Search results for ""Monacelli Press""

DC artist Prentis Rollins shows readers how to conceptualize, draw, colorize, and digitally enhance and finish dozens of sci-fi characters, settings, and scenarios with a comprehensive, step-by-step approach to the entire process. A DC Comics illustrator shows readers how to conceptualize, draw, and digitally enhance their own science fictional worlds - whether for graphic novels, comics, movies, or video games. Sci-fi imagery commands today’s popular culture, from Star Wars to The Hunger Games and The Walking Dead. For clear-eyed artists, ages 12 and up, who see that science fiction is becoming science fact at an astounding rate, How to Draw Sci-Fi Utopias and Dystopias gives an in-depth look at the process of completing sci-fi illustrations - from the thought behind them (brainstorming and conceptualization) to constructing basic forms and objects on paper, converting roughs into finished pencil drawings, inking them in, and coloring them in Photoshop. The book is organized around the perennial distinction between two ways of representing the future in sci-fi: the pessimistic and the hopeful, or dystopian and utopian. After a basic primer on drawing (perspective, human faces, basic anatomy, light, shadow, rendering, and composition), five chapters detail the drawing of sci-fi humans, aliens and robots, land vehicles, flying vehicles, and cityscapes. Rollins demonstrates the astounding power of science fictional storytelling with 32 step-by-step case studies invented just for the book. Each demo is dated to a unique imagined future or alternate past and explained with fascinating detail. Examples include: battle-hardened mercenaries; a bizarre biomechanical alien that lives on a furnace-hot planet; a gigantic truck of the near future with a built-in apartment; a miles-long nuclear ramjet interstellar spaceship; a retro-utopia reminiscent of The Jetsons; and a galactic imperial city of staggering proportions. How to Draw Sci-Fi Utopias and Dystopias is packed with professional tips on the right tools, techniques, and materials; how to draw tech; when to Google a reference photo or use a background from istockphoto.com; how to get and stay inspired; and how to execute a unique story. The gorgeous and varied artwork, and thoughtful storytelling combined with friendly instruction, will leave readers with hundreds of new ideas to create worlds of their own.

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The follow-up volume to Richard Mishaan's first monograph, Modern Luxury, showcasing the AD100 designer's most outstanding projects of the past five years. Interior designer Richard Mishaan believes that all furniture and decorative accessories with inherently good form can be combined successfully regardless of style, period, or price. He creates exuberant, bold, glamorous spaces known for their masterful use of art that are nevertheless comfortable above all. In his work, every room is treated to at least one small luxury: bespoke embroidery on a wall covering, a shimmery midcentury Murano-glass chandelier, or a screen covered in wallpaper patterned like malachite. Mishaan believes that the best interiors are layered and rich. He skillfully brings together furnishings and objects from myriad eras - Italian neoclassic, seventeenth-century French, African tribal, Art Deco, Biedermeier - in a contemporary fusion style that has become his signature. This volume covers Mishaan’s best work since 2009 and includes a dozen spaces of every scale, from gemlike city apartments to Hamptons estates and the presidential suite at the St. Regis Hotel. Throughout, he weaves tips on how to live well in any size dwelling; full-color photography illustrates his ideas for truly personalizing spaces and for injecting areas devoted completely to comfort in every room.

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A photographic exploration detailing the poetry and fragility of nature amidst the tragedy of climate change Since 1998, mixed-media artist Diane Tuft has travelled the world recording the environmental factors shaping Earth's landscape. Entropy is Tuft's fourth monograph capturing the sublime and awe-inspiring beauty of nature as it is radically transformed under the unrelenting pressures of climate change.The exquisite collection of photographs provide a captivating glimpse into the rapidly changing landscapes of our world. Tuft focuses specifically on water as its subject, contrasting global sea-level rise with water depletion in Utah's Great Salt Lake. Compelling essays by prominent figures in art and science contributed by Bonnie K. Baxter, Ph.D., Professor of Biology and Director of Great Salt Lake Institute at Westminster University and twentieth-century art historian Stacey Epstein, Ph.D. add depth and insight to Tuft's work and its si

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A collection of work by 80 artists who explore the contemporary art world's fundamental concerns of value, markets, and the business of artGrounded in the global, conceptual art tendencies that began in the 1960s, For What It's Worth looks at artists who generate, question, and infect value systems through their work. These works address issues vital to the art world connected to systems of exchange, social structures, or metacritiques of the market and all stops in between.A companion to the 2024 exhibition at The Warehouse, the dedicated exhibition space for The Rachofsky Collection in Dallas, Texas, this book includes a dedicated section, The Value Systems Reader, which comprises an anthology of texts selected by the living artists featured in the Warehouse exhibition, elaborating their positions in the ongoing exploration of questions of value in art.Drawn from dozens of key modern and contemporary artists, For What It

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A fascinating biographical monograph of Charles J. Stick, the Virginia-based landscape architect renowned for his historically and culturally based gardens filled with luxuriant bloomsCharles Stick lives and works in the Piedmont region of Virginia, a land of rolling hills and dramatic vistas filled with echoes of the early history of America. Stick draws on all of this in his designs, which refer back to the classical designs of Thomas Jefferson at Monticello and the University of Virginia.Stick focuses on residential gardens, drawing on the principles of Palladio, Charles A. Platt, and Russell Page to connect the architecture to the land and develop enticing pathways between the formal planting and the landscape beyond.This new book is the first to explore and bring together four major estatesCrab Tree Farm on the North Shore of Chicago, Illinois; Mount Sharon near Charlottesville, Virginia; Sleepy Cat Farm in Greenwich, Connecticut; and Waver

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Reimagining: New Perspectives features more than 120 of the latest acquisitions by the UBS Art Collection, one of the largest and most important corporate collections in the world. Inspired by a recent UBS Art Gallery exhibition of the same title, this book features works by acclaimed artists who offer new and diverse perspectives based on their distinct backgrounds and experiences, inviting us to reimagine our world. With an accompanying essay by Global Head of the UBS Art Collection, Mary Rozell, this unique survey of works acquired in the past seven years provides a rare insight into the acquisition direction of the preeminent global collection. Artworks are displayed in UBS offices globally, serving as an inspiration for employees and a platform for dialogue with clients and the public. It incorporates key works from UBS collections in both Europe and the US as well as new acquisitions—mirroring today’s global business. Artists whose works are featured in the book include: Derrick Adams, Rana Begum, Jose Dávila, Latifa Echakhch, Theaster Gates, Lauren Halsey, Kapwani Kiwanga, Tyler Mitchell, Zanele Muholi, Adam Pendleton, Farah Al Qasimi, Amy Sherald, Shinique Smith, Mika Tajima, Stanley Whitney, Wu Chi-Tsung, Yin Xiuzhen, and Haegue Yang.

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Journey high above the world's most unforgettable waterscapes via this stunning collection of aerial photographs by David Ondaatje. Water Views is a breathtaking overview (literally) of the most striking bodies of water from around the world. Photographed with state-of-the-art drone technology by author and filmmaker David Ondaatje, these stunning aerial images range from the picturesque beaches of Carmel-by-the-Sea and Gaviota Beach to the wild coasts of Oregon, placid lakes from Tahoe to Como, the emerald waters of the Bahamas and Belize, the meandering fishing rivers of British Columbia and Montana. Ever-present in this selection, some of which debuted in his recent exhibition at the acclaimed ROSEGALLERY in Los Angeles, is Ondaatje’s deep personal affection for solitude, the unspoiled beauty of the nature, coastal water patterns, and fly-fishing in isolated areas. Annotated with behind-the-scenes anecdotes, these photographs take you on a spectacular journey from above as you share Ondaatje’s unique first look at some of the most beautiful places in his world, all tied to the compelling and blissful power of water.

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This first monograph from New York-based Young Projects explores a new approach to spatial design that combines digital and analog methods at the intersection of exploration and architecture. This monograph introduces the cutting-edge research and work of Young Projects, founded by Bryan Young, where materiality, structure, and form intersect to generate new architectural typologies. The book presents a selection of the practice’s most relevant projects: five innovative houses completed between 2015 and 2020 as well as less in-depth looks at other projects that define the practice. Each house serves as a chapter through which Young Projects’ broader body of work is explored across scales, illustrated through a rich landscape of drawings, diagrams, renderings, mock-ups, prototypes, and photography. The through-line connecting all chapters is the studio’s interest in using ambiguity and anomaly to create novel and accessible spaces, whether for high profile clients like Heidi Klum or a new resort in St Kitts. Young Projects seeks to draw users into immersive spatial experiences that unfold over time, in a manner that is familiar but subtly foreign. This quality of “allure” is a result of a unique and experimental approach to materiality and spatial legibility. These are the threads that tie the work together and have set Young Projects apart as an emerging practice, as well as inform the larger-scale projects the studio undertakes as it enters its second decade. Young Projects’ process often begins with simple exercises in making: form-finding experiments they undertake within their Brooklyn studio. Material research has included hand-pulling plaster with an irregular knife, using furniture foam as a casting bed, and forming concrete with palm stems. These experiments, among many others, mine characteristics that are not typically associated with conventional architectural materials and break traditional methodology, allowing for qualities of randomness and spontaneity to enter the process of making. The studio finds that letting go of control (at the right moments) produces results that are often surprising, entirely bespoke, and resist replication.

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The first career-spanning catalog of the work of Gianfranco Gorgoni, whose iconic photographs established Land Art as one of the major art movements of the twentieth century. For five decades, photographer Gianfranco Gorgoni (1941-2019) built his reputation as the premier documentarian of Land Art in the US and beyond. After leaving Italy, Gorgoni started making portraits of the major artists of the New York scene, including Michael Heizer, Robert Smithson, Nancy Holt, Walter De Maria, Carl Andre, and Richard Serra. It was not long before he was traveling with Heizer, Smithson, and De Maria to the American West in the late 1960s to plot the works that would famously break art practice out of the confines of the gallery world. In Nevada, New Mexico, and Utah, these artists embarked on major Land Art installations that would redefine contemporary art practice of the era. In many cases, Gorgoni was the only photographer on the ground to document their projects, and his images often serve as the definitive photographic record of the planning and creation of these groundbreaking works. Published to coincide with the first major exhibition of Gorgoni's photographic Land Art images at the Nevada Museum of Art, featuring over fifty of his large-scale photographs, Gianfranco Gorgoni: Land Art Photographs includes an introduction by Ann M. Wolfe, Andrea and John C. Deane Family senior curator and deputy director at the Nevada Museum of Art, an essay by the late art historian and critic Germano Celant, whose contribution here is among the last he wrote before his death in 2020, and William L. Fox, the Peter E. Pool Director of the Center for Art + Environment. A landmark collection of photographs of legendary and lesser-known works by Michael Heizer, Walter De Maria, Christo and Jeanne-Claude, Richard Serra, Robert Smithson, Ugo Rondinone, and Charles Ross, Gianfranco Gorgoni: Land Art Photographs is a major new assessment of one of the world's great art movements.

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A luxury volume on a luxury designer, A Romance of East and West presents the residential work of Baltimore-based interior decorator Mona Hajj. Characterized by delight and discovery, grandeur, and rustic charm, Hajj's work spans a wide range of historic periods and styles. Her interiors combine a far-reaching global vision with an American emphasis on elegance, comfort, and simplicity. Born in West Africa and educated in Europe, Lebanon, and the United States, Mona Hajj brings a truly eclectic aesthetic to her interiors. Since founding Mona Hajj Interiors in 1990, she has produced a body of work that is grounded in classicism yet influenced by modern-day styles and ways of living. Her international background inspires the work in myriad ways, from the inclusion of a Syrian chest of drawers to a reference to Moroccan ceramic tiles. A Romance of East and West features antique European and Middle Eastern textiles from Hajj's personal collection that inspire the use of color and pattern in her work.

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A sumptuous presentation of impeccably designed classic interiors by Matthew Patrick Smyth. Matthew Patrick Smyth is renowned for elegant, sophisticated rooms that combine sumptuous fabrics, well-selected antiques, and contemporary comfort. In Through a Designer's Eye, he reveals his design process, emphasizing his commitment to exploring the world, through travel and in the imagination of the theater, and to recording scenes and vignettes in photographs. Through a Designer's Eye presents Smyth's recent work ranging from a traditional Park Avenue apartment and an edgy Tribeca loft in Manhattan to waterfront houses in Florida, New England, and Long Island that demonstrate his skills in responding to context and eliciting preferences of clients to create a unique environment for each. Nowhere is this better seen than in his own house in Salisbury, Connecticut, an unexpected 1970s prefabricated deck house now elegantly appointed with an eclectic mix of furniture, objects, and works of art he and his partner have collected over many years. Smyth's engaging, first-person narrative references formative experiences with theater and photography and focuses on five elements of interior design - appreciating of artisanal and handcrafted elements, understanding of history and context, evaluating light and seasonal change, weaving furnishings and art into a coherent mise-en-scene, creating an inviting atmosphere - that contribute to successful spaces. Illustrating the text are lush photographs of completed rooms, interspersed with Smyth's own vignettes and details, which add a unique visual layer to the presentation.

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From classic New York City pied-à-terres and townhouses to vast Connecticut estates, airy Floridian mansions to luxurious ski retreats, every room created by interior design firm Cullman & Kravis is effortlessly graceful and balanced, masquing the meticulous research and extraordinary passion that goes into creating such perfectly harmonious spaces. Cullman & Kravis has a remarkable ability to see whole picture and, at the same time, appreciate the smallest of its pieces and intricacies. Each of their rooms is a magnificent and elaborate tapestry - step back, and a stunning image emerges; look up close, and every stitch is perfectly aligned with its neighbor, every thread a mirror of a larger pattern. This focus on detail subtly influences every component of the residences they design, so that every room harmonizes with the architecture, the setting, the furniture, and the artwork. Hand-carved moldings subtly reflect the embroidery of a throw pillow. The form of an antique chandelier echoes the drape of the silk curtains. Complementary colors emerge in the needlework of a rug, the brushstroke of an abstract painting, the fresh flowers on a table. The Detailed Interior: Decoration Up Close with Cullman & Kravis reveals how the firm achieves this effect, and how readers can employ these details to endow their rooms with the same sense of elegance and poise. Each project is illustrated with lavish full-color images, illuminating the effect of the room as a whole as well as providing close-up shots of precisely detailed spaces. The photography is coupled with informative text explaining how each of the room’s elements complement each other, breaking down how Cullman & Kravis achieves these flawless interiors step by step.

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In Designs for Living, Roger H. Seifter, Randy M. Correll, Grant F. Marani, and Gary L. Brewer, who lead the residential practice at Robert A.M. Stern Architects, present fifteen houses the firm has completed over the past ten years. From contemporary interpretations of the shingle style to robust Mediterranean designs, the houses are stylistically diverse reflecting RAMSA’s deep knowledge of history and precedent. Each partner provides insight into the design process and his individual approach to working with clients. Houses are located in dramatic settings from Napa and Sonoma to the spectacular coastline of the Hamptons and New England. Whether overlooking the ocean or nestled into the mountainside, these remarkable houses reveal the architects’ emphasis on the importance of context and their dedication to exploring the nature of place and environment. Each house invokes the vernacular architectural heritage particular to its region while gracefully reflecting its natural surroundings. Connecting contemporary lifestyles to traditional American aesthetics, these residences are exceptional both for their timelessness and their ability to evoke a conversation with the past - a dialogue the RAMSA partners believe lies at the heart of architecture.

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'Leafing through Designer Suzanne Tucker’s third monograph, Extraordinary Interiors, one immediately recognizes her clever use of texture, color, light, and vivid art.' - California Homes The latest monograph of award-winning interior designer Suzanne Tucker, who is revered for her personal approach, enduring style, mastery of detail, and passion for architecture and the decorative arts. Over the course of her illustrious career, designer Suzanne Tucker has perfected a unique approach to creating elegant, sumptuously appointed residences eminently suited to their owners and their architectural and geographic context. Tucker describes her process as part anthropology, part archaeology, part psychology: she uncovers her clients' dreams and desires for their home, and the nuances of their lifestyle, and applies her vast knowledge of decorative arts and antiques to compose splendid spaces perfectly tailored for each life. Extraordinary Interiors, Tucker's third monograph, presents a selection of the designer's recent work, including a mountain retreat featuring a symphony of natural tones and textures; a Bay Area pied-a-terre exhibiting international flair; a Manhattan apartment whose muted hues showcase an exceptional art collection; a beach house that marries high sophistication with leisurely living; a magnificent San Francisco townhouse whose intarsia floors, coffered ceilings, and natatorium are inspired by historic Italian palazzos; and Tucker's own oasis-like home in Montecito, California. Across the varied styles and locations of these remarkable residences, Extraordinary Interiors heralds Tucker's passion for architecture and the decorative arts, and consummate skill for creating timeless, luxurious, exquisitely detailed, and art- and antique-filled rooms.

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The legendary Schumacher design house presents an inspiring interiors survey exploring the versatile and transformative use of blue and white Divided by style (charming, modern, boho, traditional, etc.), Schumacher will take you on a tour of the best of blue and white decorating, featuring interiors that show just how versatile this color combination can be. The book features a guide to iconic blue and white colors (from robin’s egg to sky, to cerulean and oyster, to alabaster to porcelain) as well as a roundup of best-in-class product from tabletop to fabrics and wallcoverings.

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MVVA’s 23-year story of transforming 85 acres of Brooklyn waterfront into parkland that reconnects New Yorkers to the East River Reclaimed from 1.3 miles of New York’s postindustrial waterfront, Brooklyn Bridge Park is a place for escape, recreation, and immersion in the natural world. Transforming parking lots and crumbling piers into a living ecosystem, the project is an exemplar of climate resilience, fiscal innovation, and joyful public space. This book examines MVVA’s process of designing a park that went from a remote possibility to an essential part of the city around it.

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A collection of nine contemporary homes by architect Celeste Robbins, who imbues her modern designs with warmth and emotion In her first monograph, Chicago-based architect Celeste Robbins of Robbins Architecture proves that contemporary design can be inviting, comfortable, and graciously responsive to how we live. Illustrating Robbins’s holistic vision, which integrates architecture, interior design, and landscape, The Meaningful Modern Home features nine significant projects across the United States realized in different styles and natural materials. All offer living proof of how modernism can be warm and rooted in a vivid sense of place.

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The definitive volume on Gaetano Pesce’s incomparable life and career, as told in the artist-designer’s own words In a category all his own, Gaetano Pesce is widely considered one of the most important, and elusive, creative figures of the last half century. Bridging numerous key art and design movements, while never belonging to any of them, Pesce’s singular practice has remained steadfastly provocative, defying convention, utility, and good taste. Glenn Adamson, the acclaimed curator and writer, conducted the wide-ranging interview with Pesce on which this book is based, drawing out new stories and insights, as well as providing an introduction that thoroughly contextualizes Pesce’s unique position in contemporary art and design. As postmodern design has become increasingly desirable, interest in Pesce has grown with renewed exhibition activity and critical attention, and his work has become even more valuable and collectible. In this long overdue summary co-published with Salon 94, Pesce looks back at his incomparable and wildly inventive career, recounting his life and practice in his own words.

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A controversial manifesto on the role of classical principles in architecture critically examined for relevance today. First published in 1959, The Golden City is a seminal, critical document that developed one of the earliest and most compelling arguments against the then-dominant hegemony of modernism by reawakening interest in the value of our country's built patrimony, particularly with respect to its notable classical architecture, classical sculpture, and ornament in the built environment. The book's argument remains valuable today. The Golden City can be credited with building the constituency for the preservation movement in the United States in general, and in New York City in particular. That constituency coalesced around Reed's powerful polemic, eventually contributing to the formulation in 1965 of New York City's groundbreaking Landmark Law, one of the most important milestones in the preservation movement in the United States.

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An essential visual guide for artists to the mastery and use of advanced human anatomy skills in the creation of figurative art. Dynamic Human Anatomy picks up where Basic Human Anatomy leaves off and offers artists and art students a deeper understanding of anatomy, including anatomy in motion, and how that essential skill is applied to the creation of fine figurative art.

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A provocative examination of the connections between contemporary expression in architecture and traditional materials and forms. Architect, architectural historian, and preservationist Françoise Bollack presents eighteen projects that use traditional materials to build contemporary forms or use modern materials to build traditional forms, blurring the boundary between tradition and modernity in architecture. Bollack rejects the modernist taboo against imitation and precedent, tracing the history of adaptive and imitative design from the Renaissance to the Greek and Gothic revivals and to the nineteenth-century modular cast-iron facades that Philip Johnson considered "the basis for modern design." The book examines projects in the US, Europe, and Japan, encompassing a broad range of building types: residential, hospitality, commercial and retail, and cultural spaces. All share an intriguing, even radical, approach to reinterpreting traditional forms and materials. Humble thatch moves beyond the farmhouse roof to clad the walls of a Danish environmental center; a photographic image of a Parisian façade becomes a scrim on the façade of a new building; the ghost of an ancient Italian basilica is outlined in wire mesh. Among the featured architects are Kengo Kuma, architect of the Tokyo 2021 Olympic stadium; MVRDV, a highly regarded Dutch firm; Lacaton & Vassal and Chartier/Corbasson in France; Skene Catling de la Peña in the UK; Morris Adjmi in the USA; Max Dudler in Germany; Dortre Mandrup in Denmark; and Herzog & de Meuron in Switzerland.

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Written by a well-known artist and best-selling art-instruction author with almost rock-star popularity in the contemporary world of representational art, Beginning Drawing Atelier, with its unique workbook/sketchbook approach, and high-quality paper, offers a comprehensive and contemporary twist on traditional Atelier art instruction practices. Atelier education is centered on the belief that working in a studio, not sitting in the lecture hall, is the best place to learn about art. Every artist needs to learn basic drawing skills. In this elegant and inspiring workbook, master contemporary artist and best selling author Juliette Aristides breaks down the drawing process into small, manageable lessons; presents them progressively; introduces time-tested principles and techniques in the Atelier tradition that are easily accessible; and shares the language and context necessary to understand the artistic process and create superior, well-crafted drawings. What makes this approach unique is the fact that it includes blank pages for copying and practicing within each lesson, facilitating traditional Atelier methods. Ateliers have produced the greatest artists of all time--and now that educational model is experiencing a renaissance. These studios, in a return to classical art training, are based on the nineteenth-century model of teaching artists by pairing them with a master artist over a period of years. Students begin by copying masterworks, then gradually progress to painting as their skills develop. Beginning Drawing Atelier is like having an atelier in a book - and the master is Juliette Aristides, a classically trained artist. On every page, Aristides uses the works of Old Masters and today's most respected realist artists to demonstrate and teach the principles of realist drawing and painting, taking students step by step through the learning curve yet allowing them to work at their own pace. Unique and inspiring, the approach in this new book offers serious art courses for serious art students.

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As one of Miami’s most influential architects, Rene Gonzalez revolutionizes the way luxury buildings are equipped for climate change. Tactile, experiential, and holistic, the work of his namesake office demonstrates a belief in the inseparable connection between nature and architecture, creating spaces that are memorable and timeless. Surveying fourteen residential, commercial, and cultural projects in Florida, marking the first phase of his career, Rene Gonzalez Architects: Not Lost in Translation illustrates Gonzalez’s ability to distill the essence of place, distinguishing his work both in his home state of Florida and in the global landscape of contemporary architecture. Projects featured in the book include three Alchemist boutiques, the first of which won the 2011 National AIA Institute Honor Award; the Cisneros Fontanals Art Foundation, whose one million glass mosaic tiles create the illusion of a jungle oasis on the exterior; the eighteen-story GLASS Residential Tower in Miami Beach; the “pocket sanctuary” that is vegan restaurant Plant Food + Wine; and the North Beach Oceanfront Center, which serves as an inviting gathering ground to the North Miami Beach community. Gonzalez is especially attuned to environmental issues that are affecting the world, and which will drastically alter design practice in the coming years. RGA is receiving widespread attention for its efforts to respond to these emerging conditions, and these projects reveal Gonzalez’s commitment to embrace and celebrate the environment, seizing the opportunity to enhance our future. Rene Gonzalez Architects: Not Lost in Translation is a deeply personal book that illustrates Gonzalez’s fascination with the world that surrounds him. Featuring a conversation with Gonzalez’s colleagues Tod Williams and Billie Tsien, essays by journalists Caroline Roux and Beth Dunlop, as well as his own photographs of Miami’s vernacular architecture, this book documents Gonzalez’s progressive and responsive architecture that is of its place yet universally resonant.

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Cats are creatures of beauty and mystery. They live among us but have never quite been tamed, drawing the ire of some and the admiration of others. They keep rodents away from our homes and offer purring companionship for those they have deemed worthy of their attention. The feline form exudes grace and flexibility and can be a joy to draw. In this step-by-step guide, J. C. Amberlyn combines her love of cats with her beautiful, detailed drawing style in order to teach beginning artists to draw many different breeds of cats and kittens in pencil and pen-and-ink. Cats are creatures of beauty and mystery. They live among us but have never quite been tamed, drawing the ire of some and the admiration of others. They keep rodents away from our homes and offer purring companionship for those they have deemed worthy of their attention. The feline form exudes grace and flexibility and can be a joy to draw. How to Draw Cats and Kittens continues a rich tradition of cats in art. Covering all the most popular types of cats, as well as kittens, this book gives easy-to-follow instructions for drawing cats in many poses and a variety of expressions. Amberlyn includes basic information on art materials and the fundamental mechanics of drawing so that even beginners will feel confident and successful as they learn to produce highly detailed, lifelike drawings of their fluffy companions.

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A portrait of Southern elegance as interpreted by Norman Davenport Askins, who infuses traditional design with innovation and style to create gracious and livable houses. Fifteen lavishly detailed Southern houses in Atlanta, Georgia, South Carolina, the Virginia Piedmont, along the Florida coasts, and in the mountains of North Carolina, from a leader in traditional architecture. Esteemed Atlanta architect Norman Davenport Askins made his name with his mastery of historical precedent. His gracious and livable designs recall such diverse sources as Italian Renaissance country villas, hillside castles in the Dordogne, and the very strong presence of the Colonial Revival and Federal houses in Atlanta and the greater South. Inspired by Tradition presents a portrait of Southern elegance through Askins’s trademark infusion of traditional design with understated innovation and style. New color photographs of interiors and landscape, commissioned specially for the book, complement traditional hand-drawn plans and elevations. In a special section dedicated to “Elements of Tradition,” Askins identifies the key components of traditional design and the parameters for using them successfully. Ultimately he believes in approaching tradition with innovation and individuality - adding touches of glamour, humor, and romance that bring his houses to life.

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The third monograph by the firm KieranTimberlake, demonstrating its exacting, sophisticated, and elegant projects of the past decade. KieranTimberlake: Fullness demonstrates the holistic impact of the work of the Philadelphia-based architecture firm. This monograph provides the concepts and contexts for seventeen recent projects in a range of scales and types, from houses to campus buildings to a transit hub and an embassy. KieranTimberlake: Fullness demonstrates how the firm's formative values have combined with innovative design methodologies, a commitment to full-scale, in-house prototyping, and a collaborative ethos to create and realize works of ambitious scope and complexity. Organized in two volumes, this book illustrated the comprehensive range of architectural beauty present in KieranTimberlake's buildings and the evidence for their mastery of design at all scales and orientations. The first volume presents photographs of each project, depicting the visual whole of the architecture as a fully resolved work. The companion volume reveals the sum of its parts - the pivotal junctures that give rise to final form, including both the moments of discovery and the pragmatic tools of analysis and prototyping that the firm uses. Narratives, drawings, diagrams, details, and anecdotes capture the design process and reveal the varied approaches that give form to the art and science of KieranTimberlake's architecture. Projects in this book include a house made from prefabricated modules in rural California that minimally disturbed its picturesque site; a major renovation of Philadelphia's Dilworth Park in front of City Hall; Cellophane House (TM), a fully recyclable, energy-gathering dwelling; and the new US Embassy in London, designed to signify democratic ideals and exceptional environmental leadership with systems to reduce energy consumption.

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Landscapes in Oil is the first-ever comprehensive guide to classical landscape painting reinterpreted for the twenty-first century. Drawing from the tradition established by American painters of the Hudson River School - artists like Thomas Cole, Frederic Church, and George Inness - author and painter Ken Salaz reveals great masters' philosophy and methods, updating their approaches for the contemporary landscape painter. Beginning painters are given the basic tools and step-by-step demonstrations, intermediate painters are challenged with unpublished techniques that allow them to break through to the next level, and advanced painters learn to apply their skills under unified theories. Landscapes in Oil devotes a chapter to each of the fundamental elements of landscape painting - drawing, value, color, composition, and light quality - and offers critical advice on selecting tools and materials, choosing colors, and structuring your palette for best results. Emphasizing the necessity of plein air drawing and painting, Salaz demonstrates how to translate small, quick studies made outdoors into full-scale studio paintings. He provides detailed step-by-step breakdowns of the creation of four of his own paintings, focusing not only on application but also on the ideas that underpin every decision a landscape painter must make. The scores of landscape masterworks, past and present, that illustrate this book have been carefully chosen for their aesthetic power and because each embodies a specific aspect of the landscape painter's craft. For Salaz, landscape painting is a noble pursuit, and the goal of the landscape artist is not to paint "pretty pictures" but to create compelling images that express human beings' profound connection to nature in all its diversity and grandeur. At a time when classical landscape is enjoying a renaissance in art schools, ateliers, and galleries across North America, this book is an essential resource for beginning and experienced painters alike.

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This new, sophisticated, comprehensive reference book will inspire and instruct painters on how to handle today's acrylics in innovative and individualistic ways. Acrylics have grown into the most adaptable art material for the modern age. Developments in the pigment industry have given acrylics a remarkably permanent, rich, and abundant palette, making it the favorite medium of many contemporary artists. As colors are being developed, their chemical components are also enhanced for better texture and handling. Art-supplies vendors now offer acrylic mediums for thinning, thickening, glazing, molding, pouring, texturing, and dozens of other uses. Even experienced acrylic painters can be confused - even intimidated - by this staggering diversity of products. Painter and art materials expert Rhéni Tauchid simplifies this daunting subject, clearly explaining each type of medium and suggesting ways it can enhance your painting practice. Over twenty step-by-step demonstrations teach you how to apply mediums to create vibrant colors, sensuous surfaces, and striking visual effects. Hundreds of beautiful photos illustrate mediums’ almost limitless potential and show you how other artists - both abstract and realist - are employing mediums to push their art in new creative directions. The first book of its kind, this essential reference belongs on every acrylic painter’s shelf. Includes the Work of Contemporary Masters: Nick Bantock, Diane Black, Bruno Capolongo, Pauline Conley, Marc Courtemanche, Marie-Claude Delcourt, Claire Desjardins, Marion Fischer, Heather Haynes, Lorena Kloosterboer, Suzy Lamont, Marie Lannoo, Connie Morris, Barry Oretsky, Lori Richards, Hester Simpson, Ksenia Sizaya, Rhéni Tauchid, Alice Teichert, Beth ten Hove, Sharlena Wood, and Heather Midori Yamada."

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In 2006 the Stavros Niarchos Foundation announced its gift of a new cultural center in Athens to house both Greek National Library and the Greek National Opera House within a forty-acre landscaped public park. Two years later, with designers and engineers in place and the project underway, the Greek economy collapsed. In Chaos and Culture, Victoria Newhouse weaves a fascinating narrative of how a philanthropist and an extraordinary design team became convinced that architecture could serve as a beacon of hope amid Greece’s economic crisis and political upheaval. With meticulous methodology of primary research, interviews with designers, and historic context, Newhouse describes the decade-long process leading to the creation of the Stavros Niarchos Foundation Cultural Center (SNFCC), an $800 million dollar project that became the symbol of recovery and survival. The Stavros Niarchos Foundation Cultural Center (SNFCC) cannot but assume unusual cultural significance, standing as it does on a hill in view of the Parthenon (to the north) and Faliro Bay (to the south). Newhouse further situates the project within the modern history of Athens, beginning with Greece’s independence in 1832, and reaches back much earlier to describe two-thousand-year old cemeteries unearthed on the site. Aerial views by the photographer Iwan Baan are among the 200 photographs and drawings documenting the process and context of the SNFCC.

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Marking the 50th anniversary of the Landmarks Law, this book celebrates the great interiors of New York in a stunning visual presentation of space and intricate detail that captures the rich architectural heritage of the city. Some are widely celebrated - Radio City Music Hall, the Great Hall of the Metropolitan Museum of Art, Grand Central Station - and others virtually unknown, all warrant preservation. This book is the first to present great landmarked interiors of New York in all their intricate detail, in a visual celebration of space that captures the rich heritage of the city. In the fifty years since it was established in 1965, the New York City Landmarks Law has preserved for generations to come a remarkable number of significant buildings that represent New York City’s cultural, social, economic, political, and architectural history. Not only do the exterior facades of these buildings fall within the law’s purview, but, since 1973, many of their stunning interiors as well. This book tells the colorful stories of 47 interior landmarks from the oldest to the youngest - from the grand Italianate and infamous Tweed Courthouse, the centerpiece of the largest corruption case in New York history, and the glamorous Art Deco Rainbow Room, constructed shortly after the repeal of the Prohibition - to the modernist 1967 Ford Foundation Building, whose garden-filled atrium exemplified sustainable design well before the concept became fashionable, and was hailed as “one of the most romantic environments ever devised by corporate man.” Located throughout the five boroughs, the interior landmarks include banks, theaters, office building lobbies, restaurants, libraries, and more - spaces in which New Yorkers have worked, learned, governed, been entertained, and interacted with their communities for decades. Readers will learn about their original construction and style, their exceptional design features, materials, and architectural details - then of the challenges to preserving them—whether they were unanimously accepted or hotly contested in legal battles - the restorations or re-imaginings that took place, and the preservationists, philanthropists, politicians, and designers who made it possible. Combining strong visuals and thorough research, this valuable reference work will fascinate all readers with an interest in the city’s history.

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Artist Paula Hayes is most famous for her exquisite, high-end art terrariums of organically shaped, handblown glass, but her affinity for all things green extends to full gardens as well. She has created over twenty full gardens for private clients around the country. This volume, the first monograph on her work, is structured in a two-part format that devotes equal attention to both. A fixture of the New York art scene for over twenty years, Paula Hayes's popularity among art collectors and the public has swelled dramatically over the past few. Her installation in the lobby of MoMA, Nocturne of the Limax Maximus, garnered much critical acclaim and landed her a feature on CBS Sunday Morning. She installed an oversized terrarium in the lobby of Lever House in New York City, and a solo exhibition on her work was held at the Wexler Art Center in Columbus, Ohio, where she also installed a permanent garden adjacent to the museum's main entrance.

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History is the lens through which Robert A.M. Stern and his fifteen design partners envision an architecture for today. Robert A.M. Stern Architects: Buildings and Projects 2010–2014 is the seventh volume in a series that encompasses the breadth of the firm’s work since Stern’s earliest projects in the mid-1960s. Emphasizing the output of the office over the past five years, this volume covers the most globalized period of practice so far. Featuring profiles of well over 100 designs built domestically and abroad, Robert A.M. Stern Architects: Buildings and Projects 2010–2014 includes significant projects in Asia, from China to India. In the United States the firm’s educational, cultural, commercial, religious, and residential work continues to broaden its exploration of traditional and contemporary architectural expression. This volume presents the firm’s continued influence on campuses across the United States, reflecting the position that education holds in its ethic, with new additions to Drexel University in Philadelphia, Wake Forest University in Winston-Salem, North Carolina, and University of Colorado Boulder. The office also remains key to the ongoing development of its home in New York City, with new residential towers on the High Line and in Greenwich Village.

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Contemporary Follies showcases outstanding examples of contemporary design that address our place in nature. Emerging from the Enlightenment spirit of Jean-Jacques Rousseau and Thomas Jefferson, the English picturesque folly, and the forest retreats of Scandinavian modernists, these projects inspire contemplation and creativity in their spatial energy and alliance with the environment. The book features fifty structures, including work by internationally recognized firms such as Arata Isozaki & Associates, Heatherwick Studios, Patkau Architects, Steven Ehrlich Architects, TEN Arquitectos as well as innovative young studios in all parts of the world: Norway, United Kingdom, Austria, Chile, Germany, Ecuador, Finland, Taiwan, Spain, Canada, Netherlands, United States, Czech Republic, France, and Switzerland. International in scope and focused on design excellence, this collection of exquisite buildings will appeal to all who yearn for a place of their own, a retreat in which to regroup and reprioritize. Together these small structures are the contemporary interpretation of the folly, the small building nestled in the landscape, a place apart.

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The follow-up to the successful Nutshell Studies of Unexplained Death, this book and its evocative blend of photographs and ghost stories will attract anyone drawn to the paranormal, whether in literature, television, or film. “When I was between the ages of five and eight, my sister and I slept in a large attic bedroom. At nightfall the room was filled with gypsies who glided around in clusters. They wore colorful thin flowing dresses and rummaged greedily through my drawers and books as if they would steal everything. I lay in bed as stiff as a board, trying to will myself invisible, praying they would not notice me looking . . . Daylight obliterated the gypsies, rendering them as thoroughly insubstantial as they had been real in the dark. I had a vague understanding that my vision was private, so I never told my family what I saw.” So began Corinne May Botz’s fascination with the invisible, a phenomenon that has profoundly influenced her approach to photography in style and subject matter. For more than ten years, she searched for ghost stories in buildings across the United States. She ventured into these haunted places with both camera and tape recorder in hand; her photographs, accompanied by first-person narratives, reveal a rare glimpse into American interiors, both physical and psychological. This book includes more than eighty haunted buildings, from the legendary to the ordinary, including Edgar Allan Poe’s house in Baltimore, a New Jersey tavern, and a Massachusetts farmhouse, a log cabin in Kentucky, and a number of private residences. The text includes ghost stories told to the author by those who lived through the moving rugs, creaking floors, apparitions, disappearing - and reappearing - objects, cries in the night, mysteriously burning candles, and other unexplained occurrences.

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Skidmore, Owings & Merrill, founded in 1936, is one of the largest and most influential architecture firms in the world. SOM has long been known for innovation, experimentation, design excellence, and technical mastery, for an abiding interest in the contributions that buildings can make to the life of cities, and for a collaborative approach that extends to all aspects of the design and construction processes. This volume presents work from the late 1990s and 2000s. In an era of true globalization in design and commerce, SOM has come to occupy a unique place in American and international architecture. Recognized for the exceptional quality of its architectural design and urban planning, the firm is also renowned for its clients, an eminent group of businesses and institutions. In the years 1997–2008, the period represented in this monograph, SOM’s steadfast dedication to a modern expression has produced an important series of works at all scales, in a variety of typologies, in countries around the world. From the diminutive Skyscraper Museum in New York City to the radiant Cathedral of Christ the Light in Oakland, California, to the master plan and two buildings for the University of California Merced, the newest U.C. campus, the works shown here illustrate the remarkable range of SOM’s current practice. Perhaps no work exemplifies the firm’s creative, multifaceted approach as much as 7 World Trade Center, the first structure built at the World Trade Center after September 11, 2001. On a site claimed by commerce but also subject to the demands of memory, SOM created an elegant stainless-steel and glass tower that restores the New York City street grid and begins the process of remaking this part of the city. A suggestive combination of artistic and structural expertise, dedication to finding sustainable design solutions, collaborations with preeminent artists and designers, and commitment to urbanism characterize not only 7 World Trade Center but SOM’s recent body of work. Among the projects shown is the massive U.S. Census Bureau Headquarters in Suitland, Maryland, the first federal office building to receive a LEED rating. The U.S. Embassy in Beijing elegantly responds to the local culture and site. An abundance of airport projects - in New York, San Francisco, Boston, Israel, and Singapore - shows SOM’s mastery of this complex project type. The firm’s commitment to urbanism and its ability to work at a large scale on sites of great visibility are evident in the designs for the Time Warner Center in New York and Tokyo Midtown, as well as in a series of grand master plans: Chongming Island in Shanghai, the redevelopment of the waterfront in Alexandria, Egypt, and Treasure Island in the San Francisco Bay. At the same time, the firm often works at a fine scale, as in the Burr Street School in Connecticut, the retail prototype for Charles Schwab, and the Condé Nast Cafeteria in New York. Kenneth Frampton brings a historian’s perspective to SOM’s recent work, tracing its evolution back to the Miesian modernism dominant at the time of the firm’s founding and forward to the cutting-edge technical advances to which the firm has devoted itself. Large-span structures, high-rise towers, low-rise topographic forms, compositions that incorporate media, and constructivist essays: all contribute to the development of contemporary architecture and contemporary urbanism alike. Well into its eighth decade of practice, SOM continues on a course of twenty-first century modernism, a modernism that is diverse and inclusive, contextual, urbane, and populist.

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Based on the blockbuster 2022 solo show in London, KAWS: New Fiction documents the groundbreaking, multi-layered exhibition that presented the artist’s new and recent works in physical and augmented reality. A unique collaboration between the acclaimed artist KAWS, the Serpentine Galleries, digital art platform Acute Art, and the online video game phenomenon Fortnite, KAWS: New Fiction bridges the gap between the physical and virtual worlds, showcasing KAWS’s artworks as they’ve never been seen before. This one-of-a-kind book chronicles the iconic KAWS figure as it journeys through viewing the exhibition’s paintings, sculptures, site-specific additional artworks revealed via augmented reality (visible at the show through a dedicated AR app), and the virtual recreation of the physical gallery simultaneously featured in Fortnite. KAWS: New Fiction is a celebration of the unprecedented exhibition, and KAWS’s creative influence, as it was experienced in physical, virtual, and augmented realities.

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Introduces an original take on floral design that teaches us to see the world anew Based on Lindsey Taylor’s popular Wall Street Journal column ‘Flower School,’ on its surface this book demonstrates how Taylor creates stunning but achievable floral arrangements inspired by works of art. Riffing on works by a diversity of artists across mediums, periods, and styles, including Alice Neel, Jean-Michel Basquiat, Julie Mehretu, Sheila Hicks, Willem de Kooning, Georgia O’Keeffe, Frank Stella, Salman Toor, Pierre-Auguste Renoir, and Kerry James Marshall, among others, Taylor inspires readers to interpret the palettes, compositions, brushstrokes, and mood of the art in flowers, and shares florists’ trade secrets for building beautiful arrangements. Through this meditative practice of looking intently at art and nature, readers learn, in the words of David Hockney, ‘to really look,’ and to really see the world.

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A fascinating look at an extraordinary collection of ceramic masterpieces by celebrated French ceramicist Ernest Chaplet. Over the last forty years, architect and collector Peter Marino has acquired a remarkable collection of pieces by French ceramicist, Ernest Chaplet. This collection is a precious testimony of a rare production - a new line of ceramics created by Chaplet in 1883 for the Limoges-based factory Haviland & Co. Ernest Chaplet sheds deserved light on this great artist, whose career exemplifies the evolution of artistic ceramics at the turn of the 20th century, and whose work entered the collections of many museums during his lifetime.

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Celebrates the Du Pont family heritage of land stewardship and horticultural creativity Renowned as the first family of American horticulture, the du Ponts created magnificent landscapes and gardens that complement the verdant, rolling lands of the Brandywine Valley. Five of their estates – Hagley, Nemours, Mt. Cuba, Winterthur, and Longwood Gardens – are open to the public, each a showplace of formal plantings juxtaposed with carefully nurtured natural woodland. Larry Lederman’s photographs capture the essence of these sites, moving through the seasons and through the day from dawn to dusk.

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The first book by the New Yorkbased AD100 architect Elizabeth Roberts compiles photographs, sketches, and even vignettes of fiction, to showcase her award-winning workOver the past decades, Elizabeth Roberts Architects has built a practice of specificity. Whether breathing new life into a historic townhouse or imparting a sense of place into a ground-up contemporary home, Roberts dissolves the boundaries between architecture, interior design, and objects. Her sensitive approach and timeless aesthetic have earned her firm not only wide acclaim and AD100 status, but also a devoted following.The 18 projects featured in this bookamong them chic city townhouses and brownstones, contemporary mountain retreats, and a restored country farmhouse, as well as commercial and cultural commissions, and ERA's designs for wallpaper and furniturereflect Roberts's dedication to reframing the distinctions between history and modernity. Varied in their typologies, all are

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Connection is a monograph of ten residences that articulate the office's design process and exploration of creating architectural solutions rooted in natural place. Connection provides insight into how Colorado-based CCY Architects investigates and formulates the connection between people and place. By way of ten recently completed residential projects located throughout the Rocky Mountain region, CCY Architects shares its process and the specific ideas, discoveries, and challenges that emerge with each project. The featured award-winning projects are diverse in scale, location, and intention, including residences in pristine nature, in dense neighborhoods, in an avalanche path, and a house wrapped in music. The interaction among design and place begins with questions. How to conduct an "interview" with the land to discover qualities which contribute to more powerful design solutions? What should a changing habitat live like, feel like, look like? As CCY uncovers the potential elements of each project, they reflect on and respond to the genuine qualities of the land, light, and seasons to devise the building blocks of a meaningful environment. Common to all is a respect for the land and an intention to forge connections.

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David Opdyke's massive collage This Land (as elucidated in this book by award-winning author Lawrence Weschler) presents a slow-burning satire of the American Dream as it blunders into the reality of climate change. This Land is an epic mural fashioned by New York artist David Opdyke out of vintage American postcards which he then treated with disconcerting painted interventions. What at first reads as a panoramic bird's-eye view of an idyllic alpine valley reveals itself, upon closer examination, to be an array of connected scenes and vignettes. Across more than five hundred postcards, each one portraying a distinct slice of idealized Americana (town squares, mountain highways, main streets and county seats), Opdyke's acerbic, emotionally jarring alterations gradually become evident. In this prophetic refashioning, forests are aflame, tornadoes torque from one card into the next, a steamboat gets swallowed up whole by some sort of new megafauna, frogs fall like Biblical hail from the sky. The human responses form a cacophony of desires and demands, panic and denial. Biplanes trail banners urging Repent Now!, others insist Legislative Action Would Be Premature, while still others advertise seats on an actual Ark. The book This Land affords readers a closer and closer viewing of Opdyke’s devastatingly sardonic take on our impending ecological future, one in turn enlivened by Lawrence Weschler's vividly sly blend of artist profile and critical interpretation. Featuring introductory essays providing background on the artist and the project as a whole, This Land also divides the sprawling mural into eight sections to allow for a more intimate viewing. Interspersed among the detailed visual sections are insightful thematic essays by Lawrence Weschler and an afterword that serves as a stirring call to action by civil rights attorney Maya Wiley. Additionally, the book's jacket is printed on both sides, folding out to reveal the work in its full grandeur.

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The intimate Monk's Garden at the Isabella Stewart Gardner Museum in Boston embodies the design principles that inform the work of noted landscape architect Michael Van Valkenburgh. In Designing a Garden, Van Valkenburgh presents the design of the Monk's Garden at the Isabella Stewart Gardner Museum, an intimate, walled garden that Laurie Olin has described as "a masterpiece, and not a minor one." The book documents the evolution of the garden's design, which is based on the concept of meandering paths through a dreamlike woodland to create a contemplative space. Sketches and models show how the idea was worked out, and lush photographs reveal the completed garden through the seasons. Van Valkenburgh's text explores the origins of his love of landscape and plants in his family farm in Upstate New York and how this has influenced his intuitions as a designer. He shares the full background story of the Monk's Garden, focusing on the experimental nature of design work as well as the challenges and satisfactions of the small scale and the historic and cultural context. Designing a Garden provides a unique first-person account of the design process from the most prominent landscape architects in the country.

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A unique, quirky view of New York City as a vast collection of urban typologies, Codex New York marks one photographer's revelatory journey through the city. As a native New Yorker with a lifelong curiosity about urban infrastructure, photographer Stanley Greenberg - author of the bestselling Invisible New York - observes characteristics of the city that most people miss. And the more he explores the city, the more he understands it as a huge catalog of features that repeat, vary, morph, and multiply - block by block, neighborhood by neighborhood. He embarked on an extraordinary journey, walking every block of Manhattan from the Battery (where there is today much more land than when the Dutch first arrived) to Inwood (which retains more of its original topography than any part of the city) to photograph striking and subtle urban typologies along the way. Alleys, skybridges, parking sheds, architectural relics, tiny streets, water infrastructure - these and more were captured to create an incomparable visual chronicle of the city. What are the objects that a city needs to be a city? Codex New York organizes them into an idiosyncratic field guide that prompts new paths of inquiry. When were they built? Codex New York also serves as a temporal marker; many of the empty spaces Greenberg photographed have already been built on, obscuring the views of the city that now exist only in images. Joining the ranks of great photographic documents of the city, Codex New York is a critical look at and investigation of what New York is made of.

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The first book dedicated to the career of the preeminent American architect, Henry N. Cobb. As a builder, teacher, and mentor, Henry N. Cobb has been one of the most eloquent voices in architecture for well over half a century. A founding partner of Pei Cobb Freed & Partners, where he has worked actively and continuously since its inception in 1955, his practice encompasses a wide variety of building types, with projects across the world that resound in the public imagination. Cobb's sensitivity to place and use generate surprising and unparalleled forms in educational and civic buildings - such as the Portland Museum of Art in Maine, the Anderson School of Management at UCLA, the John Joseph Moakley U.S. Courthouse in Boston, and Palazzo Lombardia in Milan - or in corporate and commercial projects, such as the John Hancock Tower in Boston, Fountain Place Tower in Dallas, Tour EDF at La Défense in Paris, and Four Seasons Hotel and Residences at One Dalton, now under construction in Boston. Henry N. Cobb: Words & Works 1948-2018 is his first book, uniquely combining poetic analyses of his distinguished works with essays and lectures that cover topics about architecture's past, present, and future. His voice is complemented by interviews and discussions with Michael Graves, Robert A.M. Stern, Hal Foster, Charles Gwathmey, Paolo Conrad Bercah, Cynthia Davidson, Peter Eisenman, Mark Pasnik, and John Hejduk. Handsomely designed by OverUnder, this book is packaged in a portable size evocative of the Library of America series. A longtime educator--and chair of the Harvard Graduate School of Design from 1980 to 1985 - Cobb takes up his extensive subject matter in a thoughtful and engaging manner. To anyone interested in the development of American architecture in its transition from modernism to postmodernism and into the era of high-tech starchitecture, there are a number of treasures here to discover. Henry N. Cobb is a landmark survey - in words and works - of one of the great architects of our time.

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The best professional advice Henry Horenstein ever received was to “shoot what you love.” He’s been doing that for more than four decades, capturing photographs that often richly evoke older cultures and places, especially ones that are disappearing: country musicians in Branson, horse racing at Saratoga Springs, nightlife in Buenos Aires, fais do-dos in Cajun Louisiana, old highways everywhere. Horenstein brings these images together in this rich visual memoir, along with behind-the-scenes stories, insights, and tips and suggestions for being a better photographer. His photographs and engaging, often humorous stories chronicle a career that begins in the 1960s, when photography was a trade and even the greatest photographers were not considered to be artists. He amusingly recounts his early assignments. Using his family and friends as subjects for a book on drug abuse was not too much of a stretch, he says, and while shooting Dolly Parton for what would become the Boston Phoenix, the star told him, “Honey, people don’t come out to see me looking like them.” He engagingly recalls his shoots with stars like the Lennon Sisters and Emmylou Harris, as well as his encounters with Ansel Adams, Minor White, Aaron Siskind, Harry Callahan, Nan Goldin, and many other photo legends. Commanding these pages, though, are the subjects with whom Horenstein has chosen to spend most of his professional career, shooting what he loves. His images of honky-tonk stars, stock car drivers, exotic sea creatures, mixed-race residents of rural Maryland, and Venezuelan baseball players tell what he calls “a good story . . . with humor and a punch line, if possible.”

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A must-have for the core contemporary art audience: Robert Storr's singular and long-awaited book is unprecedented in treating the full range of Louise Bourgeois's artistic achievement. In a career spanning nearly 75 years, Louise Bourgeois created a vast body of work that enriched the formal language of modern art while it expressed her intense inner struggles with unprecedented candor and unpredictable invention. Her solo 1982 retrospective at The Museum of Modern Art launched an extraordinarily productive late career, making her a much-honored and vivid presence on the international art scene until her death in 2010 at the age of 98. Trained as a painter and printmaker, Bourgeois embraced sculpture as her primary medium and experimented with a range of materials over the years, including marble, plaster, bronze, wood, and latex. Bourgeois contributed significantly to Surrealism, Postminimalist, and installation art, but her work always remained fiercely independent of style or movement. With more than 1000 illustrations, Intimate Geometries: The Art and Life of Louise Bourgeois comprehensively surveys her immense oeuvre in unmatched depth. Writing from a uniquely intimate perspective, as a close personal friend of Bourgeois, and drawing on decades of research, Robert Storr critically evaluates her achievements and reveals the complexity and passion of one of the greatest artists of the twentieth century.

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