Search results for ""author morris"

25 short reflective pieces for the Christmas season written by Claire Musters, travelling through promise and preparation to joy, peace and finally love. Along the way we encounter a choir of diverse voices sharing their favourite carols, poems and prayers, illustrated throughout with original colour artwork. Includes contributions from Naomi Aidoo, Andy Angel, Jonathan Arnold, Imogen Ball, Ruth Bancewicz, Carl Beech, John Bell, Andrew Boakye, Catherine Butcher, Lyndall Bywater, Mags Duggan, Hannah Fytche, Gordon Giles, Paul Goodliff, Isabelle Hamley, Clare Hayns, Liz Hoare, Trystan Hughes, Lakshmi Jeffreys, Andy Kind, David Kitchen, Esther Kuku, Martin Leckebusch, Bekah Legg, Ann Lewin, Tanya Marlow, Leone Martin, Chine McDonald, Lucy Moore, Michele Morrison, Charmaine Noble-McLean, Emma Pennington, Pam Rhodes, Amy Scott Robinson, Margaret Silf, Meric Srokosz, Jo Swinney, Evie Vernon, Sally Welch and Natalie Williams.

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Why should one half be free to live, while the other is doomed to watch silently from the sidelines? In this visionary collection, Virginia Woolf leads us on a transformative journey through the liberating powers of the mind. From an exploration of why women were barred from writing and under what conditions they might break free, to the solace derived from haunting London's streets, these essays and stories present Woolf at her most impassioned, rendering the pursuit of liberty one of life's most poetic adventures. Selected from the books A Room of One's Own, The Waves and Street Haunting and Other Essays by Virginia WoolfVINTAGE MINIS: GREAT MINDS. BIG IDEAS. LITTLE BOOKS.A series of short books by the world’s greatest writers on the experiences that make us humanAlso in the Vintage Minis series:Love by Jeanette WintersonHome by Salman RushdieLanguage by Xiaolu GuoRace by Toni Morrison

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An outstanding anthology in which notable musicians, artists, scientists, thinkers, poets, and more—from Gustavo Dudamel and Carrie Mae Weems to Ruth Bader Ginsburg and Paul Muldoon—explore the influence of music on their lives and workContributors include: Laurie Anderson ● Jamie Barton ● Daphne A. Brooks ● Edgar Choueiri ● Jeff Dolven ● Gustavo Dudamel ● Edward Dusinberre ● Corinna da Fonseca-Wollheim ● Frank Gehry ● James Ginsburg ● Ruth Bader Ginsburg ● Jane Hirshfield ● Pico Iyer ● Alexander Kluge ● Nathaniel Mackey ● Maureen N. McLane ● Alicia Hall Moran ● Jason Moran ● Paul Muldoon ● Elaine Pagels ● Robert Pinsky ● Richard Powers ● Brian Seibert ● Arnold Steinhardt ● Susan Stewart ● Abigail Washburn ● Carrie Mae Weems ● Susan Wheeler ● C. K. Williams ● Wu FeiWhat happens when extraordinary creative spirits—musicians, poets, critics, and scholars, as well as an architect, a visual artist, a filmmaker, a scientist, and a legendary Supreme Court justice—are asked to reflect on their favorite music? The result is Ways of Hearing, a diverse collection that explores the ways music shapes us and our shared culture. These acts of musical witness bear fruit through personal essays, conversations and interviews, improvisatory meditations, poetry, and visual art. They sound the depths of a remarkable range of musical genres, including opera, jazz, bluegrass, and concert music both classical and contemporary.This expansive volume spans styles and subjects, including Pico Iyer’s meditations on Handel, Arnold Steinhardt’s thoughts on Beethoven’s Grosse Fuge, and Laurie Anderson and Edgar Choueiri’s manifesto for spatial music. Richard Powers discusses the one thing about music he’s never told anyone, Daphne Brooks draws sonic connections between Toni Morrison and Cécile McLorin Salvant, and Ruth Bader Ginsburg reveals what she thinks is the sexiest duet in opera. Poems interspersed throughout further expand how we can imagine and respond to music. Ways of Hearing is a book for our times that celebrates the infinite ways music enhances our lives.

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Forty years after their first groundbreaking work of feminist literary theory, The Madwoman in the Attic, award-winning collaborators Sandra M. Gilbert and Susan Gubar map the literary history of feminism’s second wave. In Still Mad, they offer lively readings of major works by such writers as Sylvia Plath, Lorraine Hansberry, Adrienne Rich, Ursula K. Le Guin, Maxine Hong Kingston, Gloria Anzaldúa and Toni Morrison. To address shifting social attitudes over seven decades, they discuss polemics by thinkers from Kate Millett and Susan Sontag to Audre Lorde, Andrea Dworkin and Judith Butler. As Gilbert and Gubar chart feminist gains—including creative new forms of protests and changing attitudes toward gender and sexuality—they show how the legacies of second wave feminists, and the misogynistic culture they fought, extend to the present. In doing so, they celebrate the diversity and urgency of women who have turned passionate rage into powerful writing.

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Imagine you are a scientist faced with presenting your research clearly and concisely. Where would you go for help? This book provides the answer. It shows how to use story structure to craft clear, credible presentations. In it you will find exercises to help you give both short and long presentations. Elevator pitches, lightning talks, Three Minute Thesis (3MT®), and conference presentations are all covered as are suggestions for longer presentations. Separate chapters address good poster design, how to tailor your talk to an audience, and presentation skills. Throughout the book the focus is on creating surprising, memorable stories. Scientific presentations are true stories about new discoveries. They are surprising because every new discovery changes our understanding of the world, and memorable because they move audiences. The book also covers: · Randy Olson's And-But-Therefore (ABT) narrative form · Mike Morrison's Better Poster designs · Eye-tracking analyses of posters by EyeQuant · Numerous case studies and examples from different scientific fields · Links to videos of exemplary presentations With light-hearted illustrations by Jon Wagner this book will appeal to researchers and graduate students in all areas of science, and other disciplines too.

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The comprehensive guide to the architecture of the heart of Ireland, closely examining a broad range of works, from castles and churches to grand neoclassical country houses. This comprehensive guide covers the historically rich and nuanced territory of Central Leinster, from the western borderlands of the medieval English Pale to the wild expanse of the Bog of Allen and further west to Clonmacnoise, cradle of early monasticism, with its Hiberno-Romanesque ruins, sculpted crosses, and elegant round towers. The Palladian mansions of Kildare and the romantic castles of Offaly stand within ancient forests, and Neoclassicism flourished with grand houses by James Wyatt at Abbey Leix, by James Gordon at Emo, and by the Morrisons at Ballyfin. Georgian streetscape finds its best expressions in Mountmellick and Maynooth. Disestablishment spurred the re-entrenchment of Irish Protestant architecture, notably in James Franklin Fuller’s fusions of Continental and Hiberno-Romanesque styles at Rathdaire, Millicent, and Carnalway, with their rich carving, decoration, and stained glass.

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Why literally shouldn't be taken literally. Why Americans think home in on something is a mistake and Brits think hone in is. Is it OK to spell OK okay? What's wrong with hence why? Was Alanis Morrisette ever ironic? Fowler's Dictionary of Modern English Usage is the world-famous guide to English usage, loved and used by writers, editors, and anyone who values correct English since it first appeared in 1926. Fowler's gives comprehensive and practical advice on complex points of grammar, syntax, punctuation, style, and word choice. Now enlarged and completely revised to reflect English usage in the 21st century, it provides a crystal-clear, authoritative picture of the English we use, while illuminating scores of usage questions old and new. International in scope, it gives in-depth coverage of both British and American English usage issues, with reference also to the English of Australia, Canada, India, New Zealand, and South Africa. The thousands of authentic examples in the book vividly demonstra

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The Penguin Modern Classics edition of Ryszard Kapuscinski's The Emperor is translated by William R. Brand and Katarzyna Mroczkowska-Brand, with an introduction by Neal Ascherton.After the deposition of Haile Selassie in 1974, which ended the ancient rule of the Abyssinian monarchy, Ryszard Kapuscinski travelled to Ethiopia and sought out surviving courtiers to tell their stories. Here, their eloquent and ironic voices depict the lavish, corrupt world they had known - from the rituals, hierarchies and intrigues at court to the vagaries of a ruler who maintained absolute power over his impoverished people. They describe his inexorable downfall as the Ethiopian military approach, strange omens appear in the sky and courtiers vanish, until only the Emperor and his valet remain in the deserted palace, awaiting their fate. Dramatic and mesmerising, The Emperor is one of the great works of reportage and a haunting epitaph on the last moments of a dying regime.Ryszard Kapuscinski (1932-2007) was born in Pinsk, now in Belarus. Kapuscinski was the pre-eminent writer among Polish reporters. His best-known book is a reportage-novel of the decline of Haile Selassie's anachronistic regime in Ethiopia - The Emperor, which has been translated into many languages. Shah of Shahs, about the last Shah of Iran, and Imperium, about the last days of the Soviet Union, have enjoyed similar success. If you enjoyed The Emperor, you might like Norman Mailer's The Fight, also available in Penguin Modern Classics.'Stunning ... a magical eloquence'John Updike, New Yorker'[The Emperor] transcends reportage, becoming a nightmare of power ... An unforgettable, fiercely comic, and finally compassionate book'Salman Rushdie'Kapuscinski trascends the limitations of journalism and writes with the narrative power of a Conrad or Kipling or Orwell'Blake Morrison

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The definitive guide to a major African American poet/>/>This volume promises to be the definitive guide to Calvin C. Hernton's unparalleled poetic career, re-introducing readers to a major voice in American poetry. Hernton was a cofounder of the Umbra Poets Workshop; a participant in the Black Arts Movement, R. D. Laing's Kingsley Hall, and the Antiuniversity of London; and a teacher at Oberlin College who counted amongst his friends bell hooks, Toni Morrison, and Odetta. As a pioneer in the field of Black Studies, Hernton developed a theoretical and practical pedagogy with lasting impact on generations of students. He may be best known as an anti-sexist sociologist, following in the footsteps of W.E.B. Du Bois, but Hernton viewed himself, above all, as a poet. This volume includes a generous selection of Hernton's previously published poems, from classics like the often anthologized "The Distant Drum" to the visionary epic The Coming of Chronos to the House of Nightsong, reprinted in full for the first time since 1964, alongside uncollected and unpublished material from the Calvin C. Hernton papers at Ohio University, a new critical introduction, and detailed notes, chronology, and bibliography./>/>[sample poem]/>/>The Distant Drum/>/>I am not a metaphor or symbol./>This you hear is not the wind in the trees./>Nor a cat being maimed in the street./>I am being maimed in the street/>It is I who weep, laugh, feel pain or joy./>Speak this because I exist./>This is my voice/>These words are my words, my mouth/>Speaks them, my hand writes./>I am a poet./>It is my fist you hear beating/>Against your ear.

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Margaret Garner was the runaway slave who, when confronted with capture just outside of Cincinnati, slit the throat of her toddler daughter rather than have her face a life in slavery. Her story has inspired Toni Morrison’s Beloved, a film based on the novel starring Oprah Winfrey, and an opera. Yet, her life has defied solid historical treatment. In Driven toward Madness, Nikki M. Taylor brilliantly captures her circumstances and her transformation from a murdering mother to an icon of tragedy and resistance. Taylor, the first African American woman to write a history of Garner, grounds her approach in black feminist theory. She melds history with trauma studies to account for shortcomings in the written record. In so doing, she rejects distortions and fictionalized images; probes slavery’s legacies of sexual and physical violence and psychic trauma in new ways; and finally fleshes out a figure who had been rendered an apparition.

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Farah Jasmine Griffin’s beloved father died when she was nine, bequeathing her an unparalleled inheritance of remarkable books and other records of Black genius. In Read Until You Understand—a line from a note he wrote to her—she shares a lifetime of discoveries: the ideas that framed the US Constitution and that inspired Malcolm X’s fervent speeches, the soulful music of Marvin Gaye and Stevie Wonder, the daring literature of Phillis Wheatley and Toni Morrison, the artistry of Romare Bearden and many others. Having taught a popular Columbia University survey course of Black literature, she explores themes such as grace, justice, rage, self-determination, beauty and mercy to help readers grapple with the ongoing project that is American democracy. Joining her experiences in Black communities with her immersion in the glorious works of Black artists, Read Until You Understand is a powerful testament to the enduring wisdom of Black culture and history.

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Best of 2000 AD is a landmark series from the cult comic, bursting with our greatest stories for a new generation of readers. Every Best of 2000 AD contains a mix of modern classics and gems from the vault. In each edition you''ll find an explosive new Judge Dredd adventure, fresh essays by prominent popular culture writers, a graphic novel-length feature presentation by global legends and a vintage Dredd case. In this volume: Judge Dredd makes a Tempus Fugitive of literature’s most famous time-travel enthusiast; tremble as Robbie Morrison and Henry Flint deliver galaxy-wide carnage at the hands of the retribution of a dead race, Shakara The Avenger; during a long, hot summer something rots at the heart of a council estate in John Smith and Edmund Bagwell’s Cradlegrave; Dredd sends his cadets into the Cursed Earth to face The Hotdog Run; The government agents of Ice Station Delta

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'You the funkiest man alive.' Miles Davis' accolade was the perfect expression of John Lee Hooker's apotheosis as blues superstar: recording with the likes of Van Morrison, Keith Richards and Carlos Santana; making TV commercials (Lee Jeans); appearing in films (The Blues Brothers); and even starring in Pete Townshend's musical adaptation of Ted Hughes' story The Iron Man. His was an extraordinary life. Born in the American deep south, he moved to Detroit and then, in a career spanning over fifty years, recorded hypnotic blues classics such as 'Boogie Chillen', rhythm-and-blues anthems such as 'Dimples' and 'Boom Boom' and, in his final, glorious renaissance, the Grammy-winning album The Healer. Charles Shaar Murray's authoritative biography vividly, and often in John Lee Hooker's own words, does magnificent justice to the man and his music.

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'Don't live life worrying about it, just T. Rex the s*** out of it.' - Sylvain Sylvain The New York Dolls were called many things; glam, proto-punk, hard rock, but are probably best understood as a 'dirty rock & roll' band. Combining an aggressively androgynous style with street smart New York attitude and campy humour, the New York Dolls ushered in the era of CBGBs, heroin chic, loud guitars and referential lyrics which gave rise to Patti Smith, The Ramones, Television and many more. Fans of the band range from Guns N' Roses to Morrissey, who organised the reformation of the band when he curated Meltdown festival in 2004. Sylvain Sylvain was there from the start, and this is his story. Taking in his early life in New York, the rise, fall and rise again of the New York Dolls, and all his misadventures between, There's No Bones in Ice Cream is the true story of one of rock's greatest, told in his own authentic voice. 'In any great band it's often The Quiet One who has the best stories. There's No Bones in Ice Cream would be a superb book even if Sylvain worked in a bank. As it is it's one of the best rock biographies ever. Ten out of ten.' - Classic Rock

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Reckon, "Black Joy: 2022 Best of Books""Those of us who have been following her work for a while have known Reid would come flying out of the gates and, well, here is the emphatic proof.”—Laird Hunt, National Book Award finalist for ZorrieThot is a ground-breaking, fast paced, book length essay that experiments with poetry, dialogue, and memoir. At its epicenter are two competing forces. One is Chanté’s upbringing in the splendor, density, rhythms, and madness of Bronx, NY, including the murder of Chante’s neighbor, Deborah Danner, killed by a police officer during his break-in. The other is Reid’s academic life at Brown University, where she is completing a critical thesis on Toni Morrison’s book, Beloved. Its characters—Sethe, Denver, Margeret Garner—wind in and out of the conversation, as do the Medea and Narcissus of Greek myths. Thot is a thrilling cacophony, a highly original mix of genre and voice, sure to please readers in search of something startling and new.

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The inter-war years saw a revival of interest in print, not merely as a technical means of reproduction but aesthetically as a medium for communicating meaning. The private press movement burgeoned, intent on moving printing towards being an art form. But at a more earthy level came the Monotype Corporation from America with its technical sophistication, and, after WWI, its publicist Beatrice Warde, a missionary nationwide for printers to become proud creative professionals. And along side all this came a flurry of 'little' journals, specifically setting out to better the aesthetic standards of printing, whilst the main printing journal - the Penrose Annual - was shifting its focus from technical matters to graphic design. Although a few such names as Stanley Morrison, are well-recorded, as key players in all this activity, there were many enthusiasts who devoted their working lives to raising printing standards, now long forgotten; in Printing People now to be given their time in the limelight.

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In Animate Literacies Nathan Snaza proposes a new theory of literature and literacy in which he outlines how literacy is both constitutive of the social and used as a means to define the human. Weaving new materialism with feminist, queer, and decolonial thought, Snaza theorizes literacy as a contact zone in which humans, nonhuman animals, and nonvital objects such as chairs and paper all become active participants. In readings of classic literature by Kate Chopin, Frederick Douglass, James Joyce, Toni Morrison, Mary Shelley, and others, Snaza emphasizes the key roles that affect and sensory experiences play in literacy. Snaza upends common conceptions of literacy and its relation to print media, showing instead how such understandings reinforce dehumanizations linked to dominant imperialist, heterosexist, and capitalist definitions of the human. The path toward disrupting such exclusionary, humanist frameworks, Snaza contends, lies in formulating alternative practices of literacy and literary study that escape disciplined knowledge production.

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In The Afterlife of Reproductive Slavery Alys Eve Weinbaum investigates the continuing resonances of Atlantic slavery in the cultures and politics of human reproduction that characterize contemporary biocapitalism. As a form of racial capitalism that relies on the commodification of the human reproductive body, biocapitalism is dependent upon what Weinbaum calls the slave episteme—the racial logic that drove four centuries of slave breeding in the Americas and Caribbean. Weinbaum outlines how the slave episteme shapes the practice of reproduction today, especially through use of biotechnology and surrogacy. Engaging with a broad set of texts, from Toni Morrison's Beloved and Octavia Butler's dystopian speculative fiction to black Marxism, histories of slavery, and legal cases involving surrogacy, Weinbaum shows how black feminist contributions from the 1970s, 1980s, and 1990s constitute a powerful philosophy of history—one that provides the means through which to understand how reproductive slavery haunts the present.

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Extraordinary Bodies is a cornerstone text of disability studies, establishing the field upon its publication in 1997. Framing disability as a minority discourse rather than a medical one, the book added depth to oppressive narratives and revealed novel, liberatory ones. Through her incisive readings of such texts as Harriet Beecher Stowe's Uncle Tom's Cabin and Rebecca Harding Davis's Life in the Iron Mills, Rosemarie Garland-Thomson exposed the social forces driving representations of disability. She encouraged new ways of looking at texts and their depiction of the body and stretched the limits of what counted as a text, considering freak shows and other pop culture artifacts as reflections of community rites and fears. Garland-Thomson also elevated the status of African-American novels by Toni Morrison and Audre Lorde. Extraordinary Bodies laid the groundwork for an appreciation of disability culture and an inclusive new approach to the study of social marginalization.

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Did you know that Patrick Swayze was 35 when he got his big break in Dirty Dancing? The Swayze Year is an entertaining and inspiring humour book that proves you’re never too old to reach your potential.The Swayze Year celebrates later-in-life wins with short profiles of one person for every year from age 35 to age 100 who climbed mountains—metaphorical and literal—wrote their own storylines, and found their happy little trees at a more mature age. With wit, humour, and warmth, The Swayze Year proves that no matter how old you are, you’re not done yet. Featured profiles include: Toni Morrison published her debut novel, The Bluest Eye, at age 39 At 41, Bob Ross became the beloved host of The Joy of Painting Judi Dench first achieved international fame for her role in Goldeneye at age 61 At 84, Iris Apfel and her unique style were showcased by the Metropolitan Museum of Art Pinetop Perkins became the oldest person to win a Grammy at age 97

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An outstanding anthology in which notable musicians, artists, scientists, thinkers, poets, and more—from Gustavo Dudamel and Carrie Mae Weems to Ruth Bader Ginsburg and Paul Muldoon—explore the influence of music on their lives and workContributors include: Laurie Anderson ● Jamie Barton ● Daphne A. Brooks ● Edgar Choueiri ● Jeff Dolven ● Gustavo Dudamel ● Edward Dusinberre ● Corinna da Fonseca-Wollheim ● Frank Gehry ● James Ginsburg ● Ruth Bader Ginsburg ● Jane Hirshfield ● Pico Iyer ● Alexander Kluge ● Nathaniel Mackey ● Maureen N. McLane ● Alicia Hall Moran ● Jason Moran ● Paul Muldoon ● Elaine Pagels ● Robert Pinsky ● Richard Powers ● Brian Seibert ● Arnold Steinhardt ● Susan Stewart ● Abigail Washburn ● Carrie Mae Weems ● Susan Wheeler ● C. K. Williams ● Wu FeiWhat happens when extraordinary creative spirits—musicians, poets, critics, and scholars, as well as an architect, a visual artist, a filmmaker, a scientist, and a legendary Supreme Court justice—are asked to reflect on their favorite music? The result is Ways of Hearing, a diverse collection that explores the ways music shapes us and our shared culture. These acts of musical witness bear fruit through personal essays, conversations and interviews, improvisatory meditations, poetry, and visual art. They sound the depths of a remarkable range of musical genres, including opera, jazz, bluegrass, and concert music both classical and contemporary.This expansive volume spans styles and subjects, including Pico Iyer’s meditations on Handel, Arnold Steinhardt’s thoughts on Beethoven’s Grosse Fuge, and Laurie Anderson and Edgar Choueiri’s manifesto for spatial music. Richard Powers discusses the one thing about music he’s never told anyone, Daphne Brooks draws sonic connections between Toni Morrison and Cécile McLorin Salvant, and Ruth Bader Ginsburg reveals what she thinks is the sexiest duet in opera. Poems interspersed throughout further expand how we can imagine and respond to music. Ways of Hearing is a book for our times that celebrates the infinite ways music enhances our lives.

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Family man or deranged killer? It’s for fearless PI Jessie Cole to find out. At any cost. Ever since a car accident left reporter Ben Morrison with amnesia, he’s been trying to rebuild a future as he puts together the pieces of his past. With the help of PI Jessie Cole, he’s getting closer. But few who remember Ben’s troubled childhood want to talk. And those who do—including his father, imprisoned for a shocking crime—are stirring disturbing memories given up for dead. Then Jessie is sidetracked by a surveillance request from a suspicious husband. An ordinary case, until the cheating wife and lover are found murdered. They bear the trademark wounds of an elusive serial killer who’s now leading Jessie down a chilling path—one that’s about to put a dangerous twist in the search for Ben’s identity. To discover the truth, Jessie must put more at risk than she ever feared. Because there are more secrets to Ben’s past, than she—or even Ben—ever imagined.

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Even as feminism has become increasingly central to our ideas about institutions, relationships, and everyday life, the term used to diagnose the problem—“patriarchy”—is used so loosely that it has lost its meaning. In Vexy Thing Imani Perry resurrects patriarchy as a target of critique, recentering it to contemporary discussions of feminism through a social and literary analysis of cultural artifacts from the Enlightenment to the present. Drawing on a rich array of sources—from nineteenth-century slavery court cases and historical vignettes to writings by Toni Morrison and Audre Lorde and art by Kara Walker and Wangechi Mutu—Perry shows how the figure of the patriarch emerged as part and parcel of modernity, the nation-state, the Industrial Revolution, and globalization. She also outlines how digital media and technology, neoliberalism, and the security state continue to prop up patriarchy. By exploring the past and present of patriarchy in the world we have inherited and are building for the future, Perry exposes its mechanisms of domination as a necessary precursor to dismantling it.

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Tales of The Smiths is a comic book retelling of the band members' teenage years, before the group was famous, and includes fascinating digressions about their influences (the New York Dolls, Nico, Sex Pistols, NY punk, Patti Smith, etc) and the times in which they were growing up. The story reaches its climax with the meeting of Morrissey and Marr, the formation of the band in 1982 and their first gig as The Smiths. With an introduction by Simon Wolstencroft, The Smiths' first drummer and the former drummer with The Fall, Patrol and Freak Party, which featured Andy Rourke and Johnny Marr.

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South Carolina is a state of incredible African American history: from the lunch counter in Rock Hill where the Friendship Nine began their "Jail, No Bail" protests, to the site where the freedom song "We Shall Overcome" was first sung; our nation’s very first school for the formerly enslaved, to a monument to the Middle Passage championed by Toni Morrison. Visitors and residents alike will find the Palmetto State rich in remarkable places that played a part in some of our nation’s most significant moments. The Green Book of South Carolina, compiled by the WeGOJA Foundation (on behalf of the SC African American Heritage Commission), is a first-of-its-kind travel guide to the most tourist-friendly destinations offering visitors avenues to discover intriguing African American history as they travel the state.Organized by region and illustrated with more than 80 color photographs by Joshua Parks, this guidebook presents a curated selection of over 200 museums, monuments, historic markers, schools, churches, and other public lands. Features a foreword by Dr. Darlene Clark Hine, Distinguished Professor Emerita at Michigan State University where she served as the John A. Hannah Distinguished Professor of History. The South Carolina Green Book is a collaborative release by Hub City Press, the WeGOJA Foundation, and the International African American Museum. Sponsored by the City of Spartanburg.FEATURES More than 180 historic markers, structures, and landmarks for a diverse audience Includes popular sites as well as hidden gems Organized by region for easy travel planning and discovery. Includes suggested day trips for each region. Compact accessibly-priced book Beautiful full-color photography

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Chosen as one of the Best Architecture and Design books Summer 2022 by the Financial Times. Why British record store carrier bags are graphic design icons: While they’ve never carried the kudos of sleeve designs and music posters, record shop bags offer a fascinating insight into 20th century British music culture, high-streets and more. – Creative Review Jonny Trunk’s extensive collection of record shop bags weaves together a less conventional history of British music, celebrating the shops where musicians and fans bought and sold their first LPs. This book is a love letter to these forgotten spaces, accompanied by a juicy selection of anecdotes and little known facts about the record shops and their bags. Readers, gear up for a “brilliant ride down the old British high streets and low streets too.” – It's Nice That Jonny Trunk and FUEL present A-Z of Record Shop Bags – a publication celebrating the humble record store bag. This exhaustive collection of the record shop bag provides a unique perspective of record shopping in the UK over the last century, bringing together over 500 incredible bags (some possibly the only surviving examples) to document the fascinating story of British high street record shopping. Bags from famous chains such as NEMS, Our Price and Virgin (the amazingly rare Roger Dean bags), sit alongside designs from local shops run by eccentric enthusiasts. Packed with stories such as the first Jewish ska retailer, the record sellers who started the premier league, famous staff (David Bowie, Dusty Springfield, Morrissey, etc.) and equally infamous owners, these anecdotes of mythical vinyl entrepreneurs will entertain and delight. With vinyl record sales at their highest ever for decades (outselling CDs in the US), this publication acts as an amazing insight into the history, culture and visual language of record collecting. Following Own Label, Wrappers Delight and Auto Erotica – A-Z of Record Shop Bags: 1940s to 1990s is the next book in the series by Jonny Trunk and FUEL, examining overlooked aspects of our collective past.

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"The exploration of the social conditions that facilitate or retard the search for scientific knowledge has been the major theme of Robert K. Merton's work for forty years. This collection of papers [is] a fascinating overview of this sustained inquiry. . . . There are very few other books in sociology . . . with such meticulous scholarship, or so elegant a style. This collection of papers is, and is likely to remain for a long time, one of the most important books in sociology."—Joseph Ben-David, New York Times Book Review"The novelty of the approach, the erudition and elegance, and the unusual breadth of vision make this volume one of the most important contributions to sociology in general and to the sociology of science in particular. . . . Merton's Sociology of Science is a magisterial summary of the field."—Yehuda Elkana, American Journal of Sociology"Merton's work provides a rich feast for any scientist concerned for a genuine understanding of his own professional self. And Merton's industry, integrity, and humility are permanent witnesses to that ethos which he has done so much to define and support."—J. R. Ravetz, American Scientist"The essays not only exhibit a diverse and penetrating analysis and a deal of historical and contemporary examples, with concrete numerical data, but also make genuinely good reading because of the wit, the liveliness and the rich learning with which Merton writes."—Philip Morrison, Scientific American"Merton's impact on sociology as a whole has been large, and his impact on the sociology of science has been so momentous that the title of the book is apt, because Merton's writings represent modern sociology of science more than any other single writer."—Richard McClintock, Contemporary Sociology

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Wondering what the essential Judge Dredd stories are? Need to find out how long The Ballad of Halo Jones ran? Well look no further, Earthlets – the 2000 AD Encyclopedia is here!Timed to concide with 2000 AD's landmark 45th anniversary, this 336-page hardcover with dustjacket and explosive brand new cover by artist Stewart K. Moore is a must have for comic book fans. For the first time, the 2000 AD Encyclopedia celebrates 45 years of cutting edge sci-fi, biting dystopian satire and glorious fantasy by giving readers chapter and verse on this enthralling universe of thrills, detailing the characters and stories that have helped make 2000 AD a groundbreaking comic book and major cultural force.With jaw-dropping illustrations by some of the world’s top artists alongside detailed profiles on the stories and characters from the pages of this legendary comic, from the luckless Aaron A. Aardvark of Judge Dredd to the weaponised (but very polite) undead crusader Zombo.Discover fascinating facts about the acclaimed art and script droids behind 2000 AD’s success, including industry legends such as John Wagner, Alan Grant, Alan Moore, Mark Millar, Grant Morrison, Jock, Brian Bolland, Mick McMahon, Carlos Ezquerra and many more. With a foreword by 2000 AD’s longest-serving editor Matt Smith, this hardcover collection is indispensable for all dedicated Squaxx Dek Thargo and an essential addition to any comic fan’s bookshelf.

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In Black Gathering Sarah Jane Cervenak engages with Black artists and writers who create alternative spaces for Black people to gather free from interruption or regulation. Drawing together Black feminist theory, critical theories of ecology and ecoaesthetics, and Black aesthetics, Cervenak shows how novelists, poets, and visual artists such as Gayl Jones, Toni Morrison, Clementine Hunter, Samiya Bashir, and Leonardo Drew advance an ecological imagination that unsettles Western philosophical ideas of the earth as given to humans. In their aestheticization and conceptualization of gathering, these artists investigate the relationships among art, the environment, home, and forms of Black togetherness. Cervenak argues that by offering a formal and conceptual praxis of gathering, Black artists imagine liberation and alternative ways of being in the world that exist beyond those Enlightenment philosophies that presume Black people and earth as given to enclosure and ownership.

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Margaret Garner was the runaway slave who, when confronted with capture just outside of Cincinnati, slit the throat of her toddler daughter rather than have her face a life in slavery. Her story has inspired Toni Morrison’s Beloved, a film based on the novel starring Oprah Winfrey, and an opera. Yet, her life has defied solid historical treatment. In Driven toward Madness, Nikki M. Taylor brilliantly captures her circumstances and her transformation from a murdering mother to an icon of tragedy and resistance. Taylor, the first African American woman to write a history of Garner, grounds her approach in black feminist theory. She melds history with trauma studies to account for shortcomings in the written record. In so doing, she rejects distortions and fictionalized images; probes slavery’s legacies of sexual and physical violence and psychic trauma in new ways; and finally fleshes out a figure who had been rendered an apparition.

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In Search of a Beautiful Freedom brings together the best work from Farah Jasmine Griffin’s rich forays on music, Black feminism, literature, the crises of Hurricane Katrina and COVID-19 and the Black artists she esteems. She moves from evoking the haunting strength of Odetta and the rise of soprano popular singers in the 1970s to the forging of a Black women’s literary renaissance and the politics of Malcolm X through the lens of Black feminism. She reflects on pivotal moments in recent American history—including the banning of Toni Morrison’s Beloved—and celebrates the intellectuals, artists and personal relationships that have shaped her identity and her work. Featuring new and unpublished essays along with ones first appearing in outlets such as The New York Times and NPR, In Search of a Beautiful Freedom is a captivating collection that celebrates the work of “one of the few great intellectuals in our time” (Cornel West).

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In four chapters, each dedicated to an experimental American novelist of the postmodern period, Male Rage Female Fury investigates what happens when novels that have defied traditional literary conventions such as temporal chronology, refuse to break with traditional gender-based stereotypes. The result, Maxwell argues, is an ambiguity or "internal tension" that may eventually produce more misogynistic images within the texts. Central to the study is an analysis of the violence, male and female initiated, in the works of the minimalists Barthelme and Didion, and the mythicists Pynchon and Morrison.

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Philosophy takes us by surprise. It challenges us, awakens us and opens our minds.In an increasingly opinionated world, philosophy encourages us to look within and think for ourselves. In doing so, we can find solutions to even our most confusing dilemmas.Let Fabrice Midal teach you to trust your own thoughts, as he guides us through the inspirational ideas of forty writers, artists, thinkers and seers from Baudelaire to Wittgenstein, Emily Dickinson to Toni Morrison, Pablo Picasso to James Baldwin.Each short essay offers three minutes of calm in our turbulent world, restoring our humanity and perspective.

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Immerse yourself in the art and making of Aquaman, the movie chronicling Arthur Curry's path to a future reign as King of the Seven Seas. The Art and Making of Aquaman takes readers behind the scenes of the 2018 Warner Bros. Pictures film based on the popular DC character. Featuring previously unseen photographs and breathtaking concept art, this book is a must-have for any fan. Witness the epic journey of Aquaman, a Super Hero who struggles to accept his heritage as undersea royalty, in his first solo film. Follow along with the production team as these skilled artists create a unique undersea world for the big screen. Exclusive interviews highlight a comprehensive narrative that flows through this stunning collection of concept sketches, storyboards, set and costume photography, and effects imagery, giving readers an unparalleled look at the making of the film. Directed by James Wan, Aquaman features an all-star cast, with Jason Momoa, Amber Heard, Willem Dafoe, Patrick Wilson, Dolph Lundgren, Ludi Lin, Yahya Abdul-Mateen II, Temuera Morrison and Nicole Kidman.

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So Glad I'm Me was Roddy Lumsden's tenth collection, and sadly turned out to be the last book he published. In these haunting poems he returned to familiar themes in his work: the trials of oneness versus twoness, the seduction of small calamities, and vice versa. And the everyday mysteries, of running water, salt and sugar, roller-skates and back-up flats. So Glad I'm Me also contains many 'conflation poems' where he has knocked the square peg of one subject through the round hole of another, often music-related. There are poems here about many songs and musicians, ranging from cult artists like Alex Chilton and Robin Holcomb to big names like Elvis and Morrissey. As ever, he relishes unusual words (nestlecock, twofer, farnesol) and interesting, taut forms, alongside a new strand of mid-length, discursive pieces in the spirit of Chicagoan poets Albert Goldbarth and Marianne Boruch. So Glad I'm Me was shortlisted for both the T.S. Eliot Prize 2017 and the Saltire Society Scottish Poetry Book of the Year Award 2018.

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A critical re-evaluation of the imaginative transformations of Romanticism by major American writers The study traverses the traditional critical boundaries of prose and poetry in American and Romantic and Post-Romantic writing Reasserts the significance of Second-Generation Romantic writers for American literary culture Reassessing the indebtedness of major American writers to British Romanticism This book provides innovative readings of literary works of British Romanticism and its influence on twentieth- and twenty-first-century American literary culture and thought. It traverses the traditional critical boundaries of prose and poetry in American and Romantic and post-Romantic writing. Analysing significant works by nineteenth-century writers, including Ralph Waldo Emerson, Henry David Thoreau and Emily Dickinson, as well as the later writings of William Faulkner, F. Scott Fitzgerald, Saul Bellow, Toni Morrison and Wallace Stevens, the book reasserts the significance of second-generation Romantic writers for American literary culture. Sandy reassesses our understanding of Romantic inheritance and influence on post-Romantic aesthetics, subjectivity and the natural world in the American imagination.

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Koritha Mitchell analyzes canonical texts by and about African American women to lay bare the hostility these women face as they invest in traditional domesticity. Instead of the respectability and safety granted white homemakers, black women endure pejorative labels, racist governmental policies, attacks on their citizenship, and aggression meant to keep them in "their place."Tracing how African Americans define and redefine success in a nation determined to deprive them of it, Mitchell plumbs the works of Frances Harper, Zora Neale Hurston, Lorraine Hansberry, Toni Morrison, Michelle Obama, and others. These artists honor black homes from slavery and post-emancipation through the Civil Rights era to "post-racial" America. Mitchell follows black families asserting their citizenship in domestic settings while the larger society and culture marginalize and attack them, not because they are deviants or failures but because they meet American standards.Powerful and provocative, From Slave Cabins to the White House illuminates the links between African American women's homemaking and citizenship in history and across literature.

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'A storming debut' The Sun Perfect for fans of JP Delaney and C.L. Taylor, this is a complex thriller about the secrets we keep and the damage they do. ___________⭐SCOTTISH CRIME BOOK OF THE YEAR 2021 SHORTLIST⭐ ⭐BEST SCOTTISH CRIME DEBUT 2021 SHORTLIST⭐ ⭐MCILVANNEY PRIZE FOR SCOTTISH CRIME BOOK OF THE YEAR LONGLIST⭐ ⭐CWA NEW BLOOD DAGGER LONGLIST⭐___________Deceit runs in the family . . . Chris Morrison is facing his worst nightmare.His wife is in a coma.His daughter is missing.And the only thing more unsettling than these two events . . . is what might connect them.Some secrets can change a family for ever. ___________Praise for Emma Christie: 'Emma Christie shows that she's already learned how to reel readers in from page one and keep them hooked. An intriguing mystery' – The Herald'A clever and complex rollercoaster of a psychological thriller' – Culturefly'A really clever, compelling book with a fresh twist' – Phoebe Morgan'Full to the brim of red herrings and twisty dead ends' – Lauren North 'A stunning and emotional debut. Truly gripping and incredibly well-written' – Vikki Patis

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Even as feminism has become increasingly central to our ideas about institutions, relationships, and everyday life, the term used to diagnose the problem—“patriarchy”—is used so loosely that it has lost its meaning. In Vexy Thing Imani Perry resurrects patriarchy as a target of critique, recentering it to contemporary discussions of feminism through a social and literary analysis of cultural artifacts from the Enlightenment to the present. Drawing on a rich array of sources—from nineteenth-century slavery court cases and historical vignettes to writings by Toni Morrison and Audre Lorde and art by Kara Walker and Wangechi Mutu—Perry shows how the figure of the patriarch emerged as part and parcel of modernity, the nation-state, the Industrial Revolution, and globalization. She also outlines how digital media and technology, neoliberalism, and the security state continue to prop up patriarchy. By exploring the past and present of patriarchy in the world we have inherited and are building for the future, Perry exposes its mechanisms of domination as a necessary precursor to dismantling it.

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Based on the popular Facebook page, which regularly reaches over 500,000 people, The Rory's Stories Guide to the GAA sends up a certain kind of lad obsessed with the GAA calendar, his local club and county team above everything else. This hilarious guide to the GAA covers it all: bleep tests; post-game hangovers; forty-way WhatsApp conversations; that lad always doing his hamstring; fair-weather Dub supporters; old men who've umpired every parish game since the Civil War; Marty Morrissey's forehead; ham sandwiches; dirty corner-backs; more hangovers; impenetrable Kerry accents; weight training followed by ten pints; pretending to understand tactics; lobbing it up to the big lad; prima donna corner forwards... Infinitely recognisable and laugh-out-loud funny, it's the perfect gift for GAA fans. 'A must read for all GAA fans' – Steven McDonnell, former Armagh Footballer 'Haven’t put this book down all evening' –Marc Ó Sé, Kerry Footballer

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In Fugitive Time, Matthew Omelsky theorizes the embodied experience of time in twentieth- and twenty-first-century black artforms from across the world. Through the lens of time, he charts the sensations and coursing thoughts that accompany desires for freedom as they appear in the work of artists as varied as Toni Morrison, Yvonne Vera, Aimé Césaire, and Issa Samb. “Fugitive time” names a distinct utopian desire directed at the anticipated moment when the body and mind have been unburdened of the violence that has consumed black life globally for centuries, bringing with it a new form of being. Omelsky shows how fugitive time is not about attaining this transcendent release but is instead about sustaining the idea of it as an ecstatic social gathering. From the desire for ethereal queer worlds in the Black Audio Film Collective’s Twilight City to Sun Ra’s transformation of nineteenth-century scientific racism into an insurgent fugitive aesthetic, Omelsky shows how fugitive time evolves and how it remains a dominant form of imagining freedom in global black cultural expression.

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In Fugitive Time, Matthew Omelsky theorizes the embodied experience of time in twentieth- and twenty-first-century black artforms from across the world. Through the lens of time, he charts the sensations and coursing thoughts that accompany desires for freedom as they appear in the work of artists as varied as Toni Morrison, Yvonne Vera, Aimé Césaire, and Issa Samb. “Fugitive time” names a distinct utopian desire directed at the anticipated moment when the body and mind have been unburdened of the violence that has consumed black life globally for centuries, bringing with it a new form of being. Omelsky shows how fugitive time is not about attaining this transcendent release but is instead about sustaining the idea of it as an ecstatic social gathering. From the desire for ethereal queer worlds in the Black Audio Film Collective’s Twilight City to Sun Ra’s transformation of nineteenth-century scientific racism into an insurgent fugitive aesthetic, Omelsky shows how fugitive time evolves and how it remains a dominant form of imagining freedom in global black cultural expression.

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Beautiful reissue of Louise Erdrich’s most famous novel, from one of the most celebrated American writers of her generation and winner of the National Book Award 2012. Set on and around a North Dakota reservation, ‘Love Medicine’ tells the story of the Lamartines and the Kashpaws – two extraordinary families whose fates are united and sustained in a harsh world by the strength and diversity of their love. We meet the sensual Lulu Lamartine, whose children have different fathers, but whose passionate tie to her first love, Nector Kashpaw, intensifies over the years; June Kashpaw, who froze to death in a snowstorm; and the philosophical Lipsha Morrissey, June's abandoned son, who makes a love medicine to keep his grandparents together. Greeted with great critical acclaim when first published in 1984, 'Love Medicine' won the US National Book Critics' Circle Award. Louise Erdrich has now substantially revised and expanded the novel for this edition, to complement its companion novels, 'The Beet Queen, ‘Tracks' and 'The Bingo Palace'.

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'Required reading.' - CosmopolitanRemember that moment when you first encountered a character who seemed to be written just for you? That feeling of belonging remains with readers the rest of their lives - but not everyone regularly sees themselves reflected on the pages of a book.In this timely anthology, Glory Edim, founder of the online community, Well-Read Black Girl, brings together original essays by some of America's best black women writers to shine a light on how important it is that we all - regardless of gender, race, religion, or ability - have the opportunity to find ourselves in literature. Whether it's learning about the complexities of femalehood from Zora Neale Hurston and Toni Morrison, finding a new type of love in The Color Purple, or using mythology to craft an alternative black future, each essay reminds us why we turn to books in times of both struggle and relaxation. Here, Edim has created a space where black women's writing, knowledge and life experiences are lifted up, to be shared with all readers who value the power of a story to help us understand the world, and ourselves.

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“Unique and highly personal. The photos are beautiful and vivid, providing an eyewitness account of this remarkable moment in time. “—Dennis Elsas, WFUV-Radio and Sirius XM On-Air Personality, from his ForewordFifty years have passed by the impact of the Woodstock music festival—three days of music and love” lives on as a memory, as an inspiration, and a turning point in American history. Woodstock 1969 stands out for its singular voice.Photojournalist Jason Lauré followed his unerring instinct for being in the right place at the crucial moment. He and coauthor Ettagale Blauer trace the historic events that preceded the festival and then envelop the reader with photographs of the headliner rock stars that performed during the landmark three-day concert including The Who, Janis Joplin, Grace Slick of Jefferson Airplane, and Santana.Threading his way back and forth from the stage, through a sea of happy audience members, Jason Lauré photographed the communal life that was an essential part of the phenomenon that was Woodstock. Never intrusive, yet working close-up, he managed to capture these innocent moments in the pond and in the woods with the same compassion and intimacy he brought to his coverage of all the crucial events of the era. After Woodstock, he photographed such legends as Jimi Hendrix, Tina Turner, and Jim Morrison of the Doors.Woodstock 1969 gives the reader an appreciation of the lasting impact of the festival, showing the way it changed the lives of all who experienced it. It served as the high point of the counterculture that started in earnest in the Summer of Love, and also as a leading influence in the decades that followed. The book concludes with a look at Woodstock's lasting legacy, from Greenwich Village and the rock scene of the Fillmore East to the establishment of Earth Day and the burgeoning environmental movement.

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Wallace Fowlie is known to three generations of students at Duke University for his course in Proust. His observations on the changing interests of college students (Bob Dylan to Jim Morrison, Fellini to Pasolini) are part of this fourth memoir. In Memory, Fowlie brings us once more into his broad range of vision as he examines the offerings of memory, more real to him he tells us than the town in which he now lives. the reader follows his search for words, his early more mystical search for a father-son relationship, his remembering of the small acts that determine life.

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Kapitalmärkte werden immer internationaler. Doch nach welchem Recht werden die Ansprüche von Anlegern bestimmt, die durch fehlerhafte Kapitalmarktinformationen geschädigt wurden? Andreas Engel untersucht diese kollisionsrechtliche Frage und vergleicht, welcher Methodik und welcher Anknüpfungskriterien sich Gerichte in den USA und in der EU hierfür bedienen. Dabei wird deutlich, dass weder die Rechtsprechung des US-amerikanischen Supreme Court ( Morrison v. National Australia Bank) noch die europäische Rom II-Verordnung zu hinreichender Vorhersehbarkeit und Rechtssicherheit führen. Das gefährdet sämtliche Ziele beider Kollisionsrechte. Streitigkeiten können nicht effizient beigelegt werden; Anleger und Markt sind nicht hinreichend geschützt. Abschließend legt der Autor einen Reformvorschlag vor, mit dem sich diese Defizite jedoch beheben lassen.

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From Josephine Baker's performances in the 1920s to the 1970s solidarity campaigns for Angela Davis, from Audre Lorde as "mother" of the Afro-German movement in the 1980s to the literary stardom of 1993 Nobel Laureate Toni Morrison, Germans have actively engaged with African American women's art and activism throughout the 20th century. The discursive strategies that have shaped the (West) German reactions to African American women's social activism and cultural work are examined in this study, which proposes not only a nuanced understanding of "African Americanizations" as a form of cultural exchange but also sheds new light on the role of African American culture for (West) German society, culture, and national identity.

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