Search results for ""Author Louise"

Although best known as a master of the formal lyric poem, Louise Bogan (1897–1970) also published fiction and what would now be called lyrical essays. A Poet’s Prose: Selected Writings of Louise Bogan showcases her devotion to compression, eloquence, and sharp truths. Louise Bogan was poetry reviewer for the New Yorker for thirty-eight years, and her criticism was remarkable for its range and effect. Bogan was responsible for the revival of interest in Henry James and was one of the first American critics to notice and review W. H. Auden. She remained intellectually and emotionally responsive to writers as different from one another as Caitlin Thomas, Dorothy Richardson, W. B. Yeats, André Gide, and Rainer Maria Rilke. Bogan’s short stories appeared regularly in magazines during the 1930s, penetrating the social habits of the city as well as the loneliness there. The autobiographical element in her fiction and journals, never entirely confessional, spurred some of her finest writing. The distinguished poet and critic Mary Kinzie provides in A Poet’s Prose a selection of Bogan’s best criticism, prose meditations, letters, journal entries, autobiographical essays, and published and unpublished fiction. Louise Bogan won the Bollingen Prize in 1954 for her collected poems. She is the subject of the Pulitzer Prize-winning biography by Elizabeth Frank, Louise Bogan: A Portrait.

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The eighteenth-century text Work on Women by Louise Dupin (also known as Madame Dupin, 1706-1799) is the French Enlightenment's most in-depth feminist analysis of inequality--and its most neglected one. Angela Hunter and Rebecca Wilkin here offer the first-ever edition of selected translations of Dupin's massive project, developed from manuscript drafts. Hunter and Wilkin provide helpful introductions to the four sections of Work on Women (Science, History and Religion, Law, and Education and Mores) which contextualize Dupin's arguments and explain the work's construction--including the role of her secretary, Jean-Jacques Rousseau. Dupin's central claim in Work on Women is that French jurists have gradually disenfranchised women through reductive interpretations of Roman law. As a result, modern marriage is founded on an abusive, illegitimate contract that enriches one party and impoverishes the other. This manifest injustice is enabled by the "masculine vanity" that aggrandizes men, diminishes women, and distorts all realms of knowledge. Dupin shows how the most reputable scientists incorporate old notions of women's weakness into new understandings of the body, while historians denigrate female rulers or erase them altogether. Even in everyday conversation, men assert their entitlement to social dominance through casual misogyny. Thus, although Dupin advocates for meaningful education for girls, she insists that the upbringing of boys must also be reformed. This volume fills an important gap in the history of feminist thought and will appeal to readers eager to hear new voices that challenge established narratives of intellectual history.

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Let's face it. Every girl has a little big cheese in her. Louise Cheese is no different. Night and day, Louise dreams of the limelight, lots of fuss, the red carpet, and more than anything to be the one and only "Big Cheese." Finally, Louise gets her chance when her teacher, Mrs. Little, announces a casting call for the role of Cinderella in the school play. It's Louise's chance to be a star...or is it? With humor and heart and just a little attitude, Elise Primavera and Diane Goode tell a story that will inspire the inner big cheese in all who read it.

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Surveying the American artist’s multimedia works on paper from 1964 to the present American artist Louise Fishman’s (born 1939) physical and process-driven work reimagines the Abstract Expressionist model into a vehicle for dialogue about history and emotion centered in the artist’s identities as Jewish, feminist and lesbian. Though she is primarily a painter, Fishman has worked with a number of different mediums to create works on paper since the early 1960s. A Question of Emphasis presents a vast selection of these works in a single volume, encompassing collage, oil and wax, thread, acrylic text, ink, charcoal, printmaking, oil stick, watercolor and tempera. Fishman conceives of her works on paper not as studies for later paintings but as discrete pieces of art, generally small- and medium-scale and frequently sculptural and tactile. New writing as well as an interview between Fishman and artist Ulrike Müller accompany a wide selection of works.

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A daring reassessment of Louise Nevelson, an icon of twentieth-century art whose innovative procedures relate to gendered, classed, and racialized forms of making “Here is a book that is not only a transformative study of a single artist but also a record of the scholar’s own labor—and her devotion.”—Artforum In this radical rethinking of the art of Louise Nevelson (1899–1988), Julia Bryan-Wilson provides a long-overdue critical account of a signature figure in postwar sculpture. A Ukraine-born Jewish immigrant, Nevelson persevered in the male-dominated New York art world. Nonetheless, her careful procedures of construction—in which she assembled found pieces of wood into elaborate structures, usually painted black—have been little studied. Organized around a series of key operations in Nevelson’s own process (dragging, coloring, joining, and facing), the book comprises four slipcased, individually bound volumes that can be read in any order. Both form and content thus echo Nevelson’s own modular sculptures, the gridded boxes of which the artist herself rearranged. Exploring how Nevelson’s making relates to domesticity, racialized matter, gendered labor, and the environment, Bryan-Wilson offers a sustained examination of the social and political implications of Nevelson’s art. The author also approaches Nevelson’s sculptures from her own embodied subjectivity as a queer feminist scholar. She forges an expansive art history that places Nevelson’s assemblages in dialogue with a wide array of marginalized worldmaking and underlines the artist’s proclamation of allegiance to blackness.

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'You won't put this novel down until you've uncovered every last skeleton in the closet. I loved it ' Louise CandlishKieran Elliott's life changed forever on a single day when a reckless mistake led to devastating consequences. The guilt that haunts him still resurfaces during a visit with his young family to the small coastal town he once called home.Kieran's parents are struggling in a community which is bound, for better or worse, to the sea that is both a lifeline and a threat. Between them all is his absent brother Finn.When a body is discovered on the beach, long-held secrets threaten to emerge in the murder investigation that follows. A sunken wreck, a missing girl, and questions that have never washed away...Praise for The Survivors'A new book by Harper is always an event' Sunday Times'Once again Harper demonstrates how good she is at portraying the fear and menace that lurk in ordinary lives' Daily Mail'Multi-layered, atmospheric and brilliantly written' Sun'With The Survivors, Jane Harper proves she's unquestionably the real deal' Val McDermid

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A dominant figure in American poetry for more than thirty-five years, Louise Glück has been the recipient of virtually every major poetry award and was named U.S. poet laureate for 2003–2004. In a new full-length study of her work, Daniel Morris explores how this prolific poet utilizes masks of characters from history, the Bible, and even fairy tales.Morris treats Glück’s persistent themes—desire, hunger, trauma, survival—through close reading of her major book-length sequences from the 1990s: Ararat, Meadowlands, and The Wild Iris. An additional chapter devoted to The House on Marshland (1975) shows how its revision of Romanticism and nature poetry anticipated these later works. Seeing Glück’s poems as complex analyses of the authorial self via sustained central metaphors, Morris reads her poetry against a narrative pattern that shifts from the tones of anger, despair, and resentment found in her early Firstborn to the resignation of Ararat—and proceeds in her latest volumes, including Vita Nova and Averno, toward an ambivalent embrace of embodied life.By showing how Glück’s poems may be read as a form of commentary on the meanings of great literature and myth, Morris emphasizes her irreverent attitude toward the canons through which she both expresses herself and deflects her autobiographical impulse. By discussing her sense of self, of Judaism, and of the poetic tradition, he explores her position as a mystic poet with an ambivalent relationship to religious discourse verging on Gnosticism, with tendencies toward the ancient rabbinic midrash tradition of reading scripture. He particularly shows how her creative reading of past poets expresses her vision of Judaism as a way of thinking about canonical texts.The Poetry of Louise Glück is a quintessential study of how poems may be read as a form of commentary on the meanings of great literature and myth. It clearly demonstrates that, through this lens of commentary, one can grasp more firmly the very idea of poetry itself that Glück has spent her career both defining and extending.

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There’s nothing like a pair of sparkly, shiny, and pretty la-di-da shoes to bring out the Big Cheese in a girl. But Louise’s mother doesn’t quite see it that way. Instead Louise has to wear the dull and drab brown tie shoes she has worn for years. They are practical, Louise’s mother says. They are better in the rain, the shoe salesman says. It doesn’t matter that Louise doesn’t see it that way. Then Louise’s best friend Fern comes to school with shiny new patent leather shoes from Paris with sparkles on the toes! Are the bonds of friendship greater than shoe envy? Only Louise can say…

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Approximately 80 previously unpublished writings by Louise Bourgeois appear here in print for the first time, which, combined with eight extensive scholarly essays turns our critical understanding of Bourgeois’ work on its head, offering a new and unprecedented insight into the work of one of the 20th century’s greatest artists. Famed for such works as The Destruction of the Father (1974), Arch of Hysteria (1993) and her huge and emblematic piece Maman (1999) – an enormous spider as an icon of maternal protection and withdrawal – Bourgeois investigated the realm of psychoanalytical territory through her sculptures, paintings and writings. Louise Bourgeois: The Return of the Repressed shows the enduring presence of psychoanalysis as a motivational force and a site of exploration in her life and work. Selected and edited by Philip Larratt-Smith, her literary archivist, these texts provide a comprehensive overview and re-reading covering 60 years of artistic production. The second volume in this gorgeous set also serves as an impressive and up-to-date monograph, detailing works up until the artist’s death in 2010.

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‘Satisfyingly replete with eye-popping stories’ Observer What was so dangerous about Queen Victoria’s artistic tempestuous sixth child, Princess Louise?When Lucinda Hawksley started to investigate, often thwarted by inexplicable secrecy, she discovered a fascinating woman, modern before her time, whose story has been shielded f from public view for years. Louise was a sculptor and painter, friend to the Pre-Raphaelites and a keen member of the Aesthetic movement. The most feisty of the Victorian princesses, she kicked against her mother’s controlling nature and remained fiercely loyal to her brothers – especially the sickly Leopold and the much-maligned Bertie. She sought out other unconventional women, including Josephine Butler and George Eliot, and campaigned for education and health reform and for the rights of women. She battled with her indomitable mother for permission to practice the ‘masculine’ art of sculpture and go to art college – and in doing so became the first British princess to attend a public school. The rumours of Louise’s colourful love life persist even today, with hints of love affairs dating as far back as her teenage years, and notable scandals included entanglements with her sculpting tutor Joseph Edgar Boehm and possibly even her sister Princess Beatrice’s handsome husband, Liko. True to rebellious form, she refused all royal suitors and became the first member of the royal family to marry a commoner since the sixteenth century. Spirited and lively, The Mystery of Princess Louise is richly packed with arguments, intrigues, scandals and secrets, and is a vivid portrait of a princess desperate to escape her inheritance.

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The Many Lives and Deaths of Louise Brunet brings together several hundred works of art, objects and archival documents, covering diverse geographies over several millennia. From Cranach to 1960s industrial design, and ancient funerary stele to 18th century Japanese Samurai armour, the exhibition draws on the collections of local and foreign institutions. It exhumes trans-historical narratives of fragility and resistance and confronts them with a diversity of works by the biennale’s invited artists. Departing from the context of Lyon, the exhibition is designed as a retelling of the obscure 19th century story of Louise Brunet, a silk spinner from the Drôme, who after joining the revolution of the “Canuts” (silk weavers) in 1834, embarked on an arduous journey of self-reinvention, which ended in the Lyon-owned silk factories of Mount Lebanon. Louise Brunet is portrayed as an elusive figure, part real, part fictional, that appears in different guises, in various places, at several moments in history.

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Born in 1901, Louise Thompson Patterson was a leading and transformative figure in radical African American politics. Throughout most of the twentieth century she embodied a dedicated resistance to racial, economic, and gender exploitation. In this, the first biography of Patterson, Keith Gilyard tells her compelling story, from her childhood on the West Coast, where she suffered isolation and persecution, to her participation in the Harlem Renaissance and beyond. In the 1930s and 1940s she became central, along with Paul Robeson, to the labor movement, and later, in the 1950s, she steered proto-black-feminist activities. Patterson was also crucial to the efforts in the 1970s to free political prisoners, most notably Angela Davis. In the 1980s and 1990s she continued to work as a progressive activist and public intellectual. To read her story is to witness the courage, sacrifice, vision, and discipline of someone who spent decades working to achieve justice and liberation for all.

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Louise the Big Cheese is determined to make the grade in school this year and that means straight As. But she's stuck with the toughest teacher ever. Will Louise make the grade?

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A clever, quirky picture-book biography of one of the most important figures of modern and contemporary art Louise Bourgeois was a world-famous artist who told stories of her life through her art until she was 98 years old. She drew, wove, and sculpted pieces inspired by her experiences, often using everyday objects that reminded her of her family and her past. Her famous giant spiders fascinate – and sometimes terrify – art-lovers to this day, but the truth behind the inspiration for these towering sculptors is not as scary as it may seem. This is an inspiring story about a young girl who became the first female sculptor to have a solo exhibition at the Museum of Modern Art in New York – a unique picture-book celebration for children of one of the most important modern and contemporary woman artists of our time.Ages 4 - 7

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Louise Bourgeois (1911–2010) was a world-renowned modern artist noted for her sculptures made of wood, steel, stone, and cast rubber. Her most famous spider sculpture, Maman, stands more than 30 feet high. Just as spiders spin and repair their webs, Louise’s own mother was a weaver of tapestries. Louise spent her childhood in France as an apprentice to her mother before she became a tapestry artist herself. She worked with fabric throughout her career, and this biographical picture book shows how Bourgeois’s childhood experiences weaving with her loving, nurturing mother provided the inspiration for her most famous works. With a beautifully nuanced and poetic story, this book stunningly captures the relationship between mother and daughter and illuminates how memories are woven into us all.

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Born in 1901, Louise Thompson Patterson was a leading and transformative figure in radical African American politics. Throughout most of the twentieth century she embodied a dedicated resistance to racial, economic, and gender exploitation. In this, the first biography of Patterson, Keith Gilyard tells her compelling story, from her childhood on the West Coast, where she suffered isolation and persecution, to her participation in the Harlem Renaissance and beyond. In the 1930s and 1940s she became central, along with Paul Robeson, to the labor movement, and later, in the 1950s, she steered proto-black-feminist activities. Patterson was also crucial to the efforts in the 1970s to free political prisoners, most notably Angela Davis. In the 1980s and 1990s she continued to work as a progressive activist and public intellectual. To read her story is to witness the courage, sacrifice, vision, and discipline of someone who spent decades working to achieve justice and liberation for all.

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The biography of Marie-Louise Bouchard Labelle tells of a youngCanadian woman of humble background who, at the turn of the 20thcentury, discovers love with the priest of her village, a man 33 yearsolder. After three children and 15 years of happy life together, herspouse returns to the priesthood, just before the Great Depression.Trépanier narrates this brave woman's struggle to raise theirchildren alone. Her story raises questions on the mandatory celibacy ofCatholic priests and the status of women in the eyes of the CatholicChurch.

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A lucid view of one of the most important Italian American female authors of our time, Louise DeSalvo. Celebrating one of the most important Italian American female authors of our time, Personal Effects offers a lucid view of Louise DeSalvo as a writer who has produced a vast and provocative body of memoir writing, a scholar who has enriched our understanding of Virginia Woolf, and a teacher who has transformed countless lives. More than an anthology, Personal Effects represents an author case study and an example for modern Italian American interdisciplinary scholarship. Personal Effects examines DeSalvo’s memoirs as works that push the boundaries of the most controversial genre of the past few decades. In these works, the author fearlessly explores issues such as immigration, domesticity, war, adultery, illness, mental health, sexuality, the environment, and trauma through the lens of gender, ethnic, and working-class identity. Alongside her groundbreaking scholarship, DeSalvo’s memoirs attest to the power and influence of this feminist Italian American writer.

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See how iconic artists like Louise Bourgeois were influenced by their environments in this beautiful series produced in collaboration with The Met.See the world through Louise Bourgeois’s eyes and be inspired to produce your own masterpieces. Have you ever wondered exactly what your favorite artists were looking at to make them draw, sculpt, or paint the way they did? In this charming illustrated series of books to keep and collect, created in full collaboration with the Metropolitan Museum of Art, you can see what they saw and be inspired to create your own artworks too. In What the Artist Saw: Louise Bourgeois, meet famous French American painter, printmaker, and sculptor Louise Bourgeois. Step into her life and learn what led her to explore her fears and emotions through her art. Learn all about her family and what inspired her to create her large spider sculptures. Have a go at producing your own art inspired by your dreams! In this series, follow the artists’ stories and find intriguing facts about their environments and key masterpieces. Then see what you can see and make your own art. Take a closer look at landscapes, or even yourself, with Vincent van Gogh. Try crafting a story in fabric like Faith Ringgold, or carve a woodblock print at home with Hokusai. Every book in this series is one to treasure and keep— perfect for budding young artists to explore exhibitions with, then continue their own artistic journeys.

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See the world through Louise Bourgeois' eyes and be inspired to produce your own masterpieces.Have you ever wondered exactly what your favourite artists were looking at to make them draw, sculpt, or paint the way they did? In this charming illustrated series of books to keep and collect, created in full collaboration with The Metropolitan Museum of Art, you can see what they saw, and be inspired to create your own artworks, too. In What the Artist Saw: Louise Bourgeois, meet the famous French-American painter, printmaker and sculptor. Step into her life and learn what led her to explore her fears and emotions through her art. Learn all about her family and what inspired her to create her large spider sculptures. Have a go at producing your own art inspired by your dreams!In this series, follow the artists' stories and find intriguing facts about their environments and key masterpieces. Then see what you can see and make your own art. Take a closer look at landscapes, or even yourself, with Vincent van Gogh. Try crafting a story in fabric like Faith Ringgold, or carve a woodblock print at home with Hokusai. Every book in this series is one to treasure and keep - perfect for budding young artists to explore exhibitions with, then continue their own artistic journeys. © The Metropolitan Museum of Art, New York

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Louise loves all kinds of art. But when she has to make cupcakes for a bake sale—and everything goes wrong—can she and her brother make messy cupcakes into art? This charming I Can Read story also introduces the concept of how mixing primary colors makes new ones, and that creativity comes in all different forms.Louise Loves Bake Sales is a Level One I Can Read book, which means it’s perfect for children learning to sound out words and sentences. This is the first Level One I Can Read starring Louise, from the acclaimed picture book Louise Loves Art.

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Spend a year dwelling on the best excerpts from inspirational works of beloved bestselling author Louise Hay. Louise Hay was renowned for her spiritual teachings and messages of inspiration and hope, which have been shared across the world for decades now. Louise believed in the power of thought to achieve anything you dreamed possible. The quotes and extracts in Trust Life form the well of inspiration from which you can drink daily to remind yourself that yes, all is possible, and all will be well.

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At 102 years of age, Louise Tobin is one of the last surviving musicians of the Swing Era. Born in Aubrey, Texas, in 1918, she grew up in a large family that played music together. She once said that she fell out of the cradle singing and all she ever wanted to do was to sing. And sing she did. She sang with Benny Goodman and also performed vocals for such notables as Will Bradley, Bobby Hackett, Harry James (her first husband), Johnny Mercer, Lionel Hampton, the Glenn Miller Orchestra, Peanuts Hucko (her second husband), and Fletcher Henderson.Based on extensive oral history interviews and archival research, Texas Jazz Singer recalls both the glamour and the challenges of life on the road and onstage during the golden age of swing and beyond. As it traces American music through the twentieth century, Louise Tobin's story provides insight into the challenges musicians faced to sustain their careers during the cultural revolution and ever-changing styles and tastes in music.In this absorbing biography, music historian Kevin Edward Mooney offers readers a view of a remarkable life in music, told from the vantage point of the woman who lived it. Rather than simply making Tobin an emblem for women in jazz of the big band era, Mooney concentrates instead on Tobin's life, her struggles and successes, and in doing so captures the particular sense of grace that resonates throughout each phase of Tobin's notable career.

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WHAT DOES MIGRATION MEAN FOR THOSE, WHO STAY BEHIND? Louise Amelie's documentary photo series is an artistic exploration of the global phenomenon of migration and its many facets, which are often ignored in European migration politics. Migration has always been an integral part of human experience and will continue to be. Yet in public discourse it is presented as an aberration, while the existence of nation-state borders is hardly ever questioned. On the globe, Kyrgyzstan nestles inconspicuously next to Kazakhstan and China, but on the ground the vastness and heights of the mountains seem endless. In contrast to the natural beauty, prefabricated housing estates spring up in the capital, Bishkek. Here lives a young population that, despite all the adversities of post-Soviet reality, faces the world with great confidence. In a collection of portraying texts and photographs that foreground the individual stories, the book is an expression of solidarity and empathy, and shows that migration can mean both an opportunity as well as the painful loss of a beloved Missing Member.

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A lucid view of one of the most important Italian American female authors of our time, Louise DeSalvo. Celebrating one of the most important Italian American female authors of our time, Personal Effects offers a lucid view of Louise DeSalvo as a writer who has produced a vast and provocative body of memoir writing, a scholar who has enriched our understanding of Virginia Woolf, and a teacher who has transformed countless lives. More than an anthology, Personal Effects represents an author case study and an example for modern Italian American interdisciplinary scholarship. Personal Effects examines DeSalvo’s memoirs as works that push the boundaries of the most controversial genre of the past few decades. In these works, the author fearlessly explores issues such as immigration, domesticity, war, adultery, illness, mental health, sexuality, the environment, and trauma through the lens of gender, ethnic, and working-class identity. Alongside her groundbreaking scholarship, DeSalvo’s memoirs attest to the power and influence of this feminist Italian American writer.

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