Search results for ""The University Press of Kentucky""

When Thomas D. Clark was hired to teach history at the University of Kentucky in 1931, he began a career that would span nearly three-quarters of a century and would profoundly change not only the history department and the university but the entire Commonwealth. His still-definitive History of Kentucky (1937) was one of more than thirty books he would write or edit dealing with Kentucky, the South, and the American frontier. In addition to his wide scholarly contributions, Clark devoted his life to the preservation of Kentucky's historical records. His efforts resulted in the Commonwealth's first archival system and the subsequent creation of the Kentucky Library and Archives, the University of Kentucky Special Collections and Archives, the Kentucky Oral History Commission, the Kentucky History Center (recently named for him), and the University Press of Kentucky. Born on a cotton farm in Louisville, Mississippi, in 1903, Thomas Dionysius Clark dropped out of school after seventh grade to work on a canal dredgeboat before resuming his formal education. In My Century in History, Clark offers vivid memories of his personal and academic journey, a journey that took him from Mississippi to Kentucky and North Carolina, to leadership of the nation's major historical organizations, and to visiting professorships in Austria, England, Greece, and India, as well as in universities throughout the United States. An enormously popular public lecturer as well, he touched thousands of lives. With characteristic wit and insight, Clark now offers his many admirers one final volume of history -- his own.

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Louis Pete Rogers Browning, the original Louisville Slugger for whom the famous baseball bat was named, was one of the greatest baseball players of the nineteenth century. Yet his prowess and talent were often overshadowed by his drunken exploits and endless eccentricitieson and off the field. Over his thirteen-year career he won three batting titles, finished in the top three nine times, and was one of the greatest hitters of the premodern era. To this day, his.341 lifetime batting average remains in the MLB''s top five for right-handed hitters. He acquired other nicknames such as the Gladiator and Prince of Bourbon, and when Browning was stolen from Louisville by Pittsburgh recruiters, the team became known as the Pittsburgh Pirates. He attributed his great abilities to many quirky and colorful habits. He drank tabasco sauce and washed his eyes with buttermilk, claiming that both improved his ability to hit. He named his bats after biblical characters and meticulously took care of th

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In 1972, Reggie Warford was a sinewy, lightning-fast, sharp-shooting leftie who was in high demand by such renowned coaches as Bobby Knight at Indiana and Digger Phelps at Notre Drame. When the prolific player was signed by Joe B. Hall at the University Kentucky, he would ultimately become an inspirational scoring force on the team and the first Black basketball player to graduate from the universityinstrumental in helping to break the color barriers for generations of students who followed. Scott Brown tells the remarkable story of this trailblazing player and the barriers he broke at Kentucky. Despite a heart condition and health issues that plagued him and eventually claimed his life, his body and spirit exuded a commitment to the game he loved: basketball. From growing up during the Civil Rights era, relating his courage in remaining seated during the singing of My Old Kentucky Home (a protest that led to the eventual rewrite of the lyrics), recollections of his seminal games, in

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An early American adage proclaimed: "The frontier was heaven for men and dogs face=Calibri>– hell for women and mules." Since the 1700s, when his name first appeared in print, Daniel Boone has been synonymous with America's westward expansion and life on the frontier. Traces is a retelling of Boone's saga through the eyes of his wife, Rebecca, and her two oldest daughters, Susannah and Jemima.Daniel became a mythic figure during his lifetime, but his fame fueled backwoods gossip that bedeviled the Boone women throughout their lives, most notably the widespread suspicion that one of Rebecca's children was fathered by Daniel's younger brother. Traces explores the origins of these rumors, exposes the harsh realities of frontier life, and gives voice to the women whose vibrant lives have been reduced to little more than scattered footnotes within the historical record. Daniel's restless wandering made the women eyewitnesses to the clash of cultures between the settlers and the indigenous tribes who fought to retain control of their native lands made life on the frontier an ongoing struggle for survival.Patricia L. Hudson gives voice to these women, each of whom were pioneers in their own right. The Boone women's joys and sorrows, as well as those of countless other forgotten women who braved the frontier, are invisibly woven into the fabric of America's early years and the story of this country's westward expansion.

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At the conclusion of WWII, no part of the world experienced a more dramatic transformation than East Asia. The region''s political stability throughout the postwar period prompted exponential economic growth that ultimately established South Korea, Japan, and China as East Asia''s most important powers.While many citizens of these nations now live in a time of unprecedented prosperity, the arrangement that supported this region''s transformation is fragile. With the second largest economy and a burgeoning military sector, China is widely acknowledged as the preeminent rising world power. The onus of maintaining balance in the region now rests primarily with South Korea and Japan in partnership with the United States. However, because of long-standing weaknesses in South KoreaJapan relations and an inconsistent US commitment to the region, the possibility that China could usher in a more uncertain era of revisionism has never been more likely.In Strengthening South Korea-Japan Relations

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Although there are currently only a handful of members of the Shaker faith and one active community in the world today, Shakerism at its peak comprised thousands of members living in communal villages across the eastern United States. Kentucky's iconic Shaker Village at Pleasant Hill was one of these communities, and it remains an enduring cultural touchstone. The history of the Shakers is often reduced to the handmade objects they produced and sold, but their lives were so much more than their material culture. Their efforts were suffused with their religious beliefs: each piece's sturdy simplicity memorializes the Believers' devotion to God and how it guided their every action.Shaker Made is photographer Carol Peachee's love letter to the cultural artifacts - the architecture, furniture, and crafts - of one of America's most influential utopian societies. Peachee has photographed Pleasant Hill for more than four decades - from small items such as eyeglasses, embroidered handkerchiefs, elixir bottles, and bonnets, to the distinguished furniture and architecture of the more than 260 buildings that the Shakers built at Pleasant Hill. The curator of collections at Shaker Village of Pleasant Hill, Rebecca Soules, provides an informative foreword to the photos, while Peachee herself offers a lovingly written introduction explaining her personal connection to the subject. The attention to detail in the simple yet beautifully composed photographs evokes the "spirit of the maker" and serves as an elegant and respectful tribute to the history and legacy of the Pleasant Hill Shakers - an often-misunderstood people who sought to honor the divine in all aspects of life.

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When the popular musical Hamilton showcased the celebrated duel between Alexander Hamilton and Aaron Burr, it reminded twenty-first-century Americans that some prominent, honor-bound citizens once used negotiated, formal fights as a way to settle differences. During the Civil War, two prominent Kentuckians - one a Union colonel and the other a pro-Confederate civilian - continued this legacy by dueling. At a time when thousands of soldiers were slaughtering one another on battlefields, Colonel Leonidas Metcalfe and William T. Casto transformed the bank of the Ohio River into their own personal battleground. On May 8, 1862, these two men, both of whom were steeped in southern honor culture, fought a formal duel with rifles at sixty yards. And, like the fight between Hamilton and Burr, only one man walked away.Anatomy of a Duel: Secession, Civil War, and the Evolution of Kentucky Violence examines why white male Kentuckians engaged in the "honor culture" of duels and provides fascinating narratives that trace the lives of duelists and opponents. Stuart W. Sanders explores why, during a time when Americans were killing one another in open, brutal warfare, Casto and Metcalfe engaged in the process of negotiating and fighting a duel. In deconstructing the event, Sanders details why these prominent Kentuckians found themselves on the dueling ground during the nation's bloodiest conflict, how society and the Civil War pushed them to fight, why duels continued to be fought in Kentucky even after this violent confrontation, and how Kentuckians applied violence after the Civil War. Anatomy of a Duel is a comprehensive and compelling look at how the seccession crisis sparked the Casto-Metcalfe duel—a confrontation that impacted the evolution of violence in Kentucky.

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As a Unionist but also proslavery state during the American Civil War, Kentucky occupied a contentious space both politically and geographically. In many ways, its pragmatic attitude toward compromise left it in a cultural no-man's-land. The constant negotiation between the state's nationalistic and Southern identities left many Kentuckians alienated and conflicted. Lincoln referred to Kentucky as the crown jewel of the Union slave states due to its sizable population, agricultural resources, and geographic position, and these advantages, coupled with the state's difficult relationship to both the Union and slavery, ultimately impacted the outcome of the war. Despite Kentucky's central role, relatively little has been written about the aftermath of the Civil War in the state and how the conflict shaped the commonwealth we know today. New Perspectives on Civil War–Era Kentucky offers readers ten essays that paint a rich and complex image of Kentucky during the Civil War. First appearing in the Register of the Kentucky Historical Society, these essays cover topics ranging from women in wartime to Black legislators in the postwar period. From diverse perspectives, both inside and outside the state, the contributors shine a light on the complicated identities of Kentucky and its citizens in a defining moment of American history.

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"To everything there is a season, and a time to every purpose under the heaven: a time to be born, and a time to die; a time to plant, and a time to pluck up that which is planted." - Ecclesiastes 3:1-2 The Appalachian region is deeply rooted in customs that have been handed down for generations. "Planting by the signs," a practice predicated on the belief that moon phases and astrological signs exert a powerful influence on the growth and well-being of crops, is considered superstitious by some but has been essential to gardeners and farmers for centuries and is still in use today.Sown in the Stars brings together the collective knowledge of farmers in central and eastern Kentucky about the custom of planting by the signs. Sarah Hall interviews nearly two dozen contemporary Kentuckians who still follow the signs of the moon and stars to guide planting, harvesting, canning and food preservation, butchering, and general farm work. Hall explores the roots of this system in both astrology and astronomy and the profound connections felt to the stars, moon, planets, and the earth. Revealed in the personal narratives are the diverse interpretations of the practice. Some farmers and gardeners believe that the moon's impact on crop behavior is purely scientific, while others favor a much wider interpretation of the signs and their impact on our lives. Featuring photographs by Meg Wilson, this timely book bridges the past, present, and future by broadening our understanding of this practice and revealing its potential to increase the resiliency of our current agricultural food systems.

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In 1811, architect Benjamin Henry Latrobe spurred American builders into action when he called for them to reject "the corrupt Age of Dioclesian, or the still more absurd and debased taste of Louis the XIV," and to emulate instead the ancient temples of Greece.In response, people in the antebellum trans-Appalachian region embraced the clean lines, intricate details, and stately symmetry of the Grecian style. On newly built public buildings, private homes, and religious structures, references to classical Greek architecture became the preferred ornamentation. Several antebellum cities and towns adopted the moniker of "Athens," styling themselves as centers of culture, education, and sophistication. As the trend grew, American citizens understood the name as a link between the Grecian style and the founding principles of democracy—signaling a change of taste in service to the larger American cultural ideal.In Athens on the Frontier, Patrick Lee Lucas examines the material culture of Grecian-style buildings in antebellum America to help recover nineteenth-century regional identities. As communities worked to define their built landscape and develop a shared Western identity, Lucas's study invites readers to question many of the assumptions Americans have made about divisions and cultural formation in antebellum society.

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From her idyllic childhood in the American midwest, to her Oscar-nominated performance in Sunset Boulevard (1950) and the social circles of New York and Los Angeles, actress Nancy Olson Livingston has lived abundantly. In her memoir, A Front Row Seat, Livingston treats readers to an intimate, charming chronicle of her life as an actress, wife, and mother, and her memories of many of the most notable figures and moments of her time.Livingston shares reminiscences of her marriages to lyricist and librettist Alan Jay Lerner, creator of award-winning musicals Paint Your Wagon, Gigi, and My Fair Lady (which was dedicated to her), and Alan Wendell Livingston, former president of Capitol Records, who created Bozo the Clown and signed legendary musical artists including Nat King Cole, Frank Sinatra, Judy Garland, The Beach Boys, The Beatles, The Band and Don McLean. One of the last living actors of the Golden Age of Hollywood, Livingston shares memorable encounters with countless celebrities face=Calibri>– William Holden, Billy Wilder, Bing Crosby, Marilyn Monroe, and John Wayne to name a few face=Calibri>– and less pleasant experiences with Howard Hughes and John F. Kennedy that act as reminders of women's long struggle for equality and dignity.Entertaining and engrossing, A Front Row Seat deftly interweaves Livingston's life with her observations of the artists, celebrities, and luminaries with whom she came in contact – a paean to the 20th century and a treasure for readers enamored with a bygone era.

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American actress Aline MacMahon's youth was spent honing her talents while performing at local events in New York City. After popular stage success on Broadway, she headlined a touring company in Los Angeles, where she was discovered by legendary Hollywood director Mervyn LeRoy and put under contract to Warner Brothers.During the 1930s and 1940s, MacMahon starred in countless films and was among the most influential actors of the era, her talent revered as highly as peers Katherine Hepburn, Paul Muni, and Bette Davis. Her pioneering use of a new acting style brought to America from Russia by Konstantin Stanlisavsky - now widely known as the Method - began a revolution on the screen and made her an industry darling.Although popular with audiences and widely lauded for her versatile, naturalistic style, MacMahon's despair at the lack of challenging roles and fallout from her political activism would soon dim her star in the most tragic of ways. Blacklisted during the Communist Red Scare of the 1950's she became the subject of covert FBI surveillance and was denied work for many years.John Stangeland's biography of this unique actress, Aline MacMahon, offers an insightful look into the life and oeuvre of this largely overlooked talent and how the atmosphere of Hollywood's golden age created an inescapable blueprint for a career nearly destroyed by politics and fear.

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The stories and accounts of Kentucky basketball's players, iconic coaches and epic games have been told and retold, but lesser known are the stories of the arenas and venues that have been home to the Wildcats face=Calibri>– buildings that have witnessed the sights, sounds, and shared spirit of the Big Blue Nation for over a century.In House of Champions author Kevin Cook combines archival research and numerous interviews with players and coaches to reveal the rich history and colorful details of the structures that have hosted UK basketball. A number of fascinating backstories are uncovered, including the excitement of Alumni Gym's opening night in 1925; the problematic acquisition of a Black community for Memorial Coliseum; and the moving account of the displays of nearly ten thousand names of Kentucky's WWII and Korean War heroes on the Coliseum's pedestrian ramps. The account concludes with a compelling overview of the development of historic Rupp Arena: its inner workings, the prominent figures involved face=Calibri>– and how the initial conversation to build it began over a slice of Jerry's pie in 1968.This insightful and entertaining history reveals how the impact of these sporting facilities extended far beyond the courts' sidelines to directly shape and influence the social, economic, and political landscapes of Lexington and Central Kentucky. House of Champions also faithfully recreates the full game day experience of fans in the stands for several key games in UK's storied past. It ultimately offers an even greater appreciation of the history of the Wildcats and what the famed indoor stadiums have brought to the program face=Calibri>– a must for any true Big Blue Basketball fan.

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One of the most successful writers in Hollywood, Ernest Lehman penned some of the most iconic and memorable scenes to ever grace the silver screen. Hailed by Vanity Fair as "perhaps the greatest screenwriter in history," Lehman's work on films such as North by Northwest, The King and I, Sabrina, West Side Story, and the Sound of Music helped define a generation of movie making. But while his talent took center stage, the public knew little of Lehman himself, a native of Manhattan's Upper West Side and the Five Towns of Long Island devoted to his wife of 50 years. His relentless perfectionism, hypochondria and all-night writing sessions fueled by tequila and grilled cheese sandwiches were some of the quirks that made Lehman a legend in the Hollywood community. In Ernest Lehman: The Sweet Smell of Success, author Jon Krampner lays bare the life of this lauded yet elusive character. Moving seamlessly from post-production meetings to sound stages and onto the locations of Lehman's greatest films, Krampner's extensive biography brings to life the genius and singularity of the revered screenwriter's personality and the contributions he made to the world of cinema.

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Film star. Cabaret sensation. Recording artist. Writer. Marlene Dietrich was nothing short of enchanting face=Calibri>– and remains so even today. In this book she chronicles her fabulous rise to stardom. From her early career in Germany as a chorus girl to her breakout role as Lola in The Blue Angel to her courageous wartime tours, Dietrich recounts a life that captivates on the page just as she smouldered on the screen. She writes passionately of her friends face=Calibri>– including Charlie Chaplin, Orson Welles, and Edith Piaf, among many others face=Calibri>– and she shares memories of what she calls her greatest accomplishment: entertaining the Allied troops during World War II.A sustained expression of her bold, sophisticated style, Marlene reminds us why Dietrich remains an international icon and a true Hollywood legend.

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Hal Wallis might not be as well known as David O. Selznick or Samuel Goldwyn, but the films he produced—Casablanca, Jezebel, Now Voyager, The Life of Emile Zola, Becket, True Grit, and many other classics (as well as scores of Elvis movies)—have certainly endured. As producer of numerous films, Wallis made an indelible mark on the course of America's film industry, but his contributions are often overlooked and no full-length study has yet assessed his incredible career.A former office boy and salesman, Wallis first engaged with the film business as the manager of a Los Angeles movie theater in 1922. He attracted the notice of the Warner brothers, who hired him as a publicity assistant. Within three months he was director of the department, and appointments to studio manager and production executive quickly followed. Wallis went on to oversee dozens of productions and formed his own production company in 1944.Bernard F. Dick draws on numerous sources such as Wallis's personal production files and exclusive interviews with many of his contemporaries to finally tell the full story of his illustrious career. Dick combines his knowledge of behind-the-scenes Hollywood with fascinating anecdotes to create a portrait of one of Hollywood's early power players.

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"Mrs. Robinson, you're trying to seduce me. Aren't you?" These famous lines from The Graduate (1967) would forever link Anne Bancroft (1931–2005) to the groundbreaking film and confirm her status as a movie icon. Along with her portrayal of Annie Sullivan in the stage and film drama The Miracle Worker, this role was a highlight of a career that spanned a half-century and brought Bancroft an Oscar, two Tonys, and two Emmy awards.In the first biography to cover the entire scope of Bancroft's life and career, Douglass K. Daniel brings together interviews with dozens of her friends and colleagues, never-before-published family photos, and material from film and theater archives to present a portrait of an artist who raised the standards of acting for all those who followed. Daniel reveals how, from a young age, Bancroft was committed to challenging herself and strengthening her craft. Her talent (and good timing) led to a breakthrough role in Two for the Seesaw, which made her a Broadway star overnight. The role of Helen Keller's devoted teacher in the stage version of The Miracle Worker would follow, and Bancroft also starred in the movie adaption of the play, which earned her an Academy Award. She went on to appear in dozens of film, theater, and television productions, including several movies directed or produced by her husband, Mel Brooks.Anne Bancroft: A Life offers new insights into the life and career of a determined actress who left an indelible mark on the film industry while remaining true to her art.

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Jennie C. Benedict's The Blue Ribbon Cook Book represents the very best in the tradition of southern regional cooking. Recipes for such classic dishes as Parker House rolls, lamb chops, corn pudding, Waldorf salad, and cheese and nut sandwiches are nestled among longtime local favorites such as apple butter, rice pudding, griddle cakes, and Benedictine, the cucumber sandwich spread that bore Benedict's name.Throughout the cookbook, Benedict's delightful voice shines. Benedict, who was once the most famous caterer in Louisville and also operated a celebrated tea room and soda fountain, trained with Fannie Farmer at the Boston Cooking School. As a creative entrepreneur, Benedict had a significant influence on the local culture and foodways. Her sweet and savory dishes were the stars of many Derby parties, and yet she placed equal emphasis on simple luncheon and dinner recipes to satisfy the needs of home cooks. While her popular dishes graced genteel tables all over the Bluegrass, Benedict's chicken salad sandwiches, sold from a pushcart, offered Louisville children the first school lunches in the city.This edition of The Blue Ribbon Cook Book will welcome new generations of readers and cooks - those who remember wearing white gloves and eating delicate tea sandwiches at the downtown department store as well as those who want to make satisfying regional classics such as blackberry jam cake like their grandmother used to make. Food writer Susan Reigler introduces the story of Benedict's life and cuisine, and this edition is the first to come complete with the now-famous spread that bears Benedict's name.

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On March 15, 1865, three weeks before the end of the Civil War, twenty-year-old M. Jerome Clarke was hanged as a Confederate guerrilla in Louisville, Kentucky, as a crowd of thousands looked on. In the official charges against him, Clarke's description included the alias "Sue Mundy." By the time of his execution, Sue Mundy had earned a reputation as the region's most dangerous and enigmatic female outlaw. Sue Mundy is the story of Jerome Clarke, a quiet orphan boy who follows a near relative into the ranks of the Confederate infantry. Following his capture by Union forces and his subsequent escape, Jerome joins John Hunt Morgan's notorious Raiders. After Morgan's death, Jerome becomes a Confederate ""irregular,"" one of the many guerrillas in Kentucky who ignored the rules of military engagement and the laws of the land. As stability and familiarity disappear from his and his compatriots' lives, Jerome is unwillingly transfigured by the chaos of war and the efforts of an ambitious journalist into Sue Mundy, she-scourge of Kentucky Unionists. Richard Taylor seamlessly joins narrative and history to tell the compelling story of the Civil War in a state dangerously divided, neighbor against neighbor. Meticulously researched and elegantly written, Sue Mundy reveals the psychology of one of the Civil War's most fascinating figures while providing an accurate account of this tumultuous period in American history.

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James Still first achieved national recognition in the 1930s as a poet. Although he is better known today as a writer of fiction, it is his poetry that many of his essential images, such as the "mighty river of earth," first found expression. Yet much of his poetry remains out of print or difficult to find.From the Mountain, From the Valley collects all of Still's poems, including several never before published, and corrects editorial mistakes that crept into previous collections. The poems are presented in chronological order, allowing the reader to trace the evolution of Still's voice. Throughout, his language is fresh and vigorous and his insight profound. His respect for people and place never sounds sentimental or dated.Ted Olson's introduction recounts Still's early literary career and explores the poetic origins of his acclaimed lyrical prose. Still himself has contributed the illuminating autobiographical essay "A Man Singing to Himself," which will appeal to every lover of his work.James Still, the first poet laureate of Kentucky, recipient of two Guggenheim Fellowships and many other awards and honors, is the author of numerous works, including his masterful novel River of Earth.Ted Olson, associate professor of Appalachian studies and English at East Tennessee State University, is the author of Blue Ridge Folklife and the editor of CrossRoads: A Southern Culture Annual.

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Governments throughout history have struggled to define the boundaries of the right to freedom of speech. Even though the United States explicitly articulates freedom of speech in the First Amendment to the Constitution, the judicial branch frequently reinterprets the amendment by allowing laws to limit that freedom. In Reflections on Freedom of Speech and the First Amendment, noted legal theorist George Anastaplo details the history and intellectual foundations of freedom of speech, using examples from Socrates, Jesus, and Sir Thomas More to demonstrate how freedom of speech has evolved over centuries. Anastaplo pays particular attention to freedom of speech as it relates to the U.S. Constitution, and he describes potential First Amendment issues, such as cases involving the Internet. Anastaplo provides an in-depth look at a controversial issue, and he defines freedom of speech in precise terms for both scholars and those interested in one of our most cherished rights.

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Founded in 2002, Logos: A Journal of Modern Society and Culture was established in response to the increasing erosion of a left political culture and the new possibilities for international political engagement and cooperation produced by the Internet. Many of the best known intellectual representatives of what might be termed a "rational radicalism" soon served as the core group for this new online journal that has reached about four million readers. The Logos Reader brings together the most influential and controversial work to appear in the journal. In its pages, writers of exceptional stature such as Stanley Aronowitz, Ulrich Beck, Drucilla Cornell, Fred Dallmayr, Jürgen Habermas, Douglas Kellner, and Eric Rouleau articulate liberal and socialist values even as they retain theoretical viewpoints influenced by critical theory. The contributors deal with some of the most pressing political issues of our age, including transnational developments, U.S. foreign policy, the Iraqi War, the plight of the Palestinians, and the domestic concerns currently dominating American politics. With themes that speak to the most pertinent and enduring issues of a post-9/11 culture, the essays in The Logos Reader represent the best of modern liberal thought and will influence contemporary political discourse.

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American Datu: John J. Pershing and Counterinsurgency Warfare in the Muslim Philippines, 1899-1913 provides a play-by-play account of a crucial but often overlooked period in the development of American counterinsurgency strategy. Tracing Pershing's military campaigns in the Philippines, Ronald K. Edgerton examines how Progressive Counterinsurgency doctrine evolved in direct response to the first sustained military encounter between the United States and Muslim militants. Pershing de-emphasized so-called civilizing efforts and stressed the practicality of building relationships with local Moro leaders and immersing himself in Moro cultural practices. In turn, Moros elected him as a fellow datu, or chief, and Pershing came to realize a fundamental principle of counterinsurgency warfare: one size does not fit all, and tactics must be molded to fit the specific environment.In light of Pershing's military success, this study calls for a reevaluation of the more invasive counterinsurgency methods used by US officers against Muslim militants today, and it addresses the important role the Philippine-American War played in developing modern US military strategy.

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Where will the next generation of farmers come from? What will their farms look like? Fields of Learning: The Student Farm Movement in North America provides a concrete set of answers to these urgent questions, describing how, at a wide range of colleges and universities across the United States and Canada, students, faculty, and staff have joined together to establish on-campus farms as outdoor laboratories for agricultural and cultural education. From one-acre gardens to five-hundred-acre crop and livestock farms, student farms foster hands-on food-system literacy in a world where the shortcomings of input-intensive conventional agriculture have become increasingly apparent. They provide a context in which disciplinary boundaries are bridged, intellectual and manual skills are cultivated together, and abstract ideas about sustainability are put to the test. Editors Laura Sayre and Sean Clark have assembled a volume of essays written by pioneering educators directly involved in the founding and management of fifteen of the most influential student farms in North America. Arranged chronologically, Fields of Learning illustrates how the student farm movement originated in the nineteenth century, gained ground in the 1970s, and is flourishing today -- from the University of California--Davis to Yale University, from Hampshire College to Central Carolina Community College, from the University of Montana to the University of Maine.

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In June of 1970, the body of 24-year-old Nancy Morgan was found inside a government-owned car in Madison County, North Carolina. It had been four days since anyone had heard from the bubbly, hard-working brunette who had moved to the Appalachian community less than a year prior as an organizer for Volunteers in Service to America. At the time of her death, her tenure in the Tar Heel State was just weeks from ending, her intentions set on New York and nursing school and a new life that she would never see. The initial investigation was thwarted by inept police work, jurisdictional confusion, and the influence of local corruption. Fourteen years would pass before an arrest in the case would be made, but even then, a pall would be cast over the veracity of the evidence.Met Her on the Mountain is the culmination of former Los Angeles Times staff writer Mark Pinsky's efforts to solve the 40-year-old mystery once and for all. An exhaustive piece of investigative journalism, Pinsky dissects this modern Southern Gothic tale and takes readers on a journey to convince them that the truth of Morgan's murder is within reach.

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General of the Armies John J. Pershing (1860-1948) had a long and distinguished military career, but he is most famous for leading the American Expeditionary Forces in World War I. He published a memoir, My Experiences in the World War, and has been the subject of numerous biographies, but the literature regarding this towering figure and his enormous role in the First World War deserves to be expanded to include a collection of his wartime correspondence.Meticulously edited by John T. Greenwood, volume 2 of John J. Pershing and the American Expeditionary Forces in World War I, 1917-1919 covers the period of October 1 through December 31, 1917. During this time, Pershing focused his efforts on working with the French Ministry of War, the General Staff, and the field Army on training and equipping the AEF's few available combat divisions for frontline service. Russia's defection from the coalition and the surprising Italian defeat at Caporetto in October rocked the Allied ranks, and this volume addresses the creation of the Supreme War Council and the House's American War Mission - bodies that reexamined the Entente's military and diplomatic strategy and ultimately cemented the alliance.The correspondence also reveals how the House Mission revived the divisive issue of amalgamating arriving American troops into existing British and French combat divisions - something that Pershing utterly opposed and saw as a threat to the AEF. The dispute never resolved and irritated British prime minister Lloyd George and French premier Georges Clemenceau so much that both would try to engineer Pershing's removal in the following year. Extracts from the large volume of rarely referenced cablegrams represent an important contribution to Pershing's wartime story.

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One of the lesser-known stories of the Civil War is the role played by escaped slaves in the Union blockade along the Atlantic coast. From the beginning of the war, many African American refugees sought avenues of escape to the North. Due to their sheer numbers, those who reached Union forces presented a problem for the military. Fortunately, the First Confiscation Act of 1861 permitted the seizure of property used in support of the South's war effort, including slaves. Eventually regarded as contraband of war, the runaways became known as contrabands. In Bluejackets and Contrabands, Barbara Brooks Tomblin examines the relationship between the Union Navy and the contrabands. The navy established colonies for the former slaves, and, in return, some contrabands served as crewmen on navy ships and gunboats and as river pilots, spies, and guides. Tomblin presents a rare picture of the contrabands and casts light on the vital contributions of African Americans to the Union Navy and the Union cause.

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A quarter of a million people braved miserable conditions at Epsom Downs on June 2, 1954, to see the 175th running of the prestigious Derby Stakes. Queen Elizabeth II and Sir Winston Churchill were in attendance, along with thousands of Britons who were all convinced of the unfailing superiority of English bloodstock and eager to see a British colt take the victory. They were shocked when a Kentucky-born chestnut named Never Say Die galloped to a two-length triumph at odds of 33-1, winning Britain's greatest race and beginning an important shift in the world of Thoroughbred racing. Never Say Die traces the history of this extraordinary colt, beginning with his foaling in Lexington, Kentucky, when a shot of bourbon whiskey revived him and earned him his name. Author James C. Nicholson also tells the stories of the influential individuals brought together by the horse and his victory - from the heir to the Singer sewing machine fortune to the Aga Khan. Most fascinating is the tale of Mona Best of Liverpool, England, whose well-placed bet on the long-shot Derby contender allowed her to open the Casbah Coffee Club. There, her son met musicians John Lennon, Paul McCartney, and George Harrison and later joined their band.Featuring a foreword by the original drummer for the Beatles, Pete Best, this remarkable book reveals how an underdog's surprise victory played a part in the formation of the most successful and influential rock band in history and made the Bluegrass region of Kentucky the center of the international Thoroughbred industry.

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Known as the "Man in the Brown Suit" and the "Baron of the Bluegrass," Adolph Rupp (1901--1977) is a towering figure in the history of college athletics. In Adolph Rupp and the Rise of Kentucky Basketball, historian James Duane Bolin goes beyond the wins and losses to present the fullest account of Rupp's life to date based on more than one-hundred interviews with Rupp, his assistant coaches, former players, University of Kentucky presidents and faculty members, and his admirers and critics, as well as court transcripts, newspaper accounts, and other archival materials. His teams won four NCAA championships (1948, 1949, 1951, and 1958), the 1946 National Invitation Tournament title, and twenty-seven Southeastern Conference regular season titles. Rupp's influence on the game of college basketball and his impact on Kentucky culture are both much broader than his impressive record on the court.Bolin covers Rupp's early years -- from his rural upbringing in a German Mennonite family in Halstead, Kansas, through his undergraduate years at the University of Kansas playing on teams coached by Phog Allen and taking classes with James Naismith, the inventor of basketball -- to his success at Kentucky. This revealing portrait of a pivotal figure in American sports also exposes how college basketball changed, for better or worse, in the twentieth century.

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Jane Russell's acting career was launched on one of the most notorious publicity campaigns in the history of cinema for The Outlaw, a film produced and ultimately directed by Howard Hughes. Russell should have quickly and quietly disappeared from public consciousness. Yet, she managed to use The Outlaw as a springboard for a noted entertainment career that found her starring opposite stars such as Marilyn Monroe, Clark Gable, Robert Mitchum, Vincent Price, Frank Sinatra, and Groucho Marx. Ultimately, Russell herself would be elevated to the status of "film legend" during her lifetime.The book Mean Moody…Magnificent: Jane Russell and the Marketing of a Hollywood Legend explores Russell's life and career and examines how she used a constant stream of provocative publicity to her advantage while somehow managing to elevate her public persona above that publicity. The book also explores how the highly sexualized marketing of Jane Russell the Movie Star conflicted with the off-screen Russell, a woman of strong religious faith who spent much of her life devoted to advocating for international adoption. Serving as a companion to Russell's 1985 autobiography, Mean…Moody…Magnificent! is the first volume to explore the life and filmography of Jane Russell.

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"Public health" refers to the management and prevention of disease within a population by promoting healthy behaviors and environments in an effort to create a higher standard of living. In this comprehensive volume, editor James W. Holsinger Jr. and an esteemed group of scholars and practitioners offer a concise overview of this burgeoning field, emphasizing that the need for effective services has never been greater.Designed as a supplemental text for introductory courses in public health practice at the undergraduate and graduate levels, Contemporary Public Health provides historical background that contextualizes the current state of the field and explores the major issues practitioners face today. It addresses essential topics such as the social and ecological determinants of health and their impact on practice, marginalized populations, the role of community-oriented primary care, the importance of services and systems research, accreditation, and the organizational landscape of the American public health system. Finally, it examines international public health and explores the potential of systems based on multilevel partnerships of government, academic, and nonprofit organizations.With fresh historical and methodological analyses conducted by an impressive group of distinguished authors, this text is an essential resource for practitioners, health advocates, and students.

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Anna Held (1870?-1918), a petite woman with an hourglass figure, was America's most popular musical comedy star during the two decades preceding World War I. In the colorful world of New York theater during La Belle Époque, she epitomized everything that was glamorous, sophisticated, and suggestive about turn-of-the-century Broadway. Overcoming an impoverished life as an orphan to become a music-hall star in Paris, Held rocketed to fame in America. From 1896 to 1910, she starred in hit after hit and quickly replaced Lillian Russell as the darling of the theatrical world. The first wife of legendary producer Florenz Ziegfeld Jr., Held was the brains and inspiration behind his Follies and shared his knack for publicity. Together, they brought the Paris scene to New York, complete with lavish costumes and sets and a chorus of stunningly beautiful women, dubbed ""The Anna Held Girls."" While Held was known for a champagne giggle as well as for her million-dollar bank account, there was a darker side to her life. She concealed her Jewish background and her daughter from a previous marriage. She suffered through her two husbands' gambling problems and Ziegfeld's blatant affairs with showgirls. With the outbreak of fighting in Europe, Held returned to France to support the war effort. She entertained troops and delivered medical supplies, and she was once briefly captured by the German army.Anna Held and the Birth of Ziegfeld's Broadway reveals one of the most remarkable women in the history of theatrical entertainment. With access to previously unseen family records and photographs, Eve Golden has uncovered the details of an extraordinary woman in the vibrant world of 1900s New York.

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Along with Benedict Arnold, Simon Girty was one of the most hated men in early America. The son of an Irish immigrant, he was raised on the western Pennsylvania frontier but was captured by the Senecas as a teenager and lived among them for several years. This able frontiersman might be seen today as a defender of Native Americans, but in his own time he was branded as a traitor for siding with First Nations and the British during the Revolutionary War. He fought fiercely against Continental Army forces in the Ohio River Valley and was victorious in the bloody Battle of Blue Licks.In this classic work, Richard Taylor artfully assembles a collage of passages from diaries, travel accounts, and biographies to tell part of the notorious villain's story. Taylor uses the voice of Girty himself to unfold the rest of the narrative through a series of interior monologues, which take the form of both prose and poetry. Moments of torture and horrifying bloodshed stand starkly against passages celebrating beautiful landscapes and wildlife. Throughout, Taylor challenges perceptions of the man and the frontier, as well as notions of white settler innocence.Simon Girty's bloody exploits and legend made him hated and feared in Kentucky and the Ohio River Valley, but many who knew him respected him for his convictions, principles, and bravery. This evocative work brings to life a complex figure who must permanently dwell in the borderland between myth and fact, one foot in each domain.

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In today's fast-paced world, many people find themselves waiting in line at fast food restaurants more often than gathering around the dinner table with loved ones. Cooking and eating together can help families grow closer, but it can be challenging for parents to put a meal on the table when time is limited and money is tight.Cook Together, Eat Together is designed to help families enjoy more healthy, home-cooked meals. Featuring easy recipes for breakfast dishes, soups, vegetables, salads, and one-pot meals, the book lays out a strategy to enable families to spend more quality time together while also preparing foods that are affordable and delicious. In addition, the authors provide a toolkit for lifestyle changes, including budgeting tips, nutrition guides, breakdowns explaining how to evaluate food labels, and even a quick guide to shopping smart at the farmers market. Each recipe is accompanied by useful information - from preparation tricks to help reduce mess to ideas for how to use leftovers - and the authors include icebreakers to start fun conversations around the table.The no-nonsense, nutritious recipes in this cookbook are designed to get the whole family in the kitchen, enjoying comforting foods and making memories. Cook Together, Eat Together serves up tasty, budget-friendly dishes that home cooks and their kids can prepare with less stress.

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While television has always played a role in recording and curating history, shaping cultural memory, and influencing public sentiment, the changing nature of the medium in the post-network era finds viewers experiencing and participating in this process in new ways. They skim through commercials, live tweet press conferences and award shows, and tune into reality shows to escape reality. This new era, defined by the heightened anxiety and fear ushered in by 9/11, has been documented by our media consumption, production, and reaction.In Small Screen, Big Feels, Melissa Ames asserts that TV has been instrumental in cultivating a shared memory of emotionally charged events unfolding in the United States since September 11, 2001. She analyzes specific shows and genres to illustrate the ways in which cultural fears are embedded into our entertainment in series such as The Walking Dead and Lost or critiqued through programs like The Daily Show. In the final section of the book, Ames provides three audience studies: analyses of live tweets from Shonda Rhimes's drama, How to Get Away with Murder (2010-2020); ABC's reality franchises, The Bachelor (2002-present) and The Bachelorette (2003-present); and political coverage of the 2016 Presidential Debates.Though film has been closely studied through the lens of affect theory, little research has been done to apply the same methods to television. Engaging an impressively wide range of texts, genres, media, and formats, Ames offers a trenchant analysis of how televisual programming in the United States responded to and reinforced a cultural climate grounded in fear and anxiety.

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"Forgive state poet #289-128 / for not scribbling illusions / of trickery as if timeless hell / could be captured by stanzas / alliteration or slant rhyme," remarks the speaker, Maryland Department of Corrections prisoner {#289-128}, early in this haunting collection. Three sections -- {#289-128} Property of the State, {#289-128} Poet-in-Residence (Cell 23), and {#289-128} Poet in New York -- frame the countless ways in which the narrator's body and life are socially and legally rendered by the state even as the act of poetry helps him reclaim an identity during imprisonment.These poems address the prison industrial complex, the carceral state, the criminal justice system, racism, violence, love, resilience, hope, and despair while exploring the idea of freedom in a cell. In the tradition of Dennis Brutus's Letters to Martha, Wole Soyinka's A Shuttle in the Crypt, and Etheridge Knight's The Essential Etheridge Knight, {#289-128} challenges the language of incarceration -- especially the ways in which it reinforces stigmas and stereotypes.Though {#289-128} refuses to be defined as a felon, this collection viscerally details the dehumanizing effects of prison, which linger long after release. It also illuminates the ways in which we all are relegated to cells or boundaries, whether we want to acknowledge it or not.

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When examining history, one must be careful not to blame rapid political change solely on famine, war, economic inequality, or structural disfunctions alone. These conditions may linger for decades without social upheaval. Successful revolution requires two triggering elements: a crisis or conjuncture and revolutionary actors who are organized in a dedicated revolutionary party, armed with a radical ideology, and poised to act. While previous revolutions were ignited by small collectives, many in the twentieth century relied on strategic relationships between two exceptional leaders: Marx and Engels (Communism), Lenin and Trotsky (Russia), Ghandi and Nehru (India), Mao and Zhou (China), and Castro and Guevara (Cuba). These partnerships changed the world.In Revolutionary Pairs: Marx and Engels, Lenin and Trotsky, Gandhi and Nehru, Mao and Zhou, Castro and Guevara, Larry Ceplair tells the stories of five revolutionary struggles through the lens of famous duos. While each relationship was unique -- Castro and Guevara bonded like brothers, Mao and Zhou like enemies -- in every case, these leaders seized the opportunity for revolution and recognized they could not succeed without the other. The first cross-cultural exploration of revolutionary pairs, this book reveals the undeniable role of personality in modern political change.

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When the United States entered World War I, President Woodrow Wilson declared to Congress that the objective was not merely to bring "a new balance of power," but rather to bring a "just and secure peace" to the world by the end of the conflict. In this famous speech, known as "The Fourteen Points," Wilson offered the world a road map toward a more equitable international system in the midst of unprecedented global conflict, including ideas on the interconnectedness of democracy, trade, and the concept of a forum for peaceably resolving international disputes. Even decades after the end of the First World War, Wilson's ideas remained important and influenced many of his successors. But now, in the twenty-first century, there are forces at work in the world that Wilson could never have imagined, and those forces call for a new plan toward peace.In Fourteen Points for the Twenty-First Century: A Renewed Appeal for Cooperative Internationalism, Richard H. Immerman and Jeffrey A. Engel bring together a diverse group of thinkers who take up Wilson's call for a new world order by exploring fourteen new directions for the twenty-first century. The contributors -- scholars, policymakers, entrepreneurs, poets, doctors, and scientists -- propose solutions to contemporary challenges such as migration, global warming, health care, food security, and privacy in the digital age. Taken together, these points challenge American leaders and policymakers to champion an international effort, not to make America great again, but to work cooperatively with other nations on the basis of mutual respect.

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"It used to be," soon-to-be secretary of state Madeleine K. Albright said in 1996, "that the only way a woman could truly make her foreign policy views felt was by marrying a diplomat and then pouring tea on an offending ambassador's lap."This world of US diplomacy excluded women for a variety of misguided reasons: they would let their emotions interfere with the task of diplomacy, they were not up to the deadly risks that could arise overseas, and they would be unable to cultivate the social contacts vital to success in the field. The men of the State Department objected but had to admit women, including the first female ambassadors: Ruth Bryan Owen, Florence "Daisy" Harriman, Perle Mesta, Eugenie Anderson, Clare Boothe Luce, and Frances Willis. These were among the most influential women in US foreign relations in their era.Using newly available archival sources, Philip Nash examines the history of the "Big Six" and how they carved out their rightful place in history. After a chapter capturing the male world of American diplomacy in the early twentieth century, the book devotes one chapter to each of the female ambassadors and delves into a number of topics, including their backgrounds and appointments, the issues they faced while on the job, how they were received by host countries, the complications of protocol, and the press coverage they received, which was paradoxically favorable yet deeply sexist. In an epilogue that also provides an overview of the role of women in modern US diplomacy, Nash reveals how these trailblazers helped pave the way for more gender parity in US foreign relations.

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Hollywood films have been influential in the portrayal and representation of race relations in the South and how African Americans are cinematically depicted in history, from The Birth of a Nation (1915) and Gone with the Wind (1939) to The Help (2011) and 12 Years a Slave (2013). With an ability to reach mass audiences, films represent the power to influence and shape the public's understanding of our country's past, creating lasting images -- both real and imagined -- in American culture.In Southern History on Screen: Race and Rights, 1976--2016, editor Bryan Jack brings together essays from an international roster of scholars to provide new critical perspectives on Hollywood's relationships between historical films, Southern history, identity, and the portrayal of Jim Crow--era segregation. This collection analyzes films through the lens of religion, politics, race, sex, and class, building a comprehensive look at the South as seen on screen. By illuminating depictions of the southern belle in Gone with the Wind, the religious rhetoric of southern white Christians and the progressive identity of the "white heroes" in A Time to Kill (1996) and Mississippi Burning (1988), as well as many other archetypes found across films, this book explores the intersection between film, historical memory, and southern identity.

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Many prominent and well-known figures greatly impacted the civil rights movement, but one of the most influential and unsung leaders of that period was Gloria Richardson. As the leader of the Cambridge Nonviolent Action Committee (CNAC), a multifaceted liberation campaign formed to target segregation and racial inequality in Cambridge, Maryland, Richardson advocated for economic justice and tactics beyond nonviolent demonstrations. Her philosophies and strategies -- including her belief that black people had a right to self--defense -- were adopted, often without credit, by a number of civil rights and black power leaders and activists.The Struggle Is Eternal: Gloria Richardson and Black Liberation explores the largely forgotten but deeply significant life of this central figure and her determination to improve the lives of black people. Using a wide range of source materials, including interviews with Richardson and her personal papers, as well as interviews with dozens of her friends, relatives, and civil rights colleagues, Joseph R. Fitzgerald presents an all-encompassing narrative. From Richardson's childhood, when her parents taught her the importance of racial pride, through the next eight decades, Fitzgerald relates a detailed and compelling story of her life. He reveals how Richardson's human rights activism extended far beyond Cambridge and how her leadership style and vision for liberation were embraced by the younger activists of the black power movement, who would carry the struggle on throughout the late 1960s and into the 1970s.

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North Korea has posed a threat to stability in Northeast Asia for decades. Since Kim Jong-un assumed power, this threat has both increased and broadened. Since 2011, the small, isolated nation has detonated nuclear weapons multiple times, tested a wide variety of ballistic missiles, expanded naval and ground systems that threaten South Korea, and routinely employs hostile rhetoric. Another threat it poses has been less recognized: North Korea presents a potentially greater risk to American interests by exporting its weapons systems to other volatile regions worldwide.In North Korean Military Proliferation in the Middle East and Africa, Bruce E. Bechtol Jr. analyzes relevant North Korean military capabilities, what arms the nation provides, and to whom, how it skirts its sanctions, and how North Korea's activities can best be contained. He traces illicit networks that lead to state and nonstate actors in the Middle East, including Syria, Iran, Hezbollah, and Hamas, and throughout Africa, including at least a dozen nations. The potential proliferation of nuclear and chemical weapons technology and the vehicles that carry it, including ballistic missiles and artillery, represent a broader threat than the leadership in Pyongyang. Including training and infrastructure support, North Korea's profits may range into the billions of dollars, all concealed in illicit networks and front companies so complex that the nation struggles to track and control them. Bechtol not only presents an accurate picture of the current North Korean threat -- he also outlines methodologies that Washington and the international community must embrace in order to contain it.

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Though they were not, as Charlotte claimed, refugees from the French Revolution, Augustus Waldemar and Charlotte Victoire Mentelle undoubtedly felt like exiles in their adopted hometown of Lexington, Kentucky -- a settlement that was still a frontier town when they arrived in 1798. Through the years, the cultured Parisian couple often reinvented themselves out of necessity, but their most famous venture was Mentelle's for Young Ladies, an intellectually rigorous school that attracted students from around the region and greatly influenced its most well-known pupil, Mary Todd Lincoln.Drawing on newly translated materials and previously overlooked primary sources, Randolph Paul Runyon explores the life and times of the important but understudied pair in this intriguing dual biography. He illustrates how the Mentelles' origins and education gave them access to the higher strata of Bluegrass society even as their views on religion, politics, and culture kept them from feeling at home in America. They were intimates of statesman Henry Clay, and one of their daughters married into the Clay family, but like other immigrant families in the region, they struggled to survive.Throughout, Runyon reveals the Mentelles as eloquent chroniclers of crucial moments in Ohio and Kentucky history, from the turn of the nineteenth century to the eve of the Civil War. They rankled at the baleful influence of conservative religion on the local college, the influence of whiskey on the local population, and the scandal of slavery in the land of liberty. This study sheds new light on the lives of a remarkable pair who not only bore witness to key events in early American history, but also had a singular impact on the lives of their friends, their students, and their community.

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From President Truman's use of a domestic propaganda agency to Ronald Reagan's handling of the Soviet Union during his 1984 reelection campaign, the American political system has consistently exerted a profound effect on the country's foreign policies. Americans may cling to the belief that "politics stops at the water's edge," but the reality is that parochial political interests often play a critical role in shaping the nation's interactions with the outside world.In The Cold War at Home and Abroad: Domestic Politics and US Foreign Policy since 1945, editors Andrew L. Johns and Mitchell B. Lerner bring together eleven essays that reflect the growing methodological diversity that has transformed the field of diplomatic history over the past twenty years. The contributors examine a spectrum of diverse domestic factors ranging from traditional issues like elections and Congressional influence to less frequently studied factors like the role of religion and regionalism, and trace their influence on the history of US foreign relations since 1945. In doing so, they highlight influences and ideas that expand our understanding of the history of American foreign relations, and provide guidance and direction for both contemporary observers and those who shape the United States' role in the world.This expansive volume contains many lessons for politicians, policy makers, and engaged citizens as they struggle to implement a cohesive international strategy in the face of hyper-partisanship at home and uncertainty abroad.

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Emerging from two decades of the Great Depression and the New Deal and facing the rise of radical ideologies abroad, the American Right seemed beaten, broken, and adrift in the early 1950s. Although conservative luminaries such as T. S. Eliot, William F. Buckley Jr., Leo Strauss, and Eric Voegelin all published important works at this time, none of their writings would match the influence of Russell Kirk's 1953 masterpiece The Conservative Mind. This seminal book became the intellectual touchstone for a reinvigorated movement and began a sea change in Americans' attitudes toward traditionalism.In Russell Kirk, Bradley J. Birzer investigates the life and work of the man known as the founder of postwar conservatism in America. Drawing on papers and diaries that have only recently become available to the public, Birzer presents a thorough exploration of Kirk's intellectual roots and development. The first to examine the theorist's prolific writings on literature and culture, this magisterial study illuminates Kirk's lasting influence on figures such as T. S. Eliot, William F. Buckley Jr., and Senator Barry Goldwater -- who persuaded a reluctant Kirk to participate in his campaign for the presidency in 1964.While several books examine the evolution of postwar conservatism and libertarianism, surprisingly few works explore Kirk's life and thought in detail. This engaging biography not only offers a fresh and thorough assessment of one of America's most influential thinkers but also reasserts his humane vision in an increasingly inhumane time.

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Home to sprawling Appalachian forests, rolling prairies, and the longest cave system in the world, Kentucky is among the most ecologically diverse states in the nation. Lakes, rivers, and springs have shaped and nourished life in the Commonwealth for centuries, and water has played a pivotal role in determining Kentucky's physical, cultural, and economic landscapes. The management and preservation of this precious natural resource remain a priority for the state's government and citizens.In this generously illustrated book, experts from a variety of fields explain how water has defined regions across the Commonwealth. Together, they illuminate the ways in which this resource has affected the lives of Kentuckians since the state's settlement, exploring the complex relationship among humans, landscapes, and waterways. They examine topics such as water quality, erosion and sediment control, and emerging water management approaches. Through detailed analysis and case studies, the contributors offer scholars, practitioners, policy makers, and general readers a wide perspective on the state's valuable water resources.

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Remembered as the Savior of the Union, Abraham Lincoln is one of America's most revered presidents. There have been tens of thousands of books published about him since his death, but he has proved to be a surprisingly daunting subject for filmmakers. Despite a wealth of biographical material, relatively few full-length motion pictures have taken the man and his life as a primary subject. In this detailed study, Brian J. Snee provides a sweeping overview of the cinematic representations of the sixteenth president from the silent era up to Steven Spielberg's Lincoln (2012) -- a film which, he argues, marks a seismic shift in the way Hollywood presents the Great Emancipator on-screen.Snee focuses on six of the most popular and influential movies and TV miniseries of the twentieth century to address the life of Abraham Lincoln -- The Birth of a Nation (1915), Abraham Lincoln (1930), Young Mr. Lincoln (1939), Abe Lincoln in Illinois (1940), Sandburg's Lincoln (1974--1976), and Gore Vidal's Lincoln (1988). Snee examines how each work has contributed to public memory of the president, addressing issues of production, textual construction, and audience reception, as well as their contemporary historical contexts and underlying cultural theory.The absence of video and other recording technology during Lincoln's lifetime forever shrouds his mannerisms, thought processes, and interactions with his peers and advisers. That man, Snee argues, is lost to history. This fascinating book offers a revealing and groundbreaking assessment of how Hollywood has imagined and reimagined America's greatest president on-screen, contributing to the popular image and myth of the legendary man.

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