Search results for ""author "george"""

"the publishers should be congratulated for their newest...event. By making sixty of the greatest spiritual classics easily available in their new series, they have done much to further the spiritual renewal of the Church." The Christian World GEORGE HERBERT-THE COUNTRY PARSON, THE TEMPLE edited, with an introduction and foreword by John N. Wall, Jr. preface by A.M. Allchin The Sun arising in the East, Though he give light, and th' East perfume; If they should offer to contest With thy arising, they presume. George Herbert (1593-1633) George Herbert (1593-1633) lived in England during the tempestuous reigns of James I and Charles I that saw the nation racked by conflict among Catholics, Hugh Churchmen, and Puritans. A member of a politically-active family, Herbert rejected a promising career as a member of Parliament for the simple life of a country parson. While busily involved in his pastoral duties he produced works of poetry and prose that have earned him a long-established place in English literary history. Collected here are two works originally published after Herbert's death at Bemerton in 1633: The Country Parson, a prose treatise on the duties, joys, and hardships of a pastor's life; and The Temple, a collection of poems. In them the literary genius of this humble priest whose spirituality was a synthesis of Evangelical and Catholic piety is revealed. Herbert's appeal for today is summed up by A.M. Allchin in his preface to this volume: "Without glossing over the fragility and brokenness of man's experience of life in time, he managed to reaffirm the great unities of Christian faith and prayer. These are the unities which draw together the separated strands in the Christian heritage, which draw together past and present in a living an creative appropriation of tradition." †

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George Mackay Brown has long been recognised as one of the most original and important Scottish writers of the twentieth century. This book is the first comprehensive account of Brown's work from a philosophical perspective and offers a radical new approach to the study of Scottish literature. The importance of local community in the work of Scottish novelists ranging from Walter Scott to Neil M. Gunn has often been noted, but few critics have addressed the relation of this concept to current philosophical and sociological models of community. Timothy C. Baker uses Brown's work as a primary case study to demonstrate that the relationship between the individual and the community is a dominant narrative question in Scottish fiction. Baker traces the development of Brown's writing in relation to contemporary developments in the study of community, drawing on both continental and Anglo-American traditions. Focusing on Brown's novels, Baker argues for Brown's importance not only within a Scottish literary tradition, but as a major thinker of community. The book also suggests the utility of community, as opposed to nation and region, for productive discourse on modern literature. Combining close readings with theoretical elaborations, and including a broad national and historical overview, Baker offers a new perspective both on Brown's work and contemporary national literatures. Key Features: *Offers the first philosophically-informed critique of George Mackay Brown *Shows how fiction can contribute to an understanding of the problems of community in modernity *Suggests new directions for the study of contemporary Scottish literature *Takes into account Brown's late and posthumous writings as well as unpublished material not covered before

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George's favourite author is signing at the new bookstore in town. Waiting in line is hard when you're as curious as our little monkey, especially when surrounded by so many great books! George has fun browsing but then takes organizing some open boxes of books into his own hands, with surprising results. At the end of the day, lucky George finally gets some time with his favourite author. Children will love his silly antics as George explores the wonderful world that is the local bookstore. This latest monkey tale is for book lovers, lovers of George, and especially lovers of curiosity!

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George Little examines the lives of parents, siblings, friends, and politicians, offering fleeting glimpses into the moral complexity of contemporary relationships. In the title story, a man discovers himself by rewriting his past.

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A terrific collection of songs by George Gershwin that the composer has arranged as piano solos. Ideal for the advanced pianist and a great insight into the mind of one America's greatest composers. **ABRSM selected piece (Piano 2011-2012): 'S Wonderful (Gershwin)

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Between 1967 and 1997, George Steiner wrote more than 130 pieces on a great range of topics for The New Yorker, making new books, difficult ideas, and unfamiliar subjects seem compelling not only to intellectuals but to “the common reader.” He possesses a famously dazzling mind: paganism, the Dutch Renaissance, children’s games, war-time Britain, Hitler’s bunker, and chivalry attract his interest as much as Levi-Strauss, Cellini, Bernhard, Chardin, Mandelstam, Kafka, Cardinal Newman, Verdi, Gogol, Borges, Brecht, Wittgenstein, Chomsky, and art historian/spy Anthony Blunt. Steiner makes an ideal guide from the Risorgimento in Italy to the literature of the Gulag, from the history of chess to the enduring importance of George Orwell. Again and again everything Steiner looks at in his New Yorker essays is made to bristle with some genuine prospect of turning out to be freshly thrilling or surprising.

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George Herbert Mead is widely considered one of the most influential American philosophers of the twentieth century, and his work remains vibrant and relevant to many areas of scholarly inquiry today. The Timeliness of George Herbert Mead brings together a range of scholars who provide detailed analyses of Mead's importance to innovative fields of scholarship, including cognitive science, environmental studies, democratic epistemology, and social ethics, non-teleological historiography, and the history of the natural and social sciences. Edited by well-respected Mead scholars Hans Joas and Daniel R. Huebner, the volume as a whole makes a coherent statement that places Mead in dialogue with current research, pushing these domains of scholarship forward while also revitalizing the growing literature on an author who has an ongoing and major influence on sociology, psychology, and philosophy.

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Focuses on the two-term precedent and how it came into being not by legal prescription but by the tacit influence of George Washington’s refusal to run for a third term and what it suggests about American conceptions of executive power.

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In the many realms of modern fantasy there is only one true King, and his name is George Raymond Richard Martin. With A Song of Ice and Fire, Martin has created a world on a scale almost unrivalled by any other single writer. Approaching two million words and still evolving, this genuinely epic series of novels, with its deeply interlocking narratives, finely crafted drama and enormous range of characters, is a creation of extraordinary breadth. So how did a writer best known for short stories come to craft such a gigantic sequence of novels, and what is the key to their extraordinary success? What sources – historical, literary and personal – did Martin draw upon in the writing, and what inspiration did they give him? The Worlds of George R.R. Martin is an in-depth bringing together of the enormous range of inspirations behind Martin’s work ­– from historical borrowin

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Anarchy followed the Hussite Revolution in Bohemia until George of Podebrady was elected king. Professor Heymann shows how the Roman Catholic Church failed to dislodge George from his royal authority, and how the Bohemian king prevented the destruction of the Czech reformation, enabling it to influence, to an extent not fully appreciated, the development of European reform ideas up to the age of the German and Swiss Reformation. Originally published in 1965. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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In 1864, George Eliot began writing her longest poem, "The Spanish Gypsy". This project exhausted her, and her partner took the manuscript away from her for fear it was making her ill. This work explains what Eliot read to research the poem, which parts caused her particular problems and summarises the poem's critical reception.

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No punches are pulled in this fascinating biography that covers the life and work of the prolific artist George Bellows. Having spent most of his adult life in New York City, Bellows left behind an extraordinary body of work that captures life in this dynamic city: bustling street scenes, ringside views of boxing matches, and boys diving and swimming in the East River. Art reproductions and photographs from his youth round out the book.

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George Orwell is sometimes read as disinterested in (if not outright hostile) to philosophy. Yet a fair reading of Orwell's work reveals an author whose work was deeply informed by philosophy and who often revealed his philosophical sympathies. Orwell's written works are of ethical significance, but he also affirmed and defended substantive ethical claims about humanism, well-being, normative ethics, free will and moral responsibility, moral psychology, decency, equality, liberty, justice, and political morality. In George Orwell: The Ethics of Equality, philosopher Peter Brian Barry avoids a narrow reading of Orwell that considers only a few of his best-known works and instead considers the entirety of Orwell's corpus, including his fiction, journalism, essays, book reviews, diaries, and correspondence, contending that there are ethical commitments discernible throughout his work that ground some of his best-known pronouncements and positions. While Orwell is often read as a humanist, egalitarian, and socialist, too little attention has been paid to the nuanced versions of those doctrines that he endorsed and the philosophical sympathies that led him to embrace them. Barry illuminates Orwell's philosophical sympathies and contributions that have either gone unnoticed or been underappreciated. Philosophers interested in Orwell now have a text that explores many of the philosophical themes in his work and Orwell's readers now have a text that makes the case for regarding him as a worthy philosopher as well as one of the greatest Anglophone writers of the 20th century.

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George Washington is revered as the father of his country, a clever and skilled general, and a man of restrained principle-but not as a political thinker. This short introduction to Washington's political philosophy reveals him as a thoughtful public intellectual who was well equipped to lead the young United States. Though Washington left little explicit writing on political philosophy, Jeffry Morrison examines his key writings, actions, education, and political and professional lives. He finds that Washington held closely to a trinity of foundational principles-classical republicanism, British liberalism, and Protestant Christianity-with greater fidelity than many of the other founding fathers. In unearthing Washington's ideological growth, Morrison reveals the intellectual heritage of his political thought and shows how these beliefs motivated him to action. This insightful, concise story makes clearer the complexities of the revolutionary era and shows how the first president's political ideas shaped governmental institutions and instantiated the nation's foundational principles.

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Perfect for beginning readers who love Curious George. Curious George has a big birthday surprise planned for the man with the yellow hat. What could it be? Read and see! Shhhh! It's the man with the yellow hat's birthday. Curious George wants to surprise him - but not without a lot of laughs along the way! Join Curious George on a fun adventure as he heads out to choose the perfect present for the man on his birthday. With speech bubbles, repetitions, and easy-to-read words, this format offers an accessible and fun reading experience for young readers beginning their own reading journey. AGES: 4 to 7 AUTHOR: The Reys were born in Hamburg, Germany. Hans Augusto Rey (1898-1977) met his wife-to-be, Margret (1906-1996), at a party in her father's home in Germany; when he first caught a glimpse of her, she was sliding down the banister. In their twenties and thirties they lived in Paris and in Rio de Janeiro, where Hans sold bathtubs in villages along the Amazon River. Eventually Cambridge, Massachusetts, became the Reys' home and community. Throughout their lives the Reys created many lively books together, including SPOTTY, PRETZEL, and lift-the-flap books such as HOW DO YOU GET THERE? The manuscript of the first Curious George books was one of the few items the Reys carried with them on their bicycles when they escaped from Paris in 1940. Eventually, they made their way to the United States, and CURIOUS GEORGE was published in 1941. Their incorrigible little monkey has become an icon, selling millions of books and capturing the hearts of readers everywhere.

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Based on a vignette in the classic Curious George Flies a Kite, this story features George finding a hutch of adorable bunnies. He thinks it would be so much fun to play hide-and-seek with one of the baby bunnies, so he lifts it from its cage, sets it on the ground, and closes his eyes. But—oh, no—the bunny runs off, and George can't find it anywhere! Luckily, Mother Bunny comes to the rescue. This board book with sturdy pages is perfect for little ones who love playing hide-and-seek. The classic artwork of H. A. Rey will make this a favorite to be read again and again.

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'Here on the shore, twenty years later, my message in a bottle has reached dry land. Words about our life, his death but mostly love and our journey to the end.' – Olivia Harrison Olivia Harrison presents Came the Lightening, a book of twenty poems dedicated to George, marking the twentieth year since his passing. As a contributor to the book Concert for George, the revised edition of I Me Mine, and George Harrison: Living in the Material World, Olivia is no stranger to writing beautiful words that have an ethereal connection to love. These poems are accompanied by a selection of photographs and mementos curated by Olivia, including pictures of herself and George. Came the Lightening sees Olivia reflect upon her life with George, examining the intimacy of the emotional bond in their relationship through a memorable series of poems. She delves into the phenomenon of losing a partner and the passage of time.In essence, this is a story of love.'Olivia evokes the most fleeting gestures and instants, plucked from the flow of time and memory and felt through her choice of words and the overall rhythm… She might have done an oral history or a memoir. Instead, she composed a work of poetic autobiography.' – Martin Scorsese

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The first biography of George Rickey, one of the greatest kinetic sculptors of the 20th century. His moving blades, squares, triangles, and circles can be found in museums and public spaces around the world, from bucolic landscapes to the streets of New York City. Now, here is the story of his life, his times, and his vision of balance that created something new―sculpture that is defined by movement.Before his death in 2002, George Rickey created more than 3,000 moving sculptures, including hundreds of major outdoor installations. His “useless machines,” as he called them, achieved complete rotation, used multiple variations of the pendulum, and delighted viewers with the joyride effects of conical movement. George Rickey: A Life in Balance follows the life of a renowned artist―first a painter, then a sculptor―who found inspiration all around him―as a child visiting the Singer Sewing Machine factory managed by his father, in his adventurous youth in the London and Paris art studios of the 1920s, as an engineer in the Army Air Corps during World War II, and later as a pioneer in academic art programs around the United States when he embarked on the sculpture he became famous for.But this is not only the story of a single artist’s creativity and achievement but of Rickey’s life in the larger context of the twentieth century: from Depression-era America to the upheaval of World War II, from the rise of New York as the world’s art capital at mid-century to the tumultuous 1960s, when Rickey emerged as an international figure rubbing elbows with Alexander Calder, David Smith, Christo, and many others. It is also the story of an exceptional marriage and of Rickey’s charismatic, devoted wife, Edith Leighton, who managed her husband’s career and reputation in the high-powered art circles of New York, Berlin, and Los Angeles.Belinda Rathbone (author of The Boston Raphael and Walker Evans: A Biography) has captured the spirit of an artist and his world in this deeply researched and engrossing biography. George Rickey: A Life in Balance is for any reader fascinated by the lives of artists, the creation of enduring art, or twentieth century modernism. Includes 30 photographs that document Rickey’s life and work.

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The 1950 film The Blue Lamp was an instant box office hit. The main character PC George Dixon was a friendly avuncular copper, diligently working his lonely night beat around Paddington Green. The film was followed by the television series, Dixon of Dock Green which ran on prime-time TV for twenty-one years. To many people at the time, and today, George Dixon was, and is, the archetypal police officer who should be patrolling our streets. Until the late 1960’s, The Blue Lamp was shown to every recruit constable as part of their training. Today, the George Dixon style of policing is viewed by the police establishment, at junior level and by their bosses, as something between an embarrassment and an anachronism. Modern policing, they argue, is about targets and performance, about fast cars and body armour. They do not want to see a return to patrolling beats in all weathers and having face-to-face encounters with the public. But the decline in standards of policing in these islands has now reached a tipping point. The rape and murder of Sarah Everard by a serving police officer, attitudes to race and civil liberties, and failing leadership, has forced us to look over a precipice. We cannot continue in this way. The only solution is ‘root and branch’ reform

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A compelling new picture of one of the most important, complex, and misunderstood figures of our time.The name George Soros is recognized around the world. Universally known for his decades of philanthropy, progressive politics, and investment success, he is equally well known as the nemesis of the far right—the target of sustained attacks from nationalists, populists, authoritarian regimes, and anti-Semites—because of his commitment to open society, freedom of the press, and liberal democracy. At age 91, Soros still looms large on the global stage, and yet the man himself is surprisingly little understood. Asking people to describe Soros is likely to elicit different and seemingly contradictory answers. Who is George Soros, really? And why does this question matter?Biographers have attempted to tell the story of George Soros, but no single account of his life can capture his extraordinary, multifaceted character. Now, in this ambitious and revealing new book, Soros's longtime publisher, Peter L. W. Osnos, has assembled an intriguing set of contributors from a variety of different perspectives—public intellectuals (Eva Hoffman, Michael Ignatieff), journalists (Sebastian Mallaby, Orville Schell), scholars (Leon Botstein, Ivan Krastev), and nonprofit leaders (Gara LaMarche, Darren Walker)—to paint a full picture of the man beyond the media portrayals. Some have worked closely with Soros, while others have wrestled with issues and quandaries similar to his in their own endeavors. Their collective expertise shines a new light on Soros's activities and passions and, to the extent possible, the motivation for them and the outcomes that resulted.Through this kaleidoscope of viewpoints emerges a vivid and compelling portrait of this remarkable man's unique and consequential impact. It has truly been a life in full.

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A penetrating reevaluation of the period in which the German Expressionist George Grosz created his best-known, most searing satirical works This overdue investigation of George Grosz’s (1893–1959) most compelling paintings, drawings, prints, and collages offers a reassessment of the celebrated German Expressionist during his years in Berlin—from his earliest artistic endeavors to the trenchant satirical images and searing depictions of moral decay between the World Wars for which he is known today. Menacing street scenes, rowdy cabarets, corrupt politicians, wounded soldiers, greedy war profiteers, and other symbols of Berlin’s interwar decline all met with the artist’s relentless gaze, which exposed the core social issues that eventually led to Germany’s extreme nationalist politics. Featuring masterpieces as well as rarely published works, this book provides further insight into the artist’s creative pinnacle, reached during this critical and ominous period in German history. Published by The Metropolitan Museum of Art/Distributed by Yale University Press

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Entre 1967 y 1997, George Steiner escribió para The New Yorker más de 150 artículos y reseñas sobre gran variedad de asuntos, haciendo que ideas difíciles y temas poco familiares resultaran atrayentes no sólo para los intelectuales, sino también para el gran público. A Steiner le interesan tanto la Inglaterra de la Segunda Guerra Mundial, el búnker de Hitler y el mundo caballeresco como Céline, Bernhard, Cioran, Beckett, Borges, Chomsky, Brecht o el historiador-espía Anthony Blunt. En estos artículos sorprendentes por su vívida sencillez, así como profundamente instructivos por su dominio de campos muy diferentes, Steiner nos ofrece una guía ideal que abarca desde la literatura del Gulag o la enorme importancia de George Orwell hasta la historia del ajedrez.

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George Mackay Brown is recognised as one of Scotland's greatest twentieth-century lyric poets. His work is integral to the flowering of Scottish literature over the last fifty years. Admired by many fellow poets, including Seamus Heaney and Douglas Dunn, his poems are deeply individual and unmistakable in their setting: 'the small green world' of the Orkney Islands where he lived for most of his life with its elemental forces of sea and sky and Norse and Icelandic ancestry, is brought vividly and memorably to life. Here, his rich resonant poetry is collected in one volume, making available again many poems that are otherwise out of print.

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This collection explores key themes in the contemporary critique of political economy, in honour of the work and practice of Silvia Federici and George Caffentzis - two of the most significant contemporary theorists of capitalism and anti-capitalism, whose contributions span half a century of struggle, crisis and debate. Drawing together a collection of essays that assess Federici and Caffentzis's contributions, offering critical and comradely reflections and commentary that build on their scholarship, this volume acts as a guide to their work, while also taking us beyond it. The book is organised around five key themes: revolutionary histories, reproduction, money and value, commons, and struggles. Ultimately, the book shines light on the continuing relevance of Caffentzis and Federici's work in the twenty-first century for understanding anti-capitalism, 'primitive accumulation' and the commons, feminism, reproductive labour and Marx's value theory.

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There's no better way to ignite your child's curiosity for learning than with Curious George at the ready, and these workbooks allow for unlimited practice! With more than 60 activities featuring everyone's favourite monkey and his friends, the complete series provides age-appropriate, kid-friendly content to encourage an understanding of kindergarten math concepts along with a love of learning. Each full colour workbook is designed by teachers and includes more than 60 activities, achievement stickers (25 per sheet), a digital companion with online games and activities designed to increase practice and learning, personalised certificate of completion, and unlimited downloads of activity pages! The Learning with Curious George Kindergarten Math workbook teaches children: . to gather information . to read and complete graphs . to organise and sort objects . to recognise differences . to recognise and extend patterns . to follow directions AGES: 4 to 7

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Depending on who you asked, George Harrison was many different things to different people. There was his songcraft, which won over the affections of producer savant Phil Spector; there was his musicianship, that captured the hearts of blues savants Eric Clapton and Delaney Bramlett; and then there was his penchant for comedy, which made him an obvious shoo-in for Rutland Weekend Television and Saturday Night Live. But behind these traits stood a fragile man, aching for enlightenment and peace in an industry that strove to rid him of any of it. Keenly aware of this conflict, Harrison was brave enough to commit it to tape on the wistful Dark Horse, a confessional album written against the backdrop of a regrettable American Tour. But Harrison was always ready to brave the conflict, and it served him better to ride it out than to return to The Beatles for an easy paycheque. He was known as ‘The Quiet Beatle’, although this title did him a disservice, considering his intellectual focus and thoughtful nature. Instead, he was arguably ‘The Chameleonic Beatle’, a moniker that only serves to understand the deeply complex guitar player better. And in a deeply complicated decade, Harrison's artistry flourished

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One of the most learned men of his day and called "the philosopher" by contemporaries, George Amiroutzes (c. 1400-c. 1469) attended the Council of Florence (1438-39) as a lay scholar in the Greek delegation. As a high government official in his native Trebizond, he helped to negotiate the surrender of this last independent Greek state to Mehmed the Conqueror in 1461. He eventually entered the Sultan's household as someone with whom Mehmed enjoyed having intellectual discussions. Despite his contemporary fame, however, almost no philosophical writings of his survive. The present work offers an edition of fifteen previously unknown philosophical tractates. Although they are unpublished drafts in a fragmentary state, the tractaes reveal Amiroutzes to be an Aristotelian philosopher influenced by Thomas Aquinas and firmly intent upon refuting Platonism. He also shows himself to be an original thinker in discussing ethics and metaphysics.

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George Henry Lewes, consort of George Eliot biographer of Robespierre and Goethe, novelist, editor, and critic, was also a scientist and philosopher. An intellectual figure of great importance on the Victorian scene, he has never before received adequate modern scholarly appreciation. In this book Professor Tjoa not only reconstructs Lewes’ theory of criticism and his social and political opinions but also evaluates his contributions to Darwinian science both as original thinker and as popularizer. With skillful discrimination, moreover, Mr. Tjoa has extracted from Lewes’ massive five-volume Problems of Life and Mind a clear and succinct account of Lewes’ metaphysical views. Literature and art, politics and societs science and an in- formed Victorian philosophy of man and the universe: the effervescent Lewes made important contributions to all. Hitherto in danger of surviving in our minds only as the lover, friend, and counselor of one of the Victorian age’s greatest novelists, Lewes emerges in Mr. Ijoa’s brief and lucid study as a thinker to he remembered for his writings as well.

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Musings Series 1 | Musings Series 2| Musings Series 3Over sessions which lasted two to three hours each time, every week for half a year, George Yeo met and mused over a wide range of topics with writer Woon Tai Ho and research assistant Keith Yap. Speaking from notes, he began with himself and his hope for Singapore, and then spanned over a wide range of subjects — from the importance of human diversity and Singapore's reflection within itself of the world, to history, politics, economics, philosophy, taijigong and religion. He gives his views on India, China, ASEAN, Europe, the US and other parts of the world, and how Singapore's history and destiny are connected to all of them. The style is conversational and anecdotal.George Yeo: Musings is exactly that — musings. Some themes recur throughout the book which reflect his view of life. But there is no grand theory. He does not expect all of his reflections to be of interest to everyone, but he hopes that everyone will find something of interest.

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Letters written by a clergyman during the late seventeenth century illuminate the religious turmoil of the period. This book provides an edition of the letters of George Davenport, an Anglican clergyman in the north of England whose adult career covered the period of the Interregnum and the Restoration. Many of the letters are to his former Cambridge tutor, William Sancroft, beginning from 1651 after Sancroft had been expelled from Cambridge, and continuing after the Restoration when Davenport replaced Sancroft as chaplain to John Cosin, bishop of Durham, later becoming Rector of Houghton-le Spring, Durham. They were written to keep Sancroft supplied with information about Durham, where he was a prebendary with license to be non-resident, needing to collect revenues from his living and then torebuild his prebendal house. The earlier letters reveal something about the life of an illegally (since episcopally) ordained young Anglican who, unlike many, did not go into exile but stayed largely in London supported by friends. Davenport eventually became a most conscientious resident parish priest and the letters throw considerable light on the Restoration settlement in the Durham diocese, from the `beautifying' of Houghton church to the catechisingof the people and the collection of tithes from a sometimes tardy flock. Davenport also helped Cosin to Catalogue his famous library and himself gave many manuscripts to it, of which a list is included here as an appendix. The letters are presented here with full introduction and elucidatory notes.

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Musings Series 1 | Musings Series 2George Yeo: Musings (In 3 Volumes) available as a set hereOver sessions which lasted two to three hours each time, every week for half a year, George Yeo met and mused over a wide range of topics with writer Woon Tai Ho and research assistant Keith Yap. Speaking from notes, he began with himself and his hope for Singapore, and then spanned over a wide range of subjects — from the importance of human diversity and Singapore's reflection within itself of the world, to history, politics, economics, philosophy, taijigong and religion. He gives his views on India, China, ASEAN, Europe, the US and other parts of the world, and how Singapore's history and destiny are connected to all of them. The style is conversational and anecdotal.George Yeo: Musings is exactly that — musings. Some themes recur throughout the book which reflect his view of life. But there is no grand theory. He does not expect all of his reflections to be of interest to everyone, but he hopes that everyone will find something of interest.This is a 3-part series.

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One of the most important British graphic artists of the nineteenth century, George Cruikshank (1792-1878) illustrated over 860 books, including several by Charles Dickens, and produced a vast number of etchings, paintings, and caricatures. The ten essays collected here first appeared in a special limited edition. In a new preface written for this paperback edition, Robert Patten shows how the insights of these seminal essays have been amplified by recent exhibitions and scholarship. The introduction by John Fowles has been retained and an index has been added. In addition to the many Cruikshank illustrations reproduced in the volume, there are original drawings by contemporary artists David Levine and Ronald Searle.

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George Platt Lynes: The Daring Eye is a life of the gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s to 1955. From age 18, Lynes entered the cosmopolitan world of the American expatriate community in Paris when he became acquainted with the salon of Gertrude Stein and Alice B. Toklas. Intending to pursue a literary and small press publishing career, Lynes also began photographing authors like Stein, Jean Cocteau, André Gide, and Colette. Soon, he turned exclusively to photography, establishing himself as one of the premier fashion photographers in the Condé Nast stable, documenting the early ballets of George Balanchine, and pursuing his private obsession with seductive images of young male nudes almost never published in his time. Lynes's private life was as glamorous and theatrical as his images with their brilliant studio lighting and dramatic Surrealist set-ups. Barely out his teens, he met the publisher Monroe Wheeler who was already in a relationship with the emerging expatriate novelist Glenway Wescott. The peripatetic threesome maintained a polyamorous connection that lasted some 15 years. Their New York apartment became a mecca for elegant cocktail and name-dropping dinner parties. Their ménage-à-trois complicates our understanding of the pre-Stonewall gay "closet." This biography, drawing upon intimate letters and an unpublished memoir of Lynes's life by his brother, writer and editor Russell Lynes, paints a portrait of the emerging influence of gays and lesbians in the visual, literary, and performing arts that defined transatlantic cosmopolitan culture and presaged later gay political activism.

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The Bavarian State Painting Collections hold 31 masterpieces by Georg Baselitz from all the artist’s creative phases. The volume analyses for the first time these important paintings and sculptures within the context of the history of the collection, which has been shaped not only by the artist’s out-standing supporters and collectors, including Duke Franz von Bayern, but also by the passionate commitment of the directors and curators of the museums. In 1972, when Sea Swallow became the first work by Georg Baselitz to join the Bavarian State Painting Collections, this represented the first step towards the establishment of an epoch-making collection. Today, 46 years later, the museum is dedicating this extensive publication to this main focus within its holdings which has been built up over the past decades. It spotlights one of the highlights of its collection of art after 1945, whose outstanding profile in the international museum landscape is also charac -terized by unique holdings of works by Joseph Beuys, Dan Flavin, Donald Judd, Anselm Kiefer, Sigmar Polke, Arnulf Rainer and Fred Sandback.

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Contains over 30 classic songs with a short biography.

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How have Handel's 'lives' in biographies and histories moulded our understanding of the musician, the man and the icon? To evaluate the familiar, even over-familiar, story of Handel's life could be seen as a quixotic endeavour. How can there be anything new to say? This book seeks to distinguish fact from fiction, not only to produce a new biography but also to explore the concepts of biography and dissemination by using Handel's life and lives as a case study. By examining the images of Handel to be found in biographies and music histories - the genius, the religious profound, the master of musical styles, the distiller into music of English sentiment, the glorifier of the Hanoverians, the hymner of the middle class, the independent, the prodigious, the generous, the sexless, the successful, the wealthy, the bankrupt, the pious, the crude, the heroic, the devious, the battler of ill-fortune, the moral exemplar - and by adding new factual information, David Hunter shows how events are manipulated into stories and tropes. Onesuch trope has been employed to portray numerous persons as Handel's enemies regardless of whether Handel considered them as such. Picking apart the writing of Handel's biographers and other reporters, Hunter exposes the narrative underpinnings - the lies, confusions, presumptions, and conclusions, whether direct and inferred or assumed - to show how Handel's 'lives' in biographies and histories have moulded our understanding of the musician, the man andthe icon. DAVID HUNTER is Music Librarian at the University of Texas at Austin.

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