Search results for ""university of south carolina press""

Richard Dwight Porcher, Jr., eminent field biologist and lowcountry South Carolina native, has brought all of his skills as a botanist, historian, photographer, and conservationist to bear in a multidisciplinary study of the rice industry in South Carolina from its beginnings in the 1670s to its demise in the twentieth century. Using the tools of the geographer, civil engineer, draftsman and close readings of many primary and secondary sources on the history of rice culture in the colony and state, Porcher and coauthor William Robert Judd have amassed a great body of previously unknown information on rice history. Detailed illustrations and descriptions of the implements and machines featuring technology used to prepare Carolina rice for overseas markets, The Market Preparation of Carolina Rice includes 161 illustrations, most of them meticulously hand-drafted by Judd expressly for this edition. The book begins with the preindustrial implements and techniques used by African and African American slaves and workers in the late 1600s and early 1700s and concludes with the water- and steam-powered machines that drove rice threshing and milling until the end of the industry in 1911. In great detail the authors reveal the immense, continually evolving technological innovations of an agricultural industry that spanned the Industrial Revolution and much of the history of the colony and state. With this rich body of knowledge in hand, Porcher stands at odds with theories held by most historians of rice culture who generally assert that the plantation culture of rice was in unrecoverable decline as the South hastened to civil war. Porcher believes that decline was retarded by continuous technological innovation and increasing investment in land, labour, and mechanization as local planters sought to sustain profits in a globally expanding market. Porcher asserts that the post-Civil War loss of slave labour and destruction of infrastructure, a series of hurricanes, competition from rice grown in the American Southwest starting in 1880, and financial restraints that led to the cessation of rice culture in lowcountry South Carolina, North Carolina, and Georgia. Impoverished and unable to adapt to new technologies and market demands, rice planters left the commercial rice enterprise to others.

Read more less

An analysis that challenges the conventional Christian hierarchy of John the Baptist and Jesus of Nazareth.While the Christian tradition has subordinated John the Baptist to Jesus of Nazareth, John himself would likely have disagreed with that ranking. In John the Baptist in History and Theology, Joel Marcus makes a powerful case that John saw himself, not Jesus, as the proclaimer and initiator of the kingdom of God and his own ministry as the center of God’s saving action in history.Marcus contends that biblical and extrabiblical evidence reveals a continuing competition between the two men that early Christians sought to muffle. Like Jesus, John was an apocalyptic prophet who looked forward to the imminent end of the world and the establishment of God’s rule on earth. Originally a member of the Dead Sea Sect, an apocalyptic community within Judaism, John broke with the group over his growing conviction that he himself was Elijah, the end-time prophet who would inaugurate God’s kingdom on earth. Jesus began his career as a follower of the Baptist, but, like other successor figures in religious history, he parted ways from his predecessor as he became convinced of his own centrality in God’s purposes. Meanwhile John’s mass following and apocalyptic message became political threats to Herod Antipas, who had John executed to abort any revolutionary movement.Based on close critical-historical readings of early texts—including the accounts of John in the Gospels and in Josephus’s Antiquities—the book concludes with thoughtful reflections on how its revisionist interpretations might be incorporated into the Christian faith.

Read more less

Acclaimed Scottish singer Jean Redpath (1937–2014) is best remembered for her impressive repertoire of ancient ballads, Robert Burns songs, and contemporary folk music, recorded and performed over a career spanning some fifty years, from the 1960s until her death in 2014. In Giving Voice to Traditional Songs, Mark Brownrigg helps capture Redpath’s idiosyncratic and often humorous voice through his interviews with her during the last eighteen months of her life. Here Redpath reflects on her humble beginnings, her Scottish heritage, her life’s journey, and her mission of preserving, performing, and teaching traditional song.A native of Edinburgh, Redpath was raised in a family of singers of traditional Scots songs. She broadened her knowledge of the tradition through work with the Edinburgh Folk Society and later as a student of Scottish studies at Edinburgh University. Prior to graduation, Redpath abandoned her studies to follow her passion of singing. Her independent spirit took her to the United States, where she found commercial success amid the Greenwich Village folk-music revival in New York in the 1960s. There she shared a house and concert stages with Bob Dylan and Ramblin’ Jack Elliott. Often praised for her unaccompanied, gentle voice, Redpath received a rave review in the New York Times, which launched her career and lead to her wide recognition as a true voice of traditional Scottish songs.As a regular guest on Garrison Keillor’s A Prairie Home Companion radio show, Redpath endeared herself to millions with her soft melodies and amusing tales. Her extensive knowledge of traditional Scottish music history led to appointments as artist in residence at universities in the United States and Scotland, where she taught courses on traditional song. Among her final performances was a 2009 appearance on the Late Show with David Letterman.Redpath’s extraordinary career has been celebrated with many accolades, including honorary doctorates from several universities, an appointment as Member of the Most Excellent Order of the British Empire by Queen Elizabeth II, and induction into the Scottish Traditional Music Hall of Fame. Although Redpath preferred not to be labeled as a folk singer, a term she found restrictive, she is revered as the most prominent Scottish folk singer of the postwar era.

Read more less

A portrait of a young artist’s formative years studying sculpture in Paris, recounted in her own words.Angela Gregory is considered by many the doyenne of Louisiana sculpture and is a notable twentieth century American sculptor. In A Dream and a Chisel, Angela Gregory and Nancy Penrose explore Gregory’s desire, even as a teenager, to learn the art of cutting stone and to become a sculptor. Through sheer grit and persistence, Gregory achieved her dream of studying with French artist Antoine Bourdelle, one of Auguste Rodin’s most trusted assistants and described by critics of the era as France’s greatest living sculptor. In Bourdelle’s Paris studio, Gregory learned not only sculpting techniques but also how to live life as an artist. Her experiences in Paris inspired a prolific sixty-year career in a field dominated by men.After returning to New Orleans from Paris, Gregory established her own studio in 1928 and began working in earnest. She created bas-relief profiles for the Louisiana State Capitol built in 1932 and sculpted the Bienville Monument, a bronze statue honoring the founder of New Orleans, in the 1950s. Her works also include two other monuments, sculptures incorporated into buildings, portrait busts, medallions, and other forms that appear in museums and public spaces throughout the state. She was the first Louisiana woman sculptor to achieve international recognition, and, at the age of thirty-five, became one of the few women recognized as a fellow of the National Sculpture Society. Gregory’s work appeared in group shows at many prestigious museums and in exhibitions, including the Salon des Tuileries and the Salon d’Automne in Paris, the Palace of the Legion of Honor in San Francisco, the National Collection of Fine Arts in the Smithsonian in Washington, D.C., and the Metropolitan Museum of Art in New York.This memoir is based on Penrose’s oral history interviews with Gregory, as well as letters and diaries compiled before Gregory’s death in 1990. A Dream and a Chisel demonstrates the importance of mentorships, offers a glimpse into the realities of an artist’s life and studio, and captures the vital early years of an extraordinary woman who carved a place for herself in Louisiana’s history.

Read more less

In an attempt to counter the insular narratives of much of the sesquicentennial commemorations of the Civil War in the United States, editors David T. Gleeson and Simon Lewis present this collection of essays that examine the war as more than a North American conflict, one with transnational concerns. The book, while addressing the origins of the Civil War, places the struggle over slavery and sovereignty in the United States in the context of other conflicts in the Western hemisphere. Additionally Gleeson and Lewis offer an analysis of the impact of the war and its results overseas. Although the Civil War was the bloodiest conflict in U.S. history and arguably its single most defining event, this work underscores the reality that the war was by no means the only conflict that ensnared the global imperial powers in the mid-nineteenth century. In some ways the Civil War was just another part of contemporary conflicts over the definitions of liberty, democracy, and nationhood. The editors have successfully linked numerous provocative themes and convergences of time and space to make the work both coherent and cogent. Subjects include such disparate topics as Florence Nightingale, Gone with the Wind, war crimes and racial violence, and choices of allegiance made by immigrants to the United States. While we now take for granted the nation's values of freedom and democracy, we cannot understand the impact of the Civil War and the victorious ""new birth of freedom"" without thinking globally.The contributors to The Civil War as Global Conflict reveal that Civil War-era attitudes toward citizenship and democracy were far from fixed or stable. Race, ethnicity, nationhood, and slavery were subjects of fierce controversy. Examining the Civil War in a global context requires us to see the conflict as a seminal event in the continuous struggles of people to achieve liberty and fulfill the potential of human freedom. The book concludes with a coda that reconnects the global with the local and provides ways for Americans to discuss the war and its legacy more productively.

Read more less

This volume provides a dissection of W.G. Sebald's fiction and his acclaim. A German writer who taught in England for 30 years, he published four novels, first in German and then in English. His work gained even greater acclaim after his death in 2001, just months after the publication of his title ""Austerlitz"". This companion to his fiction investigates the secret behind his universal appeal and explores themes, issues, and influences that dominate the writer's oeuvre. It suggests that Sebald essentially had two literary careers - as his works appeared in German-speaking Europe and then in the English speaking world. It outlines the writer's reception in his homeland and in translation. It illuminates the vast knowledge of European literatures that Sebald drew upon in composing his narratives and also sheds light on the interconnections that lurk beneath the surface of the writer's landscapes and memoirs.

Read more less

This book offers an interpretation of the evolution of a growing genre in literary, film, and television.As a follow-up to their 1997 collection ""Political Science Fiction"" Hassler and Wilcox have assembled twenty-four noted international scholars representing diverse fields of inquiry to assess the influential voices and trends from the past decade in ""New Boundaries in Political Science Fiction"". The terrors and technologies that permeate our daily lives have changed radically in the past decade, further highlighting the underlying speculations on our contested future that remain the core of this genre. In surveying the vast expanse of politically charged science fiction of recent years, the editors posit that the defining dilemma for these tales rests in whether identity and meaning germinate from progressive linear changes or progress or from a continuous return to primitive realities of war, death, and the competition for survival.The discussion of political implications ranges among writers from H. G. Wells, Robert A. Heinlein, Ursula Le Guin, and Isaac Asimov to more radical recent voices such as Iain M. Banks, William Gibson, Joanna Russ, Philip K. Dick, and China Mieville. While emphasizing the literature, the collection also addresses political science fiction found on film and television from the original ""Star Trek"" through the newest incarnation of ""Battlestar Galactica"".

Read more less

Earl M. Middleton (b. 1919) has prospered in ways few African Americans have in the rural South. As owner of a successful business that cuts across racial lines and as a political leader in the cause of civil rights, Middleton has garnered hard-won recognition for his efforts from blacks and whites alike. His life story is at once illustrative of dynamic developments in southern race relations over the past eight decades and inspirational in telling how one individual capitalized on those changes to perpetuate a family legacy of entrepreneurship and service in his community.A World War II veteran, Middleton trained as a Tuskegee Airman in 1942 and then served as an infantry soldier in the Pacific theater. Returning to Orangeburg in 1946, he became a barber and then a restaurant owner before finding his true vocation in real-estate. What is now one of the region's most profitable real estate firms began as a sideline in the back of a barbershop, but Middleton quickly developed a reputation for superior knowledge and inclusive definitions of community that allowed him to succeed.As a civil rights activist in the 1950s and 1960s, Middleton witnessed firsthand the bravery of Orangeburg's citizens. His wife, then the head of South Carolina State's library science department, was jailed for joining a student protest. From these experiences Middleton developed an unconquerable forbearance that complemented his unshakable belief in equality. In 1974, he was elected to the South Carolina General Assembly, where he served for a decade. There he was a founding member of the Legislative Black Caucus and an influential voice on the U.S. Civil Rights Commission. Today Middleton is still active in the daily operations of the real-estate business he founded and the agency continues to expand with racially diverse agents serving equally diverse populations.

Read more less

This book offers original inroads to understanding the life and works of the celebrated novelist and poet. In ""The Way We Read James Dickey"" editors William B. Thesing and Theda Wrede have assembled an outstanding collection of current critical responses to the works of the acclaimed novelist, poet, and teacher, including essays by Dickey's former colleagues at the University of South Carolina and a piece by his most famous student, novelist Pat Conroy. The volume breaks new ground in the application of innovative critical approaches and restores Dickey to his rightful place in the literary canon as a remarkable writer who crafted some of the best poetry and fiction of the twentieth century. A decade after Dickey's death and thirty-five years after the release of the film version of his famous novel Deliverance, Dickey remains a controversial figure in the American literary landscape. He was an intellectual maverick who was often ahead of his time, and yet he responded intensely, almost obsessively, to his own changing times. Thesing and Wrede argue that, although he appeared to conform to poetic conventions, his writing was a visionary reinterpretation and extension of preexisting traditions. This tension between a poet's intellectual precursors and the radical innovation of his work is the inspiration behind the fresh approaches taken by the contributors in this volume, just as it energized Dickey's own endeavors. The essays offer original insights through emerging scholarly perspectives as well as through established methods of critique. The contributors address a range of themes in Dickey's works, including gender, religion, humanity's relationship to nature, and the writer's cultural context. This landmark reappraisal of Dickey's legacy offers readers a coherent forum that addresses why his writings remain relevant today, thus restoring and revaluing the rising significance of Dickey's literary achievement for twenty-first-century audiences.

Read more less

Emmala Reed (1839-1893) may not have watched the unfolding of the Civil War from the front lines, but she nonetheless witnessed the collapse of the Confederacy. With the fall of Charleston and the burning of Columbia, waves of refugees flooded into her hometown of Anderson, South Carolina. Returning Confederate soldiers passed through this isolated settlement to get rations of cornmeal on their journey home, and eventually Union troops occupied the town. All the while this twenty-five-year-old, unmarried woman recorded what she observed from Echo Hall, her family home on Anderson's Main Street. Reed's journals from 1865 and 1866 present a detailed account of life in western South Carolina as war turned to reconstruction. Reed's postwar writings are particularly important given their rarity - many Civil War diarists stopped writing at war's end. As the daughter of Judge Jacob Pinckney Reed, a prominent lawyer, merchant, and prewar Unionist, Reed offers a perspective different from the usual ardent secessionist. Also unlike many diarists of the period, Reed lived in a small town rather than on a plantation or in an urban center. In her journals Reed captures the disheartening, chaoti

Read more less

Through letters and journal entries rich in detail, this text follows the trials of the 19th-century Palmer family who dominated the southern banks of South Carolina's Santee River. The volume offers insights into plantation life; education; religion; and slave/master relations.

Read more less

A rare classic in American social science, Edgar Thompson's 1932 University of Chicago dissertation, ""The Plantation,"" broke new analytic ground in the study of the southern plantation system. Thompson refuted long-espoused climatic theories of the origins of plantation societies and offered instead a richly nuanced understanding of the links between plantation culture, the global history of capitalism, and the political and economic contexts of hierarchical social classification. This first complete publication of Thompson's study makes available to modern readers one of the earliest attempts to reinterpret the history of the American South as an integral part of global processes. In this Southern Classics edition, editors Sidney W. Minz and George Baca provide a thorough introduction explicating Thompson's guiding principles and grounding his germinal work in its historical context. Thompson viewed the plantation as a political institution in which the quasi-industrial production of agricultural staples abroad through race-making labor systems solidified and advanced European state power. His interpretation marks a turning point in the scientific study of an ancient agricultural institution, in which the plantation is seen as a pioneering instrument for the expansion of the global economy. Further, his awareness of the far-reaching history of economic globalization and of the conception of race as socially constructed predicts viewpoints that have since become standard. As such, this overlooked gem in American intellectual history is still deeply relevant for ongoing research and debate in social, economic, and political history.

Read more less

On the night of April 8, 1956, marine drill instructor, Matthew McKeon led Platoon 71 on a forced march through the backwaters of Parris Island in an effort to restore flagging discipline. Unexpectedly strong currents in Ribbon Creek and an ensuing panic led to the drowning of six recruits. The tragedy of Ribbon Creek and the court-martial of Staff Sergeant McKeon became the subject of sensational national media coverage and put the future of the U.S. Marine Corps in jeopardy. In this definitive account of the Ribbon Creek, incident former marine and experienced trial lawyer and judge John C. Stevens III examines the events of that night, the men of Platoon 71, and the fate of Sergeant McKeon. Drawing on personal interviews with key participants and his own extensive courtroom experience, Stevens balances the human side of this story with insights into the court proceedings and the tactics of the prosecution and defense attorney Emile Zola Berman. The resulting narrative is a richly developed account of a horrific episode in American military history and of the complex characters at the heart of this cautionary tale.

Read more less

The powerful life story and photography of an esteemed Black photojournalist from Orangeburg, South CarolinaCecil Williams is one of the few Southern Black photojournalists of the civil rights movement. Born and raised in Orangeburg, South Carolina, Williams worked at the center of emerging twentieth-century civil rights activism in the state, and his assignments often exposed him to White violence perpetrated by law officials and ordinary citizens. Williams's story is the story of the civil rights era.Williams and award-winning journalist Claudia Smith Brinson combine forces in Injustice in Focus: The Civil Rights Photography of Cecil Williams. Together they document civil rights activism in the 1940s through the 1960s in South Carolina. Williams was there, in South Carolina, to witness and document pivotal movements such as then-NAACP legal counsel Thurgood Marshall's arrival in Charleston to argue the landmark case Briggs v. Elliott and the aftermath of the infamous Orangeburg Massacre. Featuring eighty stunning photographs accompanied by Brinson's rich research, interviews, and prose, Injustice in Focus offers a firsthand account of South Carolina's fight for civil rights and describes Williams's life behind the camera as a documentarian of the civil rights movement.

Read more less

An exploration of the University of South Carolina's trailblazing approach to the first-year experienceAs an innovative educational experiment, University 101 was designed to support students' transition to and success in college. Now, fifty years after its inception, the program continues to bring national recognition to the University of South Carolina. From Educational Experiment to Standard Bearer celebrates this milestone by exploring the course's origins; its evolution and success at the university; its impact on first-year students, upper-level students serving as peer leaders, faculty and staff instructors, and the university community and culture; and its role in launching the international first-year experience movement.By highlighting the most significant takeaways, lessons learned, and insights to practitioners on other campuses, this book will serve as an inspiration and road map for other institutions to invest in this proven concept and focus on the ingredients that lead to a successful program. John N. Gardner, founding director and architect of University 101, provides a foreword.

Read more less

David Drake, also known as Dave the Potter, was born enslaved in Edgefield, South Carolina, at the turn of the nineteenth century. Drake was literate and signed some of his pots, not only with his name and a date, but with verse - making a powerful statement of resistance. This volume presents multifaceted scholarship about Drake and his craft.

Read more less

The social, political, and legal struggles that made up the American civil rights movement of the mid-twentieth century produced and refined a wide range of rhetorical strategies and tactics. Arguably the most astonishing and certainly the least understood are the sit-in protests that swept the nation at the beginning of the 1960s. A companion to Like Wildfire: The Rhetoric of the Civil Rights Sit-Ins, this concentrated collection of essays examines the origins and rhetorical methods of five distinct civil rights sit-ins of 1960.For students of rhetoric, protest, and sociopolitical movements, this volume demonstrates how we can read the sit-ins by using diverse rhetorical lenses as essentially persuasive conflicts in which participants invented and deployed arguments and actions in attempts to change segregated communities and the attitudes, traditions, and policies that maintained segregation.

Read more less

The Southern Wildlife Watcher is a colorful look at thirty-six common and not-so-common animals found in the southeastern United States--from the hummingbird to the bald eagle and from the bullfrog to the bobcat. Rob Simbeck, one of the Southeast's most widely read naturalists, combines a poet's voice with a journalist's rigor in offering readers an intimate introduction to the creatures around us.Through delightful storytelling each vignette offers accessible information supported by quotes from noted naturalists and biologists. Simbeck covers habitat, diet, mating and reproduction, environmental challenges, and even folklore in outlining the lives of insects and other invertebrates, birds, mammals, reptiles, amphibians, crustaceans, and fish. The Southern Wildlife Watcher is a refresher course and handbook for veteran nature lovers, an introduction for young readers, and fireplace or bedtime reading for those wanting to reflect on nature's bounty. A foreword is provided by Jim Casada, the author or editor of more than forty books and some five thousand magazine articles. He serves as editor at large for Sporting Classics magazine.

Read more less

In the early 1930s Chlotilde R. Martin of Beaufort, South Carolina, wrote a series of articles for the Charleston News and Courier documenting the social and economic transformation of the lowcountry coast as an influx of wealthy northerners began buying scores of old local plantations. Her articles combined the name-dropping chatter of the lowcountry social register with reflections on the tension between past and present in the old rice and cotton kingdoms of South Carolina. Edited by Robert B. Cuthbert and Stephen G. Hoffius, Northern Money, Southern Land collects Martin's articles and augments them with photographs and historical annotations to carry their stories forward to the present day.As Martin recounted, the new owners of these coastal properties ranked among the most successful businessmen in the country and included members of the Doubleday, Du Pont, Hutton, Kress, Whitney, Guggenheim, and Vanderbilt families. Among the later owners are media magnate Ted Turner and boxer Joe Frazier. The plantation houses they bought and the homes they built are some of the most important architectural structures in the Palmetto State--although many are rarely seen by the public. In some fifty articles drawn from interviews with property owners and visits to their newly acquired lands, Martin described almost eighty estates covering some three hundred thousand acres of Beaufort, Jasper, Hampton, Colleton, and Berkeley counties. Martin's lively sketches included stories of wealthy young playboys who brought Broadway showgirls down for decadent parties, tales of the first nudist colony in America, and exchanges with African American farmhands who wanted to travel to New York to see their employers' primary homes, which they had been assured were piled high with gold and silver. In the process, Martin painted a fascinating landscape of a southern coastline changing hands and on the verge of dramatic redevelopment. Her tales, here updated by Cuthbert and Hoffius, will bring modern readers onto many little-known plantations in the southern part of South Carolina and provide a wealth of knowledge about the history of vexing tensions between development and conservation that remain a defining aspect of lowcountry life.

Read more less

This is a collection of 180 images from artist Jonathan Green. He paints the world of his childhood amongst the Gullah people of the South Carolina barrier islands. He reveals an awareness of the social and natural environments in which we live, elevating the everyday and celebrating the social.

Read more less

Beginning when Greenville was Cherokee hunting grounds, then following its growth from frontier settlement to village to summer resort, A Short History of Greenville traces the town's political and social changes from Unionism to Secession and from agriculture to textiles to tourism.

Read more less

This first book-length study of Stewart O'Nan's work offers a comprehensive introduction to his writings and carefully examines recurring thematic concerns and stylistic characteristics of his novels. The author of eighteen novels, several works of nonfiction, and two short-story collections, O'Nan received the Pirate's Alley Faulkner Society's Gold Medal for best novel for Snow Angels and the Drew Heinz Prize for In the Walled City. In 1996 Granta magazine named him one of the Twenty Best Young American Novelists.In Understanding Stewart O'Nan, Heike Paul appraises O'Nan's oeuvre to date, including his popular multigenerational trilogy of novels--Wish You Were Here; Emily, Alone; and Henry, Himself--that received enthusiastic reviews in the New York Times, the Washington Post, Publisher's Weekly, and the Guardian.Paul argues that O'Nan is not only a writer of popular fiction but also has developed into a major literary voice worthy of canonical status and of having a firm place in school, college, and university curricula. To this end Paul analyzes his use of formulas of long-standing popular American genres, such as the Western and the gothic tale, as he re-invents them in innovative and complex ways creating a style that Paul describes as ""everyday gothic."" She also offers a critical examination of O'Nan's treatment of American myths and vivid descriptions of struggling middle class settings and individuals who lead precarious lives. Paul believes this first critical study of O'Nan's collected works will be instrumental in building a critical archive and analysis of his oeuvre.

Read more less

This sourcebook, a corrected reprint of the University of South Carolina Press edition of 1972, contains a complete English translation of the sophist material collected in the critical edition of Diels-Krantz, as well as Euthydemus and a completely re-edited Antiphon.

Read more less

This sourcebook, a corrected reprint of the University of South Carolina Press edition of 1972, contains a complete English translation of the sophist material collected in the critical edition of Diels-Krantz, as well as Euthydemus and a completely re-edited Antiphon.

Read more less