Search results for ""Dzanc Books""

Winner of the 2019 Dzanc Prize for FictionSet in small-town West Virginia in the twilight of the eighties, Call It Horses tells the story of three womenniece, aunt, and stowawayand an improbable road trip.Frankie is an orphan (or a reluctant wife). Mave is an autodidact (or the town pariah). Nan is an artist (or the town whore). Each separately haunted, Frankie, Mave, and Nanwith a hound in towset out in an Oldsmobile Royale for Abiquiú and the desert of Georgia O'Keeffe, seeking an escape from everything they've known.Frankie records the journey in letters to her aunt Mave's dead lover, a linguist named Ruth, sketching out her troubled life and her complicated relationship with Mave, who became her guardian when Frankie was orphaned at sixteen. Slowly, one letter at a time, Frankie exposes the ruins of herself and her fellow passengers: things that chase them, that died too soon, that never lived.With lush prose and brutal empathy, Frankie tells Ruthand hers

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The Sentence is wholly unique: a graphic novel told in the form of a sentence diagram. A single 6732-word sentence, diagrammed in full.Set in a parallel-universe United States in which the government has recently been overthrown by a military coup, the story is narrated by a lonely young grammar professor, Riley, who is suddenly branded a traitor by the new regime. Bewildered by the charges, and fearing a death sentence, Riley manages to flee to an anarchist commune in the wilderness. After a lifetime of feeling alienated, of desperately longing for friendship, Riley is astonished to be accepted and loved by the anarchists—to come to love the anarchists in return. But when the anarchists reveal a plot to assassinate the authoritarian dictator of the country, Riley is forced to choose whether to support the plot—to return to the capital and help the anarchists bomb the headquarters—or to lose their newfound family forever.

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Winner of the Dzanc Prize for Fiction A work of brilliant and innovative historical fiction, Asylum delves into the disturbing and seductive relationship between a young hysteric named Augustine and renowned nineteenth-century French neurologist J.M. Charcot. As Charcot risks his career to investigate the controversial disease of hysteria, Augustine struggles to make him acknowledge their interdependence and shared desires—until a new lover, M., drives them all to the brink of fracture. Drawing upon the medical photography, hypnotic states, and “grand demonstrations” that accompanied Charcot’s research, Asylum traces the deterioration of the dynamic between doctor and patient as they transform from mutually entranced creators to jealous and spurned paramours, to fierce rivals, and finally to bitter enemies. Told in lyrical, feverish, and sometimes delirious prose, Nina Shope delivers a captivating narrative at the crossroads of Mary Shelley and Donna Tartt.

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A hallucinatory exploration into the origins of humans and human language perfect for fans of Brian Evenson and Eimear McBride.Lucy, a young woman with an uncertain past, finds herself thrust into a mysterious anthropology museum that converts into a disco club each night. Moving through its labyrinthine galleries, she tries to construct an origin story for herself and for her species. But as the night progresses, her grip on language and identity slips away until the exhibit captions rupture the text, transporting us to East Africa, where the lives of three people—British anthropologist Mary Leakey, an Indian indentured laborer building the Uganda Railway, and a curator with too many secrets—interweave to reveal the darker side of the search for origins.Surreal, spiraling, and daringly innovative, Habilis is all at once a historical reconstruction, a psychological horror, a mystery, a ghost story, and a creation myth. But above all, it is a meditation on language, desire, and the stories we tell about ourselves—especially those that might unravel us.

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Winner of the Dzanc Diverse Voices Prize LA SYRENA. For me home is in the water. When I go to the sea I want to swim forever and never look back. But I know I would die and the earth needs me on shore. My home is Syria and Syria for me is like the sea. I want nothing more than to jump in and swim around forever. In Syria I am declared wanted, like so many of us displaced lunar divas. The longing I feel is the deepest kind. It could crack the whole earth open. I am a Lumerian from Ancient Sumeria, a southern space creature in a northern world, LA SYRNENA, zhe is my destiny. In this collection, each poem flows like water on the page. The author weaves in stories و mantras و revolutionary messages و the movement of arabic letters و the memory of Sumerian cuneiform. This book is a hybrid creature between poem-story-form that crosses genres like it crosses dimensions. In this work, you are the mermaid. You are the forever migrant, a traveler between the oceanic and the extraterrestrial, across continents and planets. You are a time traveler, and you speak many languages. You are LA SYRENA, conjuring your own space to feel free.

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Winner of the 2019 Dzanc Prize for Fiction Set in small-town West Virginia in the twilight of the eighties, Call It Horses tells the story of three women—niece, aunt, and stowaway—and an improbable road trip. Frankie is an orphan (or a reluctant wife). Mave is an autodidact (or the town pariah). Nan is an artist (or the town whore). Each separately haunted, Frankie, Mave, and Nan—with a hound in tow—set out in an Oldsmobile Royale for Abiquiú and the desert of Georgia O’Keeffe, seeking an escape from everything they’ve known. Frankie records the journey in letters to her aunt Mave’s dead lover, a linguist named Ruth, sketching out her troubled life and her complicated relationship with Mave, who became her guardian when Frankie was orphaned at sixteen. Slowly, one letter at a time, Frankie exposes the ruins of herself and her fellow passengers: things that chase them, that died too soon, that never lived. With lush prose and brutal empathy, Frankie tells Ruth—and herself—the story of liminality experienced by a woman standing just outside of motherhood, fulfillment, and love.

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Following her acclaimed debut, Show Her a Flower, A Bird, A Shadow, award-winning author Peg Alford Pursell explores and illuminates love and loss in 78 hybrid stories and fables. A Girl Goes into the Forest immerses readers in the complex desires, contradictions, and sorrows of daughters, wives, and husbands, artists, siblings, and mothers. In forests literal and metaphorical, the characters try, fail, and try again to see the world, to hear each other, and to speak the truth of their longings. Powerful, lyrical, and precise, Pursell’s stories call up a world at once mysterious and recognizable. A Girl Goes into the Forest invites fans of Lydia Davis and Helen Oyeyemi into a world where “no one can deter a person from her mistakes.”

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Funny and heartfelt, this amalgamation of memoir and essay collection tells the story of twenty months the author spent in Lesotho, the small, landlocked kingdom surrounded by South Africa. There he finds a spirit of joyful absurdity and resolve, surrounded by people who take strangers’ hands as they walk down the road, people who—with sweetest face—drop the dirtiest jokes in the southern hemisphere. But Lesotho is also a place where shepherds exact Old Testament retribution, where wounded pride incites murder and families are devastated by the AIDS epidemic. Driven by a spirit of openhearted cultural exchange in the style of Bill Bryson’s In a Sunburned Country and Alexandra Fuller’s Cocktail Hour Under the Tree of Forgetfulness, Will McGrath’s Everything Lost Is Found Again is a love-drunk ballad to Lesotho, infusing humor and heart into pop ethnography.

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Center for Fiction First Novel Prize - Longlist Wynston Cleave, a black taxi driver on a small Caribbean island, spent years in prison after being wrongfully convicted of the death of a wealthy white tourist. Finally released, he tries to piece his life together working as a bartender and reading literary classics to the unruly cockroaches infesting his taxi. On the anniversary of his arrest, Wynston picks up two white Americans just kicked off a cruise ship. The next day, the ship reports a deadly viral outbreak. As the tourist economy collapses, the island succumbs to riots and a devastating spiral of violence, and Wynston’s fate becomes entwined with that of three strangers: his American passengers and a local named Tremor, the focus of a vicious police manhunt.Narrated by the sharp-witted roaches infesting Wynston’s taxi, The Wonder That Was Ours explores deep racial and class divides through the most unlikely eyes imaginable, taking a unique perspective on prejudice, compassion, and the absurdity of the human experience. A poignant, worldly, and unforgettable novel in the spirit of Exit West and Your Heart Is a Muscle the Size of a Fist.

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"The narrative has its requisite share of mobsters, cops and bloodshed, but for Domini these are mainly pegs upon which to explore Risto’s sense of displacement and belonging. ... Domini’s novel is determined to push the noir—and us—out of well-worn ruts." —The Washington Post A disastrous earthquake has Naples reeling. While the government scrambles to maintain appearances, poverty and anarchy rack the people on Italy’s margins—the illegal immigrants out of Africa, known as the clandestini. One of whom has just been horrifically murdered. Enter Risto, a rare success story: a refugee from Mogadishu, orphaned in his teens, he’s now married the Neapolitan Paola and is the proprietor of a celebrated art gallery. The murder recalls the deaths of his loved ones years ago in Mogadishu, a trauma Risto can’t outrun. Thinking to force the hand of the white authorities, Risto begins his own investigation. But once he starts playing detective, he quickly gets in over his head. Worse, his digging seems to have brought on a strange hallucination: a golden halo only he can see, like a visionary’s foretelling of death. Everyone he knows, including the woman he loves, seems to brim with secrets; every discovery Risto makes drives him toward an earthquake of his own. A portrait of turmoil inside and out, The Color Inside a Melon explores race and class, belonging and exclusion in one of the world’s ancient cities. Prolific author, critic, and essayist John Domini delivers an unforgettable portrait of humanity’s endless struggle between moving on and making a home.

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Movieola is a collection of linked short stories that delights and exploits the language and paraphernalia of industrial Hollywood. The collection delves into a night at the movies, featuring all the familiar types — the rom-com, the action-adventure, the superhero and the spy — but the narratives are still under construction, and every story line is an opportunity for the unimaginable twist. Motive and identity are constantly shifting in these short stories that offer both narrative and anti-narrative, while the stunted shoptalk of the movie business struggles to keep up.With the wit of Steve Erickson’s Zeroville and the inventive spirit of Italo Calvino’s Cosmicomics, John Domini offers a collection at once comical and moving, carefully suspended between a game of language and a celebration of American film.

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Worthy is the story of Ludmila—or Worthy, as she comes to be known—a “former” con artist from Eastern Europe managing an eccentric, failing strip club in Tampa for her lover, Leo. Though there is much she won’t reveal, she gradually unravels the story of her love affair twenty years earlier with Theodore, an erratic literature professor who embraces an ideology built around what he calls the Four Books: Mann’s Confessions of Felix Krull, Confidence Man, Nabokov’s Despair, Melville’s The Confidence-Man, and Camus’s The Fall. Seduced by the scofflaws in these novels, Theodore and Worthy transform themselves into confidence artists, a tempest of shared madness that carries them from New York to Mexico City to the South of France. Despite her sly humor calculated to charm, Worthy’s picaresque narrative leaves the listener with deepening questions, from what happened to Theodore to the reasons she abandoned her son Mirek.With the linguistic acrobatics of Eimear McBride’s A Girl Is a Half-Formed Thing and the confessional force of The Fall, Lisa Birnbaum weaves a lively tale of elusive truth about finding our way in the world, as love is inevitably lost and left behind.

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Triangle Ray is a collection of short stories linked by the character of Ray Fielding, introduced first as a young black man coming of age in the 1980s and infatuated with his schoolmate, Marie. Against the wishes of their families, the two marry just out of high school, but the marriage falls apart within a few years as time makes them strangers to each other. Twenty years later, Ray is unmarried and still searching for a lasting romance, especially with Alma, whom he meets at the hotel where he works. Through his interactions with Marie, Alma, and others, Ray explores the motives behind the ways we retell our stories, and how we ignore or embrace the future that is already taking shape in the present.A keen observer of social factors and class disparity, John Holman writes with sharp prose and startling insight, and employs diverse form and point of view to examine issues of race and class within the context of Ray’s romantic aspirations.

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Roy Kesey's riveting debut novel tells the story of John Segovia, an American historian who teaches English at a small university in Piura, on the desert coast of Peru. The narrative moves between John's obsessive search for his wife's killer and his attempts to build a new life for himself and his infant daughter. The storms of El Ni€o and the ghosts of history that stalk the sands of the Sechura Desert give this novel the sweep of an epic tale. Throughout, Pacazo explores and celebrates the many ways in which we construct the stories we tell of ourselves and those we love.

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