Search results for ""University of London""

Geoffrey Nowell-Smith is an Honarary Professorial Fellow in the School of History, Queen Mary, University of London.

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MARIE-LOUISE JENNINGS is a daughter of Humphrey Jennings, an historian of eighteenth and nineteenth century Ireland and a Fellow of Birkbeck College, University of London, UK.

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William Wilson is Emeritus Professor of Criminal Law at Queen Mary, University of London. Laura Lammasniemi is an Associate Professor at University or Warwick and Course Convenor and Chief Examiner for criminal law on the University of London International Laws Programme.

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Stella Bruzzi is Professor of Film Studies at Royal Holloway, University of London and her previous publications include Undressing Cinema: Clothing and Identity in the Movies, Routledge 1997; New Documentary: A Critical Introduction, Routledge 2000; Fashion Cultures: Theories, Explorations and Analysis (co-edited), Routledge 2000

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Laura Mulvey is Professor of Film and Media Studies at Birkbeck College, University of London, UK. She is the author of Death Twenty-four Times a Second: Stillness and the Moving Image (2006), Visual and Other Pleasures (1989; 2009), and the BFI Film Classic on Citizen Kane (1992; 2012).

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Laura Mulvey is Professor of Film and Media Studies at Birkbeck College, University of London, UK. She is the author of Death Twenty-four Times a Second: Stillness and the Moving Image (2006), Visual and Other Pleasures (1989; 2009), and the BFI Film Classic on Citizen Kane (1992; 2012).

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A collaborative close reading of 'A Thousand Plateaus' by some of the world's leading Deleuze and Guattari scholarsThis volume brings together a team of international specialists on Deleuze and Guattari to provide in-depth critical studies of each plateau of their major work, 'A Thousand Plateaus'. It combines an overview of the text with deep scholarship and brings a renewed focus on the philosophical significance of their project.'A Thousand Plateaus' represents a whole new way of doing philosophy. This collection supports the critical reception of Deleuze and Guattari's text as one of the most important and influential works of modern theory.Key FeaturesEmphasises the philosophical nature of 'A Thousand Plateaus'Provides detailed coverage of the text as a whole Brings together cutting edge research from some of the leading lights in scholarship on Deleuze and GuattariAn ideal companion to a plateau-by-plateau reading of Deleuze and Guattari's workContributorsMiguel de Beistegui, University of Warwick, UKJeffrey A. Bell, Southeastern Louisiana University, USARonald Bogue, University of Georgia, USARay Brassier, American University of Beirut, LebanonEugene W. Holland, Ohio State University, USAEmma Ingala, Universidad Complutense de Madrid, ItalySimon O'Sullivan, Goldsmiths, University of London, UKHelen Palmer, Kingston University London, UKPaul Patton, University of New South Wales, AustraliaJohn Protevi, Louisiana State University, Baton Rouge, USADaniel W. Smith, Purdue University, USAHenry Somers-Hall, Royal Holloway, University of London, UKAudrey Wasser, Miami University, USANathan Widder, Royal Holloway, University of London, UKJames Williams, Deakin University, Australia

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Jonathan Kennedy teaches global public health at Queen Mary University of London. He has a PhD in sociology from the University of Cambridge. His interdisciplinary research has been published in leading medical, public health, sociology and history journals, and he has written for newspapers including the Guardian and El Pais. Pathogenesis is his first book.

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J. Daniel Luther is a doctoral researcher at SOAS, University of London, UK and is beginning a Visiting Research Fellowship at Kings College London. Luther is also co-founder of the annual Queer Asia international conference and film festival.Jennifer Ung Loh is a research associate with the South Asia Institute at SOAS, University of London, UK and previously lectured at De Montfort University, UK. She is also a committee member and conference organiser for the Queer Asia conference.

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Gender in Chinese Music draws together contributions from ethnomusicologists, anthropologists, and literary scholars to explore how music is implicated in changing notions of masculinity, femininity, and genders "in between" in Chinese culture. Village ritualists, international classical pianists, pop idols, and professional mourners -- whether they perform in temples, on concert stages, or in TV shows, Chinese musicians continually express and negotiate their gendered identities. Gender in Chinese Music brings together contributions from ethnomusicologists, anthropologists, and literary scholars to explore how gender is not only manifested in the diverse musical traditions of Chinese culture but also constructed through performing and observing these traditions. Individual chapters examine unique music cultures ranging from those of courting couples in China's heartlands to ethnic minority singers in the borderlands, and from Ming-period courtesans to contemporary karaoke hostesses. The book also features interviews with musicians, music industry workers, and fans talking about gender. With its wide-ranging subject matter and interdisciplinary approach, this volume will be an important resource for researchers and students interested in how music is implicated in the changing notions of masculinity, femininity, and genders "in between." Contributors: RuardAbsaroka, Rachel Harris, Stephen Jones, Frank Kouwenhoven, Olivia Kraef, Joseph Lam, Rowan Pease, Antoinet Schimmelpenninck, Hwee-San Tan, Shzr Ee Tan, Xiao Mei, Judith Zeitlin, Tiantian Zheng. Rachel Harris is Reader in the Music of China and Central Asia at SOAS, University of London. Rowan Pease is Senior Teaching Fellow at SOAS, University of London. Shzr Ee Tan is Senior Lecturer in Music at Royal Holloway, University of London.

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CHRIS BERRYis Professor of Film and Television Studies, Goldsmiths, University of London, UK. He is the author and editor of many books, including Cinema and the National: China on Screen (co-authored with Mary Farquhar, Columbia University Press and Hong Kong University Press, 2006) and Postsocialist Cinema in Post-Mao China: The Cultural Revolution after the Cultural Revolution (Routledge, 2004).

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JOHANNES ZANKER is Professor of Neuroscience at Royal Holloway, University of London, UK,wherehe is also Head of the Psychology department. He has held positions at the Max-Planck Institute,Germany; the Australian National University; and University College London, UK. His research over the last 20 years has centred on topics at the boundaries of biology, computer science and psychology

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MARIE-LOUISE JENNINGS is a daughter of Humphrey Jennings, an historian of eighteenth and nineteenth century Ireland and a Fellow of Birkbeck College, University of London, UK.

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Robert K. Green is a Teaching Associate at Queen Mary University of London, UK. He has served on the advisory committee of the London POTUS Group.

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N.C. FLEMING is Professor of Modern History at the University of Worcester, UK, and Associate Fellow at the Institute of Commonwealth Studies, University of London, UK. He has been Visiting Fellow at St Catherine's College, Oxford, UK; Senior Associate Member at St Antony's College, Oxford, UK; Visiting Researcher at Åbo Akademi, Finland; and FulbrightRobertson Visiting Professor of British History, Westminster College, Missouri, USA.

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John Hill is Professor and Head of Research in the Department of Media Arts at Royal Holloway, University of London. He is the author and editor of a number of books, including Cinema and Ireland (1987); Border Crossing: Film in Ireland, Britain and Europe (1994); The Oxford Guide to Film Studies (1998); British Cinema in the 1980s (1999) and National Cinema and Beyond (2004).

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High Quality Content by WIKIPEDIA articles! Orlando Figes (/'fa?d?i?z/; born 20 November 1959) is a British historian of Russia, and Professor of History at Birkbeck, University of London.

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HELEN WOOD is Reader in Media and Communication at De Montfort University, Leicester, UK. She is the author of Talking With Television: Women, Talk Shows, and Modern Self-Reflexivity (2009).BEVERLEY SKEGGS is Professor of Sociology at Goldsmiths, University of London, UK. Her publications include Formations of Class and Gender: Becoming Respectable (1997) and Class, Self, Culture (2004), and she is the co-editor of the journal Sociological Review.

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Amy Sargeant is lecturer in the History of Film and Visual Media at Birkbeck, University of London, and is co-editor of British Historical Cinema: History, Heritage and the Costume Film (2002).

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HELEN WOOD is Reader in Media and Communication at De Montfort University, Leicester, UK. She is the author of Talking With Television: Women, Talk Shows, and Modern Self-Reflexivity (2009).BEVERLEY SKEGGS is Professor of Sociology at Goldsmiths, University of London, UK. Her publications include Formations of Class and Gender: Becoming Respectable (1997) and Class, Self, Culture (2004), and she is the co-editor of the journal Sociological Review.

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Rachel Dwyer is Senior Lecturer in Gujarati and Indian Studies at SOAS, University of London and author of All You Want is Money (Cassell, 2000) and All You Need is Love: Sexuality and Romance in Modern India (Verso, 1999)

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Dr David Veevers is an award-winning historian and Lecturer in Early Modern History at the University of Bangor, and was formerly a Leverhulme Fellow in the School of History at Queen Mary, University of London. His PhD is from the University of Kent, with work specialising in the British Empire and its role internationally. His acclaimed academic book, The Origins of the British Empire in Asia, 1600 - 1750, was published by Cambridge University Press in 2020.

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Rachel Dwyer is Senior Lecturer in Gujarati and Indian Studies at SOAS, University of London and author of All You Want is Money (Cassell, 2000) and All You Need is Love: Sexuality and Romance in Modern India (Verso, 1999)

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Undertaking qualitative research in psychology can seem like a daunting and complex process, especially when it comes to selecting the most appropriate approach for your project. This book provides a comprehensive and practical introduction to the key approaches in qualitative psychology research from a world-leading group of academics and researchers. This Fourth Edition features timely updates that reflect the most current practice in the field. Jonathan A. Smith is Professor of Psychology at Birkbeck University of London.

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Michael Temple is Reader in Film and Media at Birkbeck, University of London, UK.He is author of Jean Vigo (2005) and co-editor of TheFrench Cinema Book (2004) andJean-Luc Godard: Documents (2006), among other titles. Karen Smolens is the niece of Richard Roud. She attended her first New York Film Festival at age 13, where she saw her uncle moderate a press conference with Roberto Rossellini following a screening of The Rise of Louis XIV (1966). She lives in Brookline, Massachusetts, USA.

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Michael Temple is Reader in Film and Media at Birkbeck, University of London, UK.He is author of Jean Vigo (2005) and co-editor of TheFrench Cinema Book (2004) andJean-Luc Godard: Documents (2006), among other titles. Karen Smolens is the niece of Richard Roud. She attended her first New York Film Festival at age 13, where she saw her uncle moderate a press conference with Roberto Rossellini following a screening of The Rise of Louis XIV (1966). She lives in Brookline, Massachusetts, USA.

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What caused the Russian Revolution?Did it succeed or fail?Do we still live with its consequences?Orlando Figes teaches history at Birkbeck, University of London and is the author of many acclaimed books on Russian history, including A People's Tragedy, which The Times Literary Supplement named as one of the '100 most influential books since the war', Natasha's Dance, The Whisperers, Crimea and Just Send Me Word. The Financial Times called him 'the greatest storyteller of modern Russian historians.'

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Felice was born in Los Angeles, California and worked in advertising in New York before moving to London to marry and raise a family. In her mid-fifties she read History, Politics and Philosophy at Birkbeck, University of London. Her debut novel, Interviews with an Ape is about our relationships with animals, one another and the natural world, imagined in a series of interlinking stories by a group of vulnerable animals told to a gorilla named Einstein, who can communicate with humans through sign language.

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Margaret Reynolds is a writer, academic, critic and broadcaster. Her critical edition of Elizabeth Barrett Browning's Aurora Leigh won the British Academy's Rose Mary Crawshay prize. Other books include The Penguin Book of Lesbian Short Stories, The Sappho Companion, Victorian Women Poets: An Anthology (with Angela Leighton) and a series of study guides on contemporary writers, Vintage Living Texts. She is Professor of English at Queen Mary, University of London and a Life Member of Clare Hall, Cambridge. She is the presenter of BBC Radio 4's long running 'Adventures in Poetry'.

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Susan Williams is an historian and author of many books, most recently Spies in the Congo. The Race for the Ore that Built the Atomic Bomb (2016) and Who Killed Hammarskjöld? The UN, the Cold War and White Supremacy in Africa (2011), which triggered a new UN investigation in 2015 into the death of the Secretary General. She grew up in Zambia and has worked in Britain, Zimbabwe and Canada. She is a Senior Research Fellow at the Institute of Commonwealth Studies, School of Advanced Study, University of London.

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SYMON QUY is Senior Lecturer in Media Education at Central School of Speech and Drama (University of London), where he is Course Leader for PGCE Media Studies. He was awarded a National Teaching Fellowship in 2005 by the Higher Education Academy for his work in developing media teaching and learning in the sector.

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The questions of fame and reputation are central to Chaucer's writings; the essays here discuss their various treatments and manifestations. Fama, or fame, is a central concern of late medieval literature: where fame came from, who deserved it, whether it was desirable and how it was acquired and kept. An interest in fame was not new but was renewed and rethought within the vernacular revolutions of the later Middle Ages. The work of Geoffrey Chaucer collates received ideas on the subject of fama, both from the classical world and from the work of his contemporaries. Chaucer's place in these intertextual negotiations was readily recognized in his aftermath, as later writers adopted and reworked postures which Chaucer had struck, in their own bids for literary authority. This volume tracks debates onfama which were past, present and future to Chaucer, using his work as a centre point to investigate canon formation in European literature from the late Middle Ages and into the Early Modern period. Isabel Davis is Senior Lecturer in Medieval Literature at Birkbeck, University of London; Catherine Nall is Senior Lecturer in Medieval Literature at Royal Holloway, University of London. Contributors: Joanna Bellis, Alcuin Blamires, Julia Boffey, Isabel Davis, Stephanie Downes, A.S.G. Edwards, Jamie C. Fumo, Andrew Galloway, Nick Havely, Thomas A. Prendergast, Mike Rodman Jones, William T. Rossiter, Elizaveta Strakhov.

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With an Introduction and Notes by Anne Varty, Royal Holloway, University of London. De Profundis is Wilde's eloquent and bitter reproach from prison to his lover, Lord Alfred Douglas. He contrasts his behaviour with that of his close friend Robert Ross who became Wilde's literary executor. The Ballad of Reading Gaol is a deeply moving and characteristically generous poem on the horrors of prison life, which was published anonymously in 1898. This collection also includes the essay The Soul of Man under Socialism and two of his Platonic dialogues, The Decay of Lying and The Critic as Artist.

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Ian Christie is the author of Arrows of Desire: the Films of Michael Powell and Emeric Pressburger (1985, 1994) and has written and edited four other books about their work. He has organised many retrospectives and played a part in the films' restoration. He is currently Professor of Film and Media History at Birkbeck College, University of London, and a regular broadcaster. Andrew Moor is Lecturer in Film Studies at the University of Wales in Bangor. He is author of Powell and Pressburger: A Cinema of Magic Spaces (2005) and contributed essays on Powell and Pressburger to a range of other publications.

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This volume completes the 'general' history of the county which was begun in 1911 in Middlesex II. It contains illustrated articles on the physique and pre-history of Middlesex, from Palaeolithic to Pagan Saxon times, on its religious houses and ecclesiastical organization, and on education within the county. It also includes a translation of the Middlesex section of Domesday Book with map, commentary, and index. The sequence of articles on education includes histories of working-class and private education, accounts of endowed schools, and a history of the University of London and its constituent colleges and schools.

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Brooke Robinson grew up in Sydney and as a playwright, has had numerous plays commissioned and produced in her native Australia. In the UK, her work has been shown at the Old Vic theatre and London's Vault Festival. She studied drama at RADA (The Royal Academy of Dramatic Arts) and City, University of London. The Interpreter is her debut novel.

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CHRISTINE GERAGHTY is Honorary Professorial Fellow at the University of Glasgow and Honorary Research Fellow at Goldsmiths, University of London. She is the author of Now a Major Motion Picture: Film Adaptations from Literature and Drama (2008); My Beautiful Laundrette (2004); British Cinema in the Fifties: Gender, Genre and the 'New Look' (2000); and Women and Soap Opera (1990), and editor, with David Lusted, of The Television Studies Book (1998

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Sir David Hughes Parry QC was probably one of the most powerful and influential Welsh jurists of the twentieth century. As Professor of English Law at the University of London, he laid the foundations for the development of the Department of Law at the London School and Economics into a centre of excellence in legal scholarship. As founding Director of the Institute of Advanced Legal Studies, he created a vehicle that would raise the standing of English legal scholarship on the global stage. An astute operator in the world of university politics, he became Vice-Chancellor and, later, Chairman of the Court of the University of London, and served as Vice-Chairman of the powerful University Grants Committee. For the first time, this study provides a holistic account of his career as a lawyer, legal scholar, university policy-maker and law reformer. Using a range of primary and secondary sources, it locates his place in the history of legal scholarship and establishes his identity as a jurist. It also considers his distinctive and sometimes controversial contribution to the public life of Wales, and in particular its language, culture and institutions. The portrait that emerges is of a man whose energies were divided equally between his legal-academic interests and his devotion to serving the causes of his native Wales. This biography demonstrates that it was through his roles as a public intellectual and legal advisor to the Welsh nation that Hughes Parry bequeathed his most important and enduring legacies.

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Investigates the significance of a range of digital technologies in contemporary Indigenous musical performance, exploring interdisciplinary issues of music production, representation, and transmission. The essays in this volume offer rich and diverse perspectives on the encounter between Indigenous music and digital technologies. They explore how digital media -- whether on CD, VCD, the Internet, mobile technology, or in the studio -- have transformed and become part of the fabric of Indigenous cultural expression across the globe. Communication technologies have long been tools for nation building and imperial expansion, but these studies reveal how over recent decades digital media have become a creative and political resource for Indigenous peoples, often nurturing cultural revival, assisting activism, and complicating earlier hegemonic power structures. Bringing together thework of scholars and musicians across five continents, the volume addresses timely issues of transnationalism and sovereignty, production and consumption, archives and transmission, subjectivity and ownership, and virtuality and the posthuman. Music, Indigeneity, Digital Media is essential reading for scholars working on topics in ethnomusicology, Indigeneity, and media studies while also offering useful resources for Indigenous musicians and activists. The volume provides new perspectives on Indigenous music, refreshes and extends debates about digital culture, and points to how digital media shape what it means to be Indigenous in the twenty-first century. Contributors: Linda Barwick, Beverley Diamond, Thomas R. Hilder, Fiorella Montero-Diaz, John-Carlos Perea, Henry Stobart, Shzr Ee Tan, Russell Wallace Thomas R. Hilder is postdoctoral fellow in musicology at the University of Bergen. Henry Stobart is reader in music at Royal Holloway, University of London. Shzr Ee Tan is senior lecturer at Royal Holloway, University of London.

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