Search results for ""Dzanc Books""

The last place Angelina Moltisanti ever wants to go is home. She barely escaped life under the roof, and the thumb, of her violent but charismatic father, Jack. Yet home is exactly where she ends up after an SUV plows into her car just weeks after she graduates from college, fracturing her wrist and her hopes to start a career as an artist. Angelina finds herself smothered in a plaster cast, in Jack's obsessive urge to get her a giant accident settlement, in her mother Marie's desperation to have a second chance, and in her own stifled creativity - until she meets Janet, another young artist who inspires her to push herself into making the dynamic, unsettling work that tells the story of her scars, inside and out. But excavating this damage, as relations with her father become increasingly tense, will push Angelina into making a hard choice: will she embrace her father's all-consuming and empowering rage, or find another kind of strength?

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"It’s not romantic," Torrey says. "It’s physics. For every letter there is an equal and opposite, you know…letter." Sheila’s life is built of little thievings. Adrift in her mid-thirties, she sleeps in fragments, ditches her temp jobs, eavesdrops on her neighbor’s Skype calls, and keeps a stolen letter in her nightstand, penned by a UPS driver she barely knows. Her mother is stifling and her father is a bad memory. Her only friends are her mysterious, slovenly neighbor Vinnie and his daughter Torrey, a quirky twelve-year-old coping with a recent tragedy. When her grandmother Rosamond dies, Sheila inherits a box of secret love letters from Harold C. Carr—a man who is not her grandfather. In spite of herself, Sheila gets caught up in the legacy of the affair, piecing together her grandmother’s past and forging bonds with Torrey and Vinnie as intense and fragile as the crumbling pages in Rosamond’s shoebox. As they get closer to unraveling the truth, Sheila grows almost as obsessed with the letters as the man who wrote them. Somewhere, there’s an answering stack of letters—written in Rosamond’s hand—and Sheila can’t stop until she uncovers the rest of the story. Threaded with wry humor and the ache of love lost or left behind, How to Set Yourself on Fire establishes Julia Dixon Evans as a rising talent in the vein of Shirley Jackson and Lindsay Hunter.

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From Old Notebooks begins as simply a writer’s list of ideas—ideas for stories, films, novels, essays—but soon the writer’s attention turns toward meditations on family, fear of death, literary fame, drug use, teaching, terrorism, pornography, and the weather. The book’s seemingly disparate concerns coalesce to depict a writer writing his way through life and his first book at one and the same time.

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Larkhill, Ontario. 1989. A city on the brink of utter economic collapse. On the brink of violence. Driving home one night, unlikely passengers Jamie Garrison and Moses Moon hit a lion at fifty miles an hour. Both men stumble away from the freak accident unharmed, but neither reports the bizarre incident.Haunted by the dead lion, Moses storms through the frozen city with his pathetic crew of wannabe skinheads searching for his mentally unstable mother. Jamie struggles with raising his young daughter and working a dead-end job in a butcher shop, where a dead body shows up in the waste buckets out back. A warning of something worse to come.Somewhere out there in the dark, a man is still looking for his lion. His name is Astor Crane, and he has never really understood forgiveness.

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On a night no one will ever forget, Della Black and three of her seven children are killed in a horrific fire in their trailer. As the surviving children are caught in the middle of a custody battle between their well-intentioned neighbor and their father and his pregnant mistress, new truths about what really happened the night of the fire come to light. When the fire marshal determines the cause – arson – rumors quickly circulate as the townspeople search for answers. Ronnie Black is the kind of man who can leave his wife and children for a younger woman, but is he capable of something more sinister?Ronnie and his girlfriend, Brandi Tate, maintain his innocence – he’s a loving, caring father who wants to do everything he can to protect his family. But as the gossip continues, Ronnie feels his children (and, eventually, Brandi) pulling away from him. Soon enough, he finds himself at a crossroads – should he allow gossipmongers to seal his fate, or should he fight to prove that he’s not the monster people paint him to be?In Late One Night, Lee Martin examines the devastating effect of rumors and the resilience of one family in the face of the ultimate tragedy.

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The setting is Belfast in the 1970s. In a city in which any storefront might unexpectedly explode, Marius Moonston, age 16, is out shopping. It's Saturday, and the streets are filled with danger and excitement--especially for Marius, whose pocket is burning with the money he has pilfered from his sister.Marius has a mission (he knows just he wants to spend that money on), and a conscience steeped in the dichotomies of the Evangelical church. Ricocheting through the story is the nature of deceit and truth, commerce, disobedience and sin. The consequences of a petty crime are enormous--cathartic and destructive and defining.McGrady uses language of a distinctly Irish elasticity, and the explosive hilarity of a teenage boy propels the novel to crystalline moments of observation, and shattering self-knowledge."Clever and honest, playful but disturbing--The Backslider is a demanding and hugely enjoyable novel." —Roddy Doyle"Seàn McGrady has brought loquacious delight to the loss of innocence. Every sentence in The Backslider savors “the peculiar and sometimes painful world of decisions,” as that world orbits through the tumultuous spirit of the 16-year-old Marius. The boy has a stolen bill in his pocket and he’s on the verge of more serious trouble, perhaps even murder, and meanwhile the peregrinations of the kid’s meditations pop and maunder wondrously, often hilariously. Now he’s swept up in some anarchic urge, and now he’s carried away by the no-account types on a city corner. A troubled corner, that would be, in a dangerous city. Yes, now for McGrady’s greatest trick: he does it in early-‘70s Belfast, church-riven and bullet-riddled. It’s as if Flann O’Brien took his blarney to Stalingrad — and there held the armies spellbound." —John Domini, author of Earthquake I.D. and A Tomb on the Periphery"With echoes of the distinctive humour and philosophical meditations inherited from a rich Irish literary legacy, The Backslider is an accomplished and deeply affecting novel, McGrady's observations on the nature of adolescence are powerful and provocative." —Ian Holding, author of Unfeeling: A Novel and Of Beasts and Beings"I read The Backslider in one fell swoop, with increasing admiration and delight. An absolute stunning coming of age novel, set in The Troubles and you can literally smell the cordite and the litany of The Evangelical Church. Beautifully wrought with a skill that seems to be more in line with an assured half dozen books under your belt. Moving and drenched in the appalling consequences of an apparently petty act. Catcher in the Northern Province, with a compassion that echoes long after the book is read, and an assurance that here is a novel to return to over and wonderfully over." —Ken Bruen, author of The Guards and The White TrilogySean McGrady was raised in Belfast, immersed in the religious and political ideas that defined the Irish Troubles. A former university lecturer in philosophy, he lives in York, England.

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With Lance Olsen’s signature flair, Absolute Away is an innovative narrative triptych, a story of one life reimagined. The first movement tells the story of Edie Metzger, a little Jewish girl who bit Hermann Göring’s lip so hard it bled at a Nazi book-burning rally in 1933. In the second, in 1956, grown Edie is the passenger clinging to the backseat of the Oldsmobile 88 convertible driven by Jackson Pollock, moments before it plunges off the road. In the third, the narrative embarks into an ever-unspooling universe of Edies that might have lived—Edie’s gender, past, and consciousness flying forever farther apart.Absolute Away is a novel about travel in its largest sense—about the self, the past, the future, aging, ideas, relationships, our own mortal being(s) as transitive verbs, and how what and who we are connects to everything else.

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With the lyrical joy and lighthearted wordplay that have won him critical acclaim, celebrated Jewish author Curt Leviant delivers a charming literary love story against the backdrop of the lush Italian countrysideSuccessful author Giorgio is vacationing in Parma when he meets Sofia, a beautiful woman who bears a striking resemblance to the famous Italian actress Sophia Loren. Giorgio is ecstatic when the lookalike asks for his email, expressing her desire to stay in touch and discuss a problem of hers. To his disappointment, their communication consists not of their own budding romance, but of the details of Sofia’s extramarital love affair, a drama that plays out with characters Giorgio has never met. Sofia consults the author in writing an ending to her story—and as authors do, Giorgio rewrites it, desperate to find a place for himself in it. In this enticing email romanza, Leviant delivers a breathless confessional with two beginnings and two

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“Ebullient ... Daitch finds stimulating connections and writes with sharp irony and joy. This offers delights on every page.” —Publishers Weekly Award-winning author Susan Daitch returns with Siege of Comedians, a novel in triptych told through interconnected narrative threads pulled taut by linked crimes. In the first piece, an American forensic sculptor, reconstructing the faces of three victims receives a midnight, visit from a man who threatens her life unless she alters the faces she’s almost completed. The twists and turns of the mystery lead her to a new life, working with forensic archeologists at a site near the Prater amusement park in Vienna. In the second section, an accent coach discovers that the man implicated in the death of his girlfriend in 1970s Buenos Aires was once a censor and Assistant Minister of Propaganda in Vienna during World War II. When bodies start turning up under the former Propaganda offices, some date from the war period—but others are much older, their origins going back to the Ottoman siege of Vienna. In the final arc, in the aftermath of the last battle between the Austrians and the Turks, a local businesswoman finds three displaced women from Istanbul—former wives of the sultan—wandering in Vienna and gives them shelter in her brothel, located on the site of the future Ministry of Propaganda. Connected across time by intersecting crimes and themes of language, cultural assimilation, and nationalist conflicts, Siege of Comedians, part political thriller, part comic noir, reflects on aspects of the current refugee crisis, human trafficking, and identity.

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A captivating historical novel set on Cape Cod and North Carolina's Outer Banks, perfect for readers of Where the Crawdads Sing and Marilynne Robinson's Housekeeping 1890s, Cape Cod: Between tides, a man deserts his wife and his post as keeper of the Chatham Beach Lifesaving Station to start a new family far to the south, at Cape Hatteras. 1940s: His daughter, en route to serve in World War II with the Red Cross, travels to Cape Cod where she meets his first wife, Blythe, reanimating a life she had long buried: memories of her courtship, her bitter losses, and her husband’s slow-motion vanishing. Set on two wild seascapes, Cape Cod and North Carolina’s Outer Banks, Between Tides is a lyrical novel for readers of Virginia Woolf, Djuna Barnes, and Marilynne Robinson—a story of two women stitching together a family ripped at the seams and discovering that even through absence, love’s presence is everlasting.

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With Death and So Forth, esteemed writer and editor Gordon Lish returns with a new book of scintillating short fiction. With his trademark precision, wit, and wiliness, Lish writes outside the margins and around the edges of the death, loss, and the fractiousness and fragmentation of language. Death and So Forth collects a number of Lish’s acclaimed stories and introduces eight new fictions, including a tribute to Denis Johnson and so many others lost in the course of a long life. Brilliant and sharp-eyed, this is a treasure for fans of Gordon Lish, new and lifelong.

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Winner of the 2018 Dzanc Nonfiction Prize “Knock Wood is an absolute wonder, and Jennifer Militello is at the top of her form.” —Andre Dubus III, author of Townie and The House of Sand and Fog In Knock Wood, the first nonfiction collection by award-winning poet Jennifer Militello, a knock on wood to ward off illness sets in motion a chain of events and memories that call into question the very structure of time. Anchored by a wooden ring, Militello explores her life through the lens of three intertwined elements: the story of a mentally ill aunt in an abusive marriage; a high school romance with a boy who eventually dies of a heroin overdose; and an extra-marital affair characterized by an otherworldly connection. Cause and effect reverse as significant events—an arrest for a felony committed in high school, a trip by train to meet an illicit lover, and a suicide attempt on those same New York tracks—seem to influence one another outside of time and space. As Militello delicately threads each memory to the next, she explores the themes of family damage and the precarious ties of love. Militello has been recognized many times for her work in poetry and prose, including honors such as the Yeats Poetry Prize from the W.B. Yeats Society of New York, the Betty Gabehart Poetry Prize, and the Tupelo Press First Book Award. Her collection Body Thesaurus was named one of the top poetry books of 2013 by Best American Poetry.

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Machines Like Us is part love story, part dreamscape, part exploration of self. For the characters (Speaker, Boy, and Historian), love is dangerous, disorienting, self-erasing. To understand themselves as individuals, they must investigate the boundaries separating each from the other.Boy finds a spot beneath a tree & stretches outtaking up half of the forest floor. Historian & I have to keep stepping over Boy’s limbs & sometimes we step into each other, a pile of Boy & Historian & me. Over the course of the collection, the three struggle to tether and untether. They continuously disturb and upend, externally and internally. They are terrified to be with and without each other. The resulting horror—blood, broken bodies, decomposition—is a landscape, both natural and unnatural, of their glorious failure.

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Suspecting that something is amiss with their father's burial, teenager Kenneth Tyler and his sister Corrie venture to his gravesite and make a horrific discovery: their father, a whiskey bootlegger, was not actually buried in the casket they bought for him. Worse, they learn that the undertaker, Fenton Breece, has been grotesquely manipulating the dead. Armed with incriminating photographs, Tyler becomes obsessed with bringing the perverse undertaker to justice. But first he must outrun Granville Sutter, a local strongman and convicted murderer hired by Fenton to destroy the evidence. What follows is an adventure through the Harrikin, an eerie backwoods filled with tangled roads, rusted machinery, and eccentric squatters--old men, witches, and families among them--who both shield and imperil Tyler as he runs for safety. With his poetic, haunting prose, William Gay rewrites the rules of the gothic fairytale while exploring the classic Southern themes of good and evil.

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“The people in these stories need Meg Pokrass. Their lives are tough but her imagination is the fire-lasso that can save them, save us.” -Bob Hicok, author of Elegy Owed and Sex & LoveA sixteen-year-old transplanted Pennsylvanian navigates sunburn and heartbreak in equal measure while falling in love with a very tan ghost. A girl with drunk scribbles on her shoes searches for fragments of an old flame inside the boy at the mall food court. And a female circus contortionist, daughter of a failed clown, comes to terms with the first law of romantic relationships: Once in a hole, stop digging.In First Law of Holes, award-winning author Meg Pokrass delivers a stunning selection of stories from the past fourteen years of her flash fiction career, tackling themes of belonging, obsession, messy love and loneliness with her trademark, unconventional storytelling.

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"Darkly funny and surreal, FIVE WINDOWS is a timely, page-turning debut about alienation and breakdowns communal and individual." - Vanessa Hua, author of River of Stars At a busy intersection on a crammed city hillside, an overworked book editor looks up long enough to watch a trio of houses go up in flames. Once the smoke clears, he becomes increasingly concerned by what he sees out his windows and starts asking questions he never bothered with before: Is the encampment in the park responsible for the fires—or are his new upscale neighbors somehow to blame? Has the man upstairs even bothered to notice, or is his time better spent battling with his boyfriend? What's his own ex-wife doing, resurfacing now just when things are getting tense? Is everyone safer with more fire trucks around? And, just a block down the hill, is the new mixed-use project the perfect urban remedy, or will it do even more damage? By the time the home across the street catches fire, he has to face a few questions about himself, too, including his own role in the neighborhood's upheaval. Inspired by Hitchcock's Rear Window and set in San Francisco, Jon Roemer's debut novel explores a fabled American city divided by rapid and aggressive change.

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Both absurd and melancholy, Honey in the Carcase, the newest collection from award-winning Josip Novakovich, moves from scenes as familiar as a dinner party to the brutal landscapes of war-torn Southeast Europe. A man tends bees amid the bombed-out husks of his village. A young girl takes revenge for the loss of a precious life. A Yugoslav drifter finds himself at dead ends in the American heartland. A marriage splinters over a suspicious scent. A cat and a dog enact ancient enmity in the midst of a warzone. An old debt is repaid. And a boy and a juvenile hawk seem to be on a similar quest for freedom and adventure, though violence lurks in the wilds just beyond the window. Novakovich, hailed as “one of the best short-story writers of the decade” (Kirkus Reviews), approaches each story with the signature insight, wit, and compassion that have brought him distinction as winner of the American Book Award and Whiting Writer’s Award, and a finalist for the Man Booker International Prize.

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