Search results for ""The University Press of Kentucky""

A seasonal food journey with native Kentuckian Maggie Green, The Kentucky Fresh Cookbook takes home chefs through a year in a Kentucky kitchen with more than 200 recipes. With a focus on the cook's activities in the kitchen, this book guides both aspiring and experienced cooks in the preparation of delicious meals using the delightful variety of foods found in Kentucky.Green welcomes readers with her modern and accessible approach, incorporating seasonally available Kentucky produce in her recipes but also substituting frozen or canned food when necessary. She complements her year of recipes with tidbits about her own experiences with food, including regional food traditions she learned growing up in Lexington, attending the University of Kentucky, and raising a family in Northern Kentucky. The Kentucky Fresh Cookbook acknowledges the importance of Kentucky's culinary and agricultural traditions while showing how southern culture shapes food choices and cooking methods.Green appeals to modern tastes using up-to-date, easy to follow recipes and cooking techniques, and she addresses the concerns of contemporary cooks with regard to saving time, promoting good health, and protecting the environment. The Kentucky Fresh Cookbook contains a year's worth of recipes and menus for everyday meals, holiday events, and special family occasions -- all written with Kentucky flair.

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World War II submariners rarely experienced anything as exhilarating or horrifying as the surface gun attack. Between the ocean floor and the rolling whitecaps above, submarines patrolled a dark abyss in a fusion of silence, shadows, and steel, firing around eleven thousand torpedoes, sinking Japanese men-of-war and more than one thousand merchant ships. But the anonymity and simplicity of the stealthy torpedo attack hid the savagery of warfare -- a stark difference from the brutality of the surface gun maneuver. As the submarine shot through the surface of the water, confined sailors scrambled through the hatches armed with large-caliber guns and met the enemy face-to-face. Surface and Destroy: The Submarine Gun War in the Pacific reveals the nature of submarine warfare in the Pacific Ocean during World War II and investigates the challenges of facing the enemy on the surface.The surface battle amplified the realities of war, bringing submariners into close contact with survivors and potential prisoners of war. As Japan's larger ships disappeared from the Pacific theater, American submarines turned their attention to smaller craft such as patrol boats, schooners, sampans, and junks. Some officers refused to attack enemy vessels of questionable value, while others attacked reluctantly and tried to minimize casualties. Michael Sturma focuses on the submariners' reactions and attitudes toward their victims, exploring the sailors' personal standards of morality and their ability to wage total war. Surface and Destroy is a thorough analysis of the submariner experience and the effects of surface attacks on the war in the Pacific, offering a compelling study of the battles that became "intolerably personal."

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Few lives provide as much history or drama as those of monarchs. Filmmakers from the silent era to onward have displayed a deep fascination with the lives of royalty and with queens in particular. Still, the question remains: what do these films really tell us about the women beneath the crowns?Drawing on films from the 1930s to those of today, Royal Portraits in Hollywood: Filming the Lives of Queens investigates the ways in which these films reproduce history and represent women. Though hardly progressive in nature, many early films offered an acceptable, nonthreatening way to present strong female characters in an economic and social landscape run almost exclusively by men. Authors Elizabeth Ford and Deborah Mitchell track the evolution of queens on film, noting how depictions of prominent women have changed over the past several decades and calling attention to the ways in which films both reflect and dictate the social norms of their eras.By comparing historical records of monarchs such as Queen Christina of Sweden, Catherine the Great, Cleopatra, and Elizabeth I with their onscreen personas, and examining the biographical details of the actresses who portrayed these women, Ford and Mitchell present a fascinating inquiry into issues of historical accuracy and gender politics in film.

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One of the most renowned Washington insiders of the twentieth century, Clark Clifford (1906--1998) was a top advisor to four Democratic presidents. As a powerful corporate attorney, he advised Harry S. Truman, John F. Kennedy, Lyndon Johnson, and Jimmy Carter. As special counsel to Truman, Clifford helped to articulate the Truman Doctrine, grant recognition to Israel, create the Marshall Plan, and build the North Atlantic Treaty Organization (NATO). After winning the 1960 Democratic presidential nomination, Kennedy asked Clifford to analyze the problems he would face in taking over the executive branch and later appointed him chairman of the Foreign Intelligence Advisory Board. Johnson named Clifford secretary of defense in 1968, but their warm relationship was strained when Clifford concluded that there was no plan for victory in the Vietnam War and that the United States was in a "bottomless pit." Even Carter, who kept his distance from Washington insiders, turned to Clifford for help. In Clark Clifford: The Wise Man of Washington, John Acacia chronicles Clifford's rise from midwestern lawyer to Washington power broker and presidential confidant. He covers the breadth and span of Clifford's involvement in numerous pivotal moments of American history, providing a window to the inner workings of the executive office. Drawing from a wealth of sources, the author reveals Clifford's role as one of the most trusted advisors in American history and as a primary architect of cold war foreign policy.

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Kentucky native Madeline McDowell Breckinridge (1872--1920) was at the forefront of the suffrage movement at both the state and national levels. The great-granddaughter of Henry Clay and a descendant of several prominent Bluegrass families, Breckinridge inherited a sense of noblesse oblige that compelled her to speak for women's rights. However, it was her physical struggles and personal losses that transformed her from a privileged socialite into a selfless advocate for the disadvantaged. She devoted much of her life to the struggle for equal voting rights, but she also promoted the antituberculosis movement, social programs for the poor, compulsory school attendance, and laws regulating child labor. In Madeline McDowell Breckinridge and the Battle for a New South, Melba Porter Hay recounts the remarkable life of this well-known vanguard of social change in the Commonwealth. The first biography of Breckinridge since 1921, this work features new primary sources, and draws on decades of research to bring the story of an extraordinary Kentucky woman to life.

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In Kentucky Horse Country: Images of the Bluegrass, renowned photographer James Archambeault captures the natural beauty of Kentucky's Bluegrass region and the thoroughbred industry for which it is famous. Kentucky Horse Country contains 165 full-color images, from tender scenes of mares and foals grazing, to the excitement of race day at Keeneland, to gorgeous landscapes of white fences enclosing lush rolling hills. The book also includes rare photographs of some of the legendary horses that have made horse racing so exciting and popular: Affirmed, Spectacular Bid, Secretariat, Seattle Slew, and others. The photographs in Kentucky Horse Country are accompanied by captions and narrative descriptions by Archambeault, as well as an informative introduction to the history of thoroughbreds in the Bluegrass by preeminent racing historian Edward L. Bowen. The book also includes a foreword by Kentucky native Steve Cauthen, the youngest jockey ever to win the Triple Crown. Archambeault's latest work is a Kentucky treasure, both for fans of horses and horse racing and for lovers of the beauty of the Bluegrass.

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In light of increasing evidence demonstrating the irreparable damage humans have inflicted on the planet, some have adopted a defeatist attitude toward environmental crises. Local Environmental Movements: A Comparative Study of the United States and Japan illustrates how local groups in both Japan and the United States are refusing to surrender the earth to a depleted and polluted fate. Drawing on a series of case studies, a team of scholars from across the world discusses the efforts by grassroots organizations to promote sustainable development that respects the need for environmental protection and cultural preservation.

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Every society expresses its fundamental values and hopes in the ways it shapes and inhabits its landscapes. In this literate and wide-ranging exploration, Eric T. Freyfogle raises difficult questions about American culture while illuminating the intellectual origins of urban sprawl, dwindling wildlife habitats, over-engineered rivers, and degraded forests and grasslands. These land-use crises, he contends, arise mostly because of cultural attitudes that once made sense on the American frontier but now threaten our natural resources. To support and sustain healthy communities, profound adjustments will be required. Freyfogle's search leads him down unusual paths. He probes Charles Frazier's novel Cold Mountain for insights on the healing power of nature and tests the wisdom in Wendell Berry's fiction. He challenges journalists writing about environmental and land-use issues to get beyond familiar, misleading dichotomies to explain the true choices that Americans face. Freyfogle concludes the book by bringing together his insights in an imaginary job advertisement for a new kind of environmental leader and issuing a call to the conservation movement to recast its public rhetoric. In all, Agrarianism and the Good Society offers a critical yet hopeful guide for cultural change, essential for anyone interested in the benefits and creative possibilities of responsible land use.

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Using recently released archival materials, Replacing France explains how and why the United States came to assume control as the dominant western power in Vietnam during the 1950s. Kathryn C. Statler examines diplomatic maneuvers in Paris, Washington, London, and Saigon to detail how Western alliance members failed to work together against the Communist threat. Motivated by a deep belief in the inherent superiority of their own cultures, both the United States and France sought to transform South Vietnam into a modern, westernized, and democratic ally. Although the United States ultimately replaced France, efforts to build South Vietnam into a nation failed. Instead, the Eisenhower administration created a dependent client state that was unable to withstand increasing Communist aggression from the north. Replacing France is a fundamental reassessment of the origins of U.S. involvement in Vietnam.

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In 1953, the same year that Elvis Presley cut his first demo, Cash Box magazine named the Hilltoppers the top vocal group of the year. Hits such as "Trying" and "P.S. I Love You" raced up the charts and kept the band in Billboard's Top 40. On weekends the Hilltoppers performed in cities across the country, but on school days they were better known as Western Kentucky State College students Jimmy Sacca, Seymour Spiegelman, Don McGuire, and Billy Vaughn. The Korean War, military drafts, and changing public tastes in music, however, cut short singing careers that should have lasted much longer. Sacca was drafted in 1953, mere months before the end of the war. Vaughn left the group shortly after that for a career at Dot Records and found fame elsewhere with his orchestra. McGuire and Spiegelman were drafted as well, and despite a set of temporary replacement members, the group eventually called it quits. Fifty years later, historian Carlton Jackson revisits the college kids who made it big between classes. He follows the band from their first hit, recorded in Western's Van Meter Auditorium, to their brief 1970s reunion. Their story is a study of celebrity and youth in the early days of rock 'n' roll.

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After practicing law for several years in St. Louis, Basil Wilson Duke (1838--1916) enlisted in the Confederate army in 1861 and was elected first lieutenant of John Hunt Morgan's legendary cavalry unit. As second in command, he was, Morgan recorded, "wise in counsel, gallant in the field," and always "the right man in the right place." Duke was twice wounded in battle and was captured during Morgan's Great Raid and held prisoner for over a year. When Morgan, who was also Duke's brother-in-law, was killed in 1864, Duke was promoted to brigadier general and appointed commander of Morgan's men. Moving to join forces with those of Gen. Joseph E. Johnston's army in North Carolina, he was assigned to the force escorting Jefferson Davis in his retreat from Richmond at the close of the war. Duke later opened a law office in Louisville and was elected as a Democrat to the Kentucky House, where he served until 1870. He was counsel and chief lobbyist for the Louisville & Nashville Railroad for over twenty years and a founder of the Filson Historical Society in Louisville. An avid amateur historian, Duke published several books, including A History of Morgan's Cavalry. Basil Wilson Duke, CSA, the definitive biography of this important but often overlooked figure in Civil War history, establishes that Duke was in fact the brilliant tactician behind much of the success of Morgan's cavalry. Author Gary Robert Matthews not only offers an in-depth study of Duke's celebrated Civil War exploits but also traces his varied postwar literary, legal, and political careers.

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"The evil that men do" has been chronicled for thousands of years on the European stage, and perhaps nowhere else is human fear of our own evil more detailed than in its personifications in theater. In Stages of Evil, Robert Lima explores the sociohistorical implications of Christian and pagan representations of evil and the theatrical creativity that occultism has engendered. By examining examples of alchemy, astronomy, demonology, exorcism, fairies, vampires, witchcraft, hauntings, and voodoo in prominent plays, Stages of Evil explores American and European perceptions of occultism from medieval times to the modern age.

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Since Kentucky is situated at a biological crossroads in eastern North America, citizens and visitors to this beautiful state are likely to be greeted by an astonishing variety of wildflowers. This non-technical guide -- featuring more than five hundred dazzling full-color photographs by award-winning photographer Thomas G. Barnes -- is the state's indispensable guide to the most common species in the Commonwealth.With this book, readers will learn to identify and appreciate Kentucky wildflowers and ferns by matching photographs and leaf line drawings to the more than six hundred and fifty species of flowers covered in the book. Extremely practical and simple to use, the guide's color photographs and line drawings appear with plant descriptions for easy identification, and plants are grouped by flower color and blooming season. Each species listing includes the plant's common and scientific name, plant family, habitat, frequency, and distribution throughout Kentucky, with similar species listed in the notes.There is no other volume that covers the flora of Kentucky with such ease of identification. The first new statewide guide to appear in thirty years, with its combination of high quality photographs, illustrations, portability, and easy organization of information, Wildflowers and Ferns of Kentucky is an essential addition to the library or field pack of the wildflower enthusiast, naturalist, and anyone else who loves the outdoors.

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" Thomas Dixon has a notorious reputation as the writer of the source material for D.W. Griffith's groundbreaking and controversial 1915 feature film The Birth of a Nation. Perhaps unfairly, Dixon has been branded an arch-conservative and a racist obsessed with what he viewed as "the Negro problem." As American Racist makes clear, however, Dixon was a complex, multitalented individual who, as well as writing some of the most popular novels of the early twentieth century, was involved in the production of some eighteen films. Dixon used the motion picture as a propaganda tool for his often outrageous opinions on race, communism, socialism, and feminism. His most spectacular production, The Fall of a Nation (1916), argues for American preparedness in the face of war and boasts a musical score by Victor Herbert, making it the first American feature film to have an original score by a major composer. Like the majority of Dixon's films, The Fall of a Nation has been lost, but had it survived, it might well have taken its place alongside The Birth of a Nation as a masterwork of silent film. Anthony Slide examines each of Dixon's films and discusses the novels from which they were adapted. Slide chronicles Dixon's transformation from a major supporter of the original Ku Klux Klan in his early novels to an ardent critic of the modern Klan in his last film, Nation Aflame. American Racist is the first book to discuss Dixon's work outside of literature and provide a wide overview of the life and career of this highly controversial twentieth-century southern populist. Anthony Slide is the author of numerous books, including Silent Players: A Biographical and Autobiographical Study of 100 Silent Film Actors and Actresses.

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Gray rock fences built of ancient limestone are hallmarks of Kentucky's Bluegrass landscape. Why did Kentucky farmers turn to rock as fence-building material when most had earlier used hardwood rails? Who were the masons responsible for Kentucky's lovely rock fences and what are the different rock forms used in this region?In this generously illustrated book, Carolyn Murray-Wooley and Karl Raitz address those questions and explore the background of Kentucky's rock fences, the talent and skill of the fence masons, and the Irish and Scottish models they followed in their work. They also correct inaccurate popular perceptions about the fences and use census data and archival documents to identify the fence masons and where they worked.As the book reveals, the earliest settlers in Kentucky built dry-laid fences around eighteenth-century farmsteads, cemeteries, and mills. Fence building increased dramatically during the nineteenth century so that by the 1880s rock fences lined most roads, bounded pastures and farmyards throughout the Bluegrass. Farmers also built or commissioned rock fences in New England, the Nashville Basin, and the Texas hill country, but the Bluegrass may have had the most extensive collection of quarried rock fences in North America.This is the first book-length study on any American fence type. Filled with detailed fence descriptions, an extensive list of masons' names, drawings, photographs, and a helpful glossary, it will appeal to folklorists, historians, geographers, architects, landscape architects, and masons, as well as general readers intrigued by Kentucky's rock fences.

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" William Walker's Southern Harmony, first published in 1835, was the most popular tune book of the nineteenth century, containing 335 sacred songs, dominated by the folk hymns of oral tradition and written in the old four-shape notation that was for generations the foundation of musical teaching in rural America. Born in 1809 in South Carolina, William Walker grew up near Spartanburg and early became devoted to the Welsh Baptist Church of his ancestors and to the musical heritage that church had brought to early America. Walker became a singing master, and Southern Harmony was compiled for his students in hundreds of singing schools all over North and South Carolina and Georgia and in eastern Tennessee. Southern Harmony reached Kentucky in the company of music-loving pioneers, and today an annual singing in Benton, Kentucky, remains the only such occasion on which Southern Harmony is consistently the source of the music. The CD included with the book contains 29 tunes, hymns, psalms, odes, and anthems, including ""New Britain"" (Amazing Grace), ""Happy Land,"" ""O Come, Come Away,"" ""Wondrous Love,"" and many, many more.

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Sulky races at the Mercer County Fair, church suppers, sorghum making, shooting marbles in the school yard, housing tobacco, loafing at the courthouse -- here are 129 beautifully reproduced images of who we were as Kentuckians not so long ago -- during the Depression and the early years of World War II.This collection is part of the remarkable series of photos shot for the Farm Security Administration -- more than 125,000 photographs taken over a period of nine years by some of the best American photographers of the time, including Ben Shahn, Marion Post Wolcott, Russell Lee, John Vachon, and Arthur Rothstein.To reintroduce us to that important slice of our history, Beverly Brannan and David Horvath have selected a rich sampling from among several thousand photos taken in Kentucky for the FSA. They have added an extra dimension to the images by including in their commentary excerpts from the photographers' own correspondence and field notes.Along with a lively introduction by the well-known Kentucky poet Jim Wayne Miller, the text of A Kentucky Album helps us see these photographs as art, as social history, and as an unforgettable composite of the amazing diversity of culture, history, and environment that have made Kentucky unique.

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One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars.These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers - Harry, Albert, Sam, and Jack - whose vision for Hollywood helped shape the world of entertainment as we know it.In The Warner Brothers, Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat - and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat.Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come.

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Harry Dean Stanton (1926-2017) got his start in Hollywood in TV productions such as Zane Grey Theater and Gunsmoke. After a series of minor parts in forgettable westerns, he gradually began to get film roles that showcased his laid-back acting style, appearing in Cool Hand Luke (1967), Kelly's Heroes (1970), The Godfather: Part II (1974), and Alien (1979). He became a headliner in the eighties - starring in Wim Wenders's moving Paris, Texas (1984) and Alex Cox's Repo Man (1984) - but it was his extraordinary skill as a character actor that established him as a revered cult figure and kept him in demand throughout his career.Joseph B. Atkins unwinds Stanton's enigmatic persona in the first biography of the man Vanity Fair memorialized as "the philosopher poet of character acting." He sheds light on Stanton's early life in West Irvine, Kentucky, exploring his difficult relationship with his Baptist parents, his service in the Navy, and the events that inspired him to drop out of college and pursue acting. Atkins also chronicles Stanton's early years in California, describing how he honed his craft at the renowned Pasadena Playhouse before breaking into television and movies.In addition to examining the actor's acclaimed body of work, Atkins also explores Harry Dean Stanton as a Hollywood legend, following his years rooming with Jack Nicholson, partying with David Crosby and Mama Cass, jogging with Bob Dylan, and playing poker with John Huston. "HD Stanton" was scratched onto the wall of a jail cell in Easy Rider (1969) and painted on an exterior concrete wall in Drive, He Said (1971). Critic Roger Ebert so admired the actor that he suggested the "Stanton-Walsh Rule," which states that "no movie featuring either Harry Dean Stanton or M. Emmet Walsh in a supporting role can be altogether bad."Harry Dean Stanton is often remembered for his crowd-pleasing roles in movies like Pretty in Pink (1986) or Escape from New York (1981), but this impassioned biography illuminates the entirety of his incredible sixty-year career. Drawing on interviews with the actor's friends, family, and colleagues, this much-needed book offers an unprecedented look at a beloved figure.

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Calumet, Claiborne, King Ranch - these iconic names are among the owners and breeders revered by Thoroughbred industry professionals and racing fans around the world. As campaigners of many of the 20th century's top racehorses, their prestige has been confirmed by decades of competition in the Triple Crown, the most esteemed series in American Thoroughbred racing. Even with these substantial legacies, their success is measured against the benchmark set by one of racing's earliest dynasties, the historic Belair Stud.The story of this legendary operation began with William Woodward's childhood memories of grand days at the racetrack, inspiring dreams of breeding a champion or two of his own. During a year working for the American Ambassador to the United Kingdom, Woodward frequented English racetracks, rekindling that childhood dream of breeding and owning champion Thoroughbreds. Woodward turned those dreams into reality, building Belair Stud on his family's Maryland estate, launching what would become the preeminent Thoroughbred breeding and racing empire in America and chasing racing's biggest prizes in both the United States and England.The defining moment for Belair came when Woodward bred the imported stallion Sir Gallahad III to his mare Marguerite. Their colt, Gallant Fox, became only the second horse in history to win the Preakness Stakes, the Kentucky Derby, and the Belmont Stakes in the same year. In 1935, the farm cemented the Triple Crown as the gold standard for three-year-olds when Gallant Fox's son, Omaha, duplicated his sire's trio of victories, a sweep that sealed the farm's legacy and carved its name in the annals of racing history.In The Foxes of Belair: Gallant Fox, Omaha, and the Quest for the Triple Crown, Jennifer Kelly examines the racing legacies of Gallant Fox and Omaha and how William Woodward's service to racing during the 20th century forever changed the landscape of the American Thoroughbred industry.

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The people and places in Appalachia are as rich, multifaceted, and diverse as the region itself. When author Frank X Walker first coined the phrase "Affrilachia," he wanted to ensure that the voices, and accomplishments of African Americans in that region were recognized and exalted. A is for Affrilachia not only brings awareness of notable African Americans from this region, but this inspired children's alphabet book is also an exuberant celebration of the people, physical spaces, and historical events that may not be as well known in mainstream educational structures.Illustrated by acclaimed artist Ronald W. Davis, every image exudes with vibrancy, beauty, and whimsy as it depicts each of the alphabetized words alongside the appropriate letter. Featured are a range of musicians, artists, and activists, as well as mountain ranges, literary works, and coal mining implements. Famous names, such as playwright August Wilson, writer Nikki Giovanni, actor Chadwick Boseman, and singer Nina Simone are spotlighted, as well as lesser-known individuals, such as artist Romare Bearden and musician Amethyst Kiah. Particularly poignant are the letters representing the four girls face=Calibri>– Addie Mae Collins, Denise McNair, Carole Robertson, and Cynthia Wesley face=Calibri>– who were killed in the 16th Street Baptist Church bombing in Birmingham, Alabama in 1963.Equipped with a glossary to engage discussion regarding the importance of the individuals and places represented, this children's book is a unique and engaging ABC primer that offers a rich display of regional, racial, and cultural heritage through word and image.

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The rumors are true; there are more barrels of bourbon than there are people in Kentucky. In fact, statistics tell us there are nearly two barrels of aging bourbon for every Bluegrass State citizen. With a population of nearly 4.5 million and each barrel yielding close to 200 bottles, it's safe to say the average Kentuckian doesn't have to look far for a bottle of amber gold. While Kentucky may be known as bourbon's home base, for bourbon lovers everywhere, the act of drinking bourbon is about more than just its acquisition. It is a lore and an experience, but most of all it is a legacy. As people across the United States and the world begin to wake up to the allure of Kentucky's state beverage, bourbon is having its moment - the act of coveting, collecting and savoring bottles is now a worthy passion to pursue. With budding enthusiasts clamoring to know more about this American-born creation, finding an entry point into the history and culture of the spirit is a task not easily undertaken. Bourbon 101 offers a distinctive and introductory approach to learning about the world of bourbon. Award-winning author Albert W. A. Schmid takes students through a crash-course in all-things bourbon including its history, production, and enduring cultural identity. Schmid introduces new enthusiasts to the lexicon of bourbon and provides a starting point for those wanting to develop their palate and find the bourbon that best suits their own taste. Told through the lens of Schmid's own experiences and interactions with experts in the bourbon world, the book is as much a handbook as it is a love letter to a beverage that has left an indelible impression on those who've dared to take the first sip.

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Journalists James Bawden and Ron Miller spent their careers interviewing the greatest stars of Hollywood's golden age. They visited Lee Marvin at home and politely admired his fishing trophies, chatted with Janet Leigh while a young Jamie Lee Curtis played, and even made Elizabeth Taylor laugh out loud.In You Ain't Heard Nothin' Yet, Bawden and Miller return with a new collection of rare interviews with iconic film stars including Henry Fonda, Esther Williams, Buster Keaton, Maureen O'Sullivan, Walter Pidgeon, and many more. The book is filled with humorous anecdotes and incredible behind-the-scenes stories. For instance, Bette Davis reflects that she and Katharine Hepburn were both considered for the role of Scarlett O'Hara but neither was "gorgeous enough" for the part; Janet Leigh analyzes the famous shower scene in Psycho (1960), which was shot in seven days and gave the actress nightmares for years; and Jimmy Stewart describes Alfred Hitchcock as a "strange, roly-poly man, interested only in blondes and murder." Popular horror film stars from Lon Chaney Jr. to Boris Karloff and Vincent Price are also featured in a special "movie monsters" section.With first-person accounts of Hollywood life from some of the most distinguished luminaries in the history of American cinema, this entertaining book will delight classic movie fans.

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When Jack Goose Givens first walked onto the basketball court at Lexington''s Douglass Park for the legendary Dirt Bowl league, it was the beginning of one of the most illustrious sports careers in Kentucky history. After being named 1974''s Mr. Basketball for the state of Kentucky as a high school senior, Givens signed with the University of Kentucky and went on to amass a string of achievements that place him among the all-time greats in NCAA college basketball - most notably leading UK to the 1978 NCAA Men''s National Championship with his 41-point performance against the Duke Blue Devils in that historic game - and being named the Final Four Most Outstanding Player for that year. They Call Me Goose: My Life in Kentucky Basketball and Beyond is an intimate and all-encompassing look at the life and career of the basketball legend, from growing up in a housing project in Lexington, his success with UK men''s basketball through his years with NBA''s Atlanta Hawks and the Japan Basketba

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From the foreword:"In Perfect Black, Crystal Wilkinson walks us back down the road she first walked as a girl, wanders us through the trees that lined the road where she grew up, where her sensibilities as a woman and a writer were first laid bare. In one of the first poems that opens the collection she is a woman looking back on her life, on the soil and mountains that first stamped the particular sound of her voice and she is deeply inquisitive about how it all fell into place: "The map of me can't be all hills& mountains even though I've been country all my life. The twang in my voice has moved downhill to the flat land a time or two."Perfect Black is a book of poems and legends about ancestry, culture, and the terrain of a Black girl becoming. It is a narrow and spacious terrain that enters the bloodstream of this black writing girl's body early. It is a country that she never truly exits even though different zip codes continue to fly through her wild, wondrous, winding life. We read and we hold on too.

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In the summer of 1960, director C. Douglas Ramey took his Carriage House Players theater company down the street from their Old Louisville venue to Central Park, where the actors performed scenes from the Shakespeare classic Much Ado about Nothing. Buoyed by the enthusiastic audience response, Ramey's company returned to the park the next year for the first full season of the Kentucky Shakespeare Festival. More than sixty years later, Kentucky Shakespeare is now the oldest free, non-ticketed Shakespeare in the Park festival in the country. To commemorate the sixtieth anniversary of the festival, in spring 2020 Kentucky Shakespeare cooperated with students in the University of Louisville's Department of History to record twenty entertaining and enlightening oral interviews with longtime members of the company.In Under the Greenwood Tree, author Tracy K'Meyer captures the history of Kentucky Shakespeare in a series of carefully selected and edited transcripts of these interviews. In these pages, past and present cast and crew share their memories of the company's history, performances in the park, and the positive impact of its many outreach programs, from its inception in the 1960s, to its slump in the early 2000s, and on to its recent renaissance. An illuminating record of the collaborative artistry that brings Shakespeare's works to life, Under the Greenwood Tree offers readers a peek behind the curtain at the group's steadfast stewardship of the most important literature in the English language.

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General of the Armies John J. Pershing (1860-1948) had a long and decorated military career but is most famous for leading the American Expeditionary Forces in World War I. He published a memoir, My Experiences in the World War, and has been the subject of numerous biographies, but the literature regarding this towering figure and his enormous role in the First World War deserves to be expanded to include a collection of his wartime correspondence. Carefully edited by John T. Greenwood, volume 3 of John J. Pershing and the American Expeditionary Forces in World War I, 1917-1919 covers the period of January 1 through March 20, 1918, as General Pershing encounters logistical and organizational challenges that originated in the last months of 1917. With the collapse of the Eastern Front and Allied defeats in Italy, British and French commanders were preparing for a renewed German offensive and proposed that American troops be put under their control for training and frontline combat in order to replenish losses. Pershing's diary entries indicate that he rejected these proposals and yet offered four segregated African American regiments to be placed under French control. The conclusion of the AEF autonomy debate allowed Pershing to focus on reorganizing the General Headquarters of the AEF, establishing effective communication lines, and contracting Allied European governments to produce armaments for the AEF with American raw materials. In March 1918, Maj. Gen. Peyton C. March replaced Gen. Tasker H. Bliss as chief of staff. The sources included in this edition show the origin of Pershing and March's personal feud, which persisted well after the war. Pershing's letters during this time period convey a long and arduous struggle to build an American army at the front. Together, these volumes of wartime correspondence provide new insight into the work of a legendary soldier and the historic events in which he participated.

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In the early days of motion pictures - before superstars, before studio conglomerates, before even the advent of sound - there was a woman named Pearl White (1889-1938). A quintessential beauty of the time, with her perfectly tousled bob and come-hither stare, White's rise to stardom was swift; her assumption of the title of queen of American motion picture serials equally deserved.Born the youngest of five children in a small, rural Missouri farm town, White left high school at only 15, taking on jobs to help keep her family financially afloat, work that included small parts in plays for a local stock company. At 18 she began a three-year stage career with the Trousdale Stock Company, touring on the road and sinking her teeth into leading roles in productions such as Jane Eyre. As she continued to build her professional repertoire, White joined the Powers Film Company in New York and made her film debut in 1910. Her reputation for fearless performances and her penchant for doing her own stunt work soon set her apart from her female colleagues.It was that same daring attitude that would put her on the map internationally as an actress. From flying airplanes to swimming across rapid rivers, to racing cars in serials like The Perils of Pauline (1914), White was undaunted by the demands of her onscreen career. She would go on to star in popular serial classics such as The Exploits of Elaine (1915), Pearl of the Army (1916), The House of Hate (1918), and The Lightning Raider (1919). As active socially as she was professionally, White would also translate her audacious spirit outside of her career by playing a part in the early feminist movement. Her projection of a positive image of bravery on screen served as a model for suffragettes battling for women's rights in the US.William M. Drew's The Woman Who Dared: The Life and Times of Pearl White, Queen of the Serials, is the first full-length biography of this pioneering star. A study in film and female agency, Drew delves into the cultural impact of Pearl White's work and how it evolved along a concurrent trajectory with the social upheavals of the Progressive Era.

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Had Elizabeth 'Bess' Clements Abell (1933-2020) been a boy, she would likely have become a politician like her father, Earle Clements. Effectively barred from that career because of her gender, she forged her own path by helping family friends Lyndon and Lady Bird Johnson. As President Johnson's Social Secretary, Abell earned the nickname 'Iron Butterfly' for her graceful but firm leadership of social life in the White House. Afterward, she maintained her importance in Washington D.C., serving as chief of staff to Joan Mondale and co-founding a public relations company.Donald A. Ritchie and Terry L. Birdwhistell draw on Abell's own words and those of others close to her to tell her remarkable story. Focusing on her years working for the Johnson campaign and her time in the White House, this engaging oral history provides a window into Abell's life as well as an insider's view of social life in the nation's capital during the tumultuous 1960s.

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Once described by the New York Times as the quintessential French Romantic, half adventurer, half-intellectual, actor, singer, and political activist Yves Montand won the hearts of audiences around the world with a charisma and talent that transcended physical and linguistic borders. Born in Italy as Ivo Livi, Montand achieved international recognition for his singing and performances in films such as Salaire de la Peur (1952) and Let's Make Love (1960) with Marilyn Monroe, with whom he had a passionate but short-lived affair. An Oscar and BAFTA Award winner who was also twice nominated for a Cesar Award for best actor, Montand's success was not limited to his work in film. Discovered and mentored by Edith Piaf, his interpretations of French songs were intense and intoxicating. His mellow baritone voice led to Broadway stardom and sent him on tour, making him one of the best-known entertainers of his day. Yves Montand: The Passionate Voice profiles Montand's complex, dynamic, and e

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James Still (1906-2001) remains one of the most beloved and important writers in Appalachian literature. Best known for his acclaimed novel River of Earth (1940), the Alabama native and adopted Kentuckian left an enduring legacy of novels, stories, and poems during his nearly 70-year career. The Hills Remember: The Complete Short Stories of James Still honors the late writer by collecting all of Still's short stories, including those from On Troublesome Creek (1941), Pattern of a Man and Other Stories (1976), and The Run for the Elbertas (1980), as well as twelve prose pieces originally published as short stories and later incorporated into River of Earth. Also included are several lesser-known stories and ten that were previously unpublished. Recognized as a significant writer of short fiction in his day - many such pieces initially appeared in The Atlantic and The Saturday Evening Post and were included in The O. Henry Memorial Award Stories and The Best American Short Stories collections - Still's short stories, while often overshadowed in recent years by his novels and poetry, are among his most enduring literary works. Editor Ted Olson in his introductory essay offers a reassessment of Still's short fiction within the contexts of the author's body of work and within Appalachian and American literature. Compiling all of James Still's compelling and varied short stories into one volume, The Hills Remember is a testament to a master writer.

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On the morning of May 18, 1924, households across America opened their newspapers to the headline: "Derby Winner Property of Indian Woman." The woman in question was Rosa Magnet Hoots, a member of the Oklahoma Osage Nation. The horse, draped in the iconic red roses signifying his victory in the fiftieth running of the Kentucky Derby, was Black Gold. In a sport defined by its exclusivity, the pair's unlikely appearance in the winner's circle set off a firestorm of speculation that would uncover an origin story stranger than fiction. Named for the oil that had been discovered in large quantities in Oklahoma at the time of his birth, Black Gold was born in 1921 to a mare named Useeit. At the start of her hard-knocking racing career, Useeit had been purchased by Al Hoots, for whom she won thirty-two of a staggering 122 races. What the mare lacked in regality, she made up for in gumption, a trait Hoots believed could propel her progeny to the hallowed ground of Churchill Downs.Hoots himself would never see Black Gold, dying unexpectedly in 1917. But the legend that came to define the horse would begin with him. Languishing in his deathbed, Hoots claimed to have a prophetic dream that a colt born to Useeit would win the Kentucky Derby. He extracted a promise from his wife, Rosa, to breed the mare to the stallion Black Toney. The decision, which came to fruition three years after Hoots's death, would set in motion a story that would forever change Thoroughbred racing.In Dream Derby: The Myth and Legend of Black Gold, author Avalyn Hunter explores the personalities and histories that surrounded Black Gold. Told against the backdrop of a make-or-break moment for American horse racing and politics at large and framed by the racial violence that rocked Tulsa in the 1920s, Black Gold's victory at the Golden Jubilee stands at the intersection of sport and history. Hunter's work looks behind every stall and tack room door and celebrates the hard work that goes into a great horse and its rivals.

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A miscreant, misanthrope, and misfit, two-nosed Luther Jukes lands in jail for murdering a man who insulted his froglike facial features. As Luther schemes in his cell, "hoosegow scullery maid" Juanita Sparks frets over an unwanted pregnancy. But there may be a bit of magic that can sort out this mess.In the style of underground comix, Ed McClanahan and J. T. Dockery present Juanita and the Frog Prince, an outrageous tale adapted from McClanahan's novella of the same name, originally published in A Congress of Wonders. Set in 1940s Kentucky, Juanita features a cast of characters trying to get ahead at all costs, including the Right Reverend Philander Cosmo Rexroat, redheaded rich boy Warren Harding Skidmore, and "Bad-Cess" Sallie Jukes, the town apothecary rumored to have "access to sinister forces." Rendered in bold strokes of ink that swirl from panel to panel, Luther's and Juanita's stories become further entangled until, in desperation, they attempt to harness the power of a lucky toadstone to create their own fairytale ending -- or do they?Juanita and the Frog Prince is a southern Gothic psychedelic trip of a comic that will enrapture readers until the stroke of midnight -- and the final KLANG of the clocktower bell.

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This coloring book is like no other on the market. It's a celebration of chromatic homes, the alluring and ornate structures that grace our most charming and beautiful cities, such as Louisville, Cincinnati, San Francisco, New Orleans, and Miami, and have been around for centuries in far-flung places such as Havana, Venice, Amsterdam, Brazil, and Moscow. This captivating collection also teaches and explores the art and science of the use of color in historic preservation, architecture, neighborhood design, and planning.As this book illustrates, color is a powerful tool - it enlightens, entertains, and transforms - and when color graces chromatic homes, it can enhance, revive, and regenerate a community. This vibrant, engaging, and inviting book provides an escape to a world of inspiration, artistic fulfillment, and appreciation for these homes. Containing fifty-seven pages of illustrations, this edition is an effective and fun-filled way to enjoy and appreciate the homes' beauty, while also encouraging imagination and the creation of a unique work of art.

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