Search results for ""Author Hans"

Hans Hofmann (1880–1966) was an acclaimed Abstract Expressionist and one of the most influential art teachers of the 20th century. While his paintings have been the subject of many exhibitions and publications, his works on paper are comparatively little known, despite how central they were to his artistic practice and to the evolution of his style and technique. This is the first full-length book devoted to Hofmann’s works on paper, presenting a valuable new perspective from which to appreciate the achievements of this giant of postwar art. More than fifty examples from across his long career and from many genres—including self-portraits, figural studies, interiors, landscapes, and abstractions—are all attractively illustrated in color. In addition, works in different stages of finish, from rough sketches to polished pieces, offer an intimate glimpse into Hofmann’s methods and creative process. Distributed for MOCA JacksonvilleExhibition Schedule:Museum of Contemporary Art, Jacksonville, FL (01/28/17–05/14/17)Portland Museum of Art, Portland, ME (06/16/17–09/10/17)

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Challenges conventional views of Hans Kelsen and foreign-policy realism in International Relations theory Focuses on Kelsen as a political thinker and actor Introduces Kelsen as a political realist Shows how Kelsen thought of human nature the state, and war Challenges today's Schmittians and conventional views of foreign-policy realism Highlights the possibility for progress and peace in a rough world A lively account of Kelsen's life and political thinking This book is the first work to show this iconic legal philosopher's significance as a progressive political realist. In a lively account of Kelsen's life and political thinking, Robert Schuett introduces him as a political realist and brings his thought on human nature, the state and war into productive tension with today's Schmittians and conventional views of foreign policy realism. At a precarious moment in world history, where Western liberal principles are challenged by visions of illiberal democracy at home and abroad, this new reading of the Pure theory of law, state and international legal order is a timely defense of the ideals of an open society through a realistic style of politics.

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The built work of Hans Scharoun (1893 1972) has already been honored many times, but his sensational drawings with utopian contents have only been considered cursorily and his pioneering drawings as a pupil and student have not been a focus at all. Over 1,000 free sketches and drawings by Scharoun that are not connected with concrete building projects and were produced between 1909 his time at school in Bremerhaven and the end of the Second World War take center stage. Analyses of new sources now facilitate a first overall classification of his visions put down on paper. The publication honors the work of the architect, who was the first postwar president of the West-Berlin Akademie der Künste, in the fiftieth anniversary of his death.

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Hans Scharoun is one of the most important architects of the 20th century; as a proponent of organic architecture, he created unconventional and imaginative buildings which adapt to users’ needs in a dynamic way. His oeuvre includes family residences and housing estates but also encompasses the German embassy in Brazil, and urban icons such as the Berlin Philharmonie. The book, a cooperation with Baukunstarchiv (the architecture archive) of the Akademie der Künste, Berlin, documents the entire range of known completed buildings by Scharoun, including, for the first time, early works in East Prussia. The specially taken photographs by Carsten Krohn, together with the historic photographs and plans from the Hans-Scharoun-Archive offer a new overview of this expressive organic architecture.

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In a lively account of Kelsen's life and political thinking, Robert Schuett introduces him as a political realist and brings his thought on human nature, the state and war into productive tension with today's Schmittians and conventional views of foreign policy realism.

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Seit den 1960er-Jahren haben Künstler*innen tradierte Vorstellungen einer Opposition von Kunst und Natur in Frage gestellt. Sie bezogen Tiere und Pflanzen als Ko-Akteure ein und etablierten somit eine skulpturale Ästhetik des Lebendigen, die eine Neudefinition der Gattung Skulptur erforderte. Die Studie untersucht erstmals sogenannte Non-Human Living Sculptures am Beispiel von Hans Haacke und Pierre Huyghe. Ausgehend von einer Re-Lektüre der Skulpturhistoriographie der Moderne bewertet die Autorin in einzelnen Werkanalysen bestehende Theorien neu und erweitert diese. Gezeigt wird, wie die von US-amerikanischer Systemtheorie, -biologie und Kybernetik bestimmten realzeitlichen Systeme Haackes und seine Abkehr von einer Objektästhetik zeitgenössische Positionen prägen, wie die situationsästhetischen Arbeiten von Huyghe. Erste umfassende wissenschaftliche Studie sogenannter Non-Human Living Sculptures Re-Lektüre der Skulpturhistoriographi

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Complete documentation of the longest-running work from Hans Haacke's famous Poll series German artist and institutional critique pioneer Hans Haacke (born 1936) is famed worldwide for examining museums by directly asking their audiences questions. Hans Haacke: Swiss Institute Visitors Poll documents the results of his longest ever poll work, which was conducted at Swiss Institute from June 21, 2018 to October 24, 2019. Newly commissioned for this publication, Haacke's featured essay outlines the history of his poll works, discussing the context and development of this body of work over four decades—all leading up to the Swiss Institute Visitors Poll. The book documents the results of the poll, including 652 pages of facsimile index cards that were written by poll respondents in response to Question #20: “What multiple-choice question would you also have liked to see in this poll?”

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Some of our most well-known tales were originated by the pen of Hans Christian Andersen. A prolific writer, Andersen’s oeuvre includes plays, novels, and poems but he is most well-regarded for his fairy tales. Stories such as “The Princess and the Pea”,” “The Ugly Duckling,” and “The Emperor’s New Clothes” are incredibly well-known and all from the mind of this illustrious fairy tale author.This lovely edition features color and black and white illustrations by Danish artist Kay Nielsen as well as all new foreword by Joan D. Vinge. There is an otherworldly quality in Nielsen’s art-deco styled pieces that provide adventurous and vibrant versions of these sixteen stories. The art still feels completely fresh and unique in this collection of masterworks featuring including “The Nightingale,” “The Red Shoes,” “The Snow Queen,” and others.These enchanting stories are wonderful for child

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Images of and references to women are so rare in the vast corpus of his published work that there seems to be no "woman question" for Hans-Georg Gadamer. Yet the authors of the fifteen essays included in this volume show that it is possible to read past Gadamer's silences about women and other Others to find rich resources for feminist theory and practice in his views of science, language, history, knowledge, medicine, and literature. While the essayists find much of value in Gadamer's work, he emerges from their discussion as a controversial figure. Some contributors see him as promoting genuine respect for and engagement with Otherness: others claim that in a Gadamerian conversation the Other has no voice. For some, Gadamer's immersion in tradition is an impediment to feminist inquiry; for others, cognizant of the need to understand tradition well in order to contest its intransigence or benefit from its insights, his way of engaging tradition is especially productive. Some contributors take issue with the separation he maintains between philosophy and politics; others find problems in his relative silence on matters of embodiment; still others maintain that a "fusion of horizons" amounts to a colonizing of difference. But a common aim of each of these controversies is to discern what feminists can learn from Gadamer as well as what limitations feminist reinterpretations of his work must inevitably encounter.Contributors are Linda Martín Alcoff, William Cowling, Gemma Corradi Fiumara, Marie Fleming, Silja Freudenberger, Susan Hekman, Susan-Judith Hoffmann, Grace M. Jantzen, Patricia Altenbernd Johnson, Laura Kaplan, Robin Pappas, Robin May Schott, Meili Steele, Veronica Vasterling, Georgia Warnke, and Kathleen Roberts Wright.

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Hans Hofmann, a representative of Abstract Expressionism and American Modernism during the 20th century with European roots, had a fundamental influence as a teacher on the development of modern art in America. His brightly coloured paintings, watercolours and drawings can now be discovered in a European retrospective. From 1904 until 1914, the painter Hans Hofmann (1880 – 1966), who was a friend of Picasso, Braque, Matisse, the Fauves and Robert and Sonia Delaunay, witnessed and absorbed the new art in Paris, the centre of European art. In his art school, founded in Munich in 1915, he became a mediator of French modernism and achieved international fame as an art teacher. In 1932 he emigrated to the United States and two years later opened the Han s Hofmann School of Fine Arts in New York. He influenced a new generation of American artists, including Jackson Pollock, Helen Frankenthaler and Barnett Newman.

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Twelve classic Hans Christian Andersen fairy tales enchantingly illustrated and specially retold for younger readers. Includes the best-loved characters of ‘Thumbelina’ ‘The Little Mermaid’ and ‘The Ugly Duckling’, as well as a biography of Hans Christian Andersen. Beautifully bound in a padded hardback, this is an essential addition to any family bookshelf and makes a wonderful gift.

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Aus Rezensionen zur 1. Auflage: "Die gründliche Gadamer-Biographie von Jean Grondin ist [...] frei von hagiographischen Zügen. Um so überzeugender entwirft sie das Porträt eines zunächst zögernden und unsicheren, eines unpolitischen und anpassungsfähigen, aber stets liberalen und selbstkritischen, vom gutbürgerlichen Elternhaus mit Klugheit, Sensibilität und sicherem Blick ausgestatteten, humanistisch gebildeten und unabhängig urteilenden Geistes." Jürgen Habermas in Neue Zürcher Zeitung vom 12./13.2.2000, S. 49 "Jean Grondin […] hat es übernommen, das Jahrhundertleben Hans-Georg Gadamers zu beschreiben, und es ist ihm gelungen, ein hundertjähriges Leben […] mit Detailtreue und eindrücklicher Sprache in einer Weise erlebbar zu machen, die das Lesen dieser Biographie zu einem Erlebnis werden lässt." KVS-Mitteilungen, Nr. 2 (2000), S. 22 "Meisterhaft geschrieben, mit subtilem Einfühlungsvermögen und Feingefühl […]. Grondins feinsinniger Witz, rhetorischer Charme und sprachlicher Schliff machen die Lektüre auch zu einem literarischen Genuß." Annemarie C. Mayer in Theologische Revue, 97. Jahrgang, 6 (2001), S. 508-510

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Hans Dieter Schaal is already something of a cultural institution in Germany. Trained as an architect, he always operates outside the "main stream", designing and realizing stage sets, sculptures, cemeteries, parks, squares, spatial installations or book projects, which are often trendsetting in their own field. In the last ten years Schaal has established a focal point that seems to be the sum of all his themes: exhibition architecture. He has provided expansive installations for the broadest possible range of exhibition subjects in such high-volume buildings as the Martin-Gropius-Bau or the Zeughaus in Berlin, the Haus der Geschichte in Bonn, the Kunstvereinsgebäude in Stuttgart, the Deutsches Postmuseum or the Palazzo delle Esposizioni in Rome. His work was never mere exhibition design in these cases. Instead of this he was always concerned to tell spatial stories about the exhibits or their historical background. Of course he was able to draw on his experience in stage-set design here. Admittedly Schaal would not be Schaal, if he were not to use the whole stock of ideas from his decades of lateral thinking or his insatiable search for archetypes and images. On occasions this has meant that Schaal's exhibitions were ad-mired simply of their spatial sensations. It was only the very few people who were prepared to analyse the extraordinarily extensive and complex work more profoundly who found a carefully established subliminal relationship network of selected motifs running through all his exhibition installations like a central theme. Sometimes they come from his own early work, sometimes from literary or cinematic finds, then again from psychological-philosophical footnotes or even private obsessions. Such image particles constitute a thought-edifice perhaps comparable only with Aby Warburg's legendary picture archive which breaks right through the bounds of traditional exhibition architecture. Frank R. Werner has been director of the Institut für Architektur-geschichte und Architekturtheorie at the Bergische Universität in Wuppertal since 1993. He studied painting, architecture and architectural history at the Kunstakademie in Mainz, the Technische Hochschule in Hanover and Stuttgart University.

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Die vorliegende Biographie widmet sich dem bewegten Leben Hans Kelsens, des wohl bedeutendsten Rechtsphilosophen des 20. Jahrhunderts. In seinem Lebensweg, der ihn von Prag und Wien über Köln, Genf und andere Stationen bis nach Berkeley in Kalifornien führte, spiegeln sich die letzten Jahre der Habsburgermonarchie, die beiden Weltkriege, Aufstieg und Niedergang der Demokratie in der Zwischenkriegszeit, die Gründung der UNO und vieles mehr wider. Der überzeugte Befürworter einer parlamentarischen Demokratie wurde "Architekt" des noch heute in Österreich geltenden Bundes-Verfassungsgesetzes von 1920. Mit der von ihm entwickelten Reinen Rechtslehre, die u.a. die theoretische Grundlage für die moderne Verfassungsgerichtsbarkeit lieferte, hat er weltweit Beachtung gefunden; seine Werke wurden in mehr als 30 Sprachen übersetzt."Dabei stellt Olechowski explizit nicht das Werk, sondern die Person Kelsens und dessen Lebensweg in den Mittelpunkt. […] Thomas Olechowski hat diesen Weg in erschöpfender Gründlichkeit bis in den letzten Winkel ausgeleuchtet. Sein Buch, reife Frucht von anderthalb Jahrzehnten intensiver Arbeit, ist ein Meilenstein der Kelsen-Literatur." Horst Dreier FAZ 21.08.2020, 10"Ein großer Wurf ist Olechowskis Buch deshalb, weil es die Wegmarken von Kelsens Lebenslauf meisterlich mit seiner Denkbiographie verbindet. [...] Während die Ideen seiner Widersacher längst vergilbt sind, ist Kelsens Werk frisch und lebendig […]" Franz Leander Fillafer Die Presse 26. September 2020, Beilage "Spectrum", V"Olechowskis Arbeit leistet die notwendige Voraussetzung für einen 'historical turn' auch in der Kelsen-Forschung. […] Das Buch richtet sich auch an alle, die sich für die ehemalige Wiener Kultur und deren Fortsetzung im Exil interessieren. Infolge dieser Biographie wird […] Kelsen wohl auch jenseits seines Faches Beachtung erfahren - etwa in den Geschichts- und Kulturwissenschaften." Péter Techet H-Soz-Kult http://www.hsozkult.de/publicationreview/ 03.11.2020

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Nathalie Djurberg (*1978) and Hans Berg (*1978) create animated worlds with objects, music and moving images – dreamlike realms where we might lose ourselves. Their playfully told fables hold both humour and darkness, putting any moral laws of gravity out of action. Djurberg’s vibrant stop-motion animations and sculpture groups accompanied by Berg’s electronic music form scenic installations in a surrealist vein. These intense chamber pieces enact fragments of memories repressed between innocence and shame, or feverish daydreams of role play and desire. The shadowy landscapes, sealed rooms and harshly-lit scenes of their films are inhabited by a group of possessed figures seemingly set on devouring one another. The exhibition and fully illustrated catalog describe an inner voyage, an attempt to make existence more understandable in a flow of impulses and impressions.Exhibitions: Moderna Museet, Stockholm, 16.6.–9.9.2018Museo d'Arte Moderna e Contemporanea di Trento e Rovereto (MART), Rovereto, 5.10.2018–13.1.2019Kunsthalle Schirn, Frankfurt, 28.2.–26.5.2019

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Includes: The Tinder-Box; The Princess and the Pea; Thumbelina; The Little Mermaid; The Emperor's New Clothes; The Steadfast Soldier; The Ugly Duckling; The Snow Queen; The Little Match-Girl ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Little treasures, the FLAME TREE COLLECTABLE CLASSICS are chosen to create a delightful and timeless home library. Each stunning, gift edition features deluxe cover treatments, ribbon markers, luxury endpapers and gilded edges. The unabridged text is accompanied by a Glossary of Victorian and Literary terms produced for the modern reader. The fairy tales of Hans Christian Andersen are renowned the world over, having inspired generations of children’s writers ever since their first translation into English. This classic collection includes some of his most famous stories, such as ‘The Ugly Duckling’, ‘The Little Mermaid’, ‘The Emperor’s New Suit’, and ‘The Red Shoes’. Characteristic and captivating, Andersen’s tales offer up a world of enchantment, ingenuity and complex morality, and are a real treat for children and adults alike.

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The author Hans Christian Andersen is regarded as a national treasure by his homeland Denmark, but his popularity extends far beyond his native shores. As one of the most translated authors in the world, there are hundreds of editions of his books in many languages. He is known predominantly for his remarkable series of fairy tales, many of which remain classics today, providing both inspiration for many film versions of his famous tales, as well as new collections of his stories. Evocative and poignant, their rich narratives are hugely compelling and tend to explore morality in an accessible and thought-provoking way. He was a great admirer of Dickens, and they conducted a literary friendship for many years. This latest collection celebrates Andersen’s unique literary output and gathers together a large selection of much-loved tales such as ‘The Little Mermaid’, ‘The Emperor’s New Clothes’, ‘The Ugly Duckling’, ‘The Princess and the Pea’ and ‘The Snow Queen’.

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Hans Hofmann: The Nature of Abstraction offers a fresh and revealing assessment of the artist’s prolific and innovative painterly career. The comprehensive exhibition and accompanying catalogue will feature approximately seventy paintings and works on paper by Hofmann from 1930 through the end of his life in 1966, including works from public and private collections across North America and Europe. Curator Lucinda Barnes builds on new scholarship published over the past ten years and the 2014 catalogue raisonné to present Hofmann as a unique synthesis of student, artist, teacher, and mentor who transcended generations and continents. His singular artistic achievement drew on artistic influences and innovations that spanned two world wars and transatlantic avant-gardes. Over the last fifty years Hofmann has come to be understood primarily from the vantage of his late color-plane abstractions. Hans Hofmann: The Nature of Abstraction expands our understanding and reinvigorates our appreciation of Hofmann through an inclusive presentation of his artistic arc, showing the vibrant interconnectedness and continuity in his work of European and American influences from the early twentieth century through the advent of abstract expressionism. Published in association with the Berkeley Museum of Art Pacific Film Archive (BAMPFA). Exhibition dates: Berkeley Museum of Art Pacific Film Archive (BAMPFA): February 27–July 21, 2019 The Peabody Essex Museum, Salem, MA: September 21, 2019–January 6, 2020

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In this book from the critically acclaimed, multimillion-copy bestselling Little People, BIG DREAMS series, discover the life of Hans Christian Andersen, the father of fairy tales. When Hans Christian Andersen was a little boy, he treated storybooks as jewels to be treasured. He wanted to perform on stage, but was always cast as the troll. Luckily, through theatre, he found a love for writing. He wrote about both the ordinary and fantastic, in stories like ‘The Ugly Duckling’ and ‘The Little Mermaid’, never talking down to children. His stories became famous all over the world, and were loved and adored by generation upon generation of children who marvelled at these well-told gems. This enchanting book features stylish and quirky illustrations and extra facts at the back, including a biographical timeline with historical photos and a detailed profile of the writer's life.Little People, BIG DREAMS is a bestselling biography series for kids that explores the lives of outstanding people, from designers and artists to scientists and activists. All of them achieved incredible things, yet each began life as a child with a dream. This empowering series of books offers inspiring messages to children of all ages, in a range of formats. The board books are told in simple sentences, perfect for reading aloud to babies and toddlers. The hardback and paperback versions present expanded stories for beginning readers. With rewritten text for older children, the treasuries each bring together a multitude of dreamers in a single volume. You can also collect a selection of the books by theme in boxed gift sets. Activity books and a journal provide even more ways to make the lives of these role models accessible to children.Inspire the next generation of outstanding people who will change the world with Little People, BIG DREAMS!

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Hans Baldung Grien was one of the most unusual German artists of the Renaissance. In an epoch of profound radical change, he created a varied and independent body of work that continues to fascinate us to this day. The catalogue accompanies a major regional exhibition at the Staatliche Kunsthalle Karlsruhe and features some 250 exhibits from numerous international collections, including intimate devotional pictures, luminous glass paintings, character portraits, and sensual nudes, among which can also be found the artist’s well-known representations of the Fall of Man (Adam and Eve) and his drastic witch scenes. With introductions and texts on exhibits aimed at a wider audience, as well as many illustrations, this publication offers a unique overview of the work of this great painter, draftsman and printmaker.

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Hans Baldung Grien war einer der außergewöhnlichsten deutschen Künstler der Renaissance. In einer Epoche tiefgreifender Umwälzungen schuf er ein vielfältiges und eigenständiges Werk, das bis heute fasziniert. Der Katalog begleitete die Große Landesausstellung in der Staatlichen Kunsthalle Karlsruhe und umfasst rund 250 Exponate aus zahlreichen internationalen Sammlungen, darunter intime Andachtsbilder, leuchtende Glasgemälde, charaktervolle Porträts, humanistische Denkbilder und sinnliche Akte, zu denen auch die berühmten Sündenfalldarstellungen und die drastischen Hexenszenen zählen. Mit Einführungen und Exponat-Texten, die sich an ein breiteres Publikum richten, sowie vielen Abbildungen bietet er einen einzigartigen Überblick über das Werk dieses großen Malers, Zeichners und Druckgrafikers.

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There are many biographies of former soldiers of the German Wehrmacht, many of whom had fascinating stories to tell, and several of whom were highly decorated. Few, however, can match Hans Sturm in his astonishing rise from a mere private in an infantry regiment, thrown into the bloody maelstrom of the Eastern Front, to becoming a glorified war hero whose role brought him into direct regular contact with Prominenten of the Third Reich. This young man's fearless heroism in combat earned him some of Germany's highest military awards, and yet he was pugnaciously outspoken about bullying and injustice. From striking a member of the feared Sicherheitsdienst in defence of a Jewish woman to refusing to wear a decoration he felt was tainted by its encouragement of inhumane treatment of enemy partisans, Sturm repeatedly stuck to his moral values no matter what the risk. But even when the war was finally over, his travails did not end: he was held in a number of Soviet labour camps, before finally being released in 1953. Hans Sturm: A Soldier's Odyssey on the Eastern Front is an engaging reconstruction of events based on exchanges of correspondence and reminiscences between the author and Hans Sturm himself. It vividly portrays not only a German soldier's experience on the Eastern Front, but the intriguing trajectories that success in the battlefield yielded for him at home under the Nazi regime.

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History, Metaphors, and Fables collects the central writings by Hans Blumenberg and covers topics such as on the philosophy of language, metaphor theory, non-conceptuality, aesthetics, politics, and literary studies. This landmark volume demonstrates Blumenberg's intellectual breadth and gives an overview of his thematic and stylistic range over four decades. Blumenberg's early philosophy of technology becomes tangible, as does his critique of linguistic perfectibility and conceptual thought, his theory of history as successive concepts of reality", his anthropology, or his studies of literature. History, Metaphors, Fables allows readers to discover a master thinker whose role in the German intellectual post-war scene can hardly be overestimated.

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