Search results for ""Author Joyce"

By Native Hands describes the history and context of Native American basketry with full-color photographs and scholarly text. The objects are brought to life in words and pictures, including such rare objects as a feathered Pomo blazing sun basket that took three years to create. This book presents baskets from every major geographic region of North America, with examples from the Choctaw, Panamint Shoshone, Salish, Ojibwa, and many others. By the turn of the nineteenth century, Catherine Marshall Gardiner had begun to collect woven baskets from Native American cultures across the continent. Her collection, the first donation to the Lauren Rogers Museum of Art in 1923, is widely known as one of the finest and most representative Native American basketry collections. It now includes baskets from 88 tribes, almost all of the basket-making tribes in North America. The contributors include Stephen W. Cook, Betty J. Duggan, Dawn Glinsmann, William Ashley Harris, and Joyce Herold.

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After Japanese bombs hit Pearl Harbor, the American right stood at a cross-roads. Generally isolationist, conservatives needed to forge their own foreign policy agenda if they wanted to remain politically viable. When Mao Zedong established the People's Republic of China in 1949 - with the Cold War just underway - they now had a new object of foreign policy, and as Joyce Mao reveals in this fascinating new look at twentieth-century Pacific affairs, that change would provide vital ingredients for American conservatism as we know it today. Mao explores the deep resonance American conservatives felt with the defeat of Chiang Kai-Shek and his exile to Taiwan, which they lamented as the loss of China to communism and the corrosion of traditional values. In response, they fomented aggressive anti-communist positions that urged greater action in the Pacific, a policy known as "Asia First." While this policy would do nothing to oust the communists from China, it was powerfully effective at home. Asia First provided American conservatives a set of ideals-American sovereignty, selective military intervention, strident anti-communism, and the promotion of a technological defense state-that would bring them into the global era with the positions that are now their hallmark.

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A cultural revolution in England, France, and the United States beginning during the time of the industrial and political revolutions helped usher in modernity. This cultural revolution worked alongside the better documented political and economic revolutions to usher in the modern era of continuous revolution. Focusing on the period between 1847 and 1937, the book examines in depth six of the cultural "battles" that were key parts of this revolution: the novels of the Brontë sisters, the paintings of the Impressionists, the poetry of Emily Dickinson, the Ballets Russes production of Le Sacre du printemps, James Joyce's Ulysses, and Zora Neale Hurston's Their Eyes Were Watching God. Using contemporaneous reviews in the press as well as other historical material, we can see that these now-canonical works provoked outrage at the time of their release because they addressed critical points of social upheaval and transformation in ways that engaged broad audiences with subversive messages. This framework allows us to understand and navigate the cultural debates that play such an important role in 21st century politics.

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Poems to celebrate the winter season.A wonderful bedside companion for a frosty winter’s evening, with poems to immerse yourself in the season. From William Shakespeare to John Keats to Katherine Mansfield, the finest poets that ever put pen to paper describe this beautiful and sometimes terrible season.With one entry for every day through winter, from 1st December until 28th or 29th February, this is the ideal book to take you through the darker months and find joy and comfort in nature.In December ‘Gaunt in gloom’ begins James Joyce’s ‘Nightpiece’. In January, there’s a ‘certain slant of light for Emily Dickinson, while ‘the dull dead wind is out of tune’ for Oscar Wilde. And in February, the last month of meteorological winter, William Morris muses ‘From this chill thaw to dream of blossomed May’.This beautiful and collectable anthology of poems derives from the popular A Poem for Every Night of the Year and also features wintry poems by Alice Oswald, Edward Lear, Emily Brontë, William Wordsworth, Ted Hughes and many more.

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Billy loves to draw. He draws on books and on his homework and even on his math tests-he might not get the answer right, but doesn't it look swell sitting in a boat at sea? His teacher doesn't think so, and neither does the principal. But the librarian has an idea that just might help Billy better direct his illustrative energies: a book-making contest! Billy gets right to work, reading everything he can about meteors, mythology, space travel, and...mucus? Yep, his book is going to be about the world's smartest booger, who stays tucked away until needed-say, to solve multiplication problems, or answer questions from the President. Billy's sure his story is a winner. But being a winner doesn't mean you always win. Full of nostalgic references to a time when TV was black-and-white and Sunday newspapers had things called the funnies, this wildly fun story-within-a-story is based loosely on children's book legend William Joyce's third grade year, and includes a sewn-in mini-book of that tale of the world's smartest booger.

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Following the decimation of Mega-City One during Chaos Day, Judges from other `friendly'' Justice Departments have been brought in to strengthen the ranks and help maintain law and order on the streets. Amongst the newcomers is Fintan Joyce - son of a former Emerald Isle Judge, who teamed up with Judge Dredd in one of the most fondly remembered Dredd stories. Exploiting the Big Meg''s weakened state, several groups have risen up against the Judges, including the Goblin King''s Undercity army and a mutant group lead by the monstrous Thorn, who have been attacking Cursed Earth outposts. If things couldn''t get any worse, Dredd has fallen foul of Brit-Cit and they want him in prison or on a slab... Have the odds finally stacked up enough to spell the end of Mega-City One''s greatest lawman?

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* THE TOP 10 NEW YORK TIMES BESTSELLER *''One of the finest contemporary novels I''ve read ... A moral masterpiece'' ANN PATCHETT''Her writing has a luminous kind of clarity, a grace and scope that fills me with wonder'' RACHEL JOYCE''Damning and dazzling ... The story of a Vietnam we never got in history class'' OPRAH DAILY-----------------You have no idea what it was like. For us. The women, I mean. The wives. 1963. Saigon. Tricia is a shy newlywed, married to a rising attorney working for US Navy intelligence. Charlene is a practiced corporate spouse and mother of three, a beauty and a bully. The two women form a wary alliance as they struggle to balance the pressure to be respectable wives for their ambitious husbands, with their own dubious impulses to do good for the people of Vietnam. Sixty years later, Charlene's daughter, spurred by an encounter with an aging Vietnam veteran, reaches out to Tricia. Together

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BOOK OF THE YEAR 2017 - MOJO MAGAZINE & UNCUT MAGAZINE "In early '77 I asked Grant if he'd form a band with me. `No,' was his blunt reply." Grant McLennan didn't want to be in a band. He couldn't play an instrument; Charlie Chaplin was his hero du jour. And yet, when Robert Forster wrote Hemingway, Genet, Chandler and Joyce into his lyrics, McLennan couldn't resist a second invitation to become 80s indie sensation The Go Betweens. The friends would collaborate for three decades, until Grant's premature death in 2006. Beautifully written - like lyrics, like prose - Grant & I is a rock memoir akin to no other. Part `making of', part music industry expose, part buddy-book, this is a delicate and perceptive celebration of creative endeavour. With wit and candour, Robert Forster pays tribute to a band who found huge success in the margins, having friendship at its heart.

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Larry McMurtry’s “big hearted” fiction has been lauded for “taking us places we hadn’t known existed” (Joyce Carol Oates, New York Review of Books). Cadillac Jack does exactly that, inviting readers into the passenger seat of a pearl-colored Caddy with peach velour–covered seats, joining a rodeo-bulldogger-turned-antique- scout at the wheel. “Superbly comic” (Newsday), this rollicking tale echoes the cultural climate of America today, with the cagey yet charming Jack grappling with the capitol’s pretentious elite. As he cruises through relationships with distinctively appealing women—including socialite boutique owner Cindy and discreet mother-of-two Jean—Jack realizes home for him will always be simply barreling down freeways in his Cadillac, wandering the country in search of another obscure treasure. Bolstered with its cast of unforgettable characters, Cadillac Jack entices with the prospect of undiscovered riches around that next bend in the road.

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In Animate Literacies Nathan Snaza proposes a new theory of literature and literacy in which he outlines how literacy is both constitutive of the social and used as a means to define the human. Weaving new materialism with feminist, queer, and decolonial thought, Snaza theorizes literacy as a contact zone in which humans, nonhuman animals, and nonvital objects such as chairs and paper all become active participants. In readings of classic literature by Kate Chopin, Frederick Douglass, James Joyce, Toni Morrison, Mary Shelley, and others, Snaza emphasizes the key roles that affect and sensory experiences play in literacy. Snaza upends common conceptions of literacy and its relation to print media, showing instead how such understandings reinforce dehumanizations linked to dominant imperialist, heterosexist, and capitalist definitions of the human. The path toward disrupting such exclusionary, humanist frameworks, Snaza contends, lies in formulating alternative practices of literacy and literary study that escape disciplined knowledge production.

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Step into the world of the Irish wit, poet, and dramatist Oscar Wilde. Spot scenes from all across his works, including The Picture of Dorian Gray, The Importance of Being Earnest and The Happy Prince, alongside key figures from Wilde's life as you learn about his incredible creativity and the tragic life story that has made him an LGBTQ+ icon.1000-PIECE PUZZLE that measures 48.5 x 68 cm (19 x 27 in.) when completed.INCLUDES A PULL-OUT POSTER so you can spot all the characters and read their stories.'THE WORLD OF...' JIGSAWS are a fun way of celebrating the lives and works of creative greats. Also available in the series: The World of Frida Kahlo, The World of Jane Austen, The World of the Brontës, The World of James Joyce and more.PUBLISHED BY LAURENCE KING - Laurence King has been capturing imaginations and inspiring creativity in new and unexpected ways for

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Taking seriously Ireland’s euphemism for World War II, “the Emergency,” Anna Teekell’s Emergency Writing asks both what happens to literature written during a state of emergency and what it means for writing to be a response to an emergency. Anchored in close textual analysis of works by Samuel Beckett, Elizabeth Bowen, Flann O’Brien, Louis MacNeice, Denis Devlin, and Patrick Kavanagh, and suppported by archival material and historical research, Emergency Writing shows how Irish late modernism was a response to the sociopolitical conditions of a newly independent Irish Free State and to a fully emerged modernism in literature and art. What emerges in Irish writing in the wake of Independence, of the Gaelic Revival, of Yeats and of Joyce, is a body of work that invokes modernism as a set of discursive practices with which to counter the Free State’s political pieties. Emergency Writing provides a new approach to literary modernism and to the literature of conflict, considering the ethical dilemma of performing neutrality—emotionally, politically, and rhetorically—in a world at war.

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New Perspectives in English and American Studies. Volume One: Literature contains a selection of papers delivered at 14th International Conference on English and American Literature and Language, an international event organized every three years by the Institute of English Studies at the Jagiellonian University in Kraków, Poland. The editors divided the content into five broad sections reflecting the scope of academic reflection, the breadth of cultural material and the depth of its analysis.The articles in the volume revolve around the topics of literary and cultural studies and their diversity mirrors the broad spectrum of the thematic panels of the conference.These included, among others, Medievalism in Literature, James Joyce Studies, The Contemporary Historical Novel and Multimodality. Aside from these thematic sessions, a number of general sessions dedicated to a wide spectrum of topics pertinent to English and American studies was held – in particular, the issues of the individual’s perspective upon collective history, regional myths as well as the pivotal new historical awareness.

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This new edition of Alexander Miller’s highly readable introduction to contemporary metaethics provides a critical overview of the main arguments and themes in twentieth- and twenty-first-century contemporary metaethics. Miller traces the development of contemporary debates in metaethics from their beginnings in the work of G. E. Moore up to the most recent arguments between naturalism and non-naturalism, cognitivism and non-cognitivism. From Moore’s attack on ethical naturalism, A. J. Ayer’s emotivism and Simon Blackburn’s quasi-realism to anti-realist and best opinion accounts of moral truth and the non-reductionist naturalism of the ‘Cornell realists’, this book addresses all the key theories and ideas in this field. As well as revisiting the whole terrain with revised and updated guides to further reading, Miller also introduces major new sections on the revolutionary fictionalism of Richard Joyce and the hermeneutic fictionalism of Mark Kalderon. The new edition will continue to be essential reading for students, teachers and professional philosophers with an interest in contemporary metaethics.

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Three generations, one family, connected by an historic secret. 1917 – Private Daniel Dawkins fights at Messines Ridge and Passchendaele. He writes home to his true-love Joyce, but reveals little of his extreme bravery, his kindness, his loyalty to his comrades and the horrors they experience on the Western Front. 1920 – Captain Peter Harding is tasked with a secret mission to assist in the selection of a body dug up from the battlefields of Flanders to be buried in Westminster Abbey as the 'Unknown Warrior'. Events take place on that expedition that come to haunt him for the rest of his life. 2011 – Sarah Harding discovers Daniel’s letters and Peter’s diaries. Together with historian James Marchant she pieces together the hidden truth behind the Tomb of the Unknown Warrior and must decide what to do with it. Values are challenged and characters are tested in this gripping novel which asks ‘what if the identity of the Unknown Soldier was discovered - and should that secret ever be revealed?’

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Last Poems brings together the poems from Thomas Kinsella's five final Peppercanister pamphlets, originally collected as Late Poems (2013), along with a selection of new poems, fragments and revised work which the poet completed before his death in December 2021. An iconic figure in Irish literature, Thomas Kinsella was one of the great poets of the last century: his poems' concern with elemental questions, and a poetics which could be equal to them, is evident here in poems drawn from student publications, in his characteristically meditative sequences and in glittering late fragments. His work was compared to Joyce's by the New York Times for 'its sense of place [and] quest for coherence and meaning in a dark and precarious world': throughout, the poems face up to pressing concerns, age and mortality, the savage waste of war, the opposing ways in which religion and science frame the human predicament, and how the artist may creatively redeem and, in their work, 'offer the Gift onward'.

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The world of international politics has recently been rocked by a seemingly endless series of scandals involving auditory surveillance: the NSA’s warrantless wiretapping is merely the most sensational example of what appears to be a universal practice today. What is the source of this generalized principle of eavesdropping? All Ears: The Aesthetics of Espionage traces the long history of moles from the Bible, through Jeremy Bentham’s “panacoustic” project, all the way to the intelligence-gathering network called “Echelon.” Together with this archeology of auditory surveillance, Szendy offers an engaging account of spycraft’s representations in literature (Sophocles, Shakespeare, Joyce, Kafka, Borges), opera (Monteverdi, Mozart, Berg), and film (Lang, Hitchcock, Coppola, De Palma). Following in the footsteps of Orpheus, the book proposes a new concept of “overhearing” that connects the act of spying to an excessive intensification of listening. At the heart of listening Szendy locates the ear of the Other that manifests itself as the originary division of a “split-hearing” that turns the drive for mastery and surveillance into the death drive.

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World War II has begun. As war rages, and the evacuation of Dunkirk approaches, the women of south London have their own battles to fight. Helen Carey's LONDON ROAD is a compelling novel perfect for fans of Lilian Harry, Kate Thompson and Annie Murray. September 1939As the nation braces itself for war, the residents of Lavender Road are dealing with troubles of their own.With her husband in jail, Joyce Carter is never sure where her family's next meal will come from. And her troublesome daughter, Jen, isn't helping matters by refusing to work until she achieves her dream of becoming an actress.Pam Nelson is struggling to deny the distance growing between her and her husband - which isn't helped by her secret attraction to their handsome new lodger. And unfortunately Pam isn't the only one to fall for his seductive charm...As the threat of a German invasion looms, the lives of the women on this south London street are about to change for ever...

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Dublin has many histories: for a thousand years a modest urban settlement on the quiet waters of the Irish Sea, for the last four hundred it has experienced great - and often astonishing - change. Once a fulcrum of English power in Ireland, it was also the location for the 1916 insurrection that began the rapid imperial retreat. That moment provided Joyce with the setting for the greatest modernist novel of the age, Ulysses, capping a cultural heritage which became an economic resource for the brash 'Tiger Town' of the 1990s. David Dickson's magisterial survey of the city's history brings Dublin to life from its medieval incarnation through the glamorous eighteenth century, when it reigned as the 'Naples of the North', through to the millennium. He reassesses 120 years of Anglo-Irish Union, in which Dublin - while economic capital of Ireland - remained, as it does today, a place in which rival creeds and politics struggled for supremacy. Dublin reveals the rich and intriguing story behind the making of a capital city.

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By Native Hands describes the history and context of Native American basketry with full-color photographs and scholarly text. The objects are brought to life in words and pictures, including such rare objects as a feathered Pomo blazing sun basket that took three years to create. This book presents baskets from every major geographic region of North America, with examples from the Choctaw, Panamint Shoshone, Salish, Ojibwa, and many others. By the turn of the nineteenth century, Catherine Marshall Gardiner had begun to collect woven baskets from Native American cultures across the continent. Her collection, the first donation to the Lauren Rogers Museum of Art in 1923, is widely known as one of the finest and most representative Native American basketry collections. It now includes baskets from 88 tribes, almost all of the basket-making tribes in North America. The contributors include Stephen W. Cook, Betty J. Duggan, Dawn Glinsmann, William Ashley Harris, and Joyce Herold.

Read more less

A cultural revolution in England, France, and the United States beginning during the time of the industrial and political revolutions helped usher in modernity. This cultural revolution worked alongside the better documented political and economic revolutions to usher in the modern era of continuous revolution. Focusing on the period between 1847 and 1937, the book examines in depth six of the cultural "battles" that were key parts of this revolution: the novels of the Brontë sisters, the paintings of the Impressionists, the poetry of Emily Dickinson, the Ballets Russes production of Le Sacre du printemps, James Joyce's Ulysses, and Zora Neale Hurston's Their Eyes Were Watching God. Using contemporaneous reviews in the press as well as other historical material, we can see that these now-canonical works provoked outrage at the time of their release because they addressed critical points of social upheaval and transformation in ways that engaged broad audiences with subversive messages. This framework allows us to understand and navigate the cultural debates that play such an important role in 21st century politics.

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Los ensayos de Cuaderno de faros constituyen una colección alimentada pacientemente con apuntes de viajes, crónicas personales, recuerdos de lecturas y referencias históricas.En su afán coleccionista, una pasión fervorosa pero domesticada, la autora visita algunos faros reales, como el de Yaquina Head, el de Goury o el de Tapia de Casariego, y rememora otros procedentes de la literatura, como los presentes en las obras de Virginia Woolf, Lawrence Durrell, Suetonio, Homero, James Joyce, Herman Melville o Luis Cernuda.La mirada lúcida y nostálgica de Jazmina Barrera, el franco envoltorio de su voz, convierten la lectura de este Cuaderno de faros en una experiencia íntima y magnética.

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En Chet Baker piensa en su arte, texto que propone un nuevo género (la ficción crítica), Enrique Vila-Matas se autorretrata como un escritor de personalidad escindida, como un ensayista mitad doctor Jekyll y mitad míster Hyde, mitad doctor Finnegans y mitad monsieur Hire. Esta historia narra la noche de un crítico literario que, encerrado por unas horas en un hotel de Turín, busca el punto de unión entre la literatura radical encarnada por el último Joyce ?el de Finnegans Wake? y la literatura tradicional de calidad representada por Simenon: dos tendencias sólo aparentemente irreconciliables, que el protagonista tratará de ensamblar en un ansiado texto-monstruo de orden franskensteiniano.

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One hundred years after Marshall McLuhan's birth, Elena Lamberti explores a fundamental, yet neglected aspect of his work: the solid humanistic roots of his original 'mosaic' form of writing. In this investigation of how his famous communication theories were influenced by literature and the arts, Lamberti proposes a new approach to McLuhan's thought. Lamberti delves into McLuhan's humanism in light of his work on media and culture, exploring how he began to perceive literature not just as a subject, but a 'function inseparable from communal existence.' Lamberti pays particular attention to the central role played by Modernism in the making of his theories, including the writings of Ford Madox Ford, James Joyce, Ezra Pound, and Wyndham Lewis. Reconnecting McLuhan with his literary past, Marshall McLuhan's Mosaic is a demonstration of one of his greatest ideas: that literature not only matters, but can help us understand the hidden patterns that rule our environment.

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In this book Robert Crunden puts the "jazz" back in the Jazz Age. Jazz was America's greatest contribution to the Modernist movement, yet it is much overlooked. When we hear the term "Jazz Age," we conjure the ghosts of Fitzgerald, Hemingway, and Eliot, not Jelly Roll Morton, Louis Armstrong, Ethel Waters, George Gershwin, and Duke Ellington. In order to correct this imbalance, Crunden re-introduces us to these musical luminaries who gave the era its name as he traces the early history of jazz from New Orleans to Chicago to New York. While Crunden emphasizes music over literature and the visual arts, he never fails to map the complex cross-currents of literature that passed between jazz musicians and their "Lost Generation" peers, a veritable pageant of the glittering personalities of the day-James Joyce, Alfred Stieglitz, Georgia O'Keeffe, Paul Strand, John Dos Passos, Langston Hughes, Gertrude Stein.

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Set against the cultural and political backdrop of interwar Europe and the Americas, "Poetry in Pieces" is the first major study of the Peruvian poet Cesar Vallejo (1892-1938) to appear in English in more than thirty years. Vallejo lived and wrote in two distinct settings - Peru and Paris - which were continually crisscrossed by new developments in aesthetics, politics, and practices of everyday life; his poetry and prose therefore need to be read in connection with modernity in all its forms and spaces. Michelle Clayton combines close readings of Vallejo's writings with cultural, historical, and theoretical analysis, connecting Vallejo - and Latin American poetry - to the broader panorama of international modernism and the avant-garde, and to writers and artists such as Rainer Maria Rilke, James Joyce, Georges Bataille, and Charlie Chaplin. "Poetry in Pieces" sheds new light on one of the key figures in twentieth-century Latin American literature, while exploring ways of rethinking the parameters of international lyric modernity.

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A new collection of poetry from an American literary legend, her first in twenty-five yearsJoyce Carol Oates is one of our most insightful observers of the human heart and mind, and, with her acute social consciousness, one of the most insistent and inspired witnesses of a shared American history.Oates is perhaps best known for her prodigious output of novels and short stories, many of which have become contemporary classics. However, Oates has also always been a faithful writer of poetry. American Melancholy showcases some of her finest work of the last few decades.Covering subjects big and small, and written in an immediate and engaging style, this collection touches on both the personal and political. Loss, love, and memory are investigated, along with the upheavals of our modern age, the reality of our current predicaments, and the ravages of poverty, racism, and social unrest. Oates skillfully writes characters ranging from a former doctor at a Chinese People’s Liberation Army hospital to Little Albert, a six-month-old infant who took part in a famous study that revealed evidence of classical conditioning in human beings.

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Our early ancestors lived in small groups and worked actively to preserve social equality. As they created larger societies, however, inequality rose, and by 2500 bce truly egalitarian societies were on the wane. In The Creation of Inequality, Kent Flannery and Joyce Marcus demonstrate that this development was not simply the result of population increase, food surplus, or the accumulation of valuables. Instead, inequality resulted from conscious manipulation of the unique social logic that lies at the core of every human group. A few societies allowed talented and ambitious individuals to rise in prestige while still preventing them from becoming a hereditary elite. But many others made high rank hereditary, by manipulating debts, genealogies, and sacred lore. At certain moments in history, intense competition among leaders of high rank gave rise to despotic kingdoms and empires in the Near East, Egypt, Africa, Mexico, Peru, and the Pacific. Drawing on their vast knowledge of both living and prehistoric social groups, Flannery and Marcus describe the changes in logic that create larger and more hierarchical societies, and they argue persuasively that many kinds of inequality can be overcome by reversing these changes, rather than by violence.

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With the equality and liberty of the Declaration of Independence as his fighting words, Thomas Jefferson created American democracy. For the two hundred years since then, he has been studied and debated worldwide, but never more intensely than in recent years. His extensive and influential understanding of democracy’s foundation in reason and nature continue to make him one of the most examined American founders. Thomas Jefferson and the Politics of Nature is a collection of the very best current scholarship devoted to Thomas Jefferson as politician, writer, philosopher, Christian, and economist. Lead essayist Michael Zuckert presents his comprehensive interpretation of Jefferson’s political thought, which Zuckert considers the best theoretical approach to democracy. While Zuckert moderates Jefferson’s natural rights philosophy with a Kantian perspective, Jean Yarbrough responds with the argument that Jefferson incorporates the authors of the Scottish Enlightenment and principles from the Republican tradition to achieve the same moderating effect. Garrett Ward Sheldon looks at the broader cultural influences shaping Jefferson’s thought and traces his republicanism to his support of Christian ethics and Aristotle. R. Booth Fowler examines why Jefferson, the leading liberal theorist of the nineteenth century, became the hero of the very different liberalism of the twentieth. Robert Dawidoff considers Jefferson as writer and literary figure instead of political thinker and actor, while Joyce Appleby renews an appreciation of Jefferson's statecraft by a famous reexamination of his commercial agrarian policy. Finally, James Ceaser traces Jefferson’s belief in racial inferiority to a speculative new natural science prominent among contemporary European thinkers and argues that Jefferson committed a significant error in reducing politics to such conjectural “facts.” This compact text is ideal for professors wishing to offer a one-volume collection of current Jeffersonian scholarship to undergraduate students. Professors and students alike will find that the essays contain prompt, focused, substantive discussions on the key issues facing Jeffersonian scholars. This handy collection will be an invaluable classroom tool for those studying not only Jefferson but also history, political philosophy, and science, as well as the history of ideas.

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A virtuosic epic applauded by Stanley Crouch as “an adventurous masterwork that provides our literature with a signal moment,” back in print in a definitive new edition “I have an awful memory for faces, but an excellent one for voices,” muses Joubert Jones, the aspiring playwright at the center of Divine Days. A kaleidoscopic whorl of characters, language, music, and Black experience, this saga follows Jones for one week in 1966 as he pursues the lore and legends of fictional Forest County, a place resembling Chicago’s South Side. Joubert is a veteran, recently returned to the city, who works for his aunt Eloise’s newspaper and pours drinks at her Night Light Lounge. He wants to write a play about Sugar-Groove, a drifter, “eternal wunderkind,” and local folk hero who seems to have passed away. Sugar-Groove’s disappearance recalls the subject of one of Joubert’s earlier writing attempts—W. A. D. Ford, a protean, diabolical preacher who led a religious sect known as “Divine Days.” Joubert takes notes as he learns about both tricksters, trying to understand their significance.Divine Days introduces readers to a score of indelible characters: Imani, Joubert’s girlfriend, an artist and social worker searching for her lost siblings and struggling to reconcile middle-class life with her values and Black identity; Eloise, who raised Joubert and whose influence is at odds with his writerly ambitions; (Oscar) Williemain, a local barber, storyteller, and founder of the Royal Rites and Righteous Ramblings Club; and the Night Light’s many patrons. With a structure inspired by James Joyce and jazz, Leon Forrest folds references to African American literature and cinema, Shakespeare, the Bible, and classical mythology into a heady quest that embraces life in all its tumult and adventure. This edition brings Forrest’s masterpiece back into print, incorporating hundreds of editorial changes that the author had requested (but were never made) when the book was picked up by W. W. Norton after a disastrous warehouse fire destroyed most of the inventory from the original printing of the book by Another Chicago Press.

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An invitation to observe and learn the therapeutic art of storytelling Healing with Stories brings together a stellar collection of some of the world's most prominent practitioners, taking you inside their thinking and processes for working with metaphors. They represent the panorama of metaphor practice in psychotherapy today with considered, humorous, and compassionate case examples that step you through the intricacies for replicating their work in your own. This is a book for family therapists who work with children, adults, and families, as well as for hypnotherapists, cognitive behavioral therapists, narrative therapists, dynamic therapists, solution-focused therapists, and child therapists. In fact, all therapists who wish to communicate their therapeutic messages with the greatest effectiveness will find this book to be an essential and useful clinical tool. Contributors include: * Richard Kopp * Julie H. Linden * Mikaela J. Hildebrandt * Lindsay B. Fletcher * Steven C. Hayes * Michael D. Yapko * Valerie E. Lewis * Gregory Smit * Joy Nel * Christine Perry * Joyce C. Mills * Rubin Battino * Carol A Hicks-Lankton * Wendel A. Ray * Jana P. Sutton * Robert McNeilly * Roxanna Erickson-Klein * Angela Ebert * Hasham Al Musawi * Teresa Garcia-Sanchez * George W. Burns Praise for Healing with Stories "George Burns has done an expert job of compiling a definitive work that demystifies the ever-versatile metaphor. Whether you are a novice or an expert clinician, you will find a treasury of story interventions along with the 'inside scoop' on how each was created and applied to bring success in nineteen unforgettable case chapters. Better yet, you'll be able to create your own healing metaphors thanks to the expert guidance of a wide range of talented storytellers. Don't miss out on this one!" --Maggie Phillips, PhD, author of Finding the Energy to Heal and coauthor of Healing the Divided Self "If you want to be inspired, entertained, and enlightened, Healing with Stories is the book to read. George Burns, a master storyteller, has assembled a creative, diverse group of clinicians to share their ideas about how metaphor can be used with a variety of problems and clients. The result is a fascinating array of insights into metaphor's role in the healing process." --Richard G. Whiteside, MSW, author of Becoming Dragon

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This edition of the letters of Sir Walter Ralegh will replace the long out-of-print edition of Edward Edwards published in 1868. It contains the full text, in the original spelling, with modern punctuation, of all known surviving letters, 240 in all, compared with Edwards' 160, in most cases taken from the original manuscripts, many never before published. All are extensively annotated, many have been newly dated and corrected; there is a substantial Introduction by Joyce Youings. The letters help to reconcile the family man, never happier than when at home on his estate in the West Country, with one who is revered, especially in North America, as the founder and inspirer of English overseas settlement. They show him drawn both towards his native West Country, where he was not universally admired, and towards the Court at Westminster where lay the determination of the success or failure of his enterprises. Never before have we been able to get as near to understanding the strengths and weaknesses of one of the best-known figures of English history, the man who was both patriot and European; courtier and failed politician; soldier and poet; owner of ships and organiser of privateering ventures yet a reluctant sailor; greedy for personal wealth and social status but apparently ready to plead the case of the poor and disadvantaged.

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A pioneering work of modernist fiction, using her unique stream-of-consciousness technique to explore the inner lives of her characters, Virginia Woolf's To the Lighthouse is widely regarded as one of the greatest artistic achievements of the twentieth century. This Penguin Classics edition is edited by Stella McNichol, with an introduction and notes by Hermione Lee.To the Lighthouse is at once a vivid impressionistic depiction of a family holiday, and a meditation on marriage, on parenthood and childhood, on grief, tyranny and bitterness. For years now the Ramsays have spent every summer in their holiday home in Scotland, and they expect these summers will go on forever; but as the First World War looms, the integrity of family and society will be fatally challenged. With a psychologically introspective mode, the use of memory, reminiscence and shifting perspectives gives the novel an intimate, poetic essence, and at the time of publication in 1927 it represented an utter rejection of Victorian and Edwardian literary values. Virginia Woolf (1882-1941) is regarded as a major 20th century author and essayist, a key figure in literary history as a feminist and modernist, and the centre of 'The Bloomsbury Group', an informal collective of artists and writers that exerted a powerful influence over early twentieth-century British culture. Between 1925 and 1931 Virginia Woolf produced what are now regarded as her finest masterpieces, from Mrs Dalloway (1925) to the poetic and highly experimental novel The Waves (1931). She also maintained an astonishing output of literary criticism, short fiction, journalism and biography, including the playfully subversive Orlando (1928) and A Room of One's Own (1929) a passionate feminist essay.If you enjoyed To the Lighthouse, you might like James Joyce's A Portrait of the Artist as a Young Man, also available in Penguin Classics.'Bears endless re-reading ... the sea encircles the story in a brilliant ebb and flow'Rachel Billington

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RELATE (originally the National Marriage Guidance Council) is probably the largest and most successful service of its kind in the world. For over 50 years, helping many hundreds of thousands of couples and individuals, it has developed an approach to couple counselling that is based on acknowledgment of the uniqueness of individual clients and their relationships, a respect for their autonomy and cultural differences, and a commitment to counselling with empathy, genuineness and warmth. The authors of this book are excellently qualified to provide this unique account of the RELATE Approach in action: both were trained by RELATE, both have very substantial counselling experience, and both have supervised the work of other RELATE counsellors for several years. The ever-changing characteristics of relationships and family life are fully recognised in the RELATE Approach, which helps clients to find their solutions to difficulties of family life, transitions, separation, divorce, sexuality, gender and identity, by helping them to find meanings in the patterns of their relationships, and to make sense of emotions, thoughts and actions in themselves and their partner. This book is designed to enrich and stimulate the work of counsellors working within a wide range of counselling models and traditions. This is not a prescriptive manual but rather an informed guide to the RELATE Approach, which includes many illustrative examples and (invented) case studies. The RELATE Approach still depends upon the counsellor's repertoire of counselling skills, but offers a three-stage counselling model (exploration, understanding, action) made operational within the format of brief, time-limited therapy. "The counsellors with RELATE and its predecessor, the Marriage Guidance movement, were the founders of counselling as we know it today. The approaches to counselling which they have developed have wide application. Butler and Joyce write very well and I found this book clear and full of good ideas for clinical practice. I can confidently recommend the book to all who care for couples in relationships." C. Murray Parkes OBE, MD, FRCPsych "A useful introduction to RELATE's three-stage model of couple counselling and some of the concepts on which it is based." Christopher Clulow, Director of the Tavistock Marital Studies Institute

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Expectation is a major volume of Jean-Luc Nancy’s writings on literature, written across three decades but, for the most part, previously unavailable in English. More substantial than literary criticism, these essays collectively negotiate literature’s relation to philosophy. Nancy pursues such questions as literature’s claims to truth, the status of narrative, the relation of poetry and prose, and the unity of a book or of a text, and he addresses a number of major European writers, including Dante, Sterne, Rousseau, Hölderlin, Proust, Joyce, and Blanchot. The final section offers a number of impressive pieces by Nancy that completely merge his concerns for philosophy and literature and philosophy-as-literature. These include a lengthy parody of Valéry’s “La Jeune Parque,” several original poems by Nancy, and a beautiful prose-poetic discourse on an installation by Italian artist Claudio Parmiggiani that incorporates the Faust theme. Opening with a substantial Introduction by Jean-Michel Rabaté that elaborates Nancy’s importance as a literary thinker, this book constitutes the most substantial statement to date by one of today’s leading philosophers on a discipline that has been central to his work across his career.

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'What do we seek through millions of pages? Still hopefully turning the pages -- oh, here is Jacob's room.' Who is Jacob Flanders? Virginia Woolf's third novel, published in 1922 alongside James Joyce's Ulysses and T.S. Eliot's The Waste Land, follows this elusive title character from a sunlit childhood on the Cornwall coast to adventures in Cambridge, London, and Athens. Women fall in love with Jacob; young men desire his company and conversation. But Woolf keeps her scornful, charming protagonist at a distance, enveloping Jacob in mystery as he enters adulthood and the Great War thunders across Europe. A daring work that reimagines every element of the traditional novel, Jacob's Room tells a new story for a new century. In 1922, Lytton Strachey pronounced Jacob's Room 'a most wonderful achievement—more like poetry, it seems to me, than anything else, and as such I prophesy immortal.' One hundred years after its publication, Woolf's first full-length work of experimental fiction pulls us into the inexhaustible mysteries of intimacy and mortality.

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'Magnificent.' Irish Times'Much to savour.' The Times'An event in Irish culture.' TLSThe collected letters of John McGahern, 'one of the greatest writers of our era' (Hilary Mantel) and 'the most important Irish novelist since Samuel Beckett.' (Guardian)John McGahern is consistently hailed as one of the finest Irish writers since James Joyce and Samuel Beckett.This volume collects some of the witty, profound and unfailingly brilliant letters that he exchanged with family, friends and literary luminaries - such as Seamus Heaney, Colm Tóibín and Paul Muldoon - over the course of a well-travelled life.It is one of the major contributions to the study of Irish and British literature of the past thirty years, acting not just as a crucial insight into the life and works of a much-revered writer - but also a history of post-war Irish literature and its close ties to British and American literary life.'McGahern brings us that tonic gift of the best fiction, the sense of truth - the sense of transparency that permits us to see imaginary lives more clearly than we see our own.' John Updike

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This collection looks beyond the literary, religious, and philosophical aspects of Chaucer’s texts to a new mode of interdisciplinary scholarship: one that celebrates the richness of Chaucer’s visual poetics. The twelve illustrated essays make connections between Chaucer’s texts and various forms of visual data, both medieval and modern.Basing their approach on contemporary understandings of interplay between text and image, the contributors examine a wealth of visual material, from medieval art and iconographical signs to interpretations of Chaucer rendered by contemporary artists. The result uncovers interdisciplinary potential that deepens and informs our understanding of Chaucer’s poetry in an age in which digitization makes available a wealth of facsimiles and other visual resources.A learned assessment of imagery and Chaucer’s work that opens exciting new paths of scholarship, Chaucer: Visual Approaches will be welcomed by scholars of literature, art history, and medieval and early modern studies.The contributors are Jessica Brantley, Joyce Coleman, Carolyn P. Collette, Alexandra Cook, Susanna Fein, Maidie Hilmo, Laura Kendrick, Ashby Kinch, David Raybin, Martha Rust, Sarah Stanbury, and Kathryn R. Vulić.

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The publication of this volume of essays is a milestone in Old English studies. It is the first collection to examine this literature from a feminist perspective. Although the contributors represent a plurality of approaches and positions, they share a common objective: to reassess women as women, as they actually appear in the laws, in works written by women, and in canonical literature. The essays address, correct, and round out the nineteenth-century Anglo-Saxon critical tradition and begin fresh exploration of the women in Old English literature.The subjects discussed fall into the following broad categories: the historical record; sexuality and folklore; language and difference in characterization and the "deconstructed" stereotype. Contributors include Marijane Osborn; Christine E. Fell; F.T. Wainwright; Pauline Stafford; Frank M. Stenton; Mary P. Richard s and B. Jane Stanfield; Carol J. Clover; Edith Whitehurst Williams; Paul E. Szarmach; Audrey L. Meaney; Helen Damico; Patricia A. Belanoff; L. John Sklute; Paul Beekman Taylor; Alexandra Hennessey Olsen; Joyce Hill; Jane Chance; Alain Renoir; Dolores Warwick Frese; and Anita R. Riedinger.

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“A brave and unblinkingly honest portrait of a young woman’s sensual and sexual awakening in the face of censure and repression, and her refusal to be held back by the constraints of her family, culture, and religion. The same joyful spirit that expresses itself in Mencos’ love of dancing shines through in her story of her own personal dance into a brave new world beyond the one her mother prescribed for her. Her story is shameless, in the very best sense of the word.” —Joyce Maynard, New York Times best-selling author of Labor Day, To Die For, and Count The Ways María Isidra is a proper Catholic girl raised in 1960s Spain by a strong matriarch during a repressive dictatorship. Early sexual trauma and a hefty dose of fear keep her in line for much of her childhood, but also lead her to live a double life. In her home, there is no discussing the needs of her growing body. In the street, kissing in public is forbidden. Upon the dictator’s death in 1975, Spain bursts wide open, giving way to democracy and a cultural revolution. Barcelona’s vibrant downtown and its new freedoms seduce María Isidra. She dives into a world of activism, communal living, literature, counterculture, open sexuality, and alcohol. And yet she knows something is missing. Longing to reconnect with her body—from which she has felt estranged since childhood—she finds a surprising home in a rundown salsa club, where the lush rhythm sparks a deep wave of healing. Transformed, she sets off on a series of sexual and romantic misadventures, in search for what she has always found painfully elusive: true intimacy. Promenade of Desire is a rich journey into the life of a woman once contained, who finds a way to set herself free.

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Encuadernación: rústicaColección: Lecturas CompulsivasParís, los años 20, Montparnasse, el barrio latino, Ernest Hemingway, Scott Fitzgerald, James Joyce, Ezra Pound, Gertrude Stein Nombres, rostros, recuerdos de viejas fotos color sepia En la pluma de Jason estos personajes familiares se transforman en autores de cómic. Debaten sobre su forma de enfocar la creación, luchan por entregar a tiempo sus páginas, por conseguir que sus obras sean aceptadas, por ganarse la vida. Al hacerse cargo del destino de sus personajes, Jason se apropia de una parte del imaginario de cada lector. Juega con códigos conocidos para conducirlos en una dirección personal e inesperada. Maltratados, sus personajes se debaten en una historia que les viene demasiado grande, sacando a la superficie un increíble sentimiento de humanidad.

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In cities across the nation, communities of color find themselves resisting state disinvestment and the politics of dispossession. Students at the Center—a writing initiative based in several New Orleans high schools—takes on this struggle through a close examination of race and schools. This book builds on the powerful stories of marginalized youth and their teachers, who contest the policies that are destructive to their communities: decentralization, charter schools, market-based educational choice, teachers union-busting, mixed-income housing, and urban redevelopment. Striking commentaries from the foremost scholars of the day explore the wider implications of these stories for pedagogy and educational policy in schools across the United States and the globe. Most importantly, this book reveals what must be done to challenge oppressive conditions and democratize our schools by troubling the vision of city elites who seek to elide students’ histories, privatize their schools, and reinvent their neighborhoods.Contributors include Michael W. Apple, Wayne Au, Adrienne D. Dixson, Maisha T. Fisher, Joyce E. King, Pauline Lipman, and Vanessa Siddle Walker.

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Reflective practice is at the heart of becoming a competent and confident social work professional. This book demystifies the reflective process and provides a straight forward knowledge base to enhance professional development.Whether you are a qualifying social work student, a practitioner with supervisory responsibilities, or are engaged in professional post qualifying education and training, this book will help you to understand and evidence your development as a reflective practitioner, and guide the assessment of others’ ability to reflect. Topics covered include: How to develop a professional identity and an understanding of professional culture A summary of key theoretical explanations of the concepts of ‘reflection’ and ‘reflective practice’ The significance of Emotional Intelligence for social work practice and how the reflective process can enhance interpersonal and intrapersonal competence How to overcome common obstacles to reflective practice, including low motivation and lack of confidence in your reflective abilities How to write reflectively in order to evidence development of reflective practice to others How to create a learning environment that enables growth and development through reflection and provides accurate assessment outcomes Written in a straightforward and engaging way, with reflective activities and resources throughout, this key resource will develop your knowledge, understanding and application of reflective practice. "This is a well-written text that provides much-needed clarity around a central process within professional social work. Students, practitioners and managers will learn lots about how to use reflection effectively. Linda Bruce writes with authority and a deep understanding - she has done an excellent job."Steven Hothersall, Head of Social Work Education, Edgehill University, UK"This is an extremely important area of practice in the current complex world of social work practice and social care. It takes students and practitioners through the relevant knowledge and theory base and appropriate tools for reflection. I thoroughly recommend it."Joyce Lishman

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Sister Carrie is a first novel by a woman writer possessing such an original voice and slashing, surrealistic wit that she is sure to take her place at the forefront of cutting-edge fiction writers. Carrie Meeber leaves her stifling Florida home for Chicago, where she enters the related fields of advertising and prostitution. As an unflappable narrator makes inquiries into her bizarre life, a cartoonish, hyperkinetic, blaring street world envelops the reader. Depraved characters parade themselves and their crass literary leanings; many keep journals, out of which Carrie is revealed with stylistic pyrotechnics. Fairbanks's scrappy, fantastic, debauched characters reveal themselves as well in hot rapid monologue and dialogue. There is something of Kathy Acker in Sister Carrie, something of Ronald Firbank, William Burroughs, Mark Leyner perhaps, even the Joyce of Finnegans Wake. (And Theodore Dreiser's Sister Carrie? revamped, accessorized, given riot grrrl attitude). But it is finally a tour de force from a young woman writer with a voice all her own and a sardonic world-view perfect for the irony-clad nineties.

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Forget the bunny trail. E. Aster Bunnymund is on a warpath. In this second chapter book in Academy Award winner William Joyce’s The Guardians series, sometimes you have to crack a few eggs.Pitch, the Nightmare King, and his Fearlings had been soundly driven back by Nicholas St. North and company in the first Guardians’ adventure. But now Pitch has disappeared completely—and out of sight does NOT make for out of mind. It seems certain that he’s plotting a particularly nefarious revenge, and the Guardians suspect he might have gone underground. But how can they find him there? Enter E. Aster Bunnymund, the only emissary of the fabled brotherhood of the Pookas—the league of philosophical warrior rabbits of imposing intellect and size. Highly skilled in martial arts (many of which he invented himself), Bunnymund is brilliant, logical, and a tunnel-digger extraordinaire. If the Guardians need paths near the Earth’s core, he’s their Pooka. He’s also armed with magnificent weapons of an oval-sort, and might just be able to help in the quest for the second piece of the Moonclipper. This second book in The Guardians series is about much more than fixing a few rotten eggs—it brings the Guardians one step closer to defeating Pitch!

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Beware a tooth fairy queen scorned in this, the third chapter book of Academy Award winner William Joyce’s The Guardians series. There’s a lot more to this tooth-swiping sprite than meets the eye!When last we heard, the Guardians were resting easy with the knowledge that the children of Santoff Clausen were finally safe from Pitch’s dastardly plans. But is it all a ruse, a scheme, a lull the evil Nightmare King has deviously concocted? Whatever Pitch’s plans, what he doesn’t know is that there’s a new Guardian in town, and she’s not the type to forget old grudges. Actually, she’s not the type to forget anything—because this Guardian is none other than Toothiana, the Tooth Fairy herself. She’s fierce and fast and crossing her will lead to a multitude of troubles. And, it turns out that, well, all those teeth she has been collecting? They contain memories. The forgotten memories of childhood…including the memories of how to fly. Young Katherine is hopeful that these memories might help her to remember her parents. The Guardians hope they’ll offer even further protection from Pitch. You can see how this information would be invaluable to our heroes. But it could also be invaluable to Pitch…

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Anthropologists since Franz Boas and Margaret Mead have traditionally gone off to study “primitive” cultures. This collection of original essays breaks new ground in showing how anthropological theories and techniques can be applied to the culture of contemporary middle-class Americans. In Symbolizing America, ten well-known anthropologists pursue self and identity as cultural rather than psychological matters. Looking homeward, they ask “What Is American about America?” “How do we know?” and “What difference does it make?” They analyze such aspects of American culture as advertising, mass-audience movies, patriotic and ethnic parades, church minutes, college parties, greetings, and the dilemmas of adolescent sexuality. Concerned with familiar interactions, they arrive at new insight into the experience of daily life in America. In their symbolic and semiotic approaches, the authors express the variety yet surprising unity of a dynamic American culture. Chapters include “Creating America,” “Doing the Anthropology of America,” and “’Drop in Anytime’: Community and Authenticity in American Everyday Life” by the editor, Hervé Varenne, Teachers College, Columbia University; “Freedom to Choose: Symbols and Values in American Advertising” by William O. Beeman, Brown University; “The story of [James] Bond” by Lee Drummond, McGill University; “The Melting Pot: Symbolic Ritual or Total Social Fact?” by Milton Singer, University of Chicago; “The Los Angeles Jews ‘Walk for Solidarity’: Parade, Festival, Pilgrimage” by Barbara Myerhoff and Stephen Mongulla, University of Southern California; “History, Faith, and Avoidance” by Carol Greenhouse, Cornell University; “The Discourse of the Dorm: Race, Friendship, and ‘Culture’ among College Youth” by Michael Moffatt, Rutgers University; “Why a ‘Slut’ is a ‘Slut’: Cautionary Tales of American Middle-Class Teenage Girls’ Morality” by Joyce Canaan, Centre for Contemporary Cultural Studies; and an epilogue, “on the Anthropology of America,” by John Caughey, University of Maryland.

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Written by award-winning coach Kim Morgan, this book is aimed at new coaches working in a freelance or self-employed role. It is also a valuable resource for anyone involved in coaching, including trainers of coaches. The Coach’s Survival Guide is an easy to use, accessible book, grounded in practice and experience and including case studies drawn from real-life practice. It is rooted in the real world, normalizing the insecurities felt by many coaches and acknowledging the realities of building a coaching business, while addressing the everyday issues that can hinder a coach's performance or confidence.Kim covers issues such as:• Dealing with Impostor Syndrome• Establishing credibility• Contracting and boundaries• Coaching dilemmas• Building your coaching business • Self-care for coachesThis new book is intended to be a survival guide so that coaches can access instant support for dilemmas that occur in their coaching practice. “Reading this book was like spending time with a close friend; a combination of warmth, wit and illumination.” Professor Damian Hughes, Professor of Organisational Psychology and Change“This book is an essential companion to anyone setting out as a professional coach. It provides knowledge, expertise and, perhaps most importantly, comfort for all the challenges that new coaches face.” Tom Preston, C.E.O. The Preston Associates“At last, here is a book that acknowledges the very real challenges involved in building a coaching business – and provides a blueprint for success!”John Perry, Coach and Principal Teaching Fellow, the University of Southampton, UK“This is a hugely practical and accessible support guide to help you address the challenges you will face in developing your coaching practice, from setting up your practice, generating clients and managing yourself in the coaching relationship.”John Leary-Joyce, Exec Chair AoEC International, author Fertile Void

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