Search results for ""Author Joyce"

Desmond Hogan is one of most remarkable literary talents to have come out of Ireland in the past half-century. Larks’ Eggs affirms that stature. Here, with twenty-two classic stories taken from earlier collections and twelve fresh narratives, Hogan displays anew his lyricism, compassion and sheer prismatic brilliance. His subject is exile and self-image, explored through isolates and eccentrics, brittle lives trapped by poverty, personal histories and restless identities, giving a voice to those on the margins – travellers, the misplaced, the dispossessed. Larks’ Eggs‘ compelling tales of diaspora are both global and local, telling of subsumed identity and allurement, of past merging with present through landscape and mindscape. Desmond Hogan’s fragmented personas are repositories for childhood memory and a collective unconscious that is distinctly Irish and history-burdened, while exhilaratingly and wholly universal and modern. ‘Here’s to the storytellers. They made sense of these lonely and driven lives of ours.’ The Lilliput Press is proud to reintroduce one of Ireland’s most evocative prose writers. Desmond Hogan takes his place alongside Joyce, Plunkett, Trevor, O’Faolain, Kiely and McGahern.

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On an ordinary Monday, Rill Kruse left for third grade with a dad, but when she came home, he’d been stolen. By a river. One year and thirteen days later—on the first morning of summer vacation—Rill still insists he’s trudging home. Her mom has become a practical woman. Her older brother, Eddy, now calls her baby and dork. Gus, second-in-command at Kruse Whitewater Adventures, Rill’s family’s rafting company, has gone from being her dad’s “risk bro” to her mom’s guardian angel. Joyce, company secretary, arm-wrestler, and mechanic, still calls Rill a fingerling, but, after learning what a cheater water is, Rill wishes she’d stop. When Rill’s cat, Clifford, leads her to the family tree fort on the mountainside behind home, she discovers a stowaway, Perla. To help Perla, Rill embarks on an adventure that tests her understanding of the world, of loss, and of what it means to be a friend. In the end, what Rill discovers will nudge her—and all those she loves—toward healing.

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A provocative, unprecedented anthology featuring original short stories on what it means to be an American from thirty bestselling and award-winning authors with an introduction by Pulitzer Prize–winning author Viet Thanh Nguyen: “This chorus of brilliant voices articulating the shape and texture of contemporary America makes for necessary reading” (Lauren Groff, author of Fates and Furies). When Donald Trump claimed victory in the November 2016 election, the US literary and art world erupted in indignation. Many of America’s preeminent writers and artists are stridently opposed to the administration’s agenda and executive orders—and they’re not about to go gentle into that good night. In this “masterful literary achievement” (Kurt Eichenwald, author of Conspiracy of Fools), more than thirty of the most acclaimed writers at work today consider the fundamental ideals of a free, just, and compassionate democracy through fiction in an anthology that “promises to be both a powerful tool in the fight to uphold our values and a tribute to the remarkable voices behind it” (Anthony D. Romero, executive director of the ACLU). With an introduction by Pulitzer Prize-winning author, Viet Thanh Nguyen, and edited by bestselling author Jonathan Santlofer, this powerful anthology includes original, striking art from fourteen of the country’s most celebrated artists, cartoonists, and graphic novelists, including Art Spiegelman, Roz Chast, Marilyn Minter, and Eric Fischl. Transcendent, urgent, and ultimately hopeful, It Occurs to Me That I Am America takes back the narrative of what it means to be an American in the 21st century.

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In Climate Change and the New Polar Aesthetics, Lisa E. Bloom considers the ways artists, filmmakers, and activists engaged with the Arctic and Antarctic to represent our current environmental crises and reconstruct public understandings of them. Bloom engages feminist, Black, Indigenous, and non-Western perspectives to address the exigencies of the experience of the Anthropocene and its attendant ecosystem failures, rising sea levels, and climate-led migrations. As opposed to mainstream media depictions of climate change that feature apocalyptic spectacles of distant melting ice and desperate polar bears, artists such as Katja Aglert, Subhankar Banerjee, Joyce Campbell, Judit Hersko, Roni Horn, Isaac Julien, Zacharias Kunuk, Connie Samaras, and activist art collectives take a more complex poetic and political approach. In their films and visual and conceptual art, these artists link climate change to its social roots in colonialism and capitalism while challenging the suppression of information about environmental destruction and critiquing Western art institutions for their complicity. Bloom’s examination and contextualization of new polar aesthetics makes environmental degradation more legible while demonstrating that our own political agency is central to imagining and constructing a better world.

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Examines the connection between historical and speculative fiction to offer a new form of literary-genre fiction that registers the upheavals of the early twenty-first century Provides detailed critical readings of key writers of the early 21st century Theorizes a reading practice and its relation to the question of literature's political role in the 21st century Establishes a new form of literary-genre fiction that registers the upheavals of the early 21st century and potential literary answers to them Utopian Pasts and Futures in the Contemporary American Novel highlights the emergence of a literary mode, speculative historism, over the past two decades in U.S. literature. Discussing in depth novels by writers such as Ken Kalfus, Joyce Carol Oates, and Colson Whitehead, among others, it integrates questions of critical method, genre, form, and literary theory, all of which have some urgency today. Addressing itself to the question of how to read this mode through a form of utopian hermeneutics, this study explores the formal constitution, narrative choices, and place in the wider literary market of a mode that it believes to be constitutively important for understanding American literature's struggle with the possibility of imagining hopeful futures.

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Everyday life in the far outposts of empire can be static, empty of the excitement of progress. A pervading sense of banality and boredom are, therefore, common elements of the daily experience for people living on the colonial periphery. Saikat Majumdar suggests that this impoverished affective experience of colonial modernity significantly shapes the innovative aesthetics of modernist fiction. Prose of the World explores the global life of this narrative aesthetic, from late-colonial modernism to the present day, focusing on a writer each from Ireland, New Zealand, South Africa, and India. Ranging from James Joyce's deflated epiphanies to Amit Chaudhuri's disavowal of the grand spectacle of postcolonial national allegories, Majumdar foregrounds the banal as a key instinct of modern and contemporary fiction-one that nevertheless remains submerged because of its antithetical relation to literature's intuitive function to engage or excite. Majumdar asks us to rethink the assumption that banality merely indicates an aesthetic failure. If narrative is traditionally enabled by the tremor, velocity, and excitement of the event, the historical and affective lack implied by the banal produces a narrative force that is radically new precisely because it suspends the conventional impulses of narration.

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This new general introduction emphasises the importance of the short story to an understanding of modern fiction. In twenty succinct chapters, the study paints a complete portrait of the short story - its history, culture, aesthetics and economics. European innovators such as Chekhov, Flaubert and Kafka are compared to Irish, New Zealand and British practitioners such as Joyce, Mansfield and Carter as well as writers in the American tradition, from Hawthorne and Poe to Barthelme and Carver. Fresh attention is paid to experimental, postcolonial and popular fiction alongside developments in Anglo-American, Hispanic and European literature. Critical approaches to the short story are debated and reassessed, while discussion of the short story is related to contemporary critical theory. In what promises to be essential reading for students and academics, the study sets out to prove that the short story remains vital to the emerging culture of the twenty-first century. Key Features *A contemporary and theoretically informed survey *Comprehensive coverage of the short story from its folktale origins to the present day *Twenty clear topic-based chapters covering British, American and world fiction *Further reading in each chapter together with an extensive, up-to-date bibliography of primary and secondary works

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Perfect for fans of Louise Hare and Elizabeth Gilbert, On the Rooftop is a stunning story of ambition and sisterhood, dancing to the rhythm of Jazz Era San Francisco 'AN UTTERLY ORIGINAL AND BRILLIANT STORY' REESE WITHERSPOON Longlisted for the 2023 Joyce Carol Oates Prize Vivian's three daughters have been singing in harmony since before they could speak. Together they are The Salvations, the hottest jazz band in San Francisco. But Vivian wants more for her girls, and she won't stop until they've got their big break. When The Salvations receive a once-in-a-lifetime offer from a renowned talent manager, Vivian knows this is exactly what she's been praying for. But somewhere between the grind of endless rehearsals on the rooftop and the glamour of weekly gigs at the Champagne Supper Club, Ruth, Esther and Chloe grow up and start to imagine a life beyond their mother's reach. Dancing to the rhythm of Jazz Era San Fransisco, On the Rooftop is a stunning story of ambition, success, and three sisters determined to define their own future. 'It will get inside your heart, break it wide open and stay there for a long time.' Good Housekeeping

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From Ellen Datlow (“the venerable queen of horror anthologies” (New York Times) comes a new entry in the series that has brought you stories from Stephen King and Neil Gaiman comes thrilling stories, the best horror stories available. For more than four decades, Ellen Datlow has been at the center of horror. Bringing you the most frightening and terrifying stories, Datlow always has her finger on the pulse of what horror readers crave. Now, with the thirteenth volume of the series, Datlow is back again to bring you the stories that will keep you up at night. Encompassed in the pages of The Best Horror of the Year have been such illustrious writers as: Neil Gaiman, Stephen King, Stephen Graham Jones, Joyce Carol Oates, Laird Barron, Mira Grant, and many others. With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. But this light creates its own shadows. The Best Horror of the Year chronicles these shifting shadows. It is a catalog of terror, fear, and unpleasantness as articulated by today’s most challenging and exciting writers.

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Have you ever felt you tried every solution on earth to solve a problem, but nothing worked? Have you ever wondered where the difficulties you face are coming from? Joyce Meyer has answers.In Your Battles Belong to the Lord, Meyer explains that while some problems may result from a person's choices or circumstances, others are rooted in the spiritual realm. Once you recognise the devil--who is real and active in the world today--as your true enemy and the source of many of your struggles, you can overcome them and live a life of peace, freedom, faith and victory. When facing life's battles, there are certain things you must do for yourself, such as:* Diligently studying and applying God's Word* Trusting Him* Praying*Maintaining a positive attitude and thankful heartBut there are other things only God can do. When you do your part, God does His-and He is always ready and eager to defend you and help you.Each chapter of the book helps you understand how the enemy operates and learn to counter his schemes and strategies so you can live at a new level of strength. Chapter titles include: "Know Your Enemy," "Eliminate Fear," "How the Devil Tries to Deceive People," "Hold Your Peace," "The Power of a Thankful Life," and "Internal Rest."

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Umberto Saba (1883-1957) is one of the great Italian poets of the twentieth century, as closely associated with his native city Trieste as Joyce is with Dublin. He received a sparse education but was writing distinctive poetry before he was twenty, ignoring the modernist groups which dominated the day. He came at personal themes in unexpected ways, using an unapologetically contemporary idiom. He acquired an antiquarian bookshop which prospered for a time, but his Jewish background placed him at risk with the rise of Fascism. When the Germans took northern Italy in 1943, he and his family went into hiding in Florence where they escaped detection until the Allied liberation. National fame came late in his life. 100 Poems is the most extensive selection of his work so far published in Great Britain. He emerges as one of the great European writers of his time. The book features writing from every period of his writing life. Patrick Worsnip's translations honour the poet's use of traditional Italian forms while using appropriately colloquial diction.

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Master the essentials of nutrition science and patient care with this concise text! Williams' Essentials of Nutrition and Diet Therapy, 13th Edition helps you understand and apply nutrition concepts in the treatment of disease, disease prevention, and life enhancement. The text is broken out into three parts: the basics of nutrients and the body, the life cycle and community nutrition, and clinical nutrition. Case studies help you determine nutritional interventions in treating both acute and chronic conditions. Written by nutrition specialists Joyce Gilbert and Eleanor D. Schlenker, this book includes the latest advances in research and evidence-based practice. Strong community focus includes robust coverage of health promotion, cultural competence, patient safety, lifespan, and public health issues. Person-centered approach helps you develop practical solutions to individual problems, based on the authors' personal research and clinical experience. MyPlate for Older Adults is included, as developed by nutrition scientists at Tufts University and the AARP Foundation, along with the Nestlé Mini Nutritional Assessment Scale. Health Promotion sections help you with nutrition education, stressing healthy lifestyle choices and prevention as the best medicine. Case studies provide opportunities for problem solving, allowing you to apply concepts to practical situations in nutrition care. Evidence-Based Practice boxes emphasize critical thinking and summarize current research findings. Focus on Culture boxes highlight cultural competence and the nutritional deficiencies, health problems, and appropriate interventions relating to different cultural, ethnic, racial, and age groups. Focus on Food Safety boxes alert you to food safety issues related to a particular nutrient, population group, or medical condition. Complementary and Alternative Medicine boxes offer uses, contraindications, and advantages/disadvantages of common types of herbs and supplements, and potential interactions with prescription or over-the-counter medications. Chapter summaries and review questions reinforce your understanding of key concepts and their application. Key terms are identified in the text and defined on the page to help reinforce critical concepts. NEW! Next Generation NCLEX® (NGN)-style case studies apply concepts to realistic scenarios. NEW! Dietary Guidelines have been updated to the 2020-2025 edition with new illustrations. NEW! Coverage of the Healthy People initiative is updated to the 2030 national objectives. NEW! Revised guidelines for potassium and sodium fit the new recommendations for adequate intake of potassium and for sodium chronic disease risk reduction intake. NEW! Content on obesity is incorporated into the Energy Balance chapter. NEW! Updated content on nutrients is added. NEW! Updated references include many new and current works.

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'Magnificent.' Irish Times'Much to savour.' The Times'An event in Irish culture.' TLSThe collected letters of John McGahern, 'one of the greatest writers of our era' (Hilary Mantel) and 'the most important Irish novelist since Samuel Beckett.' (Guardian)John McGahern is consistently hailed as one of the finest Irish writers since James Joyce and Samuel Beckett.This volume collects some of the witty, profound and unfailingly brilliant letters that he exchanged with family, friends and literary luminaries - such as Seamus Heaney, Colm Tóibín and Paul Muldoon - over the course of a well-travelled life.It is one of the major contributions to the study of Irish and British literature of the past thirty years, acting not just as a crucial insight into the life and works of a much-revered writer - but also a history of post-war Irish literature and its close ties to British and American literary life.'McGahern brings us that tonic gift of the best fiction, the sense of truth - the sense of transparency that permits us to see imaginary lives more clearly than we see our own.' John Updike

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This essential companion offers invaluable insights and solid, practical guidance to those keen to write for TV and radio. PART 1 explores the nature of the media. It looks at the history of writing drama and comedy for radio and TV through a consideration of its key elements and some of the most successful dramas and comedies of past and present. PART 2 includes reflections and tips from award-winning writers of film, television and radio from the UK, the US and Scandinavia: Sam Bain, Peter Bowker, Elly Brewer, Laura Eason, Ellen Fairey, Nick Fisher, Phil Ford, Jeppe Gjervig Gram, Katie Hims, Rachel Joyce, Marcy Kahan, Rebecca Lenkiewicz, Jan McVerry, Jonathan Myerson, Hattie Naylor, Richard Nelson, Andrew Nickolds, Georgia Pritchett, Mike Walker and Stephen Wyatt. PART 3 offers practical advice on technical aspects of writing for TV and radio including character development, structure and dialogue. It also gives guidance on how to deal with branches of the broadcasting industry, from agents and actors to producers and script editors.

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Building on his enormously successful series of Philosophers in 90 Minutes, Paul Strathern now applies his witty and incisive prose to brief biographical studies of the world's great writers. He brings their lives and ideas to life in entertaining and accessible fashion. Far from being a novelty, each book is a highly refined appraisal of the writer and his work, authoritative and clearly presented. Applause for Paul Strathern's Philosophers in 90 Minutes series: "Each of these little books is witty and dramatic and creates a sense of time, place, and character....I cannot think of a better way to introduce oneself and one's friends to Western civilization."—Katherine A. Powers, Boston Globe "Well-written, clear and informed, they have a breezy wit about them....I find them hard to stop reading."—Richard Bernstein, New York Times "Witty, illuminating, and blessedly concise."—Jim Holt, Wall Street Journal In preparation: Jane Austen, Borges, Cervantes, Chekhov, Conrad, Dante, Dickens, Faulkner, Hardy, Hemingway, Hugo, Henry James, Joyce, Mann, Tolstoy, Twain, Virginia Woolf.

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The Unappeasable Host: Studies in Irish Identities explores some of the tensions created when Anglo-Irish writers - Protestant in religion, of non-Irish ancestryreflected upon their preferred subject matter, Ireland and their unhyphenated Catholic contemporaries. These tensions involve the writers' sense of anxiety about their own membership in the Irish community, and at the same time their anxiety about losing their distinctive identity. Anglo-Irish writers founded modern Irish literature in English, identifying themselves with their native country and its people. Yet they often felt themselves surrounded and watched by an 'Unappeasable Host', a population that resented them. Robert Tracy discusses Irish writers who in England were considered Irish, in Ireland English - including Maria Edgeworth and Lady Morgan, the Banim brothers, Roger O'Connor, Sheridan Le Fanu, W. B. Yeats, J. M. Synge, Elizabeth Bowen - together with James Joyce, who, although neither of English ancestry nor Protestant, similarly focuses on individuals separated or excluded from the Irish life around them.

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WINNER OF SPECIAL BOOK AWARD OF CHINA 2021 In 1318, the Irish Franciscan friar and explorer James of Ireland accompanied Friar Odoric of Pordenone to the Far East, thus becoming the first Irish person in China. Since then, encounters between the Irish and the people of China have proliferated: just as Ireland gained from the plant hunters of the late Qing dynasty, so China learned eagerly from the tactics of Irish cultural nationalism early in the twentieth century. Such fruitful exchanges were made possible by parallels in their historical development, as each grew – in only a few generations – from traditional agricultural societies into modern, globalized republics. Whether it is China’s ecstatic welcome of Riverdance, Kerrygold butter and the prose of James Joyce, or Ireland’s reinvention of itself through its culture and newly multicultural society, these essays demonstrate, often in surprising ways, just how each nation has helped transform the other. With a welcome message from the President of Ireland, Michael D. Higgins, this collection of essays also celebrates four decades of Sino-Irish diplomatic relations.

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One quiet afternoon in 2037, Joyce Denzell hears a thud in her family’s home library and finds a book lying in the middle of the room, seemingly waiting for her—a book whose copyright page says it was published in the year 2200. Over the next twenty-four hours, each of the Denzell family members discovers and reads from this mystical history book from the future, nudged along by their cat, Plato.As the various family members take turns reading, they gradually uncover the story of Gabe, Mia, and Ruth—a saga of adventure, endurance, romance, mystery, and hope that touches them all deeply. Along the way, the Denzells all begin to believe that this book that has seemingly fallen out of time and space and into their midst might actually be from the future—and that it might have something vitally important to teach them.Engaging, playful, and thought-provoking, Hope is a seven-generation-spanning vision of the future as it could be—based on scientific projections, as well as historical and legal precedence—that will leave readers grappling with questions of destiny, responsibility, and the possibility for hope in a future world.

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The city that was home to James Joyce, Maeve Binchy, Oscar Wilde, George Bernard Shaw, William Butler Yeats and scores of other brilliant men and women, is as rich, intellectually heady and welcoming a place to visit today as it ever was. The trick is how to make the most of your precious vacation time while in Dublin -- not an easy task. This book will help. It was created for independent travelers and boasts a practical, colourful format with useful, clear maps and expertly designed tours. The guide highlights the must-see places and offers knowledgeable opinion on where to stay, eat and shop. - Includes special interest tours: Dublin's Heroes; Dublin with Kids; Georgian Dublin; Vikings & Medieval Dublin, Trinity College and the Book of Kells - Details great neighbourhood walking tours - Opinionated reviews of the best nightlife, shopping and dining the city has to offer. - Helpful tips and all you need to know to make the most of your trip in the Savvy Traveler chapter. - Exact pricing so there's never any guessing - Maps to accompany every tour as well as a fold-out regional map in plastic case.

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Seven distinguished historians explain how a national political culture developed in America. A political culture is both the collectivity of a community's values and a mode of behavior—an end as well as a process of obtaining that end which is always changing. J.G.A. Pocock examines how Americans wrote their own history rather than relying on others. Jack Greene shows how British institutions and the common law were modified by unique colonial American experiences. Richard Vernier suggests that the economic crises of the mid-1780s resulted in the triumph of a national fiscal policy enunciated by Alexander Hamilton. Andrew Robertson demonstrates how election rituals transformed the American political culture of deference into an expanded, abstract world of electoral opinion knit together by newspapers. Joyce Appleby examines the importance of literacy to the exchange of ideas that created a national political culture. She also highlights the importance of volunteer associations to effect social and economic reform in America (including the abolition of slavery). Lawrence Goldman's case study of the National Reform Association, a nineteenth-century group of radical workers, describes how the reform movement's advocacy of cheap land led to the passage of the Homestead Act in 1862. Rebecca Starr uses South Carolina to illustrate how the South developed its own political culture by the end of the eighteenth century that persisted well beyond the Civil War.

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“A painful truth of family life: the most tender emotions can change in an instant. You think your parents love you but is it you they love, or the child who is theirs?” --Joyce Carol Oates, My Life as a RatWhich should prevail: loyalty to family or loyalty to the truth? Is telling the truth ever a mistake and is lying for one’s family ever justified? Can one do the right thing, but bitterly regret it? My Life as a Rat follows Violet Rue Kerrigan, a young woman who looks back upon her life in exile from her family following her testimony, at age twelve, concerning what she knew to be the racist murder of an African-American boy by her older brothers. In a succession of vividly recalled episodes Violet contemplates the circumstances of her life as the initially beloved youngest child of seven Kerrigan children who inadvertently “informs” on her brothers, setting into motion their arrests and convictions and her own long estrangement. Arresting and poignant, My Life as a Rat traces a life of banishment from a family—banishment from parents, siblings, and the Church—that forces Violet to discover her own identity, to break the powerful spell of family, and to emerge from her long exile as a “rat” into a transformed life.

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A pianist falls grandly, helplessly in love in this elegant new novella from the twice-Booker Prize winnerThe Pole tells the story of Witold Walczykiewicz, a vigorous, white-haired pianist, who becomes infatuated with Beatriz, a stylish patron of the arts, after she helps organize his Barcelona concert.Although Beatriz, who is married, is initially unimpressed by Wittold, she soon finds herself pursued and ineluctably swept into his world. As he sends her letters, extends countless invitations to travel, and even visits her husband's summer home in Mallorca, their unlikely relationship blossoms, though only on her terms.As the power struggle between them intensifies -- Is it Beatriz who limits their passion by controlling her emotions? Or is it Witold, trying to force into life his dream of love? Evocative of Joyce's 'The Dead,' The Pole is a haunting work, evoking the 'inexhaustible palette of sensations, from blind love to compassion' (El País) typical of Coetzee's finest novels.Published together with five exceptional stories, this new work from one of our greatest writers is a must for all literary connoisseurs.

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Capital punishment for murder was suspended in Great Britain in 1965, an Act finally made permanent in 1969, but remained as the punishment for treason until as recently as 1998, demonstrating how seriously we take the crime of betraying your country. But even with the threat of the noose hanging over them, many still chose the path of treachery during the cataclysmic events of last century. British Traitors examines the lives and motivations of a number of the perpetrators of this most heinous of crimes, following the footsteps of Fascist traitors such as William Joyce (Lord Haw-Haw) and John Amery to the gallows, investigating what drove men such as Wilfred Macartney and John Herbert King to betray their country during the war to end all wars and delving into the mysterious web of espionage and subterfuge surrounding the Cambridge Spy Ring that spied for the Soviet Union from the nineteen-thirties until the early nineteen-fifties. People commit treason for many reasons - some seek adventure, some seek reward, some are motivated by political philosophy, while others are sucked into it by their own foolishness. British Traitors provides a fascinating look at the lives and impulses of those who chose to betray their country.

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From Ellen Datlow—“the venerable queen of horror anthologies” per the New York Times—comes a new entry in the series that has brought you thrilling stories from Stephen King and Neil Gaiman, the best horror stories available. For more than four decades, Ellen Datlow has been at the center of horror. Bringing you the most frightening and terrifying stories, Datlow always has her finger on the pulse of what horror readers crave. Now, with the fourteenth volume of the series, Datlow is back again to bring you the stories that will keep you up at night. Encompassed in the pages of The Best Horror of the Year have been such illustrious writers as: Neil Gaiman, Stephen King, Stephen Graham Jones, Joyce Carol Oates, Laird Barron, Mira Grant, and many others. With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. But this light creates its own shadows. The Best Horror of the Year chronicles these shifting shadows. It is a catalog of terror, fear, and unpleasantness as articulated by today’s most challenging and exciting writers.

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Winner of the Jackie Kirk AwardWinner of the AESA Critics’ Choice Award“Blazes new trails in the study of the lives of girls, challenging all of us who care about justice and gender equity not only to create just and inclusive educational institutions but to be unapologetically feminist in doing so. Seamlessly merging research with the stories and voices of girls and those who educate them, this book reminds us that we should do better and inspires the belief that we can. It is the blueprint we’ve been waiting for.”—Brittney C. Cooper, author of Eloquent Rage“Nuamah makes a compelling and convincing case for the development of the type of school that can not only teach girls but also transform them…An essential read for all educators, policymakers, and parents invested in a better future.”—Joyce Banda, former President of the Republic of MalawiThis bold and necessary book points out a simple and overlooked truth: most schools never had girls in mind to begin with. That is why the world needs what Sally Nuamah calls “feminist schools,” deliberately designed to provide girls with achievement-oriented identities. And she shows how these schools would help all students, regardless of their gender.Educated women raise healthier families, build stronger communities, and generate economic opportunities for themselves and their children. Yet millions of disadvantaged girls never make it to school—and too many others drop out or fail. Upending decades of advice and billions of dollars in aid, Nuamah argues that this happens because so many challenges girls confront—from sexual abuse to unequal access to materials and opportunities—go unaddressed. But it isn’t enough just to go to school. What you learn there has to prepare you for the world where you’ll put that knowledge to work.A compelling and inspiring scholar who has founded a nonprofit to test her ideas, Nuamah reveals that developing resilience is not a gender-neutral undertaking. Preaching grit doesn’t help girls; it actively harms them. Drawing on her deep immersion in classrooms in the United States, Ghana, and South Africa, Nuamah calls for a new approach: creating feminist schools that will actively teach girls how and when to challenge society’s norms, and allow them to carve out their own paths to success.

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More than three thousand years ago a sculptor working in the royal city of Amarna carved a limestone bust of an Egyptian queen. The queen was Nefertiti, consort of the 'heretic pharaoh' Akhenaten. Plastered and painted, Nefertiti's bust depicted an extraordinarily beautiful woman. However, Akhenaten's reign was drawing to an end, and the royal family was soon to be written out of Egypt's official history. Not long after its creation the stone Nefertiti was locked in a storeroom and forgotten. In 1912 the bust was re-discovered and transported to Germany. Initially hidden from the public view, the beautiful queen was eventually displayed in Berlin Museum. Instantly, she became an ancient world celebrity. Egypt has yielded more than its fair share of artistic masterpieces, but no other sculpture has so successfully bridged the gap between the ancient and modern worlds. The timeless beauty of the Nefertiti bust both attracts us and sparks our imagination, but in so doing it obscures our view of the past, shifting attention not only from the other members of the Amarna court, but also from other, equally valid, representations of Nefertiti herself. In this book Joyce Tyldesley explores the creation of a cultural icon, from its ancient origins to its modern context: its discovery, its display, and its dual role as a political pawn and artistic inspiration.

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When the avant-gardist John Cage died, he was already the subject of many interviews, memoirs and discussions of his contribution to music, music theory and performance practice. This text includes a revisionist treatment of the way Cage himself has composed and been "composed" in America. A disciple of Duchamp and Schoenberg, Satie and Joyce, Cage created compositions that undercut some of these artists' central principles and then attributed his own compositional theories to their "tradition." Following the text of Cage's "Overpopulation and Art," delivered at Stanford shortly before his death, ten critics respond to the complexity and contradiction exhibited in his work. In keeping with Cage's own interdisciplinarity, the critics approach the work from a variety of disciplines: philosophy (Daniel Herwitz, Gerald L. Bruns), biography and cultural history (Thomas S. Hines), game and chaos theory (N. Katherine Hayles), music culture (Jann Pasler), opera history (Herbert Lindenberger), literary and art criticism (Marjorie Perloff), cultural poetics (Gordana P. Crnkovic, Charles Junkerman), and poetic practice (Joan Retallack).

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WINNER OF THE WILBUR SMITH ADVENTURE WRITING PRIZE | BEST PUBLISHED NOVELWOMAN & HOME BEST BOOKS OF THE YEAR and A NEW YORK TIMES BESTSELLER'The perfect escape novel for our troubled times.' PATRICK GALEIt is 1950. In a devastating moment of clarity, Margery Benson abandons her dead-end job and advertises for an assistant to accompany her on an expedition. She is going to travel to the other side of the world to search for a beetle that may or may not exist. Enid Pretty, in her unlikely pink travel suit, is not the companion Margery had in mind. And yet together they will be drawn into an adventure that will exceed every expectation. They will risk everything, break all the rules, and at the top of a red mountain, discover their best selves. This is a story that is less about what can be found than the belief it might be found; it is an intoxicating adventure story but it is also about what it means to be a woman and a tender exploration of a friendship that defies all boundaries.'A girl's own adventure...This is Rachel Joyce's best book yet ...Exciting, moving and full of unexpected turns.' THE TIMES 'Brilliant and elegant and wise...powerful and moving...I can't recommend it enough.' JOANNA CANNON 'A beautiful portrayal of female friendship in all its frailties, contradictions and strengths.' RAYNOR WINNWOMAN & HOME BEST BOOKS OF THE YEAR 2020; DAILY MAIL BEST BOOKS OF THE YEAR 2020; BOOKMARK BOOK OF THE YEAR 2020; GOOD HOUSEKEEPING BEST BOOKS OF THE YEAR 2020

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Building on the success and importance of three previous volumes, Relational Psychoanalysis continues to expand and develop the relational turn. Under the keen editorship of Lewis Aron and Adrienne Harris, and comprised of the contributions of many of the leading voices in the relational world, Volume 5 carries on the legacy of this rich and diversified psychoanalytic approach by taking a fresh look at the progress in therapeutic process. Included here are chapters on transference and countertransference, engagement, dissociation and self-states, analytic impasses, privacy and disclosure, enactments, improvisation, development, and more. Thoughtful, capacious, and integrative, this new volume places the leading edge of relational thought close at hand, and pushes the boundaries of the relational turn that much closer to the horizon.Contributors: Lewis Aron, Anthony Bass, Beatrice Beebe, Philip Bromberg, Steven Cooper, Jody Messler Davies, Darlene Ehrenberg, Dianne Elise, Glen Gabbard, Adrienne Harris, Irwin Hoffman, Steven Knoblauch, Thomas Ogden, Spyros Orfanos, Stuart Pizer, Philip Ringstrom, Jill Salberg, Stephen Seligman, Joyce Slochower, Donnel Stern, Paul Wachtel.

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This collection looks beyond the literary, religious, and philosophical aspects of Chaucer’s texts to a new mode of interdisciplinary scholarship: one that celebrates the richness of Chaucer’s visual poetics. The twelve illustrated essays make connections between Chaucer’s texts and various forms of visual data, both medieval and modern.Basing their approach on contemporary understandings of interplay between text and image, the contributors examine a wealth of visual material, from medieval art and iconographical signs to interpretations of Chaucer rendered by contemporary artists. The result uncovers interdisciplinary potential that deepens and informs our understanding of Chaucer’s poetry in an age in which digitization makes available a wealth of facsimiles and other visual resources.A learned assessment of imagery and Chaucer’s work that opens exciting new paths of scholarship, Chaucer: Visual Approaches will be welcomed by scholars of literature, art history, and medieval and early modern studies.The contributors are Jessica Brantley, Joyce Coleman, Carolyn P. Collette, Alexandra Cook, Susanna Fein, Maidie Hilmo, Laura Kendrick, Ashby Kinch, David Raybin, Martha Rust, Sarah Stanbury, and Kathryn R. Vulić.

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'Brilliant. Searching and profound' E.H. Carr, Times Literary Supplement'When reading Isaiah Berlin we breathe an altogether different air' New York Review of Books'Beautifully written' W. H. Auden, New Yorker'Ingenious. Exactly what good critical writing should be' Max Beloff, GuardianThe fox knows many things, but the hedgehog knows one big thing.For Isaiah Berlin, there is a fundamental distinction in mankind: those who are fascinated by the infinite variety of things - foxes - and those who relate everything to a central all-embracing system - hedgehogs. It can be applied to the greatest creative minds: Dante, Ibsen and Proust are hedgehogs, while Shakespeare, Aristotle and Joyce are foxes.Yet when Berlin reaches the case of Tolstoy, he finds a fox by nature, but a hedgehog by conviction; a duality which holds the key to understanding Tolstoy's work, illuminating a paradox of his philosophy of history and showing why he was frequently misunderstood by his contemporaries and critics.With a foreword by Michael IgnatieffA W&N Essential

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Drawing on a rich heritage of Irish, English, Ulster Scots, Shelta, Hindustani, Swahili and many other linguistic resources, Hiberno-English has retained both its inventiveness and its vigour in a country which now plays host to some 167 languages, suggesting that Ireland will continue to make new words for old in the spirit of its own highly distinctive idiom. From the reviews of previous editions ‘This is worth its weight in gold-dust, for at last we have a proper, and often improper, dictionary of Irish slang.’ Hugh Leonard, Sunday Independent ‘Joyce would have loved it.’ John Boland, The Times (London) ‘The book can take its place on the shelf beside the great Eric Partridge himself and there is no greater tribute.’ Sean McMahon, Irish Independent ‘Slanguage is an exceptionally well researched work of reference.’ John Slevin, RTÉ Guide ‘Much of the book is a joy to read.’ Brian Griffin, International Journal of Lexicography ‘This is quite simply an outstandingly brilliant piece of Sherlock-Holmesing, characterised by both authenticity and wit.’ Aubrey Malone, Books Ireland

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Dr. Zanardi approaches the development of psychoanalytic theories of women on two fronts: the psychoanalytic and the political. The first part includes papers by Ruth Mack Brunswick, Melanie Klein, Janine Chasseguet-Smirgel, D. W. Winnicott, Joyce Macdougal, Edith Jacobsen, Annie Reich, and Judith Kestenberg, among others, illustrating the psychoanalytic development concerning female sexuality from the 1940s on. the different views - Freudian, Kleinian, Horneyan, object relation, and Lacanian - are presented, showing both American and European views to underline their theoretical differences. Controversial issues - phallocentrism, penis envy, homosexuality, masochism, wish for a child - are brought into focus and analyzed from different theoretical and clinical points of view. The second part draws attention to the influence of the Women's Liberation Movement on psychoanalytic theory. The papers included show attempts to integrate psychoanalysis into the ideological political discourse. It includes the work of leading feminists and psychoanalysts in the United States and Europe, including Carol Gilligan, Dorothy Dinnerstein, Jean Baker Miller, Juliet Mitchell, Luce Irigaray, and Julia Kristeva.

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From the dawn of history to the decline of the Celtic Tiger - how Ireland has been shaped over the centuries. Ireland has been shaped by many things over the centuries: geography, war, the fight for liberty. A Brief History of Ireland is the perfect introduction to this exceptional place, its people and its culture. Ireland has been home to successive groups of settlers - Celts, Vikings, Normans, Anglo-Scots, Huguenots. It has imported huge ideas, none bigger than Christianity which it then re-exported to Europe after the fall of the Roman Empire. In the Tudor era it became the first colony of the developing English Empire. Its fraught and sometimes brutal relationship with England has dominated its modern history. Killeen argues that religion was decisive in all this: Ireland remained substantially Catholic, setting it at odds with the larger island culturally, religiously and politically. But its own culture and identity have stayed strong, most obviously in literature with a magnificent tradition of writing from the Book of Kells to the modern masters: Joyce, Yeats, Beckett and Heaney.

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~ The Irish contemporary classic in a beautiful new edition ~ 'Weren't you never out for an easy dip?' he asked . . . 'I don't mean the baths, I mean with a pal. For a lark like.' Out at the Forty Foot, that great jut of Dublin rock where gentlemen bathe in the scandalous nude, two boys meet day after day. There they make a pact: that Doyler will teach Jim to swim, and in a year, they will swim the bay to the distant beacon of the Muglins rock, to raise the Green and claim it for themselves. As a turbulent year drives inexorably towards the Easter Rising of 1916 and Ireland sets forth on a path to uncertain glory, a tender, secret love story unfolds. Written with verve and mastery in a modern Irish tradition descended from James Joyce and Flann O'Brien, At Swim, Two Boys is a shimmering novel of unforgettable ambition, intensity and humanity. 'One of the greatest Irish novels ever written' David Marcus 'The music of Jamie O'Neill's prose creates a new Irish symphony' Peter Ackroyd 'Heartachingly beautiful' Independent on Sunday 'A vivid picture of human freedom' Sunday Times

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Istanbul, through the mind of its most celebrated writer. ** PRE-ORDER NIGHTS OF PLAGUE, THE NEW NOVEL FROM ORHAN PAMUK **Winner of the Nobel Prize for Literature'A declaration of love.' Sunday Times'A fascinating read for anyone who has even the slightest acquaintance with this fabled bridge between east and west.' The Economist'An irresistibly seductive book' Jan Morris, GuardianIn a surprising and original blend of personal memoir and cultural history, Turkey's most celebrated novelist, Orhan Pamuk, explores his home of more than fifty years.What begins as a portrait of the artist as a young man becomes a shimmering evocation, by turns intimate and panoramic, of one of the world's greatest cities. Beginning in the family apartment building where he was born, and still lives, Pamuk uses his family secrets to show how they were typical of their time and place. He then guides us through Istanbul's monuments and lost paradises, dilapidated Ottoman villas, back streets and waterways, and introduces us to the city's writers, artists and murderers.Like Joyce's Dublin and Borges' Buenos Aires, Pamuk's Istanbul is a triumphant encounter of place and sensibility, beautifully written and immensely moving.

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Concebida por Hermann Broch (1886-1951) en las cinco semanas que estuvo encarcelado en Alt-Ausse, tras ser detenido por la Gestapo, " La muerte de Virgilio " (1945) es sin lugar a dudas una de las obras fundamentales de la narrativa del siglo XX, pudiendo equiparase su influencia a la de las grandes obras de Kafka o Joyce. En la novela, situada en la época del emperador romano Augusto, el poeta Virgilio, en las horas anteriores a su muerte, cae en un duermevela en el que se funden el pasado y el presente, el sueño y la vigilia, lo tangible y la alucinación. Dilatada al máximo su capacidad de percepción por su progresivo desprendimiento de la realidad, lleva a cabo un minucioso análisis de su entorno físico y mental que se corresponde en la forma con una exploración profunda de las posibilidades del lenguaje.

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Thomas Hardy notes the thrush’s ‘full-hearted evensong of joy illimited’, Gilbert White observes how swallows sweep through the air but swifts ‘dash round in circles’ and Rachel Carson watches sanderlings at the ocean’s edge, scurrying ‘across the beach like little ghosts’. From early times, we have been entranced by the bird life around us. This anthology brings together poetry and prose in celebration of birds, records their behaviour, flight, song and migration, the changes across the seasons and in different habitats – in woodland and pasture, on river, shoreline and at sea – and our own interaction with them. From India to America, from China to Rwanda, writers marvel at birds – the building of a long-tailed tit’s nest, the soaring eagle, the extraordinary feats of migration and the pleasures to be found in our own gardens. Including extracts by Geoffrey Chaucer, Dorothy Wordsworth, Richard Jefferies, Charles Darwin, James Joyce, John Keats, Charlotte Brontë, Emily Dickinson, Anton Chekhov, Kathleen Jamie, Jonathan Franzen and Barbara Kingsolver among many others, this rich anthology will be welcomed by bird-lovers, country ramblers and anyone who has taken comfort or joy in a bird in flight.

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Presents essays by leading short-story writers on their favorite American short stories and why they like them. It will send readers to the library or bookstore to read - or re-read - the stories selected. On the assumption that John Updike was correct when he asserted, in a 1978 letter to Joyce Carol Oates, that "Nobody can read like a writer," Why I Like This Story presents brief essays by forty-eight leading American writers on their favorite American short stories, explaining why they like them. The essays, which are personal, not scholarly, not only tell us much about the story selected, they also tell us a good deal about the author of the essay, about what elements of fiction he or she values. Among the writers whose stories are discussed are such American masters as James, Melville, Hemingway, O'Connor, Fitzgerald, Porter, Carver, Wright, Updike, Bellow, Salinger,Malamud, and Welty; but the book also includes pieces on stories by canonical but lesser-known practitioners such as Andre Dubus, Ellen Glasgow, Kay Boyle, Delmore Schwartz, George Garrett, Elizabeth Tallent, William Goyen, Jerome Weidman, Peter Matthiessen, Grace Paley, William H. Gass, and Jamaica Kincaid, and relative newcomers such as Lorrie Moore, Kirstin Valdez Quade, Phil Klay, Viet Thanh Nguyen, and Edward P. Jones. Why I Like This Story will send readers to the library or bookstore to read or re-read the stories selected. Among the contributors to the book are Julia Alvarez, Andrea Barrett, Richard Bausch, Ann Beattie, Andre Dubus, George Garrett, William H. Gass, Julia Glass, Doris Grumbach, Jane Hamilton, Jill McCorkle, Alice McDermott, Clarence Major, Howard Norman, Annie Proulx, Joan Silber, Elizabeth Spencer, and Mako Yoshikawa. Editor Jackson R. Bryer is Professor Emeritus of English at the University of Maryland.

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One of the secrets to Bruce Springsteen’s enduring popularity over the past fifty years is the way fans feel a deep personal connection to his work. Yet even as the connection often stays grounded in details from his New Jersey upbringing, Springsteen’s music references a rich array of personalities from John Steinbeck to Amadou Diallo and beyond, inspiring fans to seek out and connect with a whole world’s worth of art, literature, and life stories. In this unique blend of memoir and musical analysis, John Massaro reflects on his experiences as a lifelong fan of The Boss and one of the first professors to design a college course on Springsteen’s work. Focusing on five of the Jersey rocker’s main themes—love, masculinity, sports, politics, and the power of music—he shows how they are represented in Springsteen’s lyrics and shares stories from his own life that powerfully resonate with those lyrics. Meanwhile, paying tribute to Springsteen’s inclusive vision, he draws connections among figures as seemingly disparate as James Joyce, Ta-Nehisi Coates, Thomas Aquinas, Bobby Darin, and Lin-Manuel Miranda. Shades of Springsteen offers a deeply personal take on the musical and cultural legacies of an American icon.

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Modernist writers, critics, and artists sparked a fresh and distinctive interpretation of Shakespeare's plays which has proved remarkably tenacious, as Richard Halpern explains in this lively and provocative book. The preoccupations of such high modernists as T. S. Eliot, Wyndham Lewis, and James Joyce set the tone for the critical reception of Shakespeare in the twentieth century. Halpern contends their habits of thought continue to dominate postmodern schools of criticism that claim to have broken with the modernist legacy. Halpern addresses such topics as imperialism and modernism's cult of the primitive, the rise of mass culture, modernist anti-semitism, and the aesthetic of the machine. His discussion considers figures as diverse as Orson Welles and Arnold Schwarzenegger, and Shakespeare critics including Northrop Frye, Cleanth Brooks, Stephen Greenblatt, and Stanley Cavell. Shakespeare's works have been subjected to a continuing process of historical reinterpretation in which every new era has imposed its own cultural and ideological presuppositions on the plays. The most enduring contribution of modernism, Halpern suggests, has been the juxtaposition of an awareness of historical distance and a mapping of Shakespeare's plays onto the present. Using modernist themes and approaches, he constructs new readings of four Shakespeare plays.

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“It gives me a secret pleasure to observe the fair character our family has in the place by Jews & Christians,“Abigail Levy Franks wrote to her son from New York City in 1733. Abigail was part of a tiny community of Jews living in the new world. In the centuries that followed, as that community swelled to several millions, women came to occupy diverse and changing roles. American Jewish Women’s History, an anthology covering colonial times to the present, illuminates that historical diversity. It shows women shaping Judaism and their American Jewish communities as they engaged in volunteer activities and political crusades, battled stereotypes, and constructed relationships with their Christian neighbors. It ranges from Rebecca Gratz’s development of the Jewish Sunday School in Philadelphia in 1838 to protest the rising prices of kosher meat at the turn of the century, to the shaping of southern Jewish women's cultural identity through food. There is currently no other reader conveying the breadth of the historical experiences of American Jewish women available. The reader is divided into four sections complete with detailed introductions. The contributors include: Joyce Antler, Joan Jacobs Brumberg, Alice Kessler-Harris, Paula E. Hyman, Riv-Ellen Prell, and Jonathan D. Sarna.

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“It gives me a secret pleasure to observe the fair character our family has in the place by Jews & Christians,“Abigail Levy Franks wrote to her son from New York City in 1733. Abigail was part of a tiny community of Jews living in the new world. In the centuries that followed, as that community swelled to several millions, women came to occupy diverse and changing roles. American Jewish Women’s History, an anthology covering colonial times to the present, illuminates that historical diversity. It shows women shaping Judaism and their American Jewish communities as they engaged in volunteer activities and political crusades, battled stereotypes, and constructed relationships with their Christian neighbors. It ranges from Rebecca Gratz’s development of the Jewish Sunday School in Philadelphia in 1838 to protest the rising prices of kosher meat at the turn of the century, to the shaping of southern Jewish women's cultural identity through food. There is currently no other reader conveying the breadth of the historical experiences of American Jewish women available. The reader is divided into four sections complete with detailed introductions. The contributors include: Joyce Antler, Joan Jacobs Brumberg, Alice Kessler-Harris, Paula E. Hyman, Riv-Ellen Prell, and Jonathan D. Sarna.

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1922 was a year of great turbulence and upheaval. Its events reverberated throughout the rest of the twentieth century and still affect us today, 100 years later. Empires fell. The Ottoman Empire collapsed after more than six centuries. The British Empire had reached its greatest extent but its heyday was over. The Irish Free State was declared and demands for independence in India grew. New nations and new politics came into existence. The Soviet Union was officially created and Mussolini's Italy became the first Fascist state. In the USA, Prohibition was at its height. The Hollywood film industry, although rocked by a series of scandals, continued to grow. A new mass medium - radio - was making its presence felt and, in Britain, the BBC was founded. In literature it was the year of peak modernism. Both T. S. Eliot's The Waste Land and James Joyce's Ulysses were first published in full. In society, already changed by the trauma of war and pandemic, the morals of the past seemed increasingly outmoded; new ways of behaving were making their appearance. The Roaring Twenties had begun to roar and the Jazz Age had arrived. In a sequence of vividly written sketches, Nick Rennison conjures up all the drama and diversity of an extraordinary year.

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Though often defined as having opposite aims, means, and effects, modernism and modern propaganda developed at the same time and influenced each other in surprising ways. The professional propagandist emerged as one kind of information specialist, the modernist writer as another. Britain was particularly important to this double history. By secretly hiring well-known writers and intellectuals to write for the government and by exploiting their control of new global information systems, the British in World War I invented a new template for the manipulation of information that remains with us to this day. Making a persuasive case for the importance of understanding modernism in the context of the history of modern propaganda, Modernism, Media, and Propaganda also helps explain the origins of today's highly propagandized world. Modernism, Media, and Propaganda integrates new archival research with fresh interpretations of British fiction and film to provide a comprehensive cultural history of the relationship between modernism and propaganda in Britain during the first half of the twentieth century. From works by Joseph Conrad to propaganda films by Alfred Hitchcock and Orson Welles, Mark Wollaeger traces the transition from literary to cinematic propaganda while offering compelling close readings of major fiction by Virginia Woolf, Ford Madox Ford, and James Joyce.

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What might become of anthropology if it were to suspend its sometime claims to be a social science? What if it were to turn instead to exploring its affinities with art and literature as a mode of engaged creative practice carried forward in a world heterogeneously composed of humans and other than humans? Stuart McLean claims that anthropology stands to learn most from art and literature not as “evidence” to support explanations based on an appeal to social context or history but as modes of engagement with the materiality of expressive media—including language—that always retain the capacity to disrupt or exceed the human projects enacted through them. At once comparative in scope and ethnographically informed, Fictionalizing Anthropology draws on an eclectic range of sources, including ancient Mesopotamian myth, Norse saga literature, Hesiod, Lucretius, Joyce, Artaud, and Lispector, as well as film, multimedia, and performance art, along with the concept of “fabulation” (the making of fictions capable of intervening in and transforming reality) developed in the writings of Bergson and Deleuze. Sharing with proponents of anthropology’s recent “ontological turn,” McLean insists that experiments with language and form are a performative means of exploring alternative possibilities of collective existence, new ways of being human and other than human, and that such experiments must therefore be indispensable to anthropology’s engagement with the contemporary world.

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We are a century removed from Queen Victoria's death, yet the culture that bears her name is alive and well across the globe. Not only is Victorian culture the subject of lively critical debate, but it draws widespread interest from popular audiences and consumers. Functions of Victorian Culture at the Present Time addresses the theme of the Victorians' continuing legacy and its effect on our own culture and perception of the world. The contributors' diverse topics include the persistent influence of Jack the Ripper on police procedures, the enormous success of the magazine Victoria and the lifestyle it promotes, and film, television, and theatrical adaptations of Victorian texts. Also addressed are appropriations of Oscar Wilde to market gay identity in contemporary advertising, and appeals to the Victorian empire in constructing the 'New Britain' for the era of globalization. Functions of Victorian Culture at the Present Time encourages a critique of how these artifacts contribute to contemporary culture and confronts the challenges of disseminating the older culture in the new millennium. The contributors include Simon Joyce, Ronald R. Thomas, Miriam Bailin, Ellen Bayuk Rosenman, Jesse Matz, Sharon Aronofsky Weltman, Kathleen Lonsdale, Christine L. Krueger, Florence Boos, David Barndollar, Susan Schorn, and Sue Lonoff.

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One of the secrets to Bruce Springsteen’s enduring popularity over the past fifty years is the way fans feel a deep personal connection to his work. Yet even as the connection often stays grounded in details from his New Jersey upbringing, Springsteen’s music references a rich array of personalities from John Steinbeck to Amadou Diallo and beyond, inspiring fans to seek out and connect with a whole world’s worth of art, literature, and life stories. In this unique blend of memoir and musical analysis, John Massaro reflects on his experiences as a lifelong fan of The Boss and one of the first professors to design a college course on Springsteen’s work. Focusing on five of the Jersey rocker’s main themes—love, masculinity, sports, politics, and the power of music—he shows how they are represented in Springsteen’s lyrics and shares stories from his own life that powerfully resonate with those lyrics. Meanwhile, paying tribute to Springsteen’s inclusive vision, he draws connections among figures as seemingly disparate as James Joyce, Ta-Nehisi Coates, Thomas Aquinas, Bobby Darin, and Lin-Manuel Miranda. Shades of Springsteen offers a deeply personal take on the musical and cultural legacies of an American icon.

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