Search results for ""author "george"""

A short introduction to the life and work of Italian-born designer, George Giusti, examining his eclectic aesthetic of refined Modernism. George Giusti, an Italian-born and educated designer, first established a professional practice in Switzerland and later, in the United States. Giusti's unique designs became widely praised covers for publications such as Fortune,Holiday, Modern Packaging, Graphis and Time. With multidisciplinary talents, Giusti also created sculptures, metalwork and designed several architectural projects reflecting his eclectic aesthetic of refined Modernism. This is the sixth title in the Graphic Design Archives Chapbook Series. This series celebrates the achievements of key design pioneers whose work is held in the Cary Graphic Arts Collection at RIT Libraries. From the inaugural acquisition in 1986, RIT's holdings have grown to include the work of 36 significant American graphic designers, active from the 1920s to the 1950s. NED DREW heads the Graphic Design area at Rutgers University-Newark andis also a founding partner of the multidisciplinary design firm BRED, which is based in New York City. BRENDA McMANUS is an Assistant Professor of Graphic Design at Pace University and founding partner and creative director of BRED.PAUL STERNBERGER, Associate Professor of Art History at Rutgers University-Newark, specializes in American Art and the History of Photography.

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In 1965/66 Georg Baselitz created the monumental series “The Heroes” and “New Types”, which he presented in wild colour and with defiant style. By turning his attention towards the tradition of representational painting his work formed a striking contrast to the trends towards abstraction and Expressionism prevailing during the 1960s, thereby embarking on his own unique path. In his sceptical basic attitude towards post-war Germany Baselitz (* 1938) emphasised in his works the ambivalent aspects of the present in which he lived. His “Heroes” appear correspondingly contradictory with their military fatigues in tatters, their failure as deeply engraved as their resignation. The contrast to the success story of Western Germany’s economic miracle could hardly be more sharply defined, but there is more at stake: with this group of works the artist reflected his own position in relation to society. It was the artist’s self-assertion and determination of identity that were at stake and that Baselitz formulated so forcefully.

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Krampf's exclusive collection of Goerges Braque's post-Cubist paintings reveals both Braque's pioneering individuality and craftsmanship in the history of Modern Art. Oras the artist once said himself, I do not do as I want, I do as I can.Progress in art does not consist in expanding one's limitations, but in knowing them better.'Focusing on the artist's transformative period between 1920 and 1960, which arguably produced his best work, this illustrative book explores Braque's most overlooked post-Cubism artwhere he transcends both his own limitations and that of his surroundings, showing readers and collectors alike the timeless and enduring impact of Braque's work.

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Curious little ones will love to cuddle up at bedtime with this padded story collection with sturdy pages. The perfect ending to a long day of play! Includes six stories: Curious George: Are You Curious Curious George and the Firefighters Curious George’s Day at the Farm Curious George Goes to a Bookstore Curious George Loves to Ride Good Night, Curious George

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Taking his inspiration from a 16th century French manual on etiquette, young George Washington compiled his own set of instructions under the title, The Rules of Civility and Decent Behavior. These concise rules to live by have been studied and copied by millions of readers eager to absorb Washington’s secrets of success in life and work. Neither unduly severe nor sentimental, the rules have stood the test of time and still reverberate today.

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George S. Patton: On Guts, Glory, and Winning relies on the writings, speeches, and poems of George Patton, and includes his prayer to stop the rain during the battle of northern Europe. What separates this book from all of the many about World War II’s most famous battle commander is the extensive use of exquisite B&W combat photos on every spread, which illuminate the text on those pages. U.S. Army General George S. Patton is one of the greatest and most controversial battle commanders of World War II. His tactics were criticized by his detractors, lauded by his peers, and feared by the Nazis in North Africa, Sicily, France, and northern Europe. Some erroneously assumed he plunged his troops into battle with little or no forethought, but in fact he studied his opponent’s writings and tactics, knew the terrain and weather conditions on anticipated fields of fire, and even relied on the Bible for guidance. Almost no other general or world leader from World War II has been written about more than Old Blood and Guts Patton – a nickname he hated. Even today, despite advances in weaponry and technology, military commanders still study his battle tactics.

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George Kennan (1845-1924) was a pioneering explorer, writer, and lecturer on Russia in the nineteenth century, the author of classic works such as Tent Life in Siberia and Siberia and the Exile System, and great-uncle of George Frost Kennan, the noted historian and diplomat of the Cold War. In 1870, Kennan became the first American to explore the highlands of Dagestan, a remote Muslim region of herders, silversmiths, carpet-weavers, and other craftsmen southeast of Chechnya, only a decade after Russia violently absorbed the region into its empire. He kept detailed journals of his adventures, which today form a small part of his voluminous archive in the Library of Congress. Frith Maier has combined the diaries with selected letters and Kennan’s published articles on the Caucasus to create a vivid narrative of his six-month odyssey. The journals have been organized into three parts. The first covers Kennan’s journey to the Caucasus, a significant feat in itself. The second chronicles his expedition across the main Caucasus Ridge with the Georgian nobleman Prince Jorjadze. In the final part, Kennan circles back through the lands of Chechnya to slip once again into the Dagestan highlands. Kennan’s remarkable curiosity and perception come through in this lively and accessible narrative, as does his humor at the challenges of his travels. In her introduction, Maier discusses Kennan’s illustrious career and his reliability as an observer, while providing background on the Caucasus to help clarify Kennan’s descriptions of daily life, religion, etiquette, customary law, and local government. In an Afterword, she retraces Kennan’s steps to find descendants of Prince Jorjadze and describes her work in coproducing, with filmmaker Christopher Allingham, a documentary inspired by Kennan’s Caucasus journey.

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Georg Forster (17541794) was famous during his lifetime, notorious after his death, and largely forgotten by the later nineteenth century. Remembered today as the young man who sailed around the world with Captain Cook and as one of the leading figures in the revolutionary Republic of Mainz, Forster was also a prolific writer and translator who left behind two travelogues, a series of essays on diverse topics, and numerous letters. This in-depth look at Forster's work and life reveals his importance for other writers of the age. Todd Kontje traces the major intellectual themes and challenges found in Forster's writings, interweaving close textual analysis with his rich but short life. Each chapter engages with themes that reflect the current debates in eighteenth-century literary and cultural studies, including changing notions of authorship, multilingualism, the representation of so-called primitive societies, Enlightenment ideas about race, and early forms of ecological thinking. As

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Although George Eliot has long been described as “the novelist of the Midlands,” she often brought the outer reaches of the empire home in her work. Dark Smiles: Race and Desire in George Eliot studies Eliot’s problematic, career-long interest in representing racial and ethnic Otherness. Placing Eliot’s diverse and wide-ranging treatment of Otherness in its contemporary context, Alicia Carroll argues that Eliot both engages and resists traditional racial and ethnic representations of Otherness. Carroll finds that Eliot, like other women writers of her time, often appropriates narratives of Otherness to explore issues silenced in mainstream Victorian culture, particularly the problem of the desirous woman. But if Otherness in Eliot’s century was usually gendered as woman and constructed as the object of white male desire, Eliot often seeks to subvert that vision. Professor Carroll demonstrates Eliot’s tendency to “exoticize” images of girlhood, vocation, and maternity in order to critique and explore gendered subjectivities. Indeed, the disruptive presence of a racial or ethnic outsider often fractures Eliot’s narratives of community, creating a powerful critique of home culture. The consistent reliance of Eliot’s work upon racial and ethnic Otherness as a mode of cultural critique is explored here for the first time in its entirety.

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Within eight years of the death of George Washington in 1799, the first major biography of 'the father of his country' was written by John Marshall and published in five volumes. This, the twentieth and final version of the abridgement, published in 1849, is the text reproduced in the new Liberty Fund edition of what Charles A Beard has praised as a 'great' and 'masterly' biography. The editors' foreword and notes, together with maps of major battle campaigns not included in the original edition, make this edition especially attractive for students.

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In this special edition with a beautiful new jacket, Curious George takes a trip to the hospital after swallowing a puzzle piece and learns about the inner workings of the hospital and gets into some mischief. Includes free downloadable audio read by actor John Krasinski. Also includes an afterword from Dr. Frederick Lovejoy Jr., associate physician in chief of the Boston Children's Hospital detailing the wonderful connection the Reys shared with the hospital staff that inspired the book and explains current advances in medical technology and tips on preparing a child for a hospital stay.

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This book considers questions of materiality and painting, focalized through the notoriously obscure work of Georges Rouault, and offers an innovative critical approach to the various questions raised by this challenging modernist. Described as a difficult and dark painter, Rouault’s oeuvre is deeply experimental. Images of the circus emerge from a plethora of chaotic marks, while numerous landscapes appear as if ossified in thick paint. Rouault’s work explodes the genre of painting, drawing upon the residue of Gustave Moreau’s symbolism, the extremities of Fauvism, and the radical theatrical experiments of Alfred Jarry. The repetitions and re-workings at the heart of Rouault’s process defy conventional chronological treatment, and place the emphasis upon the coming-into-being of the work of art. Ultimately, the book reveals the process of making as both a search for understanding and a response to the problematic world of the 20th century.

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This book examines the life of George Strachan (1572 1635), early 17th-century Scottish Humanist scholar, Orientalist and traveller. Drawing on a wealth of newly discovered archival material to offer new insights into Strachan's life and work, it also utilises recent scholarship on the relationship between the cultures and religions of East and West. Tom McInally explains the voyages that the Catholic exile took to many of the Catholic courts of Europe as a scholar and spy before turning eastwards to embark upon a 22-year journey around the Ottoman, Safavid and Mughal empires. By becoming fully literate in Arabic and Farsi, Strachan was able to gain a unique knowledge of Eastern societies. His collection of Arabic and Farsi texts on Islam, philosophy and humanities which he translated and sent to Europe for the advancement of European knowledge of Islam and Islamic societies became Strachan's real intellectual legacy

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This book challenges the idea that the mixing of religion and presidential politics is a new phenomenon. It explores how presidents have drawn on their religious upbringing, rhetoric, ideas, and beliefs to promote their domestic and foreign policies to the nation. This influence is evident in Washington's decision to add "so help me God" to the presidential oath, accusations by Adam's supporters that Jefferson was an infidel, Lincoln's biblical metaphors during the Civil War, and FDR's call to fight against Nazi totalitarianism on behalf of Judeo-Christian civilization. It is also apparent in Truman's support for Israel, Eisenhower's Cold War decision to add "In God We Trust" on American currency, the debate over JFK's Catholicism, Jimmy Carter's born-again Christianity, Reagan's "Evil Empire" speech, Clinton's public repentance, and George W. Bush's "crusade" against Islamic terrorists. This volume explores these issues of religion and power in the presidencies of Washington, Jefferson, Madison, Lincoln, FDR, Truman, Eisenhower, JFK, Carter, Reagan, George H. W. Bush, Clinton, and George W. Bush through scholarly interpretations, primary sources, and illustrations.

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This timely book places Brown s literary vision in a larger frame of reference beyond Scotland, while identifying the special place Brown occupies as a Scottish Catholic writer.

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"The Custer literature is voluminous and most of it is highly controversial. Through the tangle of charges and countercharges Jay Monaghan cuts a clear path in his fresh account of Custer's whole career. Where possible, Monaghan relies on original sources, and he appraises them with the sound judgment of the practiced historian he is. He is sympathetic with Custer but does not hesitate to show the man's foibles and failures. He presents no attorney's brief and yet he disproves a number of ill-founded accusations. . . ."

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LONGLISTED FOR THE BAILLIE GIFFORD PRIZE 2023 From the author of Apollo's Angels, the first major biography of the figure who modernised dance: an intimate portrait of the man behind the mythology, set against the vibrant backdrop of the century that shaped him Balanchine's radical approach to choreography reinvented the art of dance and his richly evocative ballets made him a lasting legend. Today, nearly thirty years after his death, the man is still so revered that the mysteries of his biography are often overlooked. Who was George Balanchine? Born in Russia under the last Czar, Balanchine experienced the upheavals of World War One, the Russian Revolution, exile, World War Two and the cultural Cold War; he was part of the Russian modernist moment, a key player in Paris in the 1920s, and in New York he revolutionized ballet, pressing it to the forefront of modernism and making it serious and popular art. His influences were myriad. He considered himself Georgian, yet he did not step foot in his ancestral homeland until he was in his fifties. He was deeply influenced by the cold grandeur and sensuous beauty of the Orthodox Church, but equally absorbed by the new rhythms and dance steps coming out of Harlem in the 1930s. He collaborated broadly, with figures like Diaghilev and Stravinsky. A man of muses, Balanchine was married five times, always to young dancers, and consumed by many other loves in between. The difficulties of his life - personal losses, bouts of ill health, debilitating loneliness and dark moods of despair - resonate in his dances, which speak so poignantly of love and loss, and yet the full implications for his art remain unexplored. Now for the first time we look beyond the myth of 'Mr B' - the mask which Balanchine himself helped to create - to see 'Mr B' the man.

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The Anglo-Saxon view of Georges Clemenceau (1841-1929) is based on John Maynard Keynes' misjudged caricature, that he had imposed a treaty that was harsh and oppressive of Germany. French critics' view, however, is that he had been too lenient, and left Germany in a position to challenge the treaty. In fact the treaty was a just settlement, and it could have been maintained. The failure was not in the terms of the treaty but in the subsequent failure to insist on maintaining them in the face of German resistance.

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George IV spent most of his life waiting to become king: as a pleasure-loving and rebellious Prince of Wales during the sixty-year reign of his father, George III, and for ten years as Prince Regent, when his father went mad. 'The days are very long when you have nothing to do' he once wrote plaintively, but he did his best to fill them with pleasure - women, art, food, wine, fashion, architecture. He presided over the creation of the Regency style, which came to epitomise the era, and he was, with Charles I, the most artistically literate of all our kings. Yet despite his life of luxury and indulgence, George died alone and unmourned. Stella Tillyard has not written a judgemental book, but a very human and enjoyable one, about this most colourful of all British kings.

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The acclaimed Penguin Monarchs series: short, fresh, expert accounts of England's rulers - now in paperbackFor a man with such conventional tastes and views, George V had a revolutionary impact. Almost despite himself he marked a decisive break with his flamboyant predecessor Edward VII, inventing the modern monarchy, with its emphasis on frequent public appearances, family values and duty. George V was an effective war-leader and inventor of 'the House of Windsor'. In an era of ever greater media coverage - frequently filmed and initiating the British Empire Christmas broadcast - George became for 25 years a universally recognised figure. He was also the only British monarch to take his role as Emperor of India seriously. While his great rivals (Tsar Nicolas and Kaiser Wilhelm) ended their reigns in catastrophe, he plodded on.David Cannadine's sparkling account of his reign could not be more enjoyable, a masterclass in how to write about Monarchy, that central - if peculiar - pillar of British life.

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This groundbreaking study details the intellectual development of George Herbert Mead as a thinker of great originality and as a practitioner of social reform. Gary Cook traces the genesis of Mead's social psychological and philosophical ideas by analyzing his journal articles and posthumously published writings.

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Young readers will find that learning is always an adventure with Curious George! Now you can get twelve exciting books based on the Award-winning CITV series - all packed into in one big bargain of a book. Favourite titles include The Kite, Pinata Party, Home Run, and more! Each story is paired with corresponding activities that will reinforce concepts and appeal to every child's sense of curiosity. This sturdy collection is the perfect way to introduce kids to the wonderful joys of reading and to encourage continued progress.

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George Lewis, one of the great traditional jazz clarinetists, was born in 1900 at about the same time that jazz itself first appeared in New Orleans. And by the time he died, on the last day of 1968, New Orleans jazz had pretty much run its course, too. By then a jazz museum stood on Bourbon Street, and a cultural center was under construction where Globe Hall had Stood. Lewis's life thus paralleled that of New Orleans jazz, and in his later years hew as the best known standard bearer of his city's music. He came to the attention of the jazz world at the time of the so-called "New Orleans Revival" of the 1940's, when veteran trumpeter Bunk Johnson was recorded by a number of jazz enthusiasts, notably William Russell. In this new biography, Tom Bethell challenges a favorite myth of the history of jazz: that the music became moribund in New Orleans after the legal red light district, Storyville, was closed in 1917, resulting in most jazz musicians going "up the river." In fact, Bethell shows, many more jazzmen stayed in the city than left, and the musical style continued to develop and grow. Thus the jazz fans who arrived in the city in the early 1940's did not encounter a "revival" of an old style so much as an ongoing tradition, with clarinetists like Lewis having been influenced by Benny Goodman and the Swing Era in addition to Lorenzo Tio and the Creole School. After Bunk Johnson's death in 1949, at a time when many other social changes were beginning to be felt in the city, the New Orleans jazz tradition began to go into a decline. It became increasingly rigid and repetitive, and was often designed to please what one observer called "Dixieland fans yelling for their favorite members." The book is based on lengthy research in New Orleans, including interviews with George Lewis shortly before his death, and unpublished material from the diaries kept by William Russell on his visits to New Orleans between 1942 and 1949. It also includes a statement by Lewis on jazz and the best way to play it and a complete Lewis discography. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1977.

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George Bernard Shaw has been called the second greatest playwright in English (after William Shakespeare) and one of the inventors of modern celebrity as the most famous public intellectual of his time. Beginning in the 1880s, as a critic and as a playwright, he transformed British drama, bringing to it intellectual substance, ethical imperatives, and modernity itself, setting the theatrical course for the subsequent century. That his legacy endures seventy years after his death is testament to the prescience of his thinking and his prolific creativity. This Very Short Introduction looks at Shaw's life, starting with his upbringing in Ireland, and then takes a chronological approach through his works. Considering Shaw's committed antagonism on behalf of a range of socio-political issues; his use of comedy as a mode for communicating serious ideas; and his rhetorical style that pushes conventional boundaries, Christopher Wixson provides an overview of the creative evolution of core themes throughout Shaw's long career. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

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Museum quality notecards with beautifully reproduced artwork from Post-Impressionist Georges Seurat. This gorgeous collection of boxed notecards contains 5 images from the master of Pointillism. 20 notecards 4 each of 5 images 20 envelopes Sturdy, reuseable glossy two-piece box Great for home decor and for storing little treasures Box measures 190 x 139 x 38 mm

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Jan Le Witt and George Him were a comparative rarity, a graphic design duo; signing their work as 'Lewitt-Him' they brought an innovative use of colour, imaginative abstraction and symbolism to commercial design. Both Polish by birth, they arrived in London in 1937, sponsored by the Victoria and Albert Museum and Lund Humphries. They established their reputation for fine poster work in World War II, and for their exhibition work with their much loved Guinness Clock at the Festival of Britain. In Poland their illustrations for Lokomotywa helped make it a children's classic and they continued with book illustration throughout their partnership. Of very different temperaments and artistic interests the partnership lasted some twenty years, to January 1955, when Le Witt left to develop his career as an artist. Him continued his commitment to graphic design - illustration, exhibitions and general commercial work - most remarkable of which were his witty illustrations marrying Stephen Potter's texts for Schweppes - 'Schweppshire', one of the longest lasting advertisement campaigns. The Design series is the winner of the Brand/Series Identity Category at the British Book Design and Production Awards 2009, judges said: "A series of books about design, they had to be good and these are. The branding is consistent, there is a good use of typography and the covers are superb." Also available: Claud Lovat Fraser ISBN: 9781851496631 GPO ISBN: 9781851495962 Peter Blake ISBN: 9781851496181 FHK Henrion ISBN: 9781851496327 David Gentleman ISBN: 9781851495955 David Mellor ISBN: 9781851496037 E.McKnight Kauffer ISBN: 9781851495207 Edward Bawden and Eric Ravilious ISBN: 9781851495009 El Lissitzky ISBN: 9781851496198 Festival of Britain 1951 ISBN: 9781851495337 Harold Curwen & Oliver Simon: Curwen Press ISBN: 9781851495719 Paul Nash and John Nash ISBN: 9781851495191 Rodchenko ISBN: 9781851495917 Abram Games ISBN: 9781851496778

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Active in the 1830s and 1840s, Flora Tristan is best known for her book "Workers' Union", an account of the conditions of women and workers in Peru, London, Paris and the provinces of France. Regarded as something of a pariah, she was one of the first women radicals to draw clear connections between the plight of disaffected workers and powerless women. Her version of socialism has been regarded as leading towards Marx. Sandra Dijkstra aims to paint a clear picture of Tristan as a class- and gender-conscious women writer in a transitional historical period, and to demonstrate her influence on Marxism.

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