Search results for ""Author Joyce"

Waking to find himself shipwrecked on a strange shore before a dark wood, the pilgrim of the Divine Comedy realizes he must set his sights higher and guide his ship to a radically different port. Starting on the sand of that very shore with Dante, John Freccero begins retracing the famous voyage recounted by the poet nearly 700 years ago. Freccero follows pilgrim and poet through the Comedy and then beyond, inviting readers both uninitiated and accomplished to join him in navigating this complex medieval masterpiece and its influence on later literature. Perfectly impenetrable in its poetry and unabashedly ambitious in its content, the Divine Comedy is the cosmos collapsed on itself, heavy with dense matter and impossible to expand. Yet Dante’s great triumph is seen in the tiny, subtle fragments that make up the seamless whole, pieces that the poet painstakingly sewed together to form a work that insinuates itself into the reader and inspires the work of the next author. Freccero magnifies the most infinitesimal elements of that intricate construction to identify self-similar parts, revealing the full breadth of the great poem. Using this same technique, Freccero then turns to later giants of literature— Petrarch, Machiavelli, Donne, Joyce, and Svevo—demonstrating how these authors absorbed these smallest parts and reproduced Dante in their own work. In the process, he confronts questions of faith, friendship, gender, politics, poetry, and sexuality, so that traveling with Freccero, the reader will both cross unknown territory and reimagine familiar faces, swimming always in Dante’s wake.

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Essays bring out the important and complex roles played by Anglo-Saxon churchmen, including Bede and lesser-known figures. Both episcopal and abbatial authority were of fundamental importance to the development of the Christian church in Anglo-Saxon England. Bishops and heads of monastic houses were invested with a variety of types of power and influence. Their actions, decisions, and writings could change not only their own institutions, but also the national church, while their interaction with the king and his court affected wider contemporary society. Theories of ecclesiastical leadership were expounded in contemporary texts and documents. But how far did image or ideal reflect reality? How much room was there for individuals to use their office to promote new ideas? The papers in this volumeillustrate the important roles played by individual leading ecclesiastics in England, both within the church and in the wider political sphere, from the late seventh to the mid eleventh century. The undeniable authority of Bede and Bishop Æthelwold is demonstrated but also the influence of less-familiar figures such as Bishop Wulfsige of Sherborne, Archbishop Ecgberht of York and St Leoba. The book draws on both textual and material evidence to show the influence (by both deed and reputation) of powerful personalities not only on the developing institutions of the English church but also on the secular politics of their time. Contributors: Alexander R. Rumble, Nicholas J.Higham, Martyn J. Ryan, Cassandra Rhodes, Allan Scott McKinley, Dominik Wassenhoven, Gale R. Owen-Crocker, Debby Banham, Joyce Hill.

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Inspired by the Beats, Black Mountain, and the New York School, Lisa Jarnot emerged in the 1990s as one of the foremost poets of the post-Language avant-garde. Joie de Vivre draws on twenty years of work, from the bold fragmentation of her mixed media debut, Some Other Kind of Mission, to the experimental lyricism of her recent Night Scenes. Following the poet's evolution through her engagements with form and music, Joie de Vivre showcases Jarnot's restless virtuosity and relentless curiosity. The archaic, the surreal, the pastoral, the political--no register of language proves too recalcitrant for her expansive sense of song. Praise for Joie de Vivre: "Riveting ...Reading this work is truly a joy."--Publishers Weekly "This compilation includes the best of Jarnot's Whitmanesque reflections and Ginsbergian outcries, speech acts that list always toward an avant-garde."--Booklist "Her ideas meddle in the traditions of form, medium, sound, and arrangement to recall the modernism of Joyce and Stein ...This selection highlights her inventiveness." --Library Journal About the Author: Born in Buffalo, New York, in 1967, Lisa Jarnot studied with Robert Creeley at SUNY Buffalo and later earned an MFA at Brown University. The author of four full-length poetry collections and the former editor of the Poetry Project Newsletter, she has also just published Robert Duncan: The Ambassador From Venus (University of California Press, 2012), the definitive biography of the San Francisco poet. Since the mid-1990s, she has lived in New York City.

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LRB BOOKSHOP'S AUTHOR OF THE MONTH ONE OF THE GUARDIAN'S BEST BOOKS OF 2019'If you haven't read Bernhard, you will not know of the most radical advance in fiction since Joyce ... My advice: dive in.' Lucy Ellmann'I absolutely love Bernhard: he is one of the darkest and funniest writers ... A must read for everybody.' Karl Ove KnausgaardMid-century Austria. Three aspiring concert pianists - Wertheimer, Glenn Gould, and the narrator - have dedicated their lives to achieving the status of a virtuoso. But one day, two of them overhear Gould playing Bach's Goldberg Variations, and his incomparable genius instantly destroys them both. They are forced to abandon their musical ambitions: Wertheimer, over a tortured process of disintegration that sees him becoming obsessed with both writing and his own sister, with whom he has a quasi-incestuous relationship culminating in death; and the narrator, instantly, retreating into obscurity to write a book that he periodically destroys and restarts. Written as a monologue in one remarkable unbroken paragraph, Thomas Bernhard's dazzling meditation on failure, genius, and fame is a radical new reading experience: musical, paralysing, raging, and inimitable.

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The autobiography of Eugene Jolas, available for the first time nearly half a century after his death in 1952, is the story of a man who, as the editor of the expatriate American literary magazine transition, was the first publisher of James Joyce’s Finnegans Wake and other signal works of the modernist period. Jolas’s memoir provides often comical and compelling details about such leading modernist figures as Joyce, Stein, Hemingway, Breton, and Gide, and about the political, aesthetic, and social concerns of the Surrealists, Expressionists, and other literary figures during the 1920s and 1930s. Man from Babel both enriches and challenges our view of international modernism and the historical avant-garde.Born in New Jersey of immigrant parents, Jolas moved back to France with them at the age of two. He grew up in the borderland of Lorraine and later lived in Paris, Berlin, London, and New York, where he pursued a career as a journalist and aspiring poet. As an American press officer after the war, Jolas was actively involved in the denazification of German intellectual life. A champion of the international avant-garde, he continually sought translinguistic, transcultural, and suprapolitical bridges that would transform Western culture into a unified continuum. Compiled and edited from Jolas’s drafts and illustrated with contemporary photographs, this memoir not only reveals the multicultural concerns of the man from Babel, as Jolas saw himself, but also illuminates an entire literary and historical era.

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The second novel in Willa Cather’s Great Plains trilogy, is a lyrical coming-of-age story charting the struggles of an artists life. 'Lingers long in the memory' Joyce Carol Oates Thea Kronberg, gifted with a beautiful voice, defies her humble beginnings in Colorado and finds success far from her small hometown. But her achievements come with painful drawbacks. As the distance between Thea and her roots increases, she must fight to find her inner strength and reach her full potential. WITH AN INTRODUCTION BY PENELOPE LIVELY

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The essays in Writing between the Lines explore the lives of twelve of Canada's most eminent anglophone literary translators, and delve into how these individuals have contributed to the valuable process of literary exchange between francophone and anglophone literatures in Canada. Through individual portraits, this book traces the events and life experiences that have led W.H. Blake, John Glassco, Philip Stratford, Joyce Marshall, Patricia Claxton, Doug Jones, Sheila Fischman, Ray Ellenwood, Barbara Godard, Susanne de Lotbinire-Harwood, John Van Burek, and Linda Gaboriau into the complex world of literary translation. Each essay-portrait examines why they chose to translate and what linguistic and cultural challenges they have faced in the practice of their art. Following their relationships with authors and publishers, the translators also reveal how they have defined the goals and the process of literary translation. Containing original, detailed biographical and bibliographical material, Writing between the Lines offers many new insights into the literary translation process, and the diverse roles of the translator as social agent. The first text on Canadian translators, it makes a major contribution in the areas of literary translation, comparative literature, Canadian literature, and cultural studies.

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Eliza travels to Sydney to deal with the estate of her Aunt Dodge, and finds Maxine, a hitherto unknown cousin, occupying Dodge’s apartment. When legal complications derail plans to live it up on their inheritance, the women’s lives become consumed by absurd attempts to deal with Australian tax law, as well their own mounting boredom and squalor. The most astonishing debut novel of the decade, Dodge Rose calls to mind Henry Green in its skewed use of colloquial speech, Joyce in its love of inventories, and William Gaddis in its virtuoso lampooning of law, high finance, and national myth.

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‘She has, to my knowledge, an almost unblemished record in never having failed to spot a great new play…’ Philip Howard, from his Foreword Joyce McMillan has been writing about theatre in Scotland for more than three decades. As drama critic successively for The Guardian, Scotland on Sunday and The Scotsman, she has reviewed thousands of plays. During that time she has borne witness to an extraordinary cultural and political renaissance in Scotland, reflected in the newfound confidence of its playwrights, in the vibrancy of its theatre culture and in its recent outburst of new theatre companies. Compiled by McMillan and the theatre director, Philip Howard, Theatre in Scotland is a panoramic history of modern Scottish theatre, reported from the frontline. It traces the remarkable journey of Scottish theatre towards its new self-confidence: the road to 1990, when Glasgow was European Capital of Culture; followed by the explosive expansion of the 1990s; culminating in the emergence of the National Theatre of Scotland and its drive to bring theatre culture right into the heart of the nation. Gathered here are the leading Scottish playwrights, from John Byrne to Liz Lochhead, from David Greig to David Harrower, as well as the full breadth of English playwrights, from Shakespeare to Pinter. There are reflections on the great Scottish plays, classic – Ane Satyre of the Thrie Estaitis, Men Should Weep – and modern – Black Watch, The James Plays. There are reports not only from the urban theatre centres of Edinburgh and Glasgow but from all over Scotland; and from the feast that is the Edinburgh Festival, to the nourishing A Play, A Pie and A Pint. A leading thinker and writer about Scotland, McMillan has an incomparable ability to detect the wider cultural resonances in Scottish theatre, and to reveal what it can tell us about Scotland as a whole. Her book serves as a portrait of a nation and a shared cultural life, where visions of ‘what we have been, what we are, and what we might become’ are played out in sharp focus on its stages. ‘When Scottish theatre works [its] magic over the coming years, I will be there, to try to catch the moment in print, and to tell it as it was. And believe me, on the good nights and the bad ones, the privilege will be mine: to be paid to go looking for joy, and occasionally to find it.’ Joyce McMillan 'Joyce has an unrivalled passion and hunger for theatre - to be surprised by it, challenged by it, moved by it. Her prose when describing something which has done just this is inspiring and affecting.' Vicky Featherstone

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Magnetic Resonance Imaging, not so long ago a diagnostic tool of last resort, has become pervasive in the landscape of consumer medicine; images of the forbidding tubes, with their promises of revelation, surround us in commercials and on billboards. Magnetic Appeal offers an in-depth exploration of the science and culture of MRI, examining its development and emergence as an imaging technology, its popular appeal and acceptance, and its current use in health care. Understood as modern and uncontroversial by health care professionals and in public discourse, the importance of MRI—or its supposed infallibility—has rarely been questioned. In Magnetic Appeal, Kelly A. Joyce shows how MRI technology grew out of serendipitous circumstances and was adopted for reasons having little to do with patient safety or evidence of efficacy. Drawing on interviews with physicians and MRI technologists, as well as ethnographic research conducted at imaging sites and radiology conferences, Joyce demonstrates that current beliefs about MRI draw on cultural ideas about sight and technology and are reinforced by health care policies and insurance reimbursement practices. Moreover, her unsettling analysis of physicians' and technologists' work practices lets readers consider that MRI scans do not reveal the truth about the body as is popularly believed, nor do they always lead to better outcomes for patients. Although clearly a valuable medical technique, MRI technology cannot necessarily deliver the health outcomes ascribed to it. Magnetic Appeal also addresses broader questions about the importance of medical imaging technologies in American culture and medicine. These technologies, which include ultrasound, X-ray, and MRI, are part of a larger trend in which visual representations have become central to American health, identity, and social relations.

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How would it be if four lunatics went on a tremendous adventure, reshaping their pasts and futures as they went, including killing Mussolini? What if one of those people were a fascinating, forgotten aristocratic assassin and the others a fellow life co-patient, James Joyce's daughter Lucia, another the first psychoanalysis patient, known to history simply as 'Anna O,' and finally 19th Century Paris's Queen of the Hysterics, Blanche Wittmann? That would be extraordinary, wouldn't it? How would it all be possible? Because, as the assassin Lady Violet Gibson would tell you, those who are confined have the very best imaginations.

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Culture, 1922 traces the intellectual and institutional deployment of the culture concept in England and America in the first half of the twentieth century. With primary attention to how models of culture are created, elaborated upon, transformed, resisted, and ignored, Marc Manganaro works across disciplinary lines to embrace literary, literary critical, and anthropological writing. Tracing two traditions of thinking about culture, as elite products and pursuits and as common and shared systems of values, Manganaro argues that these modernist formulations are not mutually exclusive and have indeed intermingled in complex and interesting ways throughout the development of literary studies and anthropology. Beginning with the important Victorian architects of culture--Matthew Arnold and Edward Tylor--the book follows a number of main figures, schools, and movements up to 1950 such as anthropologist Franz Boas, his disciples Edward Sapir, Ruth Benedict, and Zora Neale Hurston, literary modernists T. S. Eliot and James Joyce, functional anthropologist Bronislaw Malinowski, modernist literary critic I. A. Richards, the New Critics, and Kenneth Burke. The main focus here, however, is upon three works published in 1922, the watershed year of Modernism--Eliot's The Waste Land, Malinowski's Argonauts of the Western Pacific, and Joyce's Ulysses. Manganaro reads these masterworks and the history of their reception as efforts toward defining culture. This is a wide-ranging and ambitious study about an ambiguous and complex concept as it moves within and between disciplines.

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Brought to you by Penguin.In a peaceful retirement village, four unlikely friends meet up once a week to investigate unsolved killings.But when a local property developer shows up dead, 'The Thursday Murder Club' find themselves in the middle of their first live case.The four friends, Elizabeth, Joyce, Ibrahim and Ron, might be pushing eighty but they still have a few tricks up their sleeves. Can our unorthodox but brilliant gang catch the killer before it's too late?****WHAT PEOPLE ARE SAYING ABOUT THE THURSDAY MURDER CLUB'A superb debut. Thrilling, moving, laugh-out-loud funny and packed with characters you will want to see a LOT more of' Mark Billingham'Compelling. Mystery fans are going to be enthralled' Harlan Coben'Smart, compassionate, warm, moving and so VERY funny. I smiled a million times. This book will make a lot of people very, very happy' Marian Keyes'Funny, clever and achingly British - what else would you expect from a book by Richard Osman?' Adam Kay'A warm, wise and witty warning never to underestimate the elderly' Val McDermid'What a joy! Full of brilliantly observed humour, spot-on dialogue and twists and turns aplenty. Joyce and the gang are now my favourite crime-solving team' Nina Stibbe'Utterly charming and very, very clever. Exactly what you'd expect from Richard Osman writing a crime novel' Sarah Pinborough© Richard Osman 2020 (P) Penguin Audio 2020

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In the five novels by Ireland's greatest comic writer we can explore the full range of his invention, from the multi-layered madness of At Swim-Two-Birds to the piercing realism of The Hard Life and the surreal logic of The Third Policeman. This is a world where bicycles listen to conversations, inventors search formethods of 'diluting' water, and characters play truant while novelists sleep; a world where spiteful fairies wreak havoc and heroes from legend blunder into suburban sitting-rooms. This is recognizably the Ireland of Joyce and Beckett - rowdy, high-spirited, by turns sensual and and cerebral -transformed by O'Brien's unique vision.

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Four very different women have made their way from Africa to Brussels. They have come to claim for themselves the riches they believe Europe promises but when Sisi, the most enigmatic of the women, is murdered, their already fragile world is shattered.Drawn together by tragedy, the remaining three women - Joyce, a great beauty whose life has been destroyed by war; Ama, whose dark moods manifest a past injustice; Efe, whose efforts to earn her keep are motivated by a particular zeal - slowly begin to share their stories. They are stories of terror, of displacement, of love, and of a sinister man called Dele.

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Among the masters of twentieth-century literature, Giorgio Bassani and his Northern Italian hometown of Ferrara “are as inseparable as James Joyce and Dublin or Italo Svevo and Trieste” (from the Introduction). Now published in English for the first time as the unified masterwork Bassani intended, The Novel of Ferrara brings together Bassani’s six classics, fully revised by the author at the end of his life: Within the Walls, The Gold-Rimmed Spectacles, The Garden of the Finzi-Continis, Behind the Door, The Heron, and The Smell of Hay. Set in the northern Italian town of Ferrara before, during, and after the Second World War, these interlocking stories present a fully rounded world of unforgettable characters: the respected doctor whose homosexuality is tolerated until he is humiliatingly exposed by an exploitative youth; a survivor of the Nazi death camps whose neighbors’ celebration of his return gradually turns to ostracism; a young man discovering the ugly, treacherous price that people will pay for a sense of belonging; the Jewish aristocrat whose social position has been erased; the indomitable schoolteacher, Celia Trotti, whose Communist idealism disturbs and challenges a postwar generation. The Novel of Ferrara memorializes not only the Ferrarese people, but the city itself, which assumes a character and a voice deeply inflected by the Jewish community to which the narrator belongs. Suffused with new life by acclaimed translator and poet Jamie McKendrick, this seminal work seals Bassani’s reputation as “a quietly insistent chronicler of our age’s various menaces to liberty” (Jonathan Keates).

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The New Trial is Peter Weiss’s final drama, completed only months before his death in 1982 and never before published in English. One of Europe’s most important twentieth century playwrights—often considered as influential as Brecht and Beckett—Weiss is best known to American audiences as the author of the Broadway play Marat/Sade and the three-volume novel The Aesthetics of Resistance, which has elicited comparison with Joyce’s Ulysses and Garcia Marquez’s One Hundred Years of Solitude. Initially influenced by Franz Kafka and later by the American Henry Miller, Weiss worked to expose the hypocrisy, the deception, and the nature of aggression in the contemporary world. A transformative “updating” of Kafka’s novel The Trial, The New Trial presents a surreal, hallucinatory look at the life of “Josef K.,” chief attorney in an enormous multinational firm that exploits both his idealism and his self-doubt in order to present to the world a public face that will mask its own dark and fascistic intentions. Fusing Marxist and capitalist perspectives in a manner that anticipates aspects of the current global market expansion, Weiss evokes a world in which nothing is private and everything is for sale. This edition of The New Trial is designed to facilitate theatrical teaching and stage production of the play. An extensive introduction by James Rolleston and Kai Evers situates the work in the full context of Weiss’s life, including his Swedish exile during the regime of the Third Reich. In addition, the play’s text is followed by interviews with Weiss and his original codirector (and wife) Gunilla Palmstierna-Weiss, as well as an account of the challenges of the first English staging by director Jody McAuliffe.

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'A thoroughly modern love story' Guardian, Book of the YearKate Battista is stuck.How did she end up running house and home for her eccentric scientist father and infuriating younger sister Bunny?Dr Battista has other problems. His brilliant young lab assistant, Pyotr, is about to be deported. And without Pyotr, his new scientific breakthrough will fall through...When Dr Battista cooks up an outrageous plan that will enable Pyotr to stay in the country, he's relying - as usual - on Kate to help him. Will Kate be able to resist the two men's touchingly ludicrous campaign to win her round?Anne Tyler's brilliant retelling of The Taming of the Shrew asks whether a thoroughly modern woman like Kate would ever sacrifice herself for a man. The answer is as surprising as Kate herself.**ANNE TYLER HAS SOLD OVER 8 MILLION BOOKS WORLDWIDE**'Anne Tyler takes the ordinary, the small, and makes them sing' Rachel Joyce'She knows all the secrets of the human heart' Monica Ali 'A masterly author' Sebastian Faulks'I love Anne Tyler. I've read every single book she's written' Jacqueline Wilson

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When a beautiful woman mysteriously vanishes from her small town home, her sister must uncover the truth behind the mystery. Sculptor Marguerite has disappeared from her small town in upstate New York. But was foul play involved? Did she merely get away for some fun? Or did she finally decide to leave behind her claustrophobic life of limited opportunities? Younger sister Gigi wonders if the clues left in Marguerite's wake – the flimsy silk Dior dress, so casually abandoned, the footprints made by her Ferragamo boots, which end abruptly close to home – are really clues at all. Bit by bit, revelations about both women are uncovered, together with Gigi's true feelings about the much-loved Marguerite. The fate of the missing beauty slowly and subtly comes to light In this suspenseful story about the complex relationship between two sisters. 48 Clues into the Disappearance of My Sister is an exquisitely suspenseful tale from Joyce Carol Oates, literary icon and author of Blonde and We Were the Mulvaneys. 'This elegant, captivating tale is un-put-downable.' Publishers Weekly 'Perfect for all the Daisy Jones & the Six fans out there.' Katie Couric Media 'Another masterpiece of storytelling.' Booklist 'Not just a ripping good mystery, but a meticulous character study.' Los Angeles Magazine

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A passionate, wry, and personal book about how the greatest works of literature illuminate our livesWhy do we read literature? For Arnold Weinstein, the answer is clear: literature allows us to become someone else. Literature changes us by giving us intimate access to an astonishing variety of other lives, experiences, and places across the ages. Reflecting on a lifetime of reading, teaching, and writing, The Lives of Literature explores, with passion, humor, and whirring intellect, a professor’s life, the thrills and traps of teaching, and, most of all, the power of literature to lead us to a deeper understanding of ourselves and the worlds we inhabit.As an identical twin, Weinstein experienced early the dislocation of being mistaken for another person—and of feeling that he might be someone other than he had thought. In vivid readings elucidating the classics of authors ranging from Sophocles to James Joyce and Toni Morrison, he explores what we learn by identifying with their protagonists, including those who, undone by wreckage and loss, discover that all their beliefs are illusions. Weinstein masterfully argues that literature’s knowing differs entirely from what one ends up knowing when studying mathematics or physics or even history: by entering these characters’ lives, readers acquire a unique form of knowledge—and come to understand its cost.In The Lives of Literature, a master writer and teacher shares his love of the books that he has taught and been taught by, showing us that literature matters because we never stop discovering who we are.

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In Who Should Rule at Home? Joyce D. Goodfriend argues that the high-ranking gentlemen who figure so prominently in most accounts of New York City's evolution from 1664, when the English captured the small Dutch outpost of New Amsterdam, to the eve of American independence in 1776 were far from invincible and that the degree of cultural power they held has been exaggerated. The urban elite experienced challenges to its cultural authority at different times, from different groups, and in a variety of settings. Goodfriend illuminates the conflicts that pitted the privileged few against the socially anonymous many who mobilized their modest resources to creatively resist domination. Critics of orthodox religious practice took to heart the message of spiritual rebirth brought to New York City by the famed evangelist George Whitefield and were empowered to make independent religious choices. Wives deserted husbands and took charge of their own futures. Indentured servants complained or simply ran away. Enslaved women and men carved out spaces where they could control their own lives and salvage their dignity. Impoverished individuals, including prostitutes, chose not to bow to the dictates of the elite, even though it meant being cut off from the sources of charity. Among those who confronted the elite were descendants of the early Dutch settlers; by clinging to their native language and traditional faith they preserved a crucial sense of autonomy.

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In this authoritative and immensely readable insider's account, celebrated cookbook author and former chef Joyce Goldstein traces the development of California cuisine from its formative years in the 1970s to 2000, when farm-to-table, foraging, and fusion cooking had become part of the national vocabulary. Interviews with almost two hundred chefs, purveyors, artisans, wine makers, and food writers bring to life an approach to cooking grounded in passion, bold innovation, and a dedication to "flavor first." Goldstein explains how the counterculture movement in the West gave rise to a restaurant culture characterized by open kitchens, women in leadership positions, and a surprising number of chefs and artisanal food producers who lacked formal training. The new cuisine challenged the conventional kitchen hierarchy and French dominance in fine dining, leading to a more egalitarian and informal food scene. In weaving Goldstein's views on California food culture with profiles of those who played a part in its development - from Alice Waters to Bill Niman to Wolfgang Puck - Inside the California Food Revolution demonstrates that, while fresh produce and locally sourced ingredients are iconic in California, what transforms these elements into a unique cuisine is a distinctly Western culture of openness, creativity, and collaboration. Engagingly written and full of captivating anecdotes, this book shows how the inspirations that emerged in California went on to transform the experience of eating throughout the United States and the world.

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‘Exhilarating to read - thoughtful, heart-warming and poignant, with a quiet intelligence and elegance that does its heroine proud’ Bridget Collins Two women Ten years A recipe for success Eliza Acton, despite never having boiled an egg, became one of the world’s most successful food writers, revolutionizing cooking and cookbooks around the world. Her story is fascinating, joyful and truly inspiring. The award-winning author of The Joyce Girl seamlessly intertwines recipes and meticulously researched history, serving up the most thought-provoking and page-turning historical novel you’ll read this year. Explore the enduring struggle for women’s freedom, the exhilarating power of friendship, and the creative joy of cooking, through the life of Eliza Acton – finally out of the archives and into the public eye. England, 1835. Eliza Acton dreams of becoming a poet, but when she takes her new manuscript to a publisher, she’s told that ‘poetry is not the business of a lady’. Instead, he demands a cookery book. Eliza is hesitant but when her bankrupt father is forced to flee the country, she has no choice but to comply. Although she has never cooked before, she is determined to learn and to bring her skills as a poet to the craft of recipe writing. She hires young, impoverished Ann Kirby as her assistant and, before long, the two women develop a radical friendship crossing the divides of age and class. Together, Eliza and Ann break the mould of traditional cookbooks, changing the course of food writing forever. But in the process of doing so, their friendship is pushed to its very limits.

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The traffic is backed up, the kids are screaming, and the car is making a funny noise again. Any one of these challenges can test our temperament and rob us of joy. Our impulse is to write today off and hope for a better tomorrow. However, this creates a hard pattern to break. One terrible day easily turns into many-and soon we're living a life far from what God has in mind for us. A new, transforming sense of excitement, happiness, and contentment in our lives is possible when we pursue God's goodness each day. In 20 WAYS TO MAKE EVERY DAY BETTER, Joyce Meyer shares biblical illustrations, actionable advice, uplifting stories, and the encouragement we need to start enjoying the life God created for us.

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This provocative book examines crucial philosophical questions László Moholy-Nagy explored in theory and practice throughout his career. Why paint in a photographic age? Why work by hand when technology holds so much promise? The stakes of painting, or not painting, were tied to much larger considerations of the ways art, life, and modernity were linked for Moholy and his avant-garde peers. Joyce Tsai’s close analysis reveals how Moholy’s experience in exile led to his attempt to recuperate painting, not merely as an artistic medium but as the space where the trace of human touch might survive the catastrophes of war. László Moholy-Nagy: Painting after Photography will significantly reshape our view of the artist’s oeuvre, providing a new understanding of cultural modernism and the avant-garde.

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The origin stories of your favorite childhood heroes are revealed in this boxed set featuring all five of William Joyce’s Guardians chapter books.Of course you know the Guardians. You’ve known them since before you can remember: Santa, the Tooth Fairy, the Sandman, the Easter Bunny, Jack Frost. But...where did they come from? And what nefarious evil-doer forced to band together to protect the children of the world? Answers are revealed and imaginations unfurl in this treasure trove of a boxed set. This set includes all five titles in the Guardians chapter book series: Nicholas St. North and the Battle of the Nightmare King E. Aster Bunnymund and the Warrior Eggs at the Earth’s Core! Toothiana, Queen of the Fairy Army The Sandman and the War of Dreams Jack Frost: The End Becomes the Beginning

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As technology increases your accessibility, it becomes harder to mute the background noise of your life and receive God's guidance. Joyce Meyer calls this OVERLOAD, when the demands of your busy life become all-consuming and overwhelming. But to experience the joyful life God has planned, you must make time to focus on His Word. Then you'll receive His healing calmness and gain the strength to take on life's challenges, from physical ailments to problems in relationships. Through the practical advice and Scriptural wisdom in this book, you'll learn how to unplug and free yourself from burdens that weigh you down. You'll gain simple, effective tips for better rest and stress management and discover the fulfilling life you were meant to lead.

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Are you enjoying every day of your life? Or do you tell yourself and others that you will find happiness once you have achieved a specific goal or position? Jesus came so that you might have and enjoy life (John 10:10). In this compact abridgment, Joyce Meyer combines biblical principles with personal experiences to explain how you can enjoy every day on your journey through life. You will learn such lessons as how to make the decision to enjoy life, how to rid yourself of regret, how to experience simplicity in life, how to find joy during times of waiting, and much more! Enjoying life is an attitude of the heart, and you can learn how to enjoy where you are on the way to where you are going.

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Everyone who has ever lived has known the torment of fear. Fear will try to push you back and is always ready to attack you through your thoughts. But you can live free from it!God's promise is that you will be able to overcome this powerful emotion. In this book, Joyce Meyer shows that even though fear will surely challenge you, the Holy Spirit can still help you walk in faith. Find out:- How to keep fear from controlling your life- How to move forward in spite of your fears- How God stays faithful regardless of what you're feeling- The one basic fear underneath all fears.You can act on God's Word and defeat this enemy. Now is the time to seize victory, by stepping out to do it afraid!

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Encuadernación: CartonéColección: Sillón orejero.Premio Nacional del Cómic 2012.Dublinés es una obra llena de detalles, está centrada en la vida de James Joyce y recorre con el autor los momentos, las conversaciones, las penurias y las aventuras con las que se fue construyendo una de las grandes figuras del siglo XX. Es, además, un divertidísimo viaje en tren por las ciudades por las que fue pasando la vida de este irlandés universal.

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New and fresh assessments of Malory's Morte Darthur. The essays here are devoted to that seminal Arthurian work, Sir Thomas Malory's Le Morte Darthur. Developments of papers first given at the 'Malory at 550: Old and New' conference, they emphasise here the second part of its remit. Accordingly, several contributors focus new attention on Malory's style, using his stock phrases, metaphors, characterization, or manipulation of sources to argue for a deeper appreciation of his merits as an author. If, as others illustrate, Malory is a much better artist than his twentieth-century reputation allowed, then there is a renewed need to re-assess the vexed question of the possible originality of his 'Tale of Sir Gareth of Orkeney'. Similarly fresh approaches underlie those essays re-examining Malory's attitude to time and the sacred in 'The Sankgreal', the manner in which the ghosts of Lot and his sons highlight potential failures in the Round Table Oath, or the pleasures and pitfalls of Arthurian hospitality. The remaining contributions argue for new approaches to Malory's narrative gaps, Launcelot's status as a victim of sexual violence, and the importance of rejecting Victorian moral attitudes towards Gwenyvere and Isode, moralizing that still informs much recent scholarship addressing Malory's female characters. Contributors: Joyce Coleman, Elizabeth Edwards, Kristina Hildebrand, Cathy Hume, David F. Johnson, Megan Leitch, Andrew Lynch, Molly A. Martin, Cory James Rushton, † Fiona Tolhurst, Michael W. Twomey

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New examinations of the role storytelling played in medieval life. The storyteller stands at the crossroads of orality and performance, surrounded by a circle of rapt listeners. Evelyn Birge Vitz has challenged a generation of scholars to join the circle, listen as they read, and exchange pen forperformance. A tribute to her work, the fifteen essays in this volume attend to the qualities of voice, their registers and dynamics, whether practiced or impromptu, falsified, overlapping, interrupted or whispered. They examinehow the book became a performance venue and reshaped the storyteller's image and authority, and they investigate the mutability of stories that move from book to book, place to place and among competing cultures to stimulate cultural and political change. They show storytelling as far more than entertainment, but central to law, religious ritual and teaching, as well as the primary mode of delivering news. Themes that crisscross the volume include tensionsamong amateurs and professionals, dominant and minority languages and cultures, women and children's engagement with storytelling, animality, religion, translation, travel, didacticism and entertainment. Kathryn A. Duys is Associate Professor and Chair of the Department of English and Foreign Languages at the University of St. Francis in Joliet, Illinois; Elizabeth Emery is Professor of French and Graduate Coordinator at Montclair State University; Laurie Postlewate is Senior Lecturer in French at Barnard College of Columbia University. Contributors: Elizabeth Archibald, Maureen Boulton, Cristian Bratu, Simonetta Cochis, Joyce Coleman, Mark Cruse, Kathryn A.Duys, Elizabeth Emery, Marilyn Lawrence, Kathleen Loysen, Laurie Postlewate, Nancy Freeman Regalado, Samuel N. Rosenberg, E. Gordon Whatley, Linda Marie Zaerr.

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This is the eighth book of a series published with The Political Quarterly. Expert contributors including Joyce Macmillan, Michael Brunson, Karen Evans, John Maxton, Matthew Taylor, Neal Acherson, Yasmin-Alibhai Brown and Anthony Everitt. Asks how a radically more participative citizenship culture could be achieved - one where people think of themselves as citizens and act like citizens. Concerned with long-term proposals rather than short-term issues. Looking towards the middle years of the new century it offers a practical vision of a more democratic and genuinely inclusive society.

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This volume presents current research on a variety of questions related to Roman emperors' uses of images and architecture. Drawing mainly on sculpture, coinage, and architecture, the papers consider topics ranging from the beard of Nero to Antonine funeral pyres to the roles of arches in shaping urban landscapes. Chronologically, the volume covers the reigns of Augustus through Constantine, and it examines the use of imagery by empresses as well as emperors. The contributors are Fae Amiro, Steven Burges, Laura L. Garofalo, Evan Jewell, Lillian Joyce, Jacob A. Latham, and Rosa Maria Motta, Gretel Rodriguez.

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The constant call to admit guilt amounts almost to a tyranny of confession today. We demand tell-all tales in the public dramas of the courtroom, the talk shows and in print, as well as in the more private spaces of the confessional and the psychoanalyst's office. Yet we are also deeply uneasy with the concept: how can we tell whether a confession is true? What if it has been coerced? In "Troubling Confessions", Peter Brooks juxtaposes cases from law and literature to explore the kinds of truth we associate with confessions, and why we both rely on them and regard them with suspicion. For centuries the law has considered confession to be "the queen of proofs", yet it has also seen a need to regulate confessions and the circumstances under which they are made, as evidenced in the continuing speech a prime measure of authenticity, seeing it as an expression of selfhood that bears witness to personal truth. Yet the urge to confess may be motivated by inextricable layers of shame, guilt, self-loathing, the desire to propitiate figures of authority. Literature has often understood the problematic nature of confession better than the law, as Brooks demonstrates in perceptive readings of legal cases set against works by Rousseau, Dostoevsky, Joyce and Camus, among others. Mitya in "The Brothers Karamazov" captures the trouble with confessional speech eloquently when he offers his confession with the anguished plea: this is a confession; handle with care. By questioning the truths of confession, Peter Brooks challenges us to reconsider how we demand confessions and what we do with them.

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If it is true that great art comes from great suffering, then the art of Fyodor Dostoevsky (1821 - 81) must be truly great indeed. The second of seven children, he developed epilepsy and was ruled over by a drunken, violent father. From this harsh childhood, to his brief forays in the army, through the years of exile and imprisonment in Siberia, Dostoevsky's troubled life shaped his character and art in profound ways. Robert Bird traces Dostoevsky's path from a political revolutionary to one who fought his battles through the printed word. Bird describes how Dostoevsky came into contact with the poor and oppressed who attended the Mariinsky Hospital for the Poor in Moscow, where his father practiced medicine, and how Dostoevsky was to champion the downtrodden throughout his career. He outlines the years Dostoevsky spent in prison after his arrest and near-execution in 1849, and how these experiences, in combination with his difficult childhood, epileptic seizures, religious and political views, contributed to the writing of acclaimed novels such as Crime and Punishment (1867). The author also describes how Dostoevsky's craving for social justice and 'quest for form' spurred his literary achievements. Writers such as Ernest Hemingway, James Joyce and Virginia Wolfe admired and praised Dostoevsky, and he is often acknowledged as one of the pre-eminent psychologists in literature - the parricide in The Brothers Karamazov even attracted the attention of Sigmund Freud. Fyodor Dostoevsky will fascinate all lovers of literature and Russian history.

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A story of hope, forgiveness and kindness, Lost Property reminds us to keep our loved ones (along with our bags and umbrellas) close...'An enthralling read, full of rich descriptions and characters you can't help but love' Hazel Prior, bestselling author of Away with the Penguins'A lovely novel about loss and reconnection...both satisfying and joyful' Lissa Evans----------------One lost purse. One lost woman.A chance encounter that changes everything.Dot Watson has lost her way. Wracked with guilt and struggling with grief, she has tucked herself away in the London Transport Lost Property office, finding solace in the process of cataloguing misplaced things. It's not glamorous or exciting, but it's solitary - just the way Dot likes it.That is, until elderly Mr Appleby walks through the door in search of his late wife's purse and Dot immediately feels a connection to him. Determined to help, she sets off on an extraordinary journey, one that could lead Dot to reclaim her life and find where she truly belongs...Perfect for fans of Matt Haig, Rachel Joyce and AJ Pearce, this is a moving and uplifting novel about finding your place in the world.Readers have fallen in love with Lost Property:***** 'A beautiful book and one of my best reads this year'***** 'An emotional journey that had me hooked'***** 'A wonderful, uplifting debut novel'***** 'Dot is an inspiration'***** 'Full of sorrow, love and a light humour'***** 'I am so pleased to have found Dot'

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Considered to be one of the best Irish writers of the twentieth century, Aidan Higgins has earned a reputation throughout Europe as an unusual and astringent prose stylist. This omnibus of selected short fiction is the perfect introduction to the talents of this Irish successor to James Joyce and Samuel Beckett (although Higgins's work is perhaps more reminiscent of his Welsh contemporary Dylan Thomas), and displays Higgins's warmth of language and character. From a melancholy tale of suicide in "North Salt Holdings" to a colorful depiction of J. J. Catchpole's escapades in "Catchpole, " Higgins builds his characters into touching failures who both attract and repulse the reader.

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The deceptively simple lemon takes center stage in the second volume of TASCHEN’s collaboration with The Gourmand, masters of the rich intersection of food and art. The star of Renaissance gardens, that shaped the Medici dynasty, have the power to ward off scurvy, had a hand in forming the mob, and whose juice has been used as an invisible ink since 600 CE to pen covert messages, these joyful yellow orbs are ripe with intrigue. The Gourmand charts the fruit’s astonishingly intricate genealogy, explores its role as a literary device for the likes of Joan Didion, F. Scott Fitzgerald, Tom Wolfe, and James Joyce, and examines its unique representation of the American dream through lemonade stands. A favorite subject of art history’s giants, the lemon captivates in the still lifes of Old Masters and inspired the breakthroughs of modern visionaries like Picasso, Matisse, and Warhol. Lemons also find themselves at the cutting edge of design in Philippe Starck’s iconic Juicy Salif and the unassuming yet revolutionary Jif Lemon. Their presence extends to the decorative arts, gracing everything from Arts and Crafts wallpapers to mythological ceramics. Even the famed Bloomsbury Group found lemons entangled in their literary love affairs. Accompanying these citrus-centric anecdotes are a foreword by chef and acclaimed food writer Simon Hopkinson and an introduction by art critic and author Jennifer Higgie alongside more than 60 lemon-infused recipes across global cuisines and for every occasion—including perfect poultry, decadent sauces, classic cocktails, and indulgent desserts, with custom photography by Bobby Doherty.

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Unlike other readers, this book takes eight important literary texts and provides some of the most significant post-colonial readings of them published in the last fifteen years. Topics include cannibalism, slavery, the harem, missionary work, gender, nationalism and the Rushdie affair. The book offers practical examples of applying theoretical arguments to specific texts. Key features: * Provides three or four cutting edge essays on each of the following texts: Shakespeare's The Tempest; Defoe's Robinson Crusoe; Bronte's Jane Eyre; Kipling's Kim, Conrad's Heart of Darkness; Joyce's Ulysses; Forster's A Passage to India; Rushdie's The Satanic Verses

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In this third volume of a planned five-volume series, David Roy provides a complete and annotated translation of the famous Chin P'ing Mei, an anonymous sixteenth-century Chinese novel that focuses on the domestic life of His-men Ch'ing, a corrupt, upwardly mobile merchant who maintains a harem of six wives and concubines. This work, known primarily for its erotic realism, is also a landmark in the development of narrative art--not only from a specifically Chinese perspective but also in a world-historical context. Written during the second half of the sixteenth century and first published in 1618, The Plum in the Golden Vase is noted for its surprisingly modern technique. With the possible exception of The Tale of Genji (ca. 1010) and Don Quixote (1605, 1615), there is no earlier work of prose fiction of equal sophistication in world literature. Although its importance in the history of Chinese narrative has long been recognized, the technical virtuosity of the author, which is more reminiscent of the Dickens of Bleak House, the Joyce of Ulysses, or the Nabokov of Lolita than anything in earlier Chinese fiction, has not yet received adequate recognition. This is partly because all of the existing European translations are either abridged or based on an inferior recension of the text. This translation and its annotation aim to faithfully represent and elucidate all the rhetorical features of the original in its most authentic form and thereby enable the Western reader to appreciate this Chinese masterpiece at its true worth. Replete with convincing portrayals of the darker side of human nature, it should appeal to anyone interested in a compelling story, compellingly told.

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This collection of essays, comprised of research first presented at the seventh annual Louisiana Conference on Literature, Language, and Culture, explores one of the most pervasive, vexing, and alluring concepts in the Humanities, that of place. Including essays which encompass a broad range of research fields and methodologies, from Geography to Cybernetics, it presents a cross-section of approaches aimed revealing the complex cultural machinations behind what once may have seemed a static, one-dimensional topic.Investigations into the function of place as a force in contemporary culture inevitably reveal a long history of the interplay between place and cultural product, between 'context' and 'text'. Just as traditional cultures mythologize sacred spaces, so too has Western culture sanctified its own places through its literature. Imagined places such as Faulker’s Yoknapatawpha or Joyce’s Dublin become the focus of conferences and festivals; authors’ homes, birthplaces, and gravesites are transformed into sites of pilgrimage; locales created for television shows and movies become actual businesses catering to a public for whom the line between fantasy and reality is increasingly blurred; and persisting through the great cultural shifts of the past two hundred years is the popular and romantic notion that words, performances, narratives, and even national identities are always in some way an expression of the places in which they are created and set. With the idea of place foregrounded in so much contemporary discourse, this collection promises to enter into an already lively debate and one which, due to its relevance to where we live and how we make sense of our own “places” within them, does not show any signs of flagging.

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The phenomenon of celebrity burst upon the world scene about a century ago, as movies and modern media brought exceptional, larger-than-life personalities before the masses. During the same era, modernist authors were creating works that defined high culture in our society and set aesthetics apart from the middle- and low-brow culture in which celebrity supposedly resides. To challenge this ingrained dichotomy between modernism and celebrity, Jonathan Goldman offers a provocative new reading of early twentieth-century culture and the formal experiments that constitute modernist literature's unmistakable legacy. He argues that the literary innovations of the modernists are indeed best understood as a participant in the popular phenomenon of celebrity. Presenting a persuasive argument as well as a chronicle of modernism's and celebrity's shared history, Modernism Is the Literature of Celebrity begins by unraveling the uncanny syncretism between Oscar Wilde's writings and his public life. Goldman explains that Wilde, in shaping his instantly identifiable public image, provided a model for both literary and celebrity cultures in the decades that followed. In subsequent chapters, Goldman traces this lineage through two luminaries of the modernist canon, James Joyce and Gertrude Stein, before turning to the cinema of mega-star Charlie Chaplin. He investigates how celebrity and modernism intertwine in the work of two less obvious modernist subjects, Jean Rhys and John Dos Passos. Turning previous criticism on its head, Goldman demonstrates that the authorial self-fashioning particular to modernism and generated by modernist technique helps create celebrity as we now know it.

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**As read on BBC Radio Four**Uplifting, joyous, hopeful - a novel about late love and second chances, shortlisted for the Costa First Novel Award and winner of the Paul Torday Memorial Prize'A moving tribute to friendship and love, to the courage of the ordinary, and to starting again' RACHEL JOYCE, author of Miss Benson's Beetle'Full of grace and humanity' Sunday Times________________________This story begins with a letterFrom a housewifeto the gentle curatorOf an extraordinary museumWhere lies peacefullyAn ancient exhibitThat holds the keyTo EverythingWe are.Meet Me at the Museum tells of a connection made across oceans and against all the odds. Through intimate stories of joy, despair, and discovery, two people are drawn inexorably towards each other, until a shattering revelation pushes their friendship to the very edge.This deeply affecting debut novel by seventy-three year-old Anne Youngson won the Paul Torday Memorial Prize and was dramatized on BBC Radio 4 Woman's Hour*******************************'Tender, wise and moving, Meet Me at the Museum is a novel to cherish.' JOHN BOYNE'Insightful, emotionally acute and absorbing' DAILY EXPRESS'Beautiful and affecting' NINA STIBBEWhat readers are saying:'I loved this book. It was so different from anything else I have read'*****'I just loved this book and read it in one sitting. There were times when I felt like underlining the sentences that resonated with me'*****'I read this book one letter at a time, just to let the contents sink in. Tears came to my eyes'*****

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THE INTERNATIONALLY BESTSELLING NOVELADAPTED INTO A FEATURE FILM WITH ELIJAH WOODFrom the bestselling author of Here I Am, Extremely Loud and Incredibly Close and We are the Weather - a hilarious, life-affirming and utterly original novel about the search for truth'Gripping, hilariously funny and deeply serious. An astonishing feat of writing' The Times'One of the most impressive novel debuts of recent years' Joyce Carol Oates, Times Literary Supplement'A first novel of startling originality' Jay McInerney, Observer'It seems hard to believe that such a young writer can have such a deep understanding of both comedy and tragedy' Erica Wagner, The TimesA young man arrives in the Ukraine, clutching in his hand a tattered photograph. He is searching for the woman who fifty years ago saved his grandfather from the Nazis. Unfortunately, he is aided in his quest by Alex, a translator with an uncanny ability to mangle English into bizarre new forms; a "blind" old man haunted by memories of the war; and an undersexed guide dog named Sammy Davis Jr, Jr. What they are looking for seems elusive -- a truth hidden behind veils of time, language and the horrors of war. What they find turns all their worlds upside down...

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Peering into life's cringe-worthy moments, best-selling author Beth Lisick excavates territory that most would rather ignore. Funny, odd, deeply personal, yet somehow universal, these are the kind of memories that haunt us all, the small awful moments of shame and humiliation that we'd rather forget than relive. Beth Lisick has made a career of opening her life to her readers in all of its messy, smart hilarity, but this type of story doesn't usually find its way into a memoir. With her trademark humor and sly intelligence, writing in short flashes the way these episodes tend to pop up in memory, Lisick recounts her most embarrassing moments with gusto. From a trick she played on a neighbor thirty years ago to what she accidentally blurted out at last night's dinner party, she explores the bad judgments and free-floating regrets that keep her up at night, and the result is a daring, candid, and wickedly funny collection of embarrassment embraced, the triumph of humor and perspective over everyday mortification. Writer, performer, and independent film actress Beth Lisick is the author of the New York Times best-selling comic memoir Everybody Into the Pool and the gonzo self-help manifesto Helping Me Help Myself. Praise for Yokohama Threeway: "The ultimate joyride for those of us who enjoy cringe-worthy embarrassment, genuine pathos, and an overdosing amount of schadenfreude."--Michael Ian Black "This book is fucking great."--Kathleen Hanna, of Bikini Kill and The Julie Ruin "A strangely touching and engaging portrait of the artist as a young screwup."--Booklist "Yokohama Threeway blends the funny and the painful into an elixir more closely resembling cough medicine than soda pop--a little bitter, made up of strange ingredients, not real pretty, but necessary if you want to get better. In the end, you are happy you took it, even if it leaves a funky aftertaste."--World Literature Today "Speaking as someone who hates everything, I love this book."--James Greer, musician & author of The Failure "Hilarious, heartbreaking, compassionate, pitch perfect, utterly original." --Joyce Maynard, author of After Her and Labor Day "A laugh-out-loud series of short, revelatory confessions propelled by curiosity and an acute desire to experience the world. It is not now and perhaps never will be quite in vogue for people to share their shames, but Lisick does it with aplomb and even exuberance."--Evan Karp, SF Weekly "Beth Lisick's new essay collection Yokohama Threeway made me laugh out loud more than anything else I have read all year, she is a master at sharing her life experiences with self-deprecating yet honest humor."--David Gutowski, Largehearted Boy "Beth Lisick, divulges the most embarrassing moments in a series of short essays dripping with wicked humor."--7x7 Magazine

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In this book, a group of prominent scholar-teachers meditate on how to read, in the context of a specifically Christian university or college education, some of the greatest texts of the Western tradition. Each author devotes himself or herself to a single text. In many cases, the authors have been reading, rereading, marking, ruminating, inwardly digesting, teaching, and discussing their text for several decades, so that they offer here a distillation of years of familiarity and reflection. The texts span nearly 3,000 years. They are pre-Christian, Christian, and post-Christian. Each kind of text – indeed, each individual text – offers its own special opportunities and challenges for Christian interpretation. From these diverse readings emerges a sense that these texts all belong to a single great tradition, one to which Christianity made and continues to make enormous contributions. Medieval Christian writers exploit and transform pagan texts, and post-Christian writers like Nietzsche and Joyce are often preoccupied with Christian themes. In one way or another all the texts are about what it is to be a human being and what a good human life might look like. Thus “common threads” bind one text to the next, creating countless resonances among them. The authors of the essays in this book all address the question, “How shall we read these texts from the vantage point of faith in God and Jesus Christ? Moreover, how shall we read them as members of a community with a common vision of the human good, aiming to nurture our students in that vision by reading with them some of the profoundest and most delightful things the human hand has penned?” As the Introduction suggests, the volume hopes to contribute to a renewal of the original intention of university education: to cultivate minds and hearts formed and informed by wisdom, the highest of intellectual goods.

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Kiberd - one of Ireland's leading critics and a central figure in the FIELD DAY group with Brian Friel, Seamus Deane and the actor Stephen Rea - argues that the Irish Literary Revival of the 1890-1922 period embodied a spirit and a revolutionary, generous vision of Irishness that is still relevant to post-colonial Ireland. This is the perspective from which he views Irish culture. His history of Irish writing covers Yeats, Lady Gregory, Synge, O'Casey, Joyce, Beckett, Flann O'Brien, Elizabeth Bowen, Heaney, Friel and younger writers down to Roddy Doyle.

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