Search results for ""Author Louise"

'It's BRILLIANT. I enjoyed it hugely' Marian Keyes*****Two people. Two lives. One chance to see the same world differently. Louis and Louise are the same person born in two different lives. One was born female, and one male.They have the same best friends, the same red hair, the same dream of being a writer, the same excellent whistle. They both suffer one catastrophic night, with life-changing consequences.Thirteen years later, they are both coming home . . . A tender, insightful and timely novel about the things that bring us together - and those which separate us, from the author of Richard & Judy recommended book Together *****A NOVEL PEOPLE CAN'T STOP TALKING ABOUT...'Not often does a story remind us of what beautifully complex creatures we are. Julie Cohen has given us that rare gift' Christina Dalcher, author of VOX'Louis and Louise is Julie Cohen at her absolute best. So cleverly done and authentic, and you feel as if you live in the town with the characters and have been in the story with them.' A J Pearce'Louis & Louise is moving and beautiful, but it will also make you wonder and question, and it will stretch out your thinking so very beautifully' Joanna Cannon'Elegant, thoughtful and powerful' Daisy Buchanan'Fierce, intricate and intriguing' Fanny Blake'Hugely original and heartbreakingly real' Rosie Walsh'A timely read that will stay with you long after you put it down' Libby Page'What a brave, warm and wise book this is. I loved it' Tamar Cohen'Beautifully written and thought-provoking' Kate Eberlen'A cobweb of a book: beautifully intricate and delicate' Veronica Henry'Wow. What a beautiful, ballsy and brilliant book' Sinead Moriarty'A beautifully written, heartbreaking and important novel about gender, self, family and, ultimately, love' Claire Frost, reviewer'A powerful and memorable story of small town secrets, family dynamics and the sense that some things are just meant to be' Sunday Express'Emotional and seriously powerful' Fabulous'An engaging, moving novel, at its most arresting in the pivotal scenes when she explores the personal fallout of industrial and class conflict in Louis/Louise's beleaguered hometown' Sunday Times 'A modern take told with heart' Grazia'The premise here is radical, but worth the effort... this elegantly written novel also examines much that is universal' Daily Mail****** Fabulous pick for 2019's Best Books ** Woman & Home Pick of the Month * * Good Housekeeping Book of the Month * * Emerald Street January's Best Books * * Stylist 2019's Hottest Books * * THE POOL Recommended Books 2019 *

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'A warm, witty novel about love and friendship with a fun time-travel twist' HELLO Magazine Number one bestselling author Louise Pentland is back with her brand new novel that will make you laugh, make you cry and thoroughly charm you!Sometimes you have to go back, to move forwards.Tabby is stuck. She still lives in the small town she grew up in . . . the town she's barely ever left.So, when her dad drops a bombshell over their weekly Sunday dinner, Tabby takes a look at her own life. She lives firmly in her comfort zone and doesn't know how to break out. Sometimes she wishes she could go back and start all over again.When she meets Bea, a free spirit like no one else she's ever known with an 'interesting' sense of style, Tabby quickly befriends her, recognising in Bea the change she's been craving. But soon it becomes clear that more has changed than her new friend. Somehow Tabby has been transported back to the 1980s.With the chance to reinvent herself in another time, will Tabby finally manage to move forward?'Full of hope and courage and sisterhood' Emma B, Magic FM

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Thelma & Louise, directed by Ridley Scott and written by Callie Khouri, sparked a remarkable public discussion about feminism, violence, and the representation of women in cinema on its release in 1991. Subject to media vilification for its apparent justification of armed robbery and manslaughter, it was a huge hit with audiences composed largely but not exclusively of women who cheered the fugitive central characters played by Susan Sarandon and Geena Davis. Marita Sturken examines Thelma & Louise as one of those rare films that encapsulates the politics of its time. She discusses the film's reworking of the outlaw genre, its reversal of gender roles, and its engagement with the complex relationship of women, guns adn the law. The insights of director Scott, screenwriter Khouri as well as Davis and Sarandon are deployed in an analysis of Thelma & Louise and the controversies it sparked. This is a compelling study of a landmark in 1990s American cinema. In her foreword to this new edition, Sturken looks back on the film's reception at the time of its release, and considers its continuing resonances and topicality in the age of #MeToo.

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'A warm, witty novel about love and friendship with a fun time-travel twist' HELLO Magazine Number one bestselling author Louise Pentland is back with her brand new novel that will make you laugh, make you cry and thoroughly charm you!Sometimes you have to go back, to move forwards.Tabby is stuck. She still lives in the small town she grew up in . . . the town she's barely ever left.So, when her dad drops a bombshell over their weekly Sunday dinner, Tabby takes a look at her own life. She lives firmly in her comfort zone and doesn't know how to break out. Sometimes she wishes she could go back and start all over again.When she meets Bea, a free spirit like no one else she's ever known with an 'interesting' sense of style, Tabby quickly befriends her, recognising in Bea the change she's been craving. But soon it becomes clear that more has changed than her new friend. Somehow Tabby has been transported back to the 1980s.With the chance to reinvent herself in another time, will Tabby finally manage to move forward?'Full of hope and courage and sisterhood' Emma B, Magic FM

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The most complete overview of groundbreaking artist Louise Bourgeois's sculptures, textiles, and prints is now available as an accessible paperback.Louise Bourgeois's beguiling body of work encompasses spiders, cages, architectural sculptures, fragile human figures, and amorphous erotic forms. Strongly influenced by surrealism, abstract expressionism, and minimalism, she remains among the most prominent female contemporary artists of the twentieth and twenty-first centuries. An overview of Bourgeois's career, this book begins with a series of essays before delving into encyclopedic entries on the themes and concepts most essential to the artist's practice. A glossary of terms ranging from "etching" and "existentialism" to "Mapplethorpe" and "maternity" contains excerpts from interviews, diary entries, texts, and more than 300 illustrations to provide the reader with multiple points of entry into Bourgeois's complex and nonlinear world. The tenth-anniversary reissue makes this peerless resource available to all touched by Bourgeois's influential practice.Her staggering variety of mediums includes rubber, wood, stone, metal, and fabric. In 1993, she represented the United States at the Venice Biennale. An overview of Bourgeois's career, this book covers individual works, art movements, other artists, and themes that have played an important role in her life and art, with text by acclaimed authors and critics, including Julia Kristeva, Elisabeth Lebovici, Frances Morris, Mignon Nixon, Linda Nochlin, Robert Storr, Alex Potts, Marina Warner, and Deborah Wye

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The protagonist and anti-heroine of Louise Fitzhugh's masterpiece Harriet the Spy, first published first in 1964, continues to mesmerize generation after generation of readers. Harriet is an erratic, unsentimental, and endearing prototype--someone very like the woman who dreamed her up, author and artist Louise Fitzhugh.Born in 1928, Fitzhugh was raised in a wealthy home in segregated Memphis, and she escaped her cloistered world and made a beeline for New York as soon as she could. Her expanded milieu stretched from the lesbian bars of Greenwich Village to the dance clubs of Harlem, on to the resurgent artist studios of post-war New York, France, and Italy. Her circle of friends included artists like Maurice Sendak and playwrights like Lorraine Hansberry.In the 1960s, Fitzhugh wrote Harriet the Spy, and in doing so she introduced "new realism" into children's books-she launched a genre of children's books that allowed characters to experience authentic feelings and acknowledged topics that were formerly considered taboo. Fitzhugh's books are full of resistance: to liars, to conformity, to authority, and even (radically, for a children's author) to make-believe. As a commercial children's author and lesbian, Fitzhugh often had to disguise the nature of her most intimate relationships. She lived her life as a dissenter--a friend to underdogs, outsiders, and artists--and her masterpiece remains long after her death to influence and provoke new generations of readers.Harriet is massively influential among girls and women in contemporary culture; she is the missing link between Jo March and Scout Finch, and it's not surprising that writers have thought of her as a kind of patron saint for misfit writers and unfeminine girls. This lively, rich biography brings Harriet's creator into the frame, shedding new light on an extraordinary author and her marvelous creation.

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Make a difference to classroom learning with this textbook, written for the CACHE qualification by highly respected and experienced author Louise Burnham.-Develop your skills as a teaching assistant with coverage of all units in the new CACHE qualification. -Build confidence in your role with practical advice and full explanations from best-selling author Louise Burnham. -Translate theory into practice with Tips for Best Practice and Case Studies for challenging topics such as Behaviour Management.-Strengthen your understanding of theory and practice, with comprehensive information linked clearly to assessment criteria.-Find all the information you need with the colourful, clear design, and appropriate language throughout. -Make the most of your training with the Stretch and Challenge feature.-Engage in debate on important topics with Classroom Discussion suggestions.

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An unprecedented look at the little-known paintings from Louise Bourgeois’s early years in New York that laid the groundwork for her sculptural practice “The catalog Louise Bourgeois: Paintings, and the revelatory exhibition, . . . were overseen by Clare Davies, who has commissioned an insightful essay from the art historian Briony Fer. But there’s another bonus: Beyond the paintings in the show, the catalog reproduces around 25 more, meaning that three-quarters of Bourgeois’s contribution to modern painting can now be seen in one place.”—Roberta Smith, New York Times, “Best Art Books of 2022” Louise Bourgeois (1911–2010) is celebrated today for her sculptures. Less known are the paintings she produced between her arrival in New York in 1938 and her turn to three-dimensional media in 1949. Crucial to her artistic practice, these early works—the focus of this groundbreaking publication—show how Bourgeois evolved her deeply personal artistic lexicon, and how the themes and motifs she explored in her paintings coalesced into symbols of her sculptural practice. Informed by new archival research and the artist’s extensive diaries, Louise Bourgeois: Paintings explores Bourgeois’s relationship to the New York art world of the 1940s and her development of a unique pictorial language, adding a key element to our understanding of this crucial artist’s career. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art, New York (April 11–August 7, 2022) New Orleans Museum of Art (September 8, 2022–January 8, 2023)

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This publication brings together a characteristically wide-ranging group of new works by painter Louise Fishman (born 1939). The paintings in this volume all appear as spontaneous improvisations upon an implied grid, but vary widely in scale (from 4 x 6 inches to 96 inches wide) and method. Paint is troweled, squeezed from the tube, diluted into a wash, pressed on with a sheet of paper and pulled off. The mediums include oil, watercolor, egg tempera, colored pencil, ink and graphite. The varied nature of Fishman’s work can be explained by a simple statement from the artist herself: “My intention, always, was to not repeat a painting, was to not repeat aspects of paintings. My intention in painting is to keep discovering and to keep changing.”

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Louise is so excited! The class pet, Pigcasso, is staying over for the weekend! Louise’s cat is not as excited as she is, though.... Can they all make it through the weekend? Louise and the Class Pet is a Level One I Can Read book, which means it’s perfect for children learning to sound out words and sentences. This is the second Level One I Can Read starring Louise, from the acclaimed picture book Louise Loves Art.

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'Utterly Gripping' Sunday TelegraphMeet Chloe. First-year student. Ordinary girl next door. Psychopath.Chloe Sevre can be whoever you want her to be. A cool girl, a best friend, someone to tell secrets to over midnight snacks. She has an impressive IQ, loves working out and frat parties.She's also a psychopath.In between her university classes and taking part in a secret clinical study of young psychopaths, Chloe is plotting to kill childhood friend Will Bachman.They say you should never trust a psychopath. But when you hear what Will Bachman did to Chloe Sevre, you might just change your mind...**Perfect for fans of How To Kill Your Family, You and Killing Eve*'I fell in love with self-confessed psychopath Chloe on page one' Erin Kelly, bestselling author of Watch Her Fall'Deliciously wicked and utterly addictive' Alice Hunter, author of The Serial Killer's WifeReaders love NEVER SAW ME COMING:'A fantastic read that absolutely kept me guessing.' *****'I was hooked... There's plenty of dark humour...but there's also suspense, a lot of twists' *****'A darkly comic, complicated tale.' *****'A profoundly disturbing and well written book with an ending I didn't see coming.' *****'This book was perfectly pitched and pure fun. Highly recommended.' ******

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Belonging to the wider circle of Calvinist exiles from Catholic Flanders working in the Saint-Germain des-Prés area of Paris, Moillon was the sole female practitioner of a group that included Sébastien Stosskopf, Jacques Linard, and Lubin Baugin. Louise Moillon reassesses the importance of this painter of still-life (and occasional genre) paintings through a consideration of the context in which she was working; the centrality of the genre of still life in the Saint-Germain-des-Prés area of Paris in the earlier part of the seventeenth century; and provides close visual analyses of her works. Moillon offers a useful case study of a supremely talented artist whose relative posthumous invisibility may be explained by three key features: her gender; the genre of still life at which she excelled but which became increasingly overlooked after the foundation of the French Académie royale in 1648; and a change in her domestic role after her marriage, when she produced fewer works. This book

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'A warm, witty novel about love and friendship with a fun time-travel twist' HELLO Magazine Number one bestselling author Louise Pentland is back with her brand new novel that will make you laugh, make you cry and thoroughly charm you!Sometimes you have to go back, to move forwards.Tabby is stuck. She still lives in the small town she grew up in . . . the town she's barely ever left.So, when her dad drops a bombshell over their weekly Sunday dinner, Tabby takes a look at her own life. She lives firmly in her comfort zone and doesn't know how to break out. Sometimes she wishes she could go back and start all over again.When she meets Bea, a free spirit like no one else she's ever known with an 'interesting' sense of style, Tabby quickly befriends her, recognising in Bea the change she's been craving. But soon it becomes clear that more has changed than her new friend. Somehow Tabby has been transported back to the 1980s.With the chance to reinvent herself in another time, will Tabby finally manage to move forward?'Full of hope and courage and sisterhood' Emma B, Magic FM

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For fans of Olivia and Eloise, this stunning debut from Kelly Light is an irresistible story about the importance of creativity in all its forms. Meet Louise. Louise loves art more than anything. It's her imagination on the outside. She is determined to create a masterpiece-her piece de resistance! Louise also loves Art, her little brother. This is their story. Louise Loves Art is a celebration of the brilliant artist who resides in all of us.

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An exploration of the art and writing of Louise Bourgeois through the lens of her relationship with Freudian psychoanalysis From 1952 to 1985, Louise Bourgeois (1911–2010) underwent extensive Freudian analysis that probed her family history, marriage, motherhood, and artistic ambition—and generated inspiration for her artwork. Examining the impact of psychoanalysis on Bourgeois’s work, this volume offers insight into her creative process. Philip Larratt-Smith, Bourgeois’s literary archivist, provides an overview of the artist’s life and work and the ways in which the psychoanalytic process informed her artistic practice. An essay by Juliet Mitchell offers a cutting-edge feminist psychoanalyst’s viewpoint on the artist’s long and complex relationship with therapy. In addition, a short text written by Bourgeois (first published in 1991) addresses Freud’s own relationship to art and artists. Featuring excerpts from Bourgeois’s copious diaries, rarely seen notebook pages, and archival family photographs, Louise Bourgeois, Freud’s Daughter opens exciting new avenues for understanding an innovative, influential, and groundbreaking artist whose wide-ranging work includes not only renowned large-scale sculptures but also a plethora of paintings and prints.Published in association with the Jewish Museum, New YorkExhibition Schedule:Jewish Museum, New York (May 21–September 26, 2021)

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Explore one of the Canada’s most beautiful hiking destinations with renowned guidebook authors Brian Patton and Bart Robinson with the LAKE LOUISE HIKING GUIDE. This hiking book details every trail in the Lake Louise region, including many options to extend your adventures. Discover trails along the shore of alpine lakes, to backcountry tea houses, through stands of golden larch, and to lofty mountain viewpoints. Explore wildflower meadows, glacially-carved valleys, and wildlife-rich forests. The two authors have hiked every trail in the Lake Louise region multiple times, including with a trail wheel to compute accurate measurements that are relied upon by locals Parks Canada staff for their own literature.

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Stevie Louise is an entrepreneur (that's like a business person), an entertainer (obviously), and an extrovert on the inside (wait, is this a thing?).Stevie and the Brooke Street crew are hard-up for cash. Going viral doesn't last forever, you know, and killer costumes are expensive. To keep their showbiz dream alive, the kids are competing in a local talent quest. But the competition is stiff (I mean, have you ever heard four goats sing acapella?), and Alex has a unicorn horn glued to his forehead for at least the next three weeks. It's tough working under these conditions, but Stevie is up for any challenge to save Lunchbox Productions... A gloriously warm, funny and relatable story from bestselling author, much-loved comedian, writer, radio announcer and social media sensation Tanya Hennessy.

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A fun and colourful read-aloud book on French-American artist Louise Bourgeois. Exploring Art with Louise Bourgeois uncovers the French-American artist's memories of her childhood through art. We discover the symbolic meaning of Bourgeois's signature spider as we journey through her life. The Exploring Art collection invites young readers to open their minds to the depth and breadth of global art history. Each book explores the key concepts of an artist's oeuvre, their inspirations and important artworks. Guiding questions, a glossary, reflections and activity pages encourage conversations between parent and child.

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A groundbreaking work edited by Germano Celant in collaboration with the artist and her New York studio that enriches our knowledge of Louise Bourgeois Louise Bourgeois, who has produced art since the 1930s, began in the 1990s to use her clothes and the clothes of her loved ones as components in her sculptures and drawings. It is as much a reincarnation of her past and her childhood as a confirmation of her relationship with memory. Her visual approach to fabrics transforms decorative accessories into emotional and personal references which, especially in her Cells and later in her drawings, create representations of a tormented and at the same time powerful womanhood. Further development of the artist’s work began in 2002: exploiting the iridescent colours and formal structural properties of pieces of her clothing, she created “The Fabric Drawings,” astonishing works alternating between floral figurative pieces and chromatic abstractions. This set of images is collected here in its entirety for the first time, constituting the closest thing yet to a general catalogue.

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"Dream big" is Louise the Big Cheese's motto. But try though she might, she's just plain old Louise, no Cheese. When the casting call goes out for Cinderella, Louise just knows that it's her moment to shine and take the stage as the STAR of the show. Unfortunately, the director casts Louise as a mouse while her best friend, Fern, who wasn't even going to try out in the first place, gets to be Cinderella. Louise may be a mouse in the show, but in the end it's up to her to save the day.

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Louise Nevelson (1899–1988) was, with Calder, Noguchi and David Smith, one of the great American sculptors of the 20th century. She created extraordinary work, from room-size installations composed of boxes to gnarled and majestic steel structures. Her life story is no less interesting. She was born in czarist Russia, but her family emigrated to the States and she grew up in Maine. Nevelson endured a repressive marriage to a New York millionaire, whom she escaped to pursue the life of an artist. She gained recognition as an abstract sculptor at the age of 59, and spent the next 30 years taking the art world by storm, becoming a colourful New York personality and minor celebrity. Laurie Wilson, who knew Nevelson personally, draws extensively on her own research in this crisp new biography. She conducted interviews not just with Nevelson but with her siblings, son, and gallery owner Arne Glimcher. Wilson has also had complete access to Glimcher’s archives, Nevelson’s personal assistant, Diana Mackown, and Lippincott studios, where much of Nevelson’s work was cast, among others

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A survey of the psychologically, emotionally and often sexually charged work of Louise Bourgeois Celebrated for her singular contributions to 20th-century sculpture, drawing, painting, printmaking, installation and writing, French-born American artist Louise Bourgeois' (1911–2010) explorations of the human condition originated from her own lived experience. "My goal is to relive a past emotion," Bourgeois explained. "My art is an exorcism." Psychologically, emotionally and often sexually charged, Bourgeois' works intermingle the abstract and corporeal, the voluptuous and the distressing, to striking effect. Louise Bourgeois: To Unravel a Torment accompanies the first exhibition of the artist's work at Glenstone Museum, and features more than 30 major works drawn from the museum's collection. From her early wooden Personages to her large hanging sculptures, from suites of drawings and prints to textile works and her immersive Cells, To Unravel a Torment surveys Bourgeois' career through selected examples from her enormous body of work. Bourgeois was also a prolific writer, matching her sculptural language with reams of psychoanalytic musings on repression, symbolism and material. To Unravel a Torment also brings together never-before-published diary entries by the artist, annotated by Bourgeois scholar Philip Larratt-Smith, a contribution by art historian Briony Fer and an introduction by Emily Wei Rales, founder and director of Glenstone Museum.

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This is a unique and evocative collection of images chronicling the last year of acclaimed sculptor, Louise Bourgeois' life. Louise Bourgeois was an immensely influential sculptor and one of the iconic figures of twentieth and early twenty-first century art. She died in May 2010, aged ninety-eight. In the last year of her life, she invited the artist Alex van Gelder to stay at her New York town house and photograph her. More than purely a portrait project, she considered the collaboration to be an extension of her work, allowing her person to be viewed as a segment of her art. Of the hundreds of pictures that van Gelder took, it is those which depict her hands against the black of her clothes that astonish most: gnarled, sinewy and wrinkled with age, they were the tools which produced her extraordinary work. This beautiful book presents twenty of Van Gelder's portraits of Bourgeois' hands, each on a double-page spread and accompanied by comments by the artist.

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Unseen early works from a pioneering feminist abstractionist New York–based artist Louise Fishman (1931–2021) was widely known for her gestural markmaking and atmospheric spaces. This volume presents nine previously unseen paintings from the artist’s foundational years as a student, featuring her early forays into abstraction.

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In this book from the critically acclaimed, multimillion-copy bestselling Little People, BIG DREAMS series, discover the life of Louise Bourgeois, the inspiring French-American sculptor and installation artist. When Louise was a little girl, her mother died. She learned to express her feelings through drawing – and when she grew up, she turned these drawings into sculpture, confronting her own fears through art. This moving book features stylish and quirky illustrations and extra facts at the back, including a biographical timeline with historical photos and a detailed profile of the artist's life.Little People, BIG DREAMS is a bestselling biography series for kids that explores the lives of outstanding people, from designers and artists to scientists and activists. All of them achieved incredible things, yet each began life as a child with a dream. This empowering series of books offers inspiring messages to children of all ages, in a range of formats. The board books are told in simple sentences, perfect for reading aloud to babies and toddlers. The hardback and paperback versions present expanded stories for beginning readers. With rewritten text for older children, the treasuries each bring together a multitude of dreamers in a single volume. You can also collect a selection of the books by theme in boxed gift sets. Activity books and a journal provide even more ways to make the lives of these role models accessible to children.Inspire the next generation of outstanding people who will change the world with Little People, BIG DREAMS!

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Documenting Louise Nevelson's first museum retrospective In 1967, for her first museum retrospective, Louise Nevelson (1899–1988) was given carte blanche to transform the Rose Art Museum at Brandeis University into an all-emcompassing, theatrical environment for her sculpture. Nevelson installed her show across the whole museum, draping the walls of the permanent collection with the colors that reflected the black, white, gold and navy palette of her works. Louise Nevelson: I Must Recompose the Environment includes previously unpublished exhibition layouts (annotated by Nevelson), installation photographs and texts that place this show in the context of Nevelson's career and the museum’s early history. This publication accompanies the now out-of-print catalog of the 1967 show organized in collaboration with the Whitney Museum and serves as a document both of the then-nascent museum and the solidifying legacy of an artistic icon.

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Meet Stevie Louise. She is an entrepreneur (that's like a business person), an entertainer (obviously), and an extrovert on the inside (wait, is this a thing?). Stevie has a BRILLIANT PLAN. She's going to have fun, make money, and most importantly, make sure the Brooke Street kids stay best friends forever. Then a new neighbour arrives and threatens to derail all Stevie's plans. And then real disaster strikes. But the show must go on. After all, Stevie is a professional. A gloriously warm, funny and relatable story from much-loved comedian, writer, radio announcer and social media sensation Tanya Hennessy.

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Louise Pound (1872–1958) was a distinguished literary scholar, renowned athlete, accomplished musician, and devoted women’s sports advocate. She is perhaps best remembered for her groundbreaking work in the field of linguistics and folklore and for her role as the first woman president of the Modern Language Association. A member of a distinguished Nebraska family that included her brother, the prominent legal scholar Roscoe Pound, Louise completed her undergraduate education at the University of Nebraska. When American universities wouldn’t admit her for graduate study, she went on to obtain a PhD in Heidelberg, Germany. She returned to the University of Nebraska–Lincoln to teach in the English department for the next forty-five years. As a scholar Louise crusaded for the serious study of American English and founded the field’s leading journal, demolished a powerfully defended approach to the study of American folk song, and fought tirelessly to open athletic and professional opportunities for women. She was, in short, what one admirer called a “universal wonder.” She befriended and played an influential role in the life of the young Willa Cather during Cather’s years at the University of Nebraska; H. L. Mencken praised her extravagantly; and scholars of literature, folklore, and dialect studies elevated her to the presidency of their professional societies. Readers of varied interests will find her story compelling.

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Jean-François Jaussaud met Louise Bourgeois for the first time in 1994, at her studio in Brooklyn. But it was not before she had interrogated him about every aspect of his life that he earned her trust. A first photo session was set up in Spring 1995, under one condition: she would destroy the photographs if she didn’t like them... Jaussaud agreed to it and passed the test. He was then given carte blanche to photograph her studio and her house in Chelsea, and he kept coming back for another eleven years. Jaussaud’s photographs of Louise Bourgeois in her house and studio are a moving testimony showing how completely implicated in her work she was, to the point that her private life and her work were inextricably interwoven.

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A deep dive into the life and work of sculptor Louise Nevelson recontextualizes her art in light of social movements, travel, and her experiences in dance and theater Known for her monumental wooden wall pieces and outdoor sculptures, Louise Nevelson (1899–1988) was a towering figure in twentieth-century American art. A more nuanced picture of Nevelson emerges in The World Outside: Louise Nevelson at Midcentury. Discussions about Nevelson’s early involvement with modern dance and subsequent immersion in avant-garde theater bring new understandings of her drawings and sculptures. A reframing of her travels to Mexico and Guatemala in the early 1950s demonstrates, for the first time, how colonial archaeology haunted her visual language for decades. Other little-known facets of Nevelson’s life—her interest in folk art, architecture, and period furniture—open up a conversation about the artist’s approach to America’s past material culture. A pioneering examination of Nevelson’s printmaking experiences at Tamarind Lithography Workshop reveals how the artist created alternative modes of viewing through unconventional methods and materials. The book also reconsiders Nevelson’s work in the context of the environmental movement. Additionally, three contemporary artists relate Nevelson’s role in their careers and lives, a local expert describes her roots and relationship to Maine, and the artist’s granddaughter shares thoughts on Nevelson’s spirituality. Distributed for the Amon Carter Museum of American ArtExhibition ScheduleAmon Carter Museum of American Art, Fort Worth, TX (August 27, 2023–January 7, 2024)Colby College Museum of Art, Waterville, ME (February 6–June 9, 2024)

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Although best known as a master of the formal lyric poem, Louise Bogan (1897–1970) also published fiction and what would now be called lyrical essays. A Poet’s Prose: Selected Writings of Louise Bogan showcases her devotion to compression, eloquence, and sharp truths. Louise Bogan was poetry reviewer for the New Yorker for thirty-eight years, and her criticism was remarkable for its range and effect. Bogan was responsible for the revival of interest in Henry James and was one of the first American critics to notice and review W. H. Auden. She remained intellectually and emotionally responsive to writers as different from one another as Caitlin Thomas, Dorothy Richardson, W. B. Yeats, André Gide, and Rainer Maria Rilke. Bogan’s short stories appeared regularly in magazines during the 1930s, penetrating the social habits of the city as well as the loneliness there. The autobiographical element in her fiction and journals, never entirely confessional, spurred some of her finest writing. The distinguished poet and critic Mary Kinzie provides in A Poet’s Prose a selection of Bogan’s best criticism, prose meditations, letters, journal entries, autobiographical essays, and published and unpublished fiction. Louise Bogan won the Bollingen Prize in 1954 for her collected poems. She is the subject of the Pulitzer Prize-winning biography by Elizabeth Frank, Louise Bogan: A Portrait.

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This book provides a comprehensive overview of the fabric works from the last two decades in the career of legendary artist Louise Bourgeois. “I’ve always had a fascination with the needle,” she said, “the magic power of the needle. The needle is used to repair damage. It’s a claim to forgiveness.” This body of work began when the artist started incorporating clothes from all stages of her life into her art, and later expanded to include a range of other textiles such as bedlinen, handkerchiefs, tapestry, and needlepoint. The fabric works mine the themes of identity and sexuality, trauma and memory, guilt and reparation, and serve as metaphors for emotional and psychological states. The catalog – which accompanies the exhibition at the Hayward Gallery, London and the Gropius Bau, Berlin – features works from numerous series, including the monumental Cell installations, figurative sculptures, and abstract drawings.

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