Search results for ""author fredericks"

SHORTLISTED FOR THE INTERNATIONAL IMPAC DUBLIN LITERARY AWARD 2015 LONGLISTED FOR THE MAN BOOKER PRIZE 2013 SHORTLISTED FOR THE IRISH NOVEL OF THE YEAR 2013 'It is, simply, perfect' Irish Examiner 'Majestic' Sunday Times 'Quite simply one of the best, most sustained pieces of fiction I’ve read in some time' Independent ____________________ In 1919 Emily Ehrlich watches as two young airmen, Alcock and Brown, emerge from the carnage of World War One to pilot the very first non-stop transatlantic flight from Newfoundland to the west of Ireland. In 1845 Frederick Douglass, a black American slave, lands in Ireland to champion ideas of democracy and freedom, only to find a famine unfurling at his feet. And in 1998 Senator George Mitchell criss-crosses the ocean in search of an elusive Irish peace. Stitching these stories intricately together, Colum McCann sets out to explore the fine line between what is real and what is imagined, and the tangled skein of connections that make up our lives.

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Everyone agrees that Sigmund Freud has had a profound impact on Western society and intellectual life. But even today few people know much about his life and work beyond the legends that Freud and his adherents created, fostered, and repeated. The result is an enormous cross-disciplinary field characterized by contradiction and confusion. Only the experts could possibly make sense of it all—but not always, since no field is as thoroughly undercut by ideology, acrimony, and bad faith as psychoanalysis. Against Freud collects the frank musings of some of the world's best critics of Freud, providing a convincing and coherent "case against Freud" that is as amusing as it is rigorously presented. Hailing from diverse academic backgrounds—history, philosophy, literary criticism, sociology, psychotherapy, and psychiatry—this diverse group includes renowned international figures such as Edward Shorter, Frank Sulloway, Frederick Crews, and Mikkel Borch-Jacobsen, as well as those who knew Freud and his family. Listen in on the critics and then decide for yourself whether or not "Freud is dead."

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The year is 1916 and twenty-year-old Poppy Barlow is clearing the desk of her late father when she comes across a faded photograph of her father with his two sisters - aunts that Poppy never knew she had - along with their address. Poppy contacts her aunts, and is thrilled when they invite her to stay with them in Sheffield. But while Dale House might look grand from the outside, on closer inspection, the place is run-down and crumbling.Poppy determines to change all this and applies for a job at the local scythe works - to the horror of her aunts. As Poppy learns to survive, she is tormented by many unanswered questions. Why had her father rejected Dale House? Why had he never mentioned his sisters or the past? And what could have happened between her aunts and Frederick Kenton, her new boss, that could cause them so much anguish every time his name, or the scythe works, is mentioned?

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The pickled Martian's tentacles are fraying at the ends and Professor Coffin's Most Meritorious Unnatural Attraction (the remains of the original alien autopsy, performed by Sir Frederick Treves at the London Hospital) is no longer drawing the crowds. It's 1895; nearly a decade since Mars invaded Earth, chronicled by H.G. Wells in THE WAR OF THE WORLDS. Wrecked Martian spaceships, back-engineered by Charles Babbage and Nikola Tesla, have carried the Queen's Own Electric Fusiliers to the red planet, and Mars is now part of the ever-expanding British Empire.The less-than-scrupulous sideshow proprietor likes Off-worlders' cash, so he needs a sensational new attraction. Word has reached him of the Japanese Devil Fish Girl; nothing quite like her has ever existed before.But Professor Coffin's quest to possess the ultimate showman's exhibit is about to cause considerable friction amongst the folk of other planets. Sufficient, in fact, to spark off Worlds War Two.

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In this closely integrated collection of essays on colonialism in world history, Frederick Cooper raises crucial questions about concepts relevant to a wide range of issues in the social sciences and humanities, including identity, globalization, and modernity. Rather than portray the past two centuries as the inevitable movement from empire to nation-state. Cooper places nationalism within a much wider range of imperial and diasporic imaginations, of rulers and ruled alike, well into the twentieth century. He addresses both the insights and the blind spots of colonial studies in an effort to get beyond the tendency in the field to focus on a generic colonialism located sometime between 1492 and the 1960s and somewhere in the "West." Broad-ranging, cogently argued, and with a historical focus that moves from Africa to South Asia to Europe, these essays, most published here for the first time, propose a fuller engagement in the give-and-take of history, not least in the ways in which concepts usually attributed to Western universalism - including citizenship and equality - were defined and reconfigured by political mobilizations in colonial contexts.

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With the Duke of Dunstable trying to steal his pig to sell to Lord Tilbury, mischievous Church Lads camping in his park, his sister Constance bossing him unmercifully, and Lavender Briggs, his secretary, making life miserable, Lord Emsworth has little time to concentrate on the invasion of Blandings Castle by yet another impostor. But Bill Bailey, a.k.a. Cuthbert Meriwether, has inveigled himself into the castle to be with his beloved, Myra Schoonmaker, who is staying there under the eagle eye of Lady Constance, and Lady Constance is determined to thwart him. In the end virtue conquers vice: the lovers are united, Dunstable defeated and Tilbury trounced, but only through the brilliant plotting of Frederick, Earl of Ickenham whose greatest triumph is to marry off Lady Constance to an old admirer, Myra's father. In the end everyone is happy who deserves to be, none more so than Lord Emsworth who at one fell swoop frees himself from the tyranny of a duke, a secretary and a sister

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From Frederick Douglass to Angela Davis, “natural hair” has been associated with the Black freedom struggle. In New Growth Jasmine Nichole Cobb traces the history of Afro-textured coiffure, exploring it as a visual material through which to reimagine the sensual experience of Blackness. Through close readings of slave narratives, scrapbooks, travel illustrations, documentary films, and photography as well as collage, craft, and sculpture, from the nineteenth century to the present, Cobb shows how the racial distinctions ascribed to people of African descent become simultaneously visible and tactile. Whether examining Soul Train’s and Ebony’s promotion of the Afro hairstyle alongside styling products or how artists such as Alison Saar and Lorna Simpson underscore the construction of Blackness through the representation of hair, Cobb foregrounds the inseparability of Black hair’s look and feel. Demonstrating that Blackness is palpable through appearance and feeling, Cobb reveals the various ways that people of African descent forge new relationships to the body, public space, and visual culture through the embrace of Black hair.

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Freud's Paranoid Quest is an exceptionally broad-ranging and well-written book....Whether or not one agrees with certain of his arguments and assessments, one must acknowledge the remarkable intelligence that is displayed on nearly every page. --Louis Sassauthor of Madness and Modernism and The Paradoxes of Delusion John Farrell's Freud's Paranoid Quest is the most trenchant, exhilarating and illuminating book I have encountered in many years. [The book] should be pondered not just by all students of Freud's thought but by everyone who senses that 'advanced modernity' has by now outstayed its welcome. --Frederick CrewsUniversity of California, Berkeley In Freud's Paranoid Quest, John Farrell analyzes the personality and thought of Sigmund Freud in order to give insight into modernity's paranoid character and into the true nature of Freudian psychoanalysis. John Farrell's Freud is not the path-breaking psychologist he claimed to be, but the fashioner and prisoner of a total system of suspicion. The most gifted of paranoids, Freud deployed this system as a self-heroizing myth and a compelling historical ideology.

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The year 2013 will see a big anniversary: 450 years of Heidelberg Catechism. This Protestant confession was written in Heidelberg in 1563 on behalf of Frederick III, Elector Palatine and spread over the world when it was approved on the Synod of Dort in 1619. Since then the Heidelberg Catechism has shaped the spiritual and political life and became a symbol of change and departure from the old in Europe, America, and Asia. Even today the Heidelberg Catechism is the binding confession of the Reformed Church. It is in everyday use by more than 20 million people worldwide.In this exhibition book well known specialists in the field present how the Heidelberg Catechism spread and influenced culture, education and ecclesiastical life; they also show the context of its time and the courtly pomp of the electors and the House of Orange. Together with over 700 pictures illustrating the contributes and many objects in the exhibitions this documentation becomes an incomparable event!

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Filled with devotion and lust, sensuality and eroticism, fevers and overtures, these poems showcase some of the most passionate verses in the French language. From the classic sixteenth-century love sonnets of Louise Labé and Maurice Sceve to the piercing lyricism of the Romantics and the dreamlike compositions of the Surrealists, French Love Poems is the perfect, seductive gift for anyone who makes your heart flutter. This collection includes poems by Guillaume Apollinaire, Charles Baudelaire, Claude Cahun, René Char, Marceline Desbordes-Valmore, Paul Éluard, Louise Labé, Stéphane Mallarmé, Anna de Noailles, Joyce Mansour, Arthur Rimbaud, Paul Verlaine, and many others; as well as translations by Mary Ann Caws, Robert Duncan, Lawrence Ferlinghetti, Denise Levertov, Ezra Pound, Kenneth Rexroth, Frederick Seidel, Richard Sieburth, and William Carlos Williams.

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The discovery of insulin at the University of Toronto in 1921–2 was one of the most dramatic events in the history of the treatment of disease. Insulin, discovered by the Canadian research team of Frederick Banting, Charles Best, James Collip, and John Macleod, was a wonder drug with the ability to bring diabetes patients back from the brink of death. It was no surprise that in 1923 the Nobel Prize for Medicine was awarded for its discovery. In this engaging and award-winning account, historian Michael Bliss draws on archival records and personal adventures to recount the fascinating story behind the discovery of insulin – a story as much filled with fiery confrontation and intense competition as medical dedication and scientific genius. With a new preface by Michael Bliss and a foreword by Alison Li, the special centenary edition of The Discovery of Insulin honours the one hundredth anniversary of insulin’s discovery and its continued significance a century later.

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The presence of women and African Americans not simply as viewers, but also as televangelists and station owners in their own right has dramatically changed the face of American religious broadcasting in recent decades. Colored Television looks at the influence of these ministries beyond the United States, where complex gospels of prosperity and gospels of sexual redemption mutually inform one another while offering hopeful yet socially contested narratives of personal uplift. As an ethnography, Colored Television illuminates the phenomenal international success of American TV preachers like T.D. Jakes, Creflo Dollar, Joyce Meyer, and Juanita Bynum. Focusing particularly on Jamaica and the Caribbean, it also explores why the genre has resonated so powerfully around the world. Investigating the roles of producers, consumers, and distributors, Marla Frederick takes a unique look at the ministries, the communities they enter, and the global markets of competition that buffer them.

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The presence of women and African Americans not simply as viewers, but also as televangelists and station owners in their own right has dramatically changed the face of American religious broadcasting in recent decades. Colored Television looks at the influence of these ministries beyond the United States, where complex gospels of prosperity and gospels of sexual redemption mutually inform one another while offering hopeful yet socially contested narratives of personal uplift. As an ethnography, Colored Television illuminates the phenomenal international success of American TV preachers like T.D. Jakes, Creflo Dollar, Joyce Meyer, and Juanita Bynum. Focusing particularly on Jamaica and the Caribbean, it also explores why the genre has resonated so powerfully around the world. Investigating the roles of producers, consumers, and distributors, Marla Frederick takes a unique look at the ministries, the communities they enter, and the global markets of competition that buffer them.

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Air-conditioning is one of those universal modern conveniences whose origins are entirely unknown to the general public. Online sources credit the first commercial system to the American Willis Carrier in 1902 but this is not true. The first workable machine was patented four years earlier by Alexander Stewart, a Scottish marine engineer, who called his invention the Thermotank. It offered a massive improvement in comfort for passengers and was rapidly adopted by the shipping industry, eventually equipping many of the greatest liners of their day like _Lusitania_ and _Mauretania_. From these beginnings Alexander and his brothers William and Frederick Stewart built an immensely successful engineering firm with subsidiaries in America, Africa, Australia and Europe. Based on Clydeside, its fortunes were always closely linked to the shipbuilding industry, but with the slump at the end of the First World War the company was forced to look to other markets. At this point Alexander came up

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In its 400 years of recorded history, the Charles River has run from Hopkinton to Boston just as marathoners do every April. In that time it has served as the route of settlement for places like Charlestown, Cambridge, Watertown, and Waltham. This book shows the Charles' historic role as a major source of waterpower, transportation, and recreation for the 23 towns and cities along its route. The story of the Charles includes many notable American figures including John Smith, Frederick Law Olmsted, and the inventors of the Stanley Steamer automobile. There are even accounts of the river's more recent transition from a poster child for the conflict between man and nature to one of the world's environmental preservation successes. Illustrated with historic maps and more than 100 color photos, this history of one of Greater Boston's greatest living landmarks is ideal for residents and visitors alike.

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Refiguring in Black is a meditation on black life, and a meditation on the questions and concerns with which black life is confronted. It takes the form of a critical engagement with the thought of Frederick Douglass, Toni Morrison, Hortense Spillers, and Charles Mingus – key figures in the black radical tradition. Sithole does not reduce these thinkers to biographical subjects but examines them as figures of black thought in ways that are creative and generative. Erudite and passionate, this book is a statement of and testimony to refiguring as a form of critical practice by those who are engaged in a radical refusal, and thus part of the long arc of the black radical tradition. As a way of understanding the contemporary moment and unmasking antiblackness in all its forms and guises, Sithole’s work brings the annals of black thought into being in order to think differently and necessitate rupture, refusing to concede to the order of things and refusing to be complicit in the dehumanization that has marked the black condition.

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With so many of our histories falling into dour critique or blatant celebration, here is a welcome departure: a book that offers hope as well as honesty about the American past. The early decades of the nineteenth century saw the expansion of slavery, Native dispossession, mass immigration and wars with continental neighbours. And yet eccentric visions altered the accepted wisdom; voices from the margins moved the centre; acts of empathy defied self-interest. Edward L. Ayers’s rich history examines the visions that moved Frederick Douglass, Margaret Fuller and the Native American activist William Apess to challenge vastly powerful practices and beliefs. Melville and Thoreau, Joseph Smith and Samuel Morse were similarly moved to harness their creativity to forge new paths forward. These visionaries and critics built vigorous traditions of innovation and dissent into the very foundation of the nation.

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This definitive biography offers a new critical assessment of the life, works, and ideas of Herbert E. Bolton (1870-1953), a leading historian of the American West, Mexico, and Latin America. Bolton, a famous pupil of Frederick Jackson Turner, formulated a concept - the borderlands - that is a foundation of historical studies today. His research took him not only to the archives and libraries of Mexico but out on the trails blazed by Spanish soldiers and missionaries during the colonial era. Bolton helped establish the reputation of the University of California and the Bancroft Library in the eyes of the world and was influential among historians during his lifetime, but interest in his ideas waned after his death. Now, more than a century after Bolton began to investigate the Mexican archives, Albert L. Hurtado explores his life against the backdrop of the cultural and political controversies of his day.

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Honorable Mention for the 2014 MLA Alan Bray Memorial Award Finalist for the 2013 LAMBDA LGBT Studies Book Award In nineteenth-century America—before the scandalous trial of Oscar Wilde, before the public emergence of categories like homo- and heterosexuality—what were the parameters of sex? Did people characterize their sexuality as a set of bodily practices, a form of identification, or a mode of relation? Was it even something an individual could be said to possess? What could be counted as sexuality? Tomorrow’s Parties: Sex and the Untimely in Nineteenth-Century America provides a rich new conceptual language to describe the movements of sex in the period before it solidified into the sexuality we know, or think we know. Taking up authors whose places in the American history of sexuality range from the canonical to the improbable—from Whitman, Melville, Thoreau, and James to Dickinson, Sarah Orne Jewett, Harriet Jacobs, Frederick Douglass, and Mormon founder Joseph Smith—Peter Coviello delineates the varied forms sex could take in the lead-up to its captivation by the codings of “modern” sexuality. While telling the story of nineteenth-century American sexuality, he considers what might have been lostin the ascension of these new taxonomies of sex: all the extravagant, untimely ways of imagining the domain of sex that, under the modern regime of sexuality, have sunken into muteness or illegibility. Taking queer theorizations of temporality in challenging new directions, Tomorrow’s Parties assembles an archive of broken-off, uncreated futures—futures that would not come to be. Through them, Coviello fundamentally reorients our readings of erotic being and erotic possibility in the literature of nineteenth-century America.

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The untold story of African-born migrants and their vibrant African influence in Harlem. From the 1920s to the early 1960s, Harlem was the intellectual and cultural center of the Black world. The Harlem Renaissance movement brought together Black writers, artists, and musicians from different backgrounds who helped rethink the place of Black people in American society at a time of segregation and lack of recognition of their civil rights. But where is the story of African immigrants in Harlem’s most recent renaissance? Africans in Harlem examines the intellectual, artistic, and creative exchanges between Africa and New York dating back to the 1910s, a story that has not been fully told until now. From Little Senegal, along 116th Street between Lenox Avenue and Frederick Douglass Boulevard, to the African street vendors on 125th Street, to African stores, restaurants, and businesses throughout the neighborhood, the African presence in Harlem has never been more active and visible than it is today. In Africans in Harlem, author, scholar, writer, and filmmaker Boukary Sawadogo explores Harlem’s African presence and influence from his own perspective as an African-born immigrant. Sawadogo captures the experiences, challenges, and problems African émigrés have faced in Harlem since the 1980s, notably work, interaction, diversity, identity, religion, and education. With a keen focus on the history of Africans through the lens of media, theater, the arts, and politics, this historical overview features compelling character-driven narratives and interviews of longtime residents as well as community and religious leaders. A blend of self-examination as an immigrant member in Harlem and research on diasporic community building in New York City, Africans in Harlem reveals how African immigrants have transformed Harlem economically and culturally as they too have been transformed. It is also a story about New York City and its self-renewal by the contributions of new human capital, creative energies, dreams nurtured and fulfilled, and good neighbors by drawing parallels between the history of the African presence in Harlem with those of other ethnic immigrants in the most storied neighborhood in America.

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This is the ultimate field guide to the trees and landscapes of Central Park, with a lively, authoritative text and over 900 color photographs, botanical plates, and extraordinarily detailed maps. Under the direction of the Central Park Conservancy, the park's landscapes have been painstakingly restored to achieve the effects envisioned more than 150 years ago by the park's designers, Frederick Law Olmsted and Calvert Vaux. This book highlights the leading role that trees play in defining 22 of these landscapes and chronicles the history of each of more than 200 tree species and varieties present in the park-where it came from and where the most outstanding specimens are located. Besides being a superb guide to the world's greatest center-city park, this book is a highly informative guide to most of the tree species commonly encountered in the eastern United States. Anyone who loves trees will find this book a very rewarding read, full of fascinating details and beautiful illustrations. Central Park Trees and Landscapes is divided into two major sections: "The Landscapes" opens with a geological account of Manhattan Island-from its position 500 million years ago on the edge of the proto-North American continent to its emergence about 15,000 years ago from the Laurentide Ice Sheet. The effects that human inhabitants had on the ecology of the island are described-from the burning of field stubble by Native Americans to the clearing of forest trees by Europeans. Next, the narrative focuses on the land that would eventually become Central Park-how it was saved from being dissected by John Randel's rigid street grid and how Frederick Law Olmsted and Calvert Vaux became the park's designers. The heart of the section is devoted to the construction of the park in the late 1850s and 1860s. Twenty-two of the park's grand landscapes are pictured in dozens of photographs and in seven detailed maps pinpointing nearly 20,000 trees. Readers can identify each tree on the maps by species using the Tree Maps Key (located on the back of the front flap). "The Tree Guide" contains informative essays full of intriguing botanical and historical facts on over 200 of the park's tree species and varieties. Each two-page entry features illustrations of leaves, fruits, flowers, and bark as well as a striking portrait photograph of a park tree. The entries are organized into groups by leaf shapes shown on an easy-to-use identification key (located inside the front cover).

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The first proper overview of Fred Farrell's vivid drawings from the First World War. Beautifully illustrated in full colour, insightful essays and catalogue entries explain the genesis, execution and reception of these poignant works. Frederick Arthur Farrell (1882-1935) came from a distinguished Glasgow family. He initially studied civil engineering, and as an artist was self-taught, although he owes a debt to the advice and example of Muirhead Bone. By the outbreak of World War I, he was developing a reputation as an up-and-coming etcher and watercolourist of portraits and topographical subjects. He enlisted as a sapper, or military engineer, with the Royal Engineers Railway Troops Depot but was discharged from the Army due to ill health. In December 1916, Farrell returned to the Front as a war artist, attached for three weeks to the 15th, 16th and 17th Highland Light Infantry in Flanders. In November 1917 he was in France, attached for two months to the staff of the 51st (Highland) Division. In between, authorized by the Minister of Munitions and Admiralty, and supported by Glasgow's Lord Provost, Farrell drew the heroic home effort of women in Glasgow's munitions factories, shipyards and engineering works. As a former soldier, Farrell's sketches and watercolours of the Front powerfully offer a landscape filtered through personal experience and emotion. Battle scenes and strategic deliberations are reconstructed, informed by first-hand accounts. Many include portraits of actual soldiers. There are poignant images of graves, devastated landscapes and destroyed churches. However, there are also scenes of reconstruction and renewed activity amid the desolation. He is at his most dynamic in his drawings of the munitions factories which are full of noise, light and movement. In these there is a sense of joy and energy in industry and machinery, in patterning and design. The commission Farrell received from the Corporation of Glasgow to produce 50 drawings of the front line and munitions factories in the city to record the war for posterity was extraordinary. He was unique in being the only war artist to be commissioned by a city rather than by the government, Imperial War Museum or armed forces. Glasgow was one of the first cities to recognize the importance of creating such a memorial, rather than just creating images for propaganda purposes.

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The landmark novel that inspired both Verdi's opera La Traviata and the Oscar-winning musical Moulin Rouge!, in a sparkling new translation. One of the greatest love stories of all time, The Lady of the Camellias recounts the history of Marguerite Gautier, the most beautiful, brazen, and expensive courtesan in all of Paris. Known to all as 'the Lady of the Camellias' because she is never seen without her favourite flowers, she leads a glittering life of endless parties and aristocratic balls, with the richest men in France flocking to her boudoir to lay their fortunes at her feet. But despite having many lovers, she has never really loved - until she meets Armand Duval, young, handsome and from a lower social class, and yet hopelessly in love with Marguerite.ALEXANDRE DUMAS fils (1824-1895) was the son of the famous novelist Alexandre Dumas. In 1847 he published his first novel, Adventures of Four Women and a Parrot, followed a year later by The Lady of the Camellias and ten other novels over the next decade. After the great success of the dramatic version of The Lady of the Camellias, he was gradually drawn away from the novel to the stage. In 1874 he was elected to the French Academy and until his death continued to produce a long line of successful plays.LIESL SCHILLINGER is a journalist and literary critic who writes regularly for The New York Times Book Review and spent many years on the editorial staff of The New Yorker. JULIE KAVANAGH is the author of The Girl Who Loved Camellias, a biography of the courtesan who inspired The Lady of the Camellias. An award-winning biographer of Rudolf Nureyev and Frederick Ashton, she has been London editor of both Vanity Fair and The New Yorker.'One of the greatest love stories of the world' Henry James'Anyone who has read an outdated English translation of this novel; seen the opera it inspired - La Traviata, by Verdi; or watched the film it inspired - Camille, starring Greta Garbo, might have missed the audacity, obstinacy, sensuality, and recklessness of its characters' Liesl Schillinger

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Not long after the death of his father, whose heart gave out suddenly in November 1967, Charles Koch, then in his early 30s, discovered a letter his father had written when his four sons were small. "My dear boys," it began when you are 21, you will receive what now seems to be a large sum of money. It may either be a blessing or a curse." "Above all," he cautioned, "be kind and generous to one another."In the ensuing decades, Fred's legacy became a blessing and a curse. Two of his sons, Charles and David, joined forces to build Koch Industries, one of the largest private corporations in the world. But they ended up in an epic feud with brothers Bill and Frederick that spanned nearly two decades, tearing the family apart-and nearly Koch Industries along with it. Bill would start his own energy company and attain a modicum of fame as a litigious wine-collector and yachtsman (he likened winning The America's Cup in 1992 to the ecstasy of "10,000 orgasms.") After being marginalized by the patriarch because of his effete manner, Frederick became a patron of the arts and a fastidious refurbisher of historic estates.Starting with their boyhood when fraternal disputes were sometimes settled in the boxing ring, SONS OF WICHITA takes you inside this highly private family and traces the evolution of these four distinct personalities as well as their corporate, philosophical, social and political ambitions (many forget David Koch ran as the Libertarian Party's vp candidate in 1980). Influenced by the conservative, anti-communist sentiments of their father, a founding member of the John Birch Society, Charles and David devised an ambitious strategy to foist their ideological agenda upon the nation-quietly channeling millions of dollars of their fortune into a web of freemarket think tanks, academic programs, advocacy groups, and more, while also building what amounts to a shadow Republican Party, replete with a donor network capable of raising as much in an election cycle as the Republican National Committee. Never before did they flex their political muscles as vigorously as they did during the 2012 campaign, when Charles and David clashed with the Obama administration in what Charles described as the "mother of all wars."Like The Rockefellers before them, The Koch (pronounced like the soft-drink "Coke") Brothers are a great American dynasty. Unlike The Rockefellers, they have never been the subject of a major biography before.

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The Derbyshire Cook Book: Second Helpings celebrates the best of the county's food scene and follows on from the acclaimed first edition released in 2015. Showcasing how the region’s food scene has developed in the last three years, the book features more than 40 recipes and stories from some of the region’s finest local restaurants, delis, gastro pubs, farm shops, cafes and local suppliers. It includes a foreword and recipe from Chris Mapp, owner and head chef at Barlow's Tickled Trout, plus chapters and recipes from Chatsworth Farm Shop (part of the Chatsworth Estate), the Michelin-starred Fischer's at Baslow, highly acclaimed restaurant/hotel Peacock at Rowsley (who also appear in the Michelin Guide), as well as cosy country pubs like The Elm Tree at Elmton and the award-winning Old Hall Inn in Chinley. There are also chapters from producers such as potted meat specialists Granny Marys, artisan cheese-makers Cow Close Farm and local ice cream aficionados Fredericks. So whether your taste is fine dining, no nonsense hearty food or something altogether more exotic, there’s lots for you here.

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‘Christianity was bound at first to be a matter of faith and is only now beginning, very gradually, to be a matter of knowledge.’ – Rudolf Steiner Rudolf Steiner gave 70 lectures on the four canonical Gospels, characterizing the distinctive contribution of each of the evangelists. The Gospel of Mark is a ‘cosmic’ text that calls for an astronomical as well as a human reading. It is also critical for understanding the evolution of Christianity, which depends on knowledge of ‘the Mystery of Golgotha’ (Christ’s crucifixion, resurrection and ascension). ‘We are only at the beginning of Christian evolution’, Steiner states, reiterating that its further development will depend on spiritual knowledge. In order to develop such cognition, ‘most important of all is reverence for the great truths and the feeling that we can approach them only with awe and veneration’. Many profound spiritual truths are indeed revealed in these lectures. Among the panoply of topics covered are: ‘Mystery Teachings in St Mark’s Gospel’; ‘The Son of God and the Son of Man’; ‘The Symbolic Language of the Macrocosm’; ‘The Moon-religion of Yahweh’ and ‘The Penetration of the Buddha-Mercury Stream into Rosicrucianism’. This thoroughly revised edition includes notes and appendices by Frederick Amrine and an extensive introduction by Robert McDermott.

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With humor, depth, and philosophical and historical insight, DNA reaches out to a wide range of readers with its graphic portrayal of a complicated science. Suitable for use in and out of the classroom, this volume covers DNA's many marvels, from its original discovery in 1869 to early-twentieth-century debates on the mechanisms of inheritance and the deeper nature of life's evolution and variety. Even readers who lack a background in science and philosophy will learn a tremendous amount from this engaging narrative. The book elucidates DNA's relationship to health and the cause and cure of disease. It also covers the creation of new life forms, nanomachines, and perspectives on crime detection, and considers the philosophical sources of classical Darwinian theory and recent, radical changes in the understanding of evolution itself. Already these developments have profoundly affected our notions about living things. Borin Van Loon's humorous illustrations recount the contributions of Gregor Mendel, Frederick Griffith, James Watson, and Francis Crick, among other biologists, scientists, and researchers, and vividly depict the modern controversies surrounding the Human Genome Project and cloning.

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Ever since Physical Chemistry was first published in 1913 (then titled Outlines of Theoretical Chemistry, by Frederick Getman), it has remained a highly effective and relevant learning tool thanks to the efforts of physical chemists from all over the world. Each new edition has benefited from their suggestions and expert advice. The result of this remarkable tradition is now in your hands. Now revised and updated, this Fourth Edition of Physical Chemistry by Silbey, Alberty, and Bawendi continues to present exceptionally clear explanations of concepts and methods. The basic theory of chemistry is presented from the viewpoint of academic physical chemists, but detailed discussions of practical applications are integrated throughout. The problems in the book also skillfully blend theory and applications. Highlights of the Fourth Edition:* A total of 170 computer problems appropriate for MATHEMATICATM, MATHCADTM, MATLABTM, or MAPLETM.* Increased emphasis on the thermodynamics and kinetics of biochemical reactions, including the denaturation of proteins and nucleic acids.* Expanded coverage of the uses of statistical mechanics, nuclear magnetic relaxation, nanoscience, and oscillating chemical reactions.* Many new tables and figures throughout the text.

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The Peninsular War continues to be of great interest to students of military history, but the various siege operations have tended to be overlooked. However as Frederick Myatt demonstrates in British Sieges of the Peninsular War, they are of no less interest than the battles in the open fields, particularly in Spain where the circumstances were so unusual. The British Army under Wellington was hopelessly outnumbered by the French and could only keep the field at all by virtue of the superior supply system which enabled them to remain concentrated, whereas the French, who lived off the country, were compelled to disperse widely in order to survive. They were nevertheless capable of rapid concentration for a particular object, so that any siege operation conducted by the British inevitably ran the risk of being overwhelmed by sheer weight of numbers of the relieving force. As a result, Wellington’s main preoccupation was not how long it would take to bring a siege to a successful conclusion by normal means but rather what chance he had of snatching success before the French overcame their supply problems and arrived in front of him.

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“SADDLE UP! Andes takes us on an exhilarating, dust-kicking ride through the actual origins and history of the first hemispheric Latinx superhero: Zorro.” —Frederick Luis Aldama, editor of Tales from la Vida: A Latinx Zorro’s Shadow explores the masked character's Latinx origins and his impact on pop culture—the inspiration for the most iconic superheroes we know today. Long before Superman or Batman made their first appearances, there was Zorro. Born on the pages of the pulps in 1919, Zorro fenced his way through the American popular imagination, carving his signature letter Z into the flesh of evildoers in Old Spanish California. Zorro is the original caped crusader, the first masked avenger, and the character who laid the blueprint for the modern American superhero. Historian and Latin American studies expert Stephen J. C. Andes unmasks the legends behind Zorro, showing that the origins of America’s first superhero lie in Latinx history and experience. Revealing the length of Zorro’s shadow over the superhero genre is a reclamation of the legend of Zorro for a multiethnic and multicultural America.

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In May 1373, the English mystic Julian of Norwich was healed of a serious illness after experiencing a series of visions of the Blessed Virgin and of Christ’s suffering. Her account, A Revelation of Love, is considered one of the most remarkable documents of medieval religious experience. In Julian of Norwich and the Mystical Body Politic of Christ, Frederick Bauerschmidt provides a close and historically sensitive reading of Julian’s Revelation of Love that addresses the relationship between our understanding of God and our vision of human community. By locating Julian’s images of Christ’s body within the context of late medieval debates over the nature and extent of divine power, Bauerschmidt argues that Julian presents an alternative account of divine power in which the crucified body of Christ becomes the locus and shape of divine omnipotence. For Julian, divine power serves as the norm of all human exercise of power, rendering the possibility of the "mystical body politic of Christ"as the exemplary form of human community. In this reading, the theological is irreducibly political and the political is irreducibly theological. As such, Bauerschmidt shows Julian to be both a theologian of the first rank and one who "imagines the political."

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AN INSTANT NEW YORK TIMES AND USA TODAY BESTSELLERPart history and part cultural analysis, The Grift chronicles the nuanced history of Black Republicans. Clay Cane lays out how Black Republicanism has been mangled by opportunists who are apologists for racism.After the Civil War, the pillars of Black Republicanism were a balanced critique of both political parties, civil rights for all Americans, reinventing an economy based on exploitation, and, most importantly, building thriving Black communities. How did Black Republicanism devolve from revolutionaries like Frederick Douglass to the puppets in the Trump era?Whether it''s radical conservatives like South Carolina Senator Tim Scott or Supreme Court Justice Clarence Thomas, they are consistently viral news and continuously upholding egregious laws at the expense of their Black brethren. Black faces in high places who provide cover for explicit bigotry are one of the greatest t

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'At a time when fluff and gossip reign supreme, Hanna Flint's work is consistently insightful, informative and engaging all at once. I always finish reading it feeling just a tad bit smarter.' Candice Frederick, Huffington Post'One of the smartest pop culture commentators out there.' Toby Moses, GuardianThe leading film critic of her generation offers an eloquent, insightful and humorous reflection on the screen's representation of women and ethnic minorities, revealing how cinema has been the key to understanding herself, her body image and her ambitions as well as the world we live in.A staunch feminist of mixed-race heritage, Hanna has succeeded in an industry not designed for people like her. She interweaves anecdotes from familial and personal experiences - from episodes of messy sex and introspection to the time when actor Vincent D'Onofrio tweeted that Hanna Flint sounded 'like a secret agent' - to offe

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This book is unique in that it provides the first-ever substantial account of the seven-centuries-old Scottish philosophical tradition. The book focuses on a number of philosophers in the period from the later-thirteenth century until the mid- twentieth and attends especially to some brilliantly original texts. The book also indicates ways in which philosophy has been intimately related to other aspects of Scotland's culture. Among the greatest philosophers that Scotland has produced are John Duns Scotus, Francis Hutcheson, David Hume, Adam Smith and Thomas Reid. But there were many other fine, even brilliant philosophers who are less highly regarded, if they are noticed at all, such as John Mair, George Lokert, Frederick Ferrier, Andrew Seth, Norman Kemp Smith and John Macmurray. All these thinkers and many others are discussed in these pages. This clearly written and approachable book gives us a strong sense of the Scottish philosophical tradition.

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The paintings of the Pre-Raphaelite Brotherhood are widely known and loved, but this book – newly available in paperback – presents a comprehensive survey of the intimate world of the Pre-Raphaelites’ drawings. Works by Dante Gabriel Rossetti, William Holman Hunt and John Everett Millais are set beside those of their followers Edward Burne-Jones, William Morris and Ford Madox Brown, as well as lesser-known figures such as James Collinson and Frederick Sandys. Copiously illustrated with Pre-Raphaelite drawings from public and private collections around the UK, the book features an illuminating text by the renowned art historian Colin Cruise, offering a fresh and intimate perspective on this much-loved group of artists. ‘Highly readable … a fresh and intimate look at a compelling subject’ – Good Book Guide ‘A lasting contribution to the study of Pre-Raphaelite drawings’ – The Burlington Magazine ‘Packed with illustrations and an illuminating text’ – RA Magazine ‘A totally rewarding book in every way: it is a joy to look at and a delight to read’ – Artist

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A fascinating portrait of gay men and women throughout time whose lives have influenced society at large, as well as what we recognize as today’s varied gay culture. This book gives a voice to more than eighty people from every major continent and from all walks of life. It includes poets and philosophers, rulers and spies, activists and artists. Alongside such celebrated figures as Michelangelo, Frederick the Great and Harvey Milk are lesser-known but no less surprising individuals: Dong Xian and the Chinese emperor Ai, whose passion flourished in the 1st century BC; the unfortunate Robert De Péronne, first to be burned at the stake for sodomy; Katharine Philips, writing proto-lesbian poetry in seventeenth-century England; and 'Aimee' and 'Jaguar', whose love defied the death camps of wartime Germany. With many striking illustrations, Gay Life Stories will entertain, give pause for thought, and ultimately celebrate the diversity of human history.

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A Times Biography of the Year 'I learned a lot reading this ... the strength of Fracture is that it is very much like a cracking radio script: entertaining and easy to digest' Spectator Ada Lovelace. Frederick Douglass. Vladimir Lenin. Marie Curie. Frieda Kahlo. Carl Jung. Tupac Shakur. All geniuses who changed the world in ways that still influence our lives today. And all men and women who experienced, in childhood, trauma so severe that it should have broken them completely. While presenting Great Lives on Radio 4, Matthew Parris noticed a trend in the lives of the exceptional people the programme covered: many of them had been marked by extreme trauma and deprivation. They seemed to have succeeded not only in spite of their backgrounds, but perhaps even because of them. As Matthew Parris brings each individual's story to life in this original and compelling study, it becomes clear that we must rethink the origins of success, as well as the legacy of trauma.

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The Transformational Decade shows the transformation that took place in American life from the attack on the World Trade Center to the emergence of the Obama presidency. It is not a strict history, but rather snapshots of a decade that has fundamentally altered perceptions of the United States. In some respects, this book is modeled after Frederick Lewis Allen’s Only Yesterday and Since Yesterday, acclaimed books that sought to capture the spirit of the 1920s and ’30s. London sees the period from 2001 to 2008 as “post yesterday,” a period that broke with the past, challenged the essence of the free market, and contested America’s role on the world stage. In an effort to limn these snapshots from recent history, London has written several “decade” books: The Overheated Decade, The Counterfeit Decade, and The Decade of Denial. This book, The Transformational Decade, differs in that it represents a separation from the past. London illuminates a decade that he considers to be a new and more frightful period than any in recent American history.

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Sarnath has long been regarded as the place where the Buddha preached his first sermon and established the Buddhist monastic order. Excavations at Sarnath have yielded the foundations of temples and monastic dwellings, two Buddhist reliquary mounds (stupas), and some of the most important sculptures in the history of Indian art. This volume offers the first critical examination of the historic site. Frederick M. Asher provides a longue duree (long-term) analysis of Sarnath-including the plunder, excavation, and display of antiquities and the Archaeological Survey of India's presentation-and considers what lies beyond the fenced-in excavated area. His analytical history of Sarnath's architectural and sculptural remains contains a significant study of the site's sculptures, their uneven production, and their global distribution. Asher also examines modern Sarnath, which is a living establishment replete with new temples and monasteries that constitute a Buddhist presence on the outskirts of Varanasi, the most sacred Hindu city.

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Electra Havemeyer Webb assembled Shelburne Museum s trove of American paintings in the late 1950s, creating a renowned and rich survey of American portraits, landscapes, marine paintings, sporting art, still lifes, and genre scenes from the eighteenth to the early twentieth centuries. During an era that preferred European modernism and abstraction, Webb s visionary endeavour presented a new story of the United States: an attractive and industrious nation with its own valuable artistic traditions. This handsome book features the best of Shelburne s American paintings, including works by colonial painters John Wollaston and John Singleton Copley, portraits by William Matthew Prior and Ammi Phillips, Hudson River School landcapes by Thomas Cole, Albert Bierstadt, and John Frederick Kensett, and scenes of American life by Eastman Johnson, Winslow Homer, Andrew Wyeth, and many more. The collection is also notable for its great depth in the works by Fitz Henry Lane, Martin Johnson Heade, Arthur Fitzwilliam Tait, Carl Rungius, Grandma Moses, and Ogden Pleissner.

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A magnificent, foundational reckoning with how Black Americans have used the written word to define and redefine themselves, in resistance to the lies of racism and often in heated disagreement with each other, over the course of the country’s history.Distilled over many years from Henry Louis Gates, Jr.’s legendary Harvard introductory course in African American Studies, THE BLACK BOX: Writing the Race, is the story of Black self-definition in America through the prism of the writers who have led the way. From Phillis Wheatley and Frederick Douglass, W.E.B. Du Bois and Booker T. Washington, to Zora Neale Hurston and Richard Wright, James Baldwin and Toni Morrison—these writers used words to create a livable world—a home —for Black people destined to live out their lives in a bitterly racist society.It is a book grounded in the beautiful irony that a community formed legally and conceptually by its oppressors to justify brutal sub-hu

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THE BEIGING OF AMERICA, BEING MIXED RACE IN THE 21ST CENTURY, takes on "race matters" and considers them through the firsthand accounts of mixed race people in the United States. Edited by mixed-race scholars Cathy J. Schlund-Vials, Sean Frederick Forbes and Tara Betts, this collection consists of 39 poets, writers, teachers, professors, artists and activists, whose personal narratives articulate the complexities of interracial life. THE BEIGING OF AMERICA was prompted by cultural critic/scholar Hua Hsu, who contemplated the changing face and race of U.S. demographics in his 2009 The Atlantic article provocatively titled "The End of White America." In it, Hsu acknowledged "steadily ascending rates of interracial marriage" that undergirded assertions about the "beiging of America." THE BEIGING OF AMERICA is an absorbing and thought-provoking collection of stories that explore racial identity, alienation, with people often forced to choose between races and cultures in their search for self-identity. While underscoring the complexity of the mixed-race experience, these unadorned voices offer a genuine, poignant, enlightening and empowering message to all readers.

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In 1862 the largest Indian uprising in American history occurred in southern Minnesota. Enraged Sioux attempted to throw off the broken treaties that still bound them and to avenge the insults and depredations they had been forced to bear. Hundreds of whites were killed. Women were taken captive.Told from the point of view of Judith Raveling, a young woman widowed by the uprising, Scarlet Plume draws on the brutal history of the conflict from beginning to end. Taken captive by the Sioux, Judith is given to Scarlet Plume, one of the many warriors who know their cause is lost. Caught between the men who would wage war ruthlessly and his own judgment, which tells him how dearly the Sioux will pay for every white person killed, Scarlet Plume tries to save as many as he can. Defying the dangers of a pitiless war, he returns Judith to the safety of her people. Soon she must try to save him. Scarlet Plume is the third of Frederick Manfred’s five-volume series, The Buckskin Man Tales.

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Available until now only in verse translation, it has been newly rendered for the American stage by Diana Stone Peters and Frederick G. Peters. A work of profound psychological insight, Prince Friedrich of Homburg probes with passionate intensity questions fundamental to “civilized” behavior. Prince Friedrich, the hero of the historic battle of Fehrbellin (1675) against the invading Swedes, receives not laurels for his victory but the sentence of death for disobeying orders in the field. Faced with certain execution, his mood swings from abject terror to high-minded exultation as first he challenges, and then accepts, the rule of law and subservience to the state. The action moves relentlessly in the near-frenzied pace characteristic of Kleist. Intended as a paean to a Prussia triumphant in the Napoleonic wars. the play was, ironically, censured and never produced in Kleist's lifetime. In our own day, Prince Friedrich of Homburg has been both denounced as a protofascist work and lauded as a supreme metaphysical disquisition. Whatever the merits of such intellectualization, it remains one of the most moving and performable plays available for the modern stage.

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From Mary Rowlandson's story of her capture by Indians in the mid-seventeenth century to Mary Paik Lee's story of being a pioneer Korean woman in America at the beginning of the twentieth century, the autobiographical form has provided our most vivid, intimate glimpses of daily American life and self-understanding. In this groundbreaking anthology, respected writer and critic Jay Parini brings together an abundant selection from over three centuries of "the democratic voice . . . discovering itself." Here are the voices of the Founding Fathers and African American slaves; of transcendentalists and suffragists; of ancestors such as Frederick Douglass, Harriet Jacobs, Mark Twain, Henry James, Helen Keller, Zora Neale Hurston, Gertrude Stein, Ernest Hemingway, James Baldwin, and many others; and of a wide range of contemporaries, including Maxine Hong Kingston, Gore Vidal, Julia Alvarez, and Mark Doty. The rich, continuous influence of autobiographical writing in our culture is clear, and as memoirs continue to fascinate readers, this invaluable anthology provides an essential guide to our foremost American literary tradition.

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An insider's look at the Jim Beam brand, from a 7th generation Master Distiller Written by the 7th generation Beam family member and Master Distiller, Frederick Booker Noe III, Beam, Straight Up is the first book to be written by a Beam, the family behind the 217-year whiskey dynasty and makers of one of the world's best-selling bourbons. This book features family history and the evolution of bourbon, including Fred's storied youth "growing up Beam" in Bardstown, Kentucky; his transition from the bottling line to renowned global bourbon ambassador; and his valuable business insights on how to maintain and grow a revered brand. Includes details of Fred Noe's life on the road, spreading the bourbon gospel Describes Fred's journey to becoming the face of one of America's most iconic brands Shares a simple primer on how bourbon is made Offers cocktail and food recipes For anyone wanting a behind the scenes look at Jim Beam, and an understanding of the bourbon industry, Beam, Straight Up will detail the family business, and its role in helping to shape it.

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Even the most cursory review of black literary production during the nineteenth century indicates that its primary concerns were the issues of slavery, racial subjugation, abolitionist politics and liberation. How did the writers of these narratives "bear witness" to the experiences they describe? At a time when a hegemonic discourse on these subjects already existed, what did it mean to "tell the truth" about slavery? Impossible Witnesses explores these questions through a study of fiction, poetry, essays, and slave narratives from the abolitionist era. Linking the racialized discourses of slavery and Romanticism, it boldly calls for a reconfiguration of U.S. and British Romanticism that places slavery at its center. Impossible Witnesses addresses some of the major literary figures and representations of slavery in light of discourses on natural rights and law, offers an account of Foucauldian discourse analysis as it applies to the problem of "bearing witness," and analyzes specific narratives such as "Narrative of the Life of Frederick Douglass," and "The Interesting Narrative of the Life of Olaudah Equiano." A work of great depth and originality, Impossible Witnesses renders traditional interpretations of Romanticism impossible and places Dwight A. McBride at the forefront of studies in race and literature.

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The election of America's first black president has led many to believe that race is no longer a real obstacle to success and that remaining racial inequality stems largely from the failure of minority groups to take personal responsibility for seeking out opportunities. Often this argument is made in the name of the long tradition of self-reliance and American individualism. In "Awakening to Race", Jack Turner upends this view, arguing that it expresses not a deep commitment to the values of individualism, but a narrow understanding of them. Drawing on the works of Ralph Waldo Emerson, Henry David Thoreau, Frederick Douglass, Ralph Ellison, and James Baldwin, Turner offers an original reconstruction of democratic individualism in American thought. All these thinkers, he shows, held that personal responsibility entails a refusal to be complicit in injustice and a duty to combat the conditions and structures that support it. At a time when individualism is invoked as a reason for inaction, Turner makes the individualist tradition the basis of a bold and impassioned case for race consciousness - consciousness of the ways that race continues to constrain opportunity in America. Turner's "new individualism" becomes the grounds for concerted public action against racial injustice.

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