Search results for ""Author Joyce"

This second volume of the best monologues from the Best American Short Plays series features a diverse selection drawn from the outstanding works from many of today's best American playwrights. In these monologues the playwrights capture much of the flavors feelings and thoughts of American culture over the past several decades. The result is a collection of taught engaging monologues offering fascinating perspectives. They are written with an eye toward the stage that makes them excellent source material for actors young and old alike. And they offer a freshness and directness that make them excellent companions for readers attracted to good often quirky and always engaging contemporary literature.ÞIncluded in this volume are monologues by Billy Aronson Bruce Bonafede Victor Bumbalo Clay McLeod Chapman Yussef El Guindi Steve Feffer Catherine Filloux Daniel Gallant Madeleine George Willy Holtzman Paul Kuritz Neil LaBute Dano Madden Theodore Mann Donald Margulies Susan Miller Lavonne Mueller Joyce Carol Oates Carey Pepper Joe Pintauro Michael Roderick Murray Schisgal Paul Selig and Nicky Silver.

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An exploration of phrases and excerpts that inspire a major contemporary artist. Over the past several years, renowned South African artist William Kentridge has made a collection of particular phrases and sentences that have called out to him from the pages of whatever he has been reading. And these phrases, which he has written into a studio notebook titled Words, have been put to work in many of his artistic projects. Kentridge has often begun a project by paging through the notebook, waiting for a phrase to claim its place in the new work. The text excerpts come from many sources: Aimé Césaire, Yehuda Amichai, Sigmund Freud, James Joyce, Setswana proverbs, the Book of Ecclesiastes, Tristan Tzara’s Dada Manifesto, and a range of eastern European poets. This volume presents a selection made from the notebook, with phrases arranged neither randomly nor with a clear agenda but finding a space in between. Cleverly designed by the artist and beautifully produced, Words is a thought-provoking collection that provides a window to the mind of a contemporary creative genius.

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THE SUNDAY TIMES BESTSELLER ‘Part whodunnit, part coming of age, this is a gripping debut about the secrets behind every door’ RACHEL JOYCE ‘Cannon is so attuned to other people’s stories… a chronicler both of the human condition and the quotidian details which speak to who we are’ GUARDIAN ‘A very special book’ NATHAN FILER‘An utter delight’ SARAH WINMAN‘A delight’ PAULA HAWKINS‘A treasure chest of a novel’ JULIE COHEN‘One of the standout novels of the year’ HANNAH BECKERMAN‘I didn't want the book to end’ CARYS BRAY‘An excellent debut’ JAMES HANNAH‘Grace and Tilly are my new heroes’ KATE HAMER‘A wonderful debut’ JILL MANSELL‘A modern classic in the making’ SARAH HILARY‘A stunning debut’ KATIE FFORDE‘Phenomenal’ MIRANDA DICKINSON England,1976. Mrs Creasy is missing and The Avenue is alive with whispers. As the summer shimmers endlessly on, ten-year-olds Grace and Tilly decide to take matters into their own hands. And as the cul-de-sac starts giving up its secrets, the amateur detectives will find much more than they imagined…

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In 2016, Bob Dylan received the Nobel Prize in Literature ‘for having created new poetic expressions within the great American song tradition’. This collection of essays by leading poets and critics – with a new foreword by Will Self – examines Dylan’s poetic genius, as well as his astounding cultural influence over the decades.‘From Orpheus to Faiz, song and poetry have been closely linked. Dylan is the brilliant inheritor of the bardic tradition’ Salman Rushdie‘The most significant Western popular artist in any form or medium of the past sixty years’ Will Self‘For fifty and some years he has bent, coaxed, teased and persuaded words into lyric and narrative shapes that are at once extraordinary and inevitable’ Andrew Motion‘His haunting music and lyrics have always seemed, in the deepest sense, literary’ Joyce Carol Oates‘There is something inevitable about Bob Dylan… A storyteller pulling out all the stops – metaphor, allegory, repetition, precise detail… His virtue is in his style, his attitude, his disposition to the world’ Simon Armitage

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Is the point of philosophy to transmit beliefs about the world, or can it sometimes have higher ambitions? In this bold study, Karen Zumhagen-Yekplé makes a critical contribution to the “resolute” program of Wittgenstein scholarship, revealing his Tractatus Logico-Philosophicus as a complex, mock-theoretical puzzle designed to engage readers in the therapeutic self-clarification Wittgenstein saw as the true work of philosophy. Seen in this light, Wittgenstein resembles his modernist contemporaries more than might first appear. Like the literary innovators of his time, Wittgenstein believed in the productive power of difficulty, in varieties of spiritual experience, in the importance of age-old questions about life’s meaning, and in the possibility of transfigurative shifts toward the right way of seeing the world. In a series of absorbing chapters, Zumhagen-Yekplé shows how Kafka, Woolf, Joyce, and Coetzee set their readers on a path toward a new way of being. Offering a new perspective on Wittgenstein as philosophical modernist, and on the lives and afterlives of his indirect teaching, A Different Order of Difficulty is a compelling addition to studies in both literature and philosophy.

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Subversive, edgy, and wildly entertaining, this short story collection is a unique encounter with fiction in Leon Rooke’s characteristic style as he peels back the skin of social convention and embraces the chaos of life with characters and themes as unpredictable as an assassin who murders the words in your memory; Egi Balducchi who is either a recording angel or a mad old man with a wheelbarrow; Eli's daughter, Frannie, who may just be a gentle two-bit hooker, or the Virgin herself; and is that really God, shrugging off insults from Isaac Babel and Guy de Maupassant? Then there is Lap the Dog who escapes gunshot and poison, and heads cross-country to find the human survivors; a glimpse into the life of Joyce Carol Oates; the philosopher Heidegger in a fight with Hannah Arendt; the Indian Chief who is denied his professorship at Yale when he turns up for the ceremony with a black princess on his arm; and more... Wide World in Celebration and Sorrow is an evocative short story collection that is wild with laughter, confronting pathos, rage and humour in ways that only Rooke’s writing could approach.

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This collection of essays examines various representations of “the Jew” in British and American literature in the nineteenth and twentieth centuries. It analyzes in detail the literary racism and antisemitism of some of the most important and influential writers of this period, including Dickens, Trollope, James, Eliot, Pound, Joyce, Woolf, and Orwell, as well as such marginal figures as Dorothy Richardson, Stevie Smith, and Michael Gold. The contributors are all well-known Anglo-American literary, cultural, or feminist critics; some have written extensively on literary racism or antisemitism, others are working in this area for the first time. The collection does not impose a schema or new orthodoxy, but instead encourages a plurality of approaches to a difficult and always contentious issue that has been demarcated into broadly defined “politically correct” and “liberal humanist” positions. Liberal humanism asserts that the ameliorating western canon has, by definition, nothing to do with racism or antisemitism. Political correctness wishes to exclude from the academy any literary text deemed to reinforce oppressive stereotypes. This volume adopts neither position, arguing instead that these two supposedly antagonistic approaches are, in fact, mirror-images of each other.

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Djuna Barnes once described herself as one of the most famous unknowns of the century. Revisionary accounts of female modernist writers have re-awakened interest in her work, yet she remains a unique and idiosyncratic figure, unassimilated by models of American expatriate or Sapphic modernism. In this illuminating and lucid study, Deborah Parsons examines the range of Barnes’s oeuvre; her early journalism, short stories and one act dramas, poetry, the family chronicle Ryder, the Ladies Almanack, and her late play The Antiphon, as well as her modernist classic Nightwood. She explores the psychological and stylistic aspect of Barnes’s work through close analysis of the texts within their social, cultural and aesthetic context, and provides an indispensable and enriching guide to Barnes’s artistic identity and poetic vision. Barnes’s determined inversion of generic and social norms, sexology, degeneration, ethnography and decadence, her unusual childhood, her professional friendships with T.S. Eliot and James Joyce, and her controversial lesbianism are all highlighted and discussed in this introduction to a bold and enigmatic writer.

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A pioneering work of modernist fiction, using her unique stream-of-consciousness technique to explore the inner lives of her characters, Virginia Woolf's To the Lighthouse is widely regarded as one of the greatest artistic achievements of the twentieth century. This Penguin Classics edition is edited by Stella McNichol, with an introduction and notes by Hermione Lee.To the Lighthouse is at once a vivid impressionistic depiction of a family holiday, and a meditation on marriage, on parenthood and childhood, on grief, tyranny and bitterness. For years now the Ramsays have spent every summer in their holiday home in Scotland, and they expect these summers will go on forever; but as the First World War looms, the integrity of family and society will be fatally challenged. With a psychologically introspective mode, the use of memory, reminiscence and shifting perspectives gives the novel an intimate, poetic essence, and at the time of publication in 1927 it represented an utter rejection of Victorian and Edwardian literary values. Virginia Woolf (1882-1941) is regarded as a major 20th century author and essayist, a key figure in literary history as a feminist and modernist, and the centre of 'The Bloomsbury Group', an informal collective of artists and writers that exerted a powerful influence over early twentieth-century British culture. Between 1925 and 1931 Virginia Woolf produced what are now regarded as her finest masterpieces, from Mrs Dalloway (1925) to the poetic and highly experimental novel The Waves (1931). She also maintained an astonishing output of literary criticism, short fiction, journalism and biography, including the playfully subversive Orlando (1928) and A Room of One's Own (1929) a passionate feminist essay.If you enjoyed To the Lighthouse, you might like James Joyce's A Portrait of the Artist as a Young Man, also available in Penguin Classics.'Bears endless re-reading ... the sea encircles the story in a brilliant ebb and flow'Rachel Billington

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RELATE (originally the National Marriage Guidance Council) is probably the largest and most successful service of its kind in the world. For over 50 years, helping many hundreds of thousands of couples and individuals, it has developed an approach to couple counselling that is based on acknowledgment of the uniqueness of individual clients and their relationships, a respect for their autonomy and cultural differences, and a commitment to counselling with empathy, genuineness and warmth. The authors of this book are excellently qualified to provide this unique account of the RELATE Approach in action: both were trained by RELATE, both have very substantial counselling experience, and both have supervised the work of other RELATE counsellors for several years. The ever-changing characteristics of relationships and family life are fully recognised in the RELATE Approach, which helps clients to find their solutions to difficulties of family life, transitions, separation, divorce, sexuality, gender and identity, by helping them to find meanings in the patterns of their relationships, and to make sense of emotions, thoughts and actions in themselves and their partner. This book is designed to enrich and stimulate the work of counsellors working within a wide range of counselling models and traditions. This is not a prescriptive manual but rather an informed guide to the RELATE Approach, which includes many illustrative examples and (invented) case studies. The RELATE Approach still depends upon the counsellor's repertoire of counselling skills, but offers a three-stage counselling model (exploration, understanding, action) made operational within the format of brief, time-limited therapy. "The counsellors with RELATE and its predecessor, the Marriage Guidance movement, were the founders of counselling as we know it today. The approaches to counselling which they have developed have wide application. Butler and Joyce write very well and I found this book clear and full of good ideas for clinical practice. I can confidently recommend the book to all who care for couples in relationships." C. Murray Parkes OBE, MD, FRCPsych "A useful introduction to RELATE's three-stage model of couple counselling and some of the concepts on which it is based." Christopher Clulow, Director of the Tavistock Marital Studies Institute

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“A brave and unblinkingly honest portrait of a young woman’s sensual and sexual awakening in the face of censure and repression, and her refusal to be held back by the constraints of her family, culture, and religion. The same joyful spirit that expresses itself in Mencos’ love of dancing shines through in her story of her own personal dance into a brave new world beyond the one her mother prescribed for her. Her story is shameless, in the very best sense of the word.” —Joyce Maynard, New York Times best-selling author of Labor Day, To Die For, and Count The Ways María Isidra is a proper Catholic girl raised in 1960s Spain by a strong matriarch during a repressive dictatorship. Early sexual trauma and a hefty dose of fear keep her in line for much of her childhood, but also lead her to live a double life. In her home, there is no discussing the needs of her growing body. In the street, kissing in public is forbidden. Upon the dictator’s death in 1975, Spain bursts wide open, giving way to democracy and a cultural revolution. Barcelona’s vibrant downtown and its new freedoms seduce María Isidra. She dives into a world of activism, communal living, literature, counterculture, open sexuality, and alcohol. And yet she knows something is missing. Longing to reconnect with her body—from which she has felt estranged since childhood—she finds a surprising home in a rundown salsa club, where the lush rhythm sparks a deep wave of healing. Transformed, she sets off on a series of sexual and romantic misadventures, in search for what she has always found painfully elusive: true intimacy. Promenade of Desire is a rich journey into the life of a woman once contained, who finds a way to set herself free.

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Reflective practice is at the heart of becoming a competent and confident social work professional. This book demystifies the reflective process and provides a straight forward knowledge base to enhance professional development.Whether you are a qualifying social work student, a practitioner with supervisory responsibilities, or are engaged in professional post qualifying education and training, this book will help you to understand and evidence your development as a reflective practitioner, and guide the assessment of others’ ability to reflect. Topics covered include: How to develop a professional identity and an understanding of professional culture A summary of key theoretical explanations of the concepts of ‘reflection’ and ‘reflective practice’ The significance of Emotional Intelligence for social work practice and how the reflective process can enhance interpersonal and intrapersonal competence How to overcome common obstacles to reflective practice, including low motivation and lack of confidence in your reflective abilities How to write reflectively in order to evidence development of reflective practice to others How to create a learning environment that enables growth and development through reflection and provides accurate assessment outcomes Written in a straightforward and engaging way, with reflective activities and resources throughout, this key resource will develop your knowledge, understanding and application of reflective practice. "This is a well-written text that provides much-needed clarity around a central process within professional social work. Students, practitioners and managers will learn lots about how to use reflection effectively. Linda Bruce writes with authority and a deep understanding - she has done an excellent job."Steven Hothersall, Head of Social Work Education, Edgehill University, UK"This is an extremely important area of practice in the current complex world of social work practice and social care. It takes students and practitioners through the relevant knowledge and theory base and appropriate tools for reflection. I thoroughly recommend it."Joyce Lishman

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Expectation is a major volume of Jean-Luc Nancy’s writings on literature, written across three decades but, for the most part, previously unavailable in English. More substantial than literary criticism, these essays collectively negotiate literature’s relation to philosophy. Nancy pursues such questions as literature’s claims to truth, the status of narrative, the relation of poetry and prose, and the unity of a book or of a text, and he addresses a number of major European writers, including Dante, Sterne, Rousseau, Hölderlin, Proust, Joyce, and Blanchot. The final section offers a number of impressive pieces by Nancy that completely merge his concerns for philosophy and literature and philosophy-as-literature. These include a lengthy parody of Valéry’s “La Jeune Parque,” several original poems by Nancy, and a beautiful prose-poetic discourse on an installation by Italian artist Claudio Parmiggiani that incorporates the Faust theme. Opening with a substantial Introduction by Jean-Michel Rabaté that elaborates Nancy’s importance as a literary thinker, this book constitutes the most substantial statement to date by one of today’s leading philosophers on a discipline that has been central to his work across his career.

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Forget the bunny trail. E. Aster Bunnymund is on a warpath. In this second chapter book in Academy Award winner William Joyce’s The Guardians series, sometimes you have to crack a few eggs.Pitch, the Nightmare King, and his Fearlings had been soundly driven back by Nicholas St. North and company in the first Guardians’ adventure. But now Pitch has disappeared completely—and out of sight does NOT make for out of mind. It seems certain that he’s plotting a particularly nefarious revenge, and the Guardians suspect he might have gone underground. But how can they find him there? Enter E. Aster Bunnymund, the only emissary of the fabled brotherhood of the Pookas—the league of philosophical warrior rabbits of imposing intellect and size. Highly skilled in martial arts (many of which he invented himself), Bunnymund is brilliant, logical, and a tunnel-digger extraordinaire. If the Guardians need paths near the Earth’s core, he’s their Pooka. He’s also armed with magnificent weapons of an oval-sort, and might just be able to help in the quest for the second piece of the Moonclipper. This second book in The Guardians series is about much more than fixing a few rotten eggs—it brings the Guardians one step closer to defeating Pitch!

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Beware a tooth fairy queen scorned in this, the third chapter book of Academy Award winner William Joyce’s The Guardians series. There’s a lot more to this tooth-swiping sprite than meets the eye!When last we heard, the Guardians were resting easy with the knowledge that the children of Santoff Clausen were finally safe from Pitch’s dastardly plans. But is it all a ruse, a scheme, a lull the evil Nightmare King has deviously concocted? Whatever Pitch’s plans, what he doesn’t know is that there’s a new Guardian in town, and she’s not the type to forget old grudges. Actually, she’s not the type to forget anything—because this Guardian is none other than Toothiana, the Tooth Fairy herself. She’s fierce and fast and crossing her will lead to a multitude of troubles. And, it turns out that, well, all those teeth she has been collecting? They contain memories. The forgotten memories of childhood…including the memories of how to fly. Young Katherine is hopeful that these memories might help her to remember her parents. The Guardians hope they’ll offer even further protection from Pitch. You can see how this information would be invaluable to our heroes. But it could also be invaluable to Pitch…

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Anthropologists since Franz Boas and Margaret Mead have traditionally gone off to study “primitive” cultures. This collection of original essays breaks new ground in showing how anthropological theories and techniques can be applied to the culture of contemporary middle-class Americans. In Symbolizing America, ten well-known anthropologists pursue self and identity as cultural rather than psychological matters. Looking homeward, they ask “What Is American about America?” “How do we know?” and “What difference does it make?” They analyze such aspects of American culture as advertising, mass-audience movies, patriotic and ethnic parades, church minutes, college parties, greetings, and the dilemmas of adolescent sexuality. Concerned with familiar interactions, they arrive at new insight into the experience of daily life in America. In their symbolic and semiotic approaches, the authors express the variety yet surprising unity of a dynamic American culture. Chapters include “Creating America,” “Doing the Anthropology of America,” and “’Drop in Anytime’: Community and Authenticity in American Everyday Life” by the editor, Hervé Varenne, Teachers College, Columbia University; “Freedom to Choose: Symbols and Values in American Advertising” by William O. Beeman, Brown University; “The story of [James] Bond” by Lee Drummond, McGill University; “The Melting Pot: Symbolic Ritual or Total Social Fact?” by Milton Singer, University of Chicago; “The Los Angeles Jews ‘Walk for Solidarity’: Parade, Festival, Pilgrimage” by Barbara Myerhoff and Stephen Mongulla, University of Southern California; “History, Faith, and Avoidance” by Carol Greenhouse, Cornell University; “The Discourse of the Dorm: Race, Friendship, and ‘Culture’ among College Youth” by Michael Moffatt, Rutgers University; “Why a ‘Slut’ is a ‘Slut’: Cautionary Tales of American Middle-Class Teenage Girls’ Morality” by Joyce Canaan, Centre for Contemporary Cultural Studies; and an epilogue, “on the Anthropology of America,” by John Caughey, University of Maryland.

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Written by award-winning coach Kim Morgan, this book is aimed at new coaches working in a freelance or self-employed role. It is also a valuable resource for anyone involved in coaching, including trainers of coaches. The Coach’s Survival Guide is an easy to use, accessible book, grounded in practice and experience and including case studies drawn from real-life practice. It is rooted in the real world, normalizing the insecurities felt by many coaches and acknowledging the realities of building a coaching business, while addressing the everyday issues that can hinder a coach's performance or confidence.Kim covers issues such as:• Dealing with Impostor Syndrome• Establishing credibility• Contracting and boundaries• Coaching dilemmas• Building your coaching business • Self-care for coachesThis new book is intended to be a survival guide so that coaches can access instant support for dilemmas that occur in their coaching practice. “Reading this book was like spending time with a close friend; a combination of warmth, wit and illumination.” Professor Damian Hughes, Professor of Organisational Psychology and Change“This book is an essential companion to anyone setting out as a professional coach. It provides knowledge, expertise and, perhaps most importantly, comfort for all the challenges that new coaches face.” Tom Preston, C.E.O. The Preston Associates“At last, here is a book that acknowledges the very real challenges involved in building a coaching business – and provides a blueprint for success!”John Perry, Coach and Principal Teaching Fellow, the University of Southampton, UK“This is a hugely practical and accessible support guide to help you address the challenges you will face in developing your coaching practice, from setting up your practice, generating clients and managing yourself in the coaching relationship.”John Leary-Joyce, Exec Chair AoEC International, author Fertile Void

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A landmark literary anthology of poems, stories, and essays, Choice Words collects essential voices that renew our courage in the struggle to defend reproductive rights. Twenty years in the making, the book spans continents and centuries. This collection magnifies the voices of people reclaiming the sole authorship of their abortion experiences. These essays, poems, and prose are a testament to the profound political power of defying shame. Contributors include Ai, Amy Tan, Anne Sexton, Audre Lorde, Bobbie Louise Hawkins. Camonghne Felix, Carol Muske-Dukes, Diane di Prima, Dorothy Parker, Gloria Naylor, Gloria Steinem, Gwendolyn Brooks, Jean Rhys, Joyce Carol Oates, Judith Arcana, Kathy Acker, Langston Hughes, Leslie Marmon Silko, Lindy West, Lucille Clifton, Mahogany L. Browne, Margaret Atwood, Molly Peacock, Ntozake Shange, Ruth Prawer Jhabvala, Sharon Doubiago, Sharon Olds, Shirley Geok-lin Lim, Sholeh Wolpe, Ursula Le Guin, and Vi Khi Nao.

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The "woman in the window" in Edward Hopper's classic painting is beautiful, young, nude, and (seemingly) lost in melancholy contemplation by a window- perhaps abandoned by her lover; in Joyce Carol Oates's enthralling re-imagining, the woman is all of these but also alert to her situation, not at all passive but prepared to exact an unexpected revenge against one who has wronged her. In the stories of Beautiful Days, we are allowed access into the most secret, intimate, and unacknowledged interior lives of persons very like ourselves, who do not take refuge in passivity but assert themselves in acts of bold and sometimes irrevocable defiance. In "Big Burnt"-set on a lushly rendered Lake George, in the Adirondacks-a manipulative university professor exploits a too-trusting woman in a way she could never have anticipated; in "Owl Eyes" a prodigiously bright young adolescent confronts a mysterious stalker-with startling results. In "Friend of My Youth" a woman confronts a friend from college who has since become a world-famous feminist, for whom she feels violent emotions, and in "The Nice Girl" a young woman who has been, through her life, infuriatingly "nice" is forced to come to terms with her deepest motives.

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This is a book of poetry for everyone. Inside is a treasure trove of writing celebrating the natural world. Read the poems aloud or curl up with them in a quiet corner. Begin your journey into a lifelong love of poetry. This beautifully illustrated collection features powerful poems written by a wide range of contemporary voices. They share their unique perspectives on the topic of nature, from a dreaming forest and bouquets of buried stars to rivers that dance with rocks and the brushed lava fur of the mountain gorilla. Showcasing original poems alongside existing works, this is a book to share and treasure forever. Featuring brilliant poetry by: Margarita Engle Diana Hendry Grace Nichols Robert Macfarlane Ruth Awolola Naomi Shihab Nye Zaro Weil Rachel Plummer Joyce Sidman Carol Ann Duffy Jack Prelutsky Mary Anne Hoberman Nikki Giovanni Jan Dean Rebecca Perry Tom Denbigh And awe-inspiring artwork from: Annalise Barber Mariana Roldan Masha Manapov Nabila Adani

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ROGUEby Sandy SchofieldWelcome to the former penal colony of Charon, where a labyrinth of underground tunnels offer shelter to an Alien hive. Professor Ernst Kleist rules-a paranoid tyrant whose speciality is making humans disappear. Captain Joyce Palmer is bound for Charon. Only she and a few hand-picked Marines can stop Kleist in his tracks. Only they can stop the professor's most insane creation-the Rogue.THE LABYRINTHby S.D. PerryOn the space station Innominata the infamous Dr Paul Church has built a maze of tunnels. Church is hiding the results of his latest experiments. His aim: to bring human and Alien together as one being. Colonel Dr Tony Crespi has one ambition-to work with Church. But one by one the men on Innominata have been dying in the attempt to meld Alien and man. When Crespi finds his way to the heart of the labyrinth he discovers a chamber of horrors-will he ever be able to find a way out?

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'Inspiring' GUARDIAN 'Heartbreaking' INDEPENDENT 'I loved it' ADAM KAY 'Beautiful' MATT HAIG 'Luminous' NICCI GERRARD 'Essential reading' MADELEINE BUNTING 'A celebration' CHRISTIE WATSON ----- A Best Book for Summer in The Times, Guardian and The i Independent Book of the Month ----- Caring is an issue that affects us all - as bestselling novelist Kate Mosse knows all too well. Kate has cared in turn for her father and mother, and for Granny Rosie, her 90-year-old mother-in-law. Along the way she has experienced the joys, challenges and frustrations shared by an invisible army of carers. At the heart of this care lie everyday acts of love, and the realisation that, sooner or later, most of us will come to rely on an extra pair of hands. ----- 'Lifts the spirits without pulling punches' IAN RANKIN 'Irresistible' RACHEL JOYCE 'Questions how and why we fetishise independence when the reality of human experience is always interdependence' GUARDIAN, BOOK OF THE DAY 'Heartfelt, funny and at times heartbreaking. 10/10' INDEPENDENT 'Utterly beautiful' FRANCESCA SEGAL

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THE WOMEN’S PRIZE FOR FICTION ‘WINNER OF WINNERS’ CHOSEN AS SERVICE95 BOOK CLUB'S BOOK OF THE MONTH FOR AUGUST 2023 ‘A literary masterpiece’ DAILY MAIL ‘An immense achievement’ OBSERVER ‘A gorgeous, pitiless account of love, violence and betrayal’ TIME In 1960s Nigeria, three lives intersect. Ugwu works as a houseboy for a university professor. Olanna has abandoned her life of privilege in Lagos to live with her charismatic lover, the lecturer. And Richard, a shy Englishman, is in thrall to Olanna’s enigmatic twin sister. Amongst the horror of Nigeria’s civil war, loyalties are tested as they are pulled apart and thrown together in ways none of them imagined. Winner of the Women’s Prize for Fiction, Chimamanda Ngozi Adichie’s masterpiece is a novel about race, class and the end of colonialism – and the ways in which love can complicate everything. ‘Vividly written, thrumming with life … a remarkable novel’ Joyce Carol Oates ‘Adichie entwines love and politics to a degree rarely achieved by novelists’ Elle ‘Absolutely awesome. One of the best books I’ve ever read’ Judy Finnigan

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Proving that the spirits of James Joyce, Flann O'Brien, and Samuel Beckett still flow in the veins of at least one Irish writer, Roger Boylan has composed a novel filled with hilarity and doom about the inhabitants of the Irish town of Killoyle: Milo Rogers, a headwaiter and would-be poet with a bit of a drinking problem and a bit of a sexual one; Kathy Hickman, a writer for the woman's fashion magazine Glam, as well as a former pin-up girl; Wolfetone Grey, who reads books only by or about God, and who also makes anonymous phone calls through-out the town in order to make people believe, among other things, that they have just won the lottery; and a host of other peculiar folks, all suffering from and tortured by problems with God, sex, the drink, and of course Ireland. Accompanying all of this is a nameless figure who bursts on the scene in the form of acerbic, opinionated, hilarious footnotes that rudely comment upon the characters and numerous other subjects.

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REVOLUTIONARY WOMEN is a celebration of women of color, centering women who have historically been sidelined. For fans of Ann Shen’s beloved BAD GIRLS THROUGHOUT HISTORY, this spiritual successor celebrates the accomplishments of these incredible women alongside Ann’s signature artwork. From dancers, actors, and singers to scientists, astronauts, politicians, and activists, these women used their voices and their passions to change the world. They include: Gloria Estefan, one of the best-selling female music artists of all time. Anna Sui, an iconic fashion designer for over four decades. Bessie Stringfield, the motorcycle queen of Miami. Alexandria Ocasio-Cortez, the youngest woman ever sworn into Congress. Misty Copeland, the first Black woman principal dancer at American Ballet Theater. Joyce Chen, the first Chinese celebrity chef. REVOLUTIONARY WOMEN captures their extraordinary stories in a beautiful and inspiring format that elevates their achievements. Readers will love the new take on Ann’s beloved first book, as well as the uplifting stories, beautiful and rich art, and the inspiration for readers to forge their own paths.

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When Margaret Thatcher called in 1979 for a return to Victorian values such as hard work, self-reliance, thrift, and national pride, Labour Party leader Neil Kinnock responded that “Victorian values” also included “cruelty, misery, drudgery, squalor, and ignorance.” The Victorians in the Rearview Mirror is an in-depth look at the ways that the twentieth century reacted to and reimagined its predecessor. It considers how the Victorian inheritance has been represented in literature, politics, film, and visual culture; the ways in which modernists and progressives have sought to differentiate themselves from an image of the Victorian; and how conservatives (and some liberals) have sought to revive elements of nineteenth-century life. Nostalgic and critical impulses combine to fix an understanding of the Victorians in the popular imagination. Simon Joyce examines heritage culture, contemporary politics, and the “neo-Dickensian” novel to offer a more affirmative assessment of the Victorian legacy, one that lets us imagine a model of social interconnection and interdependence that has come under threat in today’s politics and culture. Although more than one hundred years have passed since the death of Queen Victoria, the impact of her time is still fresh. The Victorians in the Rearview Mirror speaks to diverse audiences in literary and cultural studies, in addition to those interested in visual culture and contemporary politics, and situates detailed close readings of literary and cinematic texts in the context of a larger argument about the legacies of an era not as distant as we might like to think.

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In the first decade of the new millennium, Jody Allen Randolph interviewed twenty-two leading Irish poets, artists, fiction writers and playwrights to create a record of how the makers of a culture saw their country as it moved into a new era. Her exploration was shadowed by intimations of unease; as economic collapse gathered pace, recurrent concerns gained a new urgency. What are Irish values? How have they changed? How do new cultural realities affect the old arts of language and image which have been so important in Irish tradition? In journeys across political divides and between languages, from Seamus Heaney and Nuala Ni Dhomhnaill, deeply rooted in Irish inheritance, to the African-Irish writer Joyce Akpotor; from Gerry Adams for whom 'when our future is settled, we will agree on our history', to the artist Dorothy Cross who brings an international perspective to her redefinitions of traditional Irish imagery, Close to the Next Moment captures the conversations that are remaking a culture.

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BULLIED AS CHILD FOR BEING OVERWEIGHT and an orphan, the serial killer in I Disappeared Them hides in plain sight. By day, he is an affable family man with a disarming smile, surrounded by his children and loving wife. At night he punches the clock as a hard-working pizza man. After work, he roams Miami''s nighttime streets as the Periwinkle Killer, the sociopath passing judgment on the wicked according to a twisted moral code. He believes himself to be a defender of women and children. The Everglades is filling up with the corpses of his victims. He must be stopped, but there are no clues except the periwinkles he leaves at every crime scene. I Disappeared Them is a brutal, boy meets girl love story that delves into the Periwinkle Killer''s childhood to confront the age-old question, is a serial killer designed or destined? Like Bret Easton Ellis''s American Psycho and Joyce Carol Oates''s Zombie, Preston L. Allen''s immersive narrative hauntingly occupies the peculiar psychological l

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''Beautifully written'' Daily Mail''[An] empathetic, emotional reckoning'' Mail on SundayIn a small seaside town, autumn is edging into winter, gulls ride winds over the waves, and two women pass each other on the promenade, as yet unaware of each other''s existence.In the nineties Lydia was a teen pop star, posed half naked on billboards everywhere with a lollipop between her lips and no idea how to live, letting the world happen to her. Now, three decades later, Lydia is less and less sure that what happened to her was in the least bit okay. The news cycle runs hot with #MeToo stories, and a famous former lover has emerged with a self-serving apology, asking her to forgive him. Suddenly, the past is full of trapdoors she is desperately trying not to fall through.Joyce, in middle age, has never left home. She still lives with her mother Betty. With their matching dresses, identical hairdos and makeup, they are the l

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An examination of the ways major novels by Marcel Proust, James Joyce, and Virginia Woolf draw attention to their embodiment in the object of the book, The Death of the Book considers how bookish format plays a role in some of the twentieth century’s most famous literary experiments. Tracking the passing of time in which reading unfolds, these novels position the book’s so-called death in terms that refer as much to a simple description of its future vis-à-vis other media forms as to the sense of finitude these books share with and transmit to their readers. As he interrogates the affective, physical, and temporal valences of literature’s own traditional format and mode of access, John Lurz shows how these novels stage intersections with the phenomenal world of their readers and develop a conception of literary experience not accounted for by either rigorously historicist or traditionally formalist accounts of the modernist period. Bringing together issues of media and mediation, book history, and modernist aesthetics, The Death of the Book offers a new and deeper understanding of the way we read now.

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These selected essays are drawn from largely unpublished and original sources. They take for subject matter both genre and individual writers and their works, and build into a comprehensive survey that links literature and society in a unity of approach, deeply concerned with modern Ireland and the way in which it sees itself. Contents: Saxon and Celt: The Stereotypes; Thomas Moore: A Reputation; Edward Dowden: Irish Victorian; The Church of Ireland and the Climax of the Ages; Canon Sheehan and the Catholic Intellectual; Yeats, Joyce and the Irish Critical Debate; After the Revival: Se·n ^D'O Faol·in and Patrick Kavanagh; Some Young Doom: Beckett and the Child; Austin Clarke: Satirist; Geoffrey Taylor: A Portrait; C.S. Lewis: Irishman?; Donoghue and Us Irish; Show Me a Sign: Brian Moore and Religious Faith; Poets and Patrimony: Richard Murphy and James Simmons; A Northern Renaissance: Poets from the North of Ireland 1965-1980; Remembering Who We Are; Awakening from the Nightmare: History and Contemporary Literature; Acknowledgments; Index^R

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She was 'amused, cynical, ironic, loving, gay, ferocious, cold, ardent but never gentle'. She was a whirlwind. She created around her the atmosphere of a Court at which her friends were either in disgrace or favour, a butt or a blessing.Elizabeth von Arnim may have been born on the shores of Sydney Harbour, but it was in Victorian London that she discovered society and society discovered her. She made her Court debut before Queen Victoria at Buckingham Palace, was pursued by a Prussian count and married into the formal world of the European aristocracy. It was the novels she wrote about that life that turned her into a literary sensation on both sides of the Atlantic and had her likened to Jane Austen.Her marriage to the count produced five children but little happiness. Her second marriage to Bertrand Russell's brother was a disaster. But by then she had captivated the great literary and intellectual circles of London and Europe. She brought into her orbit the likes of Nancy Astor, Lady Maud Cunard, her cousin Katherine Mansfield and other writers such as E.M. Forster, Somerset Maugham and H.G. Wells, with whom it was said she had a tempestuous affair.Elizabeth von Arnim was an extraordinary woman who lived during glamorous, exciting and changing times that spanned the innocence of Victorian Sydney and finished with the march of Hitler through Europe. Joyce Morgan brings her to vivid and spellbinding life.

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When Margaret Thatcher called in 1979 for a return to Victorian values such as hard work, self-reliance, thrift, and national pride, Labour Party leader Neil Kinnock responded that “Victorian values” also included “cruelty, misery, drudgery, squalor, and ignorance.” The Victorians in the Rearview Mirror is an in-depth look at the ways that the twentieth century reacted to and reimagined its predecessor. It considers how the Victorian inheritance has been represented in literature, politics, film, and visual culture; the ways in which modernists and progressives have sought to differentiate themselves from an image of the Victorian; and how conservatives (and some liberals) have sought to revive elements of nineteenth-century life. Nostalgic and critical impulses combine to fix an understanding of the Victorians in the popular imagination. Simon Joyce examines heritage culture, contemporary politics, and the “neo-Dickensian” novel to offer a more affirmative assessment of the Victorian legacy, one that lets us imagine a model of social interconnection and interdependence that has come under threat in today’s politics and culture. Although more than one hundred years have passed since the death of Queen Victoria, the impact of her time is still fresh. The Victorians in the Rearview Mirror speaks to diverse audiences in literary and cultural studies, in addition to those interested in visual culture and contemporary politics, and situates detailed close readings of literary and cinematic texts in the context of a larger argument about the legacies of an era not as distant as we might like to think.

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In pursuit of his brother, a man traverses the fantastical and grotesque landscape of Hell, pondering their now fractured relationship. The poems in Dustin Pearson’s A Season in Hell with Rimbaud form an allegorical travelogue that chronicles two brothers’ mutual descent into hell. When the older brother runs off by himself, the younger brother begins roaming Hell’s different landscapes in search of him. As he searches, the younger brother ruminates on their now fractured relationship: what brought them here? Can they find each other? Will their bonds ever be repaired? In the tradition of Virgil, Dante, Milton, Swift, Shelley, Joyce, Sarte, and especially Arthur Rimbaud, Pearson leads his speakers on a speculative, epistolary journey through the nether realm inspired by Christian beliefs and tradition. Drawing on the works of French Symbolists and the literary traditions of the American South, A Season in Hell with Rimbaud guides readers through an intimate rendering of one brother’s journey to find his lost and estranged brother, perhaps recovering a part of himself in the process.

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Long before there was a peace process in Ireland, Van Morrison unwittingly did his bit to unite a nation divided. Born in the heart of East Belfast in the North, he is revered as a Celtic soul hero in the South. His music, while rooted in jazz and blues and soul, has an Irish accent--a distinctly Protestant Irish accent. Morrison''s songs form a map of this small island--a map of places, people, and cultures, too. They evoke a long-ago Belfast at a time before it became violently divided by sectarian conflict during the Troubles. They laud literary giants James Joyce, W.B. Yeats, and Oscar Wilde. They tell of the immigrant experience, the going away from the land that has long been Ireland''s heartache. And they form a map of Morrison himself, revealing more than this notoriously difficult character ever would in interviews or conversations. A Sense Of Wonder is not a biography of Van Morrison. Rather, it is a journey through the Ireland depicted in his songs--a journey that

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'A truly heartwarming return to Blossom Heath!' HEIDI SWAIN 'For the ultimate pick-me-up, book a table at the Cosy Cat Café immediately! I adored it!' FIONA COLLINSNew Beginnings at The Cosy Cat Café tells the story of Tori who, after being dumped and left stranded by her long-term boyfriend Ryan on a trip of a lifetime to Asia, returns home to the sleepy Sussex village of Blossom Heath with her tail between her legs and her dreams shattered. Donning her frilly apron to help her Mum, Joyce, behind the counter at The Cosy Cup Café, Tori starts to believe – with the help of a hunky fireman and a clowder of rescue cats - that perhaps the secret to her future happiness might lie closer to home than she ever thought possible.   If you love your romance with a side order of cake, cats and cosy community dynamics, this is the purrfect uplifting, feel-good read from the winner of the RNA Ka

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The spectres of history haunt Irish fiction. In this compelling study, Matthew Schultz maps these rhetorical hauntings across a wide range of postcolonial Irish novels, and defines the spectre as a non-present presence that simultaneously symbolises and analyses an overlapping of Irish myth and Irish history. By exploring this exchange between literary discourse and historical events, Haunted historiographies provides literary historians and cultural critics with a theory of the spectre that exposes the various complex ways in which novelists remember, represent and reinvent historical narrative. It juxtaposes canonical and non-canonical novels that complicate long-held assumptions about four definitive events in modern Irish history – the Great Famine, the Irish Revolution, the Second World War and the Northern Irish Troubles – to demonstrate how historiographical Irish fiction from James Joyce and Samuel Beckett to Roddy Doyle and Sebastian Barry is both a product of Ireland’s colonial history and also the rhetorical means by which a post-colonial culture has emerged.

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An examination of the ways major novels by Marcel Proust, James Joyce, and Virginia Woolf draw attention to their embodiment in the object of the book, The Death of the Book considers how bookish format plays a role in some of the twentieth century’s most famous literary experiments. Tracking the passing of time in which reading unfolds, these novels position the book’s so-called death in terms that refer as much to a simple description of its future vis-à-vis other media forms as to the sense of finitude these books share with and transmit to their readers. As he interrogates the affective, physical, and temporal valences of literature’s own traditional format and mode of access, John Lurz shows how these novels stage intersections with the phenomenal world of their readers and develop a conception of literary experience not accounted for by either rigorously historicist or traditionally formalist accounts of the modernist period. Bringing together issues of media and mediation, book history, and modernist aesthetics, The Death of the Book offers a new and deeper understanding of the way we read now.

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This book argues that George Meredith as a writer of Victorian fiction is most critical for us today because of the ways in which he wrote against convention. The focus is on 'An Essay on Comedy' and six novels - 'The Ordeal of Richard Feverel,' 'The Adventures of Harry Richmond,' 'The Egoist,' 'One of Our Conquerors,' 'Lord Ormont and His Aminta,' and 'The Amazing Marriage' - all of which illuminate the experimental and transgressive impulse in Meredith, as seen in his treatment of controversial contemporary themes, in his departures from conventions of genre, and in his innovations with narrative technique and the representation of consciousness. These are novels that had a profoundly stimulating effect on many of those canonical writers we now associate with the first wave of modernism in the English novel. James, and then Woolf, Forster, Lawrence, Conrad, Ford, and Joyce, to varying degrees, all saw Meredith as an influence to be reckoned with in their own novelistic experimentation - an influence, this book proposes, essential to understanding the modernist translation of nineteenth-century realism into new formal, thematic, and psychological realms.

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Don Alvaro, or the Force of Fate by Angel de Saavedra, Duke of Rivas (1791-1865), premiered in 1835 in Madrid and changed the Spanish stage forever after. It was the benchmark Romantic play of early nineteenth-century Spain. In this English edition designed for either classroom use or performance, Robert Fedorchek presents a readable translation faithful to the tone and spirit of the original. Joyce Tolliver enhances the book with a rich introduction highlighting the work's lasting significance. The play tells of the torrid love of the mysterious Don Alvaro and the lovely Dona Leonor, and how fate intervenes - by way of Alvaro's role in the ""accidental"" death of Leonor's father - to bring about the extermination of Leonor's family at the hands of the man who loves her to distraction. Although chronologically not the first Spanish Romantic drama, Don Alvaro is generally considered the true exponent of the freedom of expression that Romanticism brought to the theater. It does away with all the Neoclassical rules: it exceeds twenty-four hours; the action takes place in two countries; it mixes high and low; prose alternates with verse; and the characters express, melodramatically and passionately, their innermost feelings. It is also generally considered the first play in the best trilogy, along with Antonio Garcia Gutierrez's El trovador (The troubadour, 1836) and Juan Eugenio Hartzenbusch's Los amantes de Teruel (The lovers of Teruel, 1837).

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The Academy celebrates the architect John Simpson's newly finished building for the School of Architecture at the University of Notre Dame, Indiana: the Walsh Family Hall. The language of John Simpson's architecture, which derives from the fifth century BC, has been daringly applied to new uses and an instant landmark of exceptional interest has been created. Through a judicious combination of Classical richness and warehouse-like workspace the Walsh Family Hall provides a humane and joyous series of spaces, which elevates the spirits of those entering and passing through it. This book describes not only the architecture of the Walsh Family Hall but the process whereby it came into existence, with written contributions from the generous donors, Matt and Joyce Walsh; Dean Michael Lykoudis, who commissioned the building; and some of the students who work in these uplifting surroundings. Further educational works by John Simpson such as his new 'yard' for Eton College and major new improvements to the Royal College of Music in London are described, with an essay by Simpson describing his approach. All these works are presented and explored with full colour commissioned photography, drawn plans and original sketches throughout. John Simpson Architects believes that Classicism can enhance life in the twenty-first century by creating inspirational spaces that relate to the proportions of the human body - a view of architecture that is triumphantly demonstrated in the Academy that is the Walsh Family Hall.

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Recorded during Borges’ final years, this third volume of his conversations with Osvaldo Ferrari offers a rare glimpse into the life and work of Argentina’s master writer and favorite conversationalist. In Conversations: Volume 3, Borges and Ferrari discuss subjects as diverse as film criticism, fantastic literature, science fiction, the Argentinian literary tradition, and the works of writers such as Bunyan, Wilde, Joyce, and Yeats, among others. With his signature wit, Borges converses on the philosophical basis of his writing, his travels, and his fascination with religious mysticism. He also ruminates on more personal themes, including the influence of his family on his intellectual development, his friendships, and living with blindness. The recurrent theme of these conversations, however, is a life lived through books. Borges draws on the resources of a mental library that embraces world literature, both ancient and modern. He recalls the works that were a constant presence in his memory and maps his changing attitudes to a highly personal canon. These conversations are a testimony to the supple ways that Borges explored his own relation to numerous traditions—the conjunction of his life, his lucidity, and his imagination.

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Junior es un periodista que investiga la mítica máquina de Macedonio, un artefacto que empezó traduciendo relatos y acabó produciendo una obra autónoma. Ahora ha escapado a todo control y permanece bajo custodia en el Museo, mientras el poder totalitario y la resistencia luchan por validar o convertir en apócrifas las producciones de la autómata. Quizá la verdad sobre su origen se esconde en una historia de amor eterno, de cuyo hilo tirará Junior hasta llegar a una isla extraña.Ricardo Piglia retrata un Buenos Aires trágicamente transformado y desfigurado, haciéndose eco de las obras de sus predecesores (que incluyen a Borges, Roberto Arlt y Macedonio Fernández) y con referencias reveladoras a su antecedente más directo: el Ulises de James Joyce. La ciudad ausente es, en cualquier caso, una obra de arte.Kirkus Reviews

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Sylvia Plath siempre apunta al corazón. Tres mujeres es un emocionante poema a tres voces que tiene como tema central la maternidad. Cada voz representa una forma de vivirla: la mujer que centra su realización en ser madre, la que sufre por no poder serlo y la que lo es a su pesar.Sylvia concibió este poema, feminista y antibelicista, para ser leído en voz alta, y en 1962, un año antes de su muerte, lo leyó en la BBC. La experiencia supuso un cambio de dirección en su forma de afrontar la escritura. Desde entonces concebiría los poemas en voz alta, cambiando de forma definitiva su técnica poética.Es el poema más poderoso de su obra. Es exquisito y tiene la capacidad de llegar al corazón. [...] Plath ha puesto voz a nuestras más íntimas pesadillasJoyce Carol Oates

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Todo comienza hace 300 años. La fiebre de la lectura alcanza a las mujeres. Los hombres se burlan, después barruntan el desastre. Desencadenarán revoluciones los libros? Jane Austen considera que leer novelas hace a la mujer independiente. Madame Bovary devora literatura banal y comete adulterio. Virginia Woolf imprime sus propios libros. Marilyn Monroe lee a Joyce y se deja fotografiar así. Y hoy en día la lectora toma por asalto el centro de poder de la literatura: el fenómeno de la fanficción da la vuelta al mundo. Temperamental y con una sensibilidad extrema para vidas poco comunes, Stefan Bollmann narra en estas páginas la historia de la lectura femenina, su poder y su magia. Mujeres y libros muestra como la lectura ha cambiado la vida de las mujeres y con ello toda la sociedad.

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Master the essentials of nutrition science and patient care with this concise text! Williams' Essentials of Nutrition and Diet Therapy, 13th Edition helps you understand and apply nutrition concepts in the treatment of disease, disease prevention, and life enhancement. The text is broken out into three parts: the basics of nutrients and the body, the life cycle and community nutrition, and clinical nutrition. Case studies help you determine nutritional interventions in treating both acute and chronic conditions. Written by nutrition specialists Joyce Gilbert and Eleanor D. Schlenker, this book includes the latest advances in research and evidence-based practice. Strong community focus includes robust coverage of health promotion, cultural competence, patient safety, lifespan, and public health issues. Person-centered approach helps you develop practical solutions to individual problems, based on the authors' personal research and clinical experience. MyPlate for Older Adults is included, as developed by nutrition scientists at Tufts University and the AARP Foundation, along with the Nestlé Mini Nutritional Assessment Scale. Health Promotion sections help you with nutrition education, stressing healthy lifestyle choices and prevention as the best medicine. Case studies provide opportunities for problem solving, allowing you to apply concepts to practical situations in nutrition care. Evidence-Based Practice boxes emphasize critical thinking and summarize current research findings. Focus on Culture boxes highlight cultural competence and the nutritional deficiencies, health problems, and appropriate interventions relating to different cultural, ethnic, racial, and age groups. Focus on Food Safety boxes alert you to food safety issues related to a particular nutrient, population group, or medical condition. Complementary and Alternative Medicine boxes offer uses, contraindications, and advantages/disadvantages of common types of herbs and supplements, and potential interactions with prescription or over-the-counter medications. Chapter summaries and review questions reinforce your understanding of key concepts and their application. Key terms are identified in the text and defined on the page to help reinforce critical concepts. NEW! Next Generation NCLEX® (NGN)-style case studies apply concepts to realistic scenarios. NEW! Dietary Guidelines have been updated to the 2020-2025 edition with new illustrations. NEW! Coverage of the Healthy People initiative is updated to the 2030 national objectives. NEW! Revised guidelines for potassium and sodium fit the new recommendations for adequate intake of potassium and for sodium chronic disease risk reduction intake. NEW! Content on obesity is incorporated into the Energy Balance chapter. NEW! Updated content on nutrients is added. NEW! Updated references include many new and current works.

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Winner of the inaugural Goldsmiths Prize McBride's debut novel took nine years to find a publisher before being acquired by the tiny Galley Beggar Press and Coffee House acquired it only days before it took off in the UK, where it has since become a sensation, with huge reviews in every major outlet Girl takes the Irish tradition of epitomized by writers like Flann O'Brien and James Joyce, upending and revivifying it, giving us a young woman's voice and experience that is bracing, harrowing, and intensely moving. Stream of consciousness sounds experimental, but the book progresses chronologically in a straightforward linear fashion and the reader's intimacy with the narrator is what makes it such a powerful read. McBride is an exceptionally charismatic reader (with excellent audio to support this) and advocate for her own work and CHP will bring her to the US The book is strikingly ambitious and with the Luiselli bookends the summer with big debut novels from young women and is in keeping with our recent string of smart baby blockbusters (Atocha, Submergence) Young women looking for their bildungsroman (a la How Should a Person Be) will find it in McBride Early passionate advocates in Elizabeth McCracken and Eleanor Catton

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In detailing the relationship of three women filmmakers’ lives and films to the changing institutions of the post-World War II era, Lauren Rabinovitz has created the first feminist social history of the North American avant-garde cinema. At a time when there were few women directors in commercial films, the postwar avant-garde movement offered an opportunity. Rabinovitz argues that avant-garde cinema, open to women because of its marginal status in the art world, included women as filmmakers, organizers, and critics. Focusing on Maya Deren, Shirley Clarke, and Joyce Wieland, Rabinovitz illustrates how women used bold physical images to enhance their work and how each provided entrée to her subversive art while remaining culturally acceptable. She combines archival materials with her own interviews to show how the women’s labor and films, even their identities as women filmmakers, were produced, disseminated, and understood. With a new preface and an updated bibliography, Points of Resistance simultaneously demonstrates the avant-garde’s importance as an organizational network for women filmmakers and the processes by which women remained marginal figures within that network.

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