Search results for ""Author Joyce"

Peering into life's cringe-worthy moments, best-selling author Beth Lisick excavates territory that most would rather ignore. Funny, odd, deeply personal, yet somehow universal, these are the kind of memories that haunt us all, the small awful moments of shame and humiliation that we'd rather forget than relive. Beth Lisick has made a career of opening her life to her readers in all of its messy, smart hilarity, but this type of story doesn't usually find its way into a memoir. With her trademark humor and sly intelligence, writing in short flashes the way these episodes tend to pop up in memory, Lisick recounts her most embarrassing moments with gusto. From a trick she played on a neighbor thirty years ago to what she accidentally blurted out at last night's dinner party, she explores the bad judgments and free-floating regrets that keep her up at night, and the result is a daring, candid, and wickedly funny collection of embarrassment embraced, the triumph of humor and perspective over everyday mortification. Writer, performer, and independent film actress Beth Lisick is the author of the New York Times best-selling comic memoir Everybody Into the Pool and the gonzo self-help manifesto Helping Me Help Myself. Praise for Yokohama Threeway: "The ultimate joyride for those of us who enjoy cringe-worthy embarrassment, genuine pathos, and an overdosing amount of schadenfreude."--Michael Ian Black "This book is fucking great."--Kathleen Hanna, of Bikini Kill and The Julie Ruin "A strangely touching and engaging portrait of the artist as a young screwup."--Booklist "Yokohama Threeway blends the funny and the painful into an elixir more closely resembling cough medicine than soda pop--a little bitter, made up of strange ingredients, not real pretty, but necessary if you want to get better. In the end, you are happy you took it, even if it leaves a funky aftertaste."--World Literature Today "Speaking as someone who hates everything, I love this book."--James Greer, musician & author of The Failure "Hilarious, heartbreaking, compassionate, pitch perfect, utterly original." --Joyce Maynard, author of After Her and Labor Day "A laugh-out-loud series of short, revelatory confessions propelled by curiosity and an acute desire to experience the world. It is not now and perhaps never will be quite in vogue for people to share their shames, but Lisick does it with aplomb and even exuberance."--Evan Karp, SF Weekly "Beth Lisick's new essay collection Yokohama Threeway made me laugh out loud more than anything else I have read all year, she is a master at sharing her life experiences with self-deprecating yet honest humor."--David Gutowski, Largehearted Boy "Beth Lisick, divulges the most embarrassing moments in a series of short essays dripping with wicked humor."--7x7 Magazine

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Accurate and literally faithful, the Donaldson translation conveys the full meaning and spirit of the original. "Backgrounds and Contexts" provides readers with the historical, linguistic, and literary settings of Beowulf, including Robert C. Hughes on the origins of the Old English language, E. Talbot Donaldson’s presentation of the major features of Old English poetry, new material on Beowulf’s tribes and genealogies, three maps, and a facsimile illustration of the manuscript. "Criticism" collects seven new and wide-ranging interpretations of Beowulf by Fred C. Robinson, Roberta Frank, John D. Niles, Michael Lapidge, Joyce Hill, Helen Bennett, and Nicholas Howe. A Glossary of Proper Names and a Selected Bibliography are included.

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An anthology featuring contemporary masters of the short story around the globe, including Margaret Atwood, Salman Rushdie, Joyce Carol Oates, Martin Amis, and moreFollowing the immense success of The Art of the Tale, Daniel Halpern has assembled the next generation of short-story writers—those born after 1937—to create a companion volume, The Art of the Story. Attesting to the depth, range, and continued popularity of short fiction, this collection includes seventy-eight contributors from thirty-five countries. The Art of the Story combines the best of the established masters as well as the fresh, new voices of writers whose work has seldom been translated into English.

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In his most ambitious endeavour since Freud, acclaimed cultural historian Peter Gay traces and explores the rise of Modernism in the arts, the cultural movement that heralded and shaped the modern world, dominating western high culture for over a century. He traces the revolutionary path of modernism from its Parisian origins to its emergence as the dominant cultural movement in world capitals such as Berlin and New York, presenting along the way a thrilling pageant of hereitcs that includes Oscar Wilde, Pablo Picasso, James Joyce, Walter Gropius and Any Warhol. The result is a work unique in its breadth and brilliance.Lavishly illustrated, Modernism is a superb achievement by one of our greatest historians.

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Teena Maguire should not have tried to shortcut her way home that Fourth of July. Not after midnight, not through Rocky Point Park. Not the way she was dressed in a tank top, denim cutoffs, and high-heeled sandals. Not with her twelve-year-old daughter Bethie. Not with packs of local guys running loose on hormones, rage and alcohol. A victim of gang rape, left for dead in the park boathouse, the once vivacious Teena can now only regret that she has survived. At a relentlessly compelling pace punctuated by lonely cries in the night and the whisper of terror in the afternoon, Joyce Carol Oates unfolds the story of Teena and Bethie, their assailants, and their unexpected, silent champion, a man who knows the meaning of justice. And love.

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"Literature, Moderns, Monsters, Popsters and Us" is a selection from more than one hundred articles, reviews and essays written by George Stade and first published in journals such as "Partisan Review", "Hudson Review", "Paris Review", "Harper's", "The Nation", "The New Republic" and "The New York Times Book Review". Stade challenges with his controversial contention that "womanism" has triumphed over "manism" and his wit flies with a rip-roaring excursion into "snot, navel-fluff and toe-jam" in an examination of James Joyce's "Ulysses". The collection includes: Psychoanalysis and the horror genre; Popular fiction; Poetry, including e.e. cummings and Sylvia Plath; Frisch and Durrenmatt; McCarthyism; and Modern British fiction.

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Finalist in the General Business Book of the Year category of the 2023 Australian Business Book AwardsMacquarie is everywhere. As an investment bank, a commodities player and an international leader in infrastructure fund management, Macquarie has inserted itself into your life somehow, no matter where in the world you're reading this book.The Millionaires' Factory lifts the lid on this unique banking success story, from its origins in Australia in 1969 to its presence in 33 markets today. It identifies the big decisions that have allowed the bank to thrive where others have floundered, and the unique Macquarie ability to spot a niche few others can see. It also uncovers the dramas, the turf fights, the scandals and the failures, as well as the supercharged salaries and bonuses that earned them the nickname 'the millionaires' factory'.Drawing on their interviews with Macquarie CEOs and senior managers past and present, journalists Joyce Moullakis and Chris Wright explain the culture that drives Macquarie: its unique 'loose-tight' approach to risk, its empowerment of individual staff to try new things, and its knack for turning market calamities into opportunities. Markets move and Macquarie has reinvented itself time and again as they do so, but one thing never changes: it's seldom on the wrong side of a deal.'For readers who want to understand a fascinating financial institution and how it succeeds where so many rivals falter, The Millionaires' Factory comes recommended.' - The Financial Times'The Millionaires' Factory lays bare the good and bad about Australia's millionaire manufacturer.' - The Conversation'A fascinating account of how a successful financial institution with a global footprint can grow through good and bad times, because of the quality of its people.' -Don Argus AC, Member of the Australian Advisory Council of Bank of America'Joyce and Chris have brilliantly captured and woven together an exceptional account of an Australian and global financial success story.'-Steve Harker AM, former CEO of Morgan Stanley Australia

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THE INTERNATIONALLY BESTSELLING NOVELADAPTED INTO A FEATURE FILM WITH ELIJAH WOODFrom the bestselling author of Here I Am, Extremely Loud and Incredibly Close and We are the Weather - a hilarious, life-affirming and utterly original novel about the search for truth - now available as a pocket-sized Penguin Essential'Gripping, hilariously funny and deeply serious. An astonishing feat of writing' The Times'One of the most impressive novel debuts of recent years' Joyce Carol Oates, Times Literary Supplement'A first novel of startling originality' Jay McInerney, Observer'It seems hard to believe that such a young writer can have such a deep understanding of both comedy and tragedy' Erica Wagner, The TimesA young man arrives in the Ukraine, clutching in his hand a tattered photograph. He is searching for the woman who fifty years ago saved his grandfather from the Nazis. Unfortunately, he is aided in his quest by Alex, a translator with an uncanny ability to mangle English into bizarre new forms; a "blind" old man haunted by memories of the war; and an undersexed guide dog named Sammy Davis Jr, Jr. What they are looking for seems elusive -- a truth hidden behind veils of time, language and the horrors of war. What they find turns all their worlds upside down...

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This authoritative edition was first published in the acclaimed Oxford Authors series under the general editorship of Frank Kermode. It brings together a unique combination of Yeats's poetry and prose - all the major poems, complemented by plays, critical writings, and letters - to give the essence of his work and thinking. W. B. Yeats was born in 1865, only 38 years after the death of William Blake, and died in 1939, the contemporary of Ezra Pound and James Joyce. His career crossed two centuries, and this volume represents the full range of his achievement, from the Romantic early poems of Crossways and the symbolist masterpiece The Wind Among the Reeds to his last poems. Myth and folk-tale influence both his poems and his plays, represented here by Cathleen ni Houlihan and Deirdre among others. The importance of the spirit world to his life and work is evident in his critical essays and occult writings, and the anthology also contains political speeches, autobiographical writings, and a selection of his letters. This one-volume collection of poems and prose offers a unique perspective on the connectedness of Yeats's literary output, showing how his aesthetic, spiritual, and political development was reflected in everything he wrote. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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NEW YORK TIMES EDITOR'S CHOICE AND BOOKS OF THE YEAR 2018PUBLISHERS WEEKLY BEST BOOKS OF 2018CHICAGO REVIEW OF BOOKS 'MOST ANTICIPATED FICTION BOOKS OF 2018' '(A) beautiful book, by a writer who's as original as any I've read all year' Sam Sacks , Wall Street Journal'My favorite Caribbean writer' Junot Diaz'A cloudburst of a novel, swift and compressed- but every page pulses, blood-warm. . . . The prose is so electrifying . . . that, on more than one occasion, I found myself stopping to rub my eyes in disbelief' Parul Seghal, The New York Times 'Haunting, beautiful, and necessary' Buzzfeed'Heir of Joyce and Kafka' Milan Kundera***A profoundly unsettling story of a plantation slave's desperate escape into a rainforest beyond human control, with his master and a ferocious dog on his heels. This flight to freedom takes them on a journey that will transform them all, as the overwhelming physical presence of the forest and its dense primeval wilderness reshapes reality and time itself. In the darkness, the old man grapples with the spirits of all those who have gone before him; the knowledge that the past is always with us, and the injustice that can cry out from beyond the grave. From a Prix Goncourt writer hailed by Milan Kundera as the "heir of Joyce and Kafka," The Old Slave and the Mastiff fearlessly portrays the demonic cruelties of the slave trade and its human costs ­- a wise, loving tribute to the Creole culture of Martinique, and a vividly told journey into the heart of Caribbean history and human endurance.

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In this generously illustrated volume, the distinguished teacher, author, and critic Joyce Brodsky brings together works by the expatriate Chinese painter Yun Gee and his Chinese American daughter, Li-lan, exploring connections between each artist's life and paintings. Yun Gee (1906-1963) was born in China, emigrated as a young man to San Francisco, and after living there and in Paris, spent the latter part of his life in New York City. Li-lan was born in New York to Yun Gee and Helen Wimmer Gee. She still lives and works in and near the city of her birth but has also spent long periods in Japan and more recently in China. Father and daughter alike exemplify the desire to live and work in freedom from the restrictions of national identity, a choice that permits openness to different cultures. For Yun Gee and Li-lan, this openness was never a reflection of trends in the art world but was an element of life itself, fully embraced and therefore embodied in each artist's paintings. Both artists can be understood as cosmopolitan and transnational figures - citizens, in Homi Bhabha's terms, of contemporary culture's “middle passage.” This book, then, although not primarily theoretical, is informed by ideas of hybridity, transnationalism, and cosmopolitanism. As artists who have embraced multinational, multicultural, and multiracial experiences, Yun Gee and Li-lan have combined those experiences intrinsically, sometimes in spite of the pain that such a complex passage may entail. Li-lan was exposed to Yun Gee's paintings and his cultural sophistication when she was a child, and this exposure was crucial to her artistic being. In turn, she has broadened and deepened the audience for her father's art through her archival work, her conservation of and her efforts to encourage exhibitions of his work. For more about Li-lan visit: http://www.li-lan.com

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Three kids venture to the North Pole to help Santa defeat an army of evil elves in this holiday classic from the brilliant mind that brought you The Fantastic Flying Books of Mr. Morris Lessmore.Art Atchinson Aimesworth—inventor, crime fighters, and all-around whiz kid—journeys north with his sister, Esther, and his pal Spaulding, by special invitation from Santa himself. Why did Santa call them to the North Pole? Art wants to know. But when Esther is taken by the Queen of the Dark Elves, Art must put his questions aside and save his sister. This reissue of William Joyce’s epic Christmas adventure now comes complete with lift-the-flap letters from Santa himself!

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'Once upon a time in mid-winter, when the snowflakes were falling from the sky like down, a queen was sitting and sewing at a window ...' The tales gathered by the Grimm brothers are at once familiar, fantastic, homely, and frightening. They seem to belong to no time, or to some distant feudal age of fairytale imagining. Grand palaces, humble cottages, and the forest full of menace are their settings; and they are peopled by kings and princesses, witches and robbers, millers and golden birds, stepmothers and talking frogs. Regarded from their inception both as uncosy nursery stories and as raw material for the folklorist the tales were in fact compositions, collected from literate tellers and shaped into a distinctive kind of literature. This new translation mirrors the apparent artlessness of the Grimms, and fully represents the range of less well-known fables, morality tales, and comic stories as well as the classic tales. It takes the stories back to their roots in German Romanticism and includes variant stories and tales that were deemed unsuitable for children. In her fascinating introduction, Joyce Crick explores their origins, and their literary evolution at the hands of the Grimms. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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She lifted up her granddaughter from the cot, clutched her to her chest and, without looking at her beautiful daughter lying dead on the floor of her bedroom, ran from the house. Only when she was outside did she let a wail escape her lips, frightening the baby who joined in her screams.When Isabel Gallagher is found murdered on the floor of her baby's nursery by her mother, it's a gruelling case for Detective Lottie Parker. Isabel's pyjamas have been ripped, her throat cut and an old-fashioned razor blade placed in her hand. As Lottie looks at the round blue eyes and perfect chubby cheeks of Isabel's baby daughter, she can't understand who would want to hurt this innocent family.That very same day she receives a call with devastating news. Another young mother, Joyce Breslin, has gone missing, and her four-year-old son Evan has been abducted from daycare. Lottie is sure that the missing mother and son are linked to Isabel's death, and when she finds a bloody razor blade in their house, her worst fears are confirmed.Desperate to find little Evan, Lottie leaves no stone unturned as she delves into Isabel and Joyce's pasts and when she realises the two women have been meeting in secret, she knows she must find out why.But when Joyce's body is found in a murky pond and some little bones are found on a windy hillside, it feels as if this merciless killer will stop at nothing. The bones aren't Evan's but can they give Lottie the final clue to find the innocent child before more lives are taken?What everyone's saying about Little Bones:'Wow ! Wow ! Wow ! Just Brilliant !!! This book is a REAL kick in the belly! A disturbing and heartbreaking story that you won't soon forget ! Loved it and highly recommend!' Netgalley reviewer, FIVE STARS'Patricia Gibney's books never disappoint and this one is a really gripping story. The suspense builds and builds until the shocking conclusion, I don't think I drew breath for the last couple of chapters' Goodreads reviewer, FIVE STARS'Twisty and fast paced and had me guessing throughout...I found the story absolutely gripping. Highly recommend' Netgalley reviewer, FIVE STARS

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‘Sebald is the Joyce of the 21st Century’ The TimesWhat begins as the record of W. G. Sebald’s own journey on foot through coastal East Anglia, from Lowestoft to Bungay, becomes the conductor of evocations of people and cultures past and present. From Chateaubriand, Thomas Browne, Swinburne and Conrad, to fishing fleets, skulls and silkworms, the result is an intricately patterned and haunting book on the transience of all things human.‘A novel of ideas with a difference: it is nothing but ideas… Formally dexterous, fearlessly written (why shouldn't an essay be a novel?), and unremittingly arcane; by the end I was in tears’ Teju Cole, Guardian

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What is it that makes us human, yet makes each of us different? Joyce Kloc McClure offers three defining features—we are all finite (limited), contingent (dependent), and free. McClure explains that finitude and contingency are common to all humans, but are also the two characteristics that create differences among us. We make ethical decisions based on our own distinct natures. Finite, Contingent, and Free is a Roman Catholic perspective on ethics written for everyone, not just Roman Catholics. McClure develops an ethical framework for the finite, contingent, and free human being. We begin with self-acceptance—understanding that our reactions to finitude and contingency contribute heavily to who we are. McClure says we then extend that same acceptance to others, making acceptance the proper response to the conditions of human existence, and the foundation for ethics.

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Lucan's great poem, Pharsalia, recounts events surrounding the decisive battle fought near Pharsalus in 48 B.C. during the civil war between the forces of Pompey and Julius Caesar. Though the subject of this unfinished masterpiece is historical, many of its features are characteristic of epic poetry: Rousing battle scenes; tales of witches, monsters, and miracle; detailed catalogues; intricate similes; and speeches with a high degree of rhetorical elegance. However, Lucan's deft mix of humor and horror, of political satire, literary parody, history, and epic is entirely his own. Jane Wilson Joyce's superb translation conveys the drama and poetry of the original. Her use of natural English rhythms in a loose six-beat line comes close to matching the original Latin hexameters, wile her language preserves Lucan's sequence of images. An enlightening introduction, notes, and a full glossary augment the translation.

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Learn the fundamental principles of developing structured program logic and be prepared for success with Joyce Farrell���s PROGRAMMING LOGIC AND DESIGN, 10th EDITION. This edition takes a comprehensive and language-independent approach to programming logic with an emphasis on modern conventions. It avoids technical jargon while introducing universal programming concepts and ensuring strong programming style and logical thinking. Chapters contain figures that illustrate the logic described in the text, and there are diverse and project-rich opportunities for you to creatively apply logic to program designs. Flowcharts and pseudocode are employed to appeal to varied learning styles and preferences. Chapters contain learning objectives, notes and short quizzes, summaries, key terms and multiple-choice review. Plus, there are multiple exercises in developing programming logic, maintaining existing programs, debugging programs that contain errors, and developing simple games.

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Today is no ordinary day. You may perform simple routines, feel uninspired, or lack the excitement of hope. But, depending on how you choose to spend it, today could be the most important one of your life. There is something special in each day, and regularly asking God to reveal it will renew your outlook and unlock your own wonderful purpose. Letting God direct you opens your world to greater happiness and blessings than ever before. This study guide companion to SEIZE THE DAY shares how to achieve a purposeful, fulfilling life with God's help. It explores the main book chapter-by-chapter and delves more deeply into key scriptural passages and themes. With engaging illustrations and thought-provoking questions, this book will help you put Joyce's tested principles into practice and discover the joy-filled life that's meant for you!

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At a time when public commemorations and remembrances often develop into battlefields of contested meanings, historians play an even greater role in shaping the way the American public sees and understands its past. Distinguished historian Joyce Appleby has been at the forefront of many of the recent debates about historians and the public's history. In this engaging work, she brings together her most important reflections on the historian's craft and its importance. A Restless Past carefully examines the ways in which the dynamic events of the second half of the twentieth century have significantly altered the way historians approach the past and highlights the incredible power they hold in shaping a national identity. Through the considerable ideological shifts of the last half century, historians have responded by asking new questions about those who preceded us and created powerful identities for those who had been long ignored.

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First written down in the eighth century AD, these early Irish stories depict a far older world - part myth, part legend and part history. Rich with magic and achingly beautiful, they speak of a land of heroic battles, intense love and warrior ideals, in which the otherworld is explored and men mingle freely with the gods. From the vivid adventures of the great Celtic hero Cu Chulaind, to the stunning 'Exile of the Sons of Uisliu' - a tale of treachery, honour and romance - these are masterpieces of passion and vitality, and form the foundation for the Irish literary tradition: a mythic legacy that was a powerful influence on the work of Yeats, Synge and Joyce.

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What is it that makes us human, yet makes each of us different? Joyce Kloc McClure offers three defining features—we are all finite (limited), contingent (dependent), and free. McClure explains that finitude and contingency are common to all humans, but are also the two characteristics that create differences among us. We make ethical decisions based on our own distinct natures. Finite, Contingent, and Free is a Roman Catholic perspective on ethics written for everyone, not just Roman Catholics. McClure develops an ethical framework for the finite, contingent, and free human being. We begin with self-acceptance—understanding that our reactions to finitude and contingency contribute heavily to who we are. McClure says we then extend that same acceptance to others, making acceptance the proper response to the conditions of human existence, and the foundation for ethics.

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Encuadernación: RústicaColección: Sillon OrejeroJoyce Farmer, una de las pioneras del cómic underground de los EE.UU., finalizó la novela gráfica Un adiós especial con 72 años, tras una década de trabajoUn adiós especial es la crónica de los cuatro últimos años de las vidas de Lars y Rachel, un pareja de ancianos que pasan el tiempo que les queda en su pequeña casa del sur de Los Ángeles. Una historia que aborda los retos, humillaciones, terrores, frustraciones y derrotas de la vejez y la muerte, pero también honra el valor, el humor, el amor y la resistencia de esta pareja y de su familia.Realizado durante una década por Joyce Farmer, una de las pioneras del cómic underground de los Estados Unidos, Un adiós especial cuenta el final de las vidas del padre de la autora y de su madrastra tanto en sus detalles más conmovedores como en los más patéticos y dolorosos.De la misma manera que sus cómics contribuyeron a cambiar los puntos de vista sobre el sexismo en los años 70,

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With a concise, yet comprehensive overview of the topic, Social Marketing and Behaviour Change features a review and analysis of the most validated models of behavior change, using case studies to illustrate these models in practice.Divided into nine sections, the authors and contributors of this unique book discuss in detail the functions of various models including: cognitive, conative, affective, social-cultural and multi-theory - along with consumer behavior decision and social change models.This visual and comprehensible multi-disciplinary book is accessible to professionals in a wide range of fields. In particular researchers and students in the field of social marketing will find the book an invaluable resource.Contributors: T. Aleti, W. Binney, B.J. Biroscak, B. Broome, L. Brennan, C.A. Bryant, A.H. Courtney, O. Daly, M. Devaney, C. Domegan, S. Duane, K.M. Ekström, M.-L. Fry, D. Gallegos, R. Hamilton, M. Howick, J. Joyce, M. Khaliq, R.C. Lefebvre, J.H. Lindenberger, A.B. Mayer, R.J. McDermott, P. McHugh, Z. McQuilten, D. Murphy, D. Nguyen, A.D. Panzera, L. Parker, M.J. Polonsky, J. Previte, A.M.N. Renzaho, R. Russell-Bennett, J. Scott, A.Shahriar Ferdous, M.A. Swanson, A.P. Wright, W. Wymer

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Rochester, Strood & the Hoo Peninsula From Old Photographs examines a diverse and fascinating area. Rochester, with its medieval castle and cathedral, Tudor buildings and Dickensian associations is a busy and vibrant tourist destination. Across the bridge from the ancient city, but far less well known is the town of Strood. Originally a medieval fishing village, which played host to Knights Templar travelling to the Crusades, it evolved over the centuries into a Victorian industrial and commercial hub. To the north of Strood, extending eastwards to the Thames Estuary is the Hoo Peninsula. Its marshes and isolated villages led the area to be denigrated by travellers who stumbled across it. Brian Joyce and Sophie Miller explore the entire area from Rochester to the Isle of Grain, using a unique collection of photographs, prints and postcards. In doing so, they have at last done justice to parts of Kent that have been neglected by historians for so long.

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The #1 Irish Times bestseller An anthology of the very best Irish short stories, selected by Sinéad Gleeson, author of Constellations. There have been many anthologies of the short story as it developed in Ireland, but never a collection like this. The Art of the Glimpse is a radical revision of the canon of the Irish story, uniting classic works with neglected writers and marginalised voices – women, LGBT writers, Traveller folk-tales, neglected 19th-century authors and the first wave of 'new Irish' writers from all over the world now making a life in Ireland. Sinéad Gleeson brings together stories that range from the most sublime realism to the downright bizarre and transgressive, some from established literary figures and some that have not yet been published in book form. The collection draws on a tremendous spectrum of experience: the story of a prank come good by Bram Stoker; Sally Rooney on the love languages of the new generation; Donal Ryan on the pains of ageing; Edna O'Brien on the things we betray for love; James Joyce on a young woman torn between the familiar burdens and oppression of her home and the dangerous lure of romance and escape; and the internal monologue of a woman in a coma by Marian Keyes. Here too are vivid and less familiar stories by Chiamaka Enyi-Amadi, Oein De Bharduin, Blindboy Boatclub and Melatu Uche Okorie. Sinead Gleeson's anthology is a marvellous representation of a rich literary tradition renewing itself in the 21st century. Contributing authors include: Samuel Beckett, Sally Rooney, Melatu Uche Okirie, William Trevor, Marian Keyes, Kevin Barry, Edna O'Brien, Claire-Louise Bennett, Sheridan Le Fanu, Danielle McLaughlin, Máirtín Ó Cathain, Frances Molloy, Blindboy Boatclub, Elizabeth Bowen, Frank O'Connor, Chiamaka Emyi-Amadi, John McGahern, Anne Enright, Mike McCormack, Maeve Brennan, Oein de Bhairduin, Eimear McBride, Seán Ó'Faoláin, Cathy Sweeney.

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A fresh translation of The New Science, with detailed footnotes that will help both the scholar and the new reader navigate Vico’s masterpieceThe New Science is the major work of Italian philosopher Giambattista Vico. First published in 1725 and revised in 1730 and 1744, it calls for a reinterpretation of human civilization by tracing the stages of historical development shared by all societies. Almost unknown during his lifetime, the work had a profound influence on later thinkers, from Montesquieu and Marx to Joyce and Gadamer. This edition offers a fresh translation and detailed annotations which enable the reader to track Vico’s multiple allusions to other texts. The introduction situates the work firmly within a contemporary context and newly establishes Vico as a thinker of modernity.

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The humorous and heart-wrenching story of a woman’s re-entry into life on the outside after twenty years in incarceration, told over one whirlwind Fourth of July weekend. “There’s no one quite like Carlotta Mercedes, the transgender Black Colombian heroine – no, star – of the second novel by Hannaham.” —THE OBSERVER When Carlotta Mercedes was pulled into a robbery gone wrong, she still went by the name she was born with. But not long after her conviction, she began to live as a woman, an embrace of selfhood that prison authorities rejected, keeping Carlotta trapped in an all-male cell block, abused by both inmates and guards. Over twenty years later, Carlotta is granted conditional freedom and returns to a much-changed Brooklyn, where she struggles to reconcile with a family reluctant to accept her identity, and to avoid any minor parole infraction that might get her consigned back to lockup. Didn’t Nobody Give a Shit What Happened to Carlotta sweeps the reader through seemingly every street of Brooklyn, much as Joyce’s Ulysses does through Dublin. Hannaham introduces a cast of unforgettable characters even as it challenges us to confront the glaring injustices of a society and prison system that continues to punish people long after their time has been served.

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The humorous and heart-wrenching story of a woman’s re-entry into life on the outside after twenty years in incarceration, told over one whirlwind Fourth of July weekend. “There’s no one quite like Carlotta Mercedes, the transgender Black Colombian heroine – no, star – of the second novel by Hannaham.” —THE OBSERVER When Carlotta Mercedes was pulled into a robbery gone wrong, she still went by the name she was born with. But not long after her conviction, she began to live as a woman, an embrace of selfhood that prison authorities rejected, keeping Carlotta trapped in an all-male cell block, abused by both inmates and guards. Over twenty years later, Carlotta is granted conditional freedom and returns to a much-changed Brooklyn, where she struggles to reconcile with a family reluctant to accept her identity, and to avoid any minor parole infraction that might get her consigned back to lockup. Didn’t Nobody Give a Shit What Happened to Carlotta sweeps the reader through seemingly every street of Brooklyn, much as Joyce’s Ulysses does through Dublin. Hannaham introduces a cast of unforgettable characters even as it challenges us to confront the glaring injustices of a society and prison system that continues to punish people long after their time has been served.

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A sweeping history of American Catholicism from the arrival of the first Spanish missionaries to the present“Tentler does justice to James Joyce’s quip that Catholicism means ‘here comes everybody.’ This is the story of everybody—lay people, sisters, priests—who was part of the church in the United States, a story insightfully analyzed and admirably told. A definitive synthesis.”—James M. O’Toole, author of The Faithful This comprehensive survey of Catholic history in what became the United States spans nearly five hundred years, from the arrival of the first Spanish missionaries to the present. Distinguished historian Leslie Tentler explores lay religious practice and the impact of clergy on Catholic life and culture as she seeks to answer the question, What did it mean to be a “good Catholic” at particular times and in particular places? In its focus on Catholics’ participation in American politics and Catholic intellectual life, this book includes in‑depth discussions of Catholics, race, and the Civil War; Catholics and public life in the twentieth century; and Catholic education and intellectual life. Shedding light on topics of recent interest such as the role of Catholic women in parish and community life, Catholic reproductive ethics regarding birth control, and the Catholic church sex-abuse crisis, this engaging history provides an up-to-date account of the history of American Catholicism.

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Near to the Wild Heart, published in Rio de Janeiro in 1943, introduced Brazil to what one writer called “Hurricane Clarice”: a twenty-three-year-old girl who wrote her first book in a tiny rented room and then baptized it with a title taken from Joyce: “He was alone, unheeded, near to the wild heart of life.” The book was an unprecedented sensation — the discovery of a genius. Narrative epiphanies and interior monologue frame the life of Joana, from her middle-class childhood through her unhappy marriage and its dissolution to transcendence, when she proclaims: “I shall arise as strong and comely as a young colt.”

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From the great Meiji writer Natsume Soseki, The Miner is an absurdist tale about the indeterminate nature of human personality. 'It makes me very happy that I can read this novel written over a hundred years ago as if it were contemporary and be deeply affected by it. It cannot and should not be overlooked. It is one of my favorites' Haruki Murakami The Miner is the most daringly experimental and least well-known novel of Japanese writer Natsume Soseki. An absurdist tale written in 1908, it was in many ways a precursor to the work of James Joyce and Samuel Beckett. Translated by Jay Rubin, and with an introduction from Haruki Murakami, this is bound to appeal to fans of Japanese literature.

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THE NO.1 INTERNATIONAL BESTSELLERFrom the crowded working-class streets of 1960s Dublin, comes the powerful and inspiring true story of three young sisters who - after years of abuse and trauma - overcame their fears and together, fought for the justice they deserved.Joyce, June and Paula Kavanagh were born to a family of ten in Ballyfermot, Dublin. Sharing a cramped room, they dreaded hearing the noise of their father approaching and grew up in fear, trapped in a house that should have been a home.But when a fateful phone call from their cousin prompts the unravelling of their father's iron grip on his family, the sisters glimpse an opportunity to not only escape, but seek redemption. Can they come together to finally confront their past and put an end to their father's tortuous control?___________This book was previously published under the title Click, Click

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‘A page-turner … nothing less than magical’ Observer ‘An extraordinary slice of suburban noir’ Daily Mail From one of America’s most renowned storytellers comes a novel about love and deceit, and lust and redemption, against a background of child abductions in the affluent suburbs of Detroit. In the waning days of the turbulent 1970s, in the wake of unsolved killings that have shocked Detroit, the lives of several residents are drawn together, with tragic consequences. There is Hannah, wife of a prominent local businessman, who has begun an affair with a darkly charismatic stranger whose identity remains elusive; Mikey, a canny street hustler who finds himself on an unexpected mission to rectify injustice; and the serial killer known as Babysitter, an enigmatic and terrifying figure at the periphery of elite Detroit. As Babysitter continues his rampage of killings, these individuals intersect with one another in startling and unexpected ways. Suspenseful, brilliantly orchestrated and engrossing, Babysitter is a starkly narrated exploration of the riskiness of pursuing alternate lives, calling into question how far we are willing to go to protect those whom we cherish most. In its scathing indictment of corrupt politics, unexamined racism, and the enabling of sexual predation in America, Babysitter is a thrilling work of contemporary fiction. ‘Simply the most consistently inventive, brilliant, curious and creative writer going, as far as I’m concerned’ Gillian Flynn, author of Gone Girl ‘Joyce Carol Oates is a writer who always takes your breath away' Mail on Sunday 'A writer of extraordinary strengths' Guardian

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For a comparatively small country, Ireland’s contributions to the world of literature have been enormous. From the older tradition, Irish writers have inherited a sense of wonder in the face of nature, a narrative style that tends toward the deliberately exaggerated or absurd, a keen sense of the power of satire. These themes carry through the entire canon of Irish literature, up until modern times. Stephen Brennan brings us this collection of classic stories, essays, and fairytales that inform the past and therefore, the present, of our most beloved fiction.This collection of thirty-six stories includes the influential works of Ireland’s most treasured authors, including:• Oscar Wilde• Jonathan Swift• James Joyce• W. B. Yeats• And so many more!In Irish Stories and Folklore, the reader can revisit old favorites like Oscar Wilde’s short story, “The Canterville Ghost” and discover lesser known treasures such as, “The Orangeman: Or the Honest Boy and the Thief” by Maria Edgeworth. The imaginative stories contained in this volume are sure to engage the mind and delight readers looking to enhance their knowledge of the rich history of Irish literature and folklore.Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

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Welcome to Brighton Beach of the 1930s and early '40s as filtered through Simon Sloan, from youth to would-be artist-as-a-young-man at Brooklyn College to the eve of his induction into the army. Wallace Markfield perfectly captures this Jewish neighborhood--its speech, its people, its unique zaniness.But like any masterpiece--Joyce's "Dubliners" comes readily to mind--"Teitlebaum's Window "both survives and expands upon its time and place. While remaining rooted in the specifics of its own world, thirty-seven years after first being published it teems with Markfield's inventiveness, hilarity, and singular voice.

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Caputi offers a broad theory of obscenity in contemporary American culture by answering the questions 'What is obscenity?' and 'How does obscenity operate within the confines of our society?' Drawing on psychoanalytic, postmodernist and feminist theory, she examines examples from many areas of contemporary art and culture ranging from Robert Mapplethorpe's controversial photography to Madonna's mixture of the religious and the erotic in the song 'Like a Prayer,' from novels including Joyce Rebta-Burditt's The Cracker Factory, and Evelyn Waugh's Brideshead Revisited, to films including Bertolucci's Last Tango in Paris, Wim Wender's Wings of Desire, and Spike Lee's Do The Right Thing.

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The four pieces that make up this work are taken from Muldoon's Oxford Clarendon Lectures of 1998. Together, they take the form of an A-Z, or abecedary of Irish literature, in which his imagination forges links between disparate aspects and individuals in the Irish literary landscape, ranging back and forth between modern and medieval. From Beckett and Bowen, through MacNeice, Swift and Yeats - and guided throughout by Joyce - To Ireland, I moves lightly through the long grass of Irish writing. The result is a provocative handbook for the literary traveller, who is treated to an astonishing display of scholarship and idiosyncratic inwardness from Irish literature over the course of a millennium.

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Hand Dyed is a modern introduction to indigo and fiber-reactive dye that every crafter should have. Exploring traditional techniques like shibori and using organic compounds, this comprehensive how-to guide offers everything you need know to create stylish, richly colored and patterned pieces. Classic techniques and natural materials make these projects beautiful and accessible, even for the beginner. Items such as silk blouses, linen wall hangings, drum lampshades, and even a hammock will invite a new generation of design lovers and style mavens to fall in love with this traditional, magical, and surprisingly straightforward process. Anna Joyce is the perfect instructor to teach the skills needed to create more than 25 masterpieces for the home and wardrobe that readers will want to wear, live with, and most importantly, make by hand.

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How did Trump and Brexit go from laughable impossibilities to everyday reality? Why did digital media stop being cool and progressive, and become a reactionary, brainwashing nightmare? And, how did the Left get its act together and start winning again? From right to left, Other People's Politics is the indispensable guide to post-2016 life. 'Other People's Politics is to contemporary political debates what Virginia Woolf's A Room of One's Own was to early feminism: a call for progressives to work tirelessly so that everyone is granted the material conditions necessary for reading a difficult book like James Joyce's Ulysses, if they choose to.' Yanis Varoufakis, former Minister of Finance in Greece's SYRIZA government

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The work of America's Jane Kenyon (1947-95) is one of poetry's rarest and most heart-breaking gifts. After fighting depression for most of her life, Jane Kenyon died from leukemia at the age of 47. Her quietly musical poems are intensely moving, compassionate meditations intently probing the life of the heart and spirit. Observing and absorbing small miracles in everyday life, these apparently simple poems grapple with fundamental questions of human existence. They are psalms of love and death, God and nature, joy and despair. Introduced by Donald Hall and Joyce Peseroff, Let Evening Come also includes an interview with Jane Kenyon, her thoughts on poetry, and her translations of 20 poems by Anna Akhmatova.

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A brilliant and thought-provoking novel about family, loyalty and betrayal Once I’d been Daddy’s favourite. Before something terrible happened. Violet Rue is the baby of the seven Kerrigan children and adores her big brothers. What’s more, she knows that a family protects its own. To go outside the family – to betray the family – is unforgiveable. So when she overhears a conversation not meant for her ears and discovers that her brothers have committed a heinous crime, she is torn between her loyalty to her family and her sense of justice. The decision she takes will change her life for ever. Exploring racism, misogyny, community, family, loyalty, sexuality and identity, this is a dark story with a tense and propulsive atmosphere – Joyce Carol Oates at her very best.

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At the age of twenty-three, Padraic Colum (1881-1972) was one of the founding fathers of the Abbey Theatre. His contribution to the development of Irish drama continued until his voluntary exile to America in 1914. His play, Broken Soil (1903), was the first commercial success at the Abbey, and it established the long-lived tradition of the peasant play on the Irish stage. This collection comprises the three major forms of his dramatic art: The Land (1905); Betrayal (1912); and two of his five Noh plays (a five-play cycle containing poetry and prose following the Yeats and Japanese Model), Glendalough (based on the career of Charles Stewart Parnell), and Monasterboice (based on the early life of Colum’s lifelong friend, James Joyce).

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From cinema and radio broadcasting to the growth of new communication technologies, Modernism and Its Media is the first critical guide to key issues and debates on the changing media contexts of modernist writing. Topics covered include: · Key thinkers, including Walter Benjamin, Theodor Adorno, and Marshall McLuhan · Modernist film – from Eisenstein to the French New Wave cinema · Modernism and mass culture · The history of modernist media and communication technologies · Modernism’s legacies for contemporary new media art With case studies covering such topics as the film writings of Joyce, Woolf and Eliot, popular art and kitsch, the Frankfurt School and the rise of the gramophone, this is an essential guide for students and scholars researching the relationship between modernism and mass media.

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Hard-hitting, page-turning and celebratory of friendship in unlikely circumstances, Joyce Carol Oates' sure touch with small town life hits home in her first young adult novel. Matt Donaghy is the class joker, and Ursula Riggs is the misfit loner. Neither knows the other. But when Matt is suddenly arrested on a charge of threatening to blow up the school and massacre the students, Ursula is the only one who sees through the hysteria and hypocrisy, and corroborates Matt's story. The case is dropped, but Matt's old friends avoid him, and his teachers treat him with kid gloves. Even Ursula, apparently his only friend during the crisis, can't meet his eye. But Ursula can't remain aloof when she catches Matt contemplating suicide – and a strange friendship is born.

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This is the climactic volume on the archaeological and architectural history from ca. 31 B.C. to A.D. 365 of the extramural sanctuary of Demeter and Persephone at Cyrene, Libya. It deals with the impact of Christianity on the cult and the causes of its decline, with particular emphasis on the largest body of evidence recorded anywhere for iconoclastic damage, presumably by Christian populations, to sculpted images of worshippers and twin goddesses. The volume traces the characteristics of major Demeter sanctuaries elsewhere (e.g., Eleusis, Corinth, Pergamon, Acragas, and Selinus) and places Cyrene's sanctuary within the context of this development. The volume also presents the sanctuary's important lapidary and lead inscriptions as analyzed by Joyce Reyonlds. It is the eighth volume in the final reports series for the excavations conducted for the University of Michigan, and subsequently the University of Pennsylvania Museum of Archaeology and Anthropology, between 1969 and 1981. University Museum Monograph, 134

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**The international bestseller** **A Guardian Book of the Autumn 2023** **Chosen as a book of the year by the independent.co.uk** 'Michaels’s writing continues to stand head and shoulders above most other fiction' OBSERVER 'Through luminous moments of chance, change, and even grace, Michaels shows us our humanity' MARGARET ATWOOD 'Michaels is exceptionally open to beauty' GUARDIAN The triumphant new novel from the author of the Orange Prize-winning Fugitive Pieces: a soaring and luminous story of chance and change _________________________________________________ 1917. On a battlefield near the River Escaut, John lies in the aftermath of a blast, unable to move or feel his legs. Struggling to focus his thoughts, he is lost to memory – a chance encounter in a pub by a railway, a hot bath with his lover on a winter night, his childhood on a faraway coast – as the snow falls. 1920. John has returned from war to North Yorkshire, near another river – alive, but not still whole. Reunited with Helena, an artist, he reopens his photography business and endeavours to keep on living. But the past erupts insistently into the present, as ghosts begin to surface in his pictures: ghosts whose messages he cannot understand. So begins a narrative that spans four generations, moments of connection and consequence igniting and re-igniting as the century unfolds. In luminous moments of desire, comprehension, longing, transcendence, the sparks fly upward, working their transformations decades later. Held is a novel like no other, by a writer at the height of her powers: affecting and intensely beautiful, full of mystery, wisdom and compassion. 'I am blown away by the scale, beauty, weave and thinking of this book ... It dances with words, time and ideas in a way that seems to reinvent everything I know about the novel' RACHEL JOYCE

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When Stravinsky's Rite of Spring premiered in Paris in 1913, the crowd rioted in response to the harsh dissonance and jarring rhythms of its score. This was noise, not music. In Sublime Noise, Josh Epstein examines the significance of noise in modernist music and literature. How - and why - did composers and writers incorporate the noises of modern industry, warfare, and big-city life into their work? Epstein argues that, as the creative class engaged with the racket of cityscapes and new media, they reconsidered not just the aesthetic of music but also its cultural effects. Noise, after all, is more than a sonic category: it is a cultural value judgment - a way of abating and categorizing the sounds of a social space or of new music. Pulled into dialogue with modern music's innovative rhythms, noise signaled the breakdown of art's autonomy from social life-even the "old favorites" of Beethoven and Wagner took on new cultural meanings when circulated in noisy modern contexts. The use of noise also opened up the closed space of art to the pressures of publicity and technological mediation. Building both on literary cultural studies and work in the "new musicology," Sublime Noise examines the rich material relationship that exists between music and literature. Through close readings of modernist authors, including James Joyce, T. S. Eliot, Edith Sitwell, E. M. Forster, and Ezra Pound, and composers, including George Antheil, William Walton, Erik Satie, and Benjamin Britten, Epstein offers a radically contemporary account of musical-literary interactions that goes well beyond pure formalism. This book will be of interest to scholars of Anglophone literary modernism and to musicologists interested in how music was given new literary and cultural meaning during that complex interdisciplinary period.

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