Search results for ""Author Virgil""

Literature is defined in a challenging way as the "science" of imperfection and defeat, or else as a type of discourse that deals with defeat, loss, uncertainty in social life, by contrast with virtually all disciplines (hard sciences or social sciences) that affirm certainties and wish to convince us of truths. If in real history most constructive attempts end up in failure, it follows that we ought to have also a field of research that examines this diversity of failures and disappointments, as well as the alternative options to historical evolution and progress. Thus literature serves an indispensable role: that of gleaning the abundance of past existence, the gratuitous and the rejected being placed here on an equal level with the useful and the successful.This provocative and unusual approach is illustrated in chapters that deal with the dialectics between literary writing and such fields as historical writing, or religious discourses, and is also illustrated by the socio-historical development of East-Central Europe.

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HarperCollins is proud to present its incredible range of best-loved, essential classics. Written between 29 and 19 B.C., The Aeneid tells the legendary tale of Aeneas, a Trojan who travelled to Italy, where he became the heroic ancestor of the Romans. This epic poem tells the story of Aeneas’ nomadic travels from Troy to Italy, followed by the Trojans’ victorious war against the Latins. Following on from his appearance in The Iliad, Aeneas’ disconnected wanderings and vague association with the founding of Rome were compiled by Virgil into a compelling, epic and fantastical national foundation myth.

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Whilst research and innovation may allow for increasing efficiency in the pursuit of human ends, they also pose dangers, linked to the unpredictability of their development, which call for unprecedented responsibility. This book contends that the structure of a "process", in the sense of an efficient propensity in the possible that can be actualized by research and innovation, can be intrinsically ethical, that is, it can take into account and preserve the freedom of the actors concerned. This point is explored through a consideration of four processual ethical structures, each of which can constitute a point of reference for the exercise of a responsibility. Ethically Structured Processes questions dualities that are very firmly established in the West, such as "theoretical/practical" and "descriptive/prescriptive", through a detour into historical Chinese traditions of thought. The generality of the thesis concerning ethical processes is tested, in a privileged way, on the case of the "Invisible Hand". Is this notion based on a philosophically and ethically consistent concept of "freedom"?

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In 2016, sportswear manufacturer Nike and fashion designer Virgil Abloh joined forces to create a sneaker collection celebrating 10 of the Oregon-based company’s most iconic shoes. With their project The Ten—which reimagined icons like Air Jordan 1, Air Max 90, Air Force 1, and Air Presto, among others—they reinvigorated sneaker culture. Virgil Abloh’s designs offer deep insights into engineering ingenuity and burst with cultural cachet. Drawing on the genius of the original shoe using lettering, ironic labels, collage, and sculpting techniques, Abloh played with language and sculptural elements to construct new meaning. Inspired by the wit of Dadaism, architectural theory, and avant-garde happenings, he analyzed what makes each shoe iconic and deconstructed it into an artistic assemblage, making each shoe into a piece of industrial design, a readymade sculpture, and a wearable all at once. ICONS traces Abloh’s investigative, creative process through documentation of the prototypes, original text messages from Abloh to Nike designers, and treasures from the Nike archives. We find Swooshes sliced away from Air Jordans and reapplied with tape or thread, Abloh’s typical text fragments in quotation marks on Air Force 1, and All Stars cut into pieces. We take a look behind the scenes and witness Abloh’s DIY approach, which gave each model in the Off-WhiteTM c/o Nike collection its own unique touch. His deconstructive vocabulary is reflected in the Swiss binding, which showcases an open spine and discloses the production of the book. The book documents Abloh’s cooperative way of working and reaffirms the power of print. For its design Nike and Abloh partnered with the acclaimed London-based design studio Zak Group. Together they conceived a two-part compendium, equal parts catalog and conceptual toolbox. The first part of the book presents a visual culture of sneakers while a lexicon in the second part defines the key people, places, objects, ideas, materials, and scenes from which the project grew. Texts by Nike’s Nicholas Schonberger, writer Troy Patterson, curator and historian Glenn Adamson, and Virgil Abloh himself frame the collaborative work within fashion and design history. A foreword by Hiroshi Fujiwara places the project within the historical continuum of Nike collaborators.

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Virgil's masterpiece and one of the greatest works in all of literature, now in a beautiful clothbound edition designed by Coralie Bickford-SmithVirgil's Aeneid, inspired by Homer and the inspiration for Dante and Milton, is an immortal poem that sits at the heart of Western life and culture. Virgil took as his hero Aeneas, legendary survivor of the fall of Troy and father of the Roman race. In telling a story of dispossession and defeat, love and war, he portrayed human life in all its nobility and suffering, in its physicality and its mystery.

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Rendered in an idiom drawn from present-day nature guides, gardening handbooks, how-to manuals, and scientific treatises--and in a style influenced by twentieth-century poetry--this bold new translation seeks to renew our appreciation of a work often relegated to the pigeonhole of didactic poetry about farming. In doing so, it reveals the Georgics as a remarkable window on Roman conceptions of the natural world and of the place of human life within it--and also conveys a sense of how daring were Virgil's poetics in their day. Footnotes offer a wealth of information on mythology, agriculture, wildlife, geography, and astronomy while highlighting the technical, scientific, ethnographic, and other registers of the poem.

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This deluxe edition of Virgil's epic poems, recounting the wanderings of Aeneas and his companions after the fall of Troy, contains an introduction by Allen Mandelbaum and fourteen powerful renderings created by Barry Moser to illustrate this volume.

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The Aeneid is a journey of Aeneas, a survivor of the siege of Troy. The themes within this classic work include piety, respect, destiny, war and peace. The city of Rome and its empire, its formation, and its history is a central character among others - including Dido, Venus, Juno the queen of heaven, Helen of Sparta , Jupiter and a host of other gods. This epic tale takes the hero through battles on the field and in the mind to the underworld and back and finally arriving at his destiny in Rome.

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Robert Fagles's latest achievement completes the magnificent triptych of Western epics. A sweeping story of arms and heroism, The Aeneid follows the adventures of Aeneas, who flees the ashes of Troy to embark upon a tortuous course that brings him to Italy and fulfills his destiny as founder of the Roman people. Retaining all of the gravitas and humanity of the original, this powerful blend of poetry and myth remains as relevant today as when it was first written.

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Haunting and enigmatic, Virgil's Eclogues combined a Greek literary form with scenes from contemporary Roman life to create a work that inspired a whole European tradition of pastoral poetry. For despite their rustic setting and the beauty of their phrasing, the poems in Virgil's first collection are also grounded in reality. Shepherds are overwhelmed by the torments of poetic love - but they must also endure such real-life events as the tragic consequences of Julius Caesar's murder in 44 bc and a civil war. In giving unforgettable expression to the disasters of the day through poetry, the Eclogues paved the way for the Georgics and the Aeneid, the two greatest works of Latin literature, and are also a major masterpiece in their own right.

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Practical and conceptual, the Responsible Research and Innovation set of books contributes to the clarification of this new requirement for all sciences and technological innovation. It covers the multiple and international responsibilities, by using various philosophical resources, mostly discussing the following topics: ethics, contingency, normative economy, freedom, corporate social responsibility (CSR), participative technological evaluation, sustainable development, geoengineering, the precautionary principle, standards, interdisciplinarity, and climate management. The ethics of efficiency must be considered with regard to the logic of action or to economic, political, legal or scientific systems. This book presents a question on the central theme of responsible research and innovation (RRI), which has an ethical influence on effective logics. The issue is to question the opportunity and modularities of an ethical effective influence on the logics of efficiency of research and innovation. From the distinction of efficiency and effectiveness, lies the problem of efficacy, the ethical accord between the two. Thus appears the possibility of taking effective responsibility with respect to systematic injustices potentially linked to this efficiency. This book proposes categories to understand the ethical implications of research and innovation processes, under the aspect of their efficacy.

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In Fair Rosamond Virgil B. Heltzel traces the character of Rosamond Clifford, known as “Fair Rosamond”—which has its origins as a theme in medieval literature—through its use in poetry and plays and novels, from the Renaissance through the early twentieth century. Heltzel’s book retains its importance today for scholars tracing certain thematic structures through all periods of literature.

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A collection of essential quotations from the renowned fashion designer, DJ, and stylistAbloh-isms is a collection of essential quotations from American fashion designer, DJ, and stylist Virgil Abloh, who was a major creative figure in the worlds of pop culture and art. Abloh began his career as Kanye West’s creative director before founding the luxury streetwear label Off-White and becoming artistic director for Louis Vuitton, making Abloh the first American of African descent to hold that title at a French fashion house. Defying categorization, Abloh’s work has been the subject of solo exhibitions at museums and galleries, most notably in a major retrospective at the Museum of Contemporary Art Chicago. Gathered from interviews and other sources, this selection of compelling and memorable quotations from the designer reveals his thoughts on a wide range of subjects, including creativity, passion, innovation, race, and what it means to be an artist of his generation. Lively and thought-provoking, these quotes reflect Abloh’s unique perspective as a trailblazer in his fields.Select quotations from the book: “I believe that coincidence is key, but coincidence is energies coming towards each other. You have to be moving to meet it.” “Life is collaboration. Where I think art can be sort of misguided is that it propagates this idea of itself as a solo love affair—one person, one idea, no one else involved.” “Black influence has created a new ecosystem, which can grow and support different types of life that we couldn’t before."

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A masterful new verse translation of one of the greatest nature poems ever written. Virgil’s Georgics is a paean to the earth and all that grows and grazes there. It is an ancient work, yet one that speaks to our times as powerfully as it did to the poet’s. This unmatched translation presents the poem in an American idiom that is elegant and sensitive to the meaning and rhythm of the original. Janet Lembke brings a faithful version of Virgil’s celebratory poem to modern readers who are interested in classic literature and who relish reading about animals and gardens. The word georgics meansfarming. Virgil was born to a farming family, and his poem gives specific instructions to Italian farmers along with a passionate message to care for the land and for the crops and animals that it sustains. The Georgics is also a heartfelt cry for returning farmers and their families to land they had lost through a series of dispiriting political events. It is often considered the most technically accomplished and beautiful of all of Virgil’s work.

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Rendered in an idiom drawn from present-day nature guides, gardening handbooks, how-to manuals, and scientific treatises--and in a style influenced by twentieth-century poetry--this bold new translation seeks to renew our appreciation of a work often relegated to the pigeonhole of didactic poetry about farming. In doing so, it reveals the Georgics as a remarkable window on Roman conceptions of the natural world and of the place of human life within it--and also conveys a sense of how daring were Virgil's poetics in their day. Footnotes offer a wealth of information on mythology, agriculture, wildlife, geography, and astronomy while highlighting the technical, scientific, ethnographic, and other registers of the poem.

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In 2012, David Ferry capped a long career as a poet with a National Book Award, given in honor of his book Bewilderment: New Poems and Translations. But he had no interest in resting on his laurels. In fact, he was in the middle of the most ambitious poetic project of his life. Six years earlier, at age eighty-two, he had embarked on a complete translation of one of the foundational works of Western culture: Virgil's Aeneid. Now we have it, and it is a glorious thing. Ferry has long been known as perhaps the foremost contemporary translator of Latin poetry, his translations of Virgil's Eclogues and Georgics having established themselves as much-admired standards. He brings to the Aeneid the same genius, rendering Virgil's formal, metrical lines into an English that is familiar and alive. Yet in doing so, he surrenders none of the feel of the ancient world that resonates throughout the poem and gives it the power that has drawn readers to it for centuries. In Ferry's hands, the Aeneid becomes once more a lively, dramatic poem of daring and adventure, of love and loss, devotion and death. Never before have Virgil's twin gifts of poetic language and fleet storytelling been presented so powerfully for English-language readers. Ferry's Aeneid will be a landmark, a gift to longtime lovers of Virgil and the perfect entry point for new readers. "I sing of arms and the man ..." The epic journey, from the fall of Troy to the founding of Rome, is ready to begin. Join us.

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Accessible translations for GCSE students. The translated extracts from Virgil: Selections from the Aeneid, are linked by commentaries which continue the narrative and discuss points in the text needing explanation.

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'The most truthful translation ever, conveying as many nuances and whispers as are possible from the original' The TimesAfter a century of civil strife in Rome and Italy, Virgil wrote the Aeneid to honour the emperor Augustus by praising his legendary ancestor Aeneas. As a patriotic epic imitating Homer, the Aeneid also set out to provide Rome with a literature equal to that of Greece. It tells of Aeneas, survivor of the sack of Troy, and of his seven-year journey: to Carthage, where he falls tragically in love with Queen Dido; then to the underworld,; and finally to Italy, where he founds Rome. It is a story of defeat and exile, of love and war, hailed by Tennyson as 'the stateliest measure ever moulded by the lips of man'.Translated with an Introduction by DAVID WEST

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Advances in Austrian Economics is a research annual whose editorial policy is to publish original research articles on Austrian economics. Each volume attempts to apply the insights of Austrian economics and related approaches to topics that are of current interest in economics and cognate disciplines. Volume 21 exemplifies this focus by highlighting key research from the Austrian tradition of economics with other research traditions in economics and related areas.

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Aeneas the True - son of Venus and of a mortal father - escapes from Troy after it is sacked by the conquering Greeks. He undergoes many trials and adventures on a long sea journey, from a doomed love affair in Carthage with the tragic Queen Dido to a sojourn in the underworld. All the way, the hero is tormented by the meddling of the vengeful Juno, Queen of the Gods and a bitter enemy of Troy, but his mother and other gods protect Aeneas from despair and remind him of his ultimate destiny - to found the great city of Rome. Reflecting the Roman peoples' great interest in the 'myth' of their origins, Virgil (70-19 BC) made the story of Aeneas glow with a new light in his majestic epic.

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This book provides a taxonomy of personality traits that are dark, or have maladaptive characteristics, and are connected to destructive behaviors and interpersonal problems. Adaptive features are also reviewed, as are clinical applications and future directions for research. Dark personality traits are connected to a host of behavioral and interpersonal problems. To better understand and address these problems, this book unites personality psychology and clinical psychology to provide an interdisciplinary taxonomy of dark personality traits.The Dark Side of Personality expands upon the "Dark Triad"—narcissism, psychopathy, and Machiavellianism—to encompass traits that have largely been ignored or not characterized as dark (e.g., spite, authoritarianism, and perfectionism). Drawing from recent research on the Big Five personality dimensions, each trait is presented as a complex spectrum of adaptive and maladaptive features with unique clinical implications.

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Culture has been a relatively understudied subject within economics. Economists who have studied it often conceive culture as a form of capital, treating it as a set of tools or a resource that certain groups possess and other groups do not. Austrian economics, in contrast, is a science of human behavior that is primarily concerned with making sense of meaningful human action. Because of this, Austrian economists are particularly well suited to inject cultural considerations into economic analysis.This edited volume, a collection of both theoretical essays and empirical studies, presents an Austrian economics perspective on the role of culture in economic action. The authors illustrate that culture cannot be separated from economic action, but that it is in fact part of all decision-making.Culture and Economic Action is an enlightening cross-disciplinary exploration that will appeal to all scholars in the social sciences, from anthropologists to economists.Contributors: P.D. Aligica, P.J. Boettke, E. Chamlee-Wright, B. Colon, C.J. Coyne, L.E. Grube, A. John, R. Langrill, D. Lavoie, P.T. Leeson, A. Matei, K.W. O'Donnell, P. Runst, S. Stein, V.H. Storr

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Stanley Lombardo's deft abridgment of his 2005 translation of the Aeneid preserves the arc and weight of Virgil's epic by presenting major books in their entirety and abridged books in extended passages seamlessly fitted together with narrative bridges. W. R. Johnson's Introduction, a shortened version of his masterly Introduction to that translation, will be welcomed by both beginning and seasoned students of the Aeneid, and by students of Roman history, classical mythology, and Western civilization.

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The supreme Roman epic and the greatest poem in Latin, the Aeneid has inspired many of the great European poets including Dante and Milton. The Trojan hero Aeneas, after surviving the sack of Troy, makes his way to the West, urged on by benevolent deities and following a destiny laid down by Jupiter, but harassed and impeded by the goddess Juno. He wins his way to Italy despite many trials, of which the greatest is the tragic outcome of his love affair with Dido, Queen of Carthage. In Italy Aeneas visits the world of the dead, and is forced to wage a fearful war with the indigenous Italian tribes before he can found his city and open the history of Rome. The Aeneid survives as a poem not only of Roman imperialism but also of the whole world of human passion, duty and suffering. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Long a master of the crafts of Homeric translation and of rhapsodic performance, Stanley Lombardo now turns to the quintessential epic of Roman antiquity, a work with deep roots in the Homeric tradition. With characteristic virtuosity, he delivers a rendering of the Aeneid as compelling as his groundbreaking translations of the Iliad and the Odyssey, yet one that--like the Aeneid itself--conveys a unique epic sensibility and a haunting artistry all its own.W. R. Johnson's Introduction makes an ideal companion to the translation, offering brilliant insight into the legend of Aeneas; the contrasting roles of the gods, fate, and fortune in Homeric versus Virgilian epic; the character of Aeneas as both wanderer and warrior; Aeneas' relationship to both his enemy Turnus and his lover Dido; the theme of doomed youths in the epic; and Virgil's relationship to the brutal history of Rome that he memorializes in his poem.A map, a Glossary of Names, a Translator's Preface, and Suggestions for Further Reading are also included.

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In 2005 Hurricane Katrina posed an unprecedented set of challenges to formal and informal systems of disaster response and recovery. Informed by the Virginia School of Political Economy, the contributors to this volume critically examine the public policy environment that led to both successes and failures in the post-Katrina disaster response and long-term recovery. Building from this perspective, this volume lends critical insight into the nature of the social coordination problems disasters present, the potential for public policy to play a positive role, and the inherent limitations policymakers face in overcoming the myriad challenges that are a product of catastrophic disaster. Soon after Hurricane Katrina wreaked its havoc, the Mercatus Center at George Mason University launched the Gulf Coast Recovery Project. The project assembled a team of researchers to examine the capacity within political, economic, and civic life to foster robust response and recovery. Building on both quantitative and qualitative analysis, the contributors to this volume seek to understand the recovery process from the ground up - from the perspective of first-responders, residents, business-owners, non-profit directors, musicians, teachers, and school administrators, and how ordinary citizens respond to the formal and informal rules of the post-disaster policy context. Personal, political and poignant, The Political Economy of Hurricane Katrina and Community Rebound will appeal to economists interested in the political economy of disaster and disaster recovery, disaster specialists, and general readers interested in the challenges those affected by Hurricane Katrina have faced, and are facing, and their prospects for recovering from the 2005 disaster.

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Publius Vergilius Maro (70-19 B.C.), known in English as Virgil, was perhaps the single greatest poet of the Roman empire—a friend to the emperor Augustus and the beneficiary of wealthy and powerful patrons. Most famous for his epic of the founding of Rome, the Aeneid, he wrote two other collections of poems: the Georgics and the Bucolics, or Eclogues. The Eclogues were Virgil's first published poems. Ancient sources say that he spent three years composing and revising them at about the age of thirty. Though these poems begin a sequence that continues with the Georgics and culminates in the Aeneid, they are no less elegant in style or less profound in insight than the later, more extensive works. These intricate and highly polished variations on the idea of the pastoral poem, as practiced by earlier Greek poets, mix political, social, historical, artistic, and moral commentary in musical Latin that exerted a profound influence on subsequent Western poetry. Poet Len Krisak's vibrant metric translation captures the music of Virgil's richly textured verse by employing rhyme and other sonic devices. The result is English poetry rather than translated prose. Presenting the English on facing pages with the original Latin, Virgil's Eclogues also features an introduction by scholar Gregson Davis that situates the poems in the time in which they were created.

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Robert Fagles's award-winning translations of Homer's twin works The Iliad and The Odyssey have sold more than a million copies and become classics in their own right. With this stunning modern verse translation, Fagles introduces Virgil's Aeneid to a whole new generation of readers and completes the classic triptych at the heart of Western civilisation. The Aeneid tells the story of an epic voyage in which Aeneas crosses stormy seas, becomes entangled in a tragic love affair with Dido of Cathage, descends to the world of the dead - all the way tormented by the vengeful Juno, Queen of the Gods - and finally reaches Italy, where he will fulfil his destiny: to found the Roman people. A stirring tale of arms and heroism, dispossession and defeat, and an unsparing portrait of a man caught between love, duty, and fate, The Aeneid brings to life a whole world of human passion, nobility, and courage. Fagles's new translation retains all of the gravitas and humanity of the original as well as its powerful blend of poetry and myth. Featuring an illuminating introduction to Virgil's world from noted scholar Bernard Knox, this new Aeneid lends a vibrant, contemporary voice to the literary achievement of the ancient world.

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The essential volume on the great fashion designer, entrepreneur and Louis Vuitton artistic director, back in print This authoritative Virgil Abloh compendium, created by the designer himself, accompanies his acclaimed landmark 2019–23 touring exhibition and offers in-depth analysis of his career and his inspirations. More than a catalog, Figures of Speech is a 500-page user’s manual to Abloh's genre-bending work in art, fashion and design. The first section features essays and an interview that examine Abloh’s oeuvre through the lenses of contemporary art history, architecture, streetwear, high fashion and race, to provide insight into a prolific and impactful career that cuts across mediums, connecting visual artists, musicians, graphic designers, fashion designers, major brands and architects. The book also contains a massive archive of images culled from Abloh’s personal files on major projects, revealing behind-the-scenes snapshots, prototypes, inspirations and more—accompanied by intimate commentary from the artist. Finally, a gorgeous full-color plate section offers a detailed view of Abloh’s work across disciplines. Virgil Abloh (1980–2021) was a fashion designer and entrepreneur, and the artistic director of Louis Vuitton's men's wear collection from 2018 to 2021. He was also CEO of the Milan-based label Off-White, a fashion house he founded in 2013. Born in Rockford, Illinois, to Ghanaian parents, he entered the world of fashion with an internship at Fendi in 2009 alongside rapper Kanye West. The two began an artistic collaboration that would launch Abloh's career with the founding of Off-White. Time magazine named him one of the 100 most influential people in the world in 2018.

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Long a master of the crafts of Homeric translation and of rhapsodic performance, Stanley Lombardo now turns to the quintessential epic of Roman antiquity, a work with deep roots in the Homeric tradition. With characteristic virtuosity, he delivers a rendering of the Aeneid as compelling as his groundbreaking translations of the Iliad and the Odyssey, yet one that--like the Aeneid itself--conveys a unique epic sensibility and a haunting artistry all its own.W. R. Johnson's Introduction makes an ideal companion to the translation, offering brilliant insight into the legend of Aeneas; the contrasting roles of the gods, fate, and fortune in Homeric versus Virgilian epic; the character of Aeneas as both wanderer and warrior; Aeneas' relationship to both his enemy Turnus and his lover Dido; the theme of doomed youths in the epic; and Virgil's relationship to the brutal history of Rome that he memorializes in his poem.A map, a Glossary of Names, a Translator's Preface, and Suggestions for Further Reading are also included.

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This volume represents the most ambitious project of distinguished poet David Ferry’s life: a complete translation of Virgil’s Aeneid. Ferry has long been known as the foremost contemporary translator of Latin poetry, and his translations of Virgil’s Eclogues and Georgics have become standards. He brings to the Aeneid the same genius, rendering Virgil’s formal, metrical lines into an English that is familiar, all while surrendering none of the poem’s original feel of the ancient world. In Ferry’s hands, the Aeneid becomes once more a lively, dramatic poem of daring and adventure, of love and loss, devotion and death. The paperback and e-book editions include a new introduction by Richard F. Thomas, along with a new glossary of names that makes the book even more accessible for students and for general readers coming to the Aeneid for the first time who may need help acclimating to Virgil’s world.

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Proven advice for communicating effectively before the media, customers, employees, and investor relations Many executives focus too narrowly on the financial side of their business and neglect the importance of communicating with their employees, the media, and the public. World Class Communication equips you with crisis lessons, procedures, and examples that could help your company save millions of dollars through proper preparation and response. The must-have book every CEO needs, World Class Communication is packed with examples of good and bad handling of countless situations and expert instruction on how to manage them without breaking into a sweat. Reveals the keys to successful shareholder communication Tips for winning in the media—every time out Expert tips for developing powerful public speaking techniques Discover how to rally employee support and performance through communication There is a great, and often irrational, fear of the media among CEOs, with too few executives truly knowing how to deliver a message effectively in an interview. World Class Communication delivers the necessary tools and techniques you need to communicate your message to your target audience—from shareholder meetings to corporate communications to handling crises.

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The Aeneid – thrilling, terrifying and poignant in equal measure – has inspired centuries of artists, writers and musicians.Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is translated by J. W. Mackail and has an afterword by Coco Stevenson.Virgil’s epic tale tells the story of Aeneas, a Trojan hero, who flees his city after its fall, with his father Anchises and his young son Ascanius – for Aeneas is destined to found Rome and father the Roman race. As Aeneas journeys closer to his goal, he must first prove his worth and attain the maturity necessary for such an illustrious task. He battles raging storms in the Mediterranean, encounters the fearsome Cyclopes, falls in love with Dido, Queen of Carthage, travels into the Underworld and wages war in Italy.

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“The classic of all Europe.” —T. S. EliotVirgil (Publius Vergilius Maro) was born in 70 BC near Mantua and was educated at Cremona, Milan, and Rome. Slow in speech, shy in manner, thoughtful in mind, weak in health, he went back north for a quiet life. Influenced by the group of poets there, he may have written some of the doubtful poems included in our Virgilian manuscripts. All his undoubted extant work is written in his perfect hexameters. Earliest comes the collection of ten pleasingly artificial bucolic poems, the Eclogues, which imitated freely Theocritus’ idylls. They deal with pastoral life and love. Before 29 BC came one of the best of all didactic works, the four books of Georgics on tillage, trees, cattle, and bees. Virgil’s remaining years were spent in composing his great, not wholly finished, epic the Aeneid, on the traditional theme of Rome’s origins through Aeneas of Troy. Inspired by the Emperor Augustus’ rule, the poem is Homeric in metre and method but influenced also by later Greek and Roman literature, philosophy, and learning, and deeply Roman in spirit. Virgil died in 19 BC at Brundisium on his way home from Greece, where he had intended to round off the Aeneid. He had left in Rome a request that all its twelve books should be destroyed if he were to die then, but they were published by the executors of his will. The Loeb Classical Library edition of Virgil is in two volumes.

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