Search results for ""Author Andra"

Imbued with the collective memories of Romanian culture, Andra Ursuta's (born 1979) work uses her grim past to tackle our harsh present. This book includes an essay by Ali Subotnik on Ursuta's stark recreations of cultural turmoil.

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As museums worldwide shuttered in 2020 because of the novel coronavirus, New York-based cultural strategist András Szántó conducted a series of interviews with an international group of museum leaders. In a moment when economic, political, and cultural shifts are signaling the start of a new era, the directors speak candidly about the historical limitations and untapped potential of art museums. Each of the twenty-eight dialogues in this book explores a particular topic of relevance to art institutions today, and tomorrow. What emerges from the series of in-depth conversations is a composite portrait of a generation of museum leaders working to make institutions more open, democratic, inclusive, experimental and experiential, technologically savvy, culturally polyphonic, attuned to the needs of their visitors and communities, and concerned with addressing the defining issues of the societies around them. The dialogues offer glimpses of how museums around the globe are undergoing an accelerated phase of reappraisal and reinvention. CONVERSATION PARTNERS: Marion Ackermann, Cecilia Alemani, Anton Belov, Meriem Berrada, Daniel Birnbaium, Tom Campbell, Tania Cohen, Rhana Devenport, Maria Mercedes Gonzales, Max Hollein, Sandra Jackson-Dumont, Mami Kataoka, Brian Kennedy, Koyo Kouoh, Sonia Lawson, Adam Levine, Victoria Noorthoorn, Hans Ulrich Obrist, Anne Pasternak, Adriano Pedrosa, Suhanya Raffel, Axel Ruger, Katrina Sedwick, Franklin Sirmans, Eugene Tan, Phil Tinari, Marc-Olivier Wahler, Marie-Cécile Zinsou

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Following on the widely-read The Future of the Museum: 28 Dialogues, which explored how museums are changing through conversations with today’s generation of museum directors, New York-based author and cultural strategy advisor András Szántó’s new compilation turns its attention to architects. The conclusion of The Future of the Museum was that the “software” of art museums has evolved. Museum leaders are “working to make institutions more open, inclusive, experiential, culturally polyphonic, technologically savvy, attuned to the needs of their communities, and engaged in the defining issues of our time.” It follows that the “hardware” of the art museum must also change. Conversations with a carefully selected group of architects survey current thinking in the field, engaging not only architects who have built some of the world’s most iconic institutions, but also members of an emerging global generation that is destined to leave its mark on the museum of the future.

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András Bodor and the history of classical studies in Transylvania in the 20th century is the first comprehensive work focusing on the life of a classicist from Transylvania, presenting in detail the life and academic heritage of András Bodor (1915-1999). Based on 1348 newly identified letters, 209 photographs (including 25 portraits), András Bodor’s complete bibliography and his unpublished memoir from 1915-1959, the work offers also the first publication of Bodor’s academic correspondence (107 letters) and also extracts from his unpublished journal. Based on a large number of unpublished documents and the major works of Bodor, the book tries to reconstruct the life and academic heritage of a classicist from the periphery of Europe, a region that changed so many times over the long course of the 20th century. András Bodor appears as a student torn between theology and classical studies, a Transylvanian Hungarian who ended up at Oxford, a lecturer at the Hungarian University of Cluj, a researcher who had the idea of establishing a new school of classics, marginalised and compromising, a quiet teacher of the newly established Babeș-Bolyai University and also a senior professor engaged in education policy. The personality and work of Bodor is presented through the short history of classics in Transylvania, Romania, reflecting on the European and global changes of the discipline.

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'These two sisters might be some of our final living first-hand witnesses to the horrors of the Holocaust. With this book, they break the silence and give us the immeasurable gift of their story.' Gwen Strauss, author of The NineOn 28 March 1944, Italian sisters Tati (six) and Andra (four) were roused from their sleep and taken to Auschwitz, to the infamous Kinder Block presided over by Josef Mengele, the Angel of Death. By the time Auschwitz was liberated, 230,000 children had been murdered, and the sisters were among only 70 child survivors.Throughout their ordeal in the camp and the liberation of Auschwitz, their long journey from Poland to Czechoslovakia and finally to Lingfield House in Britain, they hung on to their promise to their mother to 'always remember your name'. They never forgot they were Tati and Andra Bucci, and it was this connection to their heritage that brought them miraculously back to their parents, years later and many countries away. The sisters overcame their trauma to live long lives, bearing witness as survivors of the Holocaust.'Always Remember Your Name is heart-breaking and yet utterly uplifting, with the fierce bond of two sisters at its heart, who survived the Holocaust to bear witness, so that none of us will ever forget.' Heather Morris, international bestselling author of The Tattooist of Auschwitz'A valuable record of what was suffered by surely some of our youngest survivors. Insightful and illuminating, the road to recovery - with its silences, loyalties, and self examinations - is never what we might suppose.' Esther Freud, bestselling author of Hideous Kinky

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After the successful conclusion of the centenary celebrations of Andrea Palladio''s birth, there are still many unanswered questions about his work. Antonio Foscari retraces Andrea Palladio''s life and offers new perspectives on the architects built and unbuilt work. The author reveals an image of Venice that differs from the one we all know: a city that projects herself into the modern age by abandoning the accepted principles of late medieval culture that had so profoundly influenced its formation.

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Eugenio de Andrade is the author of twenty-nine volumes of poetry as well as numerous children's books, collections of prose writings, and translations into Portuguese of Sappho, Federico Garcia Lorca, and Yannis Ritsos. Forbidden Words: Selected Poetry of Eugenio de Andrade, is based on the poet's own retrospective Antologia Breve ("Brief Anthology") of 1998, expanded and edited for English-speaking readers by his longtime translator, Alexis Levitin. Marguerite Yourcenar spoke of "the well-tempered clavier" of Andrade's poems, Gregory Rabassa of his "succinct lyricism...summing things up in a moment, much like haiku." His verse, deeply rooted in the rural landscapes of his childhood and in the ancient Greek lyric, have the clarity of light on sand, radiating pagan intimations of immortality.

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Andrea Víctrix presents a dystopian vision of Palma, Mallorca, now named ‘Turclub’, in the year 2050. The unnamed narrator, who bears a certain resemblance to the author, had placed himself in voluntary cryo-stasis in 1965, fatigued by modern ‘civilization’ and morality, only to reawaken 85 years later with the physique of a 30-year old. Villalonga sets up an intriguing interplay between the narrator and the eponymous, androgynous Andrea Víctrix, so-called Director of Pleasure, in a satirical, sometimes self-ironizing exploration of contemporary issues such as gender and sexuality, consumerism, environmental disaster and the politics of big business. Both of its time and startlingly prescient, Andrea Víctrix merits a place amongst the greats of European dystopian fiction.

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Visualizing Hidden Structures in Art and Society In her artistic practice, Andrea Buttner combines art history with social and ethical issues. Since the early 2000s, she has been exploring a wide range of themes such as work, poverty, shame and care in monastic forms of coexistence, but also arts and crafts as a political field. Examining the ambivalent tension between aesthetics and ethics, the internationally renowned artist uses various conceptual methods. Best known for her large-scale woodcuts, Buttner has since used a variety of media, including etching, painting, photography and video installations, glass art and textiles. For her publications and exhibitions, Buttner composes her works thematically to create site-specific installations that can be experienced as gradually unfolding narratives.

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As the first play of the Terentian corpus, Andria has always attracted a special level of attention. It was the first Roman comedy produced after antiquity (at Florence in 1476) and the first translated into English, and it has inspired writers from Jonson and Dryden to Thornton Wilder. It provides an excellent introduction to Terence 's particular style of comedy, noteworthy for its ambivalence in representing the perspectives of woman and slaves and its experiments with a secondary plot line. The commentary is designed both to help students with the basic linguistic and technical problems confronting inexperienced readers of Roman comedy and to open discussion of essential interpretive questions involving the play and its relation to the wider comic corpus, as well as the utility of comedy for furthering our understanding of the Roman world and its values.

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Controversial, provocative, and at the same time poignantly humorous. Andrea Fraser *1965 in Billings, Montana) is one of the most influential and pioneering artists of her generation and has been captivating her audience for more than thirty years. She employs a wide range of media, including prints, photographs, installations, and performances as well as texts and videos, time and again reformulating the same question: what we all want from art—the motivation behind Fraser’s artistic production, how we view it, and how the art market distributes it.The richly illustrated catalogue allows tracing the artist for the first time from the beginning of her career. It assembles the early Four Posters (1984) as well as her famous performances, such as Museum Highlights (1989), Inaugural Speech (1997), and Official Welcome (2001/03), linking them with her most recent videos.Exhibition: Museum der Moderne Salzburg, 21.3.–5.7.2015

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Between art and activism, from climate change to immigration: the multimedia work of Andrea Bowers Based in Los Angeles, Andrea Bowers (born 1965) constructs her practice around the notions of collaboration, representation and engagement. Through her dedication to social and environmental justice, as well as her partnerships with activist organizations and various protest movements, Bowers has renegotiated her role as artist in society. Running throughout her drawings, paintings, videos and installations is a rigorous reevaluation of the concepts, structures and images that have guided our relentless search for meaning and justice. With work that is at once hyper-conceptual and socially engaged, Bowers creates spaces within which to share and evaluate the potential of art as a tool for social progress—while serving as witness and documentarian to the work of activists worldwide. This book is a comprehensive and definitive survey of Bowers’ work to date and investigates some of the key, longstanding interests that have guided her practice. Critical pieces from writers of various backgrounds and fields position Bowers’ practice in the context of the movements, histories and struggles that make up these broader concerns. Accompanying these illuminating texts are full-color illustrations of works, including a selection of Bowers’ well-known neon sculptures and large-scale installations, as well as numerous other drawings, paintings, photographs and video works.

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Com o coração saindo pela boca [With The Heart Coming Out of the Mouth] is the title of the installation in the Brazilian Pavilion at the 59th Biennale di Venezia (2022), in which Jonathas de Andrade uses a wide range of idiomatic expressions that draw on body metaphors to develop a series of two- and three-dimensional works that render tangible the poetic weight of these expressions. Two immense ears placed at the entrance and exit of the pavilion allow the public, for example, to ‘go in one ear and out the other’, while an inflatable balloon, which invades the space at various times of the day, alludes to a ‘heart coming out of the mouth’. The emphasis on the body, especially the body of the man from the Brazilian Northeast, and on language, with its wealth, its flaws, and its revelations, is also a characteristic of several of the artist’s earlier works featured in this book, which also includes essays by the publication’s editor Jacopo Crivelli Visconti, and Clarissa Diniz. Text in English and Portuguese.

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Sydney J. Freedberg presents an interpretive analysis and a full Catalogue Raisonné of Andrea del Sarto’s achievement. The interpretive work includes an account of Andrea’s career as a painter, illustrations of all his authentic paintings and many of his drawings, a brief biography, and a selective bibliography. The painter’s style and its place in the history of Italian painting are discussed in detail. The author questions current concepts of a sudden “triumph of Mannerism” in Florence after 1520 and presents a more balanced interpretation of this era.The Catalogue Raisonné includes a complete critical catalogue of Andrea’s paintings and drawings, an inventory of lost works, and a full account of paintings and drawings attributed to the artist. Documentary information on Andrea’s life and the details of dating and attribution which are the basis for the interpretive text are also included. The illustrations in this volume supplement those in the interpretive work and will be of particular interest to scholars and art historians.

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Berlin and Chicago-based photographer Andrea Wilmsen challenges our perception of interiors in her photographs of the Bode Museum in Berlin, Germany. Her focus varies from fragmented views of architectural details to carefully composed close-up details of empty walls, creating unique portraits of the museum. Wilmsen is inspired by the American philosopher and art critic Arthur C. Danto and his book titled The Transfiguration of the Commonplace, which questions what makes an object a work of art. Yet, she takes the question further and is driven to uncover what makes art spaces special stages for prestigious artworks. Wilmsen is driven by how we prioritise certain works of art over others, and further, where the boundaries lie between what we consider art and what is visible outside of the works that are established as art in a museum. Text in English and German.

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Photographer and artist Andrea Garbald (1877–1958) dedicated an important part of his oeuvre to the women of his native Val Bregaglia, in the Swiss canton of Grisons. As the first and, for a long time, the only photographer in the valley, he ran his own photo studio in addition to an optician’s store in the village of Castasegna. Yet instead of making his artistic work public, Garbald kept his it in his attic. His estate was only discovered in the mid-1980s and displayed in public for the first time in 2014 in a major exhibition. Andrea Garbald’s portraits collected in this volume show women of different ages and social classes and go far beyond the stiff official portraits that were common at the time. The sitters’ posture, clothes, faces, and their eyes speak volumes: the photographs demonstrate a special intimacy and empathy towards the people portrayed. At the same time, they reveal the development of the medium and its visual language. This new book provides an in-depth look at Garbald’s unusual oeuvre and offers an insight into the subtle creativity of this local pioneer. Text in Italian and German.

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Whether you are preparing for a wedding, a party, a prom, or another special event, use these new techniques to create stunning floral jewelry and accessories. Follow step-by-step photo demonstrations and learn to make more than 40 beautiful pieces incorporating fresh flowers: innovative jewelry together with coordinating accessories and handheld designs (think bridal bouquets!). Develop your skills with decorative floral wire, flowers, and succulents. Ideal for beginners, hobbyists, and floral enthusiasts, as well as experienced and professional florists, the book features 600+ photos. It's an essential guide to creating unique floral designs suitable to wear and to hold, for the bridal industry, the growing prom and quinceañera markets, and other celebrations.

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NOW A MAJOR FILMTHE NO.1 FRENCH BESTSELLER 'Stunning and heart-gripping' André Aciman, author of Call Me by Your Name 'A beautiful, shattering novel about desire and shame, about passionate youth and the regrets of age' Olivia Laing, bestselling author of Crudo Just outside a hotel in Bordeaux, Philippe, a famous writer, chances upon a young man who bears a striking resemblance to his first love. What follows is a look back to Philippe's teenage years, to a winter morning in 1984, a small French high school, and a carefully timed encounter between two seventeen-year-olds. It's the start of a secret, intensely passionate, world-altering love affair between Philippe and his classmate, Thomas. Dazzlingly rendered by Molly Ringwald, the acclaimed actor and writer, in her first-ever translation, Besson's exquisitely moving coming-of-age story captures the tenderness of first love - and the heart-breaking passage of time.'It has been years since anything moved me as much as Lie With Me. It will become a classic.' Jonathan Coe, bestselling author of Middle England'An intense, unforgettable novel, alive with the ache of longing and loss.' Sarah Waters, bestselling, award-winning author of The Little Stranger and Fingersmith'Devastating and tender; this is the book I wish I'd read when I was 15, and a book I'm glad to have as a companion now' Andrew McMillan, award-winning author of Physical'A deeply moving depiction of first love, both tender and elegiac.' John Boyne, bestselling author of A Ladder to the Sky and The Heart's Invisible Furies'A slender, sad, acute novel... absolutely excellent' Sarah Perry, bestselling author of The Essex Serpent and Melmoth'A tender, sensuous novel' New York Times Book Review 'Full of Proustian echoes, this story of gay adolescence deals with complex issues of class, shame and secrecy' Guardian'A poignant tale that captures the intensity of first love with all its sadness, longing and regret' Daily Mail'This novel can be read in a matter of hours, but its impact, like the love affair it details, will echo in the mind' Irish Times

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One of the foremost artists to emerge in Philadelphia in the 1960s, Edna Andrade (1917-2008) is now recognized as an early leader in the Op Art movement. Characterized by pulsating patterns, vivid colors, and a visual immediacy that surpasses narrative meaning, her work explores symmetry and rhythm through geometric design and structures inspired by nature. Andrade sought to create "democratic art" that dispensed with the need for elite aesthetic education or intricate explanations. As a result, her accessible and appealing compositions were often repurposed for commercial art and political campaigns. Edna Andrade takes a comprehensive look at the full range of Andrade's work, from her early surreal and figurative landscapes, through several decades of Bauhaus-inspired design and the distinctive geometric patterns of Op Art, to her late-life quasi-abstract studies of the Atlantic coastline. Accompanied by 170 illustrations, including full-color reproductions as well as photographs, drawings, sketches, and notes, the essays situate Andrade's work in the context of movements that surfaced in the United States in the 1960s, such as Minimalism and Pop Art. The first book-length study of her career as an artist and teacher, Edna Andrade examines the aesthetic influences, creative development, and enduring legacy of this dynamic twentieth-century artist. Contributors: Debra Bricker Balken, Joe Houston

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Inspirada por su última relación de pareja, Marguerite Duras (1914-1996) compendia en las pocas y hermosas páginas de " Yann Andréa Steiner " (1992) la mayor parte de los asuntos y preocupaciones recurrentes a lo largo de su obra. Entreverando con la soledad siempre de fondo la historia del encuentro de una autora vieja con un autor joven, la de una muchacha que aguarda en una estación el tren que ha de llevarla a Auschwitz y la relación de un niño huérfano, judío, de seis años, con su monitora de dieciocho en una colonia de vacaciones, la autora francesa teje en esta novela una malla sutil que integran de forma indiscernible la sensualidad y la sensibilidad femenina, la soledad y el amor, el presente y el recuerdo, la escritura y la vivencia, el Holocausto, la infancia, la autobiografía y la nostalgia.Traducción de Manuel de Lope

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El presente volumen recoge una selección de las conferencias y comunicaciones presentadas en el Grand Séminaire de Neuchâtel. Coloquio Internacional Andrés Neuman, celebrado en la Universidad de Neuchâtel los días 21 y 22 de mayo de 2012. Como es habitual en esta colección, el volumen se abre con un texto del escritor Andrés Neuman, el más joven de cuantos engrosan la colección y también uno de los más polifacéticos, ya que, además de cultivar una gran diversidad de géneros literarios (la poesía, la novela, el cuento, el microrrelato, el diario, el aforismo y el diccionario heterodoxo), gusta de los textos mestizos y mantiene una bitácora personal, un blog literario (?Microrréplicas?) en el que va anotando apuntes de viaje y artículos de opinión.

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Hack the Grid documents a series of large-scale light installations produced in Pittsburgh by New Mexico–based environmental artist Andrea Polli (born 1968), using the city’s long history of energy and industry to interrogate issues from particulate pollution to wind power.

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Does your baby have trouble sleeping? You're not alone. Designed specifically for the very many parents encountering the same issues as you, this practical, no-nonsense book gives you the insights, tools and strategies to help your baby get the rest they need - however difficult the challenge.Featuring up-to-date safe sleeping guidance, and drawing on the latest clinical expertise, this book will help you to devise a gentle, sustainable sleep plan which will work for you and your baby. It is based on Andrea Grace's work with hundreds of families, and her decades of experience as the UK's longest-standing sleep consultant, to successfully formulate a gentle, sustainable approach without crying it out, or unnecessary distress for you or your child. It includes coverage of a variety of different needs, from colic to reflux and eczema, and provides welcome support for other carers and family members, from babysitters and childminders to grandparents and siblings.WHAT PARENTS SAY: 'We loved Andrea's method because it was gentle, kind and based around the needs of the baby.''Andrea has transformed our lives, she is amazing, a sleep guru!''I trusted Andrea and the results spoke for themselves from the very start.''I can't recommend Andrea Grace highly enough.'

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This is the first full-length monograph in English about one of France’s most important contemporary filmmakers, perhaps best known in the English-speaking world for his award-winning Les Roseaux sauvages/Wild Reeds of 1994. This study locates André Téchiné within historical and cultural contexts that include the Algerian War, May 1968 and contemporary globalisation, and the influence of Roland Barthes, Bertolt Brecht, Ingmar Bergman, William Faulkner, and the cinematic French New Wave. The originality of Téchiné’s sixteen feature films lies in his subtle exploration of sexuality and national identity, as he challenges expectations in his depictions of gay relations, the North African dimensions of contemporary French culture, and the centre-periphery relationship between Paris and especially his native southwest. The book also looks at the collaborative nature of Téchiné’s filmmaking, including his work with Catherine Deneuve, who has made more films with him than with any other director, and the role of Philippe Sarde’s musical scores.

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This volume is the first to examine the portrait photographs of this esteemed husband-and-wife team. The artists' portraits--like their radical landscapes and city-scenes--are powerfully evocative, boldly subverting our expectations of the discipline of portraiture: Rather than capturing the visual essence of a sitter, they reveal identity to be multifarious, transitive and culturally and historically bound. They capture their subjects in ways that transform, enhance and accentuate social and cultural meaning, doing so with the full complicity and respect of the people they photograph. Robbins and Becher spend weeks living with each community they document. They immerse themselves in the stories of its citizens and history, interviewing residents, participating in their customs, photographing them at work, play and home. Most important, they allow their subjects to represent themselves--not only as they would like to been seen, but in ways that illuminate their complex humanity.

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Andrea Bischof is one of Austria’s most important contemporary artists and has made a name for herself through the subtleness of the coloration and exceptional harmony of her compositions. She achieves this through weeks of patiently juxtaposing dazzling tones that. The alluring interplay between surface and depth literally makes the pictures begin to breathe and pulsate. Bischof has always felt a strong affinity with French art and, in her work, continues in the footsteps of the Impressionists, Nabis and Fauves. Like the Abstract Expressionist artists Bischof has also made a close study of the fulminant late work of the great French master Claude Monet. This volume portrays Bischof’s development form the monochrome works of her early period and the arcane depths of her Reflections, over the experimental works on paper to the strongly colored, expressive large-formats of the magnificent Pulsations series. An interview with the artist and a lavishly illustrated biography complete this overview.

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Reassessing the legacy of a Brazilian Modernist exponent and his debated sexualityThis richly illustrated catalog envisions an image of Mário de Andrade (18931945) that goes beyond the renowned writer by spotlighting his personal collection of Brazilian art and his amateur travel photographs, viewed anew through a queer gaze.

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