Search results for ""University of Wisconsin Press""

Understanding and Teaching Native American History is a timely and urgently needed remedy to a long-standing gap in history instruction. While the past three decades have seen burgeoning scholarship in Indigenous studies, comparatively little of that has trickled into classrooms. This volume is designed to help teachers effectively integrate Indigenous history and culture into their lessons, providing richly researched content and resources across the chronological and geographical landscape of what is now known as North America. Despite the availability of new scholarship, many teachers struggle with contextualizing Indigenous history and experience. Native peoples frequently find themselves relegated to historical descriptions, merely a foil to the European settlers who are the protagonists in the dominant North American narrative. This book offers a way forward, an alternative framing of the story that highlights the ongoing integral role of Native peoples via broad coverage in a variety of topics including the historical, political, and cultural. With its scope and clarity of vision, suggestions for navigating sensitive topics, and a multitude of innovative approaches authored by contributors from multidisciplinary backgrounds, Understanding and Teaching Native American History will also find use in methods and other graduate courses. Nearly a decade in the conception and making, this is a groundbreaking source for both beginning and veteran instructors.

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Antebellum slave narratives have taken pride of place in the American literary canon. Once ignored, disparaged, or simply forgotten, the autobiographical narratives of Frederick Douglass, Harriet Jacobs, and other formerly enslaved men and women are now widely read and studied. One key aspect of the genre, however, has been left unexamined: its materiality. What did original editions of slave narratives look like? How were these books circulated? Who read them?In Fugitive Texts, MichaËl Roy offers the first book-length study of the slave narrative as a material artifact. Drawing on a wide range of sources, he reconstructs the publication histories of a number of famous and lesser-known narratives, placing them against the changing backdrop of antebellum print culture. Slave narratives, he shows, were produced through a variety of print networks. Remarkably few were published under the full control of white-led antislavery societies; most were self-published and distributed by the authors, while some were issued by commercial publishers who hoped to capitalize on the success of Harriet Beecher Stowe’s Uncle Tom’s Cabin. The material lives of these texts, Roy argues, did not end within the pages. Antebellum slave narratives were “fugitive texts” apt to be embodied in various written, oral, and visual forms.Published to rave reviews in French, Fugitive Texts illuminates the heterogeneous nature of a genre often described in monolithic terms and ultimately paves the way for a redefinition of the literary form we have come to recognize as “the slave narrative.”

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This innovative collection examines how book history and digital humanities (DH) practices are integrated through approach, access, and assessment. Eight essays by rising and senior scholars practicing in multiple fields—including librarians, literature scholars, digital humanists, and historians—consider and reimagine the interconnected futures and horizons at the intersections of texts, technology, and culture and argue for a return to a more representative and human study of the humanities. Integrating intermedial practices and assessments, the editors and contributors explore issues surrounding the access to and materiality of digitized materials, and the challenge of balancing preservation of traditional archival materials with access. They offer an assessment in our present moment of the early visions of book history and DH projects. In revisiting these projects, they ask us to shift our thinking on the promises and perils of archival and creative work in different media. Taken together, this volume reconsiders the historical intersections of book history and DH and charts a path for future scholarship across disciplinary boundaries.

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The late Russian Empire experienced rapid economic change, social dislocation, and multiple humanitarian crises, enduring two wars, two famines, and three revolutions. A “pastoral activism” took hold as parish clergymen led and organized the response of Russia’s Orthodox Christians to these traumatic events. In Russia’s Social Gospel, Daniel Scarborough considers the roles played by pastors in the closing decades of the failing tsarist empire and the explosive 1917 revolutions. This volume draws upon extensive archival research to examine the effects of the pastoral movement on Russian society and the Orthodox Church. Scarborough argues that the social work of parish clergymen shifted the focus of Orthodox practice in Russia toward cooperative social activism as a devotional activity. He furthers our understanding of Russian Orthodoxy by illuminating the difficult position of parish priests, who were charged with both spiritual and secular responsibilities but were supported by neither church nor state. His nuanced look at the pastorate shows how social and historical traumas shifted perceptions of what being religious meant, in turn affecting how the Orthodox Church organized itself, and contributed to Russia’s modernization.

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Through family interviews, original photographs, and national records, Beatrice Loftus McKenzie traces the many lives of a resilient multigenerational family whose experiences parallel the complicated relationship between America and China in the twentieth century. In the early 1900s, Charles Wong moved from Guangdong Province to the United States and opened the Nan King Lo Restaurant in Beloit, Wisconsin. Soon after, his wife Yee Shee joined him to build the "Chop House" into a local institution and start a family. When the Great Depression hit, the Wongs shared what they had with their neighbors. In 1938, Charles's tragic murder left Yee Shee to raise their seven children--ages one through fourteen--on her own. Rather than return to family property in Hong Kong, she and her children stayed in Beloit, buoyed by the friendships they had forged during the worst parts of the 1930s.The Wongs thrived in Beloit despite facing racism and classism, embracing wartime opportunities, education, love, and careers within the U. S. McKenzie's collaboration with descendent Mary Wong Palmer reveals a poignant story of Chinese immigrant life in the Upper Midwest that adds a much-needed Wisconsin perspective to existing literature by and about Asian Americans.

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Alessandra Tarquini's A History of Italian Fascist Culture, 1922–1943 is widely recognized as an authoritative synthesis of the field. The book was published to much critical acclaim in 2011 and revised and expanded five years later. This long-awaited translation presents Tarquini's compact, clear prose to readers previously unable to read it in the original Italian.Tarquini sketches the universe of Italian fascism in three broad directions: the regime's cultural policies, the condition of various art forms and scholarly disciplines, and the ideology underpinning the totalitarian state. She details the choices the ruling class made between 1922 and 1943, revealing how cultural policies shaped the country and how intellectuals and artists contributed to those decisions. The result is a view of fascist ideology as a system of visions, ideals, and, above all, myths capable of orienting political action and promoting a precise worldview.Building on George L. Mosse's foundational research, Tarquini provides the best single-volume work available to fully understand a complex and challenging subject. It reveals how the fascists used culture—art, cinema, music, theater, and literature—to build a conservative revolution that purported to protect the traditional social fabric while presenting itself as maximally oriented toward the future.

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Wisconsin, once a progressive stronghold led by Robert La Follette and others, inaugurated far-reaching reforms that broadened public involvement in civic affairs. A wave of innovative social programs aimed at making the state more egalitarian followed. In recent decades, however, the Badger State has become a laboratory for antidemocratic maneuvers that have increased the political influence of the super-rich and corporations while decreasing the power of voters. From tightening campaign finance laws and banning gerrymandering to rooting out structural racism and moving toward economic equality, each chapter focuses on one of the dozen reforms that are required to heal democracy within the state. Rothschild provides an in-depth rationale for each, dismantling the counterarguments against them and exploring the complexities involved in implementing them. He offers concrete proposals and action items for grassroots organizers and concerned community advocates to restore constituent control of state politics. This pocket-sized handbook is essential for politically aware citizens as well as journalists and watchdogs who see Wisconsin as a crucial battleground state and political bellwether for the nation.

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A small-time celebrity keeps dying. A Bigfoot hunter and his grandson give presentations on the elusive beast. A disgruntled office drone reaches his breaking point and quits, in the middle of a zip-line trust fall. The characters populating Brian DiNuzzo’s debut short story collection may be eccentrics, but at their core they are struggling to get through life, dealing with unmanageable bosses and tedious jobs, and trying to maintain their interpersonal and romantic relationships. These are people seeking to improve their circumstances, people striving for utopia but willing to accept much less. Frustrated and weary, downtrodden and misguided, they still hold out for the dim light of hope. DiNuzzo navigates ordinary settings—Southern California, South Philadelphia, suburban and city streets, office buildings, derelict apartment complexes, the public library, the airport, the shopping mall—with quirky characters and odd situations. These stories ask us to wonder how falsehoods pervade private life. Through his twelve distinct tales, DiNuzzo asks: What’s real? What’s fake? Does it matter?

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Agwagune women in southeastern Nigeria contribute to the cultural construction of their societies in deep and systematic ways. This reality is often concealed, misrepresented, or unexamined in studies that do not consciously set out to address female agency and authority. Most recently women have reshaped traditional male-centered village practices behind the scenes, such as when they updated the premarital ritual of fattening prospective brides, and when they ended female circumcision. Women use their status to direct and influence male leadership on matters of war, finance, education, and political stability.Using this community as a case study, David Uru Iyam asserts that these women are not stereotypically submissive, oppressed, or passive. Agwagune women participate in male ceremonies by pretending to be unaware of them, concealing their authority under a veneer of secrecy. Instead of focusing on obvious male political power, Iyam highlights the overlooked domestic and public contributions of women that uphold—and change—entire social systems.

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Dorothy “Dot” Greenbaum and Rafaela “Ralfie” Santopietro have been together for years, but as they age, their stable lives begin to show cracks. Ralfie can’t navigate the stairs in their home after a debilitating knee replacement and Dot’s heart condition throws into question the viability of their careers, their housing, and their relationship. In their late sixties with no kids to lean on, the two women must come to terms with unforeseen questions of identity, love, and family. Dot is caring but hides hurtful secrets. Ralfie’s gruffness masks the physical and emotional pain she endures. Friends and relatives don’t necessarily offer appealing role models for their third act. Dot’s sister Susan is pushing them toward a stuffy “55 or better” community out in the ’burbs, populated by aging straights who mistake the butch Ralfie for a frumpy old man. Eighty-year-old Viola—Dot’s friend and sometime lover—lives alone and refuses help, even as she experiences a devastating fall. Rife with Hoffman’s characteristic wit, Dot & Ralfie takes a hard, sometimes painful look at elder care in the LGBTQ+ community, and the unique struggles that come with getting older outside of heteronormative structures.

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In the wake of unthinkable atrocities, it is reasonable to ask how any population can move on from the experience of genocide. Simply remembering the past can, in the shadow of mass death, be retraumatizing. So how can such momentous events be memorialized in a way that is productive and even healing for survivors? Genocide memorials tell a story about the past, preserve evidence of the violence that occurred, and provide emotional support to survivors. But the goal of amplifying survivors' voices can fade amid larger narratives entrenched in political motivations.In After Genocide,Nicole Fox investigates the ways memorials can shape the experiences of survivors decades after mass violence has ended. She examines how memorializations can both heal and hurt, especially when they fail to represent all genders, ethnicities, and classes of those afflicted. Drawing on extensive interviews with Rwandans, Fox reveals their relationships to these spaces and uncovers those voices silenced by the dominant narrative-arguing that the erasure of such stories is an act of violence itself. The book probes the ongoing question of how to fit survivors in to the dominant narrative of healing and importantly demonstrates how memorials can shape possibilities for growth, national cohesion, reconciliation, and hope for the future.

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Like stones cast into a river, these sixteen moving, intimate stories illuminate how devotion and degeneration ripple through a working-class Polish American community in the postindustrial Midwest. At the heart of the collection is Eddie 'The Bronko' Bronkowski, a boxer with a losing record whose reputation as a human punching bag precedes him. In each of Anthony Bukoski's rich stories, tough yet sympathetic characters-the second cook on a Great Lakes freighter, a World War II veteran, the emcee of a female boxing troupe-take all that life throws at them, protecting those around them as best they can. In Bukoski's interconnected tales, the heart seeks its due despite familial conflict, the challenges of maritime work, and the slow yet inexorable decline of dementia. Beautiful vignettes express transformative moments: tenderness that can turn a cardboard crown into gold and the faint ghosts of memories long forgotten. A tour-de-force, The Blondes of Wisconsin knows what love is-and what it means to lose it.

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Few topics in modern history draw the attention that the Holocaust does. The Shoah has become synonymous with unspeakable atrocity and unbearable suffering. Yet it has also been used to teach tolerance, empathy, resistance, and hope. Understanding and Teaching the Holocaust provides a starting point for teachers in many disciplines to illuminate this crucial event in world history for students. Using a vast array of source materials—from literature and film to survivor testimonies and interviews—the contributors demonstrate how to guide students through these sensitive and painful subjects within their specific historical and social contexts.Each chapter provides pedagogical case studies for teaching content such as antisemitism, resistance and rescue, and the postwar lives of displaced persons. It will transform how students learn about the Holocaust and the circumstances surrounding it.

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Countess Sofia Panina lived a remarkable life. Born into an aristocratic family in imperial Russia, she found her true calling in improving the lives of urban workers. Her passion for social service and reputation as the "Red Countess" led her to political prominence after the fall of the Romanovs. She became the first woman to hold a cabinet position and the first political prisoner tried by the Bolsheviks. The upheavals of the 1917 Revolution forced her to flee her beloved country, but instead of living a quiet life in exile she devoted the rest of her long life to humanitarian efforts on behalf of fellow refugees. Based on Adele Lindenmeyr's detailed research in dozens of archival collections, Citizen Countess establishes Sofia Panina as an astute eyewitness to and passionate participant in the historical events that shaped her life. Her experiences shed light on the evolution of the European nobility, women's emancipation and political influence of the time, and the fate of Russian liberalism.

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When costly efforts to cement a strategic partnership with the Soviet Union failed, the combined political pressure of economic crisis at home and imminent external threats posed by a Sino-Cambodian alliance compelled Hanoi to reverse course. Moving away from the Marxist-Leninist ideology that had prevailed during the last decade of the Cold War era, the Vietnamese government implemented broad doi moi ("renovation") reforms intended to create a peaceful regional environment for the country's integration into the global economy.In contrast to earlier studies, Path traces the moving target of these changing policy priorities, providing a vital addition to existing scholarship on asymmetric wartime decision-making and alliance formation among small states. The result uncovers how this critical period had lasting implications for the ways Vietnam continues to conduct itself on the global stage.

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Diana Spencer, known for her scholarly focus on how ancient Romans conceptualized themselves as a people and how they responded to and helped shape the world they lived in, brings her expertise to an examination of the Roman scholar Varro and his treatise De Lingua Latina. This commentary on the origin and relationships of Latin words is an intriguing, but often puzzling, fragmentary work for classicists. Since Varro was engaged in defining how Romans saw themselves and how they talked about their world, Spencer reads along with Varro, following his themes and arcs, his poetic sparks, his political and cultural seams. Few scholars have accepted the challenge of tackling Varro and his work, and in this pioneering volume, Spencer provides a roadmap for considering these topics more thoroughly.

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On a chilly Monday in late spring, Sheriff Dave Cubiak is at the Green Arbor Lodge for lunch when a scream from a nearby medical conference disrupts the scene. Leaping into action, he finds the ninety-three-year-old director of the prestigious Institute for Progressive Medicine collapsed on the floor, dead of a suspected heart attack. As Cubiak interrogates the witnesses, he's struck by the inconsistencies in their stories. Some evade questions while others offer contradictory statements. Then suddenly another scream pierces the air... Past and present merge as long-buried secrets rise to the surface. The resourceful sheriff must rely on his skills and wits, along with the advice and memories of friends and family, to uncover the dark truth behind the Institute for Progressive Medicine. Dedicated and new fans alike will find themselves captivated by this intelligently plotted story as Cubiak untangles the twisted threads of this intricate mystery.

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Spain's former African colonies—Equatorial Guinea and Western Sahara—share similar histories. Both are under the thumbs of heavy-handed, postcolonial regimes, and are known by human rights organizations as being among the worst places in the world with regard to oppression and lack of civil liberties. Yet the resistance movement in one is dominated by women, the other by men. In this innovative work, Joanna Allan demonstrates why we should foreground gender as key for understanding both authoritarian power projection and resistance. She brings an ethnographic component to a subject that has often been looked at through the lens of literary studies to examine how concerns for equality and women's rights can be co-opted for authoritarian projects. She reveals how Moroccan and Equatoguinean regimes, in partnership with Western states and corporations, conjure a mirage of promoting equality while simultaneously undermining women's rights in a bid to cash in on oil, minerals, and other natural resources. This genderwashing, along with historical local, indigenous, and colonially imposed gender norms mixed with Western misconceptions about African and Arab gender roles, plays an integral role in determining the shape and composition of public resistance to authoritarian regimes.

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A deeply humanistic ethnography of prison workers and their dark humorAmerica is fascinated by prisons and prison culture, but few Americans understand what it is like to work in corrections. Claire Schmidt, whose extended family includes three generations of Wisconsin prison workers, introduces readers to penitentiary officers and staff as they share stories, debate the role of corrections in American racial politics and social justice, and talk about the important function of humor in their jobs.In a state that locks up a disproportionate number of men and women of color, white prison workers occupy a complicated social position as representatives of institutional authority and bearers of social stigma. The job, by turns dangerous, dull, or dehumanizing, is aided by a quick wit, comedic timing, and verbal agility. The men and women who do this work rely on storytelling, practical jokes, and sarcasm to bond with each other, build flexible relationships with inmates, and create personal identities that work in and out of prison. Schmidt shows how this humorous occupational culture both upholds and undermines prisons as social institutions.Issues of power and race, as well as sex and gender, infuse Schmidt’s groundbreaking analysis, and she also engages with current scholarship about identity, occupational folklore, and family narrative. This eye-opening, provocative book reveals the invisible culture, beliefs, and aesthetics embedded in workplace humor.

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Louisa Jacobs was the daughter of Harriet Jacobs, author of the famous autobiography Incidents in the Life of a Slave Girl. That work included a heartbreaking account of Harriet parting with six-year-old Louisa, taken away to the North by her white father. Now, rediscovered letters reveal the lives of Louisa and her circle and shed light on Harriet's old age.New voices call out from the lost world of nineteenth-century African American women in this annotated correspondence. Unidentified for nearly one hundred years, over seventy rare letters from Louisa Jacobs, Annie Purvis, and Charlotte Forten to their friend Eugenie Webb disclose the lives of these educated, resourceful women. Jacobs taught at Howard University, ran her own small business, advocated for civil rights, cared for her ailing mother, and worked for two federal agencies. Purvis, Forten, and Webb were descendants of some of Philadelphia's earliest free black abolitionist families. Sustained by friendship and faith, these women created warm and sympathetic relationships, despite difficult family obligations and the racist strife that marked the post-Reconstruction era in Washington, Philadelphia, and New Jersey.

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What really happened that afternoon in November 1938, when a young Polish Jew walked into the German embassy in Paris and shots rang out? The immediate consequence was concrete: Nazis retaliated with Kristallnacht - 'Night of Broken Glass' - the beginning of the Holocaust. Lost in the aftermath is the story of Herschel Grynszpan, the confused teenager whose murder of Ernst vom Rath was used to justify Kristallnacht. In this historical novel, award-winning writer Harlan Greene takes Grynszpan at his word. Historians have tried to explain away the claim that he was involved in a love affair with vom Rath; Greene, instead, depicts the lives of the underprivileged and persecuted Grynszpan and the wealthy German diplomat vom Rath as they move inevitably toward their ill-fated affair.

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From essays about the Salem witch trials to literary uses of ghosts by Twain, Wharton, and Bierce to the cinematic blockbuster The Sixth Sense, this book is the first to survey the importance of ghosts and hauntings in American culture across time. From the Puritans' conviction that a thousand preternatural beings appear every day before our eyes, to today's resurgence of spirits in fiction and film, the culture of the United States has been obsessed with ghosts. In each generation, these phantoms in popular culture reflect human anxieties about religion, science, politics, and social issues.

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Admirers have praised Fedor Dostoevsky as the Russian Shakespeare, while his critics have slighted his novels as merely cheap amusements. In this critical introduction to Dostoevsky's fiction, Victor Terras asks readers to draw their own conclusions about the 19th-century Russian writer. Discussing psychological, political, mythical and philosophical approaches, Terras deftly guides readers through the range of diverse and even contradictory interpretations of Dostoevsky's rich novels. Moving through the novelist's career, Terras presents a general analysis of the novel at issue, each chapter focusing on a particular aspect of Dostoevsky's art. He probes the form and style of ""Crime and Punishment"", and explores the ambiguity of ""The Brothers Karamazov"". Terras emphasizes the ""markedness"" of Dostoevsky's novels, their wealth of literary devices such as irony, literary allusions, scenic effects, puns and witticisms. Terras conveys the vital contradictions and ambiguities of the novels. In this informative, engaging literary study, he brings Dostoevsky and his art to life.

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Is that something I should put in a poem?' asks Nick Lantz in The End of Everything and Everything That Comes after That. Mixing sincerity with irony, lyric with vernacular, Lantz's collisions of style and subject are at their most vibrant in the long sequence at the centre of the collection.

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In 2010, Blake Geoffrion was named the best player in college hockey, the first player from the University of Wisconsin hockey team to receive the Hobey Baker Award. Blake was a rising scion of hockey royalty, descendant of legendary Canadian players Howie Morenz and Bernie “Boom Boom” Geoffrion, and he would soon be the first fourth-generation player to reach the NHL. His professional career promised to cement his family’s storied legacy on ice. But in 2012, while playing for the Montreal Canadiens’ minor league team beneath Morenz and Boom Boom’s retired numbers, Geoffrion suffered a life-threatening injury that ended his career. With sure-footed and swift-moving prose, Sam Jefferies tells Geoffrion’s story against the backdrop of modern North American hockey. Thorough research and scores of interviews fuel this tale of soaring success and terrible tragedy, offering insight not only into one man’s athletic journey but also into the rise of American hockey on the national and international stage. Geoffrion’s brief career, marked by tribulation and triumph, illustrates the subtle but omnipresent currents of American media, sports labor, and the interplay between college and professional sports. It tells the story of what was, what is, and what may yet be for the fastest game on earth.

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Never before or since have animals played as significant a role in German history as they did during the Third Reich. Potato beetles and silkworms were used as weapons of war, pigs were used in propaganda, and dog breeding served the Nazis as a model for their racial theories. Paradoxically, some animals were put under special protection while some humans were simultaneously declared unworthy of living. Ultimately, the ways in which Nazis conceptualized and used animals—both literally and symbolically—reveals much about their racist and bigoted attitudes toward other humans. Drawing from diaries, journals, school textbooks, and printed propaganda, J.W. Mohnhaupt tells these animals’ stories vividly and with an eye for everyday detail, focusing each chapter on a different facet of Nazism by way of a specific animal species: red deer, horses, cats, and more. Animals under the Swastika illustrates the complicated, thought-provoking relationship between Nazis and animals.

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Antebellum slave narratives have taken pride of place in the American literary canon. Once ignored, disparaged, or simply forgotten, the autobiographical narratives of Frederick Douglass, Harriet Jacobs, and other formerly enslaved men and women are now widely read and studied. One key aspect of the genre, however, has been left unexamined: its materiality. What did original editions of slave narratives look like? How were these books circulated? Who read them? In Fugitive Texts, MichaËl Roy offers the first book-length study of the slave narrative as a material artifact. Drawing on a wide range of sources, he reconstructs the publication histories of a number of famous and lesser-known narratives, placing them against the changing backdrop of antebellum print culture. Slave narratives, he shows, were produced through a variety of print networks. Remarkably few were published under the full control of white-led antislavery societies; most were self-published and distributed by the authors, while some were issued by commercial publishers who hoped to capitalize on the success of Harriet Beecher Stowe’s Uncle Tom’s Cabin. The material lives of these texts, Roy argues, did not end within the pages. Antebellum slave narratives were “fugitive texts” apt to be embodied in various written, oral, and visual forms. Published to rave reviews in French, Fugitive Texts illuminates the heterogeneous nature of a genre often described in monolithic terms and ultimately paves the way for a redefinition of the literary form we have come to recognize as “the slave narrative.”

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Few areas of study offer more insight into American culture than competitive sports. The games played throughout this nation's history dramatically illuminate social, economic, and cultural developments, from the balance of power in world affairs to changing conceptions of race, gender, and sexuality.Teaching U.S. History through Sports provides strategies for incorporating sports into any U.S. history curriculum. Drawing upon their own classroom experiences, the authors suggest creative ways to use sports as a lens to examine a broad range of historical subjects, including Puritan culture, the rise of Jim Crow, the Cold War, the civil rights movement, and the women's movement. Essays focus on the experiences of African American women, working-class southerners, Latinos, and members of LGBTQ communities, as well as topics including the controversy over Native American mascots and the globalization of U.S. sports.

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The Upper Peninsula of Michigan—known as “the U P”—is historically, geographically, and culturally distinct. Struggles over land, labor, and language during the last 150 years have shaped the variety of English spoken by resident Yoopers, as well as how they are viewed by outsiders—and themselves. Drawing on sixteen years of fieldwork, including interviews with seventy-five lifelong residents of the UP, Kathryn Remlinger examines how the idea of a unique Yooper dialect emerged. Considering UP English in relation to other regional dialects and their speakers, she looks at local identity, literacy practices, media representations, language attitudes, notions of authenticity, economic factors, tourism, and contact with non-English immigrant and Native American languages. The book also explores how a dialect becomes a recognizable and valuable commodity: Yooper talk (or “Yoopanese”) is emblazoned on t-shirts, flags, postcards, coffee mugs, and bumper stickers.

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In 1889, Danish literary critic Georg Brandes published “Aristocratic Radicalism: An Essay on Friedrich Nietzsche,” which transformed the as-yet-unknown German-Swiss philosopher into a European, and ultimately global, phenomenon. The article sparked a furious public debate between Brandes and a fellow Dane, philosopher Harald HØffding, who swiftly issued a rebuttal, “Democratic Radicalism: An Objection.” What began as a scholarly disagreement over Nietzsche’s philosophy rapidly spiraled into a sprawling contest of competing visions of society’s future, one radically aristocratic and the other radically democratic. Marking the moment at which the uniquely Nordic concept of social democratic welfare was first contested in the public sphere, this debate provides insights into not only Nietzschean philosophy and its immediate reception but also the foundational concept of modern Scandinavian social, cultural, and political organization. This volume presents, for the first time in any language other than Danish, the debate in its entirety: three essays by Brandes and three by HØffding. A critical introduction by editor and translator William Banks explores the exchange in its context and convincingly argues that the principles contested by the two Danish luminaries still very much resonate in Western society today.

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Anton Chekhov is justly famous as an author and a playwright, with his work continuing to appear on stages around the world more than a century after his death. However, he is rarely studied for his intellectual and philosophical theories. His disinterest in developing a “unified idea”—in vogue for Russian intellectuals of his time—and his aversion to the maximalism characteristic of contemporary Russian culture and society set him apart from his fellow writers. As a result, Chekhov’s contribution to intellectual and philosophical discourse was obscured both by his contemporaries and by subsequent scholars. Svetlana Evdokimova tackles this gap in Chekhov scholarship, examining the profound connections between his unstated philosophy and his artistic production. Arguing that Chekhov’s four major plays (The Cherry Orchard, Three Sisters, The Seagull, and Uncle Vanya) constitute a kind of cycle, Staging Existence offers a major reappraisal of this critical playwright in Russian intellectual history. Evdokimova’s deep, careful research into Chekhov’s engagement with contemporary philosophy provides insight into both Chekhov’s oeuvre and the writer himself.

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Electrifying Indonesia tells the story of the entanglement of politics and technology during Indonesia’s rapid post–World War II development. As a central part of its nation-building project, the Indonesian state sought to supply electricity to the entire country, bringing transformative socioeconomic benefits across its heterogeneous territories and populations. While this project was driven by nationalistic impulses, it was also motivated by a genuine interest in social justice. The entanglement of these two ideologies—nation-building and equity—shaped how electrification was carried out, including how the state chose the technologies it did. Private companies and electric cooperatives vied with the hegemonic state power company to participate in a monumental undertaking that would transform daily life for all Indonesians, especially rural citizens. In this innovative volume, Anto Mohsin brings Indonesian studies together with science and technology studies to understand a crucial period in modern Indonesian history. He shows that attempts to illuminate the country were inseparable from the effort to maintain the new nation-state, chart its path to independence, and legitimize ruling regimes. In exchange for an often dramatically improved standard of living, people gave their votes, and their acquiescence, to the ruling government.

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In 1917, Bolshevik revolutionaries overthrew the tsar of Russia and established a new, communist government, one that viewed the Imperial Russia of old as a righteously vanquished enemy. And yet, as Pavel Khazanov shows, after the collapse of Stalinism, a reconfiguration of Imperial Russia slowly began to emerge, recalling the culture of tsarist Russia not as a disgrace but as a glory, a past to not only remember but to recover, and to deploy against what to many seemed like a discredited socialist project. Khazanov’s careful untangling of this discourse in the late Soviet period reveals a process that involved figures of all political stripes, from staunch conservatives to avowed intelligentsia liberals. Further, Khazanov shows that this process occurred not outside of or in opposition to Soviet guidance and censorship, but in mainstream Soviet culture that commanded wide audiences, especially among the Soviet middle class. Excavating the cultural logic of this newly foundational, mythic memory of a “lost Russia,” Khazanov reveals why, despite the apparently liberal achievement of the collapse of the Soviet Union in 1991, Boris Yeltsin (and later, Vladamir Putin) successfully steered Russia into oligarchy and increasing autocracy. The anti-Soviet memory of the pre-Soviet past, ironically constructed during the late socialist period, became and remains a politically salient narrative, a point of consensus that surprisingly attracts both contemporary regime loyalists and their would-be liberal opposition.

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Although understudied in the West, Iurii Trifonov was a canonical Soviet author whose lifetime spanned nearly the whole of the USSR’s history and who embodied many of its contradictions. The son of a Bolshevik murdered on Stalin’s orders, he wrote his first novel in praise of the dictator’s policies. A lifelong Muscovite, he often set his prose in the Central Asian peripheries of the USSR’s empire. A subtle critic of the communist regime, he nonetheless benefited from privileges doled out by a censorious state. Scholars have both neglected Trifonov in recent years and focused their limited attention on the author’s most famous works, produced in the 1960s through 1980s. Yet almost half of his output was written before then. In Empire of Objects, Benjamin Sutcliffe takes care to consider the author’s entire oeuvre. Trifonov’s work reflects the paradoxes of a culture that could neither honestly confront the past nor create a viable future, one that alternated between trying to address and attempting to obscure the trauma of Stalinism. He became increasingly incensed by what he perceived as the erosion of sincerity in public and private life, by the impact of technology, and by the state’s tacit support of greed and materialism. Trifonov’s work, though fictional, offers a compelling window into Soviet culture.

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MÁria MÁdi (1898–1970) was a Roman Catholic Hungarian physician living in Budapest during World War II. Stuck in the city, she vowed to become a witness to events as they unfolded and began keeping a diary to chronicle her everyday life, as well as the lives of her Jewish neighbors, during what would be the darkest periods of the Holocaust. From the time Hungary declared war on the United States in December 1941 until she secured an immigrant’s visa to the US in late 1946, she wrote nearly daily in English, offering current-day readers one of the most complete pictures of ordinary life during the Holocaust in Hungary. In the form of letters to her American relatives, MÁdi addressed a wide range of subjects, from the fate of small countries like Hungary caught between the major powers of Germany and the Soviet Union, to the Nazi pogrom against Budapest’s Jews, to family news and the price of food. MÁdi’s family donated the entire collection of her diaries to the US Holocaust Memorial Museum. This edition transcribes a selection of MÁdi’s writings focusing on the period of March 1944 to November 1945, from the Nazi invasion and occupation of Hungary, through the Battle of Budapest, to the ensuing Soviet occupation. While bearing witness to the catastrophe in Hungary, MÁdi hid a Jewish family in her small flat from October 1944 to February 1945. She received a posthumous Righteous among Nations Medal from Yad Vashem, the World Holocaust Remembrance Center. Editorial commentary by James W. Oberly situates MÁdi’s observations, and a critical introduction by the Holocaust scholar AndrÁs LÉnÁrt outlines the wider sociopolitical context in which her diaries gain meaning.

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My Father’s War is simultaneously a history of the Nazi occupation of Norway in World War II and a son’s sincere attempt to understand the silences, motivations, and experiences of an estranged father. In this carefully researched book, combining family memoir and historical retelling, BjØrn Westlie uncovers his father’s actions as a volunteer soldier for the Waffen-SS, the military wing of the infamous Schutzstaffel (SS), in the invasion of the Soviet Union. Balancing his role as both son and critical investigator, Westlie unflinchingly interrogates his father’s fascist convictions, which speak to the appeal Hitler’s ideology held for a small, disgraced segment of Norway’s mid-century population. A story of collaboration, tragedy, and treason, My Father’s War reveals the little-known history of Norway's frontkjempere (front fighters), the atrocities the Waffen-SS committed against Ukrainian Jews, and the complex legacies of ethnonationalism in Norway. With an insightful introduction from translator Dean Krouk, My Father’s War is a contemporary classic of war literature. Committed to genuine understanding without falling into undue sympathizing, this sober and reflective book presents an eye-opening, moving, intense, and necessary account of the allure of fascism in a world at war—and its personal costs.

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Equals in Learning and Piety is an intellectual history of the ‘Yan Taru (Associates) movement, a women-led Islamic educational organization that continues to this day in both northern Nigeria and in the United States. Drawing on extensive scholarship across disciplines including history, Islamic studies, anthropology, gender and women’s studies, and literary studies—and alongside rigorous ethnographic research and interviews with leading Nigerian Muslim scholars—Beverly Mack argues that this formidable Muslim women’s movement consolidated the religious and social order established by the Sokoto Jihad in the early nineteenth century. Mack shows how women scholars instructed rural Hausa and Fulani women in Muslim ethics, doctrine, traditions, and behavior that followed and replaced the traumatic experience of warfare unleashed by the Jihad. She shows that these unique social engagements shaped people’s agency in the dynamic process of social change throughout the nineteenth century. Women imaginatively reconciled Muslim reformist doctrines and traditional practices in Nigeria, and these doctrines have continued to be influential in the diaspora, especially among Black American Muslims in the United States in the twenty-first century. With this major investigation of a little-studied phenomenon, Mack demonstrates the importance of women to the religious, political, and social transformation of Nigerian Muslim society.

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The characters who inhabit Sarah Layden's short story collection are on the verge of change—if only they could see themselves and their situations with greater clarity. Caught in the midst of crises, they stumble toward the future without fully understanding their past. Layden’s deft, spare prose sketches worlds and lives with telling details, juggling disparate strands of identity and often revealing the deeper truths in unexpected moments of epiphany. A bride-to-be puts on her detective hat when her groom goes missing. A woman returns to college after escaping an abusive marriage, only to discover her professor is a fraud. Reunited at a high school reunion, two former classmates completely misinterpret a critical incident from a decade prior. These and other characters find themselves lonely and in limbo, their self-identity as blurry as the old photographs they cling to with stubborn intensity. Set mostly in the Midwest and upstate New York, Imagine Your Life Like This captures everyday Americans in all their discontent, misunderstandings, and dogged determination for a better world.

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Violence was endemic to rural South African society from the late nineteenth century to the mid-twentieth century. But acts of violence were not inherent in African culture; rather, violence resulted from the ways in which Africans navigated the hazardous social and political landscape imposed by white rule. Focusing on the Eastern Cape province, Sean Redding investigates the rise of large-scale lethal fights among men, increasingly coercive abduction marriages, violent acts resulting from domestic troubles and witchcraft accusations within families and communities, and political violence against state policies and officials. Many violent acts attempted to reestablish and reinforce a moral, social, and political order among Africans. However, what constituted a moral order changed as white governance became more intrusive, land became scarcer, and people reconstructed their notions of “traditional” culture. State policies became obstacles around which Africans had to navigate by invoking the idea of tradition, using the state’s court system, alleging the use of witchcraft, or engaging in violent threats and acts. Redding’s use of multiple court cases and documents to discuss several types of violence provides a richer context for the scholarly conversation about the legitimation of violence in traditions, family life, and political protest.

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Ronya Othmann’s debut novel narrates the coming of age of Leyla, a Yazidi–Kurdish–German girl. She spends the school year in her mother’s home country of Germany but travels every summer to her father’s home village in Syria, near the Turkish border. She knows its smells and tastes. She knows its stories. She knows where the Yazidi villagers keep their suitcases hidden, should they need to escape again. And she watches from afar, horrified, as ISIS troops move on the village, threatening the lives of her grandparents, aunts, uncles, cousins, and friends. Leyla’s sexual awakening proves far less traumatic than her growing disenchantment with her German classmates and friends, who appear completely indifferent to the fate of her Yazidi community. Thoughtful and poignant, The Summers addresses issues of gender, sexuality, cultural difference, politics, and identity. Othmann draws readers into multiple worlds, ultimately revealing the hopes and dreams that bind us all together when forces threaten to tear us apart.

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Dance music plays a central role in the cultural, social, religious, and family lives of the people of the Democratic Republic of the Congo. Among the various genres popular in the capital city of Kinshasa, Congolese rumba occupies a special place and can be counted as one of the DRC’s most well-known cultural exports. The public image of rumba was historically dominated by male bandleaders, singers, and musicians. However, with the introduction of the danseuse (professional concert dancer) in the late 1970s, the role of women as cultural, moral, and economic actors came into public prominence and helped further raise Congolese rumba’s international profile. In Congo’s Dancers, Lesley Nicole Braun uses the prism of the Congolese danseuse to examine the politics of control and the ways in which notions of visibility, virtue, and socio-economic opportunity are interlinked in this urban African context. The work of the danseuse highlights the fact that public visibility is necessary to build the social networks required for economic independence, even as this visibility invites social opprobrium for women. The concert dancer therefore exemplifies many of the challenges that women face in Kinshasa as they navigate the public sphere, and she illustrates the gendered differences of local patronage politics that shape public morality. As an ethnographer, Braun had unusual access to the world she documents, having been invited to participate as a concert dancer herself.

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Following the Japanese invasion of northeast China in 1931, the occupying authorities established the Manchuria Film Association to promote film production efficiency and serve Japan’s propaganda needs. Manchuria Film Association had two tasks: to make “national policy films” as part of a cultural mission of educating Chinese in Manchukuo (the puppet state created in 1932) on the special relationship between Japan and the region, and to block the exhibition of Chinese films from Shanghai that contained anti-Japanese messages. The corporation relied on Japanese capital, technology, and film expertise, but it also employed many Chinese filmmakers. After the withdrawal of Japanese forces in 1945, many of these individuals were portrayed as either exploited victims or traitorous collaborators. Yuxin Ma seeks to move the conversation beyond such simplistic and inaccurate depictions. By focusing on the daily challenges and experiences of the Chinese workers at the corporation, Ma examines how life was actually lived by people navigating between practical and ideological concerns. She illustrates how the inhabitants of Manchukuo navigated social opportunities, economic depression, educational reforms, fascist rule, commercial interests, practical daily needs, and more—and reveals ways in which these conflicting preoccupations sometimes manifested as tension and ambiguity on screen. In the battle between repression and expression, these Chinese actors, directors, writers, and technicians adopted defensive and opportunistic tactics. They did so in colonial spaces, often rejecting modernist representations of Manchukuo in favor of venerating traditional Chinese culture and values. The expertise, skills, and professional networks they developed extended well beyond the occupation into the postwar period, and may individuals reestablished themselves as cinema professionals in the socialist era.

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From 1940 to 1944, the German-owned Continental Films dominated the French film landscape, producing thirty features throughout the Nazi occupation. Charged with producing entertaining and profitable films rather than propaganda, producer Alfred Greven employed some of the greatest French actors and most prestigious directors of the time, including Maurice Tourneur, Henri Decoin, Henri-Georges Clouzot, and Marcel CarnÉ.Using recently opened archival documents, including reams of testimony from the Épuration (purification) hearings conducted shortly after the war, Christine Leteux has produced the most authoritative and complete history of the company and its impact on the French film industry—both during the war and after. She captures the wide range of responses to the firm from those who were eager to work for a company whose ideology matched their own, to others who reluctantly accepted contracts out of necessity, to those who abhorred the company but felt compelled to participate in order to protect family members from Nazi reprisals. She examines not only the formation and management of Continental Films but also the personalities involved, the fraught and often deadly political circumstances of the period, the critical reception of the films, and many of the more notorious and controversial events.As Bertrand Tavernier explains in his foreword, Leteux overturns many of the preconceptions and clichÉs that have come to be associated with Continental Films. Published to rave reviews in French and translated by the author into English, this work shatters expectations and will reinvigorate study of a lesser-known but significant period of French film history.

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With Door County caught in the grip of a fierce winter storm, Sheriff Dave Cubiak agrees to do a simple favor for a friend of his wife: he stops by to check in on an affluent widow with a questionable new suitor. His initial disquiet is easily dismissed—until she is found dead the next morning in her home. Lying at the bottom of a flight of stairs, clutching a valuable bronze sculpture, she points her outstretched hand in the direction of a nearby, nondescript ring. The scene bears all the characteristics of an accidental fall, not unheard of for a person of her age, but something is not adding up. Later that week, an explosion in an ice fishing shack on the frozen bay leads to the discovery of another body, burned beyond recognition. Was this the widow’s missing handyman? Could the two deaths be related? With what has become a hallmark for books in the series, past and present collide as Cubiak’s search for answers uncovers the sad legacy of loneliness and the disquieting links between wealth and poverty on the peninsula.

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Understanding and Teaching Contemporary US History since Reagan is designed for teachers looking for new perspectives on teaching the recent past, the period of US history often given the least attention in classrooms. Less of a traditional textbook than a pedagogical Swiss Army knife, the volume offers a diversity of voices and approaches to teaching a field that, by its very nature, invites vigorous debate and puts generational differences in stark relief. Older history is likely to feel removed from the lived experiences of both teachers and students, allowing for a certain dispassion of perspective. By contrast, contemporary history creates unique challenges, as individual teachers and students may think they know “what really happened” by virtue of their personal experiences. The volume addresses a wide swath of topics, from social movements around identity and representation to the Supreme Court, law enforcement, migration, climate change, and international relations. Emphasizing critical thinking and primary-source analysis, it will aid teachers in creating an invigorating and democratizing classroom experience. Intended for use in both secondary and postsecondary classrooms, the book’s structure allows for a variety of applications and invites a broad audience.

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John Martin, a talented graphic designer employed as a word processor for a prestigious New York investment bank, has happily left behind Texas and his alcoholic, emotionally absent mother. It is the height of the personal computer revolution and the AIDS epidemic, and gentrification is sweeping the city. Alena Marino, John’s supervisor, is an Italian immigrant who shares his hustle and grit, aggressively building a new life for herself. As their affair begins, John imagines himself the perfect lover for Alena, fulfilling her desires without expectation that she leave her husband. But when his oldest sister arrives in town unannounced, he is forced to confront his damaged past and serial history of relationships with stunningly gorgeous, emotionally complex women. John’s journey to understand the roots of his compulsion to “save” those around him is both aided and thwarted by his relationship with his colleague Jeremy Crawford. Alena’s closest confidant, Jeremy shares an intimacy with her that fuels John's jealousy. Meanwhile, Jeremy finds himself drawn to John and, as his confidant too, participates in the drama of John and Alena’s relationship. As John slowly begins to understand the flawed and wounded experience of love that has followed him through life, he learns how to open himself to true friendship—and to true loss. Set in the midst of cultural upheaval, this powerful novel reverberates across the decades.

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As Told by Herself offers the first systematic study of women's autobiographical writing about childhood. More than 175 works—primarily from English-speaking countries and France, as well as other European countries—are presented here in historical sequence, allowing Lorna Martens to discern and reveal patterns as they emerge and change over time. What do the authors divulge, conceal, and emphasize? How do they understand the experience of growing up as girls? How do they understand themselves as parts of family or social groups, and what role do other individuals play in their recollections? To what extent do they concern themselves with issues of memory, truth, and fictionalization? Stopping just before second-wave feminism brought an explosion in women's childhood autobiographical writing, As Told by Herself explores the genre's roots and development from the mid-nineteenth century, and recovers many works that have been neglected or forgotten. The result illustrates how previous generations of women—in a variety of places and circumstances—understood themselves and their upbringing, and how they thought to present themselves to contemporary and future readers.

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