Search results for ""Author Kenneth"

The definitive celebration of the work, life and times of Sir Kenneth Grange (born 1929), one of the most revered, innovative and influential industrial designers of the modern age. 'You may not know the name Kenneth Grange, but you'll almost certainly know his work. He has designed just about everything' The Guardian The work of renowned design pioneer Sir Kenneth Grange (born 1929) has touched the lives of almost every consumer worldwide and has had a lasting influence on today's younger designers, from Sir Jonathan Ive, Jasper Morrison and Marc Newson to Thomas Heatherwick and the founding brothers of Joseph Joseph. For decades, Grange's iconic products including the InterCity 125 train for British Rail, the TX1 London black taxi, domestic appliances for Kenwood, lighting for Anglepoise, cameras for Kodak, pens for Parker and post boxes for Royal Mail, among many others have been at the centre of tastemaking and key to the establishment of Britain's worldwide post-war reput

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Discover the story of the pioneering hairstylist who obliterated the once-omnipresent hat and transformed the fashion industry through his A-list clients at his iconic 54th Street Salon. Kenneth Battelle, known simply as “Kenneth,” started his 50-year career in the early 1950s in New York City and built a loyal client list who swore by his skills, including Jacqueline Kennedy, Marilyn Monroe, Judy Garland, Countess Consuelo Crespi, Diana Vreeland, Lucille Ball, and Gloria Vanderbilt. This biography not only celebrates his extraordinary talent but examines his behind-the-scenes life and career struggles, including the disastrous fire that destroyed his salon, and his perseverance moving forward. Through personal memories of those closest to him, including friends, clients, and former employees, the man who created a cult of classic, timeless ladies comes to life. Previously unpublished photographs, notes, clippings, and original Joe Eula illustrations richly exhibit both his myriad achievements and America's 20th-century high-fashion scene.

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Kenneth Williams was the stand-out comic actor of his generation. Beloved as the manic star of Carry On films and as a peerless raconteur on TV chat shows, he was also acclaimed for serious stage roles. Born Brilliant will include much previously unseen material from Williams's candid daily journal and also draw on rare in-depth interviews with friends and colleagues. Since the publication of edited extracts from his diaries, much controversy has surrounded Williams's personal and professional lives. This biography traces the complex contradictions that characterised an extraordinary life and presents the first full portrait of a star who was born brilliant.

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Described as 'America's greatest living playwright' (Wall Street Journal), Kenneth Lonergan is internationally acclaimed for his trademark humour and his genius for capturing the real heart and soul of human interactions. This volume gathers together three of his landmark plays. This Is Our Youth (1996) is a wildly funny, bittersweet and lacerating look at three days in the lives of three affluent young Manhattanites in the 1980s. Its West End premiere in 2002 was notable for its successive casts of young Hollywood stars, including Casey Affleck, Matt Damon, Jake Gyllenhaal, Anna Paquin and Summer Phoenix. 'A rambunctious and witty play... caustic, cruel, compassionate' The New York Times. The Waverly Gallery (1999) is a poignant, generous and frequently hilarious play about a feisty grandmother's last battle against Alzheimer's disease. More than a memory play, it captures the humour and strength of a family in the face of crisis. It was a finalist for the 2001 Pulitzer Prize for Drama, and revived on Broadway in 2018 to widespread acclaim. 'Both one of the most beautiful things you'll ever see in a Broadway theatre and one of the most profoundly sad' Chicago Tribune. Lobby Hero (2001) tells the story of a luckless young security guard trying to get his life together after being thrown out of the navy. But working in a lobby proves to be no sanctuary from the world, as he is unwittingly drawn into a murder investigation. The play received its British premiere at the Donmar Warehouse, London, in 2002, and was also revived on Broadway in 2018. 'Artfully intertwines private and public issues... [Lonergan] has the lightest of touches and writes with deft humour' Guardian. This collection, published alongside the UK premiere of Lonergan's The Starry Messenger in 2019, also features an exclusive introduction by the author.

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While rhetoric as a discipline is firmly planted in humanism and anthropology, posthumanism seeks to leave the human behind. This highly original examination of Kenneth Burke’s thought grapples with these ostensibly contradictory concepts as opportunities for invention, revision, and, importantly, transdisciplinary knowledge making.Rather than simply mapping posthumanist rhetorics onto Burke’s scholarship, Kenneth Burke + The Posthuman focuses on the multiplicity of ideas found both in his work and in the idea of posthumanism. Taking varied approaches organized within a framework of boundaries and futures, the contributors show that studying the humanist theories of Burke in this way creates a satisfyingly chaotic web of interconnections. The essays look at how Burke’s writing on the human mind and technology, from his earliest works to his very latest revisions, interrelates with current concepts such as new materiality and coevolution. Throughout, the contributors pay close attention to the fluidity, concerns, and contradictions inherent in language, symbolism, and subjectivity.A unique, illuminating exploration of the contested relationship between bodies and language, this inherently transdisciplinary book will propel important future inquiry by scholars of rhetoric, Burke, and posthumanism.In addition to the editors, the contributors are Casey Boyle, Kristie Fleckenstein, Nathan Gale, Julie Jung, Steven B. Katz, Steven LeMieux, Jodie Nicotra, Jeff Pruchnic, Timothy Richardson, Thomas Rickert, and Robert Wess.

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Kenneth Lonergan’s three films—You Can Count on Me (2000), Margaret (2011), and Manchester by the Sea (2016)—are rife with philosophical complexities. They challenge simple philosophical approaches to central issues of human behaviour. In particular, they ask questions about how to cope with suffering that one cannot overcome, the role that self- deception plays in people’s lives and how to think about characters who do not embody simplistic moral ideas of virtue and vice. By philosophically engaging with these themes as they unfold in Lonergan’s films, we are then able to formulate a more nuanced answer to the questions they pose. Kenneth Lonergan: Philosophical Filmmaker will draw from Lonergan’s films and plays, along with the philosophical literature on the topics that they explore. The rich history of philosophical reflection surrounding these areas enables the reader to determine how the themes central to Lonergan’s work have combined to create a rich cinematic oeuvre.

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No matter your size or shape, Kenneth D. King will teach you how to make perfect-fitting garments every time. In this comprehensive resource, Kenneth shows the home sewer how to understand her shape and fitting options, as well as how to identify bad fit by reading the wrinkles in the garment. From there, he explains his Smart Fitting methods - net gain (add fabric), net loss (remove fabric), or no net gain or loss (move fabric around) - to make the necessary corrections to the pattern. Along the way, Kenneth draws on his 30+ years of patternmaking and couturier experience to help the sewer understand proportion, wearing ease, and design ease; learn how to measure correctly; learn about fitting and alteration methods; learn how to make a muslin - the gold standard of test garments; and learn how to alter patterns for 35 upper body part issues. The home sewer will also be privy to garment construction tips picked up during Kenneth's years of couture sewing - things that make complex details a breeze. In Kenneth D. King's Fitting Essentials, Kenneth takes an otherwise confusing process and makes it logical and straightforward. AUTHOR: Kenneth D. King is a contributing editor at Threads Magazine, couture fashion designer, author and popular professor at The Fashion Institute of Technology in New York City. He specializes in custom evening wear and his designs appear in the permanent collections of leading museums, including the Victoria and Albert Museum in London, renowned for its art and design collections.

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Kenneth Frampton: Conversations with Daniel Talesnik presents seven interviews with the architectural historian reflecting on the long arc of his rich and influential career in the discipline. Spanning Frampton’s early years as an architecture student at the Guildford School of Art to his nearly fifty years as a professor at Columbia University’s Graduate School of Architecture, Planning, and Preservation, the interviews trace not only the development and implications of his work but also the cultural, political, and discursive terrain surrounding it. Here Frampton outlines the formation of his seminal ideas of “critical regionalism” and “tectonic culture,” and also ruminates on how he understands his own role as a writer on architecture. The book includes an essay by Mary McLeod, which takes stock of Frampton’s “criticality” and his enduring impact on architectural practice. As a whole, Kenneth Frampton: Conversations with Daniel Talesnik is as much a portrait of a thinker as a record of the books, buildings, and ideas that have inspired such profound architectural thought.

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A TIMES BOOK OF THE YEAR. 'Matthew Dennison skilfully covers the facts, producing a vivid impression of this strange, shy, awkward figure. The result is a highly readable book' Literary Review. 'A haunting new biography... A compelling account of Grahame's life' Daily Mail. 'A sensitively probing and nuanced portrait that makes sense of the darker character furled in the dreamer' New Statesman. During the week Kenneth Grahame sat behind a mahogany desk as Secretary of the Bank of England; at the weekend he retired to the house in the country he shared with his fanciful wife Elspeth and fragile son Alistair and took lengthy walks along the Thames in Berkshire, 'tempted [by] the treasures of hedge and ditch; the rapt surprise of the first lords-and-ladies, the rustle of a field-mouse, the splash of a frog.' The result of these pastoral wanderings was The Wind in the Willows: an enduring classic of children's literature; a cautionary tale for adult readers; a warning of the fragility of the English countryside; and an expression of fear at threatened social changes that, in the aftermath of the World War I, became reality. Like its remarkable author, it balances maverick tendencies with conservatism. Grahame was an Edwardian pantheist whose work has a timeless appeal, an escapist whose withdrawal from reality took the form of time travel into his own past.

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“It’s lucky for us all that you’re holding Koch’s collected fiction in your hands right now. Koch’s seasons on our earth were blessed ones and these traces, some of them among his last, are gifts.”—Jonathan Lethem Hilarious and profoundly moving, this volume restores to print all the fiction of the writer John Ashbery called “simply the best we have.” Koch, who once characterized New York School writing as about “the fullness and richness of possibility and excitement and happiness,” imbues his prose with humor, wit, and a beautifully tender exuberance. The Collected Fiction of Kenneth Koch is a must-read for anyone interested in discovering what American literature might still hope to be. Published simultaneously with The Collected Poems of Kenneth Koch (Knopf), Collected Fiction includes Koch’s innocent and rambunctious novel The Red Robins, as well as Hotel Lambosa, his book of semi-autobiographical short pieces inspired equally by Hemingway’s Nick Adams stories and Yasunari Kawabata’s Palm-of-the-Hand Stories. Fans of Koch’s unparalleled gift for comic invention will turn immediately to “The New Orleans Stories,” a cycle about the family of a small-time criminal, published here for the first time along with “The Soviet Room,” a gentle story of requited love at the end of the Cold War. Koch’s previously uncollected work includes a warm-hearted parody of a children’s adventure narrative and a story detailing the mysteries uncovered by an obsessive postcard detective. Together, the work of Kenneth Koch opens up a wonderful world—one where the pursuit of happiness is taken very seriously indeed. Kenneth Koch was born in Cincinnati and served in the South Pacific during World War II. A poet, playwright, novelist, and Columbia University professor, Koch also published several books about teaching and reading poetry, including the groundbreaking Wishes, Lies, and Dreams; Rose, Where Did You Get That Red?; and Making Your Own Days: The Pleasures of Reading and Writing Poetry. He was the recipient of the Bollingen Prize and the Bobbitt Library of Congress Prize, a finalist for the National Book Award, and winner of the Phi Beta Kappa Poetry Award.

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Kenneth Jay Lane, "the hottest costume jewelry designer around" according to Elle Magazine, has created high-fashion styles for over forty years for royalty, first ladies, celebrities, socialites, movie stars, and fashionable women. This new book features fabulous fantasy designs include his famous animals, pearls, beads, and goldwork in necklaces, bracelets, earrings, finger rings, and accessories, shown in over 700 beautiful color photographs. Vintage and current styles are presented, including those sold continuously for over 15 years on television network QVC. KJL's new handbags are featured as well as many new and vintage designs that are coveted today by voracious collectors. His incredible jewelry, and the way it makes a woman feel, is magical indeed.

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Immerse yourself in the flamboyant world of designer Kenneth Jay Lane, whose gorgeous costume jewelry has ornamented the world's most famous and powerful women for more than forty years. Over 670 sparkling color images present Lane's wide-ranging and innovative jewelry, featuring designs inspired by the fabled, exotic, and romantic cultures of the world, including Ancient Egypt, China, India, Ancient Greece and Rome, Byzantium, Arabia, Pre-Columbian and Native Southwest America, Tribal Africa, and Europe. Explore the varied motifs this master jeweler used, taken from every aspect of the natural world, and the many materials employed, including metals and plastics and dazzling costume gemstones. The accompanying text provides much useful information, including marks employed by Lane, and wonderful, whimsical quips by K. J. Lane himself. Anyone passionate for jewelry and the jeweler's art will treasure this book.

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This is the story of the life, professional achievements and personal background, challenges and achievements of Wales’s leading historian. During his long career, Kenneth O. Morgan has been a prolific writer and, through his pioneering work, has become a leading authority on Welsh History, British History and Labour History. This autobiography also details Morgan’s often entertaining and unconventional personal experiences, and the eminent people he has met along the way – from his work in television, radio and the press as election commentator and book reviewer, to his involvement in the Labour Party from the late 1950s onwards and the close relations he developed with such Labour leaders as James Callaghan, Michael Foot, Douglas Jay and Neil Kinnock. In addition to being a respected author, Morgan has held the position of University Vice-Chancellor in Wales, is an active Labour peer, and continues to lecture at universities around the world – all achieved while juggling his life as a husband and father. In this revealing memoir, published in the year of his eightieth birthday, Morgan reflects on marriage and bereavement, on re-marriage, parenthood, friendship, religion and morality, his reactions to the historical changes he has witnessed, from attending a village school in rural Wales and wartime air-raids, through school in Hampstead and study in Oxford University and in Wales, down to entry into the House of Lords. Despite past traumas, this memoir still conveys invigoratingly a senior scholar’s idealism, abiding sense of optimism and belief in progress. Contents. List of Illustrations Foreword Chapter 1 A Divided Consciousness Chapter 2 Education, Education, Education Chapter 3 History-Making: A Welsh Historian Chapter 4 History-Making: A British Historian Chapter 5 History-Making; A Labour Historian Chapter 6 History-Making: A Contemporary Historian Chapter 7: History-Making: A Biographer Chapter 8: Experiences: The House of Lords Chapter 9: Experiences: Travelling Chapter 10: Experiences: Old and New Labour Chapter 11 My History

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One hundred years after his birth, J. K. Galbraith's The Great Crash 1929 is again on the bestseller lists. And in the current financial and economic tumult, familiar Galbraithian concernssuch as the power and dominance of overweening corporations, national and global poverty, and the careless destruction of the natural environmentonce again loom large in the public consciousness.Galbraith's contemporaries included such towering intellects as Paul Samuelson, Robert Solow, Milton Friedman, Wassily Leontief, Simon Kuznets, James Meade, Nicolas Kaldor, and Joan Robinson. These intellectual giants took Galbraith and his ideas seriously. Today, however, Galbraith remains professionally unpopular, and many economists have either forgotten his contribution, or fail sufficiently to acknowledge their intellectual debt to him.This new four-volume collection from Routledge remedies this failing by highlighting Galbraith's centrality to the crucial economic debates of the

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Kenneth Koch, in the words of editor Ron Padgett, wrote poetry that became a part of “the mystery and pleasure of being alive.” A center of the New York School, he gained notoriety by mocking the stodginess and academicism of much mid-century verse.This enthralling selection encompasses the full range of Koch’s poetry, and includes such already classic works as “Fresh Air” (his devastatingly satirical assault on mid-1950s poetic conformism), “The Pleasure of Peace” (with its defiant assertion that “One single piece of pink mint chewing gum contains more pleasures / Than the whole rude gallery of war!”), “The Art of Poetry,” his astonishing and light-footed survey of the aims and methods of poetry, and poems from the late collection New Addresses, including “To World War Two,” “To Psychoanalysis,” and “To the French Language.”A poet at once directly accessible and deeply mysterious, Kenneth Koch was the master of an art of surprise in which the world is constantly reimagined.About the American Poets ProjectElegantly designed in compact editions, printed on acid-free paper, and textually authoritative, the American Poets Project makes available the full range of the American poetic accomplishment, selected and introduced by today’s most discerning poets and critics.

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He wrote one of the most quintessentially English books, yet Kenneth Grahame (1859 -1932) was a Scot. He was four years old when his mother died and his father became an alcoholic, so Kenneth grew up with his grandmother who lived on the banks of the beloved River Thames. Forced to abandon his dreams of studying at Oxford, he was accepted as a clerk at the Bank of England where he became one of the youngest men to be made company secretary. He narrowly escaped death in 1903 when he was mistaken for the Bank's governor and shot at several times. He wrote secretly in his spare time for magazines and became a contemporary of contributors including Rudyard Kipling, George Bernard Shaw and WB Yeats. Kenneth's first book, Pagan Papers (1893) initiated his success, followed by The Golden Age (1895) and Dream Days (1898), which turned him into a celebrated author. Ironically, his most famous novel today was the least successful during his lifetime: The Wind in the Willows (1908) originated as letters to his disabled son, who was later found dead on a train line after a suspected suicide. Kenneth never recovered from the tragedy and died with a broken heart in earshot of the River Thames. His widow, Elspeth, dedicated the rest of her life to preserving her husband's name and promoting his work.

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This collection of nineteen of Kenneth Minogue's essays, written over a period of more than fifty years, celebrates the advent of modern liberty. They describe the conditions under which liberty and individuality can flourish and the threats to liberty's flourishing in our time. Minogue offers a powerful critique of political correctness, of ideological flights from reality, and of the deformities of study in the modern university.

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Washington Post Notable Books: "A charming and funny sequel to Kenneth Grahame’s Wind in the Willows." In this delightful dive into the bygone world of Kenneth Grahame’s The Wind in the Willows staunch Mole, sociable Water Rat, severe Badger, and troublesome and ebullient Toad of Toad Hall are joined by a young mole lady, Beryl, and her dear friend, Rabbit. There are adventures, kidnappings, lost letters, and family secrets—lavishly illustrated throughout by award-winning artist Kathleen Jennings.Praise for Kij Johnson:“The Fox Woman immediately sets the author in the front rank of today’s novelists.” —Lloyd Alexander“Johnson has a singular vision and I’m going to be borrowing (stealing) from her.” —Sherman Alexie“Johnson’s language is beautiful, her descriptions of setting visceral, and her characters compellingly drawn.” —Publishers Weekly (starred re-view)“Johnson would fit quite comfortably on a shelf with Karen Russell, Erin Morgen-stern and others who hover in the simultaneous state of being both “literary” and “fantasy” writers.” —Shelf AwarenessKij Johnson’s stories have won the Sturgeon, World Fantasy, and Nebula awards. She has taught writing and has worked at Dark Horse, Microsoft, and Real Networks. She has run bookstores, worked as a radio announcer and engineer, edited cryptic crosswords, and waitressed in a strip bar.Kathleen Jennings was raised on fairytales in western Queensland. She trained as a lawyer and filled the margins of her notes with pen-and-ink illustrations. She has been nominated for the World Fantasy award and has received several Ditmar Awards. She lives in Brisbane, Australia.

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Including works from Welsh, Irish and Scottish Gaelic, Cornish, Breton and Manx, this Celtic Miscellany offers a rich blend of poetry and prose from the eighth to the nineteenth century, and provides a unique insight into the minds and literature of the Celtic people. It is a literature dominated by a deep sense of wonder, wild inventiveness and a profound sense of the uncanny, in which the natural world and the power of the individual spirit are celebrated with astonishing imaginative force. Skifully arranged by theme, from the hero-tales of Cú Chulainn, Bardic poetry and elegies, to the sensitive and intimate writings of early Celtic Christianity, this anthology provides a fascinating insight into a deeply creative literary tradition.Kenneth Hurlstone Jackson was born in 1909. He began his career as a lecturer in Celtic at Cambridge, before becoming the first chair of the Department of Celtic Language and Literature at Harvard. He undertook war service with the Uncommon Languages section of British censorship and subsequently held professorships at Harvard and Edinburgh. Professor Jackson died in 1991.

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These three books reflect the beginnings of one of the most radical and exhilarating figures in modern literatureIncandescent Limbo recounts White's years in Paris. Many a writer in the modern era had made Paris a focal point of his or her activity, but probably no one made more of it or got more out of it than Kenneth White. While exploring a labyrinthine underworld, the book is fundamentally an autoanalysis and traces the birth of the writer as an intellectual nomad.Letters from Gourgounel takes us from the city to a wild part of south-eastern France, the Ard che, where White undertakes a resourcing in an elementary context. Hailed in England as a 'fascinating curiosity of literature', this book not only made White famous overnight in France, it was seen there as a turning point in the contemporary situation. In the third book, Travels in the Drifting Dawn, the intellectual nomad begins his moves across territories and cultures. After passing through the London underground of the sixties, then delving into the ground of his native Scotland and neighbouring Ireland, we shift back to the Continent, accumulating experience on different levels in France, Spain, Belgium, Holland, before concluding the cycle in North Africa. The trilogy is not only a summary of White's itinerary in its initial stages, it opens up a whole intellectual and cultural programme.

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The evolution of modern architecture has been inextricably entangled in issues of politics, nationalism, and the environment, creating a tension between local context and global development that is unresolved to this day. In this context, few writers have exerted as much influence on architectural theory and practice as Kenneth Frampton. In this illustrated volume, twenty-nine contributors from around the world amplify and pay tribute to his writing and thought. Intended for all those concerned with the built environment, this book offers further evidence of how this scholar, humanist, and teacher has shaped our understanding of the working reality of the architect. The premise of Modern Architecture and the Lifeworld is rooted in Frampton’s understanding of how architecture must engage with both cultural and constructional imperatives; and it addresses strategies for grappling with contemporary concerns such as regional identity amidst urban globalization, and tectonic culture and landform in the construction of place.Supported by the Graham Foundation for Advanced Studies in the Fine Arts.

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Since its publication in 1950, Kenneth Burke’s A Rhetoric of Motives has been one of the most influential texts of theory and criticism. Critics have discovered in its pages concepts that reveal new dimensions of human motivation. And yet, despite its obvious genius, critics have interpreted A Rhetoric of Motives as a collection of provocations rather than a systematic treatment of rhetoric.In this book, Kyle Jensen argues that the coherence in Burke’s thought has yet to be fully appreciated. Drawing on unpublished drafts and voluminous correspondence, he reconstructs Burke’s drafting and revision process for A Rhetoric of Motives as well as its recently discovered second volume, The War of Words. Jensen’s extensive archival analysis reveals that Burke relied on the concept of myth to draw together the loose ends in his argument. For Burke, all general theories of rhetoric are formed and structured using mythic images and terms.By exploring what Burke added and omitted, and by putting his writing process into the context of daily life after the Second World War—including Burke’s attempts to clear the weeds from his Andover farm—Jensen sheds new light on the key problems that Burke encountered and the methods he used to overcome them. Kenneth Burke’s Weed Garden is essential for those who study Burke and the tradition of modern rhetoric that he helped found.

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Many chaplains were not permitted to go near the Front in the First World War - others insisted on doing so, like Kenneth Best in the Gallipoli Campaign. Best had no military training before the war but he felt that he could only fulfil his pastoral role by getting close to the front line and working with the troops under fire. Best was attached to the 42nd East Lancastrians - the first Territorial Army Division to serve overseas in the conflict, so arguably the least experienced in the ways of war. In his diary we follow his progress through his initial training in Egypt and on to his arrival in Gallipoli in May 1915. Gallipoli has become notorious, even by the standards of the First World War. After a naval campaign to open up a supply route to Russia through Turkey failed, some 480,000 Allied troops were drawn into a land invasion in which hundreds of thousands were injured or killed. In his diary, Best records his efforts to encourage frightened men before they go over the top, to comfort the wounded and, when the fighting stops, to bury the dead. His empathy for the troops is matched by a forthright disgust for their leaders, few of whom share his insight into the horrific realities of trench warfare.

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This major volume of essays by Kenneth F. Wallis features 28 articles published over a quarter of a century on the statistical analysis of economic time series, large-scale macroeconometric modelling, and the interface between them.The first part deals with time-series econometrics and includes significant early contributions to the development of the LSE tradition in time-series econometrics, which is the dominant British tradition and has considerable influence worldwide. Later sections discuss theoretical and practical issues in modelling seasonality and forecasting with applications in both large-scale and small-scale models. The final section summarizes the research programme of the ESRC Macroeconomic Modelling Bureau, a unique comparison project among economy-wide macroeconometric models.Professor Wallis has written a detailed introduction to the papers in this volume in which he explains the background to these papers and comments on subsequent developments.

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Arriving in New Mexico in 1899, Kenneth Milton Chapman took on all manner of projects: mapping archaeological ruins, judging Pueblo pottery, teaching art, and studying ancient and modern Indian design. He became an "art archaeologist," a self-made expert riding the line between disciplines. When he moved to Santa Fe in 1909, he found himself in the midst of the city's identity crisis. Eventually, he played a part in virtually all of the central institutions and critical events that shaped Santa Fe, but he has remained in the shadows. His hard work behind the scenes was obscured by the dazzle of self-promoters like Edgar Lee Hewett; his studies of Indian art and design were overshadowed by the ground-breaking research of archaeologists like A. V. Kidder and Nels Nelson and the artistic accomplishments of well-known Pueblo potters. Now, archaeologist and rock art specialist Marit K. Munson presents a carefully edited and annotated edition of Chapman's memoirs. Written in the late 1950s and early 1960s, Chapman's side of the story is an intimate insider's portrait of the personalities and events that shaped Santa Fe.

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The Sculpture of Kenneth Armitage, which is being published to coincide with the artist's centenary in 2016, is the first book to feature a fully illustrated inventory of all of Armitage's known sculptures. It will be the only available illustrated reference book on the sculptural work of this important 20th-century artist. Through an inventory of 298 pieces and an accompanying narrative text, the book undertakes an examination of Armitage's significant contribution to sculpture nationally and internationally during the second half of the 20th century, starting with the `geometry of fear' exhibition at the 1952 Venice Biennale and Armitage's solo contribution to the Biennale in 1958. It will be an essential reference resource for researchers, curators, dealers and collectors which will complement the complete sculpture catalogues already produced for Armitage's sculptor contemporaries Lynn Chadwick, Elisabeth Frink, Robert Adams and Reg Butler, enhancing our understanding of post-war British sculpture.

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Kenneth Allsop was a writer, journalist and broadcaster who in the 1960s and early 70s became one of Britain's first television celebrities. Voted the 'fifth most handsome man in the world', he enjoyed the high life of fast cars, jazz and smart London parties, moving among the nation's glitterati from the arts, media and politics. But he was also an accomplished naturalist and a passionate conservationist who fought fiercely to hold back mounting threats to Britain's wildlife and landscapes. He played a key role in raising the public's concern for the environment long before the advent of the UK's now-powerful green movement. Keeping the Barbarians at Bay focuses on the last few years of Allsop's short life, when he escaped London to live in a seventeenth- century watermill in the secret, crumpled landscape of West Dorset. The book describes how the threat of oil and gas exploration in this protected area of outstanding natural beauty forced him to become an environmental activist, and how his grassroots campaigning led him to the BBC's first environmentalist TV series Down to Earth, and to a radical 'green' column in The Sunday Times. Not surprisingly, he made powerful enemies in government and big business, at a time when there were few other environmental champions to lend him support. Using his unpublished diaries and papers, Keeping the Barbarians at Bay reveals the inside story of Allsop's struggles on three fronts: with 'the barbarians'; with the constant physical pain from his amputated right leg; and with his despair at the huge environmental challenges facing the planet. In the end, they were battles he could not win, and in May 1973 he took his own life at the tragically early age of 53.

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Unlike the papers of some other great economists, those of Kenneth Arrow are being read and studied today with even greater care and attention than when they first appeared in the journals. The publication of his collected papers will therefore be welcomed by economists and other social scientists and in particular by graduate students, who can draw from them the deep knowledge and the discernment in selection of scientific problems that only a master can offer. The author has added headnotes to certain well-known papers, describing how he came to write them.The study of production is central to economic theory, and capital and its accumulation are two of the most interesting aspects of the modern production process. Capital may take the form of inventories of inputs, inventories of outputs, or machines and other fixed goods. The essential and unique aspect of all types of capital is that it must be accumulated as the result of prior stages of the production process. This gives the dynamic theory of production a recursive structure that can be exploited by economic analysis. The optimization of production under recursive conditions lends itself to general mathematical methods of dynamic programming and optimal control theory. This is the main theme of the essays included in this fifth volume of Kenneth Arrow's Collected Papers.

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Kenneth Rose was one of the most astute observers of the post-war Establishment. The wry and amusing journals of the royal biographer and historian made objective observation a sculpted craft. His impeccable social placement located him within the beating heart of the national elite for decades. He was capable of writing substantial history, such as his priceless material on the abdication crisis from conversations with both the Duke of Windsor and the Queen Mother. Yet he maintained sufficient distance to achieve impartial documentation while working among political, clerical, military, literary and aristocratic circles. Relentless observation and a self-confessed difficulty 'to let a good story pass me by' made Rose a legendary social commentator, while his impressive breadth of interests was underpinned by tremendous respect for the subjects of his enquiry. Brilliantly equipped as Rose was to witness, detail and report, the second volume of his journals vividly portrays some of the most important events and people of the last century, from the election of Margaret Thatcher as Prime Minister in 1979 to Kenneth Rose's death in 2014.

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'The most detailed, amusing and accurate account ever of the post-war world of the English Establishment' William Shawcross, Daily Telegraph'Extremely entertaining' Jane Ridley, Literary ReviewKenneth Rose was one of the most astute observers of the establishment for over seventy years. The wry and amusing journals of the royal biographer and historian made objective observation a sculpted craft. His impeccable social placement located him within the beating heart of the national elite for decades. He was capable of writing substantial history, such as his priceless material on the abdication crisis from conversations with both the Duke of Windsor and the Queen Mother. Yet he maintained sufficient distance to achieve impartial documentation while working among political, clerical, military, literary and aristocratic circles. Relentless observation and a self-confessed difficulty 'to let a good story pass me by' made Rose a legendary social commentator, while his impressive breadth of interests was underpinned by tremendous respect for the subjects of his enquiry. Brilliantly equipped as Rose was to witness, detail and report, the first volume of his journals vividly portrays some of the most important events and people of the last century, from the bombing of London during the Second World War to the election of Margaret Thatcher, Britain's first woman Prime Minister, in 1979.

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This volume revisits the Nobel Prize-winning economist Kenneth Arrow’s classic 1963 essay “Uncertainty and the Welfare Economics of Medical Care” in light of the many changes in American health care since its publication. Arrow’s groundbreaking piece, reprinted in full here, argued that while medicine was subject to the same models of competition and profit maximization as other industries, concepts of trust and morals also played key roles in understanding medicine as an economic institution and in balancing the asymmetrical relationship between medical providers and their patients. His conclusions about the medical profession’s failures to “insure against uncertainties” helped initiate the reevaluation of insurance as a public and private good.Coming from diverse backgrounds—economics, law, political science, and the health care industry itself—the contributors use Arrow’s article to address a range of present-day health-policy questions. They examine everything from health insurance and technological innovation to the roles of charity, nonprofit institutions, and self-regulation in addressing medical needs. The collection concludes with a new essay by Arrow, in which he reflects on the health care markets of the new millennium. At a time when medical costs continue to rise, the ranks of the uninsured grow, and uncertainty reigns even among those with health insurance, this volume looks back at a seminal work of scholarship to provide critical guidance for the years ahead.ContributorsLinda H. AikenKenneth J. ArrowGloria J. BazzoliM. Gregg BlocheLawrence CasalinoMichael ChernewRichard A. CooperVictor R. FuchsAnnetine C. GelijnsSherry A. GliedDeborah Haas-WilsonMark A. HallPeter J. HammerClark C. HavighurstPeter D. JacobsonRichard KronickMichael L. MillensonJack NeedlemanRichard R. NelsonMark V. PaulyMark A. PetersonUwe E. ReinhardtJames C. RobinsonWilliam M. SageJ. B. SilversFrank A. SloanJoshua Graff Zivin

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Three collections of essays whose aim is to express the cartography and the experience of a live, open worldThese essays all explore Scottish subjects and the wider issues of geopetics. This volume starts with On Scottish Ground by delving into forgotten cultural resources. Ideas of Order at Cape Wrath explores more socio-political considerations before opening out to a larger space of cosmological meditation in The Wanderer and his Charts.

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Thirty years after the greatest legislative triumphs of the civil rights movement, overcoming racism remains what Martin Luther King, Jr., once called America’s unfinished “work of democracy.” Why this remains true is the subject of Ben Keppel’s The Work of Democracy. By carefully tracing the public lives of Ralph Bunche, Kenneth B. Clark, and Lorraine Hansberry, Keppel illuminates how the mainstream media selectively appropriated the most challenging themes, ideas, and goals of the struggle for racial equality so that difficult questions about the relationship between racism and American democracy could be softened, if not entirely evaded.Keppel traces the circumstances and cultural politics that transformed each individual into a participant-symbol of the postwar struggle for equality. Here we see how United Nations ambassador Ralph Bunche, the first African American to receive the Nobel Peace Prize, came to symbolize the American Dream while Bunche’s opposition to McCarthyism was ignored. The emergence of psychologist and educator Kenneth B. Clark marked the ascendancy of the child and the public school as the leading symbols of the civil rights movement. Yet Keppel details how Clark’s blueprint for “community action” was thwarted by machine politics. Finally, the author chronicles the process by which the “American Negro” became an “African American” by considering the career of playwright Lorraine Hansberry. Keppel reveals how both the journalistic and the academic establishment rewrote the theme of her prizewinning play A Raisin in the Sun to conform to certain well-worn cultural conventions and the steps Hansberry took to reclaim the message of her classic.The Work of Democracy uses biography in innovative ways to reflect on how certain underlying cultural assumptions and values of American culture simultaneously advanced and undermined the postwar struggle for racial equality.

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Jazz is born of collaboration, improvisation, and listening. In much the same way, the American democratic experience is rooted in the interaction of individuals. It is these two seemingly disparate, but ultimately thoroughly American, conceits that Gregory Clark examines in Civic Jazz. Melding Kenneth Burke's concept of rhetorical communication and jazz music's aesthetic encounters with a rigorous sort of democracy, this book weaves an innovative argument about how individuals can preserve and improve civic life in a democratic culture. Jazz music, Clark argues, demonstrates how this aesthetic rhetoric of identification can bind people together through their shared experience in a common project. While such shared experience does not demand agreement-indeed, it often has an air of competition-it does align people in practical effort and purpose. Similarly, Clark shows, Burke considered Americans inhabitants of a persistently rhetorical situation, in which each must choose constantly to identify with some and separate from others. Thought-provoking and path-breaking, Clark's harmonic mashup of music and rhetoric will appeal to scholars across disciplines as diverse as political science, performance studies, musicology, and literary criticism.

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Kenneth Rose was one of the most astute observers of the post-war Establishment. The wry and amusing journals of the royal biographer and historian made objective observation a sculpted craft. His impeccable social placement located him within the beating heart of the national elite for decades. He was capable of writing substantial history, such as his priceless material on the abdication crisis from conversations with both the Duke of Windsor and the Queen Mother. Yet he maintained sufficient distance to achieve impartial documentation while working among political, clerical, military, literary and aristocratic circles. Relentless observation and a self-confessed difficulty 'to let a good story pass me by' made Rose a legendary social commentator, while his impressive breadth of interests was underpinned by tremendous respect for the subjects of his enquiry. Brilliantly equipped as Rose was to witness, detail and report, the second volume of his journals vividly portrays some of the most important events and people of the last century, from the election of Margaret Thatcher as Prime Minister in 1979 to Kenneth Rose's death in 2014.

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Kenneth Arrow and Gerard Debreu have throughout their careers continuously produced ideas at the very frontier of economics. Together, they have made unparalleled contributions on the properties of general equilibrium systems in economics, the study of collective choice and welfare economics. The editors have shown their usual rigor in selecting those papers which, in their view, have made the most important contributions in their particular areas of expertise. This volume will be an essential source of reference for students, researchers and practitioners alike.

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