Search results for ""Author Joyce"

Set in the Nebraska landscape in a community evocative of Cather’s own (Red Cloud), My Ántonia tells the story of Ántonia Shimerda, a Bohemian immigrant, and Jim Burden, who like Cather was uprooted from Virginia to the Nebraska prairie. Ántonia and Jim, like many of the other characters in this 1918 novel, are based on Cather’s childhood friends. This Norton Critical Edition is based on the first published edition of the novel. It is accompanied by explanatory footnotes, key illustrations, an introduction that gives readers a historical overview of both author and novel, and a note on the text. “Contexts and Backgrounds” is a rich collection of materials organized around the novel’s central themes: “Autobiographical and Biographical Writings,” “Letters,” and “Americanization and Immigration.” Willa Cather, Edith Lewis, Latrobe Carroll, Rose C. Feld, Guy Reynolds, Woodrow Wilson, Peter Roberts, Horace M. Kallen, Sarka B. Hrbkova, and Rose Rosicky, among others, are included. “Criticism” spans a century of scholarship on Willa Cather and My Ántonia, from contemporary reviews by Henry Walcott Boynton, H. L. Mencken, and Elia W. Peattie, among others, to recent critical assessments by Terence Martin, Blanche Gelfant, Jean Schwind, Richard H. Millington, Susan Rosowski, Mike Fischer, Janis Stout, Marilee Lindemann, and Linda Joyce Brown. A Chronology of Cather’s life and work and a Selected Bibliography are also included.

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Selected by #1 bestselling author Lee Child: the twenty finest short stories of 2021. There is no finer form for a crime than the short story. WIthin a few pages, a clue can be discovered, divulged and its significance determined; all else is mere embellishment. The classic mystery tale will be familiar to aficionados and casual readers alike: it was invented by Edgar Allen Poe, popularised by Arthur Conan Doyle, and perfected by Agatha Christie. But mystery fiction has changed a great deal over the years – as have all things – and the writers within these pages present far more than a simple case of crime and resolution. Far from predictable, these stories provide fertile grounds of aberrant circumstances and the poor choices they lead to. You will find diverse methods and motivations, original perspectives and perils. Above all, you will find tales of the extremes of human psychology caused by despair, hate, greed, fear, envy, insanity or love. Featuring stories by: Doug Allyn, Jim Allyn, Ambrose Bierce, Michael Bracken, James Lee Burke, Martin Edwards, John Floyd, Jacqueline Freimor, Alison Gaylin, Sue Grafton, Paul Kemprecos, Stephen King, Janice Law, Dennis McFadden, David Marcum, Tom Mead, David Morrell, Joyce Carol Oates, Sara Paretsky, Joseph Walker, Andrew Welsh-Huggins.

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“This book comes at just the right moment. It is NOT too late if we get together and take action, NOW.” —Jane GoodallFears about climate change are fueling an epidemic of despair across the world: adults worry about their children’s future; thirty-somethings question whether they should have kids or not; and many young people honestly believe they have no future at all.In the face of extreme eco-anxiety, scholar and award-winning author Elin Kelsey argues that our hopelessness—while an understandable reaction—is hampering our ability to address the very real problems we face. Kelsey offers a powerful solution: hope itself.Hope Matters boldly breaks through the narrative of doom and gloom to show why evidence-based hope, not fear, is our most powerful tool for change. Kelsey shares real-life examples of positive climate news that reveal the power of our mindsets to shape reality, the resilience of nature, and the transformative possibilities of individual and collective action. And she demonstrates how we can build on positive trends to work toward a sustainable and just future, before it’s too late.Praise for Hope Matters“Whether you consider yourself a passionate ally of nature, a busy bystander, or anything in between, this book will uplift your spirits, helping you find hope in the face of climate crisis.”—Veronica Joyce Lin, North American Association for Environmental Education “30 Under 30”“A tonic in hard times.”—Claudia Dreyguis, author of Scientific Conversations: Interviews on Science from the New York Times“Beautifully written and an effective antidote against apathy and inaction.”—Christof Mauch, Director, Rachel Carson Center for the Environment and SocietyPublished in Partnership with the David Suzuki Institute.

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An investigation of the phenomenon of the framed formal center in literature of the last 180 years, illuminating both the works and correspondences among works of different genres, periods, and nations. This book concerns the framed center in selected literary works of the 19th to 21st centuries. Such a center involves a critical passage bracketed by two halves of a text that feature language and/or plot that mirror each other. Recognizing the author's formal emphasis on the critical central passage encourages a thoughtful attention to it. Like other literary techniques, including allegory and metaphor, the framed center does not provide a single meaning, but rather makes possible varied meanings depending on the work. And often it features other literary patterns, including parallelism, chiasmus, mise en abyme, and allusion. There have been book-length studies of the framed center in literary works from the Bible through Tristram Shandy, but no such studies have addressed more recent literature. This book's analysis of the framed center in literature of the last 180 years - in works by Poe, Hawthorne, Melville, Thoreau, Carroll, Joyce, Anderson, Hemingway, Hammett, Chandler, Highsmith, Oates, and Zadie Smith - advances interpretation of the design itself and of the individual works, yielding critical breakthroughs. It alsoreveals hitherto unknown correspondences among works of different genres, periods, and nations. This book is a work of practical criticism with substantial interpretive consequences, and it is accessible to a broad audience.

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On Saint Patrick's Day, an Irish American writer visiting Dublin takes a day trip around the city and muses on death, sex, lost love, Irish immigrant history, and his younger days as a student in Europe. Like James Joyce’s Ulysses, Thomas McGonigle’s award-winning novel St. Patrick’s Day takes place on a single day, combining a stream-of-consciousness narrative with masterful old-fashioned storytelling, which samples the literary histories of both Ireland and America and the worlds they influence. St. Patrick’s Day relies on an interior monologue to portray the narrator’s often dark perceptions and fantasies; his memories of his family in Patchogue, New York, and of the women in his life; and his encounters throughout the day, as well as many years ago, with revelers, poets, African students, and working-class Dubliners. Thomas McGonigle’s novel is a brilliant portrait of the uneasy alliance between the Irish and Irish Americans, the result of the centuries-old diaspora and immigration, which left unsettled the mysteries of origins and legacy. St. Patrick’s Day is a rollicking pub-crawl through multi-sexual contemporary Dublin, a novel full of passion, humor, and insight, which makes the reader the author’s accomplice, a witness to his heartfelt memorial to the fraught love affair between ancestors and generations. McGonigle tells the stories both countries need to hear. This particular St. Patrick’s Day is an unforgettable one.

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'Britain's answer to Donna Tartt' Sunday Times'A huge talent' Hilary Mantel'Was this how it was going to be for ever? Wrapping things for customers in womenswear, no conversation. Polishing the counters so her face reflected in the brass and sweeping floors at closing time until the boss said she could leave. How much worse off would she be if she went driving with a stranger for a while?'When sixteen-year-old Joyce Savigear absconds from work to go out with a man she barely knows, she hopes a new, exciting life is just beginning. But, two years later, she is waiting on a railway station in the tranquil English countryside. It's the summer of 1952 and she and her younger brother Charlie have just been released from borstal. Another fresh start awaits - but can Joyce ever outrun the darkness of her past?'What a writer' Richard Osman 'An involving tale of revenge and responsibility, which, while it devastates, also tells us that new lives can be built among the ashes' FT 'The Young Accomplice shows the difference between a book that slides down the surface of things, and one that digs its claws into you and sticks there' The Times

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Ulysses has been read obsessively for a century. What if instead of focusing on the words to understand the structure, design, and history of Joyce’s masterpiece, we pay attention to the numbers?Taking a computational approach, Ulysses by Numbers lets us see the novel’s basic building blocks in a significantly new light—words, paragraphs, pages, and characters, as well as the original print run and the dates marking the beginning and end of its composition. Numbers provide access into Joyce’s creative process, enhanced by graphs, diagrams, timelines, and maps, and they also give us a startling new perspective on the proportions that continue to structure, organize, and pace the reading experience. Numbers are there to help us navigate the history of Ulysses from its earliest material beginnings, and they offer a concrete basis upon which we can explore the big questions about its length, style, origins, readership, and design.An innovative computational reading on both a micro and macro level, Ulysses by Numbers is a timely intervention into debates about the use and abuse of quantitative methods in literary analysis. Eric Bulson demonstrates how reading by numbers can bring us closer to the words of Ulysses, helping us rediscover a novel we thought we already knew.

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Lose yourself in Chocolat - the mesmerising and heart-warming bestseller that celebrates kindness, courage and chocolate. Multi-million copy bestselling author Joanne Harris's delightful novel set in rural France is perfect for fans of Victoria Hislop, Fiona Valpy, Maggie O'Farrell and Rachel Joyce.'A feel-good book of the first order. One to curl up with... Read it' -- OBSERVER'Sensuous and thought-provoking... subtle and brilliant' -- DAILY TELEGRAPH'You are transported to another world. It's perfect escapism.' -- ***** Reader review'A wonderful story told by a world-class storyteller.' -- ***** Reader review'I became totally immersed in this story. I loved it.' -- ***** Reader review**************************************************************************************In the small French village of Lansquenet, nothing much has changed in a hundred years. Then an exotic stranger, Vianne Rocher, blows in on the changing wind with her young daughter, and opens a chocolate boutique directly opposite the church. Soon the villagers cannot keep away, for Vianne can divine their most hidden desires.But it's the beginning of Lent, the season of abstinence, and Father Reynaud denounces her as a serious moral danger to his flock. Perhaps even a witch.If Vianne's chocolaterie is to survive, it will take kindness, courage and a little bit of magic...Chocolat is Joanne Harris's first book about Vianne Rocher, and was turned into the Oscar-nominated film starring Juliette Binoche and Johnny Depp. The story of Vianne and her daughters continues in The Lollipop Shoes, Peaches for Monsieur le Curé, and The Strawberry Thief.

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Ezra Pound was born in 1885 in Hailey, Idaho. He came to Europe in 1908 and settled in London, where he became a central figure in the literary and artistic world, befriended by Yeats and a supporter of Eliot and Joyce, among others. In 1920 he moved to Paris, and later to Rapallo in Italy. During the Second World War he made a series of propagandist broadcasts over Radio Rome, for which he was later tried in the United States and subsequently committed to a hospital for the insane. After thirteen years, he was released and returned to Italy; dying in Venice in 1972.

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Modernism is usually thought of as a shock wave of innovations hitting art, architecture, music, cinema and literature - the work of Picasso, Joyce, Schoenberg, movements like Futurism and Dada, the architecture of Le Corbusier, T.S. Eliot's The Wasteland and the avant-garde theatre of Bertolt Brecht or Samuel Beckett. But what really defines modernism? Why did it begin and how long did it last? Is Modernism over now? Chris Rodriguez and Chris Garratt's brilliant graphic guide is a brilliant exploration of the last century's most thrilling artistic work - and what it's really all about.

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Descubre tus dones unicos y atrevete a ser diferente con la autora numero uno en ventas del New York Times y reconocida maestra de la Biblia, Joyce Meyer. Dios te ha dado talentos y habilidades para que puedas cumplir su proposito en tu vida, pero si eres como muchas personas, es posible que aun no los hayas reconocido. A menudo, el mundo en el que vivimos nos presiona a vivir a la altura de una determinada imagen, en lugar de ser las personas unicas en las que Dios nos ha creado. Por lo tanto, permite que Dios te muestre que tienes de especial en la forma que El te hizo. Conviertete en una persona autentica y unica, porque Dios nunca te ayudara a ser nadie mas que tu misma! El te ama tal como eres. Deja que Dios te use, con todas tus fortalezas y debilidades, y te transforme de adentro hacia afuera para hacer algo mucho mas maravilloso que tus suenos mas extravagantes.Discover your unique gifts and dare to be different with #1 New York Times bestselling author and renowned Bible teacher Joyce Meyer.God has given you talents and abilities so you can fulfill His purpose for your life, but if you're like a lot of people, you may not have recognized them yet. The world we live in often pressures us to live up to a certain image, rather than be the unique individuals God has created us to be, so let God show you what's special about the way He made you.Become Authentically, Uniquely You because God is never going to help you be anyone but yourself! He loves you just as you are. Let God use you, with all your strengths and weaknesses, and transform you from the inside out to do something more wonderful than your wildest dreams.

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'I wrote Look Great, Feel Great, because I can truthfully say that I feel better physically, mentally, emotionally and spiritually right now than I have ever felt in my life.''No matter what age or condition you are in, you can do the same.'Joyce Meyer's acclaimed New York Times bestseller: - Provides a twelve-key plan for overcoming the poor eating and exercise habits that prevent us from fulfilling our potential - Demonstrates the amazing spiritual benefits of a healthier lifestyle - Digs beneath the self-respect crisis that threatens society today - Includes a Daily Self-Maintenance Checklist and Quick-Fix Emergency Sheet

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From its earliest days under English rule, New York City had an unusually diverse ethnic makeup, with substantial numbers of Dutch, English, Scottish, Irish, French, German, and Jewish immigrants, as well as a large African-American population. Joyce Goodfriend paints a vivid portrait of this society, exploring the meaning of ethnicity in early America and showing how colonial settlers of varying backgrounds worked out a basis for coexistence. She argues that, contrary to the prevalent notion of rapid Anglicization, ethnicity proved an enduring force in this small urban society well into the eighteenth century.

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'ONE OF THE GENRE'S STANDOUT STARS - THERE IS SO MUCH HEART IN THIS BOOK!' heat Escape to the beautiful town of Littlewood with this heart-warming read, perfect for fans of Cathy Bramley, Holly Hepburn and Jo Thomas. Welcome to Brew, a cafe where kindness is almost as important as coffee... almost!Abbie has fled London and the humiliation of not being able to make rent after being made redundant. Her sister, Louise, unlucky in love, has thrown herself into her career at the local hospital. And Eszter, who has travelled from Hungary with her daughter Zoe, is hoping to fulfil her husband's dying wish: to reunite his family. This summer, three very different women are inspired by the random acts of kindness written up on the Kindness Board at Brew, and decide to make a pact to be kinder to others and to themselves.Can a little bit of kindness really change your life? Eszter, Abbie and Louise are about to find out!**Summer at the Kindness Cafe was previously published as a four-part serial titled Random Acts of Kindness. This is the complete story in one package.**Your favourite authors LOVE Summer at the Kindness Cafe: 'A heart-warming read - cosy and comforting. I loved it!' HEIDI SWAIN‘Utterly gorgeous, a totally heart-warming, beautiful story. I loved every single page!’ HOLLY MARTIN'A really lovely story - heart-warming and life affirming' JO THOMAS‘Warmth and kindness on every page’ SHEILA O'FLANAGAN‘I adored Summer at The Kindness Café - it's such a cosy, heart-warming read’ JENNIFER JOYCE'Summer at the Kindness Cafe ticks all the feel-good boxes' HOLLY HEPBURN, author of A Year at the Star and Sixpence‘An entertaining and timely reminder that a random act of kindness can change not only someone's day, but also someone's life’ PENNY PARKES, author of Best Practice‘Such an uplifting, warm story, with characters I already feel like I know. I loved every minute of it!’ CRESSIDA MCLAUGHLIN‘Victoria Walters has such a wonderful, fresh voice and the characters really do leap off the page. The perfect pick-me-up, and a timely reminder of the importance of kindness in every part of life’ PHOEBE MORGAN

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Perversely, but perhaps appropriately, Aidan Higgins--one of the few contemporary writers worthy of comparison with Beckett and Joyce, now celebrating his 85th year--has chosen to wait until his sight has nearly left him to assemble this collection of visual treats. A commonplace book of anecdotes and cartoons--the latter never before published, though familiar to all of Higgins's correspondents from the margins of his letters and postcards--"Blind Man's Bluff" is a compendium of tart and comic insights into sight itself, as well as other varied indignities: personal, historical, and literary.

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Ireland has long been a nation of story-tellers. What began as a lively form of entertainment has grown into an unrivalled literary genre. Although Ireland may mourn the loss of the seanchaí, the old hearthside story-teller, the Irish art of story-telling is by no means lost. This varied anthology traces the development of the Irish short story from the early folk-tales of the oral tradition through Oliver Goldsmith, Maria Edgeworth, James Joyce, and Liam O'Flaherty, and on to the rising stars of the modern generation, such as Bernard Mac Laverty and Desmond Hogan.

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Tomorrow’s Tomorrow is a pioneering sociological study of black girls growing up in the city. The author, in a substantial new introduction, considers what has changed and what has remained constant for them since the book was first published in 1971. Joyce A. Ladner spent four years interviewing, observing, and socializing with more than a hundred girls living in the Pruitt-Igoe housing project in St. Louis. She was challenged by preconceived academic ideas and labels and by her own past as a black child in rural Mississippi. Rejecting the white middle-class perspective of “deviant” behavior, she examined the expectations and aspirations of these representative black girls and their feelings about parents and boyfriends, marriage, pregnancy, and child-rearing. Ladner asked what life was like in the urban black community for the “average” girl, how she defined her roles and behaviors, and where she found her role models. She was interested in any significant disparity between aspirations and the resources to achieve them. To what extent did the black teenager share the world of her white peers? If the questions were searching, the conclusions were provocative. According to Ladner, “The total misrepresentation of the Black community and the various myths which surround it can be seen in microcosm in the Black female adolescent.”

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This authoritative visual guide to the artistic materials and painting techniques of J. M. W. Turner brings to life the skills of one of the world’s greatest artists. Details of his watercolours and oil paintings, usually only available to small numbers of museum professionals, and an experienced artist’s recreation of his core painting processes, combine with in-depth research into Turner’s use of new materials to give unique insights into his creative processes. How Turner Painted brings new research and understanding to the subject since the publication of the author’s earlier book Turner’s Painting Techniques (1993). Joyce Townsend, senior conservation scientist at Tate, which houses the majority of Turner’s work and is a centre of expertise on the artist, has revisited, updated and continued the examination of his innovative use of materials and early adoption of new colours. Comparisons are drawn across oil painting and watercolour to illustrate how Turner built up an image, and what his numerous unfinished works can tell us about his working methods. With a foreword by art historian Nicola Moorby and a chapter contributed by artist Tony Smibert, the book will coincide with two major new exhibitions planned for 2020, at Tate Britain and at the Queen Victoria Museum and Art Gallery in Tasmania.

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Contributors: Harold Short, Janet Bately, Stewart Brookes, Mary Clayton, Julie Coleman, Patrick W. Conner, Janet M. Cowen, Ivan Herbison, Joyce Hill, Susan Irvine, Peter Jackson, Christian J. Kay, Hugh Magennis, Janet L. Nelson, Eamonn O Carragáin, Lucy Perry, Edward Pettit, Jane Roberts, Gopa Roy, Katharine Scarfe Beckett, Donald Scragg, E.G. Stanley, Louise Sylvester, Paul Szarmach

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The clarity of Joyce's translation highlights the poem's superb versification, sophisticated use of intertextuality, and bold formal experimentation and innovation. A substantial introduction and annotations make this epic accessible to students of all levels. The Thebaid, a Latin epic in twelve books by Statius (c. 45–96 C. E.) reexamines events following the abdication of Oedipus, focusing on the civil war between the brothers Eteocles, King of Thebes, and Polynices, who comes at the head of an army from Argos to claim his share of royal power. The poem is long—each of the twelve books comprises over eight hundred lines—and complex, and it exploits a broad range of literary works, both Greek and Latin. Severely curtailed though he was by the emperor Domitian and his Reign of Terror, Statius nevertheless created a meditation on autocratic rule that is still of political interest today. Popular in its own time and much admired in the Middle Ages and the Renaissance—most notably by Dante and Chaucer—the poem fell into obscurity and has, for readers of English, been poorly served by translators. Statius composed his poem in dactylic hexameters, the supreme verse form in antiquity. In his hands, this venerable line is flexible, capable of subtle emphases and dramatic shifts in tempo; it is an expressive, responsive medium. In this new and long-awaited translation the poet Jane Wilson Joyce employs a loose, six-beat line in her English translation, which allows her to reveal something of the original rhythm and of the interplay between sentence structure and verse framework.

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For Joyce, literature 'is the eternal affirmation of the spirit of man'. Written between 1914 and 1921, Ulysses has survived bowdlerization, legal action and bitter controversy. An undisputed modernist classic, its ceaseless verbal inventiveness and astonishing wide-ranging allusions confirms its standing as an imperishable monument to the human condition. Declan Kiberd says in his introduction that Ulysses is 'an endlessly open book of utopian epiphanies. It holds a mirror up to the colonial capital that was Dublin on 16 June 1904, but it also offers redemptive glimpses of a future world which might be made over in terms of those utopian moments.'This Annotated Student Edition has full explanatory notes and line numbers for critical reference.

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Why are dragons recognised in almost all cultures on Earth? What is the mysterious geomantic gold they secretly guard? Could dragons be a folk memory of something which once hunted us? In this beautiful little book Joyce Hargreaves tells the story of these extraordinary animals through examples drawn from all over the world. Richly illustrated, and with detailed appendices of notable dragon sites around the United Kingdom, this is an essential dragonologists guide. WOODEN BOOKS are small but packed with information. "Fascinating" FINANCIAL TIMES. "Beautiful" LONDON REVIEW OF BOOKS. "Rich and Artful" THE LANCET. "Genuinely mind-expanding" FORTEAN TIMES. "Excellent" NEW SCIENTIST. "Stunning" NEW YORK TIMES. Small books, big ideas.

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A lively tale about a fun-loving cat learning to accept change, imaginatively illustrated by the award-winning Petr Horácek.Mischievous Mister Boo loves to give everyone he meets a surprise. He shocks the baby birds, the baby rabbits and the baby owls. BOO! But one day he wakes up without his usual energy and no one seems to take any notice of him. Will Mister Boo learn to accept change and find joy again? A buoyant second collaboration between the acclaimed writer Joyce Dunbar and world-renowned illustrator Petr Horácek.

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A lively tale about a fun-loving cat learning to accept change, imaginatively illustrated by the award-winning Petr Horácek.Mischievous Mister Boo loves to give everyone he meets a surprise. He shocks the baby birds, the baby rabbits and the baby owls. BOO! But one day he wakes up without his usual energy and no one seems to take any notice of him. Will Mister Boo learn to accept change and find joy again? A buoyant second collaboration between the acclaimed writer Joyce Dunbar and world-renowned illustrator Petr Horácek.

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WITH AN INTRODUCTION BY MICHAEL MOORCOCKAngela Carter was one of the most important and influential writers of our time: a novelist of extraordinary power and a searching critic and essayist.This selection of her writing, which she made herself, covers more than a decade of her thought and ranges over a diversity of subjects giving a true measure of the wide focus of her interests: the brothers Grimm; William Burroughs; food writing, Elizbaeth David; British writing: American writing; sexuality, from Josephine Baker to the history of the corset; and appreciations of the work of Joyce and Christina Stead.

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This groundbreaking new translation of The Interpretation of Dreams is the first to be based on the original text published in November 1899. It restores Freud's original argument, unmodified by revisions he made following the book's critical reception which included, under the influence of his associate Wilhelm Stekel, the theory of dream symbolism. Reading the first edition reveals Freud's original emphasis on the use of words in dreams and on the difficulty of deciphering them and Joyce Crick captures with far greater immediacy and accuracy than previous translations by Strachey's Freud's emphasis and terminology. An accessible introduction by Ritchie Robertson summarizes and comments on Freud's argument and relates it to his early work. Close annotation explains Freud's many autobiographical, literary and historical allusions and makes this the first edition to present Freud's early work in its full intellectual and cultural context. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Michaelmas term, 1940. 18-year-old John Kemp has come down from Lancashire to Oxford University to begin his scholarship studying English. But when he invents an imaginary sister to win the attention of a rich but unreliable 'friend', and then falls in love for real, undergraduate life becomes its own strange world .'Absolutely contemporary - perhaps even prophetic.' Joyce Carol Oates'Remarkable . A book about innocence.' Simon Garfield'A cryptic literary manifesto [about] discovering a literary personality, and the consolation art can provide.' Andrew Motion

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Acclaimed biographer of James Joyce, Edna O’Brien has written a “jaunty” (The New Yorker) biography that suits her fiery and charismatic subject. She follows Byron from the dissipations of Regency London to the wilds of Albania and the Socratic pleasures of Greece and Turkey, culminating in his meteoric rise to fame at the age of twenty-four. With “a novelist’s understanding of tempo and characterization” (Miami Herald), O’Brien captures the spirit of the man and creates an indelible portrait that explodes the Romantic myth. Byron, as brilliantly rendered by O’Brien, is the poet as rebel, imaginative and lawless, and defiantly immortal.

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'Pilgrimage' was the first expression in English of what it is to be called 'stream of conciousness' technique, predating the work of both Joyce and Woolf, echoing that of Proust with whom Dorothy Richardson stands as one of the great innovatory figures of our time. These four volumes record in detail the life of Miriam Henderson. Through her experience - personal, spiritual, intellectual - Dorothy Richardson explores intensely what it means to be a woman, presenting feminine conciousness with a new voice, a new identity.One of the real achievements of our time... Miss Richardson has achieved a miracle of performance - Rebecca West

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From a "comic strip" papyrus dating from Egypt's New Kingdom to the works of Stein, Joyce, and Barth, "nonsense" texts reveal a set of possibilities as rich and complex as the more conventional system of "making sense" from which they are derived. Examining palindromes, children's rhymes, puns, anagrams, code languages, and other texts, Susan Stewart explores the labyrinthine relationships between common sense and nonsense-- and presents an original contribution to the fields of folklore, literary theory, anthropology, and sociology by analyzing nonsense within an expansive context of the social manufacture of order and disorder.

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Enlivened with profiles and vignettes of some of the remarkable people whose histories inform this study, Stepping Lively in Place shows how single, free women navigated life in a busy slave-encrusted river-port town before, during, and after the Civil War. It examines how single women in one city (including prostitutes, entrepreneurs, and elite plantation ladies) coped with life unencumbered, or unprotected, by husbands. The book pays close attention to the laws affecting southern gender and sociocultural traditions, focusing especially on how the town’s single women maneuvered adroitly but guardedly within the legal arena in which they lived.Joyce Linda Broussard looks at all types of single women—black and white, law-abiding and criminal—including spinsters, widows, divorcees, and abandoned women. She demonstrates the nuanced degrees to which these women understood that the legal, cultural, and social traditions of their place and time could alternately constrain or empower them, often achieving thereby a considerable amount of independence as women. Before the Civil War, says Broussard, the town’s patriarchal community tolerated (often reluctantly) even the most independent-minded (and often disorderly) single women—as long as their behaviour left unchallenged the institutions of white male mastery, slavery, and marriage. She explores the impact of the Civil War and Reconstruction on the town’s single women, especially when thousands of formerly enslaved women and new widows swelled their ranks. With slavery dead and male authority undermined, Broussard demonstrates how the not-married women of postbellum Natchez confronted a world turned inside out with a determinedly resolute dexterity.

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The average person has 70,000 thoughts every day, and many of those thoughts trigger a corresponding emotion. No wonder so many of us often feel like we're controlled by our emotions. Our lives would be much improved if we controlled them.In LIVING BEYOND YOUR FEELINGS, Joyce Meyer examines the gamut of feelings that human beings experience. She discusses the way that the brain processes and stores memories and thoughts, and then - emotion by emotion - she explains how we can manage our reactions to those emotions. Through this, she gives the reader a toolbox for managing the way we react to the onslaught of feelings that can wreak havoc on our lives.

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Of course you know the Guardians of Childhood. You've known them since before you can remember and you'll know them 'til your memories are like twilight: Santa, The Tooth Fairy, The Sandman, The Easter Bunny and the others. But...where did they come from? How did they became beloved, and worthy of holidays? Wonder no more, because William Joyce is here to answer your questions. This, the second book in the Guardians picture book series, will provide the background, the history, the life of Sanderson Man Snoozy. You may be more familiar with his nickname-the Sandman-but you are certainly privy to his legend, to his ability to control and manipulate sweet dreams... for those who deserve them.

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In Gender and Genre in the Folklore of Middle India, Joyce Burkhalter Flueckiger analyzes six representative Indian folklore genres from a single regional repertoire to show the influence of their intertextual relations on the composition and interpretation of artistic performance. Placing special emphasis on women’s rituals, she looks at the relationship between the framework and organization of indigenous genres and the reception of folklore performance. The regional repertoire under examination presents a strikingly female-centered world. Female performers and characters are active, articulate, and frequently challenge or defy expectations of gender. Men also confound traditional gender roles. Flueckiger includes the translations of two full performance texts of narratives sung by female and male storytellers respectively.

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Naming the Father is a collection of essays on the subject of fatherhood: its enduring power, its secret ruses, its unsettling provocations. Despite the considerable critical attention devoted to motherhood in literature-and despite the late-twentieth-century focus on patriarchy-there is surprisingly no comparable collection on fatherhood. This volume was born of the conclusion that critics of modern and contemporary literature may comprehend the father too little for presuming to have comprehended patriarchy so much. Naming the Father begins with a series of nonfiction essays that attempts to locate the missing father in the individual experiences of three scholars at various stages of their careers. The following thematically grouped sections recover and discuss fatherhood in fields ranging from Caribbean fiction to African American drama and in the work of authors as diverse as Rebecca West, Anzia Yezierska, William Burroughs, and Stephen Wright, as well as Henry James and James Joyce. A variety of critical approaches, from biographical to deconstructive, activate and engage with the cultural, national, and global implications of fatherhood for the family and for the future of literary studies. Scholars and students of contemporary literature, cultural studies, and gender studies will find this book a fascinating and invaluable collection.

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Since W. B. Yeats wrote in 1890 that "the man of science is too often a person who has exchanged his soul for a formula," the anti-scientific bent of Irish literature has often been taken as a given. Science, Technology, and Irish Modernism brings together leading and emerging scholars of Irish modernism to challenge the stereotype that Irish literature has been unconcerned with scientific and technological change. The collection spotlights authors ranging from James Joyce, Elizabeth Bowen, Flann O’Brien, and Samuel Beckett to less-studied writers like Emily Lawless, John Eglinton, Denis Johnston, and Lennox Robinson. With chapters on naturalism, futurism, dynamite, gramophones, uncertainty, astronomy, automobiles, and more, this book showcases the far-reaching scope and complexity of Irish writers’ engagement with innovations in science and technology.Taken together, the fifteen original essays in Science, Technology, and Irish Modernism map a new literary landscape of Ireland in the twentieth century. By focusing on writers' often-ignored interest in science and technology, this book uncovers shared concerns between revivalists, modernists, and late modernists that challenge us to rethink how we categorize and periodize Irish literature.

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LRB BOOKSHOP'S AUTHOR OF THE MONTH ONE OF THE GUARDIAN'S BEST BOOKS OF 2019WITH A NEW AFTERWORD BY MICHAEL HOFMANN'If you haven't read Bernhard, you will not know of the most radical advance in fiction since Joyce ... My advice: dive in.' Lucy Ellmann'I absolutely love Bernhard: he is one of the darkest and funniest writers ... A must read for everybody.' Karl Ove KnausgaardInstead of the book he is meant to write, Rudolph, a Viennese musicologist, produces this dark and grotesquely funny account of small woes writ large, of profound horrors detailed and rehearsed to the point of distraction. We learn of Rudolph's sister, whose help he invites then reviles; his 'really marvellous' house which he hates; the suspicious illness he carefully nurses; his ten-year-long attempt to write the perfect opening sentence; and his escape to the island of Majorca, which turns out to be the site of someone else's very real horror story, and ultimately brings him no release from himself.Concrete is Thomas Bernhard at his very finest: a bleakly hilarious insight into procrastination and failure that scratches the murky depths of our souls.

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Lewis Carroll's nonsense poems have been astonishingly popular with children and adults alike since the first publication of Alice in Wonderland in 1865, and have influenced the work of a host of modern writers, including James Joyce, Jorge Luis Borgese and Vladimir Nabokov. This selection of Carroll's verse serves as an introduction to his work. It includes the best-known Alice poems as well as "Sylvie and Bruno", "The Hunting of the Snark" and pieces from Phantasmagoria. The text is illustrated with a number of the evocative original Tenniel drawings.

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Alfred Day wanted his war. In its turmoil he found his proper purpose as the tail-gunner in a Lancaster bomber; he found the wild, dark fellowship of his crew, and - most extraordinary of all - he found Joyce, a woman to love. But that's all gone now - the war took it away. Maybe it took him, too.Now in 1949, employed as an extra in a war film that echoes his real experience, Day begins to recall what he would rather forget...

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'The single most influential spokesperson for organic psychedelics' The Independent With a new foreword from Dennis McKenna.From renowned ethnobotanist and psychonaut Terence McKenna comes this surreally mind-bending adventure into the depths of the human experience.True Hallucinations is a mesmerising odyssey of McKenna's travels in the Amazon with a band of friends during the 1970s. From mushrooms and flying saucers to pirates and James Joyce, McKenna uncovers the limitless potential of organic psychedelics to open our minds, bodies and spirits to higher states of being.

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If the invention of literary modernism is usually attributed to Joyce, Eliot and Pound, it was Pound's personality and position in the artistic world that enabled the experiment to transform itself into an international movement. In 1926 Pound brought together the body of his shorter poems into a definitive collection which would illustrate the hallmarks of the new style. This collection, where Pound presented himself in a variety of characters or 'masks', was called Personae. In 1926, Personae's publication gave solidity to a movement; today the work stands as one of the classic texts of the twentieth century.

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From werewolves and vampires, to demons and aliens, the monster is one of the most recognizable figures in horror. But what makes something, or someone, monstrous? Award-winning and up-and-coming authors like Richard Kadrey, Cassandra Khaw, Indrapramit Das, Priya Sharma, and more attempt to answer this question. These all-new stories range from traditional to modern, from mainstream to literary, from familiar monsters to the unknown … and unimaginable. This chilling collection has something to please—and terrify—everyone, so lock your doors, hide under your covers, and try not to scream. Contributors include: Ian Rogers, Fran Wilde, Gemma Files, Daryl Gregory, Priya Sharma, Brian Hodge, Joyce Carol Oates, Indrapramit Das, Siobhan Carroll, Richard Kadrey, Norman Partridge, Garry Kilworth, Caitlín R. Kiernan, Chikodili Emelumadu, Glen Hirshberg, A. C. Wise, Stephen Graham Jones, Kaaron Warren, Livia Llewellyn, Carole Johnstone, Margo Lanagan, Joe R. Lansdale, Brian Evenson, Nathan Ballingrud, Cassandra Khaw, Laird Barron, Kristi DeMeester, Jeffrey Ford, and John Langan

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This study of color, space, and creativity focuses on texts by Virginia Woolf, D. H. Lawrence, Joyce Cary, Lawrence Durrell, and A. S. Byatt. The author examines Woolf's structural use of color in To the Lighthouse and Lawrence's colorful visualizing of place in Sea and Sardinia and the Letters. Lawrence interprets the creative process in Apocalypse, tracing spiral rhythms that culminate in vision, while Cary, in The Horse's Mouth, dramatizes an artist's vision of 'the world of colour'. Durrell expands the power of color through metaphor in his island scapes and in The Alexandria Quartet distills the city's ethos in a 'cyclorama' that fuses sensations and memories. The final four chapters focus on Byatt's novels, starting with the creative-critical dialectic of The Shadows of the Sun and hyper-intense perception in The Virgin in the Garden. Painting comes to full bloom in Still Life, where Van Gogh's study of a breakfast table inspires a surrogate writer to compare words and paint. In The Matisse Stories Byatt improvises on the artist's color combinations and compositional philosophy. Highlighting interactions of color, space, and creativity that take on ontological dimensions, Stewart's study will lead to ongoing reflections on the roles of color and space in modernist texts.

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Presented here is a new form of psychoanalysis, one that is centered on women as seen by women. Women Analyze Women contains interviews with nineteen of the most prominent and innovative women analysts and writers. The authors have persuaded them to speak freely on topics such as feminism, sexuality, love, gender differences, and sometimes their lives as anlysts and analysands, political activists, wives, and mothers. Personal and intimate, these sessions cut across theoretical barriers and allow the analysts to speak directly and candidly, as the following excerpt from the interview with JOyce McDougall shows: "Men and women deal with tender and erotic feelings differnetly. If I speek in very simple terms, it seems to me that women are constatnly eager to stabilize their love relationships and within those, their sexual relationships. They are always terrified of abandonment, rejection, and loss. The men are terrified of getting caught. It is a wonder that the sexes ever get together at all. Men are frantic about getting trapped, and women are frantic about being left." The book offfers intriguing, provocative, and stimulating discussions of critical issues, revealng a number of startling differences and remarkable similarities among the more avant-garde French anlaysts and the more tarditional Anglo-American schools.

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In the five novels by Ireland's greatest comic writer we can explore the full range of his invention, from the multi-layered madness of At Swim-Two-Birds to the piercing realism of The Hard Life and the surreal logic of The Third Policeman. This is a world where bicycles listen to conversations, inventors search formethods of 'diluting' water, and characters play truant while novelists sleep; a world where spiteful fairies wreak havoc and heroes from legend blunder into suburban sitting-rooms. This is recognizably the Ireland of Joyce and Beckett - rowdy, high-spirited, by turns sensual and and cerebral -transformed by O'Brien's unique vision.

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Four very different women have made their way from Africa to Brussels. They have come to claim for themselves the riches they believe Europe promises but when Sisi, the most enigmatic of the women, is murdered, their already fragile world is shattered.Drawn together by tragedy, the remaining three women - Joyce, a great beauty whose life has been destroyed by war; Ama, whose dark moods manifest a past injustice; Efe, whose efforts to earn her keep are motivated by a particular zeal - slowly begin to share their stories. They are stories of terror, of displacement, of love, and of a sinister man called Dele.

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LRB BOOKSHOP'S AUTHOR OF THE MONTH ONE OF THE GUARDIAN'S BEST BOOKS OF 2019'If you haven't read Bernhard, you will not know of the most radical advance in fiction since Joyce ... My advice: dive in.' Lucy Ellmann'I absolutely love Bernhard: he is one of the darkest and funniest writers ... A must read for everybody.' Karl Ove KnausgaardMid-century Austria. Three aspiring concert pianists - Wertheimer, Glenn Gould, and the narrator - have dedicated their lives to achieving the status of a virtuoso. But one day, two of them overhear Gould playing Bach's Goldberg Variations, and his incomparable genius instantly destroys them both. They are forced to abandon their musical ambitions: Wertheimer, over a tortured process of disintegration that sees him becoming obsessed with both writing and his own sister, with whom he has a quasi-incestuous relationship culminating in death; and the narrator, instantly, retreating into obscurity to write a book that he periodically destroys and restarts. Written as a monologue in one remarkable unbroken paragraph, Thomas Bernhard's dazzling meditation on failure, genius, and fame is a radical new reading experience: musical, paralysing, raging, and inimitable.

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Discover James Joyce's impressionistic portrait of a young man finding his artistic voice in A Portrait of the Artist as a Young Man, reissued to coincide with 100 years since the first publication of his epic masterpiece, Ulysses EDITED BY HANS WALTER GABLER; WITH INTRODUCTIONS BY DR DIETER FUCHS AND JOSEPH O'CONNORAgainst the backdrop of nineteenth century Dublin, a boy becomes a man: his mind testing its powers, obsessions taking hold and loosening again, the bonds of family, tradition, nation and religion transforming from supports into shackles; until the young man devotes himself to the celebration of beauty, and reaches for independence and the life of an artist.

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