Search results for ""University of Wisconsin Press""

In this startling group memoir, four friends-black and white, gay and straight, immigrant and American-born-use Toni Morrison's novels as a springboard for intimate and revealing conversations about the problems of everyday racism and living whole in times of uncertainty. Tackling everything from first love and Soul Train to police brutality and the Black Lives Matter movement, the authors take up what it means to read challenging literature collaboratively and to learn in public as an act of individual reckoning and social resistance. Framing their book club around collective secrets, the group bears witness to how Morrison's works and words can propel us forward while we sit with uncomfortable questions about race, gender, and identity. How do we make space for black vulnerability in the face of white supremacy and internalized self-loathing? How do historical novels speak to us now about the delicate seams that hold black minds and bodies together? This slim and brilliant confessional offers a radical vision for book clubs as sites of self-discovery and communal healing. The Toni Morrison Book Club insists that we find ourselves in fiction and think of Morrison as a spiritual guide to our most difficult thoughts and ideas about American literature and life.

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Mamah Borthwick was an energetic, intelligent, and charismatic woman who earned a master’s degree at a time when few women even attended college, translated writings by a key figure of the early feminist movement, and taught at one of Germany’s best schools for boys. She is best known, however, as the mistress of the famous American architect Frank Lloyd Wright, and for her shocking murder at the renowned Wisconsin home he built for her, Taliesin. A Brave and Lovely Woman offers an important corrective to the narrative of Wright and Borthwick, a love story as American in character as it is Shakespearean in conclusion. Little of Wright’s life and work has been left untouched by his many admirers, critics, and biographers. And yet the woman who stood at the center of his emotional life, Mamah Borthwick, has fallen into near obscurity. Mark Borthwick—a distant relative—recenters Mamah Borthwick in her own life, presenting a detailed portrait of a fascinating woman, a complicated figure who was at once a dedicated mother and a faithless spouse, a feminist and a member of a conservative sorority, a vivacious extrovert and a social pariah. Careful research and engaging prose at last give Borthwick, an obscure but crucial character in one of America’s most famous tragedies, center stage.

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Go beyond bird feeders! Learn how to create outstanding bird habitats in your own yard with native plants that offer food, cover, and nesting sites for birds. This guide is packed with color photographs, sage advice, detailed instructions, and garden plans. It features nine different habitat gardens for hummingbirds, bluebirds, wintering birds, migrant birds, and birds that frequent prairies, wetlands, lakes, shrublands, and woodlands, along with advice about maintaining your plantings and augmenting them with nest boxes, birdbaths, misters, and perches. The information on recommended plant species includes their native ranges in Illinois, Indiana, Iowa, Ohio, Michigan, Minnesota, Missouri, and Wisconsin; the birds they attract; their visual characteristics; and their cultivation. Mariette Nowak also describes how gardeners featured in this book have gone beyond their own garden gates to work for the protection and restoration of bird habitat in their neighborhoods and communities. Birdscaping in the Midwest provides many sources of further information, including publications, web sites, organizations, and native plant nurseries.

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Glenn Ford - star of such now-classic films as Gilda, Blackboard Jungle, The Big Heat, 3:10 to Yuma, and The Rounders - had rugged good looks, a long and successful career, and a glamorous Hollywood life. Yet the man who could be accessible and charming on screen retreated to a deeply private world he created behind closed doors. Glenn Ford: A Life chronicles the volatile life, relationships, and career of the renowned actor, beginning with his move from Canada to California and his initial discovery of theater. It follows Ford's career in diverse media - from film to television to radio - and shows how Ford shifted effortlessly between genres, playing major roles in dramas, noir, westerns, and romances. This biography by Glenn Ford's son, Peter Ford, offers an intimate view of a star's private and public life. Included are exclusive interviews with family, friends, and professional associates, and snippets from the Ford family collection of diaries, letters, audiotapes, unpublished interviews, and rare candid photos. This biography tells a cautionary tale of Glenn Ford's relentless infidelities and long, slow fade-out, but it also embraces his talent-driven career. The result is an authentic Hollywood story that isn't afraid to reveal the truth.

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Presenting two plays, ICSI and Taboos, this title dramatizes the social transformations and contested viewpoints created by advances in reproductive science and technology. It includes a DVD that provides video of the ICSI injection process as viewed through a microscope.

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For many nineteenth-century Russians, poetry was woven into everyday life-in conversation and correspondence, scrapbook albums, and parlor entertainments. Blending close literary analysis with social and cultural history, Daria Khitrova shows how poetry lovers of the period all became nodes in a vast network of literary appreciation and constructed meaning. Poetry during the Golden Age was not a one-way avenue from author to reader. Rather, it was participatory, interactive, and performative.Lyric Complicity helps modern readers recover Russian poetry’s former uses and functions-life situations that moved people to quote or perform a specific passage from a poem or a forgotten occasion that created unforgettable verse.

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This innovative collection examines how book history and digital humanities (DH) practices are integrated through approach, access, and assessment. Eight essays by rising and senior scholars practicing in multiple fields—including librarians, literature scholars, digital humanists, and historians—consider and reimagine the interconnected futures and horizons at the intersections of texts, technology, and culture and argue for a return to a more representative and human study of the humanities. Integrating intermedial practices and assessments, the editors and contributors explore issues surrounding the access to and materiality of digitized materials, and the challenge of balancing preservation of traditional archival materials with access. They offer an assessment in our present moment of the early visions of book history and DH projects. In revisiting these projects, they ask us to shift our thinking on the promises and perils of archival and creative work in different media. Taken together, this volume reconsiders the historical intersections of book history and DH and charts a path for future scholarship across disciplinary boundaries.

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Committed to the struggle for civil rights, in the late 1950s Joan Steinau marched and protested as a white ally and young woman coming to terms with her own racism. She fell in love and married a fellow activist, the Black writer Julius Lester, establishing a partnership that was long and multifaceted but not free of the politics of race and gender. As the women's movement dawned, feminism helped Lester find her voice, her pansexuality, and the courage to be herself. Braiding intellectual, personal, and political history, Lester tells the story of a writer and activist fighting for love and justice before, during, and after the Supreme Court's 1967 decision striking down bans on interracial marriage in Loving v. Virginia. She describes her own shifts in consciousness, from an activist climbing police barricades by day and reading and writing late into the night to a woman navigating the coming-out process in midlife, before finding the publishing success she had dreamed of. Speaking candidly about every facet of her life, Lester illuminates her journey to fulfillment and healing.

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Transnational solidarity movements often play an important role in reshaping structures of global power. However, there remains a significant gap in the historical literature on collaboration between parties located in the Global South. Facing increasing repression, the Latin American left in the 1960s and 1970s found connection in transnational exchange, organizing with distant activists in Africa, the Middle East, and the Caribbean. By exploring the particularities of South-South solidarity, this volume begins new conversations about what makes these movements unique, how they shaped political identities, and their lasting influence. Jessica Stites Mor looks at four in-depth case studies: the use of legal reform to accomplish the goals of solidarity embedded in Mexico's revolutionary constitution, visual and print media circulated by Cuba and its influence on the agenda of the Afro-Asian block at the United Nations, organizing on behalf of Palestinian nationalism in reshaping Argentina's socialist left, and the role of Latin American Catholic activists in challenging the South African apartheid state. These examples serve as a much-needed road map to navigate our current political climate and show us how solidarity movements might approach future struggles.

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In the early 1970s, the Khmer Rouge had become suspicious of communist Vietnam and began to persecute Cambodian ethnic groups who had ties to the country, including the Brao Amba in the northeast. Many fled north as political refugees, and some joined the Vietnamese effort to depose the Khmer Rouge a few years later. The subsequent ten-year occupation is remembered by many Cambodians as a time of further oppression, but this volume reveals an unexpected dimension of this troubled past. Trusted by the Vietnamese, the Brao were installed in positions of great authority in the new government only to gradually lose their influence when Vietnam withdrew from Cambodia.Based on detailed research and interviews, Ian G. Baird documents this golden age of the Brao, including the voices of those who are too frequently omitted from official records. Rise of the Brao challenges scholars to look beyond the prevailing historical narratives to consider the nuanced perspectives of peripheral or marginal regions.

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Englishwoman Mary McAuley first arrived in Leningrad in the early 1960s, eager to study labor relations for her thesis. Staying at a hostel, she met a number of Soviet students, many born under the rule of Joseph Stalin. Over the half-century that followed, McAuley traced their varying paths and the changing face of the former imperial capital.Remembering Leningrad captures the story of a beautiful city and lifelong friendships. We follow McAuley as she walks through the streets downtown and examines politics in the 1960s, describes the hazards of furnishing an apartment in the 1990s, and learns about the challenges her friends have faced during these turbulent years. By weaving history and anecdotes to create a picture of Russia’s cultural center, McAuley underscores the impact of time and place on the Russian intelligentsia who lived through the transition from Soviet to post-Soviet life. The result is a remarkable group portrait of a generation.

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Kenny Fries embarks on a journey of profound self-discovery as a disabled foreigner in Japan, a society historically hostile to difference. As he visits gardens, experiences Noh and butoh, and meets artists and scholars, he also discovers disabled gods, one-eyed samurai, blind chanting priests, and A-bomb survivors. When he is diagnosed as HIV positive, all his assumptions about Japan, the body, and mortality are shaken, and he must find a way to reenter life on new terms.

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This is the first full history of voting in Wisconsin from statehood in 1848 to the present. Fowler both tells the story of voting in key elections across the years and investigates electoral trends and patterns over the course of Wisconsin's history. He explores the ways that ethnic and religious groups in the state have voted historically and how they vote today, and he looks at the successes and failures of the two major parties over the years. Highlighting important historical movements, Fowler discusses the great struggle for women's suffrage and the rich tales of many Wisconsin third parties - the Socialists, Progressives, the Prohibition Party, and others. Here, too, are the famous politicians in Wisconsin history, such as the La Follettes, William Proxmire, and Tommy Thompson.

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Poets have been writing about love for centuries, so it is thrilling when a new voice comes along capable of breathing new life into old structures. In (At) Wrist, Tacey Atsitty melds inherited forms such as the sonnet with her DinÉ (Navajo) and religious experiences to boldly and beautifully seek a love that can last for eternity. Celebrating and examining the depth and range of her relationships with men, Atsitty tenderly shares experiences of being taught to fish by her father, and, in other poems, reveals intimate moments of burgeoning romantic love with vulnerability and honesty. Through these poems, grounded in a world both old and constantly remade, she reminds us that it is only by risking everything that we can receive more than we ever imagined. The result is a collection that lives simultaneously under the stars and in our dreams. All I know is it’s the season when wind comes crying, like a baby whose head knocks a pew during the passing of the sacrament, that silence— her long inhale filling with pain. Excerpt from “A February Snow”

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The memoir of one of the greatest American violinists of the 20th century. Born in 1905 in Portland, Oregon, Louis Kaufman studied violin at New York's Institute of Musical Art. He went on to became the most sought after violin soloist in Hollywood, playing in some 500 films.

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Before World War I, the government reaction to labor dissent had been local, ad hoc, and quasi-military. Sheriffs, mayors, or governors would deputize strikebreakers or call out the state militia, usually at the bidding of employers. When the United States entered the conflict in 1917, government and industry feared that strikes would endanger war production; a more coordinated, national strategy would be necessary. To prevent stoppages, the Department of Justice embarked on a sweeping new effort-replacing gunmen with lawyers. The department systematically targeted the nation's most radical and innovative union, the Industrial Workers of the World, also known as the Wobblies, resulting in the largest mass trial in U.S. history.In the first legal history of this federal trial, Dean Strang shows how the case laid the groundwork for a fundamentally different strategy to stifle radical threats, and had a major role in shaping the modern Justice Department. As the trial unfolded, it became an exercise of raw force, raising serious questions about its legitimacy and revealing the fragility of a criminal justice system under great external pressure.

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A story of courage, resilience, and love, Unswerving challenges readers' preconceived notions of disability, of limitations, and of the inevitability of fate.

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Hart Island has served as a potter's field for more than a century, holding over a million indigent, unclaimed, or unknown New Yorkers' bodies - and yet it is little-known even among locals. In this absorbing and elegiac story, Gary Zebrun explores overlapping connections of sexuality, family, criminality, and morality.

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In raw, lyrical poems, Host explores parasitic relationships - between men and women, sons and mothers, and humans and the Earth - and considers their consequences. Throughout this collection, flukes abound, both chance occurrences and flatworms changing their hosts' behaviour.

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What is an “American” identity? The tension between populism and pluralism, between homogeneity and heterogeneity, has marked the United States since its inception. In The Divided States, leading scholars and critics argue that the US is, and has always been, a site where multiple national identities intersect in productive and challenging ways. Scrutinizing conflicting nationalisms and national identities, the authors ask, Whose stories get told and whose do not? Who or what promotes the idea of a unified national identity in the United States? How is the notion of a unified national identity disrupted? What myths and stories bind the US together? How representative are these stories? What are the counternarratives? And, if the idea of national homogeneity is a fallacy, what does tie us together as a nation? Working across auto/biography studies, American studies, and human geography—all of which deal with the current interest in competing narratives, “alternative facts,” and accountability—the essays engage in and contribute to critical conversations in classrooms, scholarship, and the public sphere. The authors draw from a variety of fields, including anthropology; class analysis; critical race theory; diasporic, refugee, and immigration studies; disability studies; gender studies; graphic and comix studies; Indigenous studies; linguistics; literary studies; sociology; and visual culture. And the genres under scrutiny include diary, epistolary communication, digital narratives, graphic narratives, literary narratives, medical narratives, memoir, oral history, and testimony. This fresh and theoretically engaged volume will be relevant to anyone interested in the multiplicity of voices that make up the US national narrative.

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Yearning for an escape from a claustrophobic childhood, Geoffrey Weill became infatuated with travel. At twenty-three, the budding British connoisseur made his way across the Atlantic on an ocean liner. The year was 1973, and he was bound for New York to pursue a promising role as consultant-in-training at the headquarters of the world's oldest travel agency, Thomas Cook. The idyllic trip was reminiscent of those from the early twentieth century but made distinctly modern by a nightly reminder—at the onboard dance club, one was sure to run into a sequin-clad David Bowie.All Abroad is the memoir of a man hungry for the logistics of travel: getting there, staying there, and feeling at home on any continent. Woven into his entertaining anecdotes is an informative account of a lost era in travel. As a witness to compelling and monumental changes in the industry, Weill offers a unique view into how our vacations have been shaped deeply by human trends, tragedies, and technologies. While some long for the grandeur of tourism from decades ago, Weill insists that travel—the conveyances and hotels that await journey's end—remains as glamorous as ever.

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Filmmaking is a business—someone has to pay the bills. For much of the industry’s history, that role was shouldered by the studios. The rise of independent filmmakers then led to the rise of independent financiers. But what happens if bad weather closes down a production or a director’s vision pays no heed to the limitations of time and money? Enter Film Finances. The company was founded in London in 1950 to insure against the risk that a film would exceed its original budget or not be completed on time. Its pioneering development of the “completion guarantee”—the financial instrument that provides the essential security for investors to support independent filmmaking—ultimately led to the creation of many thousands of films, including some of the most celebrated ever made: Moulin Rouge (1953), Dr. No (1962), The Outsiders (1982), Pulp Fiction (1994), Slumdog Millionaire (2008), La La Land (2016), and more. Film Finances’s role in filmmaking was little known outside the industry until 2012, when it opened its historical archive to scholars. Drawing on these previously private documents as well as interviews with its executives, Making Hollywood Happen tells the company’s story through seven decades of postwar cinema history and chronicles the growth of the international independent film industry. Focusing on a business that has operated at the meeting point between money and art for more than seventy years, this lavishly illustrated book goes to the heart of how the movie business works.

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In Ivory Coast, the farewell 'I give you half the road' is an expression of hospitality, urging a departing guest to come back again. After their first stay in a welcoming rural community in 1981, Carol Spindel and her husband did just that. Over the course of decades, they built a house and returned frequently, deepening their relationships with neighbors. Once considered the most stable country in West Africa, Ivory Coast was split by an armed rebellion in 2002 and endured a decade of instability and a violent conflict. Spindel provides an intimate glimpse into this turbulent period by weaving together the daily lives and paths of five neighbors. Their stories reveal Ivorians determined to reunite a divided country through reliance on mutual respect and obligation even while power-hungry politicians pursued xenophobic and anti-immigrant platforms for personal gain. Illuminating democracy as a fragile enterprise that must be continually invented and reinvented, I Give You Half the Road emphasizes the importance of connection, generosity, and forgiveness.

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Meke, a traditional rhythmic dance accompanied by singing, signifies an important piece of identity for Fijians. Despite its complicated history of colonialism, racism, censorship, and religious conflict, meke remained a vital part of artistic expression and culture. Evadne Kelly performs close readings of the dance in relation to an evolving landscape, following the postcolonial reclamation that provided dancers with political agency and a strong sense of community that connected and fractured Fijians worldwide.Through extensive archival and ethnographic fieldwork in both Fiji and Canada, Kelly offers key insights into an underrepresented dance form, region, and culture. Her perceptive analysis of meke will be of interest in dance studies, postcolonial and Indigenous studies, anthropology and performance ethnography, and Pacific Island studies.

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The work of black writers, editors, publishers, and librarians is deeply embedded in the history of American print culture, from slave narratives to digital databases. While the printed word can seem democratizing, it remains that the infrastructures of print and digital culture can be as limiting as they are enabling. Contributors to this volume explore the relationship between expression and such frameworks, analyzing how different mediums, library catalogs, and search engines shape the production and reception of written and visual culture. Topics include antebellum literature, the Harlem Renaissance, the Black Arts Movement; “post-Black” art, the role of black librarians, and how present-day technologies aid or hinder the discoverability of work by African Americans. Against a Sharp White Background covers elements of production, circulation, and reception of African American writing across a range of genres and contexts. This collection challenges mainstream book history and print culture to understand that race and racialization are inseparable from the study of texts and their technologies.

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Boldly strides across a landscape of smoldering fires, unmarked boxes, and pictures of senators in airplane bathrooms as a way of asking: In the face of incessant turmoil, how do we go on? This exhilarating and innovative book collapses genre and upends narrative convention with dazzling wordplay and thrilling imagery.

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Brilliant geology editor Lucybelle Bledsoe is offered a job too good to pass up. Her new boss is a visionary climate scientist whose mission is to extract the first-ever complete ice cores from the Greenland icecap. Knowing the risks, she warily accepts the classified government position. If she were to fall in love again with a woman, she could lose everything.Based on the true story of the author’s aunt and namesake, and on the search to uncover her remarkable past, A Thin Bright Line encompasses Cold War intrigues, the origins of climate research, the joyful pangs of love, and the impossible compromises of queer life in the 1950s and ’60s.

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Written for nonexperts, this is a brisk, engaging history of American healthcare from the advent of Medicare and Medicaid in the 1960s to the impact of the Affordable Care Act in the 2010s. Step by step, Jonathan Engel shows how we arrived at our present convoluted situation, where generic drugs prices can jump 1,000 percent in a day and primary care physicians can lose 20 percent of their income at the stroke of a Congressional pen.Unaffordable covers, in a conversational style punctuated by apt examples, topics ranging from health insurance, pharmaceutical pricing, and physician training to health maintenance organizations and hospital networks. Along the way, Engel introduces approaches that other nations have taken in organizing and paying for healthcare and offers insights on ethical quandaries around end-of-life decisions, neonatal care, life-sustaining treatments, and the limits of our ability to define death. While describing the political origins of many of the federal and state laws that govern our healthcare system today, he never loses sight of the impact that healthcare delivery has on our wallets and on the balance sheets of hospitals, doctors' offices, government agencies, and private companies.

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With the Lapps in the High Mountains is an entrancing true account, a classic of travel literature, and a work that deserves wider recognition as an early contribution to ethnographic writing. Published in 1913 and available here in its first English translation, With the Lapps is the narrative of Emilie Demant Hatt's nine-month stay in the tent of a Sami family in northern Sweden in 1907-8 and her participation in a dramatic reindeer migration over snow-packed mountains to Norway with another Sami community in 1908. A single woman in her thirties, Demant Hatt immersed herself in the Sami language and culture. She writes vividly of daily life, women's work, children's play, and the care of reindeer herds in Lapland a century ago. While still an art student in Copenhagen in 1904, Emilie Demant Hatt had taken a vacation trip to northern Sweden, where she chanced to meet Sami wolf hunter Johan Turi. His dream of writing a book about his people sparked her interest in the culture, and she began to study the Sami language at the University of Copenhagen. Though not formally trained as an ethnographer, she had an eye for detail. The journals, photographs, sketches, and paintings she made during her travels with the Sami enriched her eventual book, and in With the Lapps in the High Mountains she memorably portrays people, dogs, reindeer, and the beauty of the landscape above the Arctic Circle. This English-language edition also includes photographs by Demant Hatt, an introduction by translator Barbara Sjoholm, and a foreword by Hugh Beach, author of A Year in Lapland: Guest of the Reindeer Herders.1913, Danish-language edition, A.B. Nordiska Bokhandeln.

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A disabled foreigner in Japan, a society historically hostile to difference, Kenny Fries finds himself on a journey of profound self-discovery. As he visits gardens, experiences Noh and butoh, and meets artists and scholars, he discovers disabled gods, one-eyed samurai, blind chanting priests, and atomic bomb survivors. When he is diagnosed as HIV positive, all his assumptions about Japan, the body, and mortality are shaken, requiring him to find a way to reenter life on new terms.

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Describing more than 1,100 species, this is a comprehensive guide to wildflowers in Wisconsin and parts of Minnesota, Michigan, Illinois, Indiana, Iowa, and Ontario. A new introduction to this second edition discusses wildflowers in the context of their natural communities. Packed with detailed information, this field guide is compact enough to be handy for outdoors lovers of all kinds, from novice naturalists to professional botanists. It includes: more than 1,100 species from 459 genera in 100 families; many rare and previously overlooked species; 2,100 color photographs and 300 drawings; Wisconsin distribution maps for almost all plants; brief descriptions including distinguishing characteristics of the species; Wisconsin status levels for each species of wildflower (native, invasive, endangered, etc.); and, derivation of Latin names.

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Lavinia is accomplished, independent, and fiercely modern. She is also sheltered and self-involved, until the spirit of an Indian woman warrior enters her being. Then she dares to join a revolutionary movement against a violent dictator and finds the courage to act.

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Is that something I should put in a poem?' asks Nick Lantz in The End of Everything and Everything That Comes after That. Mixing sincerity with irony, lyric with vernacular, Lantz's collisions of style and subject are at their most vibrant in the long sequence at the centre of the collection.

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In 2010, Blake Geoffrion was named the best player in college hockey, the first player from the University of Wisconsin hockey team to receive the Hobey Baker Award. Blake was a rising scion of hockey royalty, descendant of legendary Canadian players Howie Morenz and Bernie “Boom Boom” Geoffrion, and he would soon be the first fourth-generation player to reach the NHL. His professional career promised to cement his family’s storied legacy on ice. But in 2012, while playing for the Montreal Canadiens’ minor league team beneath Morenz and Boom Boom’s retired numbers, Geoffrion suffered a life-threatening injury that ended his career. With sure-footed and swift-moving prose, Sam Jefferies tells Geoffrion’s story against the backdrop of modern North American hockey. Thorough research and scores of interviews fuel this tale of soaring success and terrible tragedy, offering insight not only into one man’s athletic journey but also into the rise of American hockey on the national and international stage. Geoffrion’s brief career, marked by tribulation and triumph, illustrates the subtle but omnipresent currents of American media, sports labor, and the interplay between college and professional sports. It tells the story of what was, what is, and what may yet be for the fastest game on earth.

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Never before or since have animals played as significant a role in German history as they did during the Third Reich. Potato beetles and silkworms were used as weapons of war, pigs were used in propaganda, and dog breeding served the Nazis as a model for their racial theories. Paradoxically, some animals were put under special protection while some humans were simultaneously declared unworthy of living. Ultimately, the ways in which Nazis conceptualized and used animals—both literally and symbolically—reveals much about their racist and bigoted attitudes toward other humans. Drawing from diaries, journals, school textbooks, and printed propaganda, J.W. Mohnhaupt tells these animals’ stories vividly and with an eye for everyday detail, focusing each chapter on a different facet of Nazism by way of a specific animal species: red deer, horses, cats, and more. Animals under the Swastika illustrates the complicated, thought-provoking relationship between Nazis and animals.

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Antebellum slave narratives have taken pride of place in the American literary canon. Once ignored, disparaged, or simply forgotten, the autobiographical narratives of Frederick Douglass, Harriet Jacobs, and other formerly enslaved men and women are now widely read and studied. One key aspect of the genre, however, has been left unexamined: its materiality. What did original editions of slave narratives look like? How were these books circulated? Who read them? In Fugitive Texts, MichaËl Roy offers the first book-length study of the slave narrative as a material artifact. Drawing on a wide range of sources, he reconstructs the publication histories of a number of famous and lesser-known narratives, placing them against the changing backdrop of antebellum print culture. Slave narratives, he shows, were produced through a variety of print networks. Remarkably few were published under the full control of white-led antislavery societies; most were self-published and distributed by the authors, while some were issued by commercial publishers who hoped to capitalize on the success of Harriet Beecher Stowe’s Uncle Tom’s Cabin. The material lives of these texts, Roy argues, did not end within the pages. Antebellum slave narratives were “fugitive texts” apt to be embodied in various written, oral, and visual forms. Published to rave reviews in French, Fugitive Texts illuminates the heterogeneous nature of a genre often described in monolithic terms and ultimately paves the way for a redefinition of the literary form we have come to recognize as “the slave narrative.”

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Few areas of study offer more insight into American culture than competitive sports. The games played throughout this nation's history dramatically illuminate social, economic, and cultural developments, from the balance of power in world affairs to changing conceptions of race, gender, and sexuality.Teaching U.S. History through Sports provides strategies for incorporating sports into any U.S. history curriculum. Drawing upon their own classroom experiences, the authors suggest creative ways to use sports as a lens to examine a broad range of historical subjects, including Puritan culture, the rise of Jim Crow, the Cold War, the civil rights movement, and the women's movement. Essays focus on the experiences of African American women, working-class southerners, Latinos, and members of LGBTQ communities, as well as topics including the controversy over Native American mascots and the globalization of U.S. sports.

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The Upper Peninsula of Michigan—known as “the U P”—is historically, geographically, and culturally distinct. Struggles over land, labor, and language during the last 150 years have shaped the variety of English spoken by resident Yoopers, as well as how they are viewed by outsiders—and themselves. Drawing on sixteen years of fieldwork, including interviews with seventy-five lifelong residents of the UP, Kathryn Remlinger examines how the idea of a unique Yooper dialect emerged. Considering UP English in relation to other regional dialects and their speakers, she looks at local identity, literacy practices, media representations, language attitudes, notions of authenticity, economic factors, tourism, and contact with non-English immigrant and Native American languages. The book also explores how a dialect becomes a recognizable and valuable commodity: Yooper talk (or “Yoopanese”) is emblazoned on t-shirts, flags, postcards, coffee mugs, and bumper stickers.

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The first time Ravi Shankar was arrested, he spoke out against racist policing on National Public Radio and successfully sued the city of New York. The second time, he was incarcerated when his promotion to full professor was finalized. During his ninety-day pretrial confinement at the Hartford Correctional Center--a level 4, high-security urban jail in Connecticut--he met men who shared harrowing and heart-felt stories. The experience taught him about the persistence of structural racism, the limitations of mass media, and the pervasive traumas of twenty-first-century daily life.Shankar's bold and complex self-portrait--and portrait of America--challenges us to rethink our complicity in the criminal justice system and mental health policies that perpetuate inequity and harm. Correctional dives into the inner workings of his mind and heart, framing his unexpected encounters with law and order through the lenses of race, class, privilege, and his bicultural upbringing as the first and only son of South Indian immigrants. Vignettes from his early life set the scene for his spectacular fall and subsequent struggle to come to terms with his own demons. Many of them, it turns out, are also our own.

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Newly divorced, Virginia Bigelow is struggling with pressing financial debt, the frustration of a stalled teaching career, an increasingly isolated and lonely existence, and the challenges of being a single parent to an autistic child. When she learns that Travis Lee Hilliard, the man who murdered her father in the 1980s, has been released from prison, she drops everything and sets out on an ill-conceived journey to confront him in order to mete out the justice she feels he deserves. Meanwhile, having spent three decades serving a life sentence for murdering the California preacher who rescued him from the streets, Travis thinks of himself as a reformed man. Traveling from Folsom Prison to his new home in the Mojave Desert, a remote location with minimal temptations, he struggles to reconcile his past and embrace his newfound freedom. But there are more challenges to staying on the straight and narrow than he ever could have imagined. Virginia’s and Travis’s braided narratives slowly tighten as they approach their inevitable collision. Unflinching, compassionate, and gripping, this bold novel evocatively examines the ambiguities wrought by both violence and redemption.

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In her stunning second collection, Carlina Duan illuminates unabashed odes to lineage, small and sacred moments of survival, and the demand to be fully seen 'spangling with light.' Tracing familial lore and love, Duan reflects on the experience of growing up as a diasporic, bilingual daughter of immigrants, exploring the fraught complexities of identity, belonging, and linguistic reclamation. Alien Miss brings forth beautifully powerful voices: immigrants facing the Chinese Exclusion Act, the first Chinese American woman to vote, and matriarchal ancestors. The poems in this ambitious collection are immersed in the knotted blood of sisterhood, both celebrating and challenging conceptions of inheritance and homeland.I browse througharchives full of men and women with long black hair,throwing themselves into the land. thread of grass. threadof immaculate touch. paper son, or paperdaughter. my own papers marked with wings, the pointedtip of an eagle's beak. here, I'm made prey.I pledge allegiance.-Excerpt from 'Alien Miss Confronts the Author'

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Countess Sofia Panina lived a remarkable life. Born into an aristocratic family in imperial Russia, she found her true calling in improving the lives of urban workers. Her passion for social service and reputation as the "Red Countess" led her to political prominence after the fall of the Romanovs. She became the first woman to hold a cabinet position and the first political prisoner tried by the Bolsheviks. The upheavals of the 1917 Revolution forced her to flee her beloved country, but instead of living a quiet life in exile she devoted the rest of her long life to humanitarian efforts on behalf of fellow refugees. Based on Adele Lindenmeyr's detailed research in dozens of archival collections, Citizen Countess establishes Sofia Panina as an astute eyewitness to and passionate participant in the historical events that shaped her life. Her experiences shed light on the evolution of the European nobility, women's emancipation and political influence of the time, and the fate of Russian liberalism.

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For more than 150 years, individuals have traveled the countryside with pen, paper, tape recorders, and even video cameras to document versions of songs, music, and stories shared by communities. As technologies and methodologies have advanced, the task of gathering music has been taken up by a much broader group than scholars. The resulting collections created by these various people can be impacted by the individual collectors’ political and social concerns, cultural inclinations, and even simple happenstance, demonstrating a crucial yet underexplored relationship between the music and those preserving it.Collecting Music in the Aran Islands, a critical historiographical study of the practice of documenting traditional music, is the first to focus on the archipelago off the west coast of Ireland. Deirdre NÍ Chonghaile argues for a culturally equitable framework that considers negotiation, collaboration, canonization, and marginalization to fully understand the immensely important process of musical curation. In presenting four substantial, historically valuable collections from the nineteenth and twentieth centuries, she illustrates how understanding the motivations and training (or lack thereof) of individual music collectors significantly informs how we should approach their work and contextualize their place in the folk music canon.

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In 1898, in an era of racial terror at home and imperial conquest abroad, the United States sent its troops to suppress the Filipino struggle for independence, including three regiments of the famed African American ""Buffalo Soldiers."" Among them was David Fagen, a twenty-year-old private in the Twenty-Fourth Infantry, who deserted to join the Filipino guerrillas. He led daring assaults and ambushes against his former comrades and commanders—who relentlessly pursued him without success—and his name became famous in the Philippines and in the African American community.The outlines of Fagen's legend have been known for more than a century, but the details of his military achievements, his personal history, and his ultimate fate have remained a mystery—until now. Michael Morey tracks Fagen's life from his youth in Tampa as a laborer in a phosphate camp through his troubled sixteen months in the army, and, most importantly, over his long-obscured career as a guerrilla officer. Morey places this history in its larger military, political, and social context to tell the story of the young renegade whose courage and defiance challenged the supremacist assumptions of the time.

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In the 1870s and 1880s, as the United Kingdom avidly built its empire in Asia and Africa, its rampant expansionism came under the scrutiny of its first and oldest colony, Ireland. Some Irish considered themselves loyal subjects and proud participants in the imperial enterprise, but others drew sharp analogies between the crown’s ongoing conquests of distant lands and its centuries-old oppression of their homeland. The Irish were aware of how the British army had brutally suppressed Afghans, Egyptians, Zulus, and Boers—and how returning troops were then redeployed to quash dissent in Ireland. In Irish eyes, misrule by British officials and absentee landlords mirrored imperial oppression across the globe.Paul Townend shows that a growing critique of British imperialism shaped a rapidly evolving Irish political consciousness and was a crucial factor giving momentum to the Home Rule and Land League campaigns. Examining newspaper accounts, the rich political cartoons of the era, and the rhetoric and actions of Irish nationalists, he argues that anti-imperialism was a far more important factor in the formation of the independence movement than has been previously recognized in historical scholarship.

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