Search results for ""author morris"

Not a Big Deal asks how texts might work to unsettle readers at a moment when unwelcome information is rejected as fake news or rebutted with alternative facts. When readers already recognize “defamiliarizing texts” as a category, how might texts still work toward the goals of defamiliarization? When readers refuse to grapple with texts that might shock them or disrupt their extant views about politics, race, or even narrative itself, how can texts elicit real engagement? This study draws from philosophy, narratology, social neuroscience, critical theory, and numerous other disciplines to read texts ranging from novels and short stories to graphic novels, films, and fiction broadcasted and podcasted—all of which enact curious strategies of disruption while insisting that they do no such thing. Following a model traceable to Toni Morrison’s criticism and short fiction, texts by Kyle Baker, Scott Brown, Percival Everett, Daniel Handler, David Robert Mitchell, Jordan Peele, and Colson Whitehead suggest new strategies for unsettling the category-based perceptions behind what Everett calls “the insidious colonialist reader’s eye which infects America.” Not a Big Deal examines problems in our perception of the world and of texts and insists we do the same.

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From sapphire, mammy, and jezebel, to the angry black woman, baby mama, and nappy-headed ho, black female iconography has had a long and tortured history in public culture. The telling of this history has long occupied the work of black female theorists—much of which has been foundational in situating black women within the matrix of sociopolitical thought and practice in the United States. Scandalize My Name builds upon the rich tradition of this work while approaching the study of black female representation as an opening onto a critical contemplation of the vagaries of black social life. It makes a case for a radical black subject-position that structures and is structured by an intramural social order that revels in the underside of the stereotype and ultimately destabilizes the very notion of “civil society.” At turns memoir, sociological inquiry, literary analysis, and cultural critique, Scandalize My Name explores topics as varied as serial murder, reality television, Christian evangelism, teenage pregnancy, and the work of Toni Morrison to advance black feminist practice as a mode through which black sociality is both theorized and made material.

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In the context of the ongoing crisis in literary criticism, The Social Imperative reminds us that while literature will never by itself change the world, it remains a powerful tool and important actor in the ongoing struggle to imagine better ways to be human and free. Figuring the relationship between reader and text as a type of friendship, the book elaborates the social-psychological concept of schema to show that our multiple social contexts affect what we perceive and how we feel when we read. Championing and modeling a kind of close reading that attends to how literature reflects, promotes, and contests pervasive sociocultural ideas about race, ethnicity, gender, and sexuality, Paula M. L. Moya demonstrates the power of works of literature by writers such as Junot Diaz, Toni Morrison, and Helena Maria Viramontes to alter perceptions and reshape cultural imaginaries. Insofar as literary fiction is a unique form of engagement with weighty social problems, it matters not only which specific works of literature we read and teach, but also how we read them, and with whom. This is what constitutes the social imperative of literature.

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In the context of the ongoing crisis in literary criticism, The Social Imperative reminds us that while literature will never by itself change the world, it remains a powerful tool and important actor in the ongoing struggle to imagine better ways to be human and free. Figuring the relationship between reader and text as a type of friendship, the book elaborates the social-psychological concept of schema to show that our multiple social contexts affect what we perceive and how we feel when we read. Championing and modeling a kind of close reading that attends to how literature reflects, promotes, and contests pervasive sociocultural ideas about race, ethnicity, gender, and sexuality, Paula M. L. Moya demonstrates the power of works of literature by writers such as Junot Diaz, Toni Morrison, and Helena Maria Viramontes to alter perceptions and reshape cultural imaginaries. Insofar as literary fiction is a unique form of engagement with weighty social problems, it matters not only which specific works of literature we read and teach, but also how we read them, and with whom. This is what constitutes the social imperative of literature.

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Immerse yourself in the art and making of Aquaman, the movie chronicling Arthur Curry's path to a future reign as King of the Seven Seas. The Art and Making of Aquaman takes readers behind the scenes of the 2018 Warner Bros. Pictures film based on the popular DC character. Featuring previously unseen photographs and breathtaking concept art, this book is a must-have for any fan. Witness the epic journey of Aquaman, a Super Hero who struggles to accept his heritage as undersea royalty, in his first solo film. Follow along with the production team as these skilled artists create a unique undersea world for the big screen. Exclusive interviews highlight a comprehensive narrative that flows through this stunning collection of concept sketches, storyboards, set and costume photography, and effects imagery, giving readers an unparalleled look at the making of the film. Directed by James Wan, Aquaman features an all-star cast, with Jason Momoa, Amber Heard, Willem Dafoe, Patrick Wilson, Dolph Lundgren, Ludi Lin, Yahya Abdul-Mateen II, Temuera Morrison and Nicole Kidman.

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So Glad I'm Me was Roddy Lumsden's tenth collection, and sadly turned out to be the last book he published. In these haunting poems he returned to familiar themes in his work: the trials of oneness versus twoness, the seduction of small calamities, and vice versa. And the everyday mysteries, of running water, salt and sugar, roller-skates and back-up flats. So Glad I'm Me also contains many 'conflation poems' where he has knocked the square peg of one subject through the round hole of another, often music-related. There are poems here about many songs and musicians, ranging from cult artists like Alex Chilton and Robin Holcomb to big names like Elvis and Morrissey. As ever, he relishes unusual words (nestlecock, twofer, farnesol) and interesting, taut forms, alongside a new strand of mid-length, discursive pieces in the spirit of Chicagoan poets Albert Goldbarth and Marianne Boruch. So Glad I'm Me was shortlisted for both the T.S. Eliot Prize 2017 and the Saltire Society Scottish Poetry Book of the Year Award 2018.

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A critical re-evaluation of the imaginative transformations of Romanticism by major American writers The study traverses the traditional critical boundaries of prose and poetry in American and Romantic and Post-Romantic writing Reasserts the significance of Second-Generation Romantic writers for American literary culture Reassessing the indebtedness of major American writers to British Romanticism This book provides innovative readings of literary works of British Romanticism and its influence on twentieth- and twenty-first-century American literary culture and thought. It traverses the traditional critical boundaries of prose and poetry in American and Romantic and post-Romantic writing. Analysing significant works by nineteenth-century writers, including Ralph Waldo Emerson, Henry David Thoreau and Emily Dickinson, as well as the later writings of William Faulkner, F. Scott Fitzgerald, Saul Bellow, Toni Morrison and Wallace Stevens, the book reasserts the significance of second-generation Romantic writers for American literary culture. Sandy reassesses our understanding of Romantic inheritance and influence on post-Romantic aesthetics, subjectivity and the natural world in the American imagination.

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Koritha Mitchell analyzes canonical texts by and about African American women to lay bare the hostility these women face as they invest in traditional domesticity. Instead of the respectability and safety granted white homemakers, black women endure pejorative labels, racist governmental policies, attacks on their citizenship, and aggression meant to keep them in "their place."Tracing how African Americans define and redefine success in a nation determined to deprive them of it, Mitchell plumbs the works of Frances Harper, Zora Neale Hurston, Lorraine Hansberry, Toni Morrison, Michelle Obama, and others. These artists honor black homes from slavery and post-emancipation through the Civil Rights era to "post-racial" America. Mitchell follows black families asserting their citizenship in domestic settings while the larger society and culture marginalize and attack them, not because they are deviants or failures but because they meet American standards.Powerful and provocative, From Slave Cabins to the White House illuminates the links between African American women's homemaking and citizenship in history and across literature.

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'A storming debut' The Sun Perfect for fans of JP Delaney and C.L. Taylor, this is a complex thriller about the secrets we keep and the damage they do. ___________⭐SCOTTISH CRIME BOOK OF THE YEAR 2021 SHORTLIST⭐ ⭐BEST SCOTTISH CRIME DEBUT 2021 SHORTLIST⭐ ⭐MCILVANNEY PRIZE FOR SCOTTISH CRIME BOOK OF THE YEAR LONGLIST⭐ ⭐CWA NEW BLOOD DAGGER LONGLIST⭐___________Deceit runs in the family . . . Chris Morrison is facing his worst nightmare.His wife is in a coma.His daughter is missing.And the only thing more unsettling than these two events . . . is what might connect them.Some secrets can change a family for ever. ___________Praise for Emma Christie: 'Emma Christie shows that she's already learned how to reel readers in from page one and keep them hooked. An intriguing mystery' – The Herald'A clever and complex rollercoaster of a psychological thriller' – Culturefly'A really clever, compelling book with a fresh twist' – Phoebe Morgan'Full to the brim of red herrings and twisty dead ends' – Lauren North 'A stunning and emotional debut. Truly gripping and incredibly well-written' – Vikki Patis

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Wondering what the essential Judge Dredd stories are? Need to find out how long The Ballad of Halo Jones ran? Well look no further, Earthlets – the 2000 AD Encyclopedia is here!Timed to concide with 2000 AD's landmark 45th anniversary, this 336-page hardcover with dustjacket and explosive brand new cover by artist Stewart K. Moore is a must have for comic book fans. For the first time, the 2000 AD Encyclopedia celebrates 45 years of cutting edge sci-fi, biting dystopian satire and glorious fantasy by giving readers chapter and verse on this enthralling universe of thrills, detailing the characters and stories that have helped make 2000 AD a groundbreaking comic book and major cultural force.With jaw-dropping illustrations by some of the world’s top artists alongside detailed profiles on the stories and characters from the pages of this legendary comic, from the luckless Aaron A. Aardvark of Judge Dredd to the weaponised (but very polite) undead crusader Zombo.Discover fascinating facts about the acclaimed art and script droids behind 2000 AD’s success, including industry legends such as John Wagner, Alan Grant, Alan Moore, Mark Millar, Grant Morrison, Jock, Brian Bolland, Mick McMahon, Carlos Ezquerra and many more. With a foreword by 2000 AD’s longest-serving editor Matt Smith, this hardcover collection is indispensable for all dedicated Squaxx Dek Thargo and an essential addition to any comic fan’s bookshelf.

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In four chapters, each dedicated to an experimental American novelist of the postmodern period, Male Rage Female Fury investigates what happens when novels that have defied traditional literary conventions such as temporal chronology, refuse to break with traditional gender-based stereotypes. The result, Maxwell argues, is an ambiguity or "internal tension" that may eventually produce more misogynistic images within the texts. Central to the study is an analysis of the violence, male and female initiated, in the works of the minimalists Barthelme and Didion, and the mythicists Pynchon and Morrison.

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Philosophy takes us by surprise. It challenges us, awakens us and opens our minds.In an increasingly opinionated world, philosophy encourages us to look within and think for ourselves. In doing so, we can find solutions to even our most confusing dilemmas.Let Fabrice Midal teach you to trust your own thoughts, as he guides us through the inspirational ideas of forty writers, artists, thinkers and seers from Baudelaire to Wittgenstein, Emily Dickinson to Toni Morrison, Pablo Picasso to James Baldwin.Each short essay offers three minutes of calm in our turbulent world, restoring our humanity and perspective.

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Fortunate is the man who has been able to realise his childhood dreams: this beautiful book is the result of Andrew Winton's long cherished dream - 'to pass on some of the pleasures I got from Burn's songs.' As a child, he had the North Lanarkshire moors as a playground, listening to the calls and singing of the birds, lying in beds of wild thyme and heathers beside cool, clear burns - while at school, he was taught to recite the poems of Robert Burns, finding that 'old Scottish airs came naturally to me.' Winton describes his emotions while playing the simple melodies on his violin. 'I had a great desire to pass on some of the pleasure I got from his songs. To do this, I would lay aside the cold hard print of the many books of his works and I would try to develop a hand of write to suit the subjects.' There is an uncanny resemblance about the way Burns went about composing his songs (revealed in a letter from Burns included in the book) and the manner in which Andrew Winton was inspired to present his book. Burns describes how he would 'look out for objects in Nature around me that are in unison and harmony with the cogitations of my fancy and workings of my bosom'. One has only to observe the harmony between the words and the watercolours to appreciate how similar was the creative process working through Andrew Winton as he painted the illustrations and penned the words, veritably ...'the beauty of speech made visible by the art of the hand...' In addition to the words and music, there are notes on the lasses to whom the songs were written, and the pages are decorated with delicate watercolours of the countryside flowers and grasses which inspired Burns. Among the favourite songs included are Ae Fond Kiss, Afton Water, Green Grows the Rushes O, Johnny Anderson My Jo, The Red Red Rose, Mary Morrison and Auld Lang Syne. Not only is the music included but the book is designed to open out flat so that it may be played as Andrew Winton has done so many times. His careful research and dedicated craftsmanship have produced a book no true lover of Burns can resist.

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Kapitalmärkte werden immer internationaler. Doch nach welchem Recht werden die Ansprüche von Anlegern bestimmt, die durch fehlerhafte Kapitalmarktinformationen geschädigt wurden? Andreas Engel untersucht diese kollisionsrechtliche Frage und vergleicht, welcher Methodik und welcher Anknüpfungskriterien sich Gerichte in den USA und in der EU hierfür bedienen. Dabei wird deutlich, dass weder die Rechtsprechung des US-amerikanischen Supreme Court ( Morrison v. National Australia Bank) noch die europäische Rom II-Verordnung zu hinreichender Vorhersehbarkeit und Rechtssicherheit führen. Das gefährdet sämtliche Ziele beider Kollisionsrechte. Streitigkeiten können nicht effizient beigelegt werden; Anleger und Markt sind nicht hinreichend geschützt. Abschließend legt der Autor einen Reformvorschlag vor, mit dem sich diese Defizite jedoch beheben lassen.

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From Josephine Baker's performances in the 1920s to the 1970s solidarity campaigns for Angela Davis, from Audre Lorde as "mother" of the Afro-German movement in the 1980s to the literary stardom of 1993 Nobel Laureate Toni Morrison, Germans have actively engaged with African American women's art and activism throughout the 20th century. The discursive strategies that have shaped the (West) German reactions to African American women's social activism and cultural work are examined in this study, which proposes not only a nuanced understanding of "African Americanizations" as a form of cultural exchange but also sheds new light on the role of African American culture for (West) German society, culture, and national identity.

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Salman Rushdie, a self-described ‘emigrant from one place and a newcomer in two’, explores the true meaning of home. Writing with insight, passion and humour, he looks at what it means to belong, whether roots are real and homelands imaginary, what it is like to reconfigure your past from fragments of memory and what happens when East meets West. Selected from the books Shame, Imaginary Homelands and East, West by Salman Rushdie VINTAGE MINIS: GREAT MINDS. BIG IDEAS. LITTLE BOOKS.A series of short books by the world’s greatest writers on the experiences that make us human Also in the Vintage Minis series: Love by Jeanette WintersonLiberty by Virginia WoolfRace by Toni Morrison Sisters by Louisa May Alcott

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Posthumously inducted into the National Radio Hall of Fame in 2007, Richard Durham creatively chronicled and brought to life the significant events of his times. Durham's trademark narrative style engaged listeners with fascinating characters, compelling details, and sharp images of pivotal moments in American and African American history and culture. In Word Warrior, award-winning radio producer Sonja D. Williams draws on archives and hard-to-access family records, as well as interviews with family and colleagues like Studs Terkel and Toni Morrison, to illuminate Durham's astounding career. Durham paved the way for black journalists as a dramatist and a star investigative reporter and editor for the pioneering black newspapers the Chicago Defender and Muhammed Speaks. Talented and versatile, he also created the acclaimed radio series Destination Freedom and Here Comes Tomorrow and wrote for popular radio fare like The Lone Ranger. Incredibly, his energies extended still further--to community and labor organizing, advising Chicago mayoral hopeful Harold Washington, and mentoring generations of activists. Incisive and in-depth, Word Warrior tells the story of a tireless champion of African American freedom, equality, and justice during an epoch that forever changed a nation.

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The name Knoll is synonymous worldwide with the best in modern furniture design. Visually exciting, comprehensive in content, this new book documents the modern furniture sold and produced by Knoll from 1938 to 2005. A detailed timeline organizes the history of Knoll furniture with illustrations, from its roots at the Bauhaus, to New York City, through Knoll International. This book showcases over 560 beautiful color and black and white photographs of dynamic and practical seating, tables, beds, desks, cabinets, and accessories by many leading architects and furniture designers. Knoll furniture includes trend-setting designs by Marcel Breuer, Mies van der Rohe, Jens Risom, Florence Knoll, Eero Saarinen, Harry Bertoia, Richard Schultz, Charles Pollock, Warren Platner, Fritz Hansen, William Stephens, Gae Aulenti, Charles Pfister, Otto Zapf, Niels Diffrient, Ettore Sottsass, Andrew Morrison, Frank Ghery, and many more. Historians, curators, dealers, and collectors will enjoy complete documentation of the furniture, including designer, years of design and/or manufacture, materials, and dimensions. Architects and designers will delight in the classic modern forms and innovative concept ideas that evolved as new materials came into use.

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Bold, retiring, serious, sparkling, quirky, or lovable—the dogs in Traer Scott's remarkable photographs regard us with humor, dignity, and an abundance of feeling. Scott began photographing these dogs in 2005 as a volunteer at animal shelters. Her first book, Shelter Dogs, was a runaway success, and in this follow-up, Scott introduces a new collection of canine subjects, each with indomitable character and spirit: Morrissey, a pit bull, who suffered from anxiety-related behaviors brought on by shelter life until adopted by a family with four children; Chloe, a young chocolate Lab mix, surrendered to a shelter by a family with allergies; Gabriel and Cody, retired racing greyhounds; and Bingley, a dog who lost his hearing during a drug bust but was brought home by a loving family that has risen to the challenge of living with a deaf dog. Through extended features we become better acquainted with the personalities and life stories of selected dogs and watch as they experience the sometimes rocky and always emotional transition to new homes. The portraits in Finding Home form an eloquent plea for the urgent need for more adoptive families, as well as a tribute to dogs everywhere.

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An elegantly bound collection of fine wine writing past and present – the perfect gift for wine lovers everywhere (or the wine lovers in their life). With contributions from Michael Broadbent on good and bad vintages, Ian Maxwell Campbell on Bordeaux vs Burgundy, George Orwell and PG Wodehouse on the complementary pleasures of wine and tea, Randall Grahm on the search for California’s ‘magic grape’ and Andrew Caillard MW on the art of the wine label, it brims with wit and wisdom from some of the most erudite wine writers ever to raise a glass. Also includes Steven Spurrier, Jason Tesauro, Jane MacQuitty, Giles MacDonogh, Philippe de Rothschild, Fiona Morrison MW, Dan Keeling, Charles Walter Berry and many more. Like Cyril Ray’s classic Compleat Imbiber before it, In Vino Veritas might rightfully be described as ‘the quintessential late-evening or bedtime book for those who like wine'. ‘Denied wine’s bridge to gregariousness, “cabined, cribbed, confined, bound in to saucy doubts and fears,” as Macbeth once complained, we need an antidote, and rummaging around in this anthology of wine writing is a good one: It’s a set of keys to open the windows and let some sun shine in.’ - World of Fine Wine

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Wallace Fowlie is known to three generations of students at Duke University for his course in Proust. His observations on the changing interests of college students (Bob Dylan to Jim Morrison, Fellini to Pasolini) are part of this fourth memoir. In Memory, Fowlie brings us once more into his broad range of vision as he examines the offerings of memory, more real to him he tells us than the town in which he now lives. the reader follows his search for words, his early more mystical search for a father-son relationship, his remembering of the small acts that determine life.

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The brand of jazz that developed in the Kansas City area in the period from the late 1920s to the late 1930s is recognised as both a distinct stylistic variation within the larger genre and a transitional stage between earlier forms of African-American music, such as ragtime and blues, and later, more modern forms, up to and including bebop. Kansas City’s brand of jazz has been described as “the most straightforward and direct style which has been developed outside New Orleans,” by Hughues Panassié and Madeleine Gautier in their Dictionary of Jazz. Kansas City jazz has inspired the creation of a museum and has been the subject of a feature-length film, Robert Altman’s 1996 “Kansas City,” and even a sentimental rock song, “Eternal Kansas City” by Van Morrison. The first comprehensive work on the subject in over 15 years, this book draws on new research to delve deeper into music of the American Midwest that evolved into Kansas City jazz, and includes profiles of individual musicians who developed very different styles within or beyond the framework of the sub-genre. Kansas City Jazz focuses on the broader themes and the stories of the major personalities whose individual talents came together to create the larger whole of Kansas City’s distinctive brand of jazz.

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‘Love set you going’. The opening words of Sylvia Plath’s poem for her newborn daughter are true of each one of us. Love is fundamental to our being, our growth, our development and our happiness. Love enables us to make meaning of our lives in the world, and it gives us hope for what lies beyond. It is completely humdrum and ordinary – yet mysterious beyond words. Beginning in the body, it points us to eternity. Life offers, and asks of us, many different kinds of love, and poets have reflected on this truth with insight and acute observation. As Janet Morley explores love ‘up and down the generations’, ‘grown up love’ and love between ‘God and the human heart’, she reveals what our hearts eventually discern – love has its seasons and ambiguities, its certainties and passions. Love is never simple at all. W. H. Auden * Rupert Brooke * Charles Causley * John Clare * Gillian Clarke * Samuel Taylor Coleridge * Christine De Luca * Imtiaz Dharker * Emily Dickinson * John Donne * Carol Ann Duffy * Ruth Fainlight * U. A. Fanthorpe * Seamus Heaney * George Herbert * Gerard Manley Hopkins * Ted Hughes * John of the Cross * Jane Kenyon * D. H. Lawrence * Edwin Morgan * Sinéad Morrissey * Sylvia Plath * Christina Rossetti * Siegfried Sassoon * E. J. Scovell * William Shakespeare * R. S. Thomas * Rosemary Tonks * Andrew Waterhouse * Charles Wesley * Rowan Williams * Thomas Wyatt

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In Millennial Style, Aliyyah I. Abdur-Rahman looks at recent experiments in black expressive culture that begin in the place of ruin. By ruin, Abdur-Rahman means the political terror and social abjection that constitute the ongoing peril of black lives. Whereas earlier black writers and artists have employed realist modes of expression to represent racial harm and to imaginatively remediate it, the black avant-garde of today displays more experimental methods. Abdur-Rahman outlines four widely employed modes in contemporary African diasporic cultural production: Black Grotesquerie, Hollowed Blackness, Black Cacophony, and the Black Ecstatic. Mobilizing black feminist and black radical thought, she considers work by such cultural practitioners as Wangechi Mutu, Marci Blackman, Alexandria Smith, Colson Whitehead, Toni Morrison, Harmony Holiday, and Essex Hemphill. Writerly and experimental, Millennial Style theorizes contemporary black art as the holding (or hoarding) of black mortal and material resources against the injuries of social death, as the fashioning of relational ethics, and as exuberant black world-building in ruinous times.

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Una novela que la crítica ha comparado con William Faulkner, Flannery O?Connor o Toni Morrison. Jojo, de trece años, y su hermana menor Kayla viven con sus abuelos negros en una granja en la costa del Golfo de Misisipi, con la compañía siempre esporádica de su madre, Leonie, una mujer que desearía ser mejor madre de lo que es. Cuando el padre de ambos, un hombre blanco, va a salir de prisión ?Parchman Farm, la misma penitenciaría en la que el abuelo de Jojo cumplió una condena injusta durante su juventud?, Leonie insiste en ir a recogerlo con los niños. Durante el azaroso viaje, Jojo, Kayla y Leonie deberán aprender a relacionarse como familia, y Jojo conocerá a Richie, otro niño con quien descubrirá el legado de la esclavitud y la importancia de reconciliarse con el pasado.

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Outlines the key feminist debates on British women's fiction since the 'second wave' and grounds them in examples of women's writingThis book introduces you clearly and succinctly to the ways in which feminist ideas have transformed the form and content of British women's fiction and non-fiction writing. The Introduction sets out the critical background and the main feminist critical approaches to literature. This is followed by 5 chapters which outline feminist engagements with the canon, gender, the body, sexual difference and ethnicity to demonstrate the ways in which feminist ideas have affected the 'content' of women's literature. The next 5 chapters examine types of fiction writing: romance, crime, science fiction, life-writing and historical fiction, to show the effect of feminist ideas on the 'form' of women's literature.The text also provides a wide range of illuminating case studies which include: Virago Modern Classics, The Women Prize for Fiction, Charlotte Perkins Gilman's 'Herland', Angela Carter's 'The Passion of New Eve', Margaret Attwood's 'The Edible Woman', Lucy Ellmann's 'Sweet Desserts', Barbie dolls, French feminism and sexuality, trans identities, feminist publishing and ethnicity, black and minority ethnic women's writing, Zadie Smith's novels, Toni Morrison's 'Beloved', Eimear McBride's 'A Girl is a Half Formed Thing', Val McDermid and lesbian crime writing, Ruth Rendell and the invention of the 'whydunit', Margaret Atwood's 'Maddaddam' sci fi trilogy, Jeanette Winterson's 'Oranges Are Not The Only Fruit' and 'The Passion', Pat Barker's 'Regeneration' trilogy and Hilary Mantel's 'Wolf Hall' and 'Bring Up The Bodies'. Each chapter ends with a list of primary texts and recommended further reading.Key FeaturesProvides a clear overview of changing feminist debates and terms in the 20th and 21st centuriesShows the changing form of women's fiction and non-fiction during this periodAssesses the ways in which literary, political and mainstream cultures, as well as the book industry, have impacted on the work and ideas of female writersIncludes a wide range of case studies as well as recommended further reading and a list of primary texts with each chapter

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Raising the Dead is a groundbreaking, interdisciplinary exploration of death’s relation to subjectivity in twentieth-century American literature and culture. Sharon Patricia Holland contends that black subjectivity in particular is connected intimately to death. For Holland, travelling through “the space of death” gives us, as cultural readers, a nuanced and appropriate metaphor for understanding what is at stake when bodies, discourses, and communities collide.Holland argues that the presence of blacks, Native Americans, women, queers, and other “minorities” in society is, like death, “almost unspeakable.” She gives voice to—or raises—the dead through her examination of works such as the movie Menace II Society, Toni Morrison’s novel Beloved, Leslie Marmon Silko’s Almanac of the Dead, Randall Kenan’s A Visitation of Spirits, and the work of the all-white, male, feminist hip-hop band Consolidated. In challenging established methods of literary investigation by putting often-disparate voices in dialogue with each other, Holland forges connections among African-American literature and culture, queer and feminist theory.Raising the Dead will be of interest to students and scholars of American culture, African-American literature, literary theory, gender studies, queer theory, and cultural studies.

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Interest in the mother-daughter relationship has never been greater, yet there are few books specifically devoted to the relationships between daughters and mothers of color. To fill that gap, this collection of original essays explores the mother-daughter relationship as it appears in the works of African, African American, Asian American, Mexican American, Native American, Indian, and Australian Aboriginal women writers.Prominent among the writers considered here are Toni Morrison, Alice Walker, Maxine Hong Kingston, Cherrie Moraga, Leslie Marmon Silko, and Amy Tan. Elizabeth Brown-Guillory and the other essayists examine the myths and reality surrounding the mother-daughter relationship in these writers' works. They show how women writers of color often portray the mother-daughter dyad as a love/hate relationship, in which the mother painstakingly tries to convey knowledge of how to survive in a racist, sexist, and classist world while the daughter rejects her mother's experiences as invalid in changing social times.This book represents a further opening of the literary canon to twentieth-century women of color. Like the writings it surveys, it celebrates the joys of breaking silence and moving toward reconciliation and growth.

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If Charlie and Sage are meant to be, why can't Sage stop kissing Charlie's brother?And why can't Charlie stop thinking about kissing the new boy at school?Everyone at the Bexley School believes that Sage Morgan and Charlie Carmichael are meant to be. Even though Charlie seems to have a new girlfriend every month, and Sage has never had a real relationship, their friends and family all know it's just a matter of time until they realize that they are actually in love.When Luke Morrissey shows up on campus his presence immediately shakes things up. Charlie and Luke are drawn to each other the moment they meet, giving Sage the opportunity to spend time with Charlie's twin brother, Nick.But Charlie is afraid of what others will think if he accepts that he has much more than a friendship with Luke. And Sage fears that if she lets things with Nick get too serious too quickly, they won't be able to last as a couple outside of high school and miss their chance at forever. The duo will need to rely on each other and their lifelong friendship to figure things out with the boys they love.

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'Entertaining, affectionate and righteous' Guardian'Says so much about being a woman' Cosey Fanni TuttiIn 1983, backstage at the Lyceum in London, Tracey Thorn and Lindy Morrison first met. Tracey's music career was just beginning, while Lindy, drummer for The Go-Betweens, was ten years her senior. They became confidantes, comrades and best friends, a relationship cemented by gossip and feminism, books and gigs and rock 'n' roll love affairs.Thorn takes stock of thirty-seven years of friendship, teasing out the details of connection and affection between two women who seem to be either complete opposites or mirror images of each other. She asks what people see, who does the looking, and ultimately who writes women out of - and back into - history.

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A collection of illustrated essays highlights the works of influential Black artists from Washington, DC, from the 1920s to the present In a twentieth century during which modern art largely abandoned beauty as its imperative, a group of Black artists from Washington, DC, made beauty the center of their art making. This book highlights these influential artists, including David C. Driskell, Sam Gilliam, Lois Mailou Jones, and Alma Thomas, in the context of what Jeffrey C. Stewart describes as the Washington Black Renaissance. Vibrant histories of key District institutions and the city’s communities of educators, critics, and collectors animate a nuanced consideration of the evolution of an aesthetic dialectic from the 1920s up to the present day. The 15 essays in the volume are grounded by voices from a live artist panel at the National Gallery of Art in 2017, which included Lilian Thomas Burwell, Floyd Coleman, David C. Driskell, Sam Gilliam, Keith Morrison, Martin Puryear, Sylvia Snowden, and Lou Stovall.Published by the National Gallery of Art, Center for Advanced Study in the Visual Arts/Distributed by Yale University Press

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"Don't live life worrying about it, just T. Rex the shit out of it." - Sylvain Sylvain The New York Dolls were called many things; glam, proto-punk, hard rock, but are probably best understood as a "dirty rock & roll" band. Combining an aggressively androgynous style with street smart New York attitude and campy humour, the New York Dolls ushered in the era of CBGBs, heroin chic, loud guitars and referential lyrics which gave rise to Patti Smith, The Ramones, Television and many more. Fans of the band range from Guns N' Roses to Morrissey, who organised the reformation of the band when he curated Meltdown festival in 2004. Sylvain Sylvain was there from the start, and this is his story. Taking in his early life in New York, the rise, fall and rise again of the New York Dolls, and all his misadventures between, There's No Bones in Ice Cream is the true story of one of rock's greatest, told in his own authentic voice. "In any great band it's often The Quiet One who has the best stories. There's No Bones in Ice Cream would be a superb book even if Sylvain worked in a bank. As it is it's one of the best rock biographies ever. Ten out of ten" - Classic Rock

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'The joy of these scripts is in being able to appreciate the craft and ambition involved in the sharpness of the dialogue, the cunning of the plotting, and the desire never to repeat themselves, as Pemberton and Shearsmith build each episode into a miniaturist treasure. A must for anyone who wants to write for television, or who just wants to see how the magic is done.'- NEIL GAIMANTake a further peek behind the door marked 'number 9' as the scripts from series 1-3 are collected here for the first time. An anthology of darkly comic twisted tales by Steve Pemberton and Reece Shearsmith, read how each 30-minute self-contained story with new characters and new settings, sprang to life from the page.Each series is prefaced by a foreword from the show creators, giving readers and fans behind-the-scenes insight to this creative phenomenon. It is a beautifully written series, some stories comic, some tragic, all highly original and inventive. As well as Steve and Reece, it has featured guest appearances from a plethora well-known actors including Jack Whitehall, Peter Kay, Sheridan Smith, Gemma Arterton, Keeley Hawes, Alison Steadman, Conleth Hill, and David Morrissey. Relive the show's every enjoyable moment down to the stage directions with Inside No. 9: The Scripts: Series 1-3.

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Sophie, a twenty-something Jim Morrison groupie gliding through a golden existence in L.A., and Lola, a German immigrant who has settled in Hollywood, know that while Los Angeles is constantly changing, it is essentially eternal. The two women dazzle - one with the promises of youth, the other with the fulfilment of nostalgia - as they wend their way through the pink sunsets and the palm trees of Los Angeles.Living out their addictively decadent lives, Sophie and Lola are cult writer Babitz's literary embodiment of the iconic L.A. Woman - more than in part inspired by her own wild and hedonistic youth.

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'Today is going to be the same.' For Charly, every day is the same. Things used to be different, when there was Clo, but now there isn't Clo, and Charly doesn't want to dwell on that. She just wants to chug coffee, blast Beastie Boys and deal drugs. Simple. But when Charly suffers a power cut, she's forced back into the real world of knock-off Morrisseys, disapproving mothers and, ultimately, a world she has to navigate alone. Lady Dealer is a mile-a-minute, one-person poem play by Martha Watson Allpress about forgiveness, the exhaustion of trying, and mistaking self-destruction for self-preservation. It premiered in Paines Plough's Roundabout during the 2023 Edinburgh Festival Fringe.

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"[Eleanor's] sense of respect, her tact, her utter lack of obsequiousness ...and her uncanny ability to ask difficult questions ...have endeared her to readers and listeners."-Carol Shields Eleanor Wachtel is one of the English-speaking world's most respected interviewers. This book, celebrating her show's twenty-five-year anniversary, presents her best conversations from the show, including Jonathan Franzen, Alice Munro, J.M. Coetzee, Zadie Smith, W.G. Sebald, Toni Morrison, Seamus Heaney, and nearly a dozen others who share their views on process and the writing life. Eleanor Wachtel has been host of CBC Radio's Writers & Company since its inception in 1990.

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Apart from herpes and Lulu - everything is eventually swept away Just one shimmering pearl of wisdom from popstar and polymath James Maker, whose worldly observations will (like herpes) once again be on everyone's lips thanks to his award-winning memoir, remastered with new chapters. If you hadn't heard of rock bands Raymonde or RPLA - fronted by James in the 80s and 90s - you might be forgiven for mistaking AutoFellatio for fiction. But here fact is more fantastical than any novel, as we follow our hero from Bermondsey enfant terrible to Valencian grande dame, a scenic journey that stops off variously at Morrissey confidant, dominatrix, singer, songwriter and occasional actor, and is literally littered with memorable bons mots and hilarious anecdotes that make you feel like you've hit the wedding-reception jackpot of being unexpectedly seated next to the groom's flamboyant uncle. According to Wikipedia, very few men can perform the act of autofellatio. We never discover whether James is one of them but certainly, as a storyteller, he is one in a million. WINNER OF THE POLARI FIRST BOOK PRIZE 2011 'Bloody Brilliant' JULIE BURCHILL 'Glitteringly epigrammatic, it's a glam-rock Naked Civil Servant in court shoes. But funnier. And tougher.' MARK SIMPSON 'Pistol sharp, loaded with witty one-liners and peppered with Maker's scatter gun observations on life, music and the meaning of good hair.' PAUL BURSTON

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In this Research Handbook, today's leading experts on the law and economics of corporate bankruptcy address fundamental issues such as the efficiency of bankruptcy, the role and treatment of creditors - particularly secured creditors - in the bankruptcy process, the allocation of going-concern surplus among claimants, the desirability of liquidation in the absence of such surplus, the role of contract in bankruptcy resolution, the role of derivatives in the bankruptcy process, the costs of the bankruptcy system, and the special case of financial institutions, among other topics. Chapters trace the historical path of both law and policy analysis, with a focus on how the bankruptcy process serves underlying policy objectives. Proposals to reform corporate bankruptcy are presented. Research Handbook on Corporate Bankruptcy Law includes policy analysis by both lawyers and economists and is thus an invaluable resource to law scholars and students interested in the economic analysis of corporate bankruptcy law, as well as to economics and business scholars and students studying the law of corporate bankruptcy. These pages will prove equally valuable to lawmakers and judges who are interested in policy analysis of corporate bankruptcy. Contributors include: K. Ayotte, D.G. Baird, A.J. Casey, T.H. Jackson, M.B. Jacoby, E.J. Janger, S.J. Lubben, E.R. Morrison, J.A.E. Pottow, R.K. Rasmussen, M.J. Roe, A. Schwartz, M. Simkovic, D. Skeel, R. Squire, G. Triantis, M.J. White, T.J. Zywicki

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After the INFINITE CRISIS, the DC Universe spent a year without Superman, Batman and Wonder Woman—a year in which those heroes were needed more than ever as the fate of the world hung in the balance.This is 52, a four-volume collection of the unprecedented, critically acclaimed weekly series of death, danger, romance, terror and the never-ending search for heroism in the DC Universe''s most eventful year ever.52 features the best and brightest writers from the comic-book field including Geoff Johns (INFINITE CRISIS), Grant Morrison (ALL STAR SUPERMAN), Greg Rucka (WONDER WOMAN) and Mark Waid (KINGDOM COME), working together to tell the tale of a world awakening from a nightmare to face a new day.52: A year without Superman; a year without Batman; a year without Wonder Woman…but not a year without heroes.

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A celebration of the lives and achievements of inspirational black people through history who made a differenceAmazing Artists explores the contribution of black artists to world culture, from painters such as Jean-Michel Basquiat to writers like Malorie Blackman and inspirational musicians such as Stevie Wonder. Along the way, they have smashed down barriers and defeated prejudices with their sheer talent and resilience.Black Stories Matter is a powerful illustrated collection of stories of inspiring black personalities through history. Perfect for readers aged 8 and above.Contents:Main biographiesJean-Michel BasquiatToni MorrisonSteve McQueen Nina SimoneMalorie BlackmanSidney PoitierBeyonce and Jay-ZChris OfiliMisty CopelandStevie WonderMini biographiesStormzyChimamanda Ngozi AdichieIdris ElbaNikki GiovanniLangston HughesLupita Nyong'oEdmonia LewisEmily Kame Kngwarreye

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''A fascinating story of courage, doubt and defiance across three generations'' SARAH WATERS''A fierce and beautiful book'' EDMUND DE WAAL''Heartfelt and upfront... A grieving daughter rediscovers her mother''s political past'' BLAKE MORRISON, Guardian''A compelling reconstruction of her mother''s life as a young anti-nuclear activist defying her suburban parents'' CATHERINE TAYLOR, Financial Times''Eloquent, piercing, gloriously humane'' PHILIPPE SANDSAfter the sudden death of her mother at age 75, Natasha Walter was thrown into a time of bewilderment and sadness. It was only when she began to search back through Ruth''s history, that she began to understand how her life led to death by her own hand. She learns that Ruth had been brought up to be a conventional young woman, but chose to take huge risks and even break the law for her beliefs in the nuclear disarmament movement of the 19

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One of the most original, moving and beautifully written non-fiction works of recent years, The Missing marked the acclaimed debut of one of Britain's most astute and important writers.In a brilliant merging of reportage, social history and memoir, Andrew O'Hagan clears a devastating path from the bygone Glasgow of the 1970s to the grim secrets of Gloucester in the mid 1990s.'A triumph in words.' Independent on Sunday'The Missing, part autobiography, part old-fashioned pavement-pounding, marks the most auspicious debut by a British writer for some time.' Gordon Burn, Independent'A timely corrective to the idea that nothing profound can be said about now.' Will Self, Observer Books of the Year'His vision of modern Britain has the quality of a poetic myth, with himself as Bunyan's questing Christian and the missing as Dantesque souls in limbo.' Blake Morrison, Guardian

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From 'Best of the Booker' winner Salman Rushdie, an incisive and inspiring collection of non-fiction essays, criticism and speeches that takes readers on a thrilling journey through the evolution of language and culture.'One of the greatest writers of our age' Neil GaimanAcross a wide variety of subjects, Rushdie delves into the nature of storytelling as a deeply human need and what emerges is a love letter to literature itself. Throughout, he shares his personal encounters, on the page and in person, with storytellers from Shakespeare to Toni Morrison and revels in the creative lines that can join art and life. Rushdie considers, too, the nature of truth and looks afresh at migration, multiculturalism and censorship.'Essential reading... Powerful' Financial Times'Rushdie is vital, expansive, the critic as storyteller, championing his subjects with gusto' TLS

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RSVP is a sumptuous family saga, packed with sex, love and betrayal.The Granville Midsummer Ball is always an affair to remember. The who's who of Irish society gather at Carrickcross House - the rural family estate - for a night of revelry. But this year's soiree is extra-special: matriarch Honoria is announcing her grandson Rossa's engagement to Ashling Morrison.Ashling has been swept off her feet. Tall, dark and handsome, Rossa's the perfect catch, but is he too good to be true? Why is Honoria so keen to make Ashling - stepdaughter of her life-long enemy Coppelia - part of the Granville clan? Can Rossa's brother Carrick hold on to his position as rightful heir? And will ruthless Coppelia have her way?With the promise of distinguished company, drinking, dancing and murder...who could possibly refuse this invitation? Repondez s'il vous plait.

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Haunted by representations of black women that resist the reality of the body's vulnerability, Kimberly Juanita Brown traces slavery's afterlife in black women's literary and visual cultural productions. Brown draws on black feminist theory, visual culture studies, literary criticism, and critical race theory to explore contemporary visual and literary representations of black women's bodies that embrace and foreground the body's vulnerability and slavery's inherent violence. She shows how writers such as Gayl Jones, Toni Morrison, Audre Lorde, and Jamaica Kincaid, along with visual artists Carrie Mae Weems and María Magdalena Campos-Pons, highlight the scarred and broken bodies of black women by repeating, passing down, and making visible the residues of slavery's existence and cruelty. Their work not only provides a corrective to those who refuse to acknowledge that vulnerability, but empowers black women to create their own subjectivities. In The Repeating Body, Brown returns black women to the center of discourses of slavery, thereby providing the means with which to more fully understand slavery's history and its penetrating reach into modern American life.

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The sequel to I KNOW WHY THE CAGED BIRD SINGS'A brilliant writer, a fierce friend and a truly phenomenal woman' Barack ObamaMaya Angelou's volumes of autobiography are a testament to the talents and resilience of this extraordinary writer. Loving the world, she also knows its cruelty. As a black woman she has known discrimination and extreme poverty, but also hope, joy, achievement and celebration. In the sequel to her bestselling I Know Why The Caged Bird Sings, Maya Angelou is a young mother in California, unemployed, embarking on brief affairs and transient jobs in shops and night-clubs, turning to prostitution and the world of narcotics. Maya Angelou powerfully captures the struggles and triumphs of her passionate life with dignity, wisdom, humour and humanity.'She moved through the world with unshakeable calm, confidence and a fierce grace . . . She will always be the rainbow in my clouds' OPRAH WINFREY 'She was important in so many ways. She launched African American women writing in the United States. She was generous to a fault. She had nineteen talents - used ten. And was a real original. There is no duplicate' TONI MORRISON

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Brian Norman uncovers a curious phenomenon in American literature: dead women who nonetheless talk. These characters appear in works by such classic American writers as Poe, Dickinson, and Faulkner as well as in more recent works by Alice Walker, Toni Morrison, Tony Kushner, and others. These figures are also emerging in contemporary culture, from the film and best-selling novel The Lovely Bones to the hit television drama Desperate Housewives. Dead Women Talking demonstrates that the dead, especially women, have been speaking out in American literature since well before it was fashionable. Norman argues that they voice concerns that a community may wish to consign to the past, raising questions about gender, violence, sexuality, class, racial injustice, and national identity. When these women insert themselves into the story, they do not enter precisely as ghosts but rather as something potentially more disrupting: posthumous citizens. The community must ask itself whether it can or should recognize such a character as one of its own. The prospect of posthumous citizenship bears important implications for debates over the legal rights of the dead, social histories of burial customs and famous cadavers, and the political theory of citizenship and social death.

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A vibrant collection of biographies and illustrated portraits that capture the brilliance of more than thirty American icons, Historically Black is a celebration of Black excellence in fields ranging from politics to STEM, sports to pop culture, and more.From the moment the first HBCU was founded in 1837, Black Americans from all walks of life have created collegiate experiences that enrich and transcend mainstream postsecondary education. Today, more than 100 colleges and universities are registered under the HBCU banner and over 200,000 students are enrolled. With a legacy of marching bands, drill teams, choral ensembles, homecoming, and more, attending an HBCU is an emblem of pride and a source of joy. Historically Black not only documents HBCU cultural traditions but also the remarkable stories of former students.HBCU attendees in the book include: Booker T. Washington, James Weldon Johnson, Ida B. Wells-Barnett, W.E.B. Du Bois, Mary McLeod Bethune, Alice Dunbar Nelson, Zora Neale Hurston, Howard Thurman, Langston Hughes, Thurgood Marshall, Bayard Rustin, Dorothy Vaughan, Katherine Johnson, Mary Jackson, Leontyne Price, Martin Luther King, Jr., Toni Morrison, John Lewis, Bob Hayes, Oprah Winfrey, Kamala Harris, Hakeem M. Oluseyi, Taraji P. Henson, Erykah Badu, Stacey Abrams, Ta-Nehisi Coates, Chadwick Boseman, Hebru Brantley, Ibram X. Kendi, J.R. Smith, Megan Thee Stallion, and Mo’ne Davis.

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