Search results for ""Author Joyce"

Vulnerability. We see it everywhere. In once permanent institutions. In runaway pandemics. In democracy itself. And most frighteningly, in ecosystems with no sustainable future. Against these large-scale hazards of climate change, what can literature teach us? This is the question Wai Chee Dimock asks in Weak Planet, proposing a way forward, inspired by works that survive through kinship with strangers and with the nonhuman world. Drawing on Native American studies, disability studies, and environmental humanities, Dimock shows how hope can be found not in heroic statements but in incremental and unspectacular teamwork. Reversing the usual focus on hegemonic institutions, she highlights instead incomplete gestures given an afterlife with the help of others. She looks at Louise Erdrich’s and Sherman Alexie’s user-amended captivity narratives; nontragic sequels to Moby-Dick by C. L. R. James, Frank Stella, and Amitav Ghosh; induced forms of Irishness in Henry James, Colm Tóibín, W. B. Yeats, and Gish Jen; and the experimentations afforded by a blurry Islam in works by Henri Matisse, James Joyce, Ezra Pound, and Langston Hughes. Celebrating literature’s durability as an assisted outcome, Weak Planet gives us new ways to think about our collective future.

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Filled with personal insight, humour, creativity, joy, and poignancy, Home: A Celebration is a lyrical ode to sanctuary and a thoughtful and inspirational book to peruse again and again. Through the lenses of their crafts and passions, each illustrious contributor presents an offering either a personal text or work of art on what home means to them. Historian Jon Meacham discusses books as the emotional infrastructure of the houses in his life. Photographer Oberto Gili documents the glorious garden at his property in northwest Italy. Chef Alice Waters proffers a recipe from her home garden. Interior designers including Nina Campbell, Steven Gambrel, Michael S. Smith, and Kelly Wearstler share aspects of their profession that define home to them. Other notable pieces are from Joan Juliet Buck, Julian Fellowes, John Grisham, Jill Kargman, Joyce Carol Oates, and Gloria Steinem. Charlotte Moss s inspiration for this project is Edith Wharton s The Book of the Homeless (1916), a fundraising effort that aided refugees and children during the First World War. For this book, a portion of the profits are benefiting the organization No Kid Hungry, which works to feed more than 11 million children in the United States who live in food-insecure homes.

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A Winnipeg Free Press Top Read of 2021 The thirteenth installment of Canada's annual volume of essays showcases diverse nonfiction writing from across the country. “The exceptional essay,” writes editor Bruce Whiteman, “derives from a passionate feeling, love and anger being perhaps its upper and lower limits, coexisting with a desire for truth, and it aims for the radiance of what is.” In the 2021 edition of Best Canadian Essays, Whiteman’s selections seek truth in all the places it may be found, from walks in brambled woods and ancient cities to memories of childhoods that shape a life; to analyses of artifacts both legislative and cultural that advance equality long overdue; to reports from the field that articulate the poetry of the present, the invisibility of the poor, the social contours and consuming mental contagions of the ongoing pandemic. Drawn from leading magazines and journals published in 2020, the fifteen essays gathered here brilliantly illuminate what is. Featuring work by: Neil Besner Catherine Bush Yvonne Blomer Jenna Butler Elizabeth Dauphinee Eva-Lynn Jagoe Mark Kingwell Frances Koziar Hilary Morgan V. Leathem Stephanie Nolen Kevin Patterson Soraya Roberts Ian Waddell Sheila Watt-Cloutier Joyce Wayne Rob Winger

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Can techniques traditionally thought to be outside the scope of literature, including word processing, databasing, identity ciphering, and intensive programming, inspire the reinvention of writing? The Internet and the digital environment present writers with new challenges and opportunities to reconceive creativity, authorship, and their relationship to language. Confronted with an unprecedented amount of texts and language, writers have the opportunity to move beyond the creation of new texts and manage, parse, appropriate, and reconstruct those that already exist. In addition to explaining his concept of uncreative writing, which is also the name of his popular course at the University of Pennsylvania, Goldsmith reads the work of writers who have taken up this challenge. Examining a wide range of texts and techniques, including the use of Google searches to create poetry, the appropriation of courtroom testimony, and the possibility of robo-poetics, Goldsmith joins this recent work to practices that date back to the early twentieth century. Writers and artists such as Walter Benjamin, Gertrude Stein, James Joyce, and Andy Warhol embodied an ethos in which the construction or conception of a text was just as important as the resultant text itself. By extending this tradition into the digital realm, uncreative writing offers new ways of thinking about identity and the making of meaning.

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The Guardians’ powers are put to the ultimate test in their final battle in this conclusion to the epic chapter book series from William Joyce.When we last saw the Guardians, they were celebrating their victory during Bright Night, the final great Battle of the Moon, where they defeated Pitch once and for all. Or so they thought. Now, many years later, the Guardians have settled into their final selves, embracing their public images and the Earth Holidays. But the world has not been without evil since Pitch’s imprisonment. First there was the World War, then The Crash which has led to what the humans call a Great Depression. All the Guardians feel the weight of these events, but Jack Frost—now half human, half of his former self Nightlight—feels it the most. Jack’s transition from Nightlight to Guardian was not an easy one. Always inclined to keep to himself, Jack has become especially isolated from the other Guardians since his transformation. Yet it is Jack who Ombric Shalazar (once a great wizard, now known as Father Time) trusts with a tremendous secret. But for Jack to fully understand this secret, he must revisit his past—and finally tell his story. Jack’s story, however, isn’t the only one to be reopened; an old enemy whose chapter we thought closed will reappear and with him bring a darkness and destruction that will test the Guardians like never before. It’s a battle of superlatives—the worse fighting the greatest, but where, oh where, is Jack?

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*A COMPANION TO THE BOOK BLESSED IN THE MESS*Life is often messy. We hear people say, "My life is a mess," or "This situation is a mess." What they mean is that life has become difficult, painful or confusing. But God never promised us a trouble-free life. In fact, His Word tells us to expect the opposite. In John 16:33, Jesus says, "In this world you will have trouble. But take heart! I have overcome the world" (NIV).In Blessed in the Mess Study Guide, beloved Bible teacher Joyce Meyer shows us how to be blessed in the midst of life's most challenging circumstances. The Bible is filled with instructions on how to handle ourselves when difficulty comes our way, and this companion study guide shares that wisdom through poignant and practical teaching that equips us to remain stable and hopeful in every situation. No matter what problems we may face, there is a way to remain joyful and patient as God works on them. If you have not handled the messy issues or challenges in your life well in the past, then with God's help, you can begin to manage them better, starting now.We should never waste our pain. Through the wisdom distilled in this study guide, we can learn how to gain something from our messes, use those insights to avoid trouble in the future, and share our experiences to help other people find blessings in the midst of their messes.

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This book is ideal for beginners, improvers and those serious about growing tasty, healthy organic fruit and vegetables. It will empower readers to grow food for a family, and help work out how to get the best results. Many books give sowing and growing instructions for a multitude of crops, but few give space to the techniques and tips that make gardening easier and that help anyone to grow healthy, sustainable food. Some of the techniques are developed from Joyce’s own trials and observations; others are classic techniques that are still useful now. With a bit more detail, and a step-by-step project, a technique becomes much easier to follow and understand. There’s something here for everyone: whether you grow in a small back yard and want to know how to raise salad in buckets, or if you have a large allotment where you want to improve pollination, or make your own liquid feeds. The book makes several promises to its readers. Firstly, by following its advice you will grow great fruit and vegetables. Next, the knowledge you gain will save you time as well as money. Third, you'll enjoy the gardening journey and the discoveries made along the way. Fourth, you'll find greener and cleaner ways of doing things, and you'll improve your skills, methods and habits. Find out how to rotate your vegetables so they stay healthy and well-fed, to preserve choice crops for the freshest taste, to improve the soil organically and sustainably, and to produce home made fertiliser from the leaves of your comfrey crop.

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More than three thousand years ago a sculptor working in the royal city of Amarna carved a limestone bust of an Egyptian queen. The queen was Nefertiti, consort of the 'heretic pharaoh' Akhenaten. Plastered and painted, Nefertiti's bust depicted an extraordinarily beautiful woman. However, Akhenaten's reign was drawing to an end, and the royal family was soon to be written out of Egypt's official history. Not long after its creation the stone Nefertiti was locked in a storeroom and forgotten. In 1912 the bust was re-discovered and transported to Germany. Initially hidden from the public view, the beautiful queen was eventually displayed in Berlin Museum. Instantly, she became an ancient world celebrity. Egypt has yielded more than its fair share of artistic masterpieces, but no other sculpture has so successfully bridged the gap between the ancient and modern worlds. The timeless beauty of the Nefertiti bust both attracts us and sparks our imagination, but in so doing it obscures our view of the past, shifting attention not only from the other members of the Amarna court, but also from other, equally valid, representations of Nefertiti herself. In this book Joyce Tyldesley explores the creation of a cultural icon, from its ancient origins to its modern context: its discovery, its display, and its dual role as a political pawn and artistic inspiration.

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WINNER OF THE WILBUR SMITH ADVENTURE WRITING PRIZE | BEST PUBLISHED NOVELWOMAN & HOME BEST BOOKS OF THE YEAR and A NEW YORK TIMES BESTSELLER'The perfect escape novel for our troubled times.' PATRICK GALEIt is 1950. In a devastating moment of clarity, Margery Benson abandons her dead-end job and advertises for an assistant to accompany her on an expedition. She is going to travel to the other side of the world to search for a beetle that may or may not exist. Enid Pretty, in her unlikely pink travel suit, is not the companion Margery had in mind. And yet together they will be drawn into an adventure that will exceed every expectation. They will risk everything, break all the rules, and at the top of a red mountain, discover their best selves. This is a story that is less about what can be found than the belief it might be found; it is an intoxicating adventure story but it is also about what it means to be a woman and a tender exploration of a friendship that defies all boundaries.'A girl's own adventure...This is Rachel Joyce's best book yet ...Exciting, moving and full of unexpected turns.' THE TIMES 'Brilliant and elegant and wise...powerful and moving...I can't recommend it enough.' JOANNA CANNON 'A beautiful portrayal of female friendship in all its frailties, contradictions and strengths.' RAYNOR WINNWOMAN & HOME BEST BOOKS OF THE YEAR 2020; DAILY MAIL BEST BOOKS OF THE YEAR 2020; BOOKMARK BOOK OF THE YEAR 2020; GOOD HOUSEKEEPING BEST BOOKS OF THE YEAR 2020

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¡El campeonato de béisbol está en pleno apogeo en el Zoológico de todos los Días. Pero Bruno la jirafa, el lanzador estrella, no se está concentrando en el juego. Se siente muy mal por algo que ha hecho. Necesita arreglar la situación; volver a tener una buena relación con un amigo, y hallar la paz que tenemos cuando hacemos lo que es correcto ante los ojos de Dios. Pero, ¿podrá hacerlo a tiempo para poder ganar el juego? El entrenador lo rodea con un brazo, y le dice: «Cuando tomamos buenas decisiones que le agradan a Dios, nos sentimos tranquilos y en paz por dentro. ¿Te sientes en paz después de lo que has hecho?»De esa manera, Joyce Meyer, la famosa escritora, maestra y evangelista de la televisión y la radio, presenta a un nivel comprensible para la mente y el corazón de los niños el principio del valor que tienen la amistad y la restauración de las relaciones dañadas, tanto a los ojos del ser humano, como a los ojos de Dios.

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Make no mistake, these are the stars of the future – and you're reading them here first. – Ian Rankin One of the most inspiring aspects of this collection is the ingenuity, the variety, and the originality of the writers. No two books are remotely alike, and there are no formulaic novels in here. There are psychological thrillers, procedurals with a twist, historical crime fiction, and novels that transcend all subgeneric categories. These novels give us the perspective of villains and detectives, but also of suspects, victims, and those who blur the line between all of these. There are novels from the perspective of police officers, cyber-security experts, probation officers, forensic linguists, geographical profilers, and forensic experts, professional and ‘unprofessional’ detectives, families out for vengeance, and vigilantes on the streets. – Laura Joyce The crime novel is a dynamic beast, no more so than now. At UEA we champion difference, the pushing of boundaries, experimentation and excellence. At the end of this volume – the second such anthology from graduating MA Crime Fiction students – I believe these ideas and ambitions, have been well and truly met. We have been taken on journeys both light and dark, across time and space, with integrity and rigour, insightfulness and humour. Always, however, we have been aware of not just talent and potential, but craft. – Henry SuttonDimitris Akrivos • Denise Beardon • Bob Jones • Femi Kayode • Roe Lane • Natalie Marlow • Nicola Monaghan • Niamh O'Connor • Louise Sharland • Peter Sibley • Mark Wightman • Matt Willis • Freya Wolfe

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Kate Stewart and her UNIT team investigate and confront alien attacks on the planet Earth in this new five disc boxset. Contains four stories: 6.1 Game Theory by Matt Fitton, 6.2 Telepresence by Guy Adams, 6.3 Code Silver by Guy Adams, 6.4 Master of Worlds by Matt Fitton. Launching with 2015's Extinction, UNIT – The New Series was the first Big Finish range to use characters from the BBC mega-hit 21st century relaunching of Doctor Who! A thrilling full-cast audio with cinematic sound design and music starring Jemma Redgrave and Ingrid Oliver who reprise the popular characters of Kate Stewart and Petronella Osgood as seen on TV, in stories such as the globally cinema-screened Doctor Who - Day of the Doctor. This set has some fan favourites – from Sir Derek Jacobi reprising his chilling take on The Master from the TV version of Doctor Who, to a long-awaited confrontation with iconic monster the Cybermen! CAST: Jemma Redgrave (Kate Stewart),Ingrid Oliver (Osgood), James Joyce (Captain Josh Carter), Ramon Tikaram (Colonel Shindi), Warren Brown (Sam Bishop), Derek Jacobi (The War Master) and Nicholas Briggs (The Cybermen).

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The New Worlds of Thomas Robert Malthus is a sweeping global and intellectual history that radically recasts our understanding of Malthus's Essay on the Principle of Population, the most famous book on population ever written or ever likely to be. Malthus's Essay is also persistently misunderstood. First published anonymously in 1798, the Essay systematically argues that population growth tends to outpace its means of subsistence unless kept in check by factors such as disease, famine, or war, or else by lowering the birth rate through such means as sexual abstinence. Challenging the widely held notion that Malthus's Essay was a product of the British and European context in which it was written, Alison Bashford and Joyce Chaplin demonstrate that it was the new world, as well as the old, that fundamentally shaped Malthus's ideas. They explore what the Atlantic and Pacific new worlds--from the Americas and the Caribbean to New Zealand and Tahiti--meant to Malthus, and how he treated them in his Essay. Bashford and Chaplin reveal how Malthus, long vilified as the scourge of the English poor, drew from his principle of population to conclude that the extermination of native populations by European settlers was unjust. Elegantly written and forcefully argued, The New Worlds of Thomas Robert Malthus relocates Malthus's Essay from the British economic and social context that has dominated its reputation to the colonial and global history that inspired its genesis.

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Wide-ranging and current research into the Anglo-Norman and Angevin worlds. This volume of the Haskins Society Journal brings together a rich and interdisciplinary collection of articles. Topics range from the politics and military organization of northern worlds of the Anglo-Normans and Angevins in the twelfth and thirteenth centuries, to the economic activity of women in Catalonia and political unrest in thirteenth-century Tripoli. Martin Millett's chapter on the significance of rural life in Roman Britain for the early Middle Ages continues the Journal's commitment to archaeological approaches to medieval history, while contributions on Ælfric's complex use of sources in his homilies, Byrhtferth of Ramsey's reinterpretation of the Alfredian past, and the little known History of Alfred of Beverly engage with crucial questions of sources and historiographical production within Anglo-Saxon and Anglo-Norman England. Pieces on the political meaning of the EmpressHelena and Constantine I for Angevin political ambitions and the role of relics such as the Holy Lance in strategies of political legitimation in Anglo-Saxon England and Ottonian Germany in the tenth century complete the volume. Contributors: David Bachrach, Mark Blincoe, Katherine Cross, Sarah Ifft Decker, Joyce Hill, Katherine Hodges-Kluck, Jesse Izzo, Martin Millett, John Patrick Slevin, Oliver Stoutner, Laura Wangerin.

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A unique rereading of Lacan’s theory of desire and its link to masochism, joy, mysticism, death, and feminine jouissance Of all of Lacan’s reconceptualizations of Freudian psychoanalytic discourse, the most misunderstood are those concerning human beings’ relation to the unconscious play of desire and the neurosis stemming from their attachment to the phallic function. An interpretive tour de force that engages works by surrealists such as André Breton, canonical writers like William Faulkner and James Joyce, and the philosophers Jean-Paul Sartre, Emmanuel Levinas, and Baruch Spinoza, The Decision of Desire is groundbreaking in its proposal that each of us can seek out and reimagine our relation to the infinite aporias of desire and thereby detach from its destructive, repetitive forms in favor of joy and affirmation. Providing insight to the lay reader of psychoanalytic theory as much as to practicing psychoanalysts, The Decision of Desire is a bold reengagement with the legacy of the notion of desire within psychoanalysis and the quandary of how to assume responsibility for desires. For if desire is always already that of the Other and the unconscious, and also a decision that escapes our consciousness of ourselves, how can we assume an ethical relation to it that avoids the vicious circle of disappointment, neurosis, and destruction? Such is the decision of desire attempted within Silvia Lippi’s profound development of a contemporary psychoanalytic thought.

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In this major study of a flexible and multifaceted mode of expression, Linda Hutcheon looks at works of modern literature, visual art, music, film, theater, and architecture to arrive at a comprehensive assessment of what parody is and what it does. Hutcheon identifies parody as one of the major forms of modern self-reflexivity, one that marks the intersection of invention and critique and offers an important mode of coming to terms with the texts and discourses of the past. Looking at works as diverse as Tom Stoppard's Rosenkrantz and Guildenstern Are Dead, Brian de Palma's Dressed to Kill, Woody Allen's Zelig, Karlheinz Stockhausen's Hymnen, James Joyce's Ulysses, and Magritte's This Is Not a Pipe, Hutcheon discusses the remarkable range of intent in modern parody while distinguishing it from pastiche, burlesque, travesty, and satire. She shows how parody, through ironic playing with multiple conventions, combines creative expression with critical commentary. Its productive-creative approach to tradition results in a modern recoding that establishes difference at the heart of similarity. In a new introduction, Hutcheon discusses why parody continues to fascinate her and why it is commonly viewed as suspect-–for being either too ideologically shifty or too much of a threat to the ownership of intellectual and creative property.

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The best-known of Shirley Jackson's novels and a major inspiration for writers like Neil Gaiman and Stephen King as well as the hit Netflix series, The Haunting of Hill House is a chilling story of the power of fear'Shirley Jackson's stories are among the most terrifying ever written' Donna TarttAlone in the world, Eleanor is delighted to take up Dr Montague's invitation to spend a summer in the mysterious Hill House. Joining them are Theodora, an artistic 'sensitive', and Luke, heir to the house. But what begins as a light-hearted experiment is swiftly proven to be a trip into their darkest nightmares, and an investigation that one of their number may not survive. Twice filmed as The Haunting, and the inspiration for a 10-part Netflix series, The Haunting of Hill House is a powerful work of slow-burning psychological horror.'An amazing writer ... If you haven't read her you have missed out on something marvellous' Neil Gaiman 'As nearly perfect a haunted-house tale as I have ever read' Stephen King'The world of Shirley Jackson is eerie and unforgettable' A. M. Homes 'Shirley Jackson is one of those highly idiosyncratic, inimitable writers...whose work exerts an enduring spell' Joyce Carol Oates

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This giant collection includes a huge range of 20th-century first-hand accounts of hauntings, such as the American troops who repeatedly saw the ghosts of a dead platoon of men while on patrol in Vietnam; and the witnessed haunting of a house near Tintagel in Cornwall that led actress Kate Winslet to pull out of buying the property.It covers the full spectrum of credible hauntings, from poltergeists (the noisy, dangerous and frightening spirits that are usually associated with pubescent girls, like the Bell Witch), to phantoms (like the Afrits of Saudi Arabia) and seduction spirits (such as the Lorelei, which have lured German men to death).Also included are the notes of the most famous ghost hunters of the twentieth century such as Hans Holzer, Susy Smith (USA); Harry Price, Jenny Randles (UK); Joyce Zwarycz (Australia), Eric Rosenthal (South Africa), and Hwee Tan (Japan). Plus essays by such names as Robert Graves, Edgar Cayce, and M. R. James outlining their own - often extraordinary - conclusions as to just what ghosts might be; along with a full bibliography and list of useful resources.Praise for MBO Haunted House Stories:'A first rate list of contributors ... Hair raising!' Time Out'All we need say is buy it.' Starlog

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Considerado el secreto mejor guardado de la literatura sureña de Estados Unidos, William Goyen es un autor sorprendentemente poco conocido cuya obra, sin embargo, ha sido objeto de admiración de autores como Albert Camus, Joyce Carol Oates o Truman Capote, quien lo apadrinó en sus inicios literarios. Los cuentos de William Goyen, publicados aquí íntegramente en español por primera vez, nos llevan hasta el Texas rural de su infancia, en el que hombres, mujeres y niños condenados por la presencia obsesiva del recuerdo vagan por calles y paisajes en los que se confunden los vivos con los muertos. Un tono mítico y un ritmo hipnótico mecen al lector en su trayecto por estas páginas dulces y turbadoras; un canto que sondea los misterios del alma y descubre el poder de curación que esconden las palabras.

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A clear and concise handbook to the TANAKHNamed one of the “Best of the Best from the University Presses: Books You Should Know About” by the Association of American University Presses. This new volume in the acclaimed JPS Guides series is an invaluable companion to the Jewish Bible, providing readers with ready access to important facts and Bible basics: how the Bible became the “Bible”; its origins, content, and organization distinctions between the Jewish Bible (the TANAKH) and Christian Bibles a short history of Bible translations, and how they differ Bible commentaries storytelling, poetry, law, prophecy, and Wisdom literature popular methods of Bible study finding meaning through midrash. In addition, there are summaries of all the biblical books; dozens of text boxes; an extensive glossary of Bible terms, places, and people; maps, charts, and tables; and large foldout timelines and family trees—all in color. Contributions are by leading Bible scholars and educators: Marc Zvi Brettler, Joyce Eisenberg, Michael Fishbane, Michael V. Fox, Leonard Greenspoon, Jill Hammer, Stuart Kelman, Adriane Leveen, David Mandel, Lionel Moses, Shalom Paul, Benjamin Edidin Scolnic, Ellen Scolnic, David E. S. Stein, Barry Dov Walfish, and Andrea Weiss.

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Following the death of his father, the King of Denmark, young prince Hamlet returns home to find his mother married to his uncle: the late king's brother, Claudius. When he is later visited by the ghost of his own dead father, Hamlet learns how he was actually murdered by his own brother, and vows to take revenge. However, Hamlet's contemplative nature works against him, breeding doubt and hesitation at every turn, until the only certainties he has left are madness, betrayal and murder. Alexander Vlahos stars in this three-hour production of Shakespeare's most famous tragedy. This release also includes twenty-five minutes of roundtable interviews with the cast as they discuss the production Alexander Vlahos stars in this three-hour production of Shakespeare's most famous tragedy. CAST: Alexander Vlahos (Hamlet), Miles Richardson (Claudius), Tracey Childs (Gertrude), Terry Molloy (Polonius), Daniel Brocklebank (Horatio), Deirdre Mullins (Ophelia), Samuel Barnett (Laertes), Jolyon Westhorpe (Rosencrantz), Geoffrey Breton (Guildenstern), Barnaby Edwards (The Ghost), Youssef Kerkour (Barnardo), Alex Jordan (Francisco) and James Joyce (Marcellus).

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Holmes and Watson go head-to-head with new and old villains, and once again solve the unsolvable, in a new adventure written by Jonathan Barnes. Autumn 1900. The lives of Sherlock Holmes and John Watson are in a state of change. The doctor has moved out of Baker Street, waiting anxiously to marry his new love, the American actress, Genevieve Dumont. Holmes has been left restless and fretful, eager for mystery and distraction. A secret code and a brutal murder promise to bring the two men back into each other’s orbit. But there is more to the investigation than first appears to be the case. Something greater seems to be at work, moving dextrously behind the scenes: a force in the London underground known only as The Seamstress of Peckham Rye. Cast: Nicholas Briggs (Sherlock Holmes), Richard Earl (Dr John Watson), Lucy Briggs-Owen (Genevieve Dumont), Mark Elstob (Joseph Drennan/Hotelier/Newspaper Seller), India Fisher (Mrs Elizabeth Tyndall/Postmistress), James Joyce (Inspector Silas Fisher), Anjella MacKintosh (Mrs Bridget Culpepper/Mrs Ogilvy), Glen McCready (Bernard Brownrigg/Tailor/Conductor/Constable/Loafer/Railway Employee).

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A pianist falls grandly, helplessly in love in this elegant new novella from the twice-Booker Prize winnerThe Pole tells the story of Witold Walczykiewicz, a vigorous, white-haired pianist, who becomes infatuated with Beatriz, a stylish patron of the arts, after she helps organize his Barcelona concert.Although Beatriz, who is married, is initially unimpressed by Wittold, she soon finds herself pursued and ineluctably swept into his world. As he sends her letters, extends countless invitations to travel, and even visits her husband's summer home in Mallorca, their unlikely relationship blossoms, though only on her terms.As the power struggle between them intensifies -- Is it Beatriz who limits their passion by controlling her emotions? Or is it Witold, trying to force into life his dream of love? Evocative of Joyce's 'The Dead,' The Pole is a haunting work, evoking the 'inexhaustible palette of sensations, from blind love to compassion' (El País) typical of Coetzee's finest novels.Published together with five exceptional stories, this new work from one of our greatest writers is a must for all literary connoisseurs.

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Passing from the mannered drawing rooms of Pakistan’s cities to the harsh mud villages beyond, Daniyal Mueenuddin’s linked stories describe the interwoven lives of an aging feudal landowner, his servants and managers, and his extended family, industrialists who have lost touch with the land. In the spirit of Joyce’s Dubliners and Turgenev’s A Sportsman’s Sketches, these stories comprehensively illuminate a world, describing members of parliament and farm workers, Islamabad society girls and desperate servant women. A hard-driven politician at the height of his powers falls critically ill and seeks to perpetuate his legacy; a girl from a declining Lahori family becomes a wealthy relative’s mistress, thinking there will be no cost; an electrician confronts a violent assailant in order to protect his most valuable possession; a maidservant who advances herself through sexual favors unexpectedly falls in love. Together the stories in In Other Rooms, Other Wonders make up a vivid portrait of feudal Pakistan, describing the advantages and constraints of social station, the dissolution of old ways, and the shock of change. Refined, sensuous, by turn humorous, elegiac, and tragic, Mueenuddin evokes the complexities of the Pakistani feudal order as it is undermined and transformed.

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Little magazines made modernism. These unconventional, noncommercial publications may have brought writers such as James Joyce, T. S. Eliot, Ezra Pound, Marianne Moore, Mina Loy, and Wallace Stevens to the world but, as Eric Bulson shows in Little Magazine, World Form, their reach and importance extended far beyond Europe and the United States. By investigating the global and transnational itineraries of the little-magazine form, Bulson uncovers a worldwide network that influenced the development of literature and criticism in Africa, the West Indies, the Pacific Rim, and South America. In addition to identifying how these circulations and exchanges worked, Bulson also addresses equally formative moments of disconnection and immobility. British and American writers who fled to Europe to escape Anglo-American provincialism, refugees from fascism, wandering surrealists, and displaced communists all contributed to the proliferation of print. Yet the little magazine was equally crucial to literary production and consumption in the postcolonial world, where it helped connect newly independent African nations. Bulson concludes with reflections on the digitization of these defunct little magazines and what it means for our ongoing desire to understand modernism's global dimensions in the past and its digital afterlife.

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Everyday life in the far outposts of empire can be static, empty of the excitement of progress. A pervading sense of banality and boredom are, therefore, common elements of the daily experience for people living on the colonial periphery. Saikat Majumdar suggests that this impoverished affective experience of colonial modernity significantly shapes the innovative aesthetics of modernist fiction. Prose of the World explores the global life of this narrative aesthetic, from late-colonial modernism to the present day, focusing on a writer each from Ireland, New Zealand, South Africa, and India. Ranging from James Joyce's deflated epiphanies to Amit Chaudhuri's disavowal of the grand spectacle of postcolonial national allegories, Majumdar foregrounds the banal as a key instinct of modern and contemporary fiction-one that nevertheless remains submerged because of its antithetical relation to literature's intuitive function to engage or excite. Majumdar asks us to rethink the assumption that banality merely indicates an aesthetic failure. If narrative is traditionally enabled by the tremor, velocity, and excitement of the event, the historical and affective lack implied by the banal produces a narrative force that is radically new precisely because it suspends the conventional impulses of narration.

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The artist’s studio occupies a unique place in the popular imagination. Its environment is both the site of the artist’s creative production, and a deeply private, personal space that nourishes and bears witness to the artist’s working process, in a continuous interplay with its location, layout, interior and ambience. This rare access to the studio by a trusted visitor provides a unique opportunity to experience the lives of artists working in New York, through their methods, materials and influences, contained within the intimate space of the studio, and observed with an acutely sensitive eye. Artist Studios in New York – which Marco Anelli has been exploring since 2011 - leads the viewer into the creative process of internationally famous artists such as Alex Katz, Alfredo Jaar, Cecily Brown, Dan Colen, Elisabeth Peyton, Francesco Clemente, Jack Pierson, Joan Jonas, Joyce Pensato, Jonas Mekas, Jordan Wolfson, Julian Schnabel, Julie Mehretu, Kiki Smith, Lawrence Weiner, Mariko Mori, Marina Abramovic, Matthew Barney, Mickalene Thomas, Nate Lowman, Pat Steir, Rob Wynne, Robert Longo, Stanley Whitney, Tony Oursler, Ugo Rondinone, Urs Fisher, Vik Muniz.

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WINNER OF THE 2023 RELIT AWARD FOR SHORT FICTIONSHORTLISTED FOR THE 2023 INDIGENOUS VOICES AWARDSLONGLISTED FOR THE 2023 CAROL SHIELDS PRIZEFor fans of Chuck Palahniuk, Joyce Carol Oates, and Karen Russell, the stories in Francine Cunningham’s debut collection God Isn’t Here Today ricochet between form and genre, taking readers on a dark, irreverent, yet poignant journey led by a unique and powerful new voice. Driven by desperation into moments of transformation, Cunningham’s characters are presented with moments of choice—some for the better and some for the worse. A young man goes to God’s office downtown for advice; a woman discovers she is the last human on Earth; an ice cream vendor is driven insane by his truck’s song; an ageing stripper uses undergarments to enact her escape plan; an incubus tires of his professional grind; and a young woman inherits a power that has survived genocide, but comes with a burden of its own. Even as they flirt with the fantastic, Cunningham’s stories unfold with the innate elegance of a spring fern, reminding us of the inherent dualities in human nature—and that redemption can arise where we least expect it.

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Little magazines made modernism. These unconventional, noncommercial publications may have brought writers such as James Joyce, T. S. Eliot, Ezra Pound, Marianne Moore, Mina Loy, and Wallace Stevens to the world but, as Eric Bulson shows in Little Magazine, World Form, their reach and importance extended far beyond Europe and the United States. By investigating the global and transnational itineraries of the little-magazine form, Bulson uncovers a worldwide network that influenced the development of literature and criticism in Africa, the West Indies, the Pacific Rim, and South America.In addition to identifying how these circulations and exchanges worked, Bulson also addresses equally formative moments of disconnection and immobility. British and American writers who fled to Europe to escape Anglo-American provincialism, refugees from fascism, wandering surrealists, and displaced communists all contributed to the proliferation of print. Yet the little magazine was equally crucial to literary production and consumption in the postcolonial world, where it helped connect newly independent African nations. Bulson concludes with reflections on the digitization of these defunct little magazines and what it means for our ongoing desire to understand modernism's global dimensions in the past and its digital afterlife.

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Examines the tensions between the aims of military technology and modernist aesthetics in relation to perception. A basic aim of visual technologies is to collapse perception with the perceived object. Modernist aesthetics shows that an irreducible element of time and space always remains. Military technology tends towards the impossible goal of eliminating this dimension; modernist aesthetics exploits it. Placing military operations alongside modernist aesthetics reveals the civic sphere suspended between two incompatible desires. Reading the art and writing of Djuna Barnes, Joseph Conrad, Marcel Duchamp, James Joyce, Mina Loy, Stephane Mallarme, the Italian Futurists and H. G. Wells against Apache attack helicopters, Network-Centric Warfare, satellites, decoys, sirens and radios, this book addresses issues such as targeting, surveillance, visibility and the invisible, broadcast and media, the military body, diasporas, geopolitics and beauty. Key Features * An important contribution to the increasingly important interdisciplinary field of war studies * Original and 'groundbreaking' readings of modernist art, literature, music, poetics and aesthetics * A valuable and provocative new reading of the avant-garde * Contributes to a new understanding of both military technics and modernist aesthetics

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Noted for its literary legacy, Ireland has long been a top travel destination. This latest in the "Whereabouts Press Traveler's Literary Companions" series features Ireland's top writers as guides to the natural beauties and cultural nuances of the Emerald Isle.Ireland has consistently been in the top fifteen international travel destinations for Americans. Its immense appeal rests largely on the fact that it offers, even in the twenty-first century, a warm and inviting combination of ancient sites and modern cities. To help prospective visitors get an immediate feel for Ireland's lingering past and stylish present, this collection of short stories features some of Ireland's greatest (and newest) writers as engaging tour guides for all those who would like to better understand the prodigious literary heritage of an island which has produced the likes of James Joyce, Sean O'Faolain, Edna O'Brien, Frank O'Connor, Elizabeth Bowen, and William Trevor. These writers, plus an impressive line-up of other contributors, will take readers on an unprecedented journey across Ireland's four provinces - Ulster, Munster, Leinster, and Connaught - introducing them, en route, to the natural beauties and cultural nuances of the Emerald Isle.

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Perfect for fans of Louise Hare and Elizabeth Gilbert, On the Rooftop is a stunning story of ambition and sisterhood, dancing to the rhythm of Jazz Era San Francisco 'AN UTTERLY ORIGINAL AND BRILLIANT STORY' REESE WITHERSPOON Longlisted for the 2023 Joyce Carol Oates Prize Vivian's three daughters have been singing in harmony since before they could speak. Together they are The Salvations, the hottest jazz band in San Francisco. But Vivian wants more for her girls, and she won't stop until they've got their big break. When The Salvations receive a once-in-a-lifetime offer from a renowned talent manager, Vivian knows this is exactly what she's been praying for. But somewhere between the grind of endless rehearsals on the rooftop and the glamour of weekly gigs at the Champagne Supper Club, Ruth, Esther and Chloe grow up and start to imagine a life beyond their mother's reach. Dancing to the rhythm of Jazz Era San Fransisco, On the Rooftop is a stunning story of ambition, success, and three sisters determined to define their own future. 'It will get inside your heart, break it wide open and stay there for a long time.' Good Housekeeping

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I wrote a poem this morning, and one of the themes of the poem is that languages are not equivalent, that each language is a new way of feeling the world. Jorge Luis Borges Recorded during Borges' final years, this third volume of his conversations with Osvaldo Ferrari offers a rare glimpse into the life and work of Argentina's master writer and favorite conversationalist. In Conversations: Volume 3, Borges and Ferrari discuss subjects as diverse as film criticism, fantastic literature, science fiction, the Argentinian literary tradition, and the works of writers such as Bunyan, Wilde, Joyce, and Yeats, among others. With his signature wit, Borges converses on the philosophical basis of his writing, his travels, and his fascination with religious mysticism. He also ruminates on more personal themes, including the influence of his family on his intellectual development, his friendships, and living with blindness. The recurrent theme of these conversations, however, is a life lived through books. Borges draws on the resources of a mental library that embraces world literature, both ancient and modern. He recalls the works that were a constant presence in his memory and maps his changing attitudes to a highly personal canon. These conversations are a testimony to the supple ways that Borges explored his own relation to numerous traditions the conjunction of his life, his lucidity, and his imagination.

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Contemporary celebrations of interdisciplinary scholarship in the humanities and social sciences often harbor a distrust of traditional disciplines, which are seen as at best narrow and unimaginative, and at worst complicit in larger forms of power and policing. Disciplinarity at the Fin de Siecle questions these assumptions by examining, for the first time, in so sustained a manner, the rise of a select number of academic disciplines in a historical perspective. This collection of twelve essays focuses on the late Victorian era in Great Britain but also on Germany, France, and America in the same formative period. The contributors--James Buzard, Lauren M. E. Goodlad, Liah Greenfeld, John Guillory, Simon Joyce, Henrika Kuklick, Christopher Lane, Jeff Nunokawa, Arkady Plotnitsky, Ivan Strenski, Athena Vrettos, and Gauri Viswanathan--examine the genealogy of various fields including English, sociology, economics, psychology, and quantum physics. Together with the editors' cogent introduction, they challenge the story of disciplinary formation as solely one of consolidation, constraint, and ideological justification. Addressing a broad range of issues--disciplinary formations, disciplinarity and professionalism, disciplines of the self, discipline and the state, and current disciplinary debates--the book aims to dislodge what the editors call the "comfortable pessimism" that too readily assimilates disciplines to techniques of management or control. It advances considerably the effort to more fully comprehend the complex legacy of the human sciences.

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Long an associate of the Royal Shakespeare Company, American playwright Richard Nelson has been praised by critics on both sides of the Atlantic, and has been awarded the Olivier Award for his play Goodnight Children Everywhere and a Tony Award for his adaptation of James Joyce's "The Dead." Included in this volume are his latest play, Madame Melville, which received rave reviews during its London run starring Macaulay Culkin and Irene Jacob, and The General from America, which ponders the emotional conflicts that Benedict Arnold faced before deciding to hand over George Washington to the British. Madame Melville, set in Paris in 1966, before that city exploded in protest, presents the story of a fifteen-year-old American, Carl, and his beautiful teacher, Claudie Melville. The Daily Telegraph praised Madame Melville as "a play about art, music, friendship and the irrecoverable, unforgettable moment when an adolescent realizes that the world is full of wonder." The General from America provides a rich portrait of Benedict Arnold. Nelson's account of Arnold's search for love and country, and his discovery of only compromise and despair, will haunt readers and audiences.

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A Deleuzian analysis of the role of silence as chaotic interstice in sound film Applies Deleuze and Guattari's Chaoids to cinema for the first time Uses case studies from world cinemas - Iran, Brazil, France, UK, U.S.A., Germany to explore different philosophical, cultural and historical contexts Brings together Film-Philosophy, Comparative Literature (Lettrism, Iranian poetry, Joyce and Ponge), Film History and radical movements from the 1960s and '70s Expanding on a burgeoning area in contemporary film studies that explores visual and aural absences and interstices in film narrative, this book explores silences in the soundtrack not ambient silence or so-called 'room tone' but complete sound drop-outs, as if the film projector had broken down, thereby jolting the audience out of their passive relationship to the screen, forcing them to become aware of their surroundings and the material apparatus of film as a mechanical device. Drawing on Deleuze and Guattari's concept of Chaoids, which are various organizations of chaos through the different disciplines of science, philosophy and art, this book uses silence to pursue a variety of vectors that open up the surface plane of art (in this case cinema) to discover different philosophical (and by extension, political) singularities and multiplicities.

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In a great Irish tradition of autobiographical fiction that includes James Joyce’s A Portrait of the Artist as a Young Man and Seamus Deane’s Reading in the Dark, Parker’s poignant novel depicts events surrounding the amputation of his left leg as a nineteen-year-old university student. Masterful vignettes present the callow protagonist’s life before, during and after this ordeal. Belfast, drear locus of rain and despond, contributes to the heaviness at the novel’s heart, as its characters strive to rise above the pervasive melancholy of the city and find some human happiness that they can share. Tosh, Parker’s alter-ego, is drifting through life before his cancer diagnosis, plagued by the twin ‘cankers’ of a puzzling pain in the leg and a crippling loneliness. The amputation forces him into a more authentic relationship with life, which ‘Starts with the wound. Ends with the kiss. For the lucky ones.’ This remarkable, posthumously edited work, largely written in the early 1970s, prefigures the skills Parker would demonstrate in his plays: plainspoken and stoical in tone, the emotion seeps through a membrane of numb reserve. The writing is impressionistically vivid, the descriptions of pain and discomfort wholly authoritative. Hopdance is a beautiful, sincere, personal testament by a true artist, a wondrous ‘lost treasure’ of literature now presented to its reading public.

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THE TOP TEN INTERNATIONAL BESTSELLER Winner of the August Prize for Fiction Dazzlingly inventive, witty and mysterious: a writer pieces together the story of a young man's death in an exhilarating narrative puzzle reminiscent of the hit podcast Serial. A young man dies in a car crash - accident or suicide? An unnamed writer with an agenda of his own sets out to piece together Samuel's story. From friends, relatives and neighbours, a portrait emerges of a loving son, reluctant bureaucrat, contrived poser, loyal friend. But who was Samuel really, and what happened to him? In filling out the contours of his existence, the writer grasps at a fundamental question: how do we account for the substance of a life?'My books of the year [include] Jonas Hassen Khemiri's enigmatic novel' Joyce Carol Oates Heartbreakingly sad and laugh-out-loud funny . . . Its chorus of drifters, romantics and cynics stick in the memory, each competing to tell their own truth’ Hari Kunzru ​'Unforgettable. In this non-putdownable puzzle of a story, Khemiri manages to both thrill and break your heart' Gary Shteyngart 'Khemiri's audacious and richly drawn novel pushes the boundaries of literary fiction . . . Beneath the structural pyrotechnics lies a broader story of imposition, appropriation and lack of individual agency: that of the immigrant experience' Lucy Scholes, The National

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Oscura y apasionante, Carthage es una contundente incorporación al canon de Joyce Carol Oates.Nombre: Cressida Catherine MayfieldClasificación: joven desaparecidaFecha de nacimiento: 06/04/1986Fecha de la desaparición: 10/07/2005Desaparecida de (país): Estados Unidos de AméricaCiudad/Estado: Carthage, Nueva YorkEdad en el momento de la desaparición: 19 añosSexo: mujerRaza: blancaEstatura: 1,55 metrosPeso: 45 kilogramosColor de pelo: castaño oscuroColor de ojos: castaño oscuroTez: pálidaCressida, la hija de Zeno Mayfield, ha desaparecido en plena noche, en las montañas de Adirondack. Cuando la comunidad de Carthage se une al padre en su frenética búsqueda, descubrirá al sospechoso más inesperado: un militar condecorado, veterano de la guerra de Iraq e íntimamente relacionado con la familia Mayfield.La crítica ha dicho...Una historia descarnada, llena de suspense.Elle (Premio Lettres de los lectores)Oates es una de l

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Pre-Columbian artifacts are among the most popular items on the international antiquities market, yet it is becoming increasingly difficult to monitor these items as public, private, and digital sales proliferate. This timely volume explores past, current, and future policies and trends concerning the sales and illicit movement of artifacts from Mesoamerica to museums and private collections. Informed by the fields of anthropology, economics, law, and criminology, contributors critically analyze practices of research and collecting in Central American countries. They assess the circulation of looted and forged artifacts on the art market and in museums and examine government and institutional policies aimed at fighting trafficking. They also ask if and how scholars can use materials removed from their context to interpret the past.The theft of cultural heritage items from their places of origin is a topic of intense contemporary discussion, and The Market for Mesoamerica updates our knowledge of this issue by presenting undocumented and illicit antiquities within a regional and global context. Through discussion of transparency, accountability, and ethical practice, this volume ultimately considers how antiquities can be protected and studied through effective policy and professional practice.Contributors: Cara G. Tremain | Donna Yates | Martin Berger | Allison Davis | James Doyle | Rosemary Joyce | Nancy L. Kelker | Guido Krempel | Christina Luke | Sofia Paredes Maury | Adam Sellen

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Presents a collection of short stories focusing on the relationship between and mother and daughter from such authors as Margaret Atwood, Gloria Naylor, and Alice Walker.

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THREE EXTRAORDINARY LIVES INTERTWINE ACROSS OCEANS AND TIME'Bold in its weaving of three ingeniously linked storylines and rich in sensuous detail and vivid characterisation. I can't wait for her next.' PATRICK GALE'A stunning, stirring story told with exceptional skill and rare beauty' TERRI WHITE 'Glittering. A triumph.' RACHEL JOYCE **LONGLISTED FOR THE HWA GOLD CROWN 2020**On the banks of the River Seine in 1899, a young woman takes her final breath before plunging into the icy water. Although she does not know it, her decision will set in motion an astonishing chain of events. It will lead to 1950s Norway, where a grieving toy-maker is on the cusp of a transformative invention, all the way to present-day Canada where a journalist, battling a terrible disease, risks everything for one last chance to live. Taking inspiration from a remarkable true story, Coming Up for Air is a bold, richly imagined novel about the transcendent power of storytelling and the immeasurable impact of every human life.MORE PRAISE FOR COMING UP FOR AIR:'Extraordinary.' FRANCIS SPUFFORD'Vivid, evocative, moving. I loved it' CLAIRE FULLER'Spellbinding and beautifully written.' CARYS BRAY'Dazzling . . . I savoured every word of its beautiful prose' PRIMA

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Hiperficción es un ensayo multidisciplinar (literatura, cine, videojuegos, artes plásticas, artes escénicas, etc.) realizada al estilo de los libros de ?Elige tu propia aventura?. Cuenta con cinco o más itinerarios posibles de lectura y más de 40 contenidos adicionales. Enlaces a vídeos, documentales, tráilers, entrevistas, reportajes, producciones interactivas y webs, que se pueden visualizar mediante el uso de códigos QR o de la web de la productora cinematográfica y editorial Cinestesia: www.cinestesia.es. Este ensayo pretende mostrar la evolución del hipertexto y la hiperficción en la literatura, en el cine y en los videojuegos, en relación con otras artes y disciplinas, a partir de los autores y las obras más destacadas, generalmente no lineales. Desde escritores como Jorge Luis Borges, Julio Cortázar, William S. Burroughs, Italo Calvino o James Joyce a cineastas como Luis Buñuel, David Lynch, Jim Jarmusch, Quentin Tarantino o Christopher Nolan. Capítulos que van desde las películ

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Imelda Connor is a classic Irish lass-a fiery, red-headed beauty, quick to anger, and fiercely protective of her younger siblings. Growing up on a small farm in the rolling hills of County Cork, she thinks she has her life completely mapped out. Here in Ireland she will live an enchanted life with the perfect Irish husband, devoting herself to her family and to her livestock. But Imelda soon finds that life doesn't always go according to plan. Everything is turned upside-down when Imelda moves to England and happens to meet a dashing, rakish Bengali man named Shu Bose. Shu, whose knowledge of Ireland stops at James Joyce and W.B. Yeats, is captivated by Imelda's natural beauty and vivacious charm, and the two quickly embark on a whirlwind romance. At the tender age of eighteen, in the spring of 1932, Imelda boards a ship bound for Calcutta-and a very different life to the one she had always imagined. From Cork to Calcutta by Milty Khanna transports readers back to pre-Independence India, to London between the wars, and to the genteel life of bhadralok Bengali high society. It's the intimate and true story of Khanna's parents and their unconventional love-story that crosses class, nationality, and cultural boundaries.

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Tender and humorous novel of second chances and life-changing new friendship for fans of Rachel Joyce, Clare Chambers and Barbara Pym'Life-affirming and funny' GOOD HOUSEKEEPING'Anne Youngson's witty and elegant novel is a celebration of friendship and a timely reminder that it is never too late to take on a life-changing new challenge' DAILY MAILMeet Eve, who has departed from her thirty-year career to become a Free Spirit; Sally, who has waved goodbye to her indifferent husband and two grown-up children; and Anastasia, a defiantly independent narrowboat-dweller, suddenly vulnerable as she awaits a life-saving operation.Inexperienced and ill-equipped, Sally and Eve embark upon a journey through the canals of England, guided by the remote and unsympathetic Anastasia. As they glide gently - and not so gently - through the countryside, the eccentricities and challenges of canalboat life draw them inexorably together, and a tender and unforgettable story unfolds. Disarmingly truthful and narrated with a rare wit, THREE WOMEN AND A BOAT is a journey over the glorious waterways of England and into the unfathomable depths of the human heart by an inspirational new talent now in her seventies.**********What customers are saying:'Moving, tender and just a balm for the soul' *****'Perfect for those in need of an uplifting read' ****'A warm and enjoyable read' *****

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A sweeping survey of hip hop’s resounding impact on contemporary art and culture across the past 20-plus years Accompanying a groundbreaking exhibition originating at the Baltimore Museum of Art, this book captures the extraordinary influence of hip hop, which has driven innovations in music, visual and performing arts, fashion, and technology and grown into a global phenomenon since its emergence in the 1970s. It features approximately 70 objects by both established and emerging artists, design houses, streetwear icons and musicians working in a wide range of mediums to demonstrate hip hop’s proliferation from the street to the runway, the studio to the museum gallery, and countless sites in between. The exhibition also explores how hip hop has and continues to challenge structures of power, dominant cultural narratives, and political and social systems of oppression. This fully illustrated monograph documents the exhibition and contains texts and interviews from more than 30 artists and scholars. Artists include: Nina Chanel Abney, Dionne Alexander, Maxwell Alexandre, Devin Allen, Alvaro Barrington, Jean-Michel Basquiat, Grace Wales Bonner, Mark Bradford, Jordan Casteel, Willy Chavarria, Caitlin Cherry, Troy Chew II, William Cordova, Carl Jones, Stan Douglas, John Edmonds, Gajin Fujita, Monica Ikegwu, Shabez Jamal, Kahlil Joseph, Nia June, LA II, Deana Lawson, Eric N. Mack, Emmanuel Massillon, Julie Mehretu, Murjoni Merriweather, Jayson Musson, Rashaad Newsome, Yvonne Osei, Zéh Palito, Gordon Parks, Adam Pendleton, Robert Pruitt, Rammellzee, Sheila Rashid, Rozeal, Joyce J. Scott, Tschabalala Self, Tariku Shiferaw, Devan Shimoyama, Hank Willis Thomas, Carrie Mae Weems, Vivienne Westwood and Malcolm McLaren, Abbey Williams, Pharrell Williams and Wilmer Wilson IV. Authors include: Ebony Haynes, Todd Boyd, Lester Spence, Jordana Moore Saggese, Greg Tate, Misa Hylton, Elena Romero, Ekow Eshun, Devin Allen, Michael Holman, Simone White, Salome Asega, Alphonse Pierre, David A.M. Goldberg and Tahir Hemphill, Jacolby Satterwhite, Wendel Patrick, Simon Reynolds, Seph Rodney, Jesse McCarthy, Danez Smith, Noriko Manabe, Lindsay Knight and Charity Marsh, Shaheem Sanchez, Jeffrey Q. McCune, Jr., Sekou Cooke, Jessica N. Pabón-Colón, Martha Cooper, Skeme, Alex de Mora and Lawrence Burney.

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In a novel that’s part comic mystery, part political satire, and part case vignette, a psychiatrist reviews his involvement with a narcissistic national leader who has turned up dead on the consulting room couch.When Peter D. Kramer wrote about his work with psychiatric patients in books like Listening to Prozac and Should You Leave?, Joyce Carol Oates said, “To read his prose on virtually any subject is to be provoked, enthralled, illuminated.” When Kramer switched to fiction, Publishers Weekly wrote, “The depth, quality, and ambition of Kramer’s prose will surprise those expecting a superficial crossover effort.” In his new novel, Death of the Great Man, Kramer uses those literary skills to introduce readers to an unforgettable character, Henry Farber, a well-meaning psychiatrist forced into hiding when the nation’s chief executive—a narcissistic autocrat in his disastrous second term—is found dead on the consulting room couch. From an isolated bungalow, Farber sets out to clear his name while offering an intimate view of a flawed populist leader. What begins as comic mystery and political satire matures into a moving journey of self-exploration and a commentary on the fate of truth-telling in an era when lying has become a norm in public life.

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⭐ NEW YORK TIMES BESTSELLER AND OPRAH'S BOOK CLUB PICK⭐ CHOSEN BY BARACK OBAMA AS A FAVOURITE READ⭐ TOP TEN BOOKS OF THE YEAR, NEW YORK TIMES & WASHINGTON POST'Brilliantly imagined, larger than life, a tragicomedic epic of intertwined lives.' JOYCE CAROL OATES'Deeply felt, beautifully written and profoundly humane.' JUNOT DIAZ, New York Times Book ReviewThe year is 1969. In a housing project in south Brooklyn, a shambling old church deacon called Sportcoat shoots - for no apparent reason - the local drug-dealer who used to be part of the church's baseball team. The repercussions of that moment draw in the whole community, from Sportcoat's best friend - Hot Sausage - to the local Italian mobsters, the police (corrupt and otherwise), and the stalwart ladies of the Five Ends Baptist Church.DEACON KING KONG is a book about a community under threat, about the ways people pull together in an age when the old rules are being rewritten. It is very funny in places, and heartbreaking in others. From a prize-winning storyteller, this New York Times bestseller shows us that not all secrets are meant to be hidden, and that the communities we build are fragile but vital.______________________From the winner of a National Book Award and author of the bestselling memoir,The Color of Water, and The Good Lord Bird, a TV series starring Ethan Hawke'A hilarious, pitch-perfect comedy set in the Brooklyn projects of the late 1960s. This alone may qualify it as one of the year's best novels.' The Washington PostWhat Goodreads readers are saying:***** 'Deacon King Kong is one of those novels whose brilliance sneaks up on you. I haven't been this pleasantly surprised by a book in a while.'***** 'I do believe I just finished one of my all time favorite books. I loved every minute spent with Sportcoat and his community. A good old fashioned yarn shot through with truth, spirit, and humor. I LOVED it!'***** 'This book was a balm for my soul, a portrait of a black church community circa 1969 with sweet characters (well, most of them), interconnections that stretch back decades, and a plot with more than one mystery at its heart.'***** '"Deacon" has the texture of folk lore and fable mixed with the unexpected rhythms of jazz and the noisy streets of late 1960s Brooklyn.'***** 'The ending was one of those where you clutch your heart and want to hug the book (or your Kindle).'

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