Search results for ""university of south carolina press""

Places Greenville's experience during World War I within the context of the progressive era to better understand the rise of this New South cityGreenville, South Carolina has become an attractive destination, frequently included in lists of the "Best Small Cities" in America. While Greenville's 21st century Renaissance has been impressive, in "Our Country First, Then Greenville," author Courtney Louise Tollison Hartness explores an earlier period, revealing how Greenville's experience during World War I served to generate massive development in the city and the region. It was this moment that catalyzed Greenville's development into a modern city, setting the stage for the continued growth that persists into the present-day.World War I affected Greenville and its residents in ways both big and small. "Our Country First, Then Greenville" explores Greenville's home-front experience of race relations, dramatic population growth (the number of Greenville residents nearly tripled between 1900 and 1930s), the women's suffrage movement, and the contributions of African Americans and women to Greenville's history. Tollison Hartness studies the influenza pandemic of that time, explores the stories behind the Greenville building boom of the 1910s and 1920s, and shares the rich and scandalous story of Greenville's Confederate Memorial. She argues that Greenville's experience during World War I cannot be separated from Progressive-era civic engagement, and that wartime mobilization catapulted Greenville into the ranks of the New South's important urban centers. This important work features newly discovered photos of Greenville, found in archival collections throughout the country and dating back over 100 years.

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An award-winning barbecue cook boldly asserts that barbecuing is a unique American tradition that was not imported.The origin story of barbecue is a popular topic with a ravenous audience, but commonly held understandings of barbecue are often plagued by half-truths and misconceptions. From Barbycu to Barbecue offers a fresh new look at the story of southern barbecuing. Award winning barbecue cook Joseph R. Haynes sets out to correct one of the most common barbecue myths, the "Caribbean Origins Theory," which holds that the original southern barbecuing technique was imported from the Caribbean to what is today the American South. Rather, Haynes argues, the southern whole carcass barbecuing technique that came to define the American tradition developed via direct and indirect collaboration between Native Americans, Europeans, and free and enslaved people of African descent during the seventeenth century. Haynes's barbycu-to-barbecue history analyzes historical sources throughout the Americas that show that the southern barbecuing technique is as unique to the United States as jerked hog is to Jamaica and barbacoa is to Mexico. A recipe in each chapter provides a contemporary interpretation of a historical technique.

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In 2020 Colson Whitehead became the youngest recipient of the Library of Congress Prize for American Fiction. Although Whitehead's widely divergent books complicate overarching categorization, Derek C. Maus argues that they are linked by their skepticism toward the ostensible wisdom inherited from past generations and the various forms of "stories" that transmit it. Whitehead, best known for his Pulitzer Prize winning novel The Underground Railroad, bids readers to accompany him on challenging, often open-ended literary excursions designed to reexamine and frequently defy accepted notions of truth.Understanding Colson Whitehead unravels the parallel structures found within Whitehead's books from his 1999 debut The Intuitionist through 2019's The Nickel Boys, for which he won his second Pulitzer Prize for Fiction. By first imitating and then violating their conventions, Whitehead attempts to transcend the limits of the formulas of the genres in which he seems to write. Whitehead similarly tests subject matter, again imitating and then satirizing various forms of conventional wisdom as a means of calling out unexamined, ignored, or malevolent aspects of American culture.Although it is only one of many subjects that Whitehead addresses, race is often central to his work. It serves as a prime example of Whitehead's attempt to prompt his readers into revisiting their assumptions about meanings and values. By upending the literary formulas of the detective novel, the heroic folktale, the coming-of-age story, the zombie apocalypse, the slave narrative, and historical fiction, Whitehead reveals the flaws and shortcomings by which Americans have defined themselves. In addition to evoking such explicitly literary storytelling traditions, Whitehead also directs attention toward other interrelated historical and cultural processes that influence how race, class, gender, education, social status, and other categories of identity determine what an individual supposedly can and cannot do.

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An accessible and important look at what is truly behind our digital outrageOn any given day, at any given hour, across the various platforms constituting what we call social media, someone is angry. Facebook. Instagram. Twitter. Reddit. 4Chan. In The Rhetoric of Outrage: Why Social Media is Making Us Angry Professor Jeff Rice addresses the increasingly critical question of why anger has become the dominant digital response on social media. He examines the theoretical and rhetorical explanations for the intense rage that prevails across social media platforms, and sheds new light on how our anger isn't merely a reaction against singular events, but generated out of subversive, aggregated beliefs and ideas. Captivating, accessible, and exceedingly important, The Rhetoric of Outrage: Why Social Media Is Making Us Angry encourages readers to have the difficult conversations about what is truly behind their anger.

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A fresh examination of Harper's body of work as an archive of Black life, thought, and culture.The first book devoted to the groundbreaking poet's work, Understanding Michael S. Harper locates his poetic project within Black expressive tradition. The study examines poems drawn from the eleven volumes of verse that Harper (1938-2016) produced between 1970 and 2010, bringing attention to his poetry's sustained engagement with music, literature, and the visual arts. Author Michael A. Antonucci offers readers an account of the poet's career while assessing his verse and providing a sense of its perspective on Black America and American experience.Throughout his examination of Harper's verse, Antonucci builds upon the critical attention the poet received at the outset of his career—he was twice nominated for the National Book Award. Exploring the poet's celebrated examinations of history, kinship, and Black music, Understanding Michael S. Harper develops and expands critical dialogues about the poet and his body of work, which, Antonucci argues, presents a counter narrative about the composition and origins of the United States, reshaping prevailing discourse about race, nation, and identity.

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A groundbreaking rhetorical framework for the study of transnational digital activismWhat does it mean when we call a movement "global"? How can we engage with digital activism without being "slacktivists"? In Activist Literacies, Jennifer Nish responds to these questions and a larger problem in contemporary public discourse: many discussions and analyses of digital and transnational activism rely on inaccurate language and inadequate frameworks. Drawing on transnational feminist theory and rhetorical analysis, Nish formulates a robust set of tools for nuanced engagement with activist rhetorics.Nish applies her literacies of positionality, orientation, and circulation to case studies that highlight grassroots activism, well-resourced nonprofits, and a decentralized social media challenge; in so doing, she illustrates the complex power dynamics at work in each scenario and demonstrates how activist literacies can be used to understand and engage with efforts to contribute to social change. Written in an accessible, engaging style, Activist Literacies invites scholars, students, and activists to read activist rhetoric that engages with "global" concerns and circulates transnationally via social media.

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You ask for a story. I will tell you one, fact for fact and true for true." So begins ""Crook-Neck Dick,"" one of twenty-three stories in this beguiling collection of Charleston lore. Derived from African American legends, these fables have entertained generations of Charlestonians with sheer storytelling magic. To delight of folklorists, students of Charleston history, and all those who love a good ghost story, this treasure features photos of the storytellers who shared these remarkable stories with John Bennett.Julia Eichelberger, the Marybelle Higgins Howe Professor of Southern Literature and an executive board member of the Center for Study of Slavery at the College of Charleston in South Carolina, provides a foreword.

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The first comprehensive study to address Franzen's work to date, including his latest novel, Crossroads. Jonathan Franzen—novelist and essayist—is a critical darling, commercial success, and magnet for controversy. His third novel, The Corrections (2000), was selected for Oprah's book club, nominated for the Pulitzer Prize, and won the National Book Award. Franzen has been featured on the cover of Time and in an episode of The Simpsons. Love him or hate him, the publication of each new novel is a literary event. In Understanding Jonathan Franzen, Timothy Galow studies Franzen's first five novels plus his most recent, Crossroads, which was published to much fanfare in 2021. He opens with the Oprah controversy—Franzen, it seems, did not want his books to be popular—and goes on to unpack the author's ambivalent relationship to his status within the "Theory Generation" of 1980s college graduates turned writers and the postmodern threads that run throughout his work. For Franzen, the social and individual are inseparable. Galow examines why Franzen's stories of (white, bourgeois) American life have inspired and provoked readers for over two decades.

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A fresh examination of an underexplored aspect of the civil rights movement–teacher activismDrawing on oral history interviews and archival research, Schooling the Movement examines the pedagogical activism and vital contributions of Black teachers throughout the Black freedom struggle. By illuminating teachers' activism during the long civil rights movement, the editors and contributors connect the past with the present, contextualizing teachers longstanding role as advocates for social justice. Schooling the Movement moves beyond the prevailing understanding that activism was defined solely by litigation and direct-action forms of protest. The authors in this volume broaden our conceptions of what it meant to actively take part in or contribute to the civil rights movement.

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Groundbreaking historical scholarship on the complex attitudes toward gender and sexual roles in Native American culture, with a new preface and supplemental bibliographyPrior to the arrival of Europeans in the New World, Native Americans across the continent had developed richly complex attitudes and forms of expression concerning gender and sexual roles. The role of the "berdache," a man living as a woman or a woman living as a man in native societies, has received recent scholarly attention but represents just one of many such occurrences of alternative gender identification in these cultures. Editors Sandra Slater and Fay A. Yarbrough have brought together scholars who explore the historical implications of these variations in the meanings of gender, sexuality, and marriage among indigenous communities in North America. Essays that span from the colonial period through the nineteenth century illustrate how these aspects of Native American life were altered through interactions with Europeans.Organized chronologically, Gender and Sexuality in Indigenous North America, 1400–1850 probes gender identification, labor roles, and political authority within Native American societies. The essays are linked by overarching examinations of how Europeans manipulated native ideas about gender for their own ends and how indigenous people responded to European attempts to impose gendered cultural practices at odds with established traditions. Many of the essays also address how indigenous people made meaning of gender and how these meanings developed over time within their own communities. Several contributors also consider sexual practice as a mode of cultural articulation, as well as a vehicle for the expression of gender roles.Representing groundbreaking scholarship in the field of Native American studies, these insightful discussions of gender, sexuality, and identity advance our understanding of cultural traditions and clashes that continue to resonate in native communities today as well as in the larger societies those communities exist within.

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Explores seven startling paradoxes behind the bestselling novelist's lasting popularity Agatha Christie stands as the bestselling novelist of all time and, in terms of total sales in all genres, places only behind the Christian Bible and Shakespeare. Since the publication of The Mysterious Affair at Styles in 1920, Christie's fiction has withstood the envy of her peers and the snipes of critics, while garnering the admiration of countless readers. From her puzzling persona (notably in her eleven-day disappearance in 1926) and status as "Queen of the Cozies" to her tragicomic themes and critiques of Englishness, Christie built a lasting literary legacy that perplexes and pleases her hordes of readers. In Understanding Agatha Christie, Tison Pugh takes a fresh look at the contemporary world's most popular author, investigating seven notable paradoxes behind her lasting success, thereby illuminating the literary innovations that have contributed to her uncannily timeless appeal.

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A journey through the lands of boiled peanuts, pesto, and pickled peppercorns—with thirty recipesFoodies, travel enthusiasts, culinary historians, fans of fine writing, and cookbook collectors will feast on John Martin Taylor's Charleston to Phnom Penh. A unique vision of a joyous and peripatetic life, these essays take readers on a journey across three continents, from the South Carolina Lowcountry of Taylor's upbringing to the Caribbean, Italy, France, Eastern Europe, and Asia.Taylor recalls his mother's before-her-time culinary experiments; probes historical archives to research the origins of classic dishes; and remembers adventures sailing, dancing, and fishing, as well as cooking. His gaze is social, etymological, personal, comic, and historical, and all foods are considered fair game for scrutiny. Taylor tells us how to bake with olive oil, why he doesn't make wedding cakes, what to do in Transylvania, and how he came to be a voice of the Lowcountry. Make a margarita and delve into his deconstruction of hoppin' john, his erstwhile namesake; the history of cheese straws; and how to make callaloo and fish amok.

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A timely, accessible introduction to Margaret Atwood's most recent novels and enduring themes.In 2017, the Hulu adaptation of Margaret Atwood's The Handmaid's Tale introduced the acclaimed and bestselling Canadian author to a new generation and reminded Atwood's long-established readers of her uncanny prescience. Understanding Margaret Atwood provides an overview of the author's life, descriptions and analyses of the key themes present in her most recent novels, signposts to the connections and intertextual references between them, and attention to their critical reception. Following a biographical overview, author Donna M. Bickford studies The Handmaid's Tale (1985) and its sequel The Testaments (2019), retellings of The Odyssey in The Penelopiad (2005) and The Tempest in Hag Seed (2016), the MaddAddam trilogy (2003, 2009, 2013), and The Heart Goes Last (2015). Written in clear language and a style appropriate both for scholars and for new students of Atwood, Bickford locates Atwood's recent works in the literary, political, and social context. Atwood is the author of more than fifty books of fiction, essays, and poetry, which have collectively sold more than eight million copies worldwide; has received numerous awards and accolades, including multiple Booker Prizes and a PEN Center USA Lifetime Achievement Award; and is a Fellow of the Royal Society of Canada.

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From the influence of 1920s fashion on asparagus growers to an heirloom watermelon lost and found, Taste the State abounds with surprising stories from South Carolina's singularly rich food tradition. Here, Kevin Mitchell and David S. Shields present engaging profiles of eighty-two of the state's most distinctive ingredients, such as Carolina Gold rice, Sea Island White Flint corn, and the cone-shaped Charleston Wakefield cabbage, and signature dishes, such as shrimp and grits, chicken bog, okra soup, Frogmore stew, and crab rice. These portraits, illustrated with original photographs and historical drawings, provide origin stories and tales of kitchen creativity and agricultural innovation; historical "receipts" and modern recipes, including Chef Mitchell's distillation of traditions in Hoppin' John fritters, okra and crab stew, and more.Because Carolina cookery combines ingredients and cooking techniques of three greatly divergent cultural traditions, there is more than a little novelty and variety in the food. In Taste the State Mitchell and Shields celebrate the contributions of Native Americans (hominy grits, squashes, and beans), the Gullah Geechee (field peas, okra, guinea squash, rice, and sorghum), and European settlers (garden vegetables, grains, pigs, and cattle) in the mixture of ingredients and techniques that would become Carolina cooking. They also explore the specialties of every region—the famous rice and seafood dishes of the lowcountry; the Pee Dee's catfish and pinebark stews; the smothered cabbage, pumpkin chips, and mustard-based barbecue of the Dutch Fork and Orangeburg; the red chicken stew of the midlands; and the chestnuts, chinquapins, and corn bread recipes of mountain upstate.Taste the State presents the cultural histories of native ingredients and showcases the evolution of the dishes and the variety of preparations that have emerged. Here you will find true Carolina cooking in all of its cultural depth, historical vividness, and sumptuous splendor—from the plain home cooking of sweet potato pone to Lady Baltimore cake worthy of a Charleston society banquet.

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In the months following the May 1780 capture of Charleston, South Carolina, by combined British and loyalist forces, British soldiers arrested sixty-three paroled American prisoners and transported them to the borderland town of St. Augustine, East Florida--territory under British control since the French and Indian War. In Patriots in Exile, James Waring McCrady and C. L. Bragg chronicle the banishment of these elite southerners, the hardships endured by their families, and the plight of the enslaved men and women who accompanied them, as well as the motives of their British captors. McCrady and Bragg thoroughly examine the exile from the standpoint of the British who governed occupied Charleston, the families left behind, the armies in the field, the Continental Congress, and finally the Jacksonboro Assembly of January and February 1782. Using primary sources and archival materials, the authors develop biographical sketches of each exile and illuminate important facets of the American Revolution's southern theater. While they shared a common fate, the exiles were a diverse lot of tradesmen, artisans, prominent civilians, and military officers--among them three signers of the Declaration of Independence. Although they had clear socioeconomic differences, most were unrepentant patriots. In this first comprehensive examination and narrative history of these patriots, McCrady and Bragg reveal how the exiles navigated their new surroundings within the context of a revolutionary conflict that involved various imperial powers of the Old World--Britain, France, and Spain--and American colonists seeking to create an independent nation.

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A panoramic and accessible guide to one of the most celebrated—and controversial—authors of the twentieth centuryPhilip Roth was one of the most prominent, controversial, and prolific American writers of his generation. By the time of his death in 2018, he had won the Pulitzer Prize, two National Book Awards, and three PEN/Faulkner Awards. In Understanding Philip Roth, Matthew A. Shipe provides a brief biographical sketch followed by an illuminating and accessible reading of Roth's novels, illustrating how the writer constructed one of the richest bodies of work in American letters, capturing the absurdities, contradictions, and turmoil that shaped the United States in the six decades following the Second World War.Questions of Jewish American identity, the irrationality of male sexual desire, the nature of the American experiment—these are a few of the central concerns that run throughout Roth's oeuvre, and across which his early and late novels speak to one another. Moreover, Shipe considers how Roth's fiction engaged with its historical moment, providing a broader context for understanding how his novels address the changes that transformed American culture during his lifetime.

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Who burned South Carolina's capital city on February 17, 1865? Even before the embers had finished smoldering, Confederates and Federals accused each other of starting the blaze, igniting a controversy that has raged for more than a century. Marion B. Lucas sifts through official reports, newspapers, and eyewitness accounts, and the evidence he amasses debunks many of the myths surrounding the tragedy. Rather than writing a melodrama with clear heroes and villains, Lucas tells a more complex and more human story that details the fear, confusion, and disorder that accompanied the end of a brutal war. Lucas traces the damage not to a single blaze but to a series of fires—preceded by an equally unfortunate series of military and civilian blunders—that included the burning of cotton bales by fleeing Confederate soldiers. This edition includes a new foreword by Anne Sarah Rubin, professor of history at the University of Maryland, Baltimore County, and the author of Through the Heart of Dixie: Sherman's March and America.

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Born in 1928 in the small coastal town of Murrells Inlet, South Carolina, Genevieve “Sister” Peterkin grew up with World War II bombing practice in her front yard, deep-sea fishing expeditions, and youthful rambles through the lowcountry. She shared her bedroom with a famous ghost and an impatient older sister. But most of all she listened. She absorbed the tales of her talented mother and her beloved friend, listened to the stories of the region’s older residents, some of them former slaves, who were her friends, neighbors, and teachers.In this new edition she once again shares with readers her insider’s knowledge of the lowcountry plantations, gardens, and beaches that today draw so many visitors. Beneath the humor, hauntings, and treasures of local history, she tells another, deeper story - one that deals with the struggle for racial equality in the South, with the sometimes painful adventures of marriage and parenthood, and with inner struggles for faith and acceptance. This edition includes a new foreword by coastal writer and researcher Lee G. Brockington and a new afterword by coauthor and lowcountry novelist William P. Baldwin.

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Mary Edna Fraser has taken the art of batik to otherworldly heights. An internationally renowned artist, Fraser has had works grace galleries, museums, and public buildings throughout the United States - creating wonder, awe, and an awareness of the environment around us as few artists have had the talent and vision to manage. Using fabric, wax, and dye, Fraser has transformed the techniques of batik from its ancient origins and forged new panoramas and vistas of our unique planet from the sky above us to the ground beneath our feet, and even down to the evocative landscapes that sprawl across the ocean floor. These images not only astonish us with their allure; they also remind of us of our place in the world and our responsibility to respect and care for it.Part history and guide to the challenging techniques of this form, The Batik Art of Edna Fraser affords not only a full-color introduction to Fraser's stunning perceptions of the glaciers, icebergs, coastlines, atmospheres, mountains, and rivers that grace our globe, but gives us an intimate look at the artist at work and the philosophies that guide her singular imagination as well.Bold, beautiful, thoughtful, and always visceral, Fraser's art invites us outside to see with new eyes the horizons that surround us - and inside to see ourselves in our inextricable connection with the land, the seas, the skies, the earth, as we are woven together as one in the fabric of our existence on this, our home, the vibrant blue planet hurtling through space and time.

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Understanding Gary Shteyngart, the first comprehensive examination of Shteyngart’s novels and memoir, introduces readers to one of the most critically acclaimed and commercially successful contemporary American authors. Born in Leningrad in 1972, Shteyngart immigrated to the United States in 1979, attended Oberlin College and the City University of New York, and currently teaches in the Writing Program at Columbia University. His novels include Super Sad True Love Story, winner of the Bollinger Everyman Wodehouse Prize; Absurdistan, chosen as one of the ten best books of the year by the New York Times Book Review and Time magazine; and The Russian Debutante’s Handbook, winner of the Stephen Crane Award for First Fiction and the National Jewish Book Award for Fiction. Geoff Hamilton studies three broad, overlapping elements of Shteyngart’s work: his construction of Russian-Jewish identity in the United States, his appraisal of communism’s imaginative legacy for the wider East European diaspora and former Soviet republics, and his representation of the deadening effects of late capitalism. Focusing on Shteyngart’s themes of the fracturing and decay of ethnic identities, the limits and pitfalls of multiculturalism, and the decline of privacy and civility against the creeping power of technological mediation, Hamilton also tracks the author’s playful manipulation of literary traditions and his incisive revision of seminal mythologies of Russian, Jewish, and American selfhood. Although Shteyngart has sometimes been pigeon-holed as an immigrant author working a rather marginal ethnic shtick, Hamilton demonstrates that Shteyngart’s work deserves attention for its remarkable centrality, that is, its relevance to core questions of identity formation and the conditions of belief common to globalized societies.

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Ismailism, one of the three major branches of Shiism, is best known for ta’wil, an esoteric, allegorizing scriptural exegesis. Beyond the Qur’?n: Early Ismaili ta’wil and the Secrets of the Prophets is the first book-length study of this interpretive genre. Analyzing sources composed by tenth-century Ismaili missionaries in light of social-science theories of cognition and sectarianism, David Hollenberg argues that the missionaries used ta’wil to instill in acolytes a set of symbolic patterns, forms, and “logics.” This shared symbolic world bound the community together as it created a gulf between community members and those outside the movement. Hollenberg thus situates ta’wil socially, as an interpretive practice that sustained a community of believers.An important aspect of ta’wil is its unconventional objects of interpretation. Ismaili missionaries mixed Qur’?nic exegesis with interpretation of Torah, Gospels, Greek philosophy, and symbols such as the Christian Cross and Eucharist, as well as Jewish festivals. Previously scholars have speculated that this extra- Qur’?nic ta’wil was intended to convert Jews and Christians to Ismailism. Hollenberg, departing from this view, argues that such interpretations were, like Ismaili interpretations of the Qur’?n, intended for an Ismaili audience, many of whom converted to the movement from other branches of Shiism.Hollenberg argues that through exegesis of these unconventional sources, the missionaries demonstrated that their imam alone could strip the external husk from all manner of sources and show the initiates reality in its pure, unmediated form, an imaginal world to which they alone had access. They also fulfilled the promise that their imam would teach them the secrets behind all religions, a sign that the initial stage of the end of days had commenced.Beyond the Qur’?n contributes to our understanding of early Ismaili doctrine, Fatimid rhetoric, and, more broadly, the use of esoteric literatures in the history of religion.

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The Spirit of an Activist chronicles the life and distinguished career of Isaiah DeQuincey Newman (1911-1985), a Protestant pastor, civil rights leader, and South Carolina statesman. Known as a tenacious advocate for racial equality, Newman was also renowned for his diplomatic skills when working with opponents and his advocacy of nonviolent protest over confrontation. His leadership and dedication to peaceful change played an important role in the dismantling of segregation in South Carolina. The thirteen narratives in this volume by such diverse contributors as Richard W. Riley, William Saunders, Esther Nell Witherspoon, and Donald L. Fowler attest to Newman's impact on South Carolina. Editor Sadye L. M. Logan orchestrates these many contributions into an informative, moving, and sometimes passionate collage of Newman's challenges, triumphs, and small and significant everyday acts of courage.Through this collection Logan takes the reader on an extraordinary journey from Newman's childhood in Darlington County, South Carolina, to his death at the age of seventy-four. Along that journey Newman led the state's African Americans to join the Democratic Party and was a delegate to several Democratic Presidential Conventions. In 1983 he became the first African American South Carolinian elected to the State Senate in nearly a century. The Spirit of an Activist is essentially biographical, but it uses a diverse chorus of voices to capture Newman's rich and varied contributions in transforming South Carolina's rigid and unjust social systems. His quiet dignity and appeals to reason won him the confidence, and ultimately the support, of key white political and economic leaders. In effect Newman served both as chief strategist for the protest movement and as chief negotiator at the conference table, becoming the ""unofficial liaison"" between South Carolina's African American citizens and the state's white power structure. In the years that followed formal desegregation, Newman remained active in politics and became a trusted confidant of state leaders, many of whom are featured in this volume. The Spirit of an Activist includes a foreword by attorney and civil rights activist Vernon E. Jordan, Jr., and a prologue by South Carolina congressman James E. Clyburn, both personal friends of Newman who worked with him during the civil rights struggle.

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A sympathetic, nuanced exploration of the fiction and turbulent life of this best-selling authorA best-selling novelist in the 1930s, Irène Némirovsky (1903–1942) was rediscovered in 2004, when her Suite Française, set during the fall of France and the first year of German occupation, became a popular and critical success both in France and in the United States. Surviving in manuscript form for sixty years after the author’s deportation to Auschwitz, the work drew respectful attention as the voice of an early Holocaust victim. However, as remaining portions of Némirovsky’s oeuvre returned to print, many twenty-first-century readers were appalled. Works such as David Golder and The Ball were condemned as crudely anti-Semitic, and when biographical details such as her 1938 conversion to Catholicism became known, hostility toward this “self-hating” Jew deepened.Countering such criticisms, Understanding Irène Némirovsky offers a sympathetic, nuanced reading of Némirovsky’s fiction. Margaret Scanlan begins with an overview of the writer’s life—her upper-class Russian childhood, her family’s immigration to France, her troubled relationship with her neglectful mother—and then traces how such experiences informed her novels and stories, including works set in revolutionary Russia, among the nouveau riche on the Riviera, and in struggling French families and failing businesses during the Depression. Scanlan examines the Suite Française and other works that address the rise of fascism and anti-Semitism. Viewing Némirovsky as a major talent with a distinctive style and voice, Scanlan argues for Némirovsky’s keen awareness of the unsettled times in which she lived and examines the ways in which even her novels of manners analyze larger social issues.The Russian Revolution had convinced Némirovsky that violent liberations led to further violence and repression, that interior freedom required political stability. In 1940, when French democracy had collapsed and many seemed reconciled to the Vichy state, Némirovsky’s idea of private freedom faltered—a recognition that her last work, Suite Française, for all its seeming reticence, makes poignantly clear.

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The Complete Poems of James Dickey is an authoritative edition of all 331 poems published by one of America's most distinguished poets, collected in one volume for the first time. Dickey's most-admired and most-anthologised poems—such as ""The Performance,"" ""Cherrylog Road,"" ""The Firebombing,"" ""Falling,"" and ""May Day Sermon""—along with his epic poem The Zodiac are placed in chronological order of publication, affording a poetic autobiography that reveals the intellectual development and the constant experimentation of an iconic American literary figure. This collection includes 93 poems Dickey did not publish in The Whole Motion (1992), 238 poems that he collected as an overview of his whole career. The Complete Poems of James Dickey also includes an apparatus listing publication data and textual variants for the poems, as well as explanatory notes placing Dickey's poetry in biographical and historical context. Edited with an introduction by Ward Briggs, this authoritative and complete edition will be the definitive primary source for Dickey's poetry.This collection includes a foreword by poet Richard Howard, president of the PEN American Center and winner of the Pulitzer Prize for his 1969 collection, Untitled Subjects.

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An illustrated biography celebrating the life and legacy of a renowned Italian artistIn this illustrated biography of the late Italian artist, Livio Orazio Valentini, Robert E. Alexander and John A. Elliott celebrate the life and legacy of the renowned painter and sculptor while acknowledging his special relationship with the people of Aiken, South Carolina.Born to a poor family in 1920, Valentini lived most of his life in Orvieto, Italy. With no money for a formal education, he became a self-taught artist. At the age of twenty, Valentini was called into military service during World War II. After being captured by the Germans, he was confined in Buchenwald and other concentration camps, where he endured two years of physical labor. For Valentini the confinement was life-changing; he experienced a spiritual awakening that became a lifelong odyssey reflected in his art and teaching.Valentini’s art and even his existence centered on his efforts to find freedom. His paintings, charcoal sketches, and sculptures formed from terracotta, forged iron, tile, or stone are often a statement on the human condition, germination and rebirth, and the negativity and violence of humanity. Valentini often spoke about injustice and oppression through the metaphor of a caged bird, explaining how compassion could overcome cruelty and art could bring healing and hope to conquer fear.While Valentini’s art was well known in Italy and other European countries, it was relatively unknown in the United States until the 1990s, when Aiken, South Carolina, and Orvieto, Italy, became linked after a chance meeting between Valentini and a fellow Rotary Club member from Aiken vacationing in Orvieto. The connection blossomed into a multifaceted exchange program for students and citizens that has celebrated culture and art, including Valentini’s.

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Understanding Samuel Beckett presents an overview of the work of the Irish author whose most famous novels and plays?Molloy, Malone Dies, The Unnamable, Waiting for Godot, and Endgame?are discussed in depth, alongside some less known earlier texts and later, shorter pieces. Alan Astro pays particular attention to Beckett's relationship with other authors (Dante, Joyce, Proust), his debt to philosophers (Sartre, Descartes, Pascal), his bilingualism, the psychoanalytic texture of his writing, and his manipulation of the first-person pronoun. Readers will see how Beckett's characters who wish to narrate their own deaths incorporate silence into their speech. Astro concludes with a discussion of Stirrings Still, Beckett's last text, in which he evokes his own impending demise.

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Born in 1928 in the small coastal town of Murrells Inlet, South Carolina, Genevieve “Sister” Peterkin grew up with World War II bombing practice in her front yard, deep-sea fishing expeditions, and youthful rambles through the lowcountry. She shared her bedroom with a famous ghost and an impatient older sister. But most of all she listened. She absorbed the tales of her talented mother and her beloved friend, listened to the stories of the region’s older residents, some of them former slaves, who were her friends, neighbors, and teachers.In this new edition she once again shares with readers her insider’s knowledge of the lowcountry plantations, gardens, and beaches that today draw so many visitors. Beneath the humor, hauntings, and treasures of local history, she tells another, deeper story - one that deals with the struggle for racial equality in the South, with the sometimes painful adventures of marriage and parenthood, and with inner struggles for faith and acceptance. This edition includes a new foreword by coastal writer and researcher Lee G. Brockington and a new afterword by coauthor and lowcountry novelist William P. Baldwin.

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An examination of how images can serve as communication tools to popularize science in the public eyeAs funding for basic scientific research becomes increasingly difficult to secure, public support becomes essential. Because of its promise for captivating nonexpert publics, the practice of merging art and imagery with science has been gaining traction in the scientific community. While images have been used with greater frequency in recent years, their value is often viewed as largely superficial. To the contrary, Maria E. Gigante posits in Introducing Science through Images, the value of imagery goes far beyond mere aesthetics—visual elements are powerful communication vehicles.The images examined in this volume, drawn from a wide range of historical periods, serve an introductory function—that is, they appear in a position of primacy relative to text and, like the introduction to a speech, have the potential to make audiences attentive and receptive to the forthcoming content. Gigante calls them “portal” images and explicates their utility in science communication, both to popularize and mystify science in the public eye.Gigante analyzes how science has been represented by various types of portal images: frontispieces, portraits of scientists, popular-science magazine covers, and award-winning scientific images from Internet visualization competitions. Using theories of rhetoric and visual communication, she addresses the weak connection between scientific communities and the public and explores how visual elements can best be employed to garner public support for research.

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Do exploration. Do things that are new and different."" This is the philosophy that Charles H. Townes has lived by since he was a young boy growing up on a small farm in Greenville, South Carolina. While tending to chores, exploring the outdoors, and tinkering with broken tools and equipment, Townes began what became a lifelong love of exploring and inventing. His passion for new things drove him to an amazing career of discoveries that have changed the world. All of us have been affected by Townes's work, especially his most famous contribution to science: the laser. We're surrounded by lasers, and we may not even realize it: they are in computers, DVD players, atomic clocks, and barcode scanners at the grocery store checkout counter. Doctors, police, astronomers, and even Hollywood filmmakers use lasers regularly in their work. This extraordinary technology was made possible by Townes's hard work and dedication to the ""new and different,"" winning him the Nobel Prize in physics in 1964. In First, You Explore, the first biography of Townes, Rachel Haynie chronicles the scientist's boyhood fascination with the physical world and his early reading, experiments, and exploration of his surroundings on his family's farm. Now at age ninety-eight, Townes is still actively involved in science and education, serving as a guiding force for the planetarium and observatory at the South Carolina State Museum. This inspirational biography includes a timeline of Charles Townes's major life events and additional biographical information that parents and educators will find useful as teaching tools.

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Brilliant and devout, William Porcher DuBose (1836-1918) considered himself a man of thought rather than of action. During the Civil War, he discovered that he was both, distinguishing himself as an able and courageous Confederate officer in the Holcombe Legion and later as a dedicated chaplain in Kershaw's Brigade. Published for the first time, these previously unknown letters of DuBose chronicle his Civil War actions with these two celebrated South Carolina units and make an important contribution to the literature and history of the war. They also advance our understanding of DuBose's burgeoning religious ideals as a Civil War combatant who would later become one of the foremost theologians of the Episcopal Church and a distinguished professor at the University of the South. A native of Winnsboro, South Carolina, DuBose was studying to enter the Episcopal priesthood when the war began. After struggling with the question of secular and spiritual obligations, he decided to join in the defense of the Confederacy and began a long and varied career as a soldier. After service in the lowcountry during the first year of the war, he was thrust into the thick of combat in Virginia, where he was wounded twice and taken as a prisoner of war. After being exchanged and returned to duty in 1862, DuBose was wounded again at the battle of Kinston in North Carolina, and a year later influential friends arranged for his appointment as chaplain in Kershaw's Brigade. He continued to share in the hazards of combat with the men to whom he ministered as they fought in the battles of Spotsylvania, Cold Harbor, Petersburg, and Cedar Creek in 1864. Adroitly edited by W. Eric Emerson and Karen Stokes, the more than 150 letters collected here prove DuBose to be a man of uncompromising duty to his faith, fellows, and the Confederate cause. He references his interactions with prominent figures of the day, including General Nathan ""Shanks"" Evans, John L. Girardeau, John Johnson, Colonel Peter F. Stevens, General Joseph B. Kershaw, Louisa Cheves McCord, and General John Bratton. Also included here are DuBose's wartime courtship letters to his fiancée and later wife, Anne Peronneau DuBose. Collectively these extraordinary documents illustrate the workings of a mind and heart devoted to his religion and dedicated to service in the Confederate ranks.

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This is a collection of Wolfe's earliest publications from his college years.The ""Magical Campus"" collects for the first time Thomas Wolfe's earliest published works - including poems, plays, short fiction, news articles, speeches, and essays - both signed and unsigned, assembled in chronological order. The collegiate career of Wolfe began at UNC Chapel Hill in 1916, at the age of fifteen, with a freshman year marked by obscurity and loneliness. By his junior year, he had emerged as a recognized and popular figure in campus life, a central participant in numerous organizations and fraternities, and the editor of several student publications. Wolfe began in these apprenticeship years his ascendancy to iconic literary status.Included in ""The Magical Campus"" is Wolfe's first published work, the poem ""A Field in Flanders"" from the November 1917 issue of the University of North Carolina Magazine. Here too is the poem ""The Challenge,"" Wolfe's first piece to be subsequently reprinted off campus in his hometown newspaper. ""A Cullenden of Virginia"" marked his inaugural foray into the realm of published fiction and his folk plays, such as ""The Return of Buck Gavin"" and ""Deferred Payment,"" are illustrative of his unrealized ambitions to be a playwright. Though they lack the sophistication and scale of the grand fictions that now define Wolfe's place in literature, his student publications speak to the potential he had tapped into.

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This book presents an original inquiry into the meanings of concealment and revelation in early Arabo-Islamic texts. In this comparative analysis of the significance of keeping and revealing secrets in early Islamic culture, Ruqayya Yasmine Khan draws from a broad range of Arabo-Islamic texts to map interconnections between concepts of secrecy and identity. In early Islamic discourse, Khan maintains, individual identity is integrally linked to a psychology of secrecy and revelation - a connection of even greater importance than what is being concealed or displayed. Khan further maintains that secrecy and identity demarcate boundaries for interpersonal relations when governed by the cultural norms of discretion espoused in these texts.As evidence for her study, Khan explores religious and literary representations of secrecy in classical texts as diverse as the Qur'an, the ""Book of Concealing the Secret and Holding the Tongue"" by al-Jahiz, and courtly love poems, including the story of Majnun and Layla. These works represent divergent approaches to spiritual, ethical, and romantic life in early Islam; yet Khan extrapolates from each a shared construction of secrecy and revelation.In advancing our understanding of the dynamic tensions between secrecy and revelation as depicted in these early Arabo-Islamic discourses, Khan illustrates that the creation of individual identity and subjectivity was inherently tied to these same tensions. The resulting analysis opens new vistas for understanding the meanings of secrecy in Islamic studies, Qur'anic studies, Islamic philosophy and mysticism, and Arabic literary studies as well as European intellectual history.

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A summary and analysis of the Supreme Court's impact on American law and government during the tenureship of Warren Burger. Earl M. Maltz contends that in many areas of constitutional law the Burger Court produced the most liberal jurisprudence in history.

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This is a comprehensive guide to the writing career of the author of ""Angels in America"".""Understanding Tony Kushner"" surveys the acclaimed writings of the author of the Pulitzer Prize - winning drama ""Angels in America"" and coauthor of the Academy Award-nominated screenplay for the film ""Munich"". Viewing Kushner as a sociopolitical dramatist in the tradition of Henrik Ibsen, George Bernard Shaw, and Bertolt Brecht, James Fisher guides readers through Kushner's influences and creations to map the importance of the writer's body of work in expanding the postmodern literary and cultural landscapes. After grounding his discussions in Kushner's early plays, ""A Bright Room Called Day"" and ""Hydriotaphia"", or ""The Death of Dr. Brown"", Fisher engages with the two plays of ""Angels in America"" to identify the major themes to be revisited in subsequent works. Fisher reads the depiction of the clash of values in the mid-1980s in Angels as Kushner's placement of humanity's fate at the nexus of divergent views on morality, politics, religion, history, gender, and sexuality, views that complicate individual and national identity and beg the overarching question, is change to be embraced or challenged? Fisher concludes with an exploration of how Kushner moves his themes from stage to screen in Munich and the forthcoming film Lincoln, both directed by Steven Spielberg.

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This is an engrossing documentary of an African American sea island culture as it once existed.Through the photos of Moutoussamy-Ashe and words of Haley, ""Daufuskie Island"", first published in 1982, vividly captures life on a South Carolina sea island before the arrival of resort culture. Located between Hilton Head and Savannah, Daufuskie has since become a plush resort destination. These images document what life was like for the last inhabitants to occupy the land prior to the onset of tourist developments. When Moutoussamy-Ashe first came to Daufuskie in 1977, about eighty permanent African American residents lived on the island in fewer than fifty homes. Many of the people still spoke their native Gullah dialect. They had only one store, a two-room school, a nursery, and one church.This represented all that remained of a once-thriving antebellum black society which developed after the original plantation owners left the island. After the boll weevil caused cotton crop failures and pollution ruined oyster beds, forcing more and more residents to sell their land to commercial developers, it became obvious that Daufuskie would be transformed into a coastal resort like neighboring Hilton Head. These photos of family gatherings, ox-carts, crabbing, children at play, church services, and the toils of everyday existence independent from many conveniences of modernity form a vibrant mosaic of life as rewarding as it was rough-hewn and serve as a visual record of an African American subculture that no longer exists.Redesigned from cover to cover, this 25th anniversary edition includes more than fifty previously unpublished photographs, a new preface by Deborah Willis and new epilogue by Moutoussamy-Ashe.

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Among the most celebrated American poets of the past half century, Adrienne Rich was the recipient of awards ranging from the Bollingen Prize, to the National Book Award, to the Lannan Lifetime Achievement Award. In this book, Jeannette E. Riley assesses the full scope of Rich's career through a chronological exploration of her poetry and prose.

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Explores seven startling paradoxes behind the bestselling novelist's lasting popularity Agatha Christie stands as the bestselling novelist of all time and, in terms of total sales in all genres, places only behind the Christian Bible and Shakespeare. Since the publication of The Mysterious Affair at Styles in 1920, Christie's fiction has withstood the envy of her peers and the snipes of critics, while garnering the admiration of countless readers. From her puzzling persona (notably in her eleven-day disappearance in 1926) and status as "Queen of the Cozies" to her tragicomic themes and critiques of Englishness, Christie built a lasting literary legacy that perplexes and pleases her hordes of readers. In Understanding Agatha Christie, Tison Pugh takes a fresh look at the contemporary world's most popular author, investigating seven notable paradoxes behind her lasting success, thereby illuminating the literary innovations that have contributed to her uncannily timeless appeal.

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Places Greenville's experience during World War I within the context of the progressive era to better understand the rise of this New South cityGreenville, South Carolina has become an attractive destination, frequently included in lists of the "Best Small Cities" in America. While Greenville's 21st century Renaissance has been impressive, in "Our Country First, Then Greenville," author Courtney Louise Tollison Hartness explores an earlier period, revealing how Greenville's experience during World War I served to generate massive development in the city and the region. It was this moment that catalyzed Greenville's development into a modern city, setting the stage for the continued growth that persists into the present-day.World War I affected Greenville and its residents in ways both big and small. "Our Country First, Then Greenville" explores Greenville's home-front experience of race relations, dramatic population growth (the number of Greenville residents nearly tripled between 1900 and 1930s), the women's suffrage movement, and the contributions of African Americans and women to Greenville's history. Tollison Hartness studies the influenza pandemic of that time, explores the stories behind the Greenville building boom of the 1910s and 1920s, and shares the rich and scandalous story of Greenville's Confederate Memorial. She argues that Greenville's experience during World War I cannot be separated from Progressive-era civic engagement, and that wartime mobilization catapulted Greenville into the ranks of the New South's important urban centers. This important work features newly discovered photos of Greenville, found in archival collections throughout the country and dating back over 100 years.

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The battle for equality in education during the civil rights era came at a cost to Black Americans on the frontlines. In 1964 when fourteen-year-old June Manning Thomas walked into Orangeburg High School as one of thirteen Black students selected to integrate the all-White school, her classmates mocked, shunned, and yelled racial epithets at her. The trauma she experienced made her wonder if the slow-moving progress was worth the emotional sacrifice. In Struggling to Learn, Thomas, revisits her life growing up in the midst of the civil rights movement before, during, and after desegregation and offers an intimate look at what she and other members of her community endured as they worked to achieve equality for Black students in K-12 schools and higher education.Through poignant personal narrative, supported by meticulous research, Thomas retraces the history of Black education in South Carolina from the post-Civil War era to the present. Focusing largely on events that took place in Orangeburg, South Carolina, during the 1950s and 1960s, Thomas reveals how local leaders, educators, parents, and the NAACP joined forces to improve the quality of education for Black children in the face of resistance from White South Carolinians. Thomas's experiences and the efforts of local activists offer relevant insight because Orangeburg was home to two Black colleges—South Carolina State University and Claflin University—that cultivated a community of highly educated and engaged Black citizens. With help from the NAACP, residents filed several lawsuits to push for equality. In the notable Briggs v. Elliott, Black parents in neighboring Clarendon County sued the school board to challenge segregation after the county ignored their petitions requesting a school bus for their children. That court case became one of five that led to Brown v. Board of Education and the landmark 1954 decision that declared school segregation illegal. Despite the ruling, South Carolina officials did not integrate any public schools until 1963 and the majority of them refused to admit Black students until subsequent court cases, and ultimately the intervention of the federal government, forced all schools to start desegregating in the fall of 1970.In Struggling to Learn, Thomas reflects on the educational gains made by Black South Carolinians during the Jim Crow and civil rights eras, how they were achieved, and why Black people persisted despite opposition and hostility from White citizens. In the final chapters, she explores the current state of education for Black children and young adults in South Carolina and assesses what has been improved and learned through this collective struggle.

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Set in the early 1950s rural South, One Good Mama Bone chronicles Sarah Creamer’s quest to find her “mama bone” after she is left to care for a boy who is not her own but instead is the product of an affair between her husband and her best friend and neighbor, a woman she calls “Sister.” When her husband drinks himself to death, Sarah, a dirt-poor homemaker with no family to rely on and the note on the farm long past due, must find a way for her and young Emerson Bridge to survive. But the more daunting obstacle is Sarah’s fear that her mother’s words, seared in her memory since she first heard them at the age of six, were a prophesy: “You ain’t got you one good mama bone in you, girl.”When Sarah reads in the local newspaper that a boy won $680 with his Grand Champion steer at the recent 1951 Fat Cattle Show & Sale, she sees this as their financial salvation and finds a way to get Emerson Bridge a steer from a local farmer to compete in the 1952 show. But the young calf is unsettled at Sarah’s farm, crying out in distress and growing louder as the night wears on. Some four miles away, the steer’s mother hears his cries and breaks out of a barbed-wire fence to go in search of him. The next morning Sarah finds the young steer quiet, content, and nursing on a large cow. Inspired by the mother cow’s act of love, Sarah names her Mama Red. And so Sarah’s education in motherhood begins with Mama Red as her teacher.But Luther Dobbins, the man who sold Sarah the steer, has his sights set on winning too, and, like Sarah, he is desperate, but not for money. Dobbins is desperate for glory, wanting to regain his lost Grand Champion dynasty, and he will stop at nothing to win. Emboldened by her lessons from Mama Red and her budding mama bone, Sarah is fully committed to victory until she learns the winning steer’s ultimate fate. Will she stop at nothing, even if it means betraying her teacher?McClain’s writing is distinguished by a sophisticated and detailed portrayal of the day-to-day realities of rural poverty and an authentic sense of time and place that marks the best southern fiction. Her characters transcend their archetypes, and her animal-as-teacher theme recalls the likes of Water for Elephants and The Art of Racing in the Rain. One Good Mama Bone explores the strengths and limitations of parental love, the healing power of the human-animal bond, and the ethical dilemmas of raising animals for food. Mary Alice Monroe, a New York Times and USA Today best-selling author of eighteen novels and two children's books, provides a foreword to the novel.

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More Than a Likeness: The Enduring Art of Mary Whyte is the first comprehensive book on the life and work of one of today's most renowned watercolourists. From Whyte's earliest paintings in rural Ohio and Pennsylvania, to the riveting portraits of her southern neighbours, historian Martha R. Severens provides us with an intimate look into the artist's private world.With more than two hundred full-colour images of Whyte's paintings and sketches, as well as comparison works by masters such as Winslow Homer, Andrew Wyeth, and John Singer Sargent, Severens clearly illustrates how Whyte's art has been shaped and how the artist forged her own place in the world today. Though Whyte's academic training in Philadelphia was in oil painting, she learned the art of watercolour on her own--by studying masterworks in museums. Today Whyte's style of watercolour painting is a unique blend of classical realism and contemporary vision, as seen in her intimate portraits of Southern blue-collar workers and elderly African American women in the South Carolina lowcountry. ""For me ideas are more plentiful than the hours to paint them, and I worry that I cannot get to all of my thoughts before they are forgotten or are pushed aside by more pressing concerns,"" explains Whyte. ""Some works take time to evolve. Like small seeds the paintings might not come to fruition until several years later, after there has been ample time for germination."" Using broad sweeping washes as well as miniscule brushstrokes, Whyte directs the viewer's attention to the areas in her paintings she deems most important. Murky passages of neutral colours often give way to areas of intense detail and colour, giving the works a variety of edges and poetic focus. Several paintings included in the book are accompanied by enlarged areas of detail, showcasing Whyte's technical mastery. More Than a Likeness is replete with engaging artwork and inspiring text that mark the mid-point in Whyte's artistry. Of what she will paint in the future, the artist says, ""I have always believed that as artists we don't choose our vocation, style, or subject matter. Art chooses us.

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This title peeks inside the writerly testing grounds of Sue Grafton, Kim Stafford, Maureen Stanton, and others. This collection of essays by well-established professional writers explores how their notebooks serve as their studios and workshops - places to collect, to play, and to make new discoveries with language, passions, and curiosities. For these diverse writers, the journal also serves as an ideal forum to develop their writing voice, whether crafting fiction, nonfiction, or poetry. Some entries include sample journal entries that have since developed into published pieces. Through their individual approaches to keeping a notebook, the contributors offer valuable advice, personal recollections, and a hardy endorsement of the value of using notebooks to document, develop, and nurture a writer's creative spark. Designed for writers of all genres and all levels of experience, ""Writers and Their Notebooks"" celebrates the notebook as a vital tool in a writer's personal and literary life.

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This is a chronicle of South Carolina describing in human terms 475 years of recorded history in the Palmetto State. Recounting the period from the first Spanish exploration to the end of the Civil War, the author charts South Carolina's rising national and international importance.

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A writer in search of his roots discovers stories of African American struggle, sacrifice, and achievement. In The Garretts of Columbia, author David Nicholson tells a multigenerational story of Black hope and resilience. Carefully researched and beautifully written, The Garretts of Columbia engages readers with stories of a family whose members believed in the possibility of America. Nicholson relates the sacrifices, defeats, and affirming victories of a cohort of stalwart men and women who embraced education, fought for their country, and asserted their dignity in the face of a society that denied their humanity and discounted their abilities. The letters of Anna Maria "Mama" Threewitts Garrett, along with other archival sources and family stories passed down through generations, provided the framework that allowed Nicholson to trace his family's deep history, and with it a story about Black life in segregated Columbia, SC, from the years after the Civil War to World War II.

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