Search results for ""author fredericks"

Freud's Paranoid Quest is an exceptionally broad-ranging and well-written book....Whether or not one agrees with certain of his arguments and assessments, one must acknowledge the remarkable intelligence that is displayed on nearly every page. --Louis Sassauthor of Madness and Modernism and The Paradoxes of Delusion John Farrell's Freud's Paranoid Quest is the most trenchant, exhilarating and illuminating book I have encountered in many years. [The book] should be pondered not just by all students of Freud's thought but by everyone who senses that 'advanced modernity' has by now outstayed its welcome. --Frederick CrewsUniversity of California, Berkeley In Freud's Paranoid Quest, John Farrell analyzes the personality and thought of Sigmund Freud in order to give insight into modernity's paranoid character and into the true nature of Freudian psychoanalysis. John Farrell's Freud is not the path-breaking psychologist he claimed to be, but the fashioner and prisoner of a total system of suspicion. The most gifted of paranoids, Freud deployed this system as a self-heroizing myth and a compelling historical ideology.

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What are the logics of pricing, and why do some pricing schemes defy standard economic expectations? What explains the different labor market outcomes of people who receive the same training from the same place and who have similar grades? Why do national governments issue statements about the country’s history and personality when developing economic policies, and why are struggles over the images pictured on money so hard fought? This engaging book locates the answers to these and other questions in the cultural logics and dynamics that constitute and guide markets. Using clear prose and illustrative examples, Frederick F. Wherry demystifies what culture is, and how it can be identified both in the way that markets are organized and in the way that people operate within them. The Culture of Markets offers a comprehensive introduction to the puzzles found in studies of markets and to the ways that cultural analyses address those puzzles. The clarity of the arguments will make this a welcome resource for upper-level students of cultural sociology, economic sociology, and business/marketing.

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Tau Lewis’s mythical sculptures create elaborate portals into fantastic worlds “At 52 Walker, artist Tau Lewis transmutes the lifeblood of scrap objects into something sanctified. . . . I’m reminded that an art gallery can also be a temple.” — New York magazine Following her acclaimed presentation Divine Giants Tribunal at the 2022 Venice Biennale, Lewis has continued to create anthropomorphic forms inspired by those in Yoruban mask dramas—ones which are spiritually activated by the wearer and the audience and, by extension, their community. Conversing with spiritual and ancestral pasts, Lewis’s works reinvent and reconsider narratives of Greek myths, theater, and death. In this body of work, the artist reexamines apocalyptic themes as an opportunity for reconstruction and transformation. Documenting and expanding on Lewis’s exhibition at 52 Walker titled Vox Populi, Vox Dei, this catalogue contextualizes the artist’s investigations and expressions. Poetry by the multidisciplinary artist and activist Yves B. Golden complements Lewis’s otherworldly motifs. With a curator’s note by Ebony L. Haynes, this publication also features an essay by Tiana Reid that explores Lewis’s practice, drawing connections between sources that range from Joy James to Frederick Douglass.

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In Translating Blackness Lorgia García Peña considers Black Latinidad in a global perspective in order to chart colonialism as an ongoing sociopolitical force. Drawing from archives and cultural productions from the United States, the Caribbean, and Europe, García Peña argues that Black Latinidad is a social, cultural, and political formation—rather than solely a site of identity—through which we can understand both oppression and resistance. She takes up the intellectual and political genealogy of Black Latinidad in the works of Frederick Douglass, Gregorio Luperón, and Arthur Schomburg. She also considers the lives of Black Latina women living in the diaspora, such as Black Dominicana guerrillas who migrated throughout the diaspora after the 1965 civil war and Black immigrant and second-generation women like Mercedes Frías and Milagros Guzmán organizing in Italy with other oppressed communities. In demonstrating that analyses of Black Latinidad must include Latinx people and cultures throughout the diaspora, García Peña shows how the vaivén—or, coming and going—at the heart of migrant life reveals that the nation is not a sufficient rubric from which to understand human lived experiences.

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Ecological restoration, the attempt to guide damaged ecosystems back to a previous, usually healthier or more natural, condition, is rapidly gaining recognition as one of the most promising approaches to conservation. In this book, William R. Jordan III, who coined the term 'restoration ecology', and who is widely respected as an intellectual leader in the field, outlines a vision for a restoration-based environmentalism that has emerged from his work over twenty-five years. Drawing on a provocative range of thinkers, from anthropologists Victor Turner, Roy Rappaport, and Mary Douglas to literary critics Frederick Turner, Leo Marx, and R.W.B. Lewis, Jordan explores the promise of restoration, both as a way of reversing environmental damage and as a context for negotiating our relationship with nature. Exploring restoration not only as a technology but also as an experience and a performing art, Jordan claims that it is the indispensable key to conservation. At the same time, he argues, restoration is valuable because it provides a context for confronting the most troubling aspects of our relationship with nature. For this reason, it offers a way past the essentially sentimental idea of nature that environmental thinkers have taken for granted since the time of Emerson and Muir.

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A foundational reckoning with how Black Americans have used the written word to define and redefine themselves over the course of the country''s history.Distilled over many years from Henry Louis Gates Jr''s legendary Harvard course in African American Studies, The Black Box: Writing the Race is the story of Black self-definition in America through the prism of the writers who have led the way. From Phillis Wheatley and Frederick Douglass, W. E. B. Du Bois and Booker T. Washington, to Zora Neale Hurston and Richard Wright, James Baldwin and Toni Morrison, these writers used words to create a liveable world a home for Black people destined to live in a bitterly racist society.This is a community that defined and transformed itself in defiance of oppression and lies; a collective act of resistance and transcendence that is at the heart of its self-definition. Out of that contested ground has flowered a resilient, creative, powerful, diverse culture formed b

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Reassessing human history in relation to the cosmic-earthly events of Christ’s incarnation, Rudolf Steiner stresses the significance of both Gnostic spirituality and the legends of the Holy Grail. The ‘Christ-Impulse’, he tells us, is not a one-time event but a continuous process, beginning well before Jesus of Nazareth walked the earth. This mighty impulse is a force that gives impetus to human development, such as with the extraordinary blossoming of free thinking of the last two millennia. Surveying this pattern of evolving human thought, Steiner explains the roles of contrasting historical figures, for example the great teacher Zarathustra, Joan of Arc and Johannes Keplar. We are shown the widespread influence of the clairvoyant prophetesses, the sibyls, who formed a backdrop to the Greco-Roman world. Steiner contrasts their revelations to those of the Hebrew prophets. The lectures culminate in the secret background to the Parzival narrative. Steiner illustrates how it is possible to experience the Holy Grail by reading the stellar script in the sky at Easter. Here, he provides a rare personal account of the processes he utilized to conduct esoteric research. The new edition of these much-loved lectures features a revised translation and an introduction, appendices and notes by Frederick Amrine.

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Lewis George Clarke published the story of his life as a slave in 1845, after he had escaped from Kentucky and become a well-regarded abolitionist lecturer throughout the North. His book was the first work by a slave to be acquired by the Library of Congress and copyrighted. During the 1840s he lived in the Cambridge, Massachusetts, home of Aaron and Mary Safford, where he encountered Mary's stepsister, Harriet Beecher Stowe, along with Frederick Douglass, Lewis Tappan, Gerrit Smith, Josiah Henson, John Brown, Lydia Child, and Martin Delaney. His experiences are evident in Uncle Tom's Cabin, published in 1852, and Stowe identified him as the prototype for the book's rebellious character George Harris. This facsimile edition of Clarke's book is introduced by his great grandson, Carver Clark Gayton, who has served as director of Affirmative Action Programs at the University of Washington; corporate director of educational relations and training for the Boeing Company; lecturer at the Evans School of Public Administration, University of Washington; and executive director of the Northwest African American Museum. He lives in Seattle. A V Ethel Willis White Book

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Reveals the hidden order between the signs of the zodiac, alchemy, and the Tantric yoga chakra system to unlock spiritual opportunities• Shows how the astrological cycle around the signs of the zodiac represents the alchemical transformation of consciousness and chakra awakening • Expands the meaning of each astrological sign based on its association with the chakras and the alchemical transmutation cycle from lead to gold • Offers sample chart analyses to show how you can discover your spiritual challenges and opportunities Demonstrating the connections between astrology, alchemy, and yoga, Frederick Baker reveals how he discovered their correspondences by rotating the natural order of the zodiac, placing Aquarius and Capricorn at the bottom and Cancer and Leo at the top, to reflect the alchemical order of metals from lead to gold. is Alchemical Tantric Arrangement then revealed a corresponding alchemical order of the seven traditional planets--from Saturn (lead) to Sun (gold)--and also aligned with the seven chakras and the three major energy channels (nadis) of the Tantric yoga system, including the channel through which Kundalini energy rises from root chakra to crown chakra. Baker uses these rediscovered correspondences to expand the meaning of each astrological sign based on their association with the chakras, the alchemical transmutation cycle from lead to gold, and the wisdom of ancient myth. He also offers expanded meanings for each chakra in association with the twelve signs of the zodiac and their ruling planets as well as new insights into the influence of Chiron and Eris. The author provides a complete analysis of his own birth chart as well as Alchemical Tantric Astrology insights into significant events over the past few decades, including the intense changes of 2020. Baker’s revolutionary new take on our individual spiritual journeys shows how the astrological cycle around the signs of the zodiac represents the alchemical and Tantric transformation of consciousness and the natural path of spiritual unfolding.

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In The Kid and Me Frederick Turner deftly re-creates the Lincoln County War in what was then New Mexico Territory. The 1878 war pitted an established faction led by James Dolan against new arrivals in the county led by John Tunstall and Alexander McSween. When Tunstall and McSween opened a dry-goods store in 1876 in a direct challenge to Dolan’s monopoly on the dry-goods business, trouble was inevitable. Both the Dolan and the Tunstall-McSween factions garnered supporters, including lawmen, criminal gangs, and ranch hands. The ambush and murder of Tunstall by a local sheriff’s posse loyal to Dolan sparked a wave of revenge killings and bloody reprisals in which Billy the Kid—one of Tunstall’s ranch hands—played a prominent role. Narrated by George Coe, an aged veteran of New Mexico’s Lincoln County War but now a devout painter of village churches, The Kid and Me tells what it felt like to ride alongside Billy the Kid, whom Coe both admired and greatly feared. Gang loyalty, extreme violence, political corruption in the highest places, and profound moral ambiguity characterize this tale of what made the American West wild.

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Black Freethinkers argues that, contrary to historical and popular depictions of African Americans as naturally religious, freethought has been central to black political and intellectual life from the nineteenth century to the present. Freethought encompasses many different schools of thought, including atheism, agnosticism, and nontraditional orientations such as deism and paganism.Christopher Cameron suggests an alternative origin of nonbelief and religious skepticism in America, namely the brutality of the institution of slavery. He also traces the growth of atheism and agnosticism among African Americans in two major political and intellectual movements of the 1920s: the New Negro Renaissance and the growth of black socialism and communism. In a final chapter, he explores the critical importance of freethought among participants in the civil rights and Black Power movements of the 1960s and 1970s.Examining a wealth of sources, including slave narratives, travel accounts, novels, poetry, memoirs, newspapers, and archival sources such as church records, sermons, and letters, the study follows the lives and contributions of well-known figures such as Frederick Douglass, Zora Neale Hurston, James Baldwin, and Alice Walker, as well as lesser-known thinkers such as Louise Thompson Patterson, Sarah Webster Fabio, and David Cincore.

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George F. Will has been one of this country's leading columnists since 1974. He won the Pulitzer Prize for it in 1977. The Wall Street Journal once called him "perhaps the most powerful journalist in America." In new collection, he examines a remarkably unsettling thirteen years in our nation's experience, from 2008 to 2020. Included are a number of columns about court cases, mostly from the Supreme Court, that illuminate why the composition of the federal judiciary has become such a contentious subject.Other topics addressed include the American Revolutionary War, historical figures from Frederick Douglass to JFK, as well as a scathing assessment of how State of the Union Addresses are delivered in the modern day. Mr. Will also offers his perspective on American socialists, anti-capitalist conservatives, drug policy, the criminal justice system, climatology, the Coronavirus, the First Amendment, parenting, meritocracy and education, China, fascism, authoritarianism, Frank Sinatra, Bob Dylan, The Beach Boys, and the morality of enjoying football. American Happiness and Discontents: The Unruly Torrent, 2008-2020 is a collection packed with wisdom and leavened by humor from one the preeminent columnists and intellectuals of our time.

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George F. Will has been one of this country's leading columnists since 1974. He won the Pulitzer Prize for it in 1977. The Wall Street Journal once called him "perhaps the most powerful journalist in America." In this new collection, he examines a remarkably unsettling thirteen years in our nation's experience, from 2008 to 2020. Included are a number of columns about court cases, mostly from the Supreme Court, that illuminate why the composition of the federal judiciary has become such a contentious subject.Other topics addressed include the American Revolutionary War, historical figures from Frederick Douglass to JFK, as well as a scathing assessment of how State of the Union Addresses are delivered in the modern day. Mr. Will also offers his perspective on American socialists, anti-capitalist conservatives, drug policy, the criminal justice system, climatology, the Coronavirus, the First Amendment, parenting, meritocracy and education, China, fascism, authoritarianism, Frank Sinatra, Bob Dylan, The Beach Boys, and the morality of enjoying football. American Happiness and Discontents: The Unruly Torrent, 2008-2020 is a collection packed with wisdom and leavened by humor from one the preeminent columnists and intellectuals of our time.

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In this provocative and original exploration of Black males and the legal establishment, Carlyle Van Thompson illuminates the critical issues defining Black male subjectivity. Since the days of Black people’s enslavement and the days of Jim Crow segregation, Black males have been at odds with the legal and extra-legal restrictions that would maintain white supremacy and white male privilege. Grounded in the voices of Frederick Douglass and David Walker, who challenged hegemonic systems designed to socio-economically disenfranchise Black people, Black Outlaws examines legal aspects with regard to Black males during the period of segregation. By critically looking at Richard Wright’s The Outsider, Chester Bomar Himes’ The Third Generation, Walter Mosley’s Devil in a Blue Dress, and Ernest J. Gaines’ A Lesson Before Dying – all of which examine Black males during the Jim Crow period – Thompson investigates the challenges that Black males confront and surmount in their journeys to establish their individual and collective agency. Black Outlaws helps decipher critical legal and racial issues in the works of four of the most important Black male writers, and is suitable for readers in literary studies, cultural studies, and history.

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In 1910 Roald Amundsen set off from Oslo toward the North Pole but soon received word that two Americans—Frederick Cook and Robert Peary—each claimed to have reached the Pole ahead of him. Devastated, Amundsen famously went south. For years Cook and Peary tried to convince the world of their claims. Finally the National Geographic Society endorsed Peary, and the matter seemed settled. In May 1926 an American airman, Richard Byrd, flew north in a three-engine plane, and returned with a log showing that he had flow exactly over the geographical North Pole, becoming the third man to reach that mythical spot. National Geographic again supported the claim.However, it is now obvious that Peary claimed distances he could not possibly have achieved, and it is doubtful that Cooke, who had a history of fraud, ever got even close to the pole. Byrd flew further north than anyone before, but he did not have the fuel to have made the journey he claimed—his log was falsified. Just three days after Byrd’s flight, Amundsen reenters the story on an airship traveling across the pole from Svalbard to Alaska, unknowingly passing directly over the pole, becoming the true first to reach it—just as he had been the first at the South Pole. The Great Polar Fraud explores the history of the three men who claimed the pole, their claims, and the subsequent doubts of those claims, effectively rewriting the history of polar exploration and putting Amundsen center stage as the rightful conqueror of both poles.Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history--books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

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What if you’d committed a truly dreadful crime but couldn’t remember? The Doctor takes Peri to the Memory Farm – a state of the art space station where hidden memories can be harvested and analysed. To their surprise, they find the station in lock-down and all its resources dedicated to probing the memories of an elderly man. Garius Moro may, or may not, have been responsible for the deaths of billions of people many years ago, but he simply can’t remember. The assembled representatives of two opposing factions, each with their own agenda, anxiously wait for the truth to be unlocked from Moro’s mind. But when a memory does eventually surface, everyone is surprised to learn that it is of Peri. CAST: Colin Baker (The Doctor), Nicola Bryant (Peri), Joseph Mydell (Garius Moro), Diane Keen (Varish), Charlotte Strevens (Naras), Caleb Frederick (Offram), Sean Connolly (Kennedy), Steven Wickham (Grisk / Venorg), John Green (Otwoe). Other parts played by members of the cast.

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"David Blight has produced a fine edition of Douglass' second autobiography. This is an essential work in African-American and American history, and displays Douglass' developing strength as a writer and political leader."—Richard Slotkin, Wesleyan University Born into slavery in 1818, Frederick Douglass escaped to freedom and became a passionate advocate for abolition and social change and the foremost spokesperson for the nation’s enslaved African American population in the years preceding the Civil War. My Bondage and My Freedom is Douglass’s masterful recounting of his remarkable life and a fiery condemnation of a political and social system that would reduce people to property and keep an entire race in chains. This classic is revisited with a new introduction and annotations by celebrated Douglass scholar David W. Blight. Blight situates the book within the politics of the 1850s and illuminates how My Bondage represents Douglass as a mature, confident, powerful writer who crafted some of the most unforgettable metaphors of slavery and freedom—indeed of basic human universal aspirations for freedom—anywhere in the English language.

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Trawling through a vast family archive and arcane sources in half a dozen languages, Adam Zamoyski has revealed the dramatic life of his great-great-great grandmother, an uneducated, vulnerable girl cast into a man's world.Her aristocratic position enmeshed her in high politics and close encounters with Frederick the Great, Benjamin Franklin, Rousseau, Joseph II, Marie-Antoinette and Tsar Alexander I, and earned her the enmity of Catherine the Great. She lived through revolution and no less than five wars, in which her cherished homes were devastated, her possessions looted and her children scattered. Caught up in tempestuous love affairs which led her to nervous breakdown and the brink of suicide, exploited by her lovers, she remained undaunted and liberated herself through education. And, unusually for her time, she became a caring mother devoted to her children.She learned much by travelling extensively around Europe at a time of political and ideological change, and her observation

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From Frederick Douglass to Angela Davis, “natural hair” has been associated with the Black freedom struggle. In New Growth Jasmine Nichole Cobb traces the history of Afro-textured coiffure, exploring it as a visual material through which to reimagine the sensual experience of Blackness. Through close readings of slave narratives, scrapbooks, travel illustrations, documentary films, and photography as well as collage, craft, and sculpture, from the nineteenth century to the present, Cobb shows how the racial distinctions ascribed to people of African descent become simultaneously visible and tactile. Whether examining Soul Train’s and Ebony’s promotion of the Afro hairstyle alongside styling products or how artists such as Alison Saar and Lorna Simpson underscore the construction of Blackness through the representation of hair, Cobb foregrounds the inseparability of Black hair’s look and feel. Demonstrating that Blackness is palpable through appearance and feeling, Cobb reveals the various ways that people of African descent forge new relationships to the body, public space, and visual culture through the embrace of Black hair.

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From the sixteenth to early-nineteenth century, four times more Africans than Europeans crossed the Atlantic Ocean to the Americas. While this forced migration stripped slaves of their liberty, it failed to destroy many of their cultural practices, which came with Africans to the New World. In Working the Diaspora, Frederick Knight examines work cultures on both sides of the Atlantic, from West and West Central Africa to British North America and the Caribbean. Knight demonstrates that the knowledge that Africans carried across the Atlantic shaped Anglo-American agricultural development and made particularly important contributions to cotton, indigo, tobacco, and staple food cultivation. The book also compellingly argues that the work experience of slaves shaped their views of the natural world. Broad in scope, clearly written, and at the center of current scholarly debates, Working the Diaspora challenges readers to alter their conceptual frameworks about Africans by looking at them as workers who, through the course of the Atlantic slave trade and plantation labor, shaped the development of the Americas in significant ways.

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Among the most magnificent buildings of England are its Anglican cathedrals, great symbols of spiritual and architectural power. No one can fail to marvel at Durham's incomparable Romanesque masterpiece, the elegant stylistic unity of Salisbury, the world-famous stained glass of Canterbury or the striking Gothic scissor arch at Wells. In this breathtaking new book, award-winning Magnum photographer Peter Marlow has captured the nave of each of England's 42 Anglican cathedrals. Taken in natural light at dawn, usually looking towards the east end of the building, these remarkable images bring into sharp relief the full splendour of the architecture, whatever the style. Marlow's spellbinding photographs are accompanied by his commentary on the project, including sketches and preparatory shots; an introduction by curator Martin Barnes on the tradition of church photography in England, particularly the work of Frederick Evans and Edwin Smith; and a concise summary of each cathedral interior by architectural historian John Goodall. AUTHOR: Martin Barnes is a graduate of Leicester University and the Courtauld Institute of Fine Art in London. Having worked at the Tate, Walker and Bluecoat galleries in Liverpool and the Witt Library in London, he moved to the Word & Image Department at the Victoria and Albert Museum, London, where he is now Senior Curator of Photographs. John Goodall is Architectural Editor of Country Life magazine. His book The English Castle was published in 2011. Peter Marlow has been a member of the international photographers' collective Magnum Photos for more than 30 years. He has exhibited his work throughout Europe. SELLING POINTS: . A unique photographic record of the Anglican cathedrals of England . A new compact edition of this superbly produced, critically acclaimed book . With an overview of the architectural importance of each cathedral, and an introduction on ecclesiastical photography . Essential for anyone interested in architectural photography, church architecture or the heritage of England 45 colour, 5 b/w, 1 map

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No More Separate Spheres! challenges the limitations of thinking about American literature and culture within the narrow rubric of “male public” and “female private” spheres from the founders to the present. With provocative essays by an array of cutting-edge critics with diverse viewpoints, this collection examines the ways that the separate spheres binary has malingered unexamined in feminist criticism, American literary studies, and debates on the public sphere. It exemplifies new ways of analyzing gender, breaks through old paradigms, and offers a primer on feminist thinking for the twenty-first century.Using American literary studies as a way to talk about changing categories of analysis, these essays discuss the work of such major authors as Catharine Sedgwick, Herman Melville, Pauline E. Hopkins, Frederick Douglass, Catharine Beecher, Ralph Waldo Emerson, W. E. B. Du Bois, Sarah Orne Jewett, Nathaniel Hawthorne, María Ampara Ruiz de Burton, Ann Petry, Gwendolyn Brooks, Cynthia Kadohata, Chang Rae-Lee, and Samuel Delany. No More Separate Spheres! shows scholars and students different ways that gender can be approached and incorporated into literary interpretations. Feisty and provocative, it provides a forceful analysis of the limititations of any theory of gender that applies only to women, and urges suspicion of any argument that posits “woman” as a universal or uniform category.By bringing together essays from the influential special issue of American Literature of the same name, a number of classic essays, and several new pieces commissioned for this volume, No More Separate Spheres! will be an ideal teaching tool, providing a key supplementary text in the American literature classroom.Contributors. José F. Aranda, Lauren Berlant, Cathy N. Davidson, Judith Fetterley, Jessamyn Hatcher, Amy Kaplan, Dana D. Nelson, Christopher Newfield, You-me Park, Marjorie Pryse, Elizabeth Renker, Ryan Schneider, Melissa Solomon, Siobhan Somerville, Gayle Wald , Maurice Wallace

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Music education today requires an approach rooted in care and kindness that coexists alongside the dismantling of systems that fail to serve our communities in higher education. But, as the essayists in Sound Pedagogy show, the structural aspects of music study in higher education present obstacles to caring and kindness like the entrenched master-student model, a neoliberal individualist and competitive mindset, and classical music’s white patriarchal roots. The editors of this volume curate essays that use a broad definition of care pedagogy, one informed by interdisciplinary scholarship and aimed at providing practical strategies for bringing transformative learning and engaged pedagogies to music classrooms. The contributors draw from personal experience to address issues including radical kindness through universal design; listening to non-human musicality; public musicology as a forum for social justice discourse; and radical approaches to teaching about race through music. Contributors: Molly M. Breckling, William A. Everett, Kate Galloway, Sara Haefeli, Eric Hung, Stephanie Jensen-Moulton, Mark Katz, Nathan A. Langfitt, Matteo Magarotto, Mary Natvig, Frederick A. Peterbark, Laura Moore Pruett, Colleen Renihan, Amanda Christina Soto, John Spilker, Reba A. Wissner, and Trudi Wright

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Music education today requires an approach rooted in care and kindness that coexists alongside the dismantling of systems that fail to serve our communities in higher education. But, as the essayists in Sound Pedagogy show, the structural aspects of music study in higher education present obstacles to caring and kindness like the entrenched master-student model, a neoliberal individualist and competitive mindset, and classical music’s white patriarchal roots. The editors of this volume curate essays that use a broad definition of care pedagogy, one informed by interdisciplinary scholarship and aimed at providing practical strategies for bringing transformative learning and engaged pedagogies to music classrooms. The contributors draw from personal experience to address issues including radical kindness through universal design; listening to non-human musicality; public musicology as a forum for social justice discourse; and radical approaches to teaching about race through music. Contributors: Molly M. Breckling, William A. Everett, Kate Galloway, Sara Haefeli, Eric Hung, Stephanie Jensen-Moulton, Mark Katz, Nathan A. Langfitt, Matteo Magarotto, Mary Natvig, Frederick A. Peterbark, Laura Moore Pruett, Colleen Renihan, Amanda Christina Soto, John Spilker, Reba A. Wissner, and Trudi Wright

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Ryan and Selena Frederick were newlyweds when they landed in Switzerland to pursue Selena's dream of training horses. Neither of them knew at the time that Ryan was living out a death sentence brought on by a worsening genetic heart defect. Soon it became clear he needed major surgery that could either save his life--or result in his death on the operating table. The young couple prepared for the worst. When Ryan survived, they both realized that they still had a future together. But the near loss changed the way they saw all that would lie ahead. They would live and love fiercely, fighting for each other and for a Christ-centered marriage, every step of the way. Fierce Marriage is their story, but more than that, it is a call for married couples to put God first in their relationship, to measure everything they do and say to each other against what Christ did for them, and to see marriage not just as a relationship they should try to keep healthy but also as one worth fighting for in every situation. With the gospel as their foundation, Ryan and Selena offer hope and practical help for common struggles in marriage, including communication problems, sexual frustration, financial stress, family tension, screen-time disconnection, and unrealistic expectations.

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Field Language presents the work of an extraordinary couple who together left the rural lifeways of their Mennonite upbringing to go “into the world” to create forms of modern art that reflected on the places and culture they came from. Published on the occasion of a retrospective exhibition devoted to the working relationship between abstract painter Warren Rohrer and his wife, poet Jane Turner Rohrer, this sumptuously illustrated book explores the Rohrers’ painting and poetry in relation to their biographies and to the nature of modernism and modernity. The artists, poets, and historians contributing to this volume present a variety of perspectives on the Rohrers, situating their work within the context of modernism, the changing agricultural landscapes of Lancaster County, Pennsylvania, and the aestheticization of local craft practices. Through the work of these two highly original and creative artists, Field Language invites readers to consider relationships between global art movements and local visual cultures, issues of land use, the sustainability of rural communities and cultures, and our own relationships with agricultural landscapes, seasonal change, labor, and human need and desire.In addition to the editors, the contributors include Christopher Campbell, Steven Z. Levine, Nancy Locke, Sally McMurry, Janneken Smucker, William R. Valerio, Jonathan Frederick Walz, and Douglas Witmer.

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Read by Martin Jarvis, this joyous celebration of spring fever is an undisputed comic masterpiece. Once again we find ourselves at that idyllic country seat, Blandings. This time it's debonair charmer, Frederick Altamont Cornwallis Twistleton, fifth Earl of Ickenham (known to most as 'Uncle Fred') who has been lured to the castle by affable Lord Emsworth. His lordship requires an expert in human behaviour to prevent the egg-throwing Duke of Dunstable from stealing Emsworth's treasured pig, Empress of Blandings. The plot's eccentricities naturally include love and romance and, crucially, three imposters. Add to the cocktail some 'Mickey Finns', a brace of financially embarrassed nephews and a private investigator, 'Mustard Pott'. As the mixture boils there are shot guns in the night time - plus redoubtable Lady Constance, Emsworth's sister, who could halt a cavalry charge merely with her voice. A happy and appropriate ending is of course on the cards. But the joy is to marvel at how Wodehouse weaves the intricate threads in this tapestry of dottiness, and to hear him tie it up (and us) in knots of laugh-aloud hilarity.Martin Jarvis is the quintessential reader for the 'Blandings' series, with an outstanding range of voices and a true passion for the works of P.G. Wodehouse, Britain's greatest comic writer.

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By the fifteenth century the Swiss method of warfare, in which disciplined foot soldiers fought in tightly formed units, was being imitated. The Germans and Spanish took notice when in 1479 Archduke Maximilian and his victorious Flemish infantrymen used their long pikes to prevent the mounted French knights from charging. The era of modern warmaking was at hand. In this last volume of his classic history of the art of war, Hans Delbrück considers new developments: the use of gunpowder, the invention of firearms, and the employment of noisy large cannon that shot stone and, later, iron balls. After reviewing the establishment of a European infantry, Delbrück discusses the transformation of loose confederations of knights into cavalry (well developed by the last Huguenot wars), the organization of fighting mercenaries (followed by wives and prostitutes), and the changing of mercenary bands into standing armies.The Dawn of Modern Warfare is colored by larger-than-life personalities: Niccolo Machiavelli, the theoretician of the new art of war; Maurice of Orange, renovator of the art of drill and father of military discipline; Gustavus Adolphus of Sweden, perfecter of infantry tactics; Oliver Cromwell of England, reorganizer of a citizen militia into a professional army; and Frederick the Great and Napoleon Bonaparte, military strategists par excellence.

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"Charley Ellis has written a magnificent portrait, capturing the indomitable spirit of Joe Wilson and his instinctive understanding of the need for and commercial usefulness of a transforming imaging technology. Joe Wilson and his extraordinary team, which I had the good fortune to first meet in 1960, epitomized the wonderful observation of George Bernard Shaw who said, 'Some look at things that are, and ask why? I dream of things that never were and ask why not?' Xerox and xerography are not only a part of our vocabulary, but part of our everyday life. Charley Ellis gives the reader a poignant understanding of just how this happened through the life, adventures, critical business decisions, and dreams of Joseph Wilson and a cadre of remarkable individuals. This book will surely join the library of memorable biographies that capture the building of America into a risk-tolerant, technologically sophisticated, idea-oriented society that thrives by understanding what Charles Darwin really said: 'Survival will be neither to the strongest of the species, nor to the most intelligent, but to those most adaptable to change.'" —Frederick Frank, Vice Chairman, Lehman Brothers Inc.

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Perfect for fans of Kevin Henkes’ Mouse Adventures and Leo Lionni’s Frederick, or young readers taking their first steps towards independence!Henri is a palace rat living as the pampered pet of King Louis the XVI! He’s waited on paw and foot . . . but not everybody is happy about it. When a dastardly plan by the royal staff casts Henri out to the streets, he must find his own way safely home. Country mice take Henri in and kindly show him their ways of living. To survive, Henri will eat field strawberries, fashion new clothes out of rags to match the latest Parisian styles, and sleep on grass nests, dreaming of his return to the palace. In no time, Henri will become a popular figure, spinning rich and colorful tales of palace life for growing audiences. Yet every great tale must have a happy ending . . . and when the time comes for Henri to determine how his own story will conclude, will he choose to stay with his new friends on the street or return to his regal life of comfort?

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Homecoming, haunting, nostalgia, desire: these are some of the themes evoked by the beguiling motif of the lighted window in literature and art. In this innovative combination of place-writing, memoir and cultural study, Peter Davidson takes us on atmospheric walks through nocturnal cities in Britain, Europe and North America, and revisits the field paths of rural England. Surveying a wide range of material, the book extends, chronologically, from early romantic painting to contemporary fiction, and geographically, from the Low Countries to Japan. It features familiar lighted windows in English literature (in the works of poets such as Thomas Hardy and Matthew Arnold and in the novels of Virginia Woolf, Arthur Conan Doyle and Kenneth Grahame) and examines the painted nocturnes of James Whistler, John Atkinson Grimshaw and the ruralist Samuel Palmer. It also considers Japanese prints of the nineteenth and twentieth centuries; German romanticism in painting, poetry and music; Proust and the painters of the French belle époque; René Magritte’s 'L’Empire des Lumières'; and North American painters such as Edward Hopper and Linden Frederick. By interpreting the interactions of art, literature and geography around this evocative motif, Peter Davidson shows how it has inspired an extraordinary variety of moods and ideas, from the romantic period to the present day.

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'A delightful storybook . . . a portrait of our whole world created from the contents of the ground' Literary Review'A real cabinet of curiosities' Sunday TimesFrom the hematite used in cave paintings to the moldavite that became a TikTok sensation; from the stolen sandstone of Scone to the unexpected acoustics of Stonehenge; from crystal balls to compasses, rocks and minerals have always been central to our story.3,000 years ago Babylonians constructed lapidaries - books that tried to pin down the magical secrets of rocks. In Lapidarium, renowned art critic Hettie Judah explores the unexpected stories behind sixty stones that have shaped and inspired human history, from Dorset fossil-hunters to Chinese philosophers, Catherine the Great to Michelangelo.Discover why alchemists sought cinnabar and sulphur. Unearth the mystery of the tuff statues of Rapa Nui, the lost amber room of Frederick of Prussia and the scandal of Flint Jack. Find out how a Greek monster created coral, moon rock explains the history of Earth's only satellite and obsidian inspired the world's favourite computer game. Stone by stone, story by fascinating story, Lapidarium builds into a dazzling, epoch-spanning adventure through human culture, and beyond.

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>CLASSIFY, EXCLUDE, POLICE ‘Laurent Fourchard’s deep, first-hand knowledge of the history and contemporary politics of Nigeria and South Africa forms the basis of an insightful and compelling analysis of how states produce invidious distinctions among their people and at the same time how political linkages are forged between state and society, elites and subalterns, bureaucratic structures and personal relations.’Frederick Cooper, Professor of History, New York University, USA ‘Violence, control, police and political order are essential dimensions of metropolis. In this exceptional book, Laurent Fourchard compares decentralised exercises of authority in providing vivid analysis of exclusion of youth and migrants, policing and riots, politics of “Big men” and fine-grained blurring between bureaucracy and society. A masterpiece of urban politics.’Patrick Le Galès, Dean of Urban School, Sciences Po Paris, France ‘This book is a major contribution to rethinking urban politics from the experiences of African cities. Based on detailed historical analysis of South Africa and Nigeria, Fourchard recalibrates the actors, stakes and terms of urban politics around African-centred concerns.’ Jennifer Robinson, Professor of Geography, University College London, UK The cities of South Africa and Nigeria are reputed to be dangerous, teeming with slums, and dominated by the informal economy but we know little about how people are divided up, categorised and policed. Colonial governments assigned rights and punishments, banned categories considered problematic (delinquents, migrants, single women, street vendors) and give non-state organisations the power to police low-income neighbourhoods. Within this enduring legacy, a tangle of petty arrangements has developed to circumvent exclusion to public places and government offices. In this unpredictable urban reality ??? which has eluded all planning ??? individuals and social groups have changed areas of public action through exclusion, violence and negotiation. In combining historical and ethnographic methods, Classify, Exclude, Police explores the effects and limits of public action, and questions the possibility of comparison between cities often perceived as incommensurable. Focusing on state formation, urbanization, and daily lives, Laurent Fourchard addresses debates and controversies in comparative urban studies, history, political science, and urban anthropology. The book provides a systematic, comparative approach to the practices, processes, arrangements used to create boundaries, direct violence, and produce social, racial, gender, and`generational differences.

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Silver for Entertaining is a comprehensive, well-illustrated guide to one of the most important collections of 18th-century silver in Europe. The guide extends to nearly a thousand individual pieces of the highest quality, style and exuberance of form. These pieces have survived virtually intact, along with extensive and previously untapped archival evidence of their commissioning and use. The book also provides new information on the diplomatic, political and court appointments of its principal patron, George William Hervey, 2nd Earl of Bristol (1721-75). The finest London makers of the time are represented, including Paul de Lamerie, Paul Crespin and, in particular, Frederick Kandler. It also contains a significant quantity of continental pieces, commissioned contemporaneously whilst Lord Bristol was in Turin. The Earl's silver, of the latest French fashions and of opulent extent, was a critical tool in his armoury. It was in part by maintaining a sufficient state of 'magnificence' there, and in Madrid, that he could hold the diplomatic ground for Britain during the Seven Years War. The book analyses the silver from stylistic and technical perspectives and uses them to illuminate the patronage, fashion and social history of the period, casting new light on the Herveys, one of England's most famous and eccentric aristocratic families.

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Arguing that the fundamental, familiar, sexual violence of slavery and racialized subjugation have continued to shape black and white subjectivities into the present, Christina Sharpe interprets African diasporic and Black Atlantic visual and literary texts that address those “monstrous intimacies” and their repetition as constitutive of post-slavery subjectivity. Her illuminating readings juxtapose Frederick Douglass’s narrative of witnessing the brutal beating of his Aunt Hester with Essie Mae Washington-Williams’s declaration of freedom in Dear Senator: A Memoir by the Daughter of Strom Thurmond, as well as the “generational genital fantasies” depicted in Gayl Jones’s novel Corregidora with a firsthand account of such “monstrous intimacies” in the journals of an antebellum South Carolina senator, slaveholder, and vocal critic of miscegenation. Sharpe explores the South African–born writer Bessie Head’s novel Maru—about race, power, and liberation in Botswana—in light of the history of the KhoiSan woman Saartje Baartman, who was displayed in Europe as the “Hottentot Venus” in the nineteenth century. Reading Isaac Julien’s film The Attendant, Sharpe takes up issues of representation, slavery, and the sadomasochism of everyday black life. Her powerful meditation on intimacy, subjection, and subjectivity culminates in an analysis of Kara Walker’s black silhouettes, and the critiques leveled against both the silhouettes and the artist.

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An 1797 publication of Enlightenment era thought, read by virtually every American schoolboy in the early 19th century First published in 1797, The Columbian Orator helped shape the American mind for the next half century, going through some 23 editions and totaling 200,000 copies in sales. The book was read by virtually every American schoolboy in the first half of the 19th century. As a slave youth, Frederick Douglass owned just one book, and read it frequently, referring to it as a "gem" and his "rich treasure." The Columbian Orator presents 84 selections, most of which are notable examples of oratory on such subjects as nationalism, religious faith, individual liberty, freedom, and slavery, including pieces by Washington, Franklin, Milton, Socrates, and Cicero, as well as heroic poetry and dramatic dialogues. Augmenting these is an essay on effective public speaking which influenced Abraham Lincoln as a young politician. As America experiences a resurgence of interest in the art of debating and oratory, The Columbian Orator--whether as historical artifact or contemporary guidebook--is one of those rare books to be valued for what it meant in its own time, and for how its ideas have endured. Above all, this book is a remarkable compilation of Enlightenment era thought and language that has stood the test of time.

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Histories of German philosophy in the nineteenth century typically focus on its first half--when Hegel, idealism, and Romanticism dominated. By contrast, the remainder of the century, after Hegel's death, has been relatively neglected because it has been seen as a period of stagnation and decline. But Frederick Beiser argues that the second half of the century was in fact one of the most revolutionary periods in modern philosophy because the nature of philosophy itself was up for grabs and the very absence of certainty led to creativity and the start of a new era. In this innovative concise history of German philosophy from 1840 to 1900, Beiser focuses not on themes or individual thinkers but rather on the period's five great debates: the identity crisis of philosophy, the materialism controversy, the methods and limits of history, the pessimism controversy, and the Ignorabimusstreit. Schopenhauer and Wilhelm Dilthey play important roles in these controversies but so do many neglected figures, including Ludwig Buchner, Eugen Duhring, Eduard von Hartmann, Julius Fraunstaedt, Hermann Lotze, Adolf Trendelenburg, and two women, Agnes Taubert and Olga Pluemacher, who have been completely forgotten in histories of philosophy. The result is a wide-ranging, original, and surprising new account of German philosophy in the critical period between Hegel and the twentieth century.

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Blackness in Opera critically examines the intersections of race and music in the multifaceted genre of opera. A diverse cross-section of scholars places well-known operas (Porgy and Bess, Aida, Treemonisha) alongside lesser-known works such as Frederick Delius's Koanga, William Grant Still's Blue Steel, and Clarence Cameron White's Ouanga! to reveal a new historical context for re-imagining race and blackness in opera. The volume brings a wide-ranging, theoretically informed, interdisciplinary approach to questions about how blackness has been represented in these operas, issues surrounding characterization of blacks, interpretation of racialized roles by blacks and whites, controversies over race in the theatre and the use of blackface, and extensions of blackness along the spectrum from grand opera to musical theatre and film. In addition to essays by scholars, the book also features reflections by renowned American tenor George Shirley. Contributors are Naomi André, Melinda Boyd, Gwynne Kuhner Brown, Karen M. Bryan, Melissa J. de Graaf, Christopher R. Gauthier, Jennifer McFarlane-Harris, Gayle Murchison, Guthrie P. Ramsey Jr., Eric Saylor, Sarah Schmalenberger, Ann Sears, George Shirley, and Jonathan O. Wipplinger.

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Part of the American Literatures Initiative Series Neither Fugitive nor Free draws on the freedom suit as recorded in the press and court documents to offer a critically and historically engaged understanding of the freedom celebrated in the literary and cultural histories of transatlantic abolitionism. Freedom suits involved those enslaved valets, nurses, and maids who accompanied slaveholders onto free soil. Once brought into a free jurisdiction, these attendants became informally free, even if they were taken back to a slave jurisdiction—at least according to abolitionists and the enslaved themselves. In order to secure their freedom formally, slave attendants or others on their behalf had to bring suit in a court of law. Edlie Wong critically recuperates these cases in an effort to reexamine and redefine the legal construction of freedom, will, and consent. This study places such historically central anti-slavery figures as Frederick Douglass, Olaudah Equiano, and William Lloyd Garrison alongside such lesser-known slave plaintiffs as Lucy Ann Delaney, Grace, Catharine Linda, Med, and Harriet Robinson Scott. Situated at the confluence of literary criticism, feminism, and legal history, Neither Fugitive nor Free presents the freedom suit as a "new" genre to African American and American literary studies.

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In proving the existence of stem cells, Ernest Armstrong McCulloch and James Edgar Till formed the most important partnership in Canadian medical research since Frederick Banting and Charles Best, the discoverers of insulin. Together, Till and McCulloch instructed, influenced, and inspired successive generations of researchers who have used their findings to make huge advances against disease. Thousands of people who would have died from leukemia and immunological disorders now owe their lives to therapies developed from their discoveries. Despite their accomplishments, Till and McCulloch remain largely unknown, and until now, their story has remained untold. Dreams and Due Diligence vividly chronicles the work of two researchers who made medical history - two men who possessed exactly the right complementary talents to achieve greatness and win nearly every award available in medical research. Bringing their legacy to life for the first time, Joe Sornberger provides a dramatic account of the development of stem cell research, one of today's most ground-breaking medical scientific fields.

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Between 1772 and 1795, Russia, Prussia, and Austria concluded agreements to annex and eradicate the Commonwealth of Poland-Lithuania. With the partitioning of Poland, the dioceses of the Uniate Church (later known as the Greek Catholic Church) were fractured by the borders of three regional hegemons.Larry Wolff's deeply engaging account of these events delves into the politics of the Episcopal elite, the Vatican, and the three rulers behind the partitions: Catherine II of Russia, Frederick II of Prussia, and Joseph II of Austria. Wolff uses correspondence with bishops in the Uniate Church and ministerial communiqués to reveal the nature of state policy as it unfolded.Disunion within the Union adopts methodologies from the history of popular culture pioneered by Natalie Zemon Davis (The Return of Martin Guerre) and Carlo Ginzburg (The Cheese and the Worms) to explore religious experience on a popular level, especially questions of confessional identity and practices of piety. This detailed study of the responses of common Uniate parishioners, as well as of their bishops and hierarchs, to the pressure of the partitions paints a vivid portrait of conflict, accommodation, and survival in a church subject to the grand designs of the late eighteenth century’s premier absolutist powers.

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Located in Chelten Hills just outside of Philadelphia, Pennsylvania, Camp William Penn was the largest and first Civil War facility to exclusively train Northern-based federal black soldiers during the war. Boasting the biggest free-black population in the country and the 19th-century’s epicenter of the Underground Railroad, Philadelphia and Camp William Penn, hosted the greatest anti-slavery abolitionists, including Frederick Douglass, Harriet Tubman, Sojourner Truth, Robert Purvis, and William Still. Douglass and Tubman spoke to and rallied some of the almost 11,000 soldiers, many of them runaway or ex-slaves, who trained in eleven regiments that fought in a slew of major battles, helped to corner the Confederate General Robert E. Lee and his Rebel forces, as well as capture President Lincoln’s assassins. Several earned the Medal of Honor for their bravery, and many gave their lives. At a time when America’s very existence was threatened, the warriors and freedom fighters for human equality associated with Camp William Penn were a major part of the country’s salvation. The complete story is told here.

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A compelling anthology of Black voices from England, America, Africa and the Caribbean, from people who lived, worked, campaigned and travelled in Britain from the eighteenth to the early twentieth century.Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover.Professor Hakim Adi, shortlisted for the Wolfson history prize, draws on a variety of published works in Black Voices on Britain, all of which describe powerful experiences: James Gronniosaw and his family endure poverty, illness and unemployment; Mary Prince is driven out by her cruel owners and turns to London charities for help; Frederick Douglass, on a lecture tour around Britain, reveals how the Christian clergy built churches with slave-owners’ money; and William Wells Brown gives his impressions of England as he travels around a country which welcomes him more readily than America. These and other voices offer a fascinating and thought-provoking portrayal of Black experiences in Britain.

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In 1893 Frederick Jackson Turner famously argued that the generational process of meeting and conquering the supposedly uncivilized western frontier is what forged American identity. In the late twentieth century, “new western” historians dissected the mythologized western histories that Turner and others had long used to embody American triumph and progress. While Turner’s frontier is no more, the West continues to present America with challenging processes to wrestle, navigate, and overcome.The North American West in the Twenty-First Century, edited by Brenden W. Rensink, takes stories of the late twentieth-century “modern West” and carefully pulls them toward the present—explicitly tracing continuity with or unexpected divergence from trajectories established in the 1980s and 1990s. Considering a broad range of topics, including environment, Indigenous peoples, geography, migration, and politics, these essays straddle multiple modern frontiers, not least of which is the temporal frontier between our unsettled past and uncertain future. These forays into the twenty-first-century West will inspire more scholars to pull histories to the present and by doing so reinsert scholarly findings into contemporary public awareness.

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In 1893 Frederick Jackson Turner famously argued that the generational process of meeting and conquering the supposedly uncivilized western frontier is what forged American identity. In the late twentieth century, “new western” historians dissected the mythologized western histories that Turner and others had long used to embody American triumph and progress. While Turner’s frontier is no more, the West continues to present America with challenging processes to wrestle, navigate, and overcome.The North American West in the Twenty-First Century, edited by Brenden W. Rensink, takes stories of the late twentieth-century “modern West” and carefully pulls them toward the present—explicitly tracing continuity with or unexpected divergence from trajectories established in the 1980s and 1990s. Considering a broad range of topics, including environment, Indigenous peoples, geography, migration, and politics, these essays straddle multiple modern frontiers, not least of which is the temporal frontier between our unsettled past and uncertain future. These forays into the twenty-first-century West will inspire more scholars to pull histories to the present and by doing so reinsert scholarly findings into contemporary public awareness.

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In 1892, Lord Frederick Arthur Stanley donated the Dominion Hockey Challenge Cup – later known as the Stanley Cup – to crown the first Canadian hockey champions. Canada’s Holy Grail documents Lord Stanley’s personal politics, his desire to affect Canadian nationality and unity, and the larger transformations in Anglo-liberal political thought at the time. This book posits that the Stanley Cup fit directly within Anglo-American traditions of using sport to promote ideas of the national, and the donation of the cup occurred at a moment in history when Canadian nationalists needed identifying symbols. Jordan B. Goldstein asserts that only with a transformation in Anglo-liberal thought could the state legitimately act through culture to affect national identity. Drawing on primary source documentation from Lord Stanley’s archives, as well as statements by politicians and hockey enthusiasts, Canada’s Holy Grail integrates political thought into the realm of sport history through the discussion of a championship trophy that still stands as one of the most well-known and recognized Canadian national symbols.

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In 1892, Lord Frederick Arthur Stanley donated the Dominion Hockey Challenge Cup – later known as the Stanley Cup – to crown the first Canadian hockey champions. Canada’s Holy Grail documents Lord Stanley’s personal politics, his desire to affect Canadian nationality and unity, and the larger transformations in Anglo-liberal political thought at the time. This book posits that the Stanley Cup fit directly within Anglo-American traditions of using sport to promote ideas of the national, and the donation of the cup occurred at a moment in history when Canadian nationalists needed identifying symbols. Jordan B. Goldstein asserts that only with a transformation in Anglo-liberal thought could the state legitimately act through culture to affect national identity. Drawing on primary source documentation from Lord Stanley’s archives, as well as statements by politicians and hockey enthusiasts, Canada’s Holy Grail integrates political thought into the realm of sport history through the discussion of a championship trophy that still stands as one of the most well-known and recognized Canadian national symbols.

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Reluctant Pioneers describes the migration of Chinese to Manchuria, their settlement there, and the incorporation of Manchuria into an expanding China, from the seventeenth to the twentieth centuries. The expansion of Chinese state and society from the agrarian and urban core of China proper to the territories north and west of the Great Wall doubled the size of the empire, forming the "China" now so prominent on the map of Asia. The movement and settlement of people, clearing and cultivation of land, invasions of soldiers, circulation of merchants, and establishment of government offices extended the boundaries of China at the same time that the American expansion westward and the Russian expansion eastward created the other great landed empires that dominated the twentieth century and persist today. The chief purpose of this book is to describe the Chinese experience and what it tells us about the expansion of states and societies, drawing comparisons with Russia and America, and reflecting on the nature of what scholars since Frederick Jackson Turner have called "frontiers" and what Turner's critics now call "borderlands" or "middle ground." In addition, the book touches on several other issues central to our understanding of modern China, such as the development of the Chinese economy and the nature of Chinese migration.

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