Search results for ""author fredericks"

The election of America's first black president has led many to believe that race is no longer a real obstacle to success and that remaining racial inequality stems largely from the failure of minority groups to take personal responsibility for seeking out opportunities. Often this argument is made in the name of the long tradition of self-reliance and American individualism. In "Awakening to Race", Jack Turner upends this view, arguing that it expresses not a deep commitment to the values of individualism, but a narrow understanding of them. Drawing on the works of Ralph Waldo Emerson, Henry David Thoreau, Frederick Douglass, Ralph Ellison, and James Baldwin, Turner offers an original reconstruction of democratic individualism in American thought. All these thinkers, he shows, held that personal responsibility entails a refusal to be complicit in injustice and a duty to combat the conditions and structures that support it. At a time when individualism is invoked as a reason for inaction, Turner makes the individualist tradition the basis of a bold and impassioned case for race consciousness - consciousness of the ways that race continues to constrain opportunity in America. Turner's "new individualism" becomes the grounds for concerted public action against racial injustice.

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A Puffin Book - stories that last a lifetime.THE FAMILY FROM ONE END STREET by Eve Garnett is the story of everyday life in the big, happy Ruggles family who live in the small town of Otwell. Father is a dustman and Mother a washerwoman. Then there's all the children - practical Lily Rose, clever Kate, mischievous twins James and John, followed by Jo, who loves films, little Peg and finally baby William. A truly classic book awarded the Carnegie Medal as the best children's book of 1937.Eve Garnett was born in 1900 in Worcestershire, and studied art at Chelsea Polytechnic and the Royal Academy School of Art. Whilst a student, she sketched the people of the East End slums and was haunted by the poverty she had witnessed, resolving to do something to bring the plight of the working-class family to people's attention. The Family from One End Street was originally published by Frederick Muller in 1937, followed by The Further Adventures of the Family from One End Street in 1956, and Holiday at Dew Drop Inn in 1962. She died in 1991.

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During his lifetime, Dürer found tremendous success as a printmaker and painter, taking commissions from prominent figures such as Frederick the Wise, for whom Dürer produced the masterpiece Adoration of the Magi, and Holy Roman Emperor Maximilian I. While Dürer’s paintings and prints are highly lauded, his drawings and studies are equally important . Featured in this book are Dürer’s drawings from the Albertina Museum’s preeminent collection. The Albertina Museum houses the world’s most important collection of drawings by Dürer which include family portraits, studies of animals and plants, and studies of the human body. Influenced by his contacts to Italy and by his humanist friends he showed a strong interest in human proportions, anatomy, and perspective. This book showcases more than 100 of Dürer’s drawings including Hare, Self Portrait at the Age of 13, and Melencolia I, accompanied by paintings and prints. Featuring scholarly essays and beautifully reproduced works, this book shows the importance of Dürer’s drawings in his oeuvre and how he helped drawing become an appreciated medium in its own right.

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Selected by Choice magazine as an Outstanding Academic Title Few concepts are more widely discussed or more passionately invoked in American public culture than that of privacy. What these discussions have lacked, however, is a historically informed sense of privacy's genealogy in U.S. culture. Now, Milette Shamir traces this peculiarly American obsession back to the middle decades of the nineteenth century, when our modern understanding of privacy took hold. Shamir explores how various discourses, as well as changes in the built environment, worked in tandem to seal, regulate, and sanctify private spaces, both domestic and subjective. She offers revelatory readings of texts by Nathaniel Hawthorne, Frederick Douglass, Herman Melville, Harriet Beecher Stowe, Henry David Thoreau, and other, less familiar antebellum writers and looks to a wide array of sources, including architectural blueprints for private homes, legal cases in which a "right to privacy" supplements and exceeds property rights, examples of political rhetoric vaunting the sacred inviolability of personal privacy, and conduct manuals prescribing new codes of behavior to protect against intrusion.

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A funny thing happened on the way to the movies. Instead of heading downtown to a first-run movie palace, or even to a suburban multiplex with the latest high-tech projection capabilities, many people's first stop is now the neighborhood video store. Indeed, video rentals and sales today generate more income than either theatrical releases or television reruns of movies. This pathfinding book chronicles the rise of home video as a mass medium and the sweeping changes it has caused throughout the film industry since the mid-1970s. Frederick Wasser discusses Hollywood's initial hostility to home video, which studio heads feared would lead to piracy and declining revenues, and shows how, paradoxically, video revitalized the film industry with huge infusions of cash that financed blockbuster movies and massive marketing campaigns to promote them. He also tracks the fallout from the video revolution in everything from changes in film production values to accommodate the small screen to the rise of media conglomerates and the loss of the diversity once provided by smaller studios and independent distributors.

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Nashville, August 1920. Thirty-five states have ratified the Nineteenth Amendment, twelve have rejected or refused to vote, and one last state is needed. It all comes down to Tennessee, the moment of truth for the suffragists, after a seven-decade crusade. The opposing forces include politicians with careers at stake, liquor companies, railroad magnates, and a lot of racists who don't want black women voting. And then there are the "Antis"--women who oppose their own enfranchisement, fearing suffrage will bring about the moral collapse of the nation. They all converge in a boiling hot summer for a vicious face-off replete with dirty tricks, betrayals and bribes, bigotry, Jack Daniel's, and the Bible.Following a handful of remarkable women who led their respective forces into battle, along with appearances by Woodrow Wilson, Warren Harding, Frederick Douglass, and Eleanor Roosevelt, The Woman's Hour is an inspiring story of activists winning their own freedom in one of the last campaigns forged in the shadow of the American Civil War, and the beginning of the great twentieth-century battles for civil rights.

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A perfect tool for young readers as they grow into the leaders of tomorrow, Veronica Chambers’s inspiring collection of profiles—along with Senator Cory Booker’s stirring foreword—will inspire readers of all ages to stand up for what’s right.You may only be one person, but you have the power to change the world.Before they were activists, they were just like you and me. From Frederick Douglass to Malala Yousafzai, Joan of Arc to John Lewis, Susan B. Anthony to Janet Mock—these remarkable figures show us what it means to take a stand and say no to injustice, even when it would be far easier to stay quiet.Resist profiles men and women who resisted tyranny, fought the odds, and stood up to bullies that threatened to harm their communities. Along with their portraits and most memorable quotes, their stories will inspire you to speak out and rise up—every single day.

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This original collection offers hope to those who believe that the cause of world peace requires a new American foreign policy and repairing our depleted military. The twelve contributors to this book show why America must take another look at our possible adversaries and real strategic partners. Present Dangers offers practical strategies for policymakers eager to disarm adversaries like North Korea and Iraq and head off the terrorist threat. Intellectuals, historians and policy-makers such as James Ceasar, Ross Munro, Peter Rodman, Richard Perle, Rueel Marc Gerecht, Nicholas Eberstadt, Jeffrey Gedmin, Aaron Friedberg, Elliott Abrams, Frederick Kagan, Willliam Schneider, William Bennett, Paul Wolfowitz, and Donald Kagan all challenge America to make sure that foreign affairs, a sleeping issue for the last eight years, gets a wake-up call in election year 2000.Table of contents, notes, bibliographic essay.

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Nobel Laureate Octavio Paz is incontestably Latin America's foremost living poet. The Collected Poems of Octavio Paz is a landmark bilingual gathering of all the poetry he has published in book form since 1952, the year of his premier long poem, Sunstone (Piedra de Sol)—here translated anew by Eliot Weinberger—made its appearance. This is followed by the complete texts of Days and Occasions (Días Hábiles), Homage and Desecrations (Homenaje y Profanaciones), Salamander (Salamandra), Solo for Two Voices (Solo a Dos Voces), East Slope (Ladera Este), Toward the Beginning (Hacza el Comienzo), Blanco, Topoems (Topoemas), Return (Vuelta), A Draft of Shadows (Pasado en Claro), Airborn (Hijos del Aire), and Paz's most recent collection, A Tree Within (Árbol Adentro). With additional translations by Elizabeth Bishop, Paul Blackburn, Lysander Kemp, Denise Levertov, John Frederick Nims, and Charles Tomlinson.

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The essays in Living Dangerously, written by some of the leading scholars in the fields of history and literature, examine the lives of those who lived on the margins of medieval and early modern European society. While some essays explore obvious marginalized classes, such as criminals, gypsies, and prostitutes, others challenge traditional understandings of the margin by showing that female mystics, speculators in the Dutch mercantile empire, and writers of satire, for example, could fall into the margins. These essays reveal the symbiotic relationship that exists between the marginalized and the social establishment: the dominant culture needs its margins. This well-written and lively collection covers a wide geographical area, including England, Spain, Germany, Italy, France, and the Netherlands, making it an ideal resource for a broad range of courses in European history and literature. Contributors: Barbara A. Hanawalt, Richard Firth Green, Vickie Ziegler, Dyan Elliott, Anne J. Cruz, Ian Frederick Moulton, and Mary Lindemann.

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The essays in Living Dangerously, written by some of the leading scholars in the fields of history and literature, examine the lives of those who lived on the margins of medieval and early modern European society. While some essays explore obvious marginalized classes, such as criminals, gypsies, and prostitutes, others challenge traditional understandings of the margin by showing that female mystics, speculators in the Dutch mercantile empire, and writers of satire, for example, could fall into the margins. These essays reveal the symbiotic relationship that exists between the marginalized and the social establishment: the dominant culture needs its margins. This well-written and lively collection covers a wide geographical area, including England, Spain, Germany, Italy, France, and the Netherlands, making it an ideal resource for a broad range of courses in European history and literature. Contributors: Barbara A. Hanawalt, Richard Firth Green, Vickie Ziegler, Dyan Elliott, Anne J. Cruz, Ian Frederick Moulton, and Mary Lindemann.

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Copper Nickel is the national literary journal housed at the University of Colorado Denver. It is edited by poet, editor, and translator Wayne Miller (author of five collections, including We the Jury and Post-, coeditor of Literary Publishing in the Twenty-First Century, and co-translator of Moikom Zeqo’s Zodiac) and co-editor Joanna Luloff (author of the novel Remind Me Again What Happened and the story collection The Beach at Galle Road)—along with poetry editors Brian Barker (author of Vanishing Acts, The Black Ocean, and The Animal Gospels) and Nicky Beer (author of Real Phonies and Genuine Fakes, The Octopus Game and The Diminishing House), and fiction editors Teague Bohlen (author of The Pull of the Earth), Alexander Lumans (whose work has appeared in American Short Fiction, Gulf Coast, The Paris Review, Story Quarterly, and elsewhere), and Christopher Merkner (author of The Rise & Fall of the Scandamerican Domestic). Since the journal’s relaunch in 2015, work published in Copper Nickel has been regularly selected for inclusion in Best American Poetry, Best American Short Stories, Best Small Fictions, Best Literary Translations, and the Pushcart Prize Anthology, and has often been listed as “notable” in the Best American Essays. According to Clifford Garstang’s US literary journal rankings, Copper Nickel is ranked number 10 for poetry and number 34 for fiction, out of more than 700 regularly publishing literary journals. Contributors to Copper Nickel have received numerous honors for their work, including the Nobel Prize; the National Book Critics Circle Award; the Pulitzer Prize; the Kingsley Tufts Poetry Award; the Kate Tufts Discovery Award; the Laughlin Award; the American, California, Colorado, Minnesota, and Washington State Book Awards; the Georg Büchner Prize; the Prix Max Jacob; the Lenore Marshall Prize; the T. S. Eliot and Forward Prizes; the Anisfield-Wolf Book Award; the Alice Fay Di Castagnola Award; the Lambda Literary Award; as well as fellowships from the NEA and the MacArthur, Guggenheim, Ingram Merrill, Witter Bynner, Soros, Rona Jaffee, Bush, and Jerome Foundations. Copper Nickel is published twice a year, on March 15 and October 15, and is distributed nationally to bookstores and other outlets by Publishers Group West (PGW) and Accelerate 360.Issue 37 Includes: • Poetry Translation Folios with work by Ukrainian poet Alex Averbuch, translated by Oksana Maksymchuk and Max Rosochinsky; Russian poet Anzhelina Polonskaya, translated by Andrew Wachtel; and Italian fiction writer Elena Varvello, translated by Jennifer Panek. • A feature of poems by three South American poets—Claudia Magliano from Uruguay, Eliana Hernández Pachón from Colombia, and Úrsula Starke from Chile—edited by Jesse Lee Kercheval and featuring a Q&A with both the poets and the translators. • New Poetry by International Latino Book Award–winner William Archila; NEA Fellows Michael Bazzett and Amy Beeder; Lambda Literary Award–winner Benjamin S. Grossberg; Kate Tufts Discovery Award–finalist Julie Hanson; Grolier Prize–winner John Hodgen; four-time Pushcart Prize–winner Mark Irwin; Jake Adam York Prize–winners Yalie Saweda Kamara and Christopher Brean Murray; Audre Lorde Award–winners Meg Day and Maureen Seaton; relative newcomers Mansi Dahal, Christine Kwon, Weijia Pan, Patrick Wilcox, Alison Zheng; and many others. • New Fiction by Stephanie Carpenter, Becky Hagenston, Jacqueline Kolosov, and Luke Rolfes/ • New Essays by TS Eliot Award–winner and National Book Critics Circle Finalist Sinéad Morrissey and Anne P. Beatty. • Cover Art by New York–based Native-American “photo-weaving” artist, Sarah Sense.Contributor LocationsContributors to issue 37 come from all over the country and the world.U.S. cities/regions where contributors are concentrated include:Denver, CO (home of Copper Nickel and the Copper Nickel staff; contributors Andrew Hemmert andMaureen Seaton)Los Angeles, CA (contributors William Archila, Mark Irwin, and Michael Mark; contributing editorsVictoria Chang, Piotr Florczyk, Amaud Jamaul Johnson, and Chris Santiago)Minneapolis/St. Paul, MN (home of Milkweed Editions; contributors Mair Allen and MichaelBazzett; contributing editor V. V. Ganeshananthan)Houston, TX (contributors Ayokunle Falomo, Christopher Brean Murray, and Weijia Pan;contributing editor Kevin Prufer)New York, NY (contributors Mansi Dahal, Eliana Herández Pachón, and Tyler Mills)Chicago, IL (contributors Oksana Maksymchuk and Michael Robins; contributing editor RobertArchambeau)San Francisco Bay Area, CA (contributor Alison Zheng; contributing editor Randall Mann)Kansas City, MO (contributor Patrick Wilcox; contributing editor Robert Long Foreman)Greensboro, NC (contributor Anne P. Beatty; contributing editor Emilia Phillips)Dallas, TX (contributor Mag Gabbert; contributing editor Tarfia Faizullah)Boston/Cambridge, MA (contributing editors Martha Collins and Frederick Reiken)Pittsburgh, PA (contributing editors Joy Katz and Kevin Haworth)Maryville, MO (contributors John Gallaher and Luke Rolphes)US Cities/Regions with single contributors:West Hartford, CT (contributor Benjamin S. Grossberg)Cedar Rapids, IA (contributor Julie Hanson)Dubuque, IA (contributor Jeannine Marie Pitas)New Orleans, LA (contributor Christine Kwon)Worcester, MA (contributor John Hodgen)Frederick, MD (contributor Elizabeth Knapp)Hannock, MI (contributor Stephanie Carpenter)Grand Rapids, MI (contributor L. S. Klatt)Starkville, MS (contributor Becky Hagenston)Raleigh, NC (contributor Meg Day)Omaha, NE (contributor Trey Moody)Albuquerque, NM (contributor Amy Beeder)Cincinnati, OH (contributor Yalie Saweda Kamara)Easton, PA (contributor Owen McLeod)Lubbock, TX (contributor Jacqueline Kolosov)Lexington, VA (contributor Seth Michelson)Bellingham, WA (contributor Jeffrey Morgan)Ellensburg, WA (contributor Maya Jewell Zeller)Eau Claire, WI (contributor Dorothy Chan)Madison, WI (contributor Jesse Lee Kercheval)Ottawa, Ontario (contributor Jennifer Panek)Philadelphia, PA (contributing editor Adrienne Perry)Washington, DC (contributing editor David Keplinger)Boca Raton, FL (contributing editor A. Papatya Bucak)Boise, ID (contributing editor Emily Ruskovich)Lexington, KY (contributing editor Ada Limón)Princeton, NJ (contributing editor James Richardson)Canton, NY (contributing editor Pedro Ponce)Saint Louis, MO (contributing editor Niki Herd)Missoula, MT (contributing editor Sean Hill)Tulsa, OK (contributing editor Kaveh Bassiri)Blacksburg, VA (contributing editor Janine Joseph) International contributors live in:Montevideo, UruguayNewcastle-upon-Tyne, UKMexico City, MXSan Bernardo, ChileTurin, ItalyBishkek, Kyrgyzstan

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In his first collection of short fiction, Bill Barich gives us cause to celebrate a prose stylist who can gracefully cross the boundaries of genre. As stated by Anne Tyler, Hard to Be Good is so large and complete that you tend to look up at the end and find yourself surprised that it’s still the same day.Set in the American West, as are three other of the seven stories in this book, it is about the unselfconscious struggle for wholeness in a divided family. Its adolescent protagonist moves from innocence to experience in the course of a summer vacation with his mother and her third husband, and the result is satisfying, rather than harrowing.The attempt to make signification relationships cohere, to weather the transformation of innocence, informs all the stories in this book, and in Barich’s worlds the outcome is often good—knowledge does not always lead to hopelessness. Highly disparate mothers covering on a couple in Idaho Falls (“Where the Mountains Are”) have much to teach and learn, a nineteen-year-old American studying in Florence accepts the surprising human complications of an outsider’s great pensione adventure (“Caravaggio”) . . . and that’s just a few of Barich’s brilliant stories.Hard to Be Good is a book of real feeling, breadth, and narrative movement. As Frederick Exley wrote, “Barich is a splendidly gifted writer.”Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

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Mezcla de política internacional, amor, nacionalismo y una galería de personajes redondos y convincentes.En la Unión Soviética se da una mala cosecha de cereal y en Ucrania se manifiestan inquietudes nacionalistas. Y esta es la punta del iceberg que puede conducir a un choque frontal entre las dos superpotencias mundiales durante la guerra fría.# Frederick Forsyth exhibe en esta obra sus mejores cualidades de novelista. La trama, elaborada y apasionante, mezcla política internacional, amor, nacionalismo y una galería de personajes redondos y convincentes. Forsyth ha sabido combinar una vez más la realidad y la ficción para crear una dinámica y una atmósfera que mantienen el ánimo ensuspenso. La Vanguardia

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In Animate Literacies Nathan Snaza proposes a new theory of literature and literacy in which he outlines how literacy is both constitutive of the social and used as a means to define the human. Weaving new materialism with feminist, queer, and decolonial thought, Snaza theorizes literacy as a contact zone in which humans, nonhuman animals, and nonvital objects such as chairs and paper all become active participants. In readings of classic literature by Kate Chopin, Frederick Douglass, James Joyce, Toni Morrison, Mary Shelley, and others, Snaza emphasizes the key roles that affect and sensory experiences play in literacy. Snaza upends common conceptions of literacy and its relation to print media, showing instead how such understandings reinforce dehumanizations linked to dominant imperialist, heterosexist, and capitalist definitions of the human. The path toward disrupting such exclusionary, humanist frameworks, Snaza contends, lies in formulating alternative practices of literacy and literary study that escape disciplined knowledge production.

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Herefordshire Murders brings together twenty-eight murderous tales, some which were little known outside the county and others which made national headlines. Herefordshire was home to one of Britain’s most infamous murderers, Major Herbert Rowse Armstrong, who, in 1921, poisoned his wife and attempted to poison a fellow solicitor in Hay-on-Wye. However, the county has also experienced many lesser known murders. They include the case of two-year-old Walter Frederick Steers, brutally killed in Little Hereford in 1891; eighty-seven-year-old Phillip Ballard, who died at the hands of two would-be burglars in Tupsley in 1887; Jane Haywood, murdered by her husband near Leominster in 1903; and the shooting of two sisters at Burghill Court, near Hereford, by their butler in 1926. Nicola Sly’s carefully researched and enthralling text will appeal to everyone interested in the shady side of Herefordshire’s history.

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Jazz is one of the most influential American art forms of our times. It shapes our ideas about musical virtuosity, human action and new forms of social expression. In Going for Jazz, Nicholas Gebhardt shows how the study of jazz can offer profound insights into American historical consciousness. Focusing on the lives of three major saxophonists—Sidney Bechet, Charlie Parker, and Ornette Coleman—Gebhardt demonstrates how changing forms of state power and ideology framed and directed their work.Weaving together a range of seemingly disparate topics, from Frederick Jackson Turner's frontier thesis to the invention of bebop, from Jean Baudrillard's Seduction to the Cold War atomic regime, Gebhardt addresses the meaning and value of jazz in the political economy of American society. In Going for Jazz, jazz musicians assume dynamic and dramatic social positions that demand a more conspicuous place for music in our understanding of the social world.

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Slavery is one of the central, most enduringly significant facts of U.S. history. It loomed like a dark cloud over the country's birth at the Constitutional Convention in 1787 and shaped the most important nodes of American history before the Civil War. Even today, the country continues to debate its past as it relates to slavery, and the political and geographic contours of human bondage endure into the twenty-first century.In a deeply researched, wide-ranging book, retired journalist Ben McNitt tells the story of how slavery shaped American politicsand indeed the American storyfrom the Founding until the Civil War. McNitt's sharp narrative covers people and events that still resonate: Thomas Jefferson, John Calhoun, Andrew Jackson, the slave revolts of Denmark Vesey and Nat Turner, the Missouri Compromise and the Compromise of 1850, Harriet Tubman, Frederick Douglass, abolitionists like William Lloyd Garrison and Elizabeth Cady Stanton, John Brown and Harpers Ferry, fire-

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The unlikely and sometimes harrowing journey of an iconic evangelist, known to millions as simply Reverend Ike, will draw you into his remarkable story of rising from extreme poverty and leading millions of poor Blacks to unprecedented financial success, independence, and joyful living by understanding the profound Biblical promises of prosperity.Lovingly known by his ardent and enthusiastic followers as Reverend Ike, Frederick J. Eikerenkoetter II touched millions of lives. He presented people with a new way to think about themselves, about life, and about all the riches of health, happiness, joy, love, success, prosperity, and money that could be theirs—if they only understood the principles that he had come to understand. These were the very transformational principles he taught to the hungry hearts, souls, and minds who showed up at his church meetings, workshops, and radio or TV broadcasts each week. Ike’s early life was full of family drama, op

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A rollicking collection of stories featuring the craziest, daftest and most outrageous monarchs the world has ever known. Packed with royal stories from 2,000 years of history, from the immortality-obsessed first Emperor of China to the master of tact and diplomacy, Prince Philip, this book will leave the reader fascinated, entertained and occasionally appalled. We’ll meet all sorts of colourful royal characters, including the Roman Emperor Caligula, who was unspeakably cruel to his subjects but worshipped his horse, Charles VI of France, convinced he was made of glass, and Frederick William I of Prussia, who recruited – and sometimes kidnapped – the tallest men in Europe to form his private army. There are tales of scandal, including secret marriages, illegitimate offspring, royal pickpockets and alleged vampirism, and madness, cross-dressing and pigeon-fancying also crop up! Fully updated with a selection of new stories, this absorbing book is the perfect gift for history fans.

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On the night of 4 April 1793, two lovers were preparing to compel a cleric to perform a secret ceremony. The wedding of the sixth son of King George III to the daughter of the Earl of Dunmore would not only be concealed – it would also be illegal.Lady Augusta Murray had known Prince Augustus Frederick for only three months but they had already fallen deeply in love and were desperate to be married. However, the Royal Marriages Act forbade such a union without the King’s permission and going ahead with the ceremony would change Augusta’s life forever. From a beautiful socialite she became a social pariah; her children were declared illegitimate and her family was scorned.In Forbidden Wife Julia Abel Smith uses material from the Royal Archives and the Dunmore family papers to create a dramatic biography set in the reigns of Kings George III and IV against the background of the American and French Revolutions.

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To city planners, landscape architects, and historians, John Nolen is as important a figure in design and planning as was Frederick Law Olmsted, Jens Jensen, or Lewis Mumford. Scholars, however, have only recently begun to explore the extensive Nolen archives. Relying on rarely published materials from these archives and other sources, John Nolen and Mariemont: Building a New Town in Ohio details the planning and initial development of the community of Mariemont, outside Cincinnati. Hired by philanthropist Mary Emery, Nolen worked to transform farmland into a community of mixed-income housing complete with commercial space, playgrounds, and a village green. This is the first book to examine the planning and building of Mariemont and one of the few books to focus on the process of American town planning in the early twentieth century. Regarded in the 1920s as an exemplar of planned communities, Mariemont remains one of America's most livable suburbs and has drawn great interest from the New Urbanism movement.

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The latest collection of articles on Anglo-Norman topics, with a particular focus on Wales. The 2007 conference on Anglo-Norman Studies, the thirtieth in the annual series, was held in Wales, and there is a Welsh flavour to the proceedings now published. Five of the thirteen papers cover Welsh topics in the long twelfthcentury: Church reform, political culture, the supposed resurgence of Powys as a political entity, and interpreter families in the Marches, besides a broad and compelling historiographical survey of the place of the Normans in Welsh history. Twelfth-century England is represented by papers on chivalry and kingship [in literature and life], the Evesham surveys, lay charters, and Henry of Blois and the arts. Essays which focus on the southern Italian city ofTrani and on the crusader history of Ralph of Caen explore wider Norman identities. Finally, there are two broad surveys contextualizing the Anglo-Norman experience: on the careers of the clergy and on how warriors were identified before heraldry. CONTRIBUTORS: HUW PRYCE, LAURA ASHE, JULIA BARROW, HOWARD B. CLARKE, JOHN REUBEN DAVIES, JUDITH EVERARD, NATASHA HODGSON, CHARLES INSLEY, ROBERT JONES, PAUL OLDFIELD, DAVID STEPHENSON, FREDERICK SUPPE,JEFFREY WEST.

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A selection of the best papers written by Brazilian Kant scholars. Kant in Brazil is a collected volume of essays conceived at the 2005 International Kant Congress in Sao Paulo as a way to make accessible to Anglophone Kant scholars some of the best work on Kant produced by Brazilian scholars. The availability of this material in English for the first time will promote interaction between North American and Brazilian scholars as well as enable Anglophone readers worldwide to incorporate excellent but previously neglected work into their own debates about Kant. The book contains an editor's introduction providing an overview of the institutional structure of Kant studies in Brazil. The essays that follow, translated from Portuguese, include a survey of the history of Kant studies in Brazil over the past two centuries as well as interpretive essays that span the corpus of Kant's work in theoretical philosophy, ethics, political philosophy, history, aesthetics, and teleology. Various styles of philosophy are put into practice as well: analytical, philological, reflective, comparative, displaying the broad and diverse nature of Brazilian philosophy. Frederick Rauscher isassociate professor of philosophy at Michigan State University. Daniel Omar Perez is professor of philosophy at the Pontifical Catholic University of Parana, Brazil.

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In this new book, Frederick Chavalit Tsao and Chris Laszlo argue that current approaches to leadership fail to produce positive outcomes for either businesses or the communities they serve. Employee disengagement and customer fickleness remain high, resulting in a lack of creativity and collaboration at all levels of entrepreneurial activity. Investor demand for Environmental, Social, and Governance (ESG) continues to be poorly integrated into profit strategies. Drawing on extensive research, this book shows how changing a person's consciousness is the most powerful lever for unlocking his or her leadership potential to create wealth and serve humankind. A wide range of practices of connectedness provide the keys. The journey to higher consciousness changes people at a deep intuitive level, combining embodied experience with analytic-cognitive skill development. Tsao and Laszlo show how leaders who pursue this journey are more likely to flourish with significant benefits to both business and society. These include greater creativity and collaboration along with an increased capability to inspire people and produce lasting change. Readers will come away with a deep understanding of quantum leadership and the day-to-day practices that can help them achieve greater effectiveness and wellbeing at work.

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Ovid’s epic poem—whose theme of change has resonated throughout the ages—is one of the most important texts of Western imagination, an inspiration from Dante’s time to the present, when writers such as Salman Rushdie and Italo Calvino have found a living source in Ovid’s work. The text is accompanied by a preface, A Note on the Translation, and detailed explanatory annotations. “Sources and Backgrounds” includes Seneca’s inspired commentary on Ovid, Charles Martin’s essay on the ways in which pantomimic dancing—an art form popular in Ovid’s time—may have been the model for Metamorphoses, as well as related works by Virgil, Callimachus, Hesiod, and Lucretius, among others. From the enormous body of scholarly writing on Metamorphoses, Charles Martin has chosen six major interpretations by Bernard Knox, J. R. R. Mackail, Norman O. Brown, Italo Calvino, Frederick Ahl, and Diane Middlebrook. A Glossary of Persons, Places, and Personifications in the Metamorphoses and a Chronology and Selected Bibliography are also included.

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This YA biography-in-verse of six important Black Americans from different eras, including Ona Judge, Frederick Douglass, Harriet Tubman, Ida B. Wells, Martin Luther King Jr., and Barack Obama, chronicles the diverse ways each fought racism and shows how much—and how little—has changed for Black Americans since our country’s founding.Full of daring escapes, deep emotion, and subtle lessons on how racism operates, A LONG TIME COMING reveals the universal importance of its subjects’ struggles for justice. From freedom seeker Ona Judge, who fled her enslavement by America’s first president, to Barack Obama, the first Black president, all of Shepard’s protagonists fight valiantly for justice for themselves and all Black Americans in any way that they can. But it is also a highly personal book, as Shepard — whose maternal grandfather was enslaved — shows how the grand sweep of history has touched his life, reflecting on how much progress has been made against racism, while also exhorting readers to complete the vast work that remains to be done.

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Photography was invented between the publication of Adam Smith's The Wealth of Nations and Karl Marx and Frederick Engels's The Communist Manifesto. Taking the intertwined development of capitalism and the camera as their starting point, the essays in Capitalism and the Camera investigate the relationship between capitalist accumulation and the photographic image, and ask whether photography might allow us to refuse capitalism's violence-and if so, how?Drawn together in productive disagreement, the essays in this collection explore the relationship of photography to resource extraction and capital accumulation, from 1492 to the postcolonial; the camera's potential to make visible critical understandings of capitalist production and society, especially economies of class and desire; and propose ways that the camera and the image can be used to build cultural and political counterpublics from which a democratic struggle against capitalism might emerge. With essays by Ariella Aïsha Azoulay, Siobhan Angus, Kajri Jain, Walter Benn Michaels, T. J. Clark, John Paul Ricco, Blake Stimson, Chris Stolarski, Tong Lam, and Jacob Emery.

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John Katzenbach nos ofrece una novela emblemática del mejor suspense psicológico.Feliz aniversario, doctor. Bienvenido al primer día de su muerte.Así comienza el anónimo que recibe el psicoanalista Frederick Starks, y que le obliga a emplear toda su astucia y rapidez para, en quince días, averiguar quién es el autor de esa amenazadora misiva que promete hacerle la vida imposible.De no conseguir su objetivo, deberá elegir entre suicidarse o ser testigo de cómo, uno tras otro, sus familiares y conocidos mueren por obra de un psicópata decidido a llevar hasta el final su sed de venganza.Dando un inesperado giro a la relación entre médico y paciente, John Katzenbach nos ofrece una novela emblemática del mejor suspense psicológico. Con casi 200.000 ejemplares vendidos en Espanña, El psicoanalista es la novela que lanzó a la fama a John Katzenbach.

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'Another dark parable of society's vilification of women. Intelligent... A tantalizing investigation' Kate Colquhoun. On the night of 3 October 1922, in the quiet suburb of Ilford, Edith Thompson and her husband Percy were walking home after an evening spent at a London theatre, when a man sprang out of the darkness and stabbed Percy to death. The assailant was Frederick Bywaters, a twenty-year-old merchant seaman who had been Edith's lover. When the police learned of his relationship with Edith, she was arrested as his accomplice, despite protesting her innocence. The remarkably intense love letters Edith wrote to Freddy – some of them couched in ambiguous language – were read out at their trial for murder at the Old Bailey. They would seal her fate: Edith and Freddy were hanged for the murder of Percy Thompson in January 1923. Freddy was demonstrably guilty; but was Edith truly so? In shattering detail and with masterful emotional insight, Laura Thompson charts the course of a liaison with thrice-fatal consequences, and investigates what the trial and execution of Edith Thompson tell us about perceptions of women in early twentieth-century Britain.

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What is the opposite of freedom? In Freedom as Marronage, Neil Roberts answers this question with definitive force: slavery. From there he unveils powerful new insights on the human condition as it has been understood between these poles. Crucial to his investigation is the concept of marronage - a form of slave escape that was an important aspect of Caribbean and Latin American slave systems. Examining this overlooked phenomenon - one of action from slavery and toward freedom-he deepens our understanding of freedom itself and the origin of our political ideals. Roberts examines the liminal and transitional space of slave escape in order to develop a theory of freedom as marronage, which contends that freedom is fundamentally located within this space - that it is a form of perpetual flight. He engages a stunning variety of writers, including Hannah Arendt, W. E. B. Du Bois, Angela Davis, Frederick Douglass, Samuel Taylor Coleridge, and the Rastafari, among others, to develop a compelling lens through which to interpret the quandaries of slavery, freedom, and politics that still confront us today. The result is a sophisticated, interdisciplinary work that unsettles the ways we think about freedom by always casting it in the light of its critical opposite.

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The chilling thriller from the international bestselling phenomenon.'Again reveals Forsyth as a master of the meticulously researched thriller.' BOOKSELLER'Compulsively readable ... I was hypnotised.' FINANCIAL TIMES____________'Whichever option I choose, men are going to die.'When the entire Soviet Union wheat crop is destroyed by a devastating string of failures, the population faces starvation. The USA is quick to offer assistance. They devise a plan to trade vital food resources with the Russians in exchange for sensitive political information. But the Politburo has other ideas: the invasion of Western Europe to commandeer the food for themselves...As the paths of communication breakdown, the American president and leaders from around the world face an appalling choice: should they allow the loss of thousands to save the lives of many more?This is the Devil's Alternative, and in this incomparable and gripping thriller the Cold War giants must fight a battle to the death.____________Readers can't get enough of The Devil's Alternative ...***** 'This is an awesome page-turner crafted by Frederick Forsyth.'***** 'You know you have a master piece in your hand when you read this book.'***** 'The best of Forsythe's novels.'***** 'This was one of the most exciting books I've ever read!'***** 'Superbly written and Outstanding.'

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Meet Gwendolyn - living proof that princesses don’t always have it all. Although she lives in a castle and her father is the King, Gwendolyn isn’t like a fairy-tale princess and isn’t conventionally attractive. But one night, she accidentally stumbles upon the twisted world of the Cursed Princess Club, and her life will never be the same. Hexed and cast out, the ladies of the club are just the people Gwendolyn needs to show her that just because she doesn’t “fit the mold” does not mean she’s any less of a princess. In this second book of the series, we learn low self esteem isn’t just for girls! Meet the Princels - princes who have shunned society not because of curses (although one has to wonder…) but because of their own insecurities about their physical appearance and their inabilities to find romantic partners. And then we have Prince Frederick, who starts to worry if he even deserves Gwen. Plus, you too can learn to be as pretty as a Cursed Princess!

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In Translating Blackness Lorgia García Peña considers Black Latinidad in a global perspective in order to chart colonialism as an ongoing sociopolitical force. Drawing from archives and cultural productions from the United States, the Caribbean, and Europe, García Peña argues that Black Latinidad is a social, cultural, and political formation—rather than solely a site of identity—through which we can understand both oppression and resistance. She takes up the intellectual and political genealogy of Black Latinidad in the works of Frederick Douglass, Gregorio Luperón, and Arthur Schomburg. She also considers the lives of Black Latina women living in the diaspora, such as Black Dominicana guerrillas who migrated throughout the diaspora after the 1965 civil war and Black immigrant and second-generation women like Mercedes Frías and Milagros Guzmán organizing in Italy with other oppressed communities. In demonstrating that analyses of Black Latinidad must include Latinx people and cultures throughout the diaspora, García Peña shows how the vaivén—or, coming and going—at the heart of migrant life reveals that the nation is not a sufficient rubric from which to understand human lived experiences.

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Ecological restoration, the attempt to guide damaged ecosystems back to a previous, usually healthier or more natural, condition, is rapidly gaining recognition as one of the most promising approaches to conservation. In this book, William R. Jordan III, who coined the term 'restoration ecology', and who is widely respected as an intellectual leader in the field, outlines a vision for a restoration-based environmentalism that has emerged from his work over twenty-five years. Drawing on a provocative range of thinkers, from anthropologists Victor Turner, Roy Rappaport, and Mary Douglas to literary critics Frederick Turner, Leo Marx, and R.W.B. Lewis, Jordan explores the promise of restoration, both as a way of reversing environmental damage and as a context for negotiating our relationship with nature. Exploring restoration not only as a technology but also as an experience and a performing art, Jordan claims that it is the indispensable key to conservation. At the same time, he argues, restoration is valuable because it provides a context for confronting the most troubling aspects of our relationship with nature. For this reason, it offers a way past the essentially sentimental idea of nature that environmental thinkers have taken for granted since the time of Emerson and Muir.

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In the 150 years since the birth of the petroleum industry oil has saturated our culture, fueling our cars and wars, our economy and policies. But just as thoroughly, culture saturates oil. So what exactly is “oil culture”? This book pursues an answer through petrocapitalism’s history in literature, film, fine art, wartime propaganda, and museum displays. Investigating cultural discourses that have taken shape around oil, these essays compose the first sustained attempt to understand how petroleum has suffused the Western imagination. The contributors to this volume examine the oil culture nexus, beginning with the whale oil culture it replaced and analyzing literature and films such as Giant, Sundown, Bernardo Bertolucci’s La Via del Petrolio, and Ben Okri’s “What the Tapster Saw”; corporate art, museum installations, and contemporary photography; and in apocalyptic visions of environmental disaster and science fiction. By considering oil as both a natural resource and a trope, the authors show how oil’s dominance is part of culture rather than an economic or physical necessity. Oil Culture sees beyond oil capitalism to alternative modes of energy production and consumption. Contributors: Georgiana Banita, U of Bamberg; Frederick Buell, Queens College; Gerry Canavan, Marquette U; Melanie Doherty, Wesleyan College; Sarah Frohardt-Lane, Ripon College, Matthew T. Huber, Syracuse U; Dolly Jørgensen, Umeå U; Stephanie LeMenager, U of Oregon; Hanna Musiol, Northeastern U; Chad H. Parker, U of Louisiana at Lafayette; Ruth Salvaggio, U of North Carolina, Chapel Hill; Heidi Scott, Florida International U; Imre Szeman, U of Alberta; Michael Watts, U of California, Berkeley; Jennifer Wenzel, Columbia University; Sheena Wilson, U of Alberta; Rochelle Raineri Zuck, U of Minnesota Duluth; Catherine Zuromskis, U of New Mexico.

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Revolutions and Reconstructions gathers historians of the early republic, the Civil War era, and African American and political history to consider not whether black people participated in the politics of the nineteenth century but how, when, and with what lasting effects. Collectively, its authors insist that historians go beyond questioning how revolutionary the American Revolution was, or whether Reconstruction failed, and focus, instead, on how political change initiated by African Americans and their allies constituted the rule in nineteenth-century American politics, not occasional and cataclysmic exceptions. The essays in this groundbreaking collection cover the full range of political activity by black northerners after the Revolution, from cultural politics to widespread voting, within a political system shaped by the rising power of slaveholders. Conceptualizing a new black politics, contributors observe, requires reorienting American politics away from black/white and North/South polarities and toward a new focus on migration and local or state structures. Other essays focus on the middle decades of the nineteenth century and demonstrate that free black politics, not merely the politics of slavery, was a disruptive and consequential force in American political development. From the perspective of the contributors to this volume, formal black politics did not begin in 1865, or with agitation by abolitionists like Frederick Douglass in the 1840s, but rather in the Revolutionary era's antislavery and citizenship activism. As these essays show, revolution, emancipation, and Reconstruction are not separate eras in U.S. history, but rather linked and ongoing processes that began in the 1770s and continued through the nineteenth century. Contributors: Christopher James Bonner, Kellie Carter Jackson, Andrew Diemer, Laura F. Edwards, Van Gosse, Sarah L. H. Gronningsater, M. Scott Heerman, Dale Kretz, Padraig Riley, Samantha Seeley, James M. Shinn Jr., David Waldstreicher.

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Art of the United States is a landmark volume that presents three centuries of US art through a broad array of historical texts, including writings by artists, critics, patrons, literary figures, and other commentators. Combining a wide-ranging selection of texts with high-quality reproductions of artworks, it offers a resource for the study and understanding of the visual arts of the United States. With contextual essays, explanatory headnotes, a chronology of US historical landmarks, maps, and full-color illustrations of key artworks, the volume will appeal to national and international audiences ranging from undergraduates and museum visitors to art historians and other scholars. Texts by a range of artists and cultural figures—including John Adams, Thomas Cole, Frederick Douglass, Mary Cassatt, Edward Hopper, Clement Greenberg, and Cindy Sherman—are grouped according to historical era alongside additional featured artists. A sourcebook of unprecedented breadth and depth, Art of the United States brings together multiple voices throughout the ages to provide a framework for learning and critical thinking on US art.

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Throughout American history black people are the only group of people to have been forbidden by law to learn to read. This expansive collection seeks to shed light on that injustice, putting some of America’s most cherished voices in a conversation in one magnificent volume that presents reading as an act of resistance. Organized into three sections—the Peril, the Power, and the Pleasure—and featuring a vast array of contributors both classic and contemporary, Black Ink presents the brilliant diversity of black thought in America while solidifying the importance of these writers within the greater context of the American literary tradition. “This electric and electrifying collection of voices serves to open a much-needed window onto the freedom struggle of black literature. It’s a marvel, and a genuine gift for readers everywhere” (Wil Haygood, author of The Butler: A Witness to History). Contributors include: Frederick Douglass, Solomon Northup, Booker T. Washington, W.E.B. Du Bois, Zora Neale Hurston, Langston Hughes, James Baldwin, Malcolm X, Maya Angelou, Martin Luther King, Jr., Toni Morrison, Walter Dean Myers, Stokely Carmichael [Kwame Ture], Alice Walker, Jamaica Kincaid, Henry Louis Gates, Jr., Terry McMillan, Junot Diaz, Edwidge Danticat, Colson Whitehead, Marlon James, Roxane Gay, Ta-Nehisi Coates, Chimamanda Ngozi Adichie, and Colson Whitehead. The anthology features a bonus in-depth interview with President Barack Obama. “Black writers have used writing and reading to create, find and sometimes save their lives. Stephanie Stokes Oliver invites the reader into a black magic circle of incendiary, replenishing and inspiring ideas, memories and meditations on the power of literacy and imagination by the writers we treasure. It was a pleasure to re-read established classics and discover new classic arguments for the power of the written and read word.”

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This series [pushes] the boundaries of knowledge and [develops] new trends in approach and understanding. ENGLISH HISTORICAL REVIEW The concerns of people over differing levels of fifteenth-century society are the focus of the essays contained in this volume. How would a queen in exile wish to be depicted on a medal, or a newly-crowned king deal with recalcitrant London merchants when their interests clashed with his policies? The logistics of an invasion of France present a challenge to the military advisers of another king, and by bringing fresh insights to the text a translator of Vegetius' De re militari addresses the fears of rulers and ruled in a time of civil unrest. English supplicants to the papal curia require expert advice to navigate bureaucratic procedures at Rome; while Welsh students encounter other obstacles as they embark on careers in Church and state. Manuscript and printed versions of parliamentary statutes point to differing preferences on the part of government clerks and practising lawyers in their choice of language; while the papers of a professional estate manager from Norfolk reveal antiquarian interests and an affinity with William of Worcester. Contributors: Christopher Allmand, Peter Clarke, Rhun Emlyn, Samantha Harper, Frederick Hepburn, John Milner, Dean Rowland, Anthony Smith

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Clive Merrison and Andrew Sachs star in seven original BBC Radio 4 full-cast adventures for Holmes and Watson.How many times did Dr John Watson tantalise us with passing references to a mystery which his creator, Sir Arthur Conan Doyle, never wrote about in full? In these original adventures Bert Coules, the chief dramatist of BBC Radio 4’s celebrated Sherlock Holmes canon, has imaginatively fleshed out seven such unrecorded cases. The Determined Client: Miss Addleton engages Holmes to save her father's good name.The Striking Success of Miss Franny Blossom: Holmes investigates a respectable gambling club. The Thirteen Watches: Bizarre events on an express train brings a railway baron to Baker Street. The Ferrers Documents: A slum landlord and a missing witness figure in a dark tale of hatred and revenge.The Remarkable Performance of Mr Frederick Merridew: A night at the music hall ends in tragedy.The Eyes of Horus: A priceless Egyptian artefact vanishes from a locked casket in a locked vault.The Marlbourne Point Mystery: Holmes and Watson discover death, treachery and betrayal on an isolated coastal headland.

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Among the most magnificent buildings of England are its Anglican cathedrals, great symbols of spiritual and architectural power. No one can fail to marvel at Durham's incomparable Romanesque masterpiece, the elegant stylistic unity of Salisbury, the world- amous stained glass of Canterbury or the striking Gothic scissor arch at Wells. In this breathtaking new book, award-winning Magnum photographer Peter Marlow has captured the nave of each of England's 42 Anglican cathedrals. Taken in natural light at dawn, usually looking towards the east end of the building, these remarkable images bring into sharp relief the full splendour of the architecture, whatever the style. Marlow's spellbinding photographs are accompanied by his commentary on the project, including sketches and preparatory shots; an introduction by curator Martin Barnes on the tradition of church photography in England, particularly the work of Frederick Evans and Edwin Smith; and a concise summary of each cathedral interior by architectural historian John Goodall. A special collector's edition comprising a blocked, cloth-bound hardback edition of the book and a signed, hand-finished print, 30.5 x 25.4 cm (10 x 12 in.) , placed together in a handmade, blocked, cloth-bound slip case.

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Freud's Paranoid Quest is an exceptionally broad-ranging and well-written book....Whether or not one agrees with certain of his arguments and assessments, one must acknowledge the remarkable intelligence that is displayed on nearly every page. --Louis Sassauthor of Madness and Modernism and The Paradoxes of Delusion John Farrell's Freud's Paranoid Quest is the most trenchant, exhilarating and illuminating book I have encountered in many years. [The book] should be pondered not just by all students of Freud's thought but by everyone who senses that 'advanced modernity' has by now outstayed its welcome. --Frederick CrewsUniversity of California, Berkeley In Freud's Paranoid Quest, John Farrell analyzes the personality and thought of Sigmund Freud in order to give insight into modernity's paranoid character and into the true nature of Freudian psychoanalysis. John Farrell's Freud is not the path-breaking psychologist he claimed to be, but the fashioner and prisoner of a total system of suspicion. The most gifted of paranoids, Freud deployed this system as a self-heroizing myth and a compelling historical ideology.

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What are the logics of pricing, and why do some pricing schemes defy standard economic expectations? What explains the different labor market outcomes of people who receive the same training from the same place and who have similar grades? Why do national governments issue statements about the country’s history and personality when developing economic policies, and why are struggles over the images pictured on money so hard fought? This engaging book locates the answers to these and other questions in the cultural logics and dynamics that constitute and guide markets. Using clear prose and illustrative examples, Frederick F. Wherry demystifies what culture is, and how it can be identified both in the way that markets are organized and in the way that people operate within them. The Culture of Markets offers a comprehensive introduction to the puzzles found in studies of markets and to the ways that cultural analyses address those puzzles. The clarity of the arguments will make this a welcome resource for upper-level students of cultural sociology, economic sociology, and business/marketing.

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Tau Lewis’s mythical sculptures create elaborate portals into fantastic worlds “At 52 Walker, artist Tau Lewis transmutes the lifeblood of scrap objects into something sanctified. . . . I’m reminded that an art gallery can also be a temple.” — New York magazine Following her acclaimed presentation Divine Giants Tribunal at the 2022 Venice Biennale, Lewis has continued to create anthropomorphic forms inspired by those in Yoruban mask dramas—ones which are spiritually activated by the wearer and the audience and, by extension, their community. Conversing with spiritual and ancestral pasts, Lewis’s works reinvent and reconsider narratives of Greek myths, theater, and death. In this body of work, the artist reexamines apocalyptic themes as an opportunity for reconstruction and transformation. Documenting and expanding on Lewis’s exhibition at 52 Walker titled Vox Populi, Vox Dei, this catalogue contextualizes the artist’s investigations and expressions. Poetry by the multidisciplinary artist and activist Yves B. Golden complements Lewis’s otherworldly motifs. With a curator’s note by Ebony L. Haynes, this publication also features an essay by Tiana Reid that explores Lewis’s practice, drawing connections between sources that range from Joy James to Frederick Douglass.

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A foundational reckoning with how Black Americans have used the written word to define and redefine themselves over the course of the country''s history.Distilled over many years from Henry Louis Gates Jr''s legendary Harvard course in African American Studies, The Black Box: Writing the Race is the story of Black self-definition in America through the prism of the writers who have led the way. From Phillis Wheatley and Frederick Douglass, W. E. B. Du Bois and Booker T. Washington, to Zora Neale Hurston and Richard Wright, James Baldwin and Toni Morrison, these writers used words to create a liveable world a home for Black people destined to live in a bitterly racist society.This is a community that defined and transformed itself in defiance of oppression and lies; a collective act of resistance and transcendence that is at the heart of its self-definition. Out of that contested ground has flowered a resilient, creative, powerful, diverse culture formed b

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Reassessing human history in relation to the cosmic-earthly events of Christ’s incarnation, Rudolf Steiner stresses the significance of both Gnostic spirituality and the legends of the Holy Grail. The ‘Christ-Impulse’, he tells us, is not a one-time event but a continuous process, beginning well before Jesus of Nazareth walked the earth. This mighty impulse is a force that gives impetus to human development, such as with the extraordinary blossoming of free thinking of the last two millennia. Surveying this pattern of evolving human thought, Steiner explains the roles of contrasting historical figures, for example the great teacher Zarathustra, Joan of Arc and Johannes Keplar. We are shown the widespread influence of the clairvoyant prophetesses, the sibyls, who formed a backdrop to the Greco-Roman world. Steiner contrasts their revelations to those of the Hebrew prophets. The lectures culminate in the secret background to the Parzival narrative. Steiner illustrates how it is possible to experience the Holy Grail by reading the stellar script in the sky at Easter. Here, he provides a rare personal account of the processes he utilized to conduct esoteric research. The new edition of these much-loved lectures features a revised translation and an introduction, appendices and notes by Frederick Amrine.

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In a series of penetrating reflections on the United States and its institutions in the post-9/11 world, this book offers some answers to questions that people at home and abroad have begun to ask about our country. How did it attain its international preeminence? What exactly is this richest, most powerful of countries made of? Where will its unmatched influence lead? Military historian Frederick Kagan discusses the future of our armed forces and the challenges they will face in defending America's unique position. David B. Hart shows how religion, with all its variety and occasional excess, is "alive and striving in America, with the power to shelter many virtues under its promises of supernatural grace." From the future of the law to the future of higher education, from music to the visual arts, Lengthened Shadows provides a unique situation report on American culture today. Writers and thinkers such as Robert Bork, Hilton Kramer, Roger Kimball and Mark Steyn offer a probing assessment of the institutions that organize our lives--their health, their influence and their prospects--at the beginning of what some commentators are calling "the next American century."

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