Search results for ""Author Hans"

Hans Josephsohn, born in 1920 in Königsberg (now Kaliningrad, Russia), came to Zurich via Florence as a Jewish immigrant in 1938. In more than six decades he has created a sculptural oeuvre that transcends the fashions and fads of the art world and yet testifies to his incomparably sensitive understanding of our age. This comprehensive monograph introduces the reader to Josephsohn's approach, outlines his development and places him within the development of twentieth-century art. The book shows the fascinating uniqueness and the tense calm of an oeuvre that offers many young artists an attitude to art that mirrors their own concerns. AUTHOR: Gerhard Mack is the arts editor of the Sunday edition of the "Neue Zurcher Zeitung" and the author of numerous essays and publications on art and architecture, literature, and theatre." 136 colour, 92 b/w illustrations

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Friendship comes in all shapes and sizes! Originally published in 1969, this original Bernadette Watts story is now back in print with brand new, radiant illustrations.  Hans Millermann is lonely and longs for the company of a friend. The little green caterpillar that lives with him in the mill is not good enough, so he goes out into the world to find a real friend. He is happy to befriend a snowflake, a flower, or even a fox. But none are willing to be his friend in return—not even the wind. The wind reminds Hans that they both still have something important to do. When Hans returns home to the mill, he finds a surprise: a beautiful butterfly is waiting for him. Could it be the caterpillar that Hans had previously disregarded?   Bernadette Watts has delighted children around the world with her timeless tales and expressive art. This sweet story about recognizing friendship in all of its disguises will warm hearts a

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The painter Hans Purrmann (1880–1966) ranks among the most important colourists of twentieth- entury art. Drawing on Henri Matisse and the expressionists, he developed a distinct and acclaimed artistic practice over the course of a life lived in places from Munich to Paris to Berlin to Florence to Switzerland. Part of the secret of Hans Purrmann’s art is that in his work he translated the visible in a very specific and vibrant manner. With irrepressible curiosity, attentiveness and an unerring eye for beauty and the primal and essential, he produced works whose classification as “representational painting” falls short. In fact, his place in art history is one which continues to offer points of departure for modernism [“einen für die Moderne bis heute anschlussfähigen Rang”: in der Kunst ist die Moderne eine abgeschlossene Epoche]: in 1955 Purrmann was included in documenta I in Kassel, and in 1962 he was the subject of a major retrospective at the Haus der Kunst in Munich which was hailed by the press as a sensation. Based on new sources, Christoph Wagner presents the life and work of Hans Purrmann and places the painter as a prominent protagonist within the coordinates of twentieth-century art history.

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Hans works faithfully for seven years building a new sewage system. At the end of his service, his master gives him a lump of gold the size of his head! Hans heads off to make his fortune, but soon the gold becomes too heavy to carry. In a series of hilarious encounters with other travellers, Hans ends up trading one thing for another along his journey, from the gold to a goose to a pig and more! This fractured retelling of Hans in Luck, a lesser-known tale from the Brothers Grimm, will make readers giggle, groan and gasp with delight. Especially when they see why Hans thinks he is the luckiest man in the world.

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“Broek’s work’s got attitude.” – ­Marlene Dumas “In combining extremes, Broek homes in on our zeitgeist." – Wilma Sütö The central theme in the oeuvre of Dutch artist Hans Broek (b. 1965) is landscape. He often paints locations where history has left an indelible mark, manifesting his belief that art should jolt you awake. He finds inspiration all around the world: a telegraph pole under a dark, cloudy Spanish sky; modern bungalows on the outskirts of LA; melting ice caps in Greenland; and wind-blown, rainy landscapes on the Atlantic seaboard in the wake of Hurricane Sandy. His series of paintings that depict prisons, dungeons, cell doors, plantations, and seats of colonial power funded by slavery - ‘guilty architecture’ where injustice was witnessed without intervention - serve as moving, silent witnesses to the ugly history of the Dutch slave trade. With contributions by Edo Dijksterhuis, Dominic van den Boogerd, Wilma Sütö and the artist himself. This book is published on the occasion of the exhibition. Text in English and Dutch

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The metal sculptures and drawings of Hans Uhlmann (1900 1975) shaped the image of German postwar modernism. Arrested by the National Socialists in 1933, Uhlmann sketched filigree wire heads during his incarceration. He went on to realise these pieces following his release. In the 1950s, his figurative forms developed further into abstract compositions. With around 80 works, the exhibition at the Berlinische Galerie traces Uhlmann's creative periods from the 1930s to the 1970s and explores not only his drawings and sculptures but also his role within the West Berlin art scene. This is the first comprehensive retrospective of his work in more than 50 years.Text in English and German.

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This gorgeously illustrated book examines the practice and materials of a prominent Abstract Expressionist The career of the German-American painter and educator Hans Hofmann (1880-1966) describes the arc of artistic modernism from pre-World War I Munich and Paris to mid-twentieth-century Greenwich Village. His career also traces the transatlantic engagement of modern painting with the materials of its own making, a relationship that is perhaps still not completely understood. In these interrelated narratives, Hofmann is a central protagonist, providing a vital link between nineteenth- and twentieth-century art practice and between European and American modernism. The remarkable vitality of his later work affords insight not only into the style but also the literal substance of this formative period of artistic and material innovation. This richly illustrated book, the fourth in the Getty Conservation Institute's Artist's Materials series, presents a thorough examination of Hofmann's late-career materials. Initial chapters present an informative overview of Hofmann's life and work in Europe and America and discuss his crucial role in the development of Abstract Expressionism.Subsequent chapters present a detailed analysis of Hofmann's materials and techniques and explore the relationship of the artist's mature palette to shifts in the style and aging characteristics of his paintings. The book concludes with lessons for the conservation of modernist paintings generally, and particularly those that incorporate both traditional and modern paint media. This book will be of value to conservators, art historians, conservation scientists, and general readers with an interest in modern art.

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Christopher Fifield's remarkable study explores the personality, life and work of a conductor who influenced and inspired the leading composers, singers and instrumentalists of his day. The Austro-Hungarian Hans Richter (1843-1916) was the first career-conductor to gain international fame. His first appointment was to Budapest, and he went on to dominate music-making in Vienna, Bayreuth, London, Manchester (withthe Hallé Orchestra) and other towns and cities in Britain and Europe between 1865 and 1912. Richter gave first performances of works by Wagner, Brahms, Elgar, Bruckner, Tchaikovsky, Stanford and Parry and helped to further the careers of Dvorák, Sibelius, Bartók and Glazunov. Christopher Fifield's remarkable study explores the personality, life and work of a conductor who influenced and inspired the leading composers, singers and instrumentalists of his day. Originally published in 1993, this revised and expanded edition contains extensive new material in the form of Richter's conducting books. Translated and reproduced in full, they detail every one of the 4,351 public performances Richter gave in a professional life spanning 47 years. Drawing on Richter's own diaries, the book also presents his correspondence with many contemporary composers (Wagner in particular) and performers. Fifield's biography of this seminal figure provides a revealing insight into British and European music and concert life during the long nineteenth century. CHRISTOPHER FIFIELD is a conductor, music historian, lecturer and broadcaster.He is the editor and author of the Letters and Diaries of Kathleen Ferrier and Max Bruch: His Life and Works, both published in new editions by The Boydell Press. He has also written Ibbs & Tillett - The rise andfall of a Musical Empire and The German Symphony between Beethoven and Brahms.

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When Hans Jonas died in 1993, he was revered among American scholars specializing in European philosophy, but his thought had not yet made great inroads among a wider public. In Germany, conversely, during the 1980s, when Jonas himself was an octogenarian, he became a veritable intellectual celebrity, owing to the runaway success of his 1979 book The Imperative of Responsibility. In the 1920s, Jonas studied philosophy with Edmund Husserl and Martin Heidegger, but the Nazi regime forced him to leave Germany for London in 1933. He later emigrated to Palestine and eventually enlisted in the British Army’s Jewish Brigade to fight against Hitler. Following the Israeli War of Independence, he emigrated to the United States and took a position at the New School for Social Research in New York. He became part of a circle of friends around Hannah Arendt and Heinrich Blucher, which included Adolph Lowe and Paul Tillich. This memoir, a diverse collection of previously unpublished materials—diaries, letters, interviews, and public statements—has been organized by Christian Wiese, whose afterword links the Jewish dimensions of Jonas’s life and philosophy. Because Jonas’s life spanned the entire twentieth century, this memoir provides nuanced pictures of German Jewry during the Weimar Republic, of German Zionism, of the Jewish emigrants in Palestine during the 1930s and 1940s, and of German Jewish émigré intellectuals in New York. Since Memoirs was first published in 2008, interest in the work of Hans Jonas has grown among American academics in recent years.

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Hans-Ulrich Treichel has enjoyed a meteoric rise to fame since the publication of his first novel "Der Verlorene" in 1998. This volume follows the series pattern, aiming to provide an introduction to Hans-Ulrich Treichel and to offer a critical approach to his work.

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SEGUNDA ENTREGA DE UN CLÁSICO DE LA CIENCIAFICCIÓN EN EDICIÓN INTEGRAL Un año después de su estreno en la edición belga de la revista Tintín, la que todavía no era una serie de éxito, Thorgal ralentizó su producción. Su guionista, Jean Van Hamme, se

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Mit seinem Breslauer und späteren Marburger Kollegen Hans von Soden verband Rudolf Bultmann eine Jahrzehnte währende Freundschaft, wovon ihre Korrespondenz ein eindrucksvolles Zeugnis ablegt. Die Briefe an Hans von Soden lassen teilhaben am geistigen Ringen um die jeweilige Positionierung von liberaler und dialektischer Theologie. Bultmanns Briefwechsel mit Philipp Vielhauer und Hans Conzelmann gewähren authentische Einblicke in die theologischen und exegetischen Debatten innerhalb der „Bultmannschule“. Dabei werden zentrale theologische Themen diskutiert, deren Relevanz bis heute ungebrochen ist: das Verhältnis zwischen dem historischem Jesus und dem Christus des Glaubens, die Entstehung des Osterglaubens, Geschichte und Eschatologie, Jesus und der Menschensohn.

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It's the school show and Matilda gets the starring role. Hans decides to wreak havoc with the other acts, including Clumsy Tony the magician's. To escape the angry cast Hans runs into the magician's wardrobe. Hey-presto! - he's transformed into Matilda, winning Clumsy Tony the prize for best act in the show!

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The Flemish Primitive artist Hans Memling (c. 14351494), who played a crucial role in early Netherlandish painting, is inextricably associated with Bruges. Among his most impressive creations are the St John Altarpiece and the St Ursula Shrine, which he created for St John's Hospital in the city. Seven more of this 15th-century master's finest works can also be seen in Bruges, at what is now the St John's Hospital Museum and at the Groeninge Museum.This book describes Memling's breathtaking paintings in close detail, while offering readers the opportunity to (re)discover his oeuvre as a whole.Text in English and Dutch.

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This stunning chapbook-perfect reading for the Christmas holidays-includes three classic winter tales by Hans Christian Andersen: "The Little Match-Girl," "The Fir-Tree," and "The Snow Man."

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An accordion-fold book with two versions of the same classic tale by the Brothers Grimm, one that follows the traditional plot line, and the other a contemporary retelling with a twist. Both sides include new possibilities and perils!

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Renowned for disrupting and reconfiguring space in unexpected ways, Austrian artist Hans Schabus, born in 1970, produces site-specific installations that use spatial displacement to debunk cultural symbols. For his first solo museum exhibition in the United States, Schabus made Deserted Conquest, a 15,000-square-foot installation commissioned by SITE Santa Fe, 2007. Taking the New Mexico landscape as his subject, he created a series of confrontations that dismantle our cultural romanticism of the desert landscape and idealizations of "the West." This consisted of two new videos, sculptures, drawings and a variety of found objects, including a partially reconstructed mobile home and more than 100 tons of dirt. Viewers were encouraged to navigate the terrain freely, their tracks transforming the space over time. As a further conceit orchestrated by the artist, the catalogue's full-color images are photographed along cardinal lines, lending the reader a fresh perspective on the original exhibit.

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The first in a new series called A5 in which important figures in the history of design will be made accessible to a broader audience. The graphic artist Hans Hillmann is one of Germany's most important poster designers and illustrators who, as a professor of graphic design for more than 30 years, had a formative influence on entire generations of designers. 120 illustrations

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A monograph surveying the storied career of German artist Hans Haacke, on the occasion of a major retrospective exhibition Born in Germany in 1936, Hans Haacke is known for his intellectual and politically engaged art that has long shed light on systems of power. A pioneer of institutional critique, conceptual art, and environmental art, Haacke creates incisive, often site-specific works that call upon the viewer to engage or participate and thereby question invisible structural dynamics at play in society. This book offers an opportunity to revisit the artist’s thought-provoking career in light of contemporary culture.

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This book will be a major survey of one of the most famous artist couples namely Hans (Jean) Arp and Sophie Taeuber-Arp, two of the most important artists of the 20th-century avant-garde.

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Puffin Classics: the definitive collection of timeless stories, for every childRediscover the Puffin Classics collection and bring the best-loved classics to a new generation - including this charming edition of Hans Christian Andersen's Fairy Tales. This enchanting collection, retold by writer and critic Naomi Lewis, contains twelve of Hans Christian Andersen's magnificent stories. It includes Thumbelina, a little girl no more than a thumb-joint high, The Emperor's New Clothes, the tale of a man who cares only for his appearance and The Little Mermaid, who longs to one day marry a human prince.

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The figure is a constant in the work of Hans Thomann (*1957). The sculptor is interested in the question of how people present and perceive themselves. Thomann sounds out cultural conceptions, which quite often turn out to be fragile illusions, in life-size human sculptures of figures from Superman and dwarves to Jesus. Ambivalence, just like humour, is one of the artist’s constant companions. With his works, which include numerous installations in public spaces and commercial premises, Hans Thomann continuously reflects on human existence. His examinations also comprise sacred spaces, in which he realises critical or provocative interventions. Text in English and German.

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Hardly any other church leader from the time of Nazi rule is as controversial as the former regional bishop of the Evangelical Lutheran Church in Bavaria, Hans Meiser. In the 1950s / 60s he was respected as a courageous opponent of National Socialism and honored in Bavaria with the naming of streets. In recent debates on culture of memory, he fell under the verdict of being a "Nazi bishop" and an anti-Semite scientific biography of Hans Meiser shows that such one-dimensional judgments do not do justice to the historical person. Beyond the polarized debates on the culture of remembrance about the streets named after Meiser, she comprehensively examines and differentiates his church activities in the fundamental political upheavals of the 20th century from the Empire to the Weimar Republic and the Nazi regime to the young Federal Republic.

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On the radio they said that Hans Christian Andersen wrote the Little Mermaid whilst he was avoiding the wedding of the person he loved. I thought 'that doesn't sound like a story that involves singing lobsters'. So I picked a book from my shelf, I sat down at the table, and I began to read. And as I read the stories, I remembered where I first heard them. You know how that is? You open one memory and a thousand more pour out.

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A new account of the brilliant and prolific Danish writer whose works captivated readers across Europe Rarely does an American or European child grow up without an introduction to Hans Christian Andersen’s "The Ugly Duckling," "The Princess and the Pea," or "Thumbelina." Andersen began publishing his fairy tales in 1835, and they brought him almost immediate acclaim among Danish and German readers, followed quickly by the French, Swedes, Swiss, Norwegians, British, and Americans. Ultimately he wrote more than 150 tales. And yet, Paul Binding contends in this incisive book, Andersen cannot be confined to the category of writings for children. His work stands at the very heart of mainstream European literature. The author considers the entire scope of Andersen’s prose, from his juvenilia to his very last story. He shows that Andersen’s numerous novels, travelogues, autobiographies, and even his fairy tales (notably addressed not to children but to adults) earned a vast audience because they distilled the satisfactions, tensions, hopes, and fears of Europeans as their continent emerged from the Napoleonic Wars. The book sheds new light on Andersen as an intellectual, his rise to international stardom, and his connections with other eminent European writers. It also pays tribute to Andersen’s enlightened values—values that ensure the continuing appeal of his works.

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