcel Breuer. Recruited by Gropius to develop a course in design fundamentals at Harvard, which remains a cornerstone of design pedagogy to this day, he would move to MIT where he taught for more than three decades, until his retirement in 1988. With a foreword by László Moholy-Nagy's daughter Hattula, Richard Filipowski: Art and Design Beyond the Bauhaus is the first monograph of this master, who over the course of his career created a unique body of work in diverse media that has largely, until recently, been held in private collections due to his relative lack of compulsion to seek media attention or worldly rewards. But now through the efforts of the Filipowski family and new attention by design scholars - several of whom contribute essays here on Filipowski's graphic and painted works, sculpture, furniture, and position in design history - the work is being revealed to a new generation of aficionados. Richard Filipowski is a rich document of a life and career that is poised to reenter the canon of modernism.

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This debut monograph of the visionary landscape architecture firm OJB uncovers the philosophy that guides the practice and reveals the transformative power of landscape through a selection of case studies drawn from the firm's thirty-year history. Founded in 1989 by landscape architect James Burnett, OJB - the Office of James Burnett - has since grown to nearly one hundred professionals working across five offices and has established itself as a leader in the field for its ambitious approach to community-building through landscape. At its core, the firm believes that landscape is a social and collective tool for integration, reclamation, and healing. This principle guides all of the firm's projects across sectors, from its designs promoting restorative healthcare, such as campuses for hospitals and wellness centers, to large-scale urban landscapes conceived to reconnect and revitalize communities, such as the acclaimed Myriad Botanical Gardens and the other initiatives completed as part of Oklahoma City's Project 180 public works program. This book highlights OJB's remarkable and meaningful work - and the philosophy that drives it - through projects of varied typologies arranged in a rhythm progressing from single works to longer multi-project narratives in which landscapes connect and build on each other over several years to create thoughtfully realized and impactful environments.

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A compelling survey of Texas houses that draw both on the heritage of pioneer ranches and on the twentieth-century design principles of modernism. Helen Thompson and Casey Dunn, the writer/photographer team that produced the exceptionally successful Marfa Modern, join forces again to investigate Texas modernism. The juxtaposition of the sleek European forms with a gritty Texas spirit generated a unique brand of modernism that is very basic to the culture of the state today. Its roots are in the early Texas pioneer houses, whose long, low profiles express an efficiency that is basic to the modern idiom. This Texas-centric style is focused on the relationship of the house to the site, the materials it is made of - most often local stone and wood - and the way the building functions in the harsh Texas climate. Dallas architect David R. Williams was the first to combine modernism with Texas regionalism in the 1930s, and his legacy was sustained by his protégé O'Neil Ford, who practiced in San Antonio from the late 1930s until his death in the mid 1970s. Their approach is seen today in the work of Lake/Flato Architects and a new generation of designers who have emerged from that distinguished firm and continue to elegantly merge modernism with the vocabulary of the Texas ranching heritage. Twenty houses are included from across the state, with examples in major urban centers like Dallas and Austin and in suburban and rural areas, including a number in the evocative Hill Country.

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Celebrating Yale''s first new residential colleges in fifty years, The New Residential Colleges at Yale examines the role of the residential college system and the evolution of Yale''s urban campus, presenting an important new chapter in the history of Yale and New HavenThe residential college system at Yale, modeled after the academic communities at Oxford and Cambridge, is a cornerstone of Yale undergraduate life, breaking down the larger university into smaller, more closely-knit communities. Eight of the original ten residential colleges at Yale were designed by James Gamble Rogers in the 1930s, establishing Collegiate Gothic as the style with which Yale is most closely identified today.For the two new colleges, Robert A.M. Stern Architects was charged with designing buildings that fit into the residential college system, and in so doing say Yale, while bringing twenty-first-century standards of communal living and environmental responsibility to c

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An Authoritative, Comprehensive Guide for Contemporary Figurative Artists At a time when renewed interest in figurative art is surging throughout the art world, author Robert Zeller presents The Figurative Artist’s Handbook - the first comprehensive guide to figure drawing and painting to appear in decades. Illustrated with Zeller’s own exquisite drawings and paintings as well as works by nearly 100 historical and contemporary figurative art masters, the handbook is also a treasure trove of the finest figurative art of the past and the present day. Included are Michelangelo, Pieter Brueghel the Elder, Peter Paul Rubens, Jean-Auguste-Dominique Ingres, Gustav Klimt, Edward Hopper, Andrew Loomis, Andrew Wyeth, Lucian Freud, Odd Nerdrum, Eric Fischl, Bo Bartlett, Steven Assael, John Currin, and many others. Original and thoroughly modern in his approach, Zeller brings together three figure-drawing methods long thought to be at odds, synthesizing these seemingly incompatible techniques to achieve a cohesive and complete understanding of the human figure. Although all three methods underlie contemporary fine-arts practice and education, no artist’s handbook has ever combined them before. - The Study of Gesture (Disegno): Rooted in the Italian Mannerist style of the 16th and 17th centuries, the gestural method emphasizes life, rhythm, and movement in the human body. - The Structural Approach: A mainstay of 20th- and 21st-century art instruction, this method applies an architectural perspective to the body, using a block conception for anatomically sound, solid figures. - The Atelier Method: Based on the training provided by 18th- and 19th-century art academies, the atelier approach creates sensual, smooth renderings based on meticulous study of the figure’s surface morphology in light and shadow. Covering all the basics as well as many advanced techniques, The Figurative Artist’s Handbook is aimed at both students and experienced artists. A practical, how-to guide, it provides in-depth step-by-step instruction and - rare among figure-drawing books - features sections on composition, portraiture, and painting. Chapters on creativity and on using a sketchbook help readers hone their artistic vision and evolve ideas from the initial inspiration to the fully developed work. Also included is an extensive section highlighting the great movements in figurative art throughout history - from ancient Egypt and Greece to the present.

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The first monograph of one of today’s most influential interior designers, with dazzling residences designed for Sean Combs, Lenny Kravitz, and Mexican novelist Laura Esquivel. Suspending Reality draws on over sixty of Benjamin Noriega-Ortiz’s projects, designed over his firm’s twenty-year history, to provide both a long-awaited peek into the creative mind of a celebrity designer, and a generous dose of advice for those inspired to decorate show-stopping rooms of their own. Lively chapters cover everything from how to evaluate an empty room or use a client’s Pinterest page to generate a storyboard, to how to create a sense of procession in an entryway or hall, and specific tips for lighting with a mix of incandescent, LED, and even florescent lights. This comprehensive book includes projects from Noriega-Ortiz’s own famed all-white Manhattan apartment - in a stunning chapter on all-white rooms - to luxury spaces in the Dakota, Mark Seliger’s former factory loft on New York’s West Side Highway, a Paris piéd-a-terre, a modern house in Venice, California, Lenny Kravitz’s Mediterranean-style mansion, and a beach house in Quogue whose kitchen cabinets are studded with Swarovski crystals. Learn the stories behind iconic designs for the Mondrian hotels around the country, inspired by Jean Cocteau and the Garden of Eden, find transformative tricks for mirrors, or simply daydream about the luminous glass and metal roof over the Like Water for Chocolate author’s study and writing room. Noriega-Ortiz explains how he captures the unusual sense of openness, light, and positivity in his projects - whether with works by Cindy Sherman and Louise Bourgeois, or furniture from West Elm - through his use of color, materials, and spatial sleight of hand. An ethereal curtain creates unexpected mystery, a bold splash of color invigorates the senses, and a seat upholstered in a tactile material like Mongolian lamb beckons to be touched. Each space is tempered by a whimsical element meant to pull us out of everyday life and to inject a moment of fantasy and delight, to defy expectations and create the kind of comfort that suspends reality.

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The Winterthur Museum’s richly illustrated history of British and American fabrics made or used from 1700–1850 is a visual reference for designers and a definitive contribution to textile studies. From slipcovers that belonged to George Washington, to bedhangings described by Harriet Beecher Stowe, Delaware’s Winterthur Museum holds some of the finest cotton and linen textiles made or used in America and Britain between 1700 and 1850. One of the fastest growing and potentially most lucrative trades in the eighteenth and early nineteenth centuries, on the forefront of developments in science and engineering, chemistry and technology, the textile industry is a fascinating lens into international trade relations and cultural exchange over nearly two centuries. Printed Textiles is a major update to the classic text published by Winterthur in 1970 - a sourcebook compiled by celebrated curator Florence Montgomery that detailed all aspects of the fabrics’ lifespan, from their design and method of manufacture to their use and exchange value. Linda Eaton, Director of Collections and Senior Curator of Textiles, updates the classic with a particular focus on furnishing fabrics - referred to as “furnitures.” Building on research that has come to light since 1970 and benefiting from the technical and scientific expertise of the conservators and scientists at Winterthur, Eaton presents a thorough and sweeping study enriched by the diverse approaches to material culture today. With hundreds of beautifully photographed samples - engagingly contextualized with iconic figures in American history including Betsy Ross and Benjamin Franklin - this significant addition to textile scholarship allows for a full appreciation of these fascinating fabrics. Printed Textiles is destined to become an essential reference for interior designers, fashion and textile design students, conservators, collectors, and anyone with an interest in the textile industry.

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A survey of houses designed by Steven Ehrlich, an award-winning architect whose work combines modernist forms with concepts and details drawn from North and West AfricaResidential design forms the core of Steven Ehrlich''s award-winning architectural practice. Sixteen houses are presented here, designs characterized by the fusion of powerful modernist forms with the cultural, climatic, and contextual particulars of place.Ehrlich spent six years living, teaching, traveling, and studying indigenous vernacular architecture in North and West Africa. During that time he was immersed in the visceral power and raw beauty of Architecture Without Architects and dazzled by settings like the luminous Zaria Mosque in Nigeria, the textured hill towns of Tunisia, the maze-like souks of Fez, the protected and intimate courtyard houses of Marrakesh, the gravity-defying raised forts of Ghana, and the interconnected desert cities of Algeria.At the same time Ehrli

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A compilation of the most inspiring interiors featured in the pages ofFREDERICmagazineSince its launch in 2021,Fredericmagazine has become one of the design world's most lauded publications, showcasing the work of legendary decorators and up-and-coming talents alike. In this volume, readers are invited to step inside a curated collection of the most memorable homes covered in its pages.FREDERIC: The Last Word in Chicvisits the personal residences of Veere Grenney, Neisha Crosland, Anne-Marie Midy, and other notable figures, with never-before-seen images shot by the world's leading interiors photographers. Projects from around the world by top decorators including Redd Kaihoi and Betsy Brown, architects Jeffrey Dungan and Joel Barkley, and industry insiders Elizabeth Mayhew and Dara Caponigro, to name a few, celebrate the joy of the unexpected, transcend rules and trends, and embrace personality and creativity.From lovi

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The first comprehensive monograph on this leading American contemporary figurative painterSpinneret draws inspiration from the eponymous silk-producing organ that spiders use to weave their webs. Anthony Cudahy's figurative paintings tenderly piece together enigmatic scenes of specific objects and equivocal environments from interwoven references drawn from queer archives, art history, film, poetry, friends, and autobiography.Plate sections feature brief written reflections on Cudahy's themes, style, and motifs from fellow artists and writers Ian Lewandowski, Paul Legault, Anna Glantz, Philemona Williamson, Lily Wong, Justin Liam O'Brien, Billy Sullivan, John Belknap, and Elizabeth Glaessner.Spinneret spans the last half-decade of Cudahy's career to date, including brand new work, and unpacks his richly layered artistic practice. Organized by five artistic themes slippages, allegories, fragments, figures, spaces it captures t

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A unique survey of 350 artworks by a global and diverse array of LGBTQ+ artists many underrecognized and overlooked from the last 50 yearsThough the Stonewall Riots might now be shorthand for the start of the gay rights movement, so much of art and culture has been queer' since the beginning of time. In About Face, art historian and curator Jonathan D. Katz explores this concept head-on, curating a tapestry of works that connect historical threads and reveal how gender and sexual identity have been interwoven by artists contemporaneous to and since Stonewall. With more than 350 artworks by over 40 LGBTQ+ artists across nationalities and generations, and original texts by artists and scholars, About Face is as stunning as it is important.

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Named to the 2022 Architectural Digest AD100 list Named to the 2022 Elle Decor A-List Over the past forty years, Thomas Kligerman has been immersed in the history of residential architecture, weaving together sources from English and European traditions with the American vernacular, particularly the puebloan style of the Southwest and the shingle style that has prevailed along the East Coast since the late nineteenth century. A staple on the AD100 list, Kligerman has woven together these strands of domestic architecture to create his own American aesthetic. Shingle and Stone: Thomas Kligerman Houses is a full-career monograph that features a selection of inspiring residences that highlight the evolution of his architectural thinking. Shingle and Stone presents thirteen major highlights from Kligerman’s portfolio, including three projects currently in design. The featured projects are all set in extraordinarily beautiful natural landscapes, from the coasts of Martha’s Vineyard and the Hamptons, to the forests of South Carolina’s Blue Ridge Mountains and the Pacific Northwest, showcasing the depth and breadth of the architect’s oeuvre. Illustrated with more than 200 spectacular photographs of interiors and exteriors alongside plans, renderings, and sketches that reveal the design process, this new book will immerse readers in the powerfully nuanced language of Kligerman’s architectural vision. In the architect’s own words, exceptional architecture combines existing styles in order to “move the needle forward,” and this new monograph presents luxurious single-family homes that do exactly that. Written in collaboration with the celebrated design editor Mitchell Owens, Shingle and Stone is an inspirational architectural collection that presents the contemporary traditional design for which Kligerman is known. Beautifully packaged with a vellum jacket over a linen case silkscreened with one of Kligerman’s own hand-drawn sketches, this is the ideal book for both architects and design enthusiasts, and is sure to sit beautifully on any bookshelf, desk, or coffee table.

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A visual celebration of New York’s Legendary summer retreat as the vanguard of residential design today There are few places in the United States that have experienced as many waves of American modernism as Long Island’s East End, long known as a haven for the wealthy and glamorous. In Hamptons Modern, author David Sokol explores the latest architectural experiments taking place in New York’s legendary summer retreat. With contemporary design increasingly favored in the region, the eighteen residences featured here reflect modernism’s spread across both forks (and as far west as Bellport, which has become a cultural gateway to the Hamptons). Yet perhaps more important, these houses represent a shift away from the image of conspicuously sprawling properties for the elite; these projects return to modernism’s founding principles, shun Instagrammable spectacle, and steward the East End’s increasingly fragile landscape. These houses interface with the seaside landscape in ways that reference the Hamptons’ rich design history and sensitively highlight Long Island’s famed natural beauty. Some are renovations and additions to houses by famed twentieth-century modernists like Andrew Geller, Charles Gwathmey, and Norman Jaffe, and leading offices such as Bates Masi + Architects, Young Projects, Leroy Street Studio, and Ryall Sheridan Architects represent the contemporary approach to twenty-first century regionalism. Hamptons Modern presents these and numerous other examples of designforward residences that are responsive to terrain, building vernacular, and cultural legacy.

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From acclaimed Southern designer Janie Molster comes this lively collection of vibrant interiors and insightful advice for colorful living. How do you make a home that fits to a T? That's tailored to your lifestyle, perfectly expresses your personality, is as comfortable as a second skin, and lets you live life to the fullest? Over more than two decades, Janie Molster has become known for creating family homes that are as bold and sophisticated as they are inviting and practical. In House Dressing, Janie reveals the secrets behind her unique ability to craft dreamy interiors and shares down-to-earth advice for creating your own beautiful and personal spaces. Showcasing a range of projects, Janie invites readers into country cottages, a riverside retreat, and her own urban farmhouse - Janie's personal design lab - exploring different styles, from glamorous and soulful to contemporary and eclectic. Janie tells the story and describes her thinking behind the design of each one: her recipe for the perfect mix of antique and new, easy but impactful paint treatments you can try, and - based on her own experience - how to create a fabulous home for a family of seven. Through House Dressing, Janie gives a master class in working with color, pattern, and texture to make spaces that are in turn bold, serene, glamorous, and comfortable, but always personal.

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Breuer's Bohemia explores a vibrant period of midcentury modern design and culture as seen through the influential New England houses designed by Marcel Breuer for his circle of clients and friends. The iconic twentieth-century architect Marcel Breuer was a prolific designer of residential architecture, which is often overshadowed by his early renown as a Bauhaus furniture maker and his large-scale projects. Breuer’s Bohemia surveys the houses he designed in Connecticut and Massachusetts from the 1950s through the ’70s, many of which were commissioned by a few culturally progressive clients - chiefly Rufus and Leslie Stillman and Andrew and Jamie Gagarin - who coalesced around him into a dynamic social circle. Included in this scene were prominent cultural figures such as Alexander Calder, Arthur Miller, Francine du Plessix Gray, Philip Roth, and William Styron, and more, marking a unique intersection of postwar architecture, art, and letters. The publication of Breuer’s Bohemia coincides with the feature-length documentary of the same name by author and filmmaker James Crump, exploring Breuer’s explosive residential practice on the East Coast. Through original research and interviews, the voices of principal characters from Breuer’s circle and notable figures from the field of architecture help tell the story of Breuer’s collaborations with his friends and clients, breathing new life into the history of the rich cultural atmosphere of which they all played a vital part. Heavily illustrated with vintage and contemporary photographs as well as rarely seen archival materials, Breuer’s Bohemia is a unique glimpse of a twentieth-century milieu that produced an aesthetic, intellectual, and sometimes sybaritic community during a fertile period of American design and culture.

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First monograph to present the work of Laguardia Design Group, a highly regarded landscape architecture firm specializing in contemporary residential design in the Hamptons. With offices in Water Mill, LaGuardia Design Group is immersed in the fragile landscape of the Hamptons, both its woods and meadows and the dramatic shoreline along the Atlantic. Notable projects include the rebuilding of the dunescape surrounding a landmark Norman Jaffe house damaged by storms, collaborations with well-known contemporary architects, and the setting for a distinguished collection of contemporary sculpture in Bridgehampton. Founded in 1994 by Christopher LaGuardia, this firm is committed to expressing the character of each site and recognized for its environmental stewardship, historic references, and meticulously designed outdoor spaces. Rather than attempting to mimic nature, LDG's goal with every design is to interpret natural processes as an artistic expression in their work. In 2013, LDG received the American Society of Landscape Architects (ASLA) award of excellence in residential design, the highest residential award in the profession.

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First survey of modernist and contemporary architecture and interiors in the richly layered architectural history of Santa Fe Santa Fe Modern reveals the high desert landscape as an ideal setting for bold, abstracted forms of modernist houses. Wide swaths of glass, deep-set portals, long porches, and courtyards allow vistas, color, and light to become integral parts of the very being of a house, emboldening a way to experience a personal connection to the desert landscape. The architects featured draw from the New Mexican architectural heritage - they use ancient materials such as adobe in combination with steel and glass, and they apply this language to the proportions and demands exacted by today's world. The houses they have designed are confident examples of architecture that is particular to the New Mexico landscape and climate, and yet simultaneously evoke the rigorous expressions of modernism. The vigor and the allure of modern art and architecture hearten each other in a way that is visible and exciting, and this book demonstrates the synergistic relationship between art, architecture, and the land.

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Fusion: The Performance of Architecture explores the work of award-winning, Boston-based architecture firm Payette, a leader in the design of complex settings for science and healthcare. Payette’s work embodies the integration of design and performance that is essential to the creation of humane and sustainable buildings of any type. To achieve this integration amidst the programmatic intricacy, technological complexity, and intense energy use of hospitals and laboratories, the firm draws on its almost ninety-year history of progressive innovation. It draws, as well, on an inclusive, collaborative, research-oriented culture that is a model for the profession. Fusion presents Payette’s philosophy and traces the firm’s contributions through concise histories of laboratory and hospital design. It explores the core principles that underlie its work - Identity and Transformation, Materiality and Craft, Taming Complexity and Measuring Performance - and digs deeply into seven of the firm’s most recent projects. Other chapters describe the process of nurturing the design excellence and practice culture that earned Payette the 2019 AIA Architecture Firm Award. The monograph’s 400 diagrams, drawings, and photographs reveal the firm’s principles and methods, along with the open-source tools it has developed to enable it to design, not “by the numbers,” but with the numbers. A gallery of architectural “fingerprints” presents plan views of more than 100 of Payette’s projects, drawn to a common scale. With a preface by Z Smith, Director of Sustainability and Building Performance at EskewDumezRipple, and an introduction from Kevin Sullivan, President of Payette, Fusion includes essays by Sullivan and partners James Collins, George Marsh, Leon Drachman, Andrea Love and Peter Vieira, as well as a critical reflection by Mark Lee, Chair of the Department of Architecture at the Harvard Graduate School of Design.

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Stephen Talasnik's intricate and mesmerizing work bridges the disciplines of art and architecture in this debut monograph. A polymath whose work encompasses sculpture, drawing, and architectural land art, Stephen Talasnik manifests an elaborate and evocative aesthetic vision. Inspired by visionary artists and architects such as Leonardo da Vinci, Giovanni Piranesi, Gustav Eiffel, Antoni Gaudí, and Buckminster Fuller, Talasnik presents a fantastical world that looks as archaeological as it does futuristic. Unearthed presents a broad spectrum of Talasnik's work spanning the last decade, starting with floating sculptures commissioned by the Denver Botanic Garden, continuing on through projects at Storm King Art Center and Russel Wright Design Center, and culminating with a 30-foot-high timber sculpture at the new, highly lauded Tippet Rise Art Center in Montana. The publication of Unearthed coincides with the first exhibition at Tippet Rise devoted to a single artist. Numerous examples of Talasnik's drawings are also included, as well as smaller-scale indoor and outdoor sculptures in diverse materials. Several key contributors help interpret diverse angles of Talasnik's practice, including renowned art critic Phyllis Tuchman, architect and critic Michael Sorkin, theorist David Wittenberg, and the late architect Lebbeus Woods, a close friend to Talasnik. Through these essays and hundreds of reproductions of Talasnik's spellbinding work, Unearthed presents the extraordinary visions of an artist on the cusp of broad recognition.

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An overview of the turbulent 1960s and 1970s through the lens of fashion, a period when demure silhouettes and pastels exploded into bold prints and tie-dyed psychedelic chaos and ultimately resolved into a personal style dubbed by Vogue the "New Nonchalance." Mod New York traces the fashion arc of the 1960s and 1970s, a tumultuous and innovative era that continues to inspire how we dress today. During this period, demure silhouettes and pastels favored by First Lady Jacqueline Kennedy exploded into bold prints and tie-dyed psychedelic chaos and ultimately resolved into a personal style dubbed by Vogue the “New Nonchalance.” Accompanying a major exhibition at the Museum of the City of New York, this book is beautifully illustrated by two hundred groundbreaking and historically significant designs by Halston, Geoffrey Beene, Rudi Gernreich, Yves Saint Laurent, Andre Courreges, Norman Norell, and Bill Blass, among many others, all drawn from the renowned costume collection at MCNY. By the mid-1960s, clothing assumed communicative powers, reflecting the momentous societal changes of the day: the emergence of a counterculture, the women’s liberation movement, the rise of African-American consciousness, and the radicalism arising from the protests of the Vietnam War. New York City, as the nation’s fashion and creative capital, became the critical flashpoint for these debates. Authoritative essays by well-known fashion historians Phyllis Magidson, Hazel Clark, Sarah Gordon, and Caroline Rennolds Milbank explore the ways in which these radical movements were expressed in fashion. Of special note is Kwame S. Brathwaite’s presentation of the Grandassa Models and “Black is Beautiful” movement, which is illustrated with photographs by his father, Kwame Brathwaite.

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New York Rising is an illustrated history of real estate development in Manhattan, a story of speculation and innovation - of the big ideas, big personalities, and big risks that collectively shaped a city like no other. From the first European settlement in the seventeenth century through the skyscrapers and large-scale urban planning schemes of the late twentieth century, this book presents a broad historical survey, illustrated with images drawn largely from the rich archival resources of the Durst Collection at Avery Architectural & Fine Arts Library, Columbia University. The patriarch of one of New York City's most prominent real estate families, Seymour B. Durst, was a bibliophile and an avid collector of New York memorabilia. His archival holdings - once known as the Old York Library and now the Durst Collection - reflect his fascination with the city's street grid, mass transit, port, parks and open spaces, as well as its monumental buildings and signature skyline. Ten leading scholars - the late Hilary Ballon, Ann Buttenwieser, Andrew Dolkart, David King, Reinhold Martin, Richard Plunz, Lynne B. Sagalyn, Hilary Sample, Russell Shorto, and Carol Willis - delved into the collection to select objects that reflect their own areas of interest and expertise. Using these materials, they have created visual narratives on specific topics, focusing on the Dutch and English governance of Manhattan, the growth of the city according to the Commissioners' Plan of 1811, the emergence of the public transit system, the "race for height," the rise of multi-family and affordable housing, the transformation of Midtown into a commercial center, urban renewal in the Moses era, the revival of Times Square, and the reclaiming of the waterfront as public space. Essays by Kate Ascher and Thomas Mellins provide a framework for exploring these topics. New York Rising is published in association with The Graduate School of Architecture, Planning and Preservation and Avery Architectural & Fine Arts Library, Columbia University.

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From simple 18th- and early 19th-century gardens to the lavish estates of the Gilded Age, the gardens started by 1930s inmates at Alcatraz in San Francisco Bay to the centuries-old camellias at Middleton Place near Charleston, South Carolina - Rescuing Eden celebrates the history of garden design in the United States, with 28 examples that have been saved by ardent conservationists and generous private owners, and opened to the public. The United States has a rich tradition of landscape design, with gardens on a scale that rivaled the great gardens of Europe, but in the absence of specific institutions dedicated to their preservation, many of these “ephemeral collaborations between man and nature” were lost - during the wars, economic depressions, and social upheavals that swept the country in the mid-20th-century, or to creeping development and urban sprawl. The surviving gardens presented here were selected for the drama of their original creation and rescue and for their historical and horticultural importance. Ranging from wonderful to woebegone, each has its own character, and each has been brought back from the brink through a combination of imagination and tenacity. Discover The Kampong in Miami, Florida, planted with hundreds of tropical rarities from Southeast Asia by legendary plant explorer Dr. David Fairchild; Barnsley Gardens in Georgia, one of the few antebellum gardens surviving in the South, planted with 200 varieties of roses; the Lynchburg, Virginia garden created by Harlem Renaissance poet and civil rights activist Anne Spencer; the eccentric Ladew Topiary Gardens, with 15 garden rooms and a topiary foxhunt; the Belle Epoque grandeur of the Untermyer Garden in Yonkers, New York; and many others across the country, in Kentucky, Texas, Michigan, Maine, Rhode Island, and California. Each garden has been specially photographed by noted landscape and garden photographer Curtice Taylor, and introduced with authoritative and engaging text from design historian Caroline Seebohm, encouraging readers to appreciate the landscapes that serve not only as windows on American history, but living, flourishing pleasure grounds for botanists, horticulturalists, and nature lovers throughout the United States.

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The first monograph of the California firm whose regional sensibility and early attention to sustainable design anticipated the prevalent trends in residential architecture today. A generous look at the San Francisco Bay Area architects’ pioneering approach to sustainable houses, ranging from the vineyard regions of California to Telluride, Colorado; the rugged ranch lands of Montana and the picturesque hamlets of the Hudson Valley and Martha’s Vineyard. Since its formation in 1981, Fernau + Hartman has become renowned for its imaginative expansion of the possibilities of site- and region-specific architecture. Leaders in these concepts, as well as in sustainable design long before its currency today, Fernau + Hartman’s houses maximize the connection between the natural and built environments, intensify the experience of place, and invite an open, playful, and inventive approach to life. A Newport Beach weekend house has flexible sleeping quarters and almost everything else (spaces for cooking, eating, showering, and bathing) is outdoors; a house made of alternating indoor and outdoor rooms climbs up a Sonoma County hillside; and an island house inspired by the fishing village of Menemsha is composed as three independent gabled “sheds” docked at a central screened porch featuring a fireplace and dining table. With essays by Beth Dunlop, Laura Hartman, Thomas Fisher, and Daniel P. Gregory, Improvisations on the Land creates a multifaceted portrait of the firm’s history, philosophy, and practice - revealing as much about their process as the finished houses themselves. Models, axonometric drawings, floor and site plans, elevations, and photographs of vernacular structures - from a collapsed barn in Montana, to Colorado mining compounds and a louvered colonnade in the Sacramento River Delta - contribute to a full appreciation of Fernau + Hartman’s work, how its sense of spontaneity and joy provides the antidote to so much of the self-conscious architecture that surrounds us, and results in houses that push the possibilities of residential design today.

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Architectural Digest Top 100 interior designer Penny Drue Baird’s rooms are universally admired for their seamless weaving of past and present. From luxurious Manhattan apartments and a jewel-toned Parisian pied-à-terre, to family homes in Connecticut and New Jersey, and a whimsical Bucks County barn, Baird’s work is the result of deep client relationships that have lasted for decades. A Tudor-style house is redesigned to feel fresher as its owners’ tastes mature, an airy Beverly Hills villa follows a young bachelor’s first apartment in The San Remo, and sumptuous fabrics and textures provide a modern backdrop for the vintage collections of “the chicest person Baird knows.” Baird incorporates bold architectural gestures - tufted niches, gold-leaf and turquoise coffered ceilings, classical moldings and other made-from-scratch details - with fabrics from taffeta to practical corduroy, and unexpected finishes like mother of pearl and strié painted walls, trompe l’oeil limestone, classic bead board, or end-grain wood wallpaper. In his warmly written foreword, Mario Buatta lauds her skill and taste in sourcing unique pieces for each room. Art Deco cabinets, Sputnik chandeliers, and gracious European antiques discovered in France, England, and Italy are received with the same delight as salvaged barn siding and old crates. Au courant but never trendy, with elements both classical and contemporary, each dreamhouse is infused with Penny Drue Baird’s irresistible sense of romance, charm, and joie de vivre.

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New New York celebrates the newest landmarks of New York - Time Warner Center, Hearst Tower, Brooklyn Bridge Park, The High Line, and more - placing them in the context of the famous and beloved highlights of the city - Rockefeller Center, Brooklyn Bridge, Central Park, Lincoln Center, Metropolitan Museum of Art, Times Square. Award-winning photographer Jake Rajs captures these sites with remarkable color, clarity, and spirit, proclaiming the innovation of the newest of New York and this nostalgia of the old. An essay by architecture critic Philip Nobel offers a lively commentary to set the scene for Rajs’s compelling visual presentation. This wide-ranging portfolio is a vibrant portrait of the energy and creativity that make New York a true world capital.

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Contemporary Art Underground invites us to see extraordinary beauty in the mundane.' New York Times Book ReviewA celebration of more than 100 major public art commissions throughout the New York transit system Contemporary Art Underground presents more than 100 permanent projects completed between 2015 and 2023 by MTA Arts & Design. This ground-breaking program of site-specific projects by a broad spectrum of well-known and emerging contemporary artists has helped to create a sense of character and place at subway and commuter rail stations throughout the MTA system. Among the featured artists are Yayoi Kusama, Kiki Smith, Nick Cave, Ann Hamilton, Xenobia Bailey, Jim Hodges, Alex Katz, Sarah Sze, and Vik Muniz.Of special interest is the discussion of fabricating and transposing the artist's rendering or model into mosaic, glass, or metal, the materials that can survive in the transit environment. This is the definitive survey

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S,M,L,XL presents a selection of the remarkable visionary design work produced by the Dutch firm Office for Metropolitan Architecture (O.M.A.) and its acclaimed founder, Rem Koolhaas, in its first twenty years, along with a variety of insightful, often poetic writings. The inventive collaboration between Koolhaas and designer Bruce Mau is a graphic overture that weaves together architectural projects, photos and sketches, diary excerpts, personal travelogues, fairy tales, and fables, as well as critical essays on contemporary architecture and society.The book's title is also its framework: projects and essays are arranged according to scale. While Small and Medium address issues ranging from the domestic to the public, Large focuses on what Koolhaas calls "the architecture of Bigness." Extra-Large features projects at the urban scale, along with the important essay "What Ever Happened to Urbanism?" and other studies of the contemporary city. Running throughout the book is a "dictionary" of an adventurous new Koolhaasian language -- definitions, commentaries, and quotes from hundreds of literary, cultural, artistic, and architectural sources.

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The astonishing culmination of the artist-author's decade-plus project to capture beauty, commemorate place, and see the world more fullyEvery day (every single day) for over a decade, Mary Jo Hoffman has made a photograph of found nature no subject too small or too ordinary. For Hoffman, a former aeronautical engineer, this daily ritual cracked open profound revelations about the connectedness of all things, the importance of place, and her own life. This book shares a selection of the breathtaking photographs from Hoffman's enormous archive, accompanied by perceptive, deeply felt, and oftentimes humorous essays illuminating the insights gained through this daily creative practice. STILL features 275 of the most stunning photographs the author-artist has accumulated over thousands of consecutive days of daily shooting a true feast for the senses.

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More than 250 rooms by iconic designers—the definitive illustrated handbook on timeless, traditional decorating for modern living Chintz, wicker, ruffles, and skirts: Old-school decorating details are making a comeback in a fresh, new way thanks to a crop of designers putting their own unique spin on the classics. Join Schumacher, the legendary design company, for a tour of spaces that meld an appreciation for the past with an eye to the future. Incorporating many of Schumacher’s iconic textiles and wallcoverings, luminary interior designers illustrate how to breathe new life into traditional design to create chic, modern, swoon-worthy rooms to inspire and emulate. From cozy canopied beds to cheeky needlepoint pillows, it’s granny-chic for the next generation. Charm School features rooms by contemporary icons of interior design, including Miles Redd, Celerie Kemble, and Mark D. Sikes, as well as storied decorators like Mario Buatta, Sister Parish, and Billy Baldwin. Chapters comprise visually exuberant explorations of topics such as chintz & florals, wicker & rattan, bed hangings, skirts, decorative painting, treillage, collecting, table settings, and more.

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'Beautifully presented and accompanied by abundant photographs and plan diagrams, the entry masterfully explores Berke’s modernist inclinations, her minimalist style, and her firm’s savvy handling of spaces and materials. Architectural students and practitioners will find much to appreciate.' - Publishers Weekly TenBerke publishes Transform with Monacelli, an argument for the regenerative reuse of old buildings. Adaptive Reuse is how architecture helps us grow into a changing world. It combines the best of old and new—through renovation, restoration, regeneration, reimagination, and repair. A practice of sensitive stewardship and creative conservation, it is what turns the obsolete into the germane. With TenBerke’s most recent publication with Monacelli, Transform: Promising Places, Second Chances, and the Architecture of Transformational Change, the studio shows that creatively and visibly repurposed places are also where people feel especially empowered to make new beginnings in their own lives. Transform illustrates how TenBerke, in all its transformative designs, reveals the signs and signatures of adaptation, composes a continuity in which the after doesn’t erase the before, and designs places where people are able to leave new traces—and make their mark. The adaptive reuse in Transform goes beyond the usual before and after of renovation and conversion, into the long and lively places of buildings, which are always being remade by the people who use them. Transform includes Against Historic Preservation, an argument for the creative reuse of old buildings by Deborah Berke, founder of TenBerke and dean of the Yale School of Architecture; along with Promise, a critical narrative essay by award-winning design writer Thomas de Monchaux. It also includes The Environmental Case for Adapting Buildings at Scale, a report by urban scientist Karen C. Seto who looks to building reuse as a means to manage the untenable rate of urbanization of our natural environments. Transform includes, in the words of artist Titus Kaphar, “Time Is That Collaborator. . .” a conversation between himself and Berke inspired by TenBerke’s design for NXTHVN, a community arts center that he founded in New Haven Connecticut, bringing former industrial buildings to new life. With editorial and creative direction from TenBerke Senior Principal Arthi Krishnamoorthy, Transform presents accessible and actionable case studies of adaptive reuse projects, revealing the thinking that guides each one: from NXTHVN, where an arts incubator and community center was born out of disused factories; to the Yale School of Art, where an old swimming pool became a gallery and classroom; to the pioneering 122 Community Arts Center in downtown Manhattan, where an old public school became a new performance space and civic crossroads, to the 21c hotel in Oklahoma City, where one of the Ford Motor Company’s first assembly plants became a hotel and event space, catalyzing the revitalization of a new livable neighborhood. In Transform, we see that the architecture of adaptation offers a new approach to old places that is at once sensitive and bold, at once conscious of histories and legacies, yet optimistically forward-looking to new possibilities. This is the architecture of second chances, of promising places, and of transformational change.

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The first monograph of highly sought-after interior designer Shawn Henderson, who is renowned for his serene and sophisticated interiors. Collecting fourteen stunning projects by acclaimed interior designer Shawn Henderson, this monograph illustrates how the designer crafts spaces that reflect the lifestyles of his clients, while embodying the serenity and sophistication that have become Henderson's signature. Presenting his designs for city townhouses and lofts, historic farmhouses and country estates, and modern mountain and beach retreats - including his own West Village apartment and upstate New York country home - Henderson shares the warm, intimate, and harmonious interiors he creates through layered compositions of sculptural lighting and furniture - both custom and vintage - elegant finishes and textures, and exceptional art, all against a refined palette of clean neutrals and moody grays, with clever pops of color.

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An inspiring compendium of idiosyncratic interiors assembled around eclectic collections of objects with life and history The once rarefied world of antiques is bursting open thanks to a new generation of collectors. The New Antiquarians features twenty-two young connoisseurs whose spirited interiors exemplify unorthodox approaches to living with history. Hailing from across the United States and Britain, they brazenly blend the old with the new, embrace anachronism and pastiche, employ serious knowledge with humor and wit, and consider vintage and historical objects through the lens of contemporary values. The New Antiquarians is an exuberant entry point into the world of antiques, highlighting one-of-a-kind collections and the single-minded collectors whose stories suggest compelling new ways of living with the past. Collectors whose homes are featured include: Jared Austin; Emily Adams Bode Aujla and Aaron Singh Aujla; Pablo Bronstein; Collier Calandruccio; Adam Charlap Hyman; Emily Eerdmans; Jared Frank; Andrew LaMar Hopkins; Kyle Marshall; Sean McNanney and Sinan Tuncay; Avril Nolan and Quy Nguyen; Camille Okhio; Jeremy K. Simien; Abel Sloane and Ruby Woodhouse; Samuel Snider; Alex Tieghi-Walker; and Giancarlo Valle and Jane Keltner de Valle.

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Monograph on Raymond Jungles, a contemporary landscape architect based in Miami known for innovative but timeless design and a commitment to ethical stewardship of the land. For almost 40 years, Raymond Jungles has generated design solutions that respond to surrounding natural systems while restoring nature's balance and harmony on a micro-scale. His completed gardens personify timelessness and beauty, with verdant spaces that entice participation and soothe the psyche. This monograph, the fourth to focus on his work, will present 21 completed projects, along with a section of work in progress featuring sketches, renderings, and site plans of 12 current projects of varying typologies including an 18-acre Phipps Ocean Park in the Town of Palm Beach, Florida. Among the featured works are major landscapes surrounding luxury residential complexes as well as lush private gardens from the mountains in Mexico to volcanic craters in Panama, Caribbean beachfronts, the Florida Keys, and densely populated cities like Manhattan and Miami. Highlights include the restoration of the famed interior garden by the revered landscape architect Dan Kiley at the Ford Foundation Center for Social Justice in New York; a landscape to evoke the work of legendary Brazilian designer Roberto Burle Marx at the New York Botanical Garden, and two new gardens at the the Naples Botanical Garden. Founded in 1985 by Raymond Jungles, the firm’s design priorities are generated by the scale and functionality of a space. Simple, clean, and well-detailed hardscape elements are the quintessential bones of a garden. Planting volumes vary and bold colors and textures are used with intent. The firm is guided by Raymond’s personal and design principles: integrity, relevance, and nature’s honor. Their informed designs tread lightly on the land, provide habitat, and incorporate elements of surprise.

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New Surrealism: The Uncanny in Contemporary Painting by Robert Zeller offers a sweeping exposition of both historical Surrealism and its legacy in the world of contemporary art. It demonstrates the many ways in which the most significant art movement of the last century continues to be relevant today, featuring an international selection of contemporary artists whose compositions and studio practice reveal its influence. There are many modalities of historical Surrealism that still maintain contemporary currency: presenting the familiar as unfamiliar and uncanny, the juxtaposition of seemingly unrelated imagery, the use of absurdity to critique political or social issues, and the use of erotic imagery in an irrational, non-linear context. Not all the artists brought together in this book self-identify as Surrealist, per se, but each uses some variation of Surrealism in a personal manner. The book begins with a study of the origins, leadership, participating artists, and major milestones of historical Surrealism. Zeller chronicles the movement starting at the end of World War I and the birth of Dada. The most important players and events emerge throughout the timeline of events—including World War II, and such notable artists as Max Ernst, Marcel Duchamp, Leonora Carrington, and many others—up until the death of its leader Andre Breton in 1966. Zeller then explores how elements of New Surrealism are being put into practice in the contemporary art world. Section Two offers a survey of 29 contemporary artists who engage in New Surrealism’s seemingly unlimited variations of the movement’s original themes, including Rosa Loy, Glenn Brown, and Arghavan Khosravi. Section Three features 14 artists, including important contemporary artists such as Inka Essenhigh, Ginny Casey and Anna Weyant, who speak to Surrealism’s influence on their studio practice, detailing in their own words how they create a composition from start to finish.

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From acclaimed photographer Elinor Carucci, a vivid chronicle of one woman's passage through aging, family, illness, and intimacy. It is a period in life that is universal, at some point, to everyone, yet in our day-to-day and cultural dialogue, nearly invisible. Midlife is a moving and empathetic portrait of an artist at the point in her life when inexorable change is more apparent than ever. Elinor Carucci, whose work has been collected in the previous acclaimed volumes Closer (2002, 2009) and Mother (2013), continues her immersive and close-up examination of her own life in this volume, portraying this moment in vibrant detail. As one of the most autobiographically rigorous photographers of her generation, Carucci recruits and revisits the same members of her family that we have seen since her work gained prominence two decades ago. Even as we observe telling details--graying hair, the pressures and joys of marriage, episodes of pronounced illness, the evolution of her aging parents' roles as grandparents, her children's increasing independence--we are invited to reflect on the experiences that we all share contending with the challenges of life, love, and change.

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First study of the role of architecture in the work of Thomas Cole, founder of the Hudson River School of American painting. At the height of his career as the leader of the Hudson River School of American landscape painting, Thomas Cole listed himself in the New York City Directory as an architect. Why would this renowned painter, who had never before designed a building, advertise himself as such? The importance of Cole’s paintings and the significance of his essays, poems, and philosophy are well established, yet an analysis of his architectural endeavors and their impact on his painting has not been undertaken - until now. In celebration of the recreation of the artist’s self-designed Italianate studio at Cedar Grove in Catskill, New York, now the Thomas Cole National Historic Site, this book focuses on Cole’s architectural interests through architectural elements found in his paintings and drawings as well as in his realized and visionary projects, expanding our understanding of the breadth of his talents and interests. An essay by noted art historian Annette Blaugrund and a contribution by Franklin Kelly, illustrated with Cole’s famous works, sketches, and architectural renderings, reveal an unexplored, yet fascinating, aspect of the career of this beloved artist—and thus, a crucial moment in the development of the Hudson River School and American art. Published to coincide with the exhibition “Thomas Cole: The Artist as Architect” at the Thomas Cole National Historic Site and travelling to the Columbus Art Museum, the book adds a new dimension to scholarship on the artist.

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How to Draw Dogs and Puppies is a step-by-step guide to drawing over 100 different breeds of dogs in pencil and pen-and-ink. Best-selling author J. C. Amberlyn combines her love of dogs with her beautiful, detailed drawing style. The book includes 40 easy-to-follow step-by-step instructions for drawing a wide range of dogs. Art and dogs come together in this richly illustrated, in-depth guide to creating charming portraits of dogs big and small. How to Draw Dogs and Puppies continues a rich tradition of dogs in art. In this step-by-step guide to drawing over 100 different breeds and mixed breeds of dogs and puppies in pencil and pen-and-ink, best-selling author J. C. Amberlyn combines her love of dogs with her beautiful, detailed drawing style. Organized around the American Kennel Club (AKC) dog breed categories and covering many of the most popular breeds as well as the beloved mutt and puppies, the book includes 40 easy-to-follow step-by-step instructions for drawing a wide range of dogs in many poses and a variety of expressions. J. C. includes basic information on art materials and the fundamental mechanics of drawing so that even beginners will feel confident and successful as they learn to produce highly detailed, lifelike drawings of their favorite best friends. This definitive guide includes in-depth instruction on: - Art materials and drawing basics - Dog anatomy - Poses - Coats and colors - Expressions - Puppies - Herding group - Sporting group - Non-sporting group - Terrier group - Working group - Toy group - Non-AKC breeds and mixed breeds

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