Search results for ""Author Kenneth"

'Over 20 films. Over 40 years. What collaboration in any medium has lasted so long, been so successful, so personal, so happy? Read this wonderfully entertaining book: a unique story of a unique life in the world of world cinema' WES ANDERSON 'Jim is as eloquent and elegant with words as with the camera; here are almost a series of short stories of his life, vivid snapshots, told with an exacting eye. Every sentence is filled with his wry cadence, guided by his appreciation of things beautiful, amusing and unusual. We take the tour of his life which has as fascinating a cast and is set in locations as far flung and exotic as his films - except with way more sex. Read it and drink it in!' HELENA BONHAM CARTER'Ivory is full of candour and randiness...[this] book will open the eyes, often very wide' The Times---------------In Solid Ivory, a carefully crafted mosaic of memories, portraits, and reflections, the Academy Award-winning filmmaker James Ivory, a partner in the legendary Merchant Ivory Productions and the director of A Room with a View, Howards End, Maurice, and The Remains of the Day, tells stories from his remarkable life and career as one of the most influential directors of his time. At times, he touches on his love affairs, looking back coolly and with unexpected frankness.From first meeting his collaborator and life partner, Ismail Merchant, at the Indian Consulate in New York to winning an Academy Award at age eighty-nine for Call Me by Your Name; from seeing his first film at age five in Klamath Falls, Oregon, to memories of Satyajit Ray, Jean Renoir, The New Yorker magazine's film critic Pauline Kael (his longtime enemy), Vanessa Redgrave, J.D. Salinger, George Cukor, Kenneth Clark, Bruce Chatwin, Ruth Prawer Jhabvala, and Merchant, Ivory writes with invariable fluency, wit, and perception about what made him who he is and how he made the movies for which he is known and loved.Solid Ivory, edited by Peter Cameron, is an utterly winning portrait of an extraordinary life told by an unmatched storyteller.

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Text in English and German. Spanish museum architecture has experienced a marked upturn since the 1990s, helping even small towns off the tourist beaten track to acquire extraordinary museum buildings. This is expressed most visibly without a shadow of a doubt in Frank O Gehry's Guggenheim Museum in Bilbao. But there are not just the international stars who have contributed to this success. Spanish architects in particular have designed unique museums that have changed the look of whole towns. One example is the Museo de Arte Contemporáneo de Castilla y León in León in Castille, built by the Madrid architects Mansilla + Tuñon. Rafael Moneo, who recently completed the annexe for the Museo del Prado in Madrid is still the undisputed leading figure in Spanish architecture, but in the meantime architects like Mansilla + Tuñon, who trained under Moneo, are attracting attention internationally as well as in Spain, and so are young talents who have just left architecture school and are successfully designing museums. Spanish architects use a wide variety of formal languages. And yet there are some characteristics that apply to them all: they have never been interested in the games Postmodernism plays; many of them value reinterpreting regional building traditions in a modern way; they are also sensitive to special features of the existing topography. Kenneth Frampton said in this context that Spanish architecture essentially runs counter to the globalisation tendencies that are increasingly reducing architectural form to a comfortable aesthetic product. The present book, which is also suitable as a museum guide, shows that this tendency is particularly conspicuous in the new museums. It confirms the world-class nature of Spanish architecture, recorded from Rafael Moneo's early Museo de Arte Romano in Mérida to Herzog and de Meuron's new Calixa Forum art gallery in Madrid.

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“An invaluable window on how New York self-consciously and very publicly transformed itself from a city that was merely ‘the largest’ to an undisputed world-class metropolis. . . . A rich historical record of newspapers, manuscripts, artifacts, photographs, and graphics . . . offers a new lens to examine identity, industry, and environment.”—Kenneth T. Jackson, from the Foreword For two weeks in the fall of 1909, New York City threw itself the biggest party it had ever seen—attracting millions of people to a sprawling festival 150 miles long, from Brooklyn up the Hudson River to Albany. This extraordinary event, the Hudson-Fulton Celebration, was officially meant to commemorate the 300th anniversary of Henry Hudson’s discovery of the river bearing his name and the centennial of Robert Fulton’s first successful run of his steamship Clermont. But in an era of grand world’s fairs, the Celebration was really created to showcase New York’s coming of age as a world metropolis. On city sidewalks and along the river, millions enjoyed a nonstop circus of fireworks, concerts, museum exhibitions, children’s festivals, and military and naval parades, each designed to link past glories to present challenges and future progress. And to show the world that its biggest city worked. For city leaders, the Celebration was to be a gaudy catalyst for change—technological, commercial, cultural, and political. There were great flotillas of the world’s navies. New, glittering electric lights illuminated bridges and skyscrapers. Jawdropping flyovers by Wilbur Wright and Glenn Curtiss introduced New Yorkers to the airplane. The Queensboro Bridge had just been built, as had new subway lines. Thousands of children in ethnic costumes marched to celebrate the new American melting pot. No one had seen anything like it. This fascinating book commemorates that commemoration. With a rich selection of full-color images—photographs, graphics, memorabilia, paintings, and much more—it tells the story of what those two weeks meant to four million New Yorkers and one million out-of-town guests. Johnson brings back a city feverishly at work and play, from the grand schemes of the planners to the way the Celebration put the city and its people on a world stage.

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'I'm so glad you had the life you did, Barbara. I'm sorry you can't remember, but my God, what a life! You haven't wasted a minute of it...'In December 2020, while the world was gripped with news of an imminent third lockdown, Scott Mitchell was visiting the care home where his partner and wife of 27 years - Dame Barbara Windsor - was being looked after. At the age of 83, after a career spanning seven decades and a seven-year battle with the debilitating effects of dementia, she was slipping away.Barbara's illness meant she could no longer remember her magical career, and so Scott sat by her bedside in her final days, telling her tales from their extraordinary life together. From the unlikely moment they met to the challenges they faced, and the highs and lows of a life shared in the limelight. For theirs was an incredibly passionate relationship, but also a turbulent one - and along with a life of love and laughter, together they endured the pressures of fame, drink and addiction, heartbreak and ultimately dementia. He told Barbara stories of her wonderful achievements on and off screen, and the people who altered the trajectory of her life. From nine enormously successful and much-loved Carry On films to more than twenty years in Albert Square with the role of Peggy Mitchell. From director Joan Littlewood handpicking her for Sparrows Can't Sing and her first husband Ronnie Knight and his links to the Kray twins, to her friendships with Sid James, Kenneth Williams and more.Weaving together an old-fashioned love story, a glittering life of showbiz and the true cost of dementia, By Your Side is a treasure trove for all of us who grew up watching and loving Dame Barbara. From the madness and the mayhem, the glorious highs and the devastating lows, to the fantastic fun she and Scott had along the way - this is an intimate, honest and incredibly personal account of a life spent loving Babs; a warm, colourful and heartfelt celebration of her rich, varied and remarkable life from the man who knew her best.

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Most everyone agrees that having pneumonia or a broken leg is always a bad thing, but not everyone agrees that sadness, grief, anxiety, or even hallucinations are always bad things. This fundamental disjunction in how disease and disorders are valued is the basis for the considerations in Descriptions and Prescriptions. In this book John Z. Sadler, M.D., brings together a distinguished group of contributors to examine how psychiatric diagnostic classifications are influenced by the values held by mental health professionals and the society in which they practice. The aim of the book, according to Sadler, is "to involve psychiatrists, psychologists, philosophers, and scholars in related fields in an intimate exchange about the role of values in shaping past and future classifications of mental disorders." Contributors: George J. Agich, Ph.D., Cleveland Clinic Foundation; Carol Berkenkotter, Ph.D., Michigan Technological University; Lee Anna Clark, Ph.D., University of Iowa; K.W.M. Fulford, D.Phil., F.R.C.Psych., University of Warwick, Coventry; Irving I. Gottesman, Ph.D., University of Virginia; Laura Lee Hall, Ph.D.; Cathy Leaker, Ph.D., Empire State College; Chris Mace, M.D., M.R. C.Psych., University of Warwick, Coventry; Laurie McQueen, M.S.S.W., American Psychiatric Association, Washington, D.C.; Christian Perring, Ph.D., Dowling College; James Phillips, M.D., Yale University School of Medicine; Harold Alan Pincus, M.D., University of Pittsburgh School of Medicine; Jennifer H. Radden, D.Phil., University of Massachusetts; Doris J. Ravotas, M.A., L.L.P., Michigan Technological University; Patricia A. Ross, Ph.D., University of Minnesota; Kenneth F. Schaffner, M.D., Ph.D., George Washington University; Michael Alan Schwartz, M.D., Case Western Reserve University; Daniel W. Shuman, J.D., Southern Methodist University; Allyson Skene, Ph.D., York University; Jerome C. Wakefield, D.S.W., Rutgers University; Thomas A. Widiger, Ph.D., University of Kentucky; Osborne P. Wiggins, Ph.D., University of Louisville.

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William Troy (1903-1961) was a highly regarded literary critic during the 1930s and 1940s. Among his contemporaries, he ranked with Edmund Wilson, Kenneth Burke, and F. O. Matthiessen. Indeed, in the preface to the posthumous, 1968 publication of his Selected Essays, which won a National Book Award, Allen Tate placed Troy among the handful of the best critics of this century. Troy's criticism was informed by an intelligence so balanced that, where many theoreticians took up positions in logical traps, he easily avoided them. At the very moment when scholars and critics were either treating literature like polemics or investigating ideas as if belles-lettres were a sub-category of history or philosophy, Troy acknowledged both the centrality of literary ideas and their distinction from ideas in other forms. When confronted with a text, he analysed it with a firm sense of its inherent meaning and of its cultural implications, in a style that expresses seriousness of commitment precisely and clearly. The Bookman presents a selection of Troy's remaining writings on such major literary figures as Henry James, e. e. cummings, Ernest Hemingway, Edith Wharton, F. Scott Fitzgerald, T. S. Eliot, Andre Gide, William Faulkner, James Joyce, Albert Camus, Jean Cocteau, Willa Cather, W. H. Auden, Virginia Woolf, and Emile Zola. Troy produced a body of work that is timeless, permanent, and exemplary -- perhaps as much as, if not more so than, the work of such other critical contemporaries of his as the Anglo-Americans Yvor Winters, I. A. Richards, William Empson, George Jean Nathan, and R. P. Blackmur. Published in conjunction with Film Nation: William Troy on the Cinema, 1933-1935 (ISBN 978-1-78976-173-3), The Bookman is clear evidence of Troy's role as one of the foremost critics of his age. Inclusion of a substantive index makes the work an essential and accessible gateway to a wide range of literary criticism.

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Gordon Rohlehr’s critical work is outstanding in the balance it achieves between its particularity and its breadth – from the detailed unpacking of a poem’s inner workings, to locating Caribbean writing in the sweep of political and cultural history – and the equal respect he pays to literary and to popular cultural forms. His “Articulating a Caribbean Aesthetic” remains a stunningly pertinent and concise account of the historical formation of the cultural shifts that framed Caribbean writing as a distinctive body of work. Indeed, along with Kamau Brathwaite, Sylvia Wynter and Kenneth Ramchand, no critic has done more to establish the subject of Caribbean writing and its distinctive aesthetics. These essays, written between 1969 to 1986, first published in radical campaigning newspapers such as Tapia and Moko, and first collected in 1992, were the work of a young academic who was both changing the university curriculum, and deeply engaged with the less privileged world outside the campus. Rohlehr catches Caribbean writing at the point when it leaves behind its nationalist hopes and begins to challenge the complex realities of independence. Few critics have written as clearly about how deeply the colonial has remained embedded in the postcolonial.What shines in Rohlehr’s work is not merely its depth, acuity and humanity, but its courage. He writes when his subject is still emergent, without waiting for the credibility of metropolitan endorsements as a guide to the canon. “My Strangled City”, a record of how Trinidad’s poets responded to the upsurge of revolutionary hopes, radical shams, repressions and disappointed dreams of 1964-1975 is an indispensable account of those times and the diversity of literary response that continues to speak to the present. And if in these essays Trinidad is Rohlehr’s primary focus, his perspective is genuinely regional. His native Guyana is always present in his thoughts and several essays show his deep interest in the cultural productions of a “dread” Jamaica, and in making insightful comparisons between, for instance, reggae and calypso.

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Conscience and Corporate Culture advances the constructive dialogue on a moral conscience for corporations. Written for educators in the field of business ethics and practicing corporate executives, the book serves as a platform on a subject profoundly difficult and timely. Written from the unique vantage point of an author who is a philosopher, professor of business administration, and a corporate consultant A vital resource for both educators in the field of business ethics and practicing corporate executives Forwards the constructive dialogue on a moral conscience for corporations Offers a philosophical and practical approach to considering business ethics

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The presence of transaction costs greatly modifies the traditional picture of the allocation of resources through the market. It gives rise to many phenomena inexplicable in the simple market view and to problems of government policy. Oliver Williamson has been a leading figure in this analysis. His interpretations of corporate governance and of the complementarity between internal controls and the market have been the most profound in the literature. It is good that his leading essays are now available in collected form.'- Kenneth J. Arrow, Stanford University, US'Oliver Williamson's contributions to economics are certainly among the most important of the past several decades, and their importance will be increasingly recognized as economists come to grips with all that he has accomplished. This collection provides an unparalleled view of those contributions, and it belongs on the bookshelf of everyone who wants to understand complex economic transactions.'- David Kreps, Stanford University, US'This book provides a terrific opportunity to have a collection of Oliver Williamson's best papers on transaction cost economics all in one convenient volume.'- Paul L. Joskow, Alfred P. Sloan Foundation and MIT'Williamson's work on transaction cost economics has shaped the thinking of all social scientists about organizations and institutions. This volume reprints many of his seminal papers on the subject, and is valuable both as commemoration and for reference.'- Avinash Dixit, Princeton University, USTransaction cost economics has and continues to be a fruitful area of research. There is still much to be done in the field with past research being used in conjunction with the vast number of contractual phenomena that have yet to be investigated in transaction cost economics terms. New challenges are posed by the need to move beyond the design of new contractual instruments (such as financial derivatives) to include an examination of the lurking hazards that attend contract implementation.This important collection brings together Professor Williamson's key papers on transaction cost economics. It will be of benefit to academics, scholars and practitioners with an interest in this progressive subject.

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Although most Americans attribute shifting practices in the financial industry to the invisible hand of the market, Mark H. Rose reveals the degree to which presidents, legislators, regulators, and even bankers themselves have long taken an active interest in regulating the industry. In 1971, members of Richard Nixon's Commission on Financial Structure and Regulation described the banks they sought to create as "supermarkets." Analogous to the twentieth-century model of a store at which Americans could buy everything from soft drinks to fresh produce, supermarket banks would accept deposits, make loans, sell insurance, guide mergers and acquisitions, and underwrite stock and bond issues. The supermarket bank presented a radical departure from the financial industry as it stood, composed as it was of local savings and loans, commercial banks, investment banks, mutual funds, and insurance firms. Over the next four decades, through a process Rose describes as "grinding politics," supermarket banks became the guiding model of the financial industry. As the banking industry consolidated, it grew too large while remaining too fragmented and unwieldy for politicians to regulate and for regulators to understand—until, in 2008, those supermarket banks, such as Citigroup, needed federal help to survive and prosper once again. Rose explains the history of the financial industry as a story of individuals—some well-known, like Presidents Kennedy, Carter, Reagan, and Clinton; Treasury Secretaries Donald Regan and Timothy Geithner; and JP Morgan CEO Jamie Dimon; and some less so, though equally influential, such as Kennedy's Comptroller of the Currency James J. Saxon, Citicorp CEO Walter Wriston, and Bank of America CEOs Hugh McColl and Kenneth Lewis. Rose traces the evolution of supermarket banks from the early days of the Kennedy administration, through the financial crisis of 2008, and up to the Trump administration's attempts to modify bank rules. Deeply researched and accessibly written, Market Rules demystifies the major trends in the banking industry and brings financial policy to life.

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Elemental, timeless stories, set in Italy, Finland, Ireland, Russia, Germany, Scotland and America, reveal the impact the seasons can have on our inner being Although each is complete in itself, these beautifully crafted tales contain recurring motifs so our understanding of one is enriched by the reading of others. The perspectives shift mesmerizingly as layer upon layer of human experience is uncovered. Ambiguity, mystery and spiritual searching abound, as the author meditates on many of the themes found in his highly acclaimed poetry: betrayal, lostness, bullying, the miraculous, faith and the power of love.

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An authoritative selection of the writings of one of the most important early American writers “A brilliant collection that reveals the extraordinary range of Cotton Mather’s interests and contributions—by far the best introduction to the mind of the Puritan divine.”—Francis J. Bremer, author of Lay Empowerment and the Development of Puritanism Cotton Mather (1663–1728) has a wide presence in American culture, and longtime scholarly interest in him is increasing as more of his previously unpublished writings are made available. This reader serves as an introduction to the man and to his huge body of published and unpublished works.

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This concise and clearly focused Dictionary, with contributions by the leading authorities in their fields, brings order and clarity to a topic that can suffer from confusion over terminology and concepts. It provides a bridge between the academic disciplines involved and illustrates the application of transportation policy that crosses a variety of administrative divisions. Cutting through jargon, the entries concentrate on the social science aspects of transportation analysis, defining many of the terms used in transportation, and providing valuable information on some of the major institutions and technologies affecting this sector. This concise and comprehensive Dictionary will be an invaluable addition to libraries and research institutes and a helpful resource for anyone with an interest in the analysis of transport.

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Case Studies in Finance links managerial decisions to capital markets and the expectations of investors. At the core of almost all of the cases is a valuation task that requires students to look to financial markets for guidance in resolving the case problem. The focus on value helps managers understand the impact of the firm on the world around it. These cases also invite students to apply modern information technology to the analysis of managerial decisions.The cases may be taught in many different combinations. The eight-part sequence indicated by the table of contents relates to course designs used at the authors' schools. Each part of the casebook suggests a concept module, with a particular orientation.

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With a new foreword by Ken Blanchard How management can effectively rid themselves of ‘monkeys’ – other people’s responsibilities that cling to them and prevent them managing efficiently. This book explains in simple-minded if abstract terms how to achieve a balance between supervision and delegation for reduced tension and improved productivity in the workplace. ‘There is a high correlation between self-reliance and morale,’ stress the authors. With humour and logic they describe the delicate business of assigning monkeys to the right masters and keeping them healthy, i.e., fed and cared for: ‘… if monkeys are managed properly, you don't have to manage people so much.’

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The alternative way towards better team-building, this is the bestselling management tool from the author of The One Minute Manager. Most managers spend over half their time working with a team, and the One Minute Manager's practical advice shows how any team can work better and more effectively. The One Minute Manager Builds High Performing Teams explains the four stages on the way to building a high performing team: Orientation, Dissatisfaction, Resolution and Production and reveals how to tap the creativity and potential of people at all levels in order to become an effective group leader.

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A global approach to better understanding piracy through archaeologyFeaturing discussions of newly discovered evidence from South America, England, New England, Haiti, the Virgin Islands, the Caribbean Sea, and the Indian Ocean, Dead Man’s Chest presents diverse approaches to better understanding piracy through archaeological investigations, landscape studies, material culture analyses, and documentary and cartographic evidence.The case studies in this volume include medieval and post-medieval piracy in the Bristol Channel, illicit trade in seventeenth-century fishing stations in Maine, and the guerrilla tactics of nineteenth-century privateers and coastal bandits off the Gulf of Mexico Coast. Contributors reveal the story of a Dutch privateer who saved a ship from a storm only to take control of it, partnerships between pirates and Indigenous inhabitants along the Miskito coast, and new findings on the Speaker—one of the first pirate ships to be archaeologically investigated—in Madagascar.As well as covering shipwrecks and other topics traditionally associated with piracy, several chapters look at pirate facilities on land and cultural interactions with nearby communities as reflected through archival documentation. As a whole, the volume highlights various ways to identify piracy and smuggling in the archaeological record, while encouraging readers to question what they think they know about pirates.Contributors: Dr. Charles R. Ewen | Russell K. Skowronek | Yann von Arnim | Martijn van den Bel | Patrick J. Boyle | John de Bry | Alexandre Coulaud | Jessie Cragg | Lynn B. Harris | Geraldo J. S. Hostin | Coy Jacob Idol | Kimberly P. Kenyon | Patrick Lizé | Laurent Pavlidis| Jason T. Raupp | Bradley Rodgers | Nathalie Sellier-Ségard | Jean Soulat | Katherine D. Thomas | Michael Thomin | Megan Rhodes Victor | Kenneth S. Wild

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The summation of more than two thousand years of one of the world's most august literary traditions, this volume also represents the achievements of four hundred years of Western scholarship on China. The selections include poetry, drama, fiction, songs, biographies, and works of early Chinese philosophy and history rendered in English by the most renowned translators of classical Chinese literature: Arthur Waley, Ezra Pound, David Hawkes, James Legge, Burton Watson, Stephen Owen, Cyril Birch, A. C. Graham, Witter Bynner, Kenneth Rexroth, and others. Arranged chronologically and by genre, each chapter is introduced by definitive quotes and brief introductions chosen from classic Western sinological treatises. Beginning with discussions of the origins of the Chinese writing system and selections from the earliest "genre" of Chinese literature-the Oracle Bone inscriptions-the book then proceeds with selections from: * early myths and legends; * the earliest anthology of Chinese poetry, the Book of Songs; * early narrative and philosophy, including the I Ching, Tao-te Ching, and the Analects of Confucius; * rhapsodies, historical writings, magical biographies, ballads, poetry, and miscellaneous prose from the Han and Six Dynasties period; * the court poetry of the Southern Dynasties; * the finest gems of Tang poetry; and * lyrics, stories, and tales of the Sui, Tang, and Five Dynasties eras. Special highlights include individual chapters covering each of the luminaries of Tang poetry: Wang Wei, Li Bo, Du Fu, and Bo Juyi; early literary criticism; women poets from the first to the tenth century C.E.; and the poetry of Zen and the Tao. Bibliographies, explanatory notes, copious illustrations, a chronology of major dynasties, and two-way romanization tables coordinating the Wade-Giles and pinyin transliteration systems provide helpful tools to aid students, teachers, and general readers in exploring this rich tradition of world literature.

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The term 'national treasure' has seldom been more appropriate. Richard Briers was not only the nation's favourite next-door neighbour thanks to his work in the iconic BBC sitcom The Good Life, he was an actor you felt like you really knew, despite having only seen him on stage or screen.While his role as Tom Good might be considered the pinnacle of Richard's sixty-year career, it sits atop a mountain of roles that combined represent one of the most productive and varied careers in British entertainment history. Indeed, Richard's television work alone makes up a not insignificant portion of our country's best endeavours on the small screen, from Jackanory and the anarchic Roobarb and Custard through to Dr Who, Inspector Morse, Ever Decreasing Circles, Extras, and the long-running comedy drama, Monarch of the Glen. On the big screen Richard appeared alongside Raquel Welch, Robert De Niro, Denzel Washington, Kathy Bates and Michael Keaton, and he even taught Keanu Reeves how to act like Sir Henry Irving.But it was on the stage where Richard felt most at home as, in addition to testing him as an actor, it would often satisfy his passion for taking risks. Appearances in the West End were often interspersed with pantomime seasons or a world tour playing King Lear alongside Kenneth Branagh and Emma Thompson. He was, as he always described himself, 'just a jobbing actor'.Anecdote-rich, this revealing but celebratory book will also lift the lid on the stories behind the shows, films and plays that made up this extraordinarily prolific career, not to mention Richard's working and personal relationships with many of his best-known collaborators and co-stars.

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The story of the nude in art in our times, told by a popular art historian with a rare gift for sharing her passions and ideas. The representation of the nude in art remained for many centuries a victory of fiction over fact. Beautiful, handsome, flawless – its great success was to distance the unclothed body from any uncomfortably explicit taint of sexuality, eroticism or imperfection. In this newly updated study, Frances Borzello contrasts the civilized, sanitized, perfected nude of Kenneth Clark’s classic, The Nude: A Study in Ideal Form (1956), with today’s depictions: raw, uncomfortable, both disturbing and intriguing. Grittier and more subtle, depicting variously gendered bodies, the new nude asks awkward questions and behaves provocatively. It is a very naked nude, created to deal with the issues and contradictions that surround the body in our time. Borzello explores the role of the nude in twentieth- and twenty-first-century art, looking at the work of a wide range of international artists creating contemporary nudes. Her fascinating text is complemented by a profusion of well-chosen, unusual and beautifully reproduced illustrations. The story begins with a tale of life, death and resurrection – an investigation into how and why the nude has survived and flourished in an art world that prematurely announced its demise. Subsequent chapters take a thematic approach, focusing in turn on Body art and Performance art, the new perspectives of women artists, the nude in painting, portraiture and sculpture and in its most extreme and graphic expressions that intentionally push the boundaries of both art and our comfort zone. The final chapter illustrates radical developments in art and culture over the last decade, focusing in particular on artworks by women, trans artists and artists of colour. Borzello links these works to their art-historical and political predecessors, demonstrating the continually unending capacity of the nude to disrupt traditional hierarchies and gender categories in life and art.

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Pan Am, Gimbel’s, Pullman, Douglas Aircraft, Digital Equipment Corporation, British Leyland—all once as strong as dinosaurs, all now just as extinct. Destruction of businesses, fortunes, products, and careers is the price of progress toward a better material life. No one understood this bedrock economic principle better than Joseph A. Schumpeter. “Creative destruction,” he said, is the driving force of capitalism.Described by John Kenneth Galbraith as “the most sophisticated conservative” of the twentieth century, Schumpeter made his mark as the prophet of incessant change. His vision was stark: Nearly all businesses fail, victims of innovation by their competitors. Businesspeople ignore this lesson at their peril—to survive, they must be entrepreneurial and think strategically. Yet in Schumpeter’s view, the general prosperity produced by the “capitalist engine” far outweighs the wreckage it leaves behind.During a tumultuous life spanning two world wars, the Great Depression, and the early Cold War, Schumpeter reinvented himself many times. From boy wonder in turn-of-the-century Vienna to captivating Harvard professor, he was stalked by tragedy and haunted by the specter of his rival, John Maynard Keynes. By 1983—the centennial of the birth of both men—Forbes christened Schumpeter, not Keynes, the best navigator through the turbulent seas of globalization. Time has proved that assessment accurate.Prophet of Innovation is also the private story of a man rescued repeatedly by women who loved him and put his well-being above their own. Without them, he would likely have perished, so fierce were the conflicts between his reason and his emotions. Drawing on all of Schumpeter’s writings, including many intimate diaries and letters never before used, this biography paints the full portrait of a magnetic figure who aspired to become the world’s greatest economist, lover, and horseman—and admitted to failure only with the horses.

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Heinrich Zimmer (1890-1943) is best known in the English-speaking world for the four posthumous books edited by Joseph Campbell and published in the Bollingen Series: Myths and Symbols in Indian Art and Civilization, Philosophies of India, The Art of Indian Asia, and The King and the Corpse. These works have inspired several generations of students of Indian religion and culture. All the papers in this volume testify to Zimmer's originality and to his rightful place in that small group of great scholars who were part of the first generation to confront the end of European empires in India and the rest of Asia. In her introduction, Margaret Case contrasts Zimmer's approach to India with that of Jung. There follow two recollections of Zimmer, one by his daughter Maya Rauch, the other by a close friend and supporter in Germany, Herbert Nette. Then William McGuire describes Zimmer's connections with Mary and Paul Mellon and with the Jungian circles in Switzerland and New York. A brief talk by Zimmer, previously unpublished, describes his admiration for Jung. Wendy Doniger picks up the question of Zimmer's intellectual legacy, especially in the light of Campbell's editorial work on his English publications. Gerald Chapple raises another question about how his influence was felt: the division between what is known of his work in the German-and the English-speaking worlds. Kenneth Zysk then summarizes and analyzes his contribution to Western knowledge of Hindu medicine; Matthew Kapstein evaluates his place in the West's appreciation of Indian philosophy; and Mary Linda discusses his contributions to the study of Indian art in the light of A. K. Coomaraswamy's work and more recent research. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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"Anyone who has ever driven on a U.S. interstate highway or eaten at an exit-ramp McDonald’s will come away from this book with a better understanding of what makes modern America what it is." – Chicago Tribune "A fascinating work... with a subject central to contemporary life but to which few, if any, have devoted so much thoughtful analysis and good humor." – Minneapolis Star-Tribune "Divided Highways is the best and most important book yet published about how asphalt and concrete have changed the United States. Quite simply, the Interstate Highway System is the longest and largest engineered structure in the history of the world, and it has enormously influenced every aspect of American life. Tom Lewis is an engaging prose stylist with a gift for the telling anecdote and appropriate example."—Kenneth T. Jackson, Harvard Design Magazine "Lewis provides a comprehensive and balanced examination of America’s century-long infatuation with the automobile and the insatiable demands for more and better road systems. He has written a sprightly and richly documented book on a vital subject."—Richard O. Davies, Journal of American History "Lewis describes in a convincing, lively, and well-documented narrative the evolution of America’s roadway system from one of the world’s worst road networks to its best."—John Pucher, Journal of the American Planning Association "This brightly written history of the U.S. federal highway program is like the annual report of a successful company that has had grim second thoughts. The first half recounts progress made, while the second suggests that the good news is not quite what it seems."—Publishers Weekly "Lewis is a very talented and engaging writer, and the tale he tells—the vision for the Interstates, Congressional battles, construction, and the impact of new highways on American life—is important to understanding the shape of the contemporary American landscape."—David Schuyler, Arthur and Katherine Shadek Professor of the Humanities and American Studies at Franklin & Marshall College, author of Sanctified Landscape: Writers, Artists, and the Hudson River Valley, 1820–1909 In Divided Highways, Tom Lewis offers an encompassing account of highway development in the United States. In the early twentieth century Congress created the Bureau of Public Roads to improve roads and the lives of rural Americans. The Bureau was the forerunner of the Interstate Highway System of 1956, which promoted a technocratic approach to modern road building sometimes at the expense of individual lives, regional characteristics, and the landscape. With thoughtful analysis and engaging prose Lewis charts the development of the Interstate system, including the demographic and economic pressures that influenced its planning and construction and the disputes that pitted individuals and local communities against engineers and federal administrators. This is a story of America’s hopes for its future life and the realities of its present condition. Originally published in 1997, this book is an engaging history of the people and policies that profoundly transformed the American landscape—and the daily lives of Americans. In this updated edition of Divided Highways, Lewis brings his story of the Interstate system up to date, concluding with Boston’s troubled and yet triumphant Big Dig project, the growing antipathy for big federal infrastructure projects, and the uncertain economics of highway projects both present and future.

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Originally published in 1951, Social Choice and Individual Values introduced “Arrow’s Impossibility Theorem” and founded the field of social choice theory in economics and political science. This new edition, including a new foreword by Nobel laureate Eric Maskin, reintroduces Arrow’s seminal book to a new generation of students and researchers."Far beyond a classic, this small book unleashed the ongoing explosion of interest in social choice and voting theory. A half-century later, the book remains full of profound insight: its central message, ‘Arrow’s Theorem,’ has changed the way we think.”—Donald G. Saari, author of Decisions and Elections: Explaining the Unexpected

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'Believe me, my young friend, there is nothing - absolutely nothing - half so much worth doing as simply messing about in boats.' So says Rat to Mole, as he introduces him to the delights of the river and his friends Toad, the spirit of rebellion, and Badger, the spirit of England. But it is a world where the motor-car is about to wreck the gipsy caravan, the revolutionaries in the Wild Wood are threatening the social fabric, the god Pan is abroad, and the warm seductive whispers of the south are drifting into the English lanes. An international children's classic, The Wind in the Willows grew from the author's letters to his young son, yet it is concerned almost exclusively with adult themes: fear of radical changes in political, social, and economic power. Mole's acceptance into the conservative world of the River Bank, and Toad's wild attempts to escape from it, are narrated in virtuoso language ranging from lively parody to elaborate fin-de-siècle mysticism. A profoundly English fiction with a world following, it is a book for adults adopted by children, a timeless masterpiece, and a vital portrait of an age. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Named the #1 Bestselling Non-Fiction Title by the Calgary Herald To camp means to occupy a place and/or time provisionally or under special circumstances. To camp can also mean to queer. And for many children and young adults, summer camp is a formative experience mixed with homosocial structure and homoerotic longing. In Queer as Camp, editors Kenneth B. Kidd and Derritt Mason curate a collection of essays and critical memoirs exploring the intersections of “queer” and “camp,” focusing especially on camp as an alternative and potentially nonnormative place and/or time. Exploring questions of identity, desire, and social formation, Queer as Camp delves into the diverse and queer-enabling dimensions of particular camp/sites, from traditional iterations of camp to camp-like ventures, literary and filmic texts about camp across a range of genres (fantasy, horror, realistic fiction, graphic novels), as well as the notorious appropriation of Indigenous life and the consequences of “playing Indian.” These accessible, engaging essays examine, variously, camp as a queer place and/or the experiences of queers at camp, including Vermont’s Indian Brook, a single-sex girls’ camp that has struggled with the inclusion of nonbinary and transgender campers and staff; the role of Jewish summer camp as a complicated site of sexuality, social bonding, and citizen-making as well as a potentially if not routinely queer-affirming place. They also attend to cinematic and literary representations of camp, such as the Eisner award-winning comic series Lumberjanes, which revitalizes and revises the century-old Girl Scout story; Disney’s Paul Bunyan, a short film that plays up male homosociality and cross-species bonding while inviting queer identification in the process; Sleepaway Camp, a horror film that exposes and deconstructs anxieties about the gendered body; and Wes Anderson’s critically acclaimed Moonrise Kingdom, which evokes dreams of escape, transformation, and other ways of being in the world. Highly interdisciplinary in scope, Queer as Camp reflects on camp and Camp with candor, insight, and often humor. Contributors: Kyle Eveleth, D. Gilson, Charlie Hailey, Ana M. Jimenez-Moreno, Kathryn R. Kent, Mark Lipton, Kerry Mallan, Chris McGee, Roderick McGillis, Tammy Mielke, Alexis Mitchell, Flavia Musinsky, Daniel Mallory Ortberg, Annebella Pollen, Andrew J. Trevarrow, Paul Venzo, Joshua Whitehead

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Named the #1 Bestselling Non-Fiction Title by the Calgary Herald To camp means to occupy a place and/or time provisionally or under special circumstances. To camp can also mean to queer. And for many children and young adults, summer camp is a formative experience mixed with homosocial structure and homoerotic longing. In Queer as Camp, editors Kenneth B. Kidd and Derritt Mason curate a collection of essays and critical memoirs exploring the intersections of “queer” and “camp,” focusing especially on camp as an alternative and potentially nonnormative place and/or time. Exploring questions of identity, desire, and social formation, Queer as Camp delves into the diverse and queer-enabling dimensions of particular camp/sites, from traditional iterations of camp to camp-like ventures, literary and filmic texts about camp across a range of genres (fantasy, horror, realistic fiction, graphic novels), as well as the notorious appropriation of Indigenous life and the consequences of “playing Indian.” These accessible, engaging essays examine, variously, camp as a queer place and/or the experiences of queers at camp, including Vermont’s Indian Brook, a single-sex girls’ camp that has struggled with the inclusion of nonbinary and transgender campers and staff; the role of Jewish summer camp as a complicated site of sexuality, social bonding, and citizen-making as well as a potentially if not routinely queer-affirming place. They also attend to cinematic and literary representations of camp, such as the Eisner award-winning comic series Lumberjanes, which revitalizes and revises the century-old Girl Scout story; Disney’s Paul Bunyan, a short film that plays up male homosociality and cross-species bonding while inviting queer identification in the process; Sleepaway Camp, a horror film that exposes and deconstructs anxieties about the gendered body; and Wes Anderson’s critically acclaimed Moonrise Kingdom, which evokes dreams of escape, transformation, and other ways of being in the world. Highly interdisciplinary in scope, Queer as Camp reflects on camp and Camp with candor, insight, and often humor. Contributors: Kyle Eveleth, D. Gilson, Charlie Hailey, Ana M. Jimenez-Moreno, Kathryn R. Kent, Mark Lipton, Kerry Mallan, Chris McGee, Roderick McGillis, Tammy Mielke, Alexis Mitchell, Flavia Musinsky, Daniel Mallory Ortberg, Annebella Pollen, Andrew J. Trevarrow, Paul Venzo, Joshua Whitehead

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Important poems by the late New York poet published in The New American Poetry, Evergreen Review, Floating Bear and stranger places. Often this poet, strolling through the noisy splintered glare of a Manhattan noon, has paused at a sample Olivetti to type up thirty or forty lines of ruminations, or pondering more deeply has withdrawn to a darkened ware- or firehouse to limn his computed misunderstandings of the eternal questions of life, coexistence, and depth, while never forgetting to eat lunch, his favorite meal. "O'Hara speaks directly across the decades to our hopes and fears and especially our delights; his lines are as intimate as a telephone call. Few books of his era show less age." --Dwight Garner, New York Times "As collections go, none brings...quality to the fore more than the thirty-seven Lunch Poems, published in 1964 by City Lights." --Nicole Rudick, The Paris Review "What O'Hara is getting at is a sense of the evanescence, and the power, of great art, that inextricable contradiction -- that what makes it moving and transcendent is precisely our knowledge that it will pass away. This is the ethos at the center of "Lunch Poems": not the informal or the conversational for their own sake but rather in the service of something more intentional, more connective, more engaged." --David L. Ulin, Los Angeles TImes "The collection broadcasts snark, exuberance, lonely earnestness, and minute-by-minute autobiography to a wide, vague audience--much like today's Twitter and Facebook feeds." --Micah Mattix, The Atlantic Among the most significant post-war American poets, Frank O'Hara grew up in Grafton, MA, graduating from Harvard in 1950. After earning an MA at Michigan in 1951, O'Hara moved to New York, where he began working for the Museum of Modern Art and writing for Art News. By 1960, he was named Assistant Curator of Painting and Sculpture Exhibitions at MOMA. Along with John Ashbery, Kenneth Koch, James Schuyler, and Barbara Guest, he is considered an original member of the New York School. Though he died in a tragic accident in 1966, recent references to O'Hara on TV shows like Mad Men or Thurston Moore's new single evidence our culture's continuing fascination with this innovative poet.

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A comprehensive guide on how to diagnose, treat, and care for those with eating disorders.Eating disorders, which include such conditions as anorexia, bulimia, binge eating, and pica, represent a challenge to both patients and health care providers alike. For more than 20 years, health care providers have turned to the expert advice found in Eating Disorders to keep up to date with the latest research in the field and to help them provide the best care available for their patients. In this new, thoroughly revised and expanded edition of their best-selling work, Drs. Philip S. Mehler and Arnold E. Andersen provide a user-friendly and comprehensive guide to treating and managing eating disorders for primary care physicians, mental health professionals, worried family members and friends, and nonmedical professionals (such as teachers and coaches). Mehler and Andersen • identify common medical complications faced by people who have eating disorders• answer questions about how to treat both physical and behavioral aspects of eating disorders• discuss serious complications, including cardiac arrhythmia, electrolyte abnormalities, and gastrointestinal problems• incorporate all-new information on avoidant restrictive food intake disorder (ARFID), binge eating disorder, and the role of social media in promoting disordered eating• offer targeted advice for working with specialists• include four new chapters on eating disorders in children and adolescents; atypical anorexia; eating disorders in transgender individuals; and family therapy• feature engaging clinical vignettes • answer a list of common questions practitioners may have in each chapterThe most comprehensive work on the market and the only book that covers eating disorders in transgender individuals, Eating Disorders is a compassionate, evidence-based, and essential guide.Contributors: Arnold E. Andersen, Ovidio Bermudez, Jeana Cost, Meghan Foley, Dennis Gibson, Neville Golden, Sacha Gorell, Jeffrey Hollis, Mori J. Krantz, Daniel Le Grange, Russell Marx, Jennifer McBride, Philip S. Mehler, Leah Puckett, Katherine Sachs, Michael Spaulding-Barclay, Anna Tanner, Nathalia Trees, Jessica Tse, Kenneth Weiner, Patricia Westmoreland

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THE SUNDAY TIMES TOP 10 BESTSELLERLet Dame Judi Dench take you behind the scenes of a life loving the Bard – as she shares her story with, and enduring affection for, William Shakespeare. 'A wonderful mixture of appreciation and anecdote' Financial Times, Books of the Year'A MAGICAL LOVE LETTER TO SHAKESPEARE' Sir Kenneth Branagh‘If you love Judi Dench or Shakespeare (and most of us do), look no further’ Guardian'Wonderfully inspiring, riveting. A delightful spell in the company of one of our greatest actresses’ Daily Mail, Books of the Year‘Gloriously entertaining’ ObserverTaking a curtain call with a live snake in her wig...Cavorting naked through the countryside painted green...Acting opposite a child with a pumpkin on his head...These are just a few of the things Dame Judi Dench has done in the name of Shakespeare.For the very first time, Judi opens up about every Shakespearean role she has played throughout her seven-decade career, from Lady Macbeth and Titania to Ophelia and Cleopatra.Here she reveals her behind the scenes secrets; inviting us to share in her triumphs, disasters, and backstage shenanigans, all brightened by her mischievous sense of humour and striking honesty.Witty, provocative and inspiring, this is ultimately Judi's love letter to Shakespeare, or rather, The Man Who Pays The Rent.‘An utterly delightful book… Shakespeare from a great actor’s perspective – that repeatedly strikes to the heart of the matter with a sharp instinctive intelligence that puts fancy-pants literary critics to shame’ Telegraph‘A wonderful ode to the bard’ I‘The book is pure enchantment. It swirls and dances with brilliance and mischief, so forget traditional Shakespearean criticism and analysis. Sack the Eng. Lit. professors. As never before, this book brings the subject to wild, authentic life.’ Daily Mail‘Riveting, revealing and witty’ Gazette and HeraldTop 10 Sunday Times bestseller, November 2023

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Bioethics at the Movies explores the ways in which popular films engage basic bioethical concepts and concerns. Twenty-one philosophically grounded essays use cinematic tools such as character and plot development, scene setting, and narrative framing to demonstrate a range of principles and topics in contemporary medical ethics. The first two sections plumb popular and bioethical thought on birth, abortion, genetic selection, and personhood through several films, including The Cider House Rules, Citizen Ruth, Gattaca, and I, Robot. In the third section, the contributors examine medical practice and troubling questions about the quality and commodification of life by way of Dirty Pretty Things, Eternal Sunshine of the Spotless Mind, and other movies. The fourth section's essays use Million Dollar Baby, Critical Care, Big Fish, and Soylent Green to show how the medical profession and society at large view issues related to aging, dying, and death. A final section makes use of Extreme Measures and select films from Spain and Japan to discuss two foundational matters in bioethics: the role of theories and principles in medicine and the importance of cultural context in devising care. Structured to mirror bioethics and cinema classes, this innovative work includes end-of-chapter questions for further consideration and contributions from scholars from the United States, Canada, the United Kingdom, Israel, Spain, and Australia. Contributors: Robert Arp, Ph.D., Michael C. Brannigan, Ph.D., Matthew Burstein, Ph.D., Antonio Casado da Rocha, Ph.D., Stephen Coleman, Ph.D., Jason T. Eberl, Ph.D., Bradley J. Fisher, Ph.D., Paul J. Ford, Ph.D., Helen Frowe, Ph.D., Colin Gavaghan, Ph.D., Richard Hanley, Ph.D., Nancy Hansen, Ph.D., Al-Yasha Ilhaam, Ph.D., Troy Jollimore, Ph.D., Amy Kind, Ph.D., Zana Marie Lutfiyya, Ph.D., Terrance McConnell, Ph.D., Andy Miah, Ph.D., Nathan Norbis, Ph.D., Kenneth Richman, Ph.D., Karen D. Schwartz, LL.B., M.A., Sandra Shapshay, Ph.D., Daniel Sperling, LL.M., S.J.D., Becky Cox White, R.N., Ph.D., Clark Wolf, Ph.D.

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A state-of-the-art guide for developing grants witha strong emphasis on using program outcome measurement to underscore need and accountability Based on the authors' many years of experience in the public and nonprofit sectors, Effective Grant Writing and Program Evaluation for Human Service Professionals integrates the topics of grant proposal writing and program evaluation, offering grant seekers the practical guidance they need to develop quality proposals, obtain funding, and demonstrate service results and accountability. The authors clearly and succinctly illustrate and describe each stage of the grant writing and evaluation process. Problems or issues that arise frequently are highlighted and followed by specific advice. In addition, numerous real-world examples and exercises are included throughout the book to give readers the opportunity for reflection and practice. This timely reference incorporates a strengths perspective, providing: An inside look at the grant writing and evaluation processes, with insights from experienced grant writers, agency administrators, foundation program managers, and grant reviewers Specific examples of successful grant proposals and evaluation plans and instruments serving as models for learning and practice Field-tested individual and group exercises that facilitate the development of grant writing and evaluation skills Discussion of electronic technology in grant writing and evaluation, including writing and submitting grant proposals online, and identifying funding sources This grant writing and program evaluation guide follows a needs-driven, evidence-based, result-oriented, and client-centered perspective. Its authoritative discussion equips human service professionals to effectively develop grants with a strong emphasis on measuring program outcomes.

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Named a Top Five Book of 2012 by Physics Today, USA.“Anderson has put together an entertaining and instructive collection of highly readable reviews, columns, talks, and unpublished essays on science and the scientists he has known. He is rarely inappropriately provocative, and he is a pleasure to read.”Physics TodayPhilip Anderson was educated at University High School in Urbana, Illinois, at Harvard (BS 1943, PhD 1949), and further educated at Bell Laboratories, where his career (1949-1984) coincided with the greatest period of that remarkable institution. Starting in 1967, he shared his time with Cambridge University (until 1975) and then with Princeton, where he continued full time as Joseph Henry Professor until 1997. As an emeritus he remains active in research, and at press time he was involved in several scientific controversies about high profile subjects, in which his point of view, though unpopular at the moment, is likely to prevail eventually. His colleagues have made him one of the two physicists most often cited in the scientific literature, for several decades.His work is characterized by mathematical simplicity combined with conceptual depth, and by profound respect for experimental findings. He has explored areas outside his main discipline, the quantum theory of condensed matter (for which he won the 1977 Nobel Prize), on several occasions: his paper on what is now called the “Anderson-Higgs mechanism” was a main source for Peter Higgs' elucidation of the boson; a crucial insight led to work on the dynamics of neutron stars (pulsars); and his concept of the spin glass led far afield, to developments in practical computer algorithms and neural nets, and eventually to his involvement in the early years of the Santa Fe Institute and his co-leadership with Kenneth Arrow of two influential workshops on economics at that institution. His writing career started with a much-quoted article in Science titled “More is Different” in 1971; he was an occasional columnist for Physics Today in the 1980s and 1990s. He was more recently a reviewer of science and science-related books for the Times (London) Higher Education Supplement as well as an occasional contributor to Science, Nature, and other journals.

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Scientists, educators, and parents of teens have long recognized the potency of peer influences on children and youth, but until recently, questions of how and why adolescents emulate their peers were largely overlooked. This book presents a comprehensive framework for understanding the processes by which peers shape each other's attitudes and behavior, and explores implications for intervention and prevention. Leading authorities share compelling findings on such topics as how drug use, risky sexual behavior, and other deviant behaviors catch on among certain peer groups or cliques; the social, cognitive, developmental, and contextual factors that strengthen or weaken the power of peer influence; and the nature of positive peer influences and how to support them.

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Flying into the Future explores the organization of air transport in the European Union. It analyses the nature of the industries supplying air transport services, the institutional structure of air transport services, and impediments to increased efficiency in the provision of air transport.The reduction in institutional barriers and regulations has led to a more efficient provision of air transport services in the EU. This book assesses the improvements in the efficiency of air transport services, and highlights institutional and physical problems impeding further efficiency gains. The authors examine airline operations, and the ability of two or more transport systems to operate effectively in tandem. They also consider how to make the boundaries between different transport networks invisible, as well as discussing issues of national organization and the juridical structures which impede operations. The analysis examines both the internal European Union market for air transport services and the links between it and the rest of the world. Other key issues discussed include: EU air transport developments in the context of global markets comparisons of recent developments in aviation policy between the EU and the United States the problems of congestion in the air transport industry in Europe the growth and significance of airline alliances. The authors not only consider the economics of European air transport but also legal, political, technical and geographical issues. They explore the problems of providing air transport in the context of inadequate information, institutional constraints, inherent market imperfections and imprecise objectives.Flying into the Future will be essential reading for industrialists, policymakers and academics interested in transport economics and transport policy.

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"Writing Training Materials that Work is a solid and practical resource to move our field to a more professional level of practice in which instructional decisions are based on research and valid models of how people learn"--Ruth Clark, president, Clark Training and Consulting, past president, ISPI"I can see how this book will be immediately useful to my students. In fact, I can see how it will be immediately useful to me. Thanks for putting it all together between two covers."--Allison Rossett, professor, San Diego State UniversityThe explosion of e-learning has attracted huge numbers of practitioners to the field of instructional design (ID), many with little or no actual ID training. And most current texts fail to cover the substantial recent developments in the field. Writing Training Materials that Work is different. In it, the authors identify, synthesize, and summarize the most current best practices in ID. They offer new ways of teaching declarative knowledge (facts, concepts, and principles) and well- to ill- structured procedural knowledge (problem solving). Their recommendations are based on those principles in the cognitive learning and instruction literature that are internally consistent, prescriptive, and have been empirically demonstrated to make a cost-effective difference. The authors' approach is easy to implement and consistently gets results because it focuses on teaching deep understanding and problem-solving, allowing learners to generalize and transfer learning to new situations without re-training. Whether you re an experienced instructional design practitioner who wants to expand your skills or a graduate student in an advanced instructional design course, Writing Training Materials T\that Work will prove to be a readable, usable, and indispensable guide!

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This book leads you through the process of designing a learning-centered course. It is written as a “how-to” handbook, providing step-by-step guidance on creating a pathway to student learning, including 26 workboxes (also available free online) that lead you through each element of the course design process and promote a rich reflection process akin to being in a workshop setting. The authors prompt you to (1) consider the distinctive characteristics of your students; (2) clearly articulate your course learning goals; (3) create aligned summative assessments; (4) identify the specific knowledge, skills, and attitudes students will need in order to be successful; (5) craft effective learning experiences, informed by the well-documented research on how people learn; and (6) incorporate formative assessment to ensure you and your students are staying on track. Completion of the sequence of worksheets leads to a poster as a visual display of your course design. This graphic depiction of your course ties the components together, provides a clear map of action for teaching your course, for modifying as you evaluate the success of particular strategies or want to introduce new concepts, and for developing your syllabus. A rubric for evaluating course posters is included.For faculty developers, this book provides a proven and ready-made resource and text around which to design or redesign learner-centered course design workshops or multi-day course design retreats, replicating or modifying the renowned workshop that the authors have developed at the Air Force Academy for both faculty new to teaching and those with many years of teaching experience under their belt.

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This book leads you through the process of designing a learning-centered course. It is written as a “how-to” handbook, providing step-by-step guidance on creating a pathway to student learning, including 26 workboxes (also available free online) that lead you through each element of the course design process and promote a rich reflection process akin to being in a workshop setting. The authors prompt you to (1) consider the distinctive characteristics of your students; (2) clearly articulate your course learning goals; (3) create aligned summative assessments; (4) identify the specific knowledge, skills, and attitudes students will need in order to be successful; (5) craft effective learning experiences, informed by the well-documented research on how people learn; and (6) incorporate formative assessment to ensure you and your students are staying on track. Completion of the sequence of worksheets leads to a poster as a visual display of your course design. This graphic depiction of your course ties the components together, provides a clear map of action for teaching your course, for modifying as you evaluate the success of particular strategies or want to introduce new concepts, and for developing your syllabus. A rubric for evaluating course posters is included.For faculty developers, this book provides a proven and ready-made resource and text around which to design or redesign learner-centered course design workshops or multi-day course design retreats, replicating or modifying the renowned workshop that the authors have developed at the Air Force Academy for both faculty new to teaching and those with many years of teaching experience under their belt.

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The Time War. The Doctor has been injured and brought to a Time Lord field hospital. His body glows with energy, but this is no regeneration into a future form - instead, the Doctor's past faces begin to appear as he flits haphazardly between incarnations... Staggering to his TARDIS, the Doctor sets out to solve the mystery of his 'degeneration'. Who has done this to him? How? And why? From the Earth to the stars, across an array of familiar times and places, he follows clues to retrace his steps, encountering old friends and enemies along the way. Tumbling through his lives, the Doctor must stop his degeneration before he loses himself completely... Settling as his Fourth incarnation, the Doctor goes in search of the Monk, with a vague memory that he had something to do with his 'degeneration'. On Earth, the Monk is meddling, bringing Sarah Jane Smith to the future UNIT HQ to steal a device for an alien race. The Doctor must help Kate Stewart and Osgood foil an invasion before he can confront the Monk about what he knows... CAST: Tom Baker (The Doctor), Louise Jameson (Leela), Nerys Hughes (Margaret Hopwood), Guy Adams (Garlon Dees), Sam Benjamin (Attendant / Halfway Men), Chase Brown (Sergeant Ray Hunter), Barnaby Edwards (Stan Trubshaw / Private Massey / Edie’s Dad / Old Reg), Holly Jackson Waters (Alice), Joe Jameson (Jacob Harmer (16) / Jacob Harmer (35)), Kenneth Jay (Captain Ray Hunter), Evie Killip (Edie Carter), Shvorne Marks (Mia Valarna), Victor McGuire (Huthro), Jackson Milner (Private Joe Powell), Paul Panting (Nate Duffy / Mr Fennec), Ronald Pickup (Jacob Harmer), Olivia Poulet (Felsa Mavelock), Sara Powell (Moira Tenaka), Joe Sims (Tench). Other parts played by members of the cast.

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"The site is the result of a careful study of the river-banks, and commands so many views of varied beauty, that all the glories of the Hudson may be said to circle it."—H. W. French, Art and Artists in Connecticut, 1879 In 1609, Henry Hudson sailed up the river that now bears his name. The exhibition and its accompanying publication Glories of the Hudson: Frederic Edwin Church's Views from Olana mark the quadricentennial of his discovery by highlighting Frederic Church's sketches of the prospect from his hilltop home overlooking the river. Church made his first sketch of the Hudson River and Catskill Mountains from Red Hill—the south end of the property that became his home, Olana—in 1845, on a sketching expedition suggested by his teacher Thomas Cole. Returning to the Hudson Valley in 1860 as the nation's most famous and best-paid artist, Church settled on a farm on the lower slope of the Sienghenbergh, securing for himself and his new wife a splendid vantage point for studying, sketching, and painting the river. Church continued to add land to his property, attaining new and varied vistas of the river, and crowned the estate with a Persian-inspired house designed to frame splendid views of the Hudson River and Catskill Mountains. Church never tired of his views of the river, documenting his passion for the Hudson in paintings, oil sketches, and drawings. From Olana, he observed the transformations wrought by the changing seasons, weather, and light, capturing chilly winter snows, brilliant sunsets, and passing storms in sketches executed with a few brushstrokes or autumn colors and clear winter light in more finished easel paintings. The best of these are reproduced here, in eighty-three illustrations, sixty-nine in full color, some of them published for the first time. The essay by Evelyn D. Trebilcock and Valerie A. Balint, the introduction by Kenneth John Myers, and the foreword by John K. Howat together provide an absorbing narrative of the development of the Hudson River School and its most successful artist. The Olana Partnership, Hudson, New York, and New York State Office of Parks, Recreation and Historic Preservation, Albany, New York, organized Glories of the Hudson: Frederic Edwin Church's Views from Olana, held from May 23 to October 12, 2009

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Contents: HISTORICAL OBSERVATIONS; Chapter One: Desperate Pleas: Excerpts from the Nordwind Correspondence of the Boston Committee for Refugees, Nicholas J. Meyerhofer; Chapter Two: Victims and Perpetrators in the Yugoslav Genocide, 1941-1945: Some Preliminary Observations, Damir Mirkovic; Chapter Three: THe Nazi Attack on the Polish Nation: Towards a New Understanding, John T. Pawlikowski; Chapter Four: The Contribution of British-Israelism to Antisemitism with Conservative Protestantism, Richard V. Pierard; PHILOSOPHICAL REFLECTIONS; Chapter FIve: Insiders and Outsiders: For Whom Do We Toil?, Zev Garber; Chapter Six: Responding Without Transcendental Warrants, James R. Watson; THE ARTS; Chapter Seven: Art, Music and the Holocaust, Ben Arnold; Chapter Eight: Christianity, Tragedy and Holocaust Literature, Michael R. Steele; EDUCATION; Chapter Nine: Some Implications of the Wannsee Conference for the Essence of Higher Education, David Patterson; CHURCH STRUGGLE; Chapter Ten: The German Church Struggle and the Oxford Conference, Kenneth C. Barnes; Chapter Eleven: Problems of Protestant Cooperation: the Church World Service, the World Council of Churches and Post-War Relief in Germany, Haim Genizi; Chapter Twelve: Kairos Again? The Church Struggle: Their Contribution to the Ordination of Women, Theodore N. Thomas; JEWISH-CHRISTIAN RELATIONS; Chapter Fourteen: Yom HaShoah for Jews and Christians, Steven M. Bob; Chapter Fifteen: The Shoah-Israel Link: Christian Theology Facing Up to the Post-Shoah Era, James F. Moore; SURVIVOR TESTIMONY; Chapter Sixteen: Sinai or Cyanide? Late Twentieth Century Reflections on a Post-Shoah Jewish Theology by the Child of a Survivor, Steven L. Jacobs; Chapter Seventeen: Hiding During and After the War: The Fate of Children Who Survived the Holocaust, Robert Krell; Chapter Seventeen: Lea Fleischmann's Gas: Tagebucheiner Bedrohung: Germany and the Gulf War, Susan Lee Pentlin; A NEW BEGINNING; Chapter Nineteen: The Burden of the Holocaust, 1945-1992: Horror, Mourning, Attemp

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Previously unpublished interviews with some of America’s leading postwar artists—including Frankenthaler, Johns, Oldenburg, Rauschenberg, Stella and Warhol—originally made for TV in the mid-’60s by famed curator Alan Solomon This substantial volume publishes for the first time a series of interviews conducted with seminal East Coast artists and their associates, including Kenneth Noland, Jim Dine, Roy Lichtenstein, Marcella Brenner, Helen Jacobson, Clement Greenberg, Helen Frankenthaler, Larry Poons, Frank Stella, Robert Rauschenberg, Jasper Johns, Claes Oldenburg, Barnett Newman, Leo Castelli, Andy Warhol, Gerard Malanga and Edie Sedgwick. These were produced in late 1965 and early 1966 for the documentary television series USA: Artists by famed curator Alan Solomon, who was a regular fixture in the New York art world of the time. This was a logical extension of Solomon's recent curatorial involvements, including most importantly his organization of the United States exhibition at the 1964 Venice Biennale. The half-hour format of the episodes meant that a vast amount of Solomon’s original interviews, some of which lasted an hour or more, wound up on the cutting-room floor. At some point after the series was completed the original filmed and tape-recorded interviews were lost. A single set of typed transcripts, preserved in the Alan R. Solomon papers at the Archives of American Art, a branch of the Smithsonian Institution (copublisher of this volume), is the sole complete record of the original interviews. The New York Tapes gathers these interview transcripts and publishes them as a group for the first time, extensively illustrated with numerous stills from the television programs and related documentation. The transcripts make available material that was not included in the final programs, while also revealing how what was included became subtly manipulated to fit the format of documentary television. An informative introduction by editor Matthew Simms sets the project in context and highlights the differences between the interviews and the films, shedding new light on a germinal moment in postwar American art and how it was presented to the public.

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When Barack Obama came into office, the strategic landscape facing the United States in its overseas counterterrorism operations was undergoing a shift. Even before the rise of drones necessitated the articulation of legal doctrine, the Obama administration had to explain itself. In Speaking the Law, the authors offer a detailed examination of the speeches of the Obama administration on national security legal issues. Viewed together here for the first time, the authors lay out a broad array of legal and policy positions regarding a large number of principles currently contested at both the domestic and international levels. The book describes what the Obama administration has said about the legal framework in which it is operating with respect to such questions as the nature of the war on terrorism, the use of drones and targeted killings, detention, trial by military commission and in federal courts, and interrogation. The authors analyze this framework, examining the stresses on it and asking where the administration got matters right and where they were wrong. They conclude with suggestions for certain reforms to the framework for the administration and Congress to consider.

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Sales HandleConcise and condensed content referenced to the classic main text of Williams Hematology, 10th edition.This book is perfect for use when time is tight on rounds or in the clinic. Excellent resource for the hematologist and non-hematologist.Everything you need to know about the fundamental principles and practice of non-malignant andmalignanthematology.--Coversall topics covered on the hematology-oncology board review----Includesall of the most current classifications of hematology diseases--Greatresource for the non-hematologist with in-depth explanations --Includescoverage of COVID-19 and abnormal clotting written by leading expertsAbout the BookAlthough it’s a handbook it is deceptively comprehensive.--Hematologists diagnose and treat blood diseases, including clots,sickle cell disease and other hemoglobinopathies, leukemias,and lymphomas, ---Concise and condensed content referenced to the classic maintextbook. --It is the perfect book to be used on rounds and in the clinic. --Authoritative quick and practical reference that can be used as acompanion or stand-alone tool for point-of-care facts and board preparation.--Succinct focus on diagnosis and management.--Includes numerous tables that contain diagnostic and therapeuticinformation relevant to the diseases discussed.--Coverage of COVID-19 infections because of the frequent manifestationof associated coagulation abnormalities that are associated withrespiratory deterioration and death. Some patients with COVID-19 tend to develop thromboembolic complications. Market/AudienceOncology fellows: 1500Hematology/oncology: 20,000Internal Medicine: 100,000IM Residents: 9000Medical Genetics: 2500Genetic Counselors: 1000Pediatric hematologists: 20003rd year medical students: 17,0002nd yearmedical students: 17,000Advancedpractice professionals: 50,000PharmaceuticalcompaniesPharmaBenefit to the CustomerThe fastest way to access and use the authority of Williams Hematology. Must have condensed version for hematology and internal medicine residents.--Perfect for students, residents, and fellows needing quick but credible guidance on diagnosis and treatmentof common nonmalignant and malignant blood diseases.--Carefully edited to deliver only the most clinical point-of-care facts, making differential diagnosis faster, easier, and more efficient.--Edited by the leading global experts in malignant and nonmalignant hematology.Author Profile---The Williams’ editorial team truly represents the cream of the crop of research and clinical hematology. The editors are all known worldwide for their contributions to the field. Most of the editors are previous Presidents of the American Society of Hematology. --The lead editor for the 10th edition of the Williams Manual, Marshall Lichtman, is former Dean of the Rochester University School of Medicine, and a former President of the American Society of Hematology. Author's Other TitlesKaushansky/Williams Hematology, 9/e (0071833005), 2015, McGraw Hill.Reviews* 5 Star Doody's Review for the 9th edition

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Advocating for an increased emphasis on evidence-based practice, this book describes and analyses a wide range of available Autism Spectrum Disorder (ASD) assessment measures. The author offers guidance on how to evaluate services and programmes and how to recognise which will be most effective in different scenarios for people with differing needs. A wide range of measures are reviewed in detail, including assessments used in situations often ignored in overviews relevant to ASD, such as assessments of internet addiction, response to traumatic stress, and criminal offending risk and witness credibility. This book is an invaluable resource to professionals who support people with ASDs, including social workers and teachers, and who are under increasing pressure to reliably assess which services, programmes and therapies are effective and fit-for-purpose.

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Grudgingly acknowledged as the main mentor for the Courtaulds in building their art collections, the London and Paris art dealer, Percy Moore Turner, is now largely forgotten in this country. Yet, in France, he was honoured by the French Government with the award of Officer and then Commander of the Legion d’Honneur and feted by the Museums of France with specially struck medals. In this, the first biography of Percy Moore Turner, his granddaughter, who has access to his few remaining business papers and unpublished autobiography, has researched his life and career. Involved with the Bloomsbury Group from before the First World War, he was actively courted by Roger Fry at the end of the War to manage an artists’ association for them when Turner was still serving in the Army. Instead, Turner promoted them when he opened his London Gallery with some success until 1925 when the Group, embarrassed by the financial losses caused by them to him, ‘sacked’ him on friendly terms. Born in Halifax in 1877 into a family of hosiers and haberdashers, Turner’s life and career spanned two World Wars and periods of economic volatility. He tirelessly promoted modern French art internationally and built up a client base which included Dr Albert Barnes, John Quinn, Charles Lang Freer, Samuel Courtauld, Russell Colman and Frank Hindley Smith. A longstanding friend of Kenneth Clark, Turner strove to ensure that his own art collection was placed appropriately in museums and galleries throughout Britain and France, considering himself merely the custodian of the pictures he owned. Contents: 1. Childhood - Halifax to Norwich 2. Getting started 3. Gallery Barbazanges 4. Starting again – The Independent Gallery 5. Exhibitions and the Oxford Arts Club 6. The War Years 1939-1945 7. The Final Years 8. Photographs and Illustrations 9. Postscript 10. Acknowledgements 11. Abbreviations 12. Index

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In the middle of the twentieth century, liberal intellectuals and policymakers in the United States came to see poverty as a global problem. Applying Progressive era and Depression insights about the causes of poverty to the post-World War II challenges posed by the Cold War and decolonization, they developed new ideas about why poverty persisted. The problem, they argued, was that the poor at home and abroad were alienated from the enormous opportunities industrial capitalism provided. Left unsolved, that problem, they believed, would threaten world peace. In The Poverty of the World, Sheyda Jahanbani brings together the histories of US foreign relations and domestic politics to explain why, during a period of unprecedented affluence, Americans rediscovered poverty and supported major policy initiative to combat it. Revisiting a moment of triumph for American liberals in the 1940s, Jahanbani shows how the US's newfound role as a global superpower prompted novel ideas among liberal thinkers about how to address poverty and generated new urgency for trying to do so. Their sense of responsibility about deploying American knowledge and wealth as a beneficent force in the world, produced such foreign aid programs as the Peace Corps. As Americans came to recognize the problem beyond the country's borders, they turned the idea of "underdevelopment" inward to explain poverty in urban neighborhoods and rural communities at home, inspiring Lyndon Johnson's War on Poverty and his domestic peace corps, Volunteers in Service to America (VISTA). Drawing on a wide variety of archival material, Jahanbani reinterprets the lives and work of prominent liberal figures in postwar American social politics, from Oscar Lewis to John Kenneth Galbraith, Michael Harrington to Sargent Shriver, to show the global origins of their ideas. By tracing how American liberals invented the problem of "global poverty" and executed a war against it, The Poverty of the World sheds new light on the domestic impacts of the Cold War, the global ambitions of American liberalism, and the way in which key intellectuals and policymakers worked to develop an alternative vision of US empire in the decades after World War II.

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Few institutions are as well suited as the monarchy to provide a window on postwar Japan. The monarchy, which is also a family, has been significant both as a political and as a cultural institution.This comprehensive study analyzes numerous issues, including the role of individual emperors in shaping the institution, the manner in which the emperor’s constitutional position as symbol has been interpreted, the emperor’s intersection with politics through ministerial briefings, memories of Hirohito’s wartime role, nationalistic movements in support of Foundation Day and the reign-name system, and the remaking of the once sacrosanct throne into a “monarchy of the masses” embedded in the postwar culture of democracy. The author stresses the monarchy’s “postwarness,” rather than its traditionality.

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