Search results for ""author david"

‘Will you, Severus, watch over my son Draco as he attempts to fulfil the Dark Lord’s wishes?’ Narcissa Malfoy Suspicion and fear blow through the wizarding world as news of the Dark Lord’s attack on the Ministry of Magic spreads. Harry has not told anyone about the future predicted by the prophecy in the Department of Mysteries, nor how deeply what happened to Sirius Black affected him. He’s desperate for Professor Dumbledore to arrive and take him away from the Dursley’s – but Hogwarts may not be the safe haven from Voldemort’s Dark Forces that it once was. In his sixth year, the names Black, Malfoy, Lestrange and Snape will haunt Harry with shades of trust and treachery as he discovers the secret behind the mysterious Half-Blood Prince – and Dumbledore prepares him to face his own terrifying destiny. These adult editions have been stylishly redesigned to showcase Andrew Davidson’s beautiful woodcut cover artwork.

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In Sensing Corporeally, Floyd Merrell argues that human sensation and cognition should be thought of in terms of continually changing signs that can be accounted for in terms of topological forms. Focusing on qualitative and analogical sensing, rather than quantitative and digital reasoning, Merrell begins by reflecting on the concept of consciousness as developed by neurologist Antonio Damasio, whose work in turn reflects Charles Peirce's conception of the sign. By expanding Peirce's notion of the sign in light of Damasio's work, as well as that of Oliver Sacks and the Argentine fabulist Jorge Luis Borges, Merrell demonstrates the importance of the relationship between cognition, consciousness, and fantasy. The philosophy of science espoused by Michael Polanyi, and the analytic and postanalytic philosophies of Donald Davidson, Nelson Goodman, Hilary Putnam, and Richard Rorty are also explored in light of what they bring to Peircean concepts of vagueness and generality, inconsistency and incompleteness, and abduction, induction, and deduction. Merrell concludes by moving to the conceptual world of biologist Jakob von Uexk ll and his Umwelt

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This book consists of nine chapters written by internationally known and respected research workers. Lennart Levi presents a psychosocial framework for understanding sickness and health in the workplace. James Campbell Quick, Debra Nelson and Jonathan Quick give an account of their research with executives in industry and the US Air Force. Tores Theorell focusses his research on the increasing demands on workers and the reducing control they have over their working lives. Johannes Siegrist is also concerned with imbalance – in this case between effort and reward at work. Susan Cartwright and Sheila Penchal report on the effects of the increase of mergers and acquisitions in the 1990’s. Howard Khan’s focus is the stress of working for clearing banks, merchant banks and foreign owned banks in London and New York. Sandra Fielden and Lyn Davidson present evidence of the sources of stress of women in managerial positions. Cheryl Traver’s analysis of the rising costs of teacher stress is very relevant for policy makers and mangers. Michiel Kompier and Tage Kristensen make recommendations for planning and implementing stress management strategies in the workplace.

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Sometimes Always True aims to resolve three connected problems. First, we need an undogmatic pluralist standpoint in political theory, metaphysics, and epistemology. But genuine pluralism suffers from the contradiction that making room for fundamental differences in outlook means making room for outlooks that exclude pluralism. Second, philosophy involves reflecting on the world and meaning as a whole, yet this means adopting a vantage point in some way outside of meaning. Third, our lived experience of the sense of our lives similarly undermines its own sense, as it involves having a vantage point in some way wholly outside ourselves. In detailed engagement with, among others, Davidson, Rorty, Heidegger, Foucault, Wilde, and gender and sexuality theory, the book argues that these contradictions are so thoroughgoing that, like the liar’s paradox, they cancel the bases of their own meaning. Consequently, it argues, they resolve themselves and do so in a way that produces a vantage point on these issues that is not dogmatically circular because it is, workably, both within and outside these issues’ sense. The solution to a genuinely undogmatic pluralism, then, is to enter into these contradictions and the process of their self-resolution.

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Suspicion and fear blow through the wizarding world as news of the Dark Lord’s attack on the Ministry of Magic spreads. Harry has not told anyone about the future predicted by the prophecy in the Department of Mysteries, nor how deeply what happened to Sirius Black affected him. He’s desperate for Professor Dumbledore to arrive and take him away from the Dursley’s – but Hogwarts may not be the safe haven from Voldemort’s Dark Forces that it once was. In his sixth year, the names Black, Malfoy, Lestrange and Snape will haunt Harry with shades of trust and treachery as he discovers the secret behind the mysterious Half-Blood Prince – and Dumbledore prepares him to face his own terrifying destiny. These adult editions with glorious jacket art by Andrew Davidson are now available in hardback for the first time.

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This sequel to The Black Librarian in America (Scarecrow, 1970) contains an array of contributors representing a new generation of African American librarians, addressing the same perplexing problems that their predecessors examined. This volume is being issued at a time when there is a great concern about cultural diversity in the country. Cultural diversity is laudable, but the pervasive problem in the country is institutional racism. All of the contributors aggree that it is racism that should be eradicated if a truly multicultural society that represents cultural diversity is to develop. A wide range of topics are explored. In addition, a profile of Dorothy Porter Wesley, one of the pioneer African American librarians; librarians and archivists as writers, and a provocative essay by Congresswoman Major R. Owens on "The Specter of Racism in an Age of Cultural Diversity: The New Paradigm for African American Librarians." Among the contributors are Carolyn O. Frost, Herman L. Totten, Carla Hayden, Charles M. Brown, Alexander Boyd, Jesse Carney Smith, James F Williams,II, Lou Helen Saunders, Ina A. Brown, Vivian Davidson Hewitt, Monteria Hightower, Ella Gaines Yates, and Ann Allen Shockley. Especially designed for professional librarians, library school students, and other information professionals, this volume would be a useful addition to African American collections and other scholarly collections dealing with American society. A copious index that is cross referenced makes it very useful as a reference tool.

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We’re born with a hunger for roots and a desire to pass on a legacy.The past two decades have seen a boom in family history services that combine genealogy with DNA testing, though this is less a sign of a robust connection to past generations than of its absence. Everywhere we see a pervasive rootlessness coupled with a cult of youth that thinks there is little to learn from our elders. The nursing home tragedies of the Covid-19 pandemic laid bare this devaluing of the old. But it’s not only the elderly who are negatively affected when the links between generations break down; the young lose out too. When the hollowing-out of intergenerational connections deprives youth of the sense of belonging to a story beyond themselves, other sources of identity, from trivial to noxious, will fill the void.Yet however important biological kinship is, the New Testament tells us it is less important than the family called into being by God’s promises. “Who is my mother, and who are my brothers?” Jesus asks a crowd of listeners, then answers: “Whoever does the will of my Father in heaven is my brother, and sister, and mother.” In this great intergenerational family, we are linked by a bond of brotherhood and sisterhood to believers from every era of the human story, past, present, and yet to be born. To be sure, our biological families and inheritances still matter, but heredity and blood kinship are no longer the primary source of our identity. Here is a cure for rootlessness.On this theme: - Matthew Lee Anderson argues that even in an age of IVF no one has a right to have a child. - Emmanuel Katongole describes how African Christians are responding to ecological degradation by returning to their roots. - Louise Perry worries that young environmentalist don’t want kids. - Helmuth Eiwen asks what we can do about the ongoing effects of the sins of our ancestors. - Terence Sweeney misses an absent father who left him nothing. - Wendy Kiyomi gives personal insight into the challenges of adopting children with trauma in their past. - Alastair Roberts decodes that long list of “begats” in Matthew’s Gospel. - Rhys Laverty explains why his hometown, Chessington, UK, is still a family-friendly neighborhood. - Springs Toledo recounts, for the first time, a buried family story of crime and forgiveness. - Monica Pelliccia profiles three generations of women who feed migrants riding the trains north.Also in the issue: - A new Christmas story by Óscar Esquivias, translated from the Spanish - Original poetry by Aaron Poochigian - Reviews of Kim Haines-Eitzen’s Sonorous Desert, Matthew P. Schneider’s God Loves the Autistic Mind, Adam Nicolson’s Life between the Tides, and Ash Davidson’s Damnation Spring. - An appreciation for Augustine’s mother, Monica - Short sketches by Clarice Lispector of her father and sonPlough Quarterly features stories, ideas, and culture for people eager to apply their faith to the challenges we face. Each issue includes in-depth articles, interviews, poetry, book reviews, and art.

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Big Finish picks up the events after Miracle Day with Torchwood: Aliens Among Us. Captain Jack and Gwen Cooper have restarted Torchwood. But it's in a very different Cardiff. Something terrible's happened to the city. With every day getting darker, will Torchwood need to adopt a whole new approach? 5.9 Poker Face by Tim Foley. Torchwood are in trouble. Terrorist attacks are rocking the city. Control of the police has been ceded to Cardiff's alien masters. And it looks like it's all been arranged by Captain Jack Harkness. Worse, there's a dead woman in the cells who says that Torchwood will be hers by dawn. 5.10 Tagged by Joseph Lidster. "I know what you've done. I know what you'll do." The phrase starts appearing everywhere around Cardiff. On posters. On the internet. It's just a prank, isn't it? Only a wave of vigilante crime spreads through the city. People are taking revenge. Suddenly everyone knows what you've done. And they know what you'll do. 5.11 Escape Room by Helen Goldwyn. Gwen Cooper, Rhys Williams, and the Colchester-Prices go to try out an escape room. They've heard a lot about them. Especially this one. People keep going into the game and not coming out. But Torchwood will be fine. After all - partners can trust each other. Can't they? 5.12 Herald of the Dawn by James Goss. It all starts normally enough. A car park full of ramblers is incinerated by a thunderbolt. But the next day it's clear there's something very wrong. Something's changed. Something's coming. It's the end of the world. And that's what Torchwood are best at.Torchwood has now been in existence for over 10 years from its debut in 2006 as a Doctor Who spin-off created by top TV producer and writer Russell T Davies. The huge interest following the announcement of the first Big Finish Torchwood series caused a website server crash even as star John Barrowman was breaking the news on his radio show. This release is the finale of three sets collectively created as a fifth series following on from the four series on TV, with Russell T Davies advising on the new arcs, storylines and characters. CAST: John Barrowman (Captain Jack Harkness), Alexandria Riley (Ng), Paul Clayton (Mr Colchester), Sam Béart (Orr), Jonny Green (Tyler Steele), Kai Owen (Rhys Williams), Tom Price (Sgt. Andy Davidson), Eve Myles (Gwen Cooper), Rachel Atkins (Ro-Jedda), Ramon Tikaram (Colin Colchester-Price), Terence Hardiman (Escape), Sanee Raval (Xander), Kezrena James (Serena), Laura Dalgleish (Newsreader), Kerry Joy Stewart (Waitress),Garnon Davies (Rory), Joseph Tweedale (Assassin), Richard Elfyn (Inspector Bernstein), Aly Cruickshank (God Botherer), Marilyn Le Conte (Sue),Rick Yale (Darren), Luke Williams (Hywel), Charlotte O’Leary (News Reporter) NOTE: Torchwood contains adult material and is not suitable for younger listeners.

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No one knows who exactly invented the wheel, but in the inventive hands of illustrator Tom Schamp young readers will have great fun learning about all the ways wheels have rolled through history. From prehistoric carts to cars of tomorrow, this big, fun book takes a historic journey through a world where everything has wheels, from the Trojan horse to the Harley Davidson; from the stagecoach and the steam train to the Vespa and the Ferrari; from skateboards to electric scooters. Every spread of this deliriously entertaining and educational book is filled with Tom Schamp's quirky and colorful art. His sly, subtle texts will make older readers smile. Younger readers will return again and again to these playfully crowded pages to discover what different countries' emergency vehicles look like; to learn about buses of every imaginable dimension and weight; and to choose which bike they'd use to win a race. Each viewing will reveal charming new details that are as absurdly funny as they are educationally rewarding.

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Jerry Fodor is one of the most important philosophers of mind in recent decades. He has done much to set the agenda in this field and has had a significant influence on the development of cognitive science. Fodor's project is that of constructing a physicalist vindication of folk psychology and so paving the way for the development of a scientifically respectable intentional psychology. The centrepiece of his engagement in this project is a theory of the cognitive mind, namely, the computational theory of mind, which postulates the existence of a language of thought. Fodor: Language, Mind and Philosophy is a comprehensive study of Fodor's writings. Individual chapters are devoted to each of the major issues raised by his work and contain extensive discussion of his relationships to key developments in cognitive science and to the views of such philosophical luminaries as Dennett, Davidson and Searle. This accessible book will appeal to advanced level undergraduate students of philosophy and related disciplines. It will also be of great interest to professional philosophers and cognitive scientists.

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A clear-eyed exploration of the career of Leon Trotsky, the tragic hero who “dreamed of justice and then wreaked havoc,” by a leading expert on human rights and the former Soviet Union Born Lev Davidovich Bronstein in southern Ukraine, Trotsky was both a world-class intellectual and a man capable of the most narrow-minded ideological dogmatism. He was an effective military strategist and an adept diplomat, who staked the fate of the Bolshevik revolution on the meager foundation of a Europe-wide Communist upheaval. He was a master politician who played his cards badly in the momentous struggle for power against Stalin in the 1920s. And he was an assimilated, indifferent Jew who was among the first to foresee that Hitler’s triumph would mean disaster for his fellow European Jews, and that Stalin would attempt to forge an alliance with Hitler if Soviet overtures to the Western democracies failed. Here, Trotsky emerges as a brilliant and brilliantly flawed man. Rubenstein offers us a Trotsky who is mentally acute and impatient with others, one of the finest students of contemporary politics who refused to engage in the nitty-gritty of party organization in the 1920s, when Stalin was maneuvering, inexorably, toward Trotsky’s own political oblivion. As Joshua Rubenstein writes in his preface, “Leon Trotsky haunts our historical memory. A preeminent revolutionary figure and a masterful writer, Trotsky led an upheaval that helped to define the contours of twentieth-century politics.” In this lucid and judicious evocation of Trotsky’s life, Joshua Rubenstein gives us an interpretation for the twenty-first century.

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Karma is the definitive autobiography from music icon, Boy George - the fabulous Grammy, Brit andIvor Novello award-winning lead singer of 80s pop/reggae band, Culture Club.Told in his inimitable style, Karma will reflect on Boy George's life as a kid growing up insixties London, through the hedonism of the seventies and the glam rock and punk rock revolutionthat birthed Culture Club, and the heydays of the nineties meeting musical legends like DavidBowie, Madonna and Prince - as well as addressing all those rumours. The book will reveal the highsand lows of love, loss, addiction, recovery, prison, and celebrity on Boy George's journey throughfame to finally embracing the man and artist that he is today: 'I went to a lot of trouble tocreate Boy George and then I went through a whole battle for years about not wanting to be him. Butnow I enjoy and embrace it in a way that I wasn't able to as a young person.... I'm learning to beGeorge Alan O'Dowd from Eltham who it turns out is quitean interesting person.'With all the humour, honesty, sarcasm (and hats!) that you'd expect, Karma gives us a uniqueinsight into Boy George's incredible story and the true evolution of a music icon.'Culture Club is always going to be one of those lovers I go back to. I've railed against it andthat Boy George character I created. For years I convinced myself I was a creature of habit,unchangeable, immovable. But eventually you have to look in the mirror. Not looking for spots, looking for something deeper. Whythe hell am I here? I would say lifeis the point of life.'

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Winner of the Eugene Emme Astronautical Literature Prize from the American Astronautical Society For eight days in October 1984, seven men and women orbitied the Earth on Space Shuttle Mission 41-G. The mission has begun a year earlier; however, with the select of its crew. Before Lift-off is the extraordinary day-to-day story of these astronauts' training and flight-and is as close as most of us will ever come to flying on the space shuttle.New Yorker writer Henry Cooper obtained unprecedented permission from NASA to follow the 41-G crew from its formation through the completion of its mission. He was even given access to the heart of the training program: the crew's sessions in the shuttle mision simulators.More than a chronical of different phases in the astronauts' learning process, Before Lift-off tells the story of the bonding of these men and women. It would be Captain Robert Crippen's fourth space flight, his second command in six months, and Sally Ride's second shuttle voyage. For rookies Davida Leestra, Jon McBride, and Kathy Sullivan, and for two payload specialists, the experience would mark an initiation into the most elite groups-those people who have ventured into space.

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Essential reading for all involved in the educational sector in Wales (and beyond), A Class Apart investigates the effectiveness of educational policies, such as the Foundation Phase and Welsh Baccalaureate, introduced by the Welsh Government since devolution and assesses whether they have really created the potential for Wales to become a 'small, clever nation'. Spanning all major policy developments, from Primary to Higher Education, since 1999, Gareth Evans also assesses the legacy of the two main protagonists, former Education Ministers Jane Davidson and Leighton Andrews. He investigates the issues that some policymakers wished were swept under the carpet and delves deeper to analyse the big issues effecting educational practitioners in Wales, including: Welsh education's place on the world stage The growing funding gap between Wales and England The role of schools inspectorate Estyn The truth behind Wales' ambitious PISA target The 2012 GCSE grading fiasco Secrecy and personality clashes in the higher education merger saga His chronological account also includes the events up to and following the PISA results of 2013 and his close proximity to the key protagonists in Welsh education provides him with the perfect position to judge the situation in which Wales' education system finds itself today.

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PLAYING WITH FIRE . . .Five years ago, Audrey Tanner flung caution to the wind and herself into the arms of an emerald-eyed bad boy biker she met at the White Pine Asparagus Festival. Two blissful weeks together convinced her that Kieran Callaghan was The One-until The One blew town without a word, leaving her brokenhearted. Now, starting a new job at the new Harley Davidson showroom, Audrey is floored to meet her new boss: Kieran. He's still hot as hell, but she won't fall for his sexy smile again. This time, she's calling the shots.. . . OR PLAYING FOR KEEPS?Kieran never thought he'd return to White Pine, Minnesota, much less see Audrey again. Gorgeous and smart as ever, she's just as irresistible as he remembered. She still doesn't know why he had to leave-or that he's missed her every day since. But he can't deny he wants more than the no-strings fling Audrey proposes. As things between them heat up, Kieran must choose between the secret he's sworn to keep and the woman he never stopped loving . . .

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In this collection of short stories, meditations and prose poems, Brenda Flanagan celebrates the capacity of women to endure with resilience, stoicism and, frequently, humour. The stories give a vivid picture of an island very like Trinidad, across the past fifty years, touching on women of many ages and ethnicities, of women in town or country, or in flight from the hard circumstances of island life and in search of material security in the USA.Above all, Brenda Flanagan penetrates to the heart of Trinidad's picong (satirical) culture, and the way that playing with the word sustains a sense of self and community relationship."What the best musicians do with wood and brass and air, Brenda Flanagan does with words – she gives them voice and life... And there you are, on the island, in the midst of it all." Janet Kauffman"Brenda Flanagan joins Marshall, Danticat ... Caribbean American women who've done so much to add new colors and rhythms to an American prose that can often be dull and gray..." Ishmael ReedTrinidad born Brenda Flanagan teaches creative writing, Caribbean and African American Literatures at Davidson College, North Carolina. She is also a United States cultural ambassador, and has served in Kazakstan, Chad and Panama.

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'The best Scottish crime series since Rebus.' – Daily RecordThe sins of the dead are all consuming . . . While illegally street racing in the underground tunnels of Glasgow, four Harley-Davidson riders make a horrifying discovery: a dead man left in the darkness, hands together on his chest as if peacefully laid to rest. The cause of death is unclear, the only clues being a half glass of red wine and a partially eaten chunk of bread by his side that echo the ancient religious practice of sin-eating.Called to the scene, forensic scientist Rhona MacLeod is perplexed by the lack of evidence. But when another body is found near her own flat, laid out in a similar manner, she fears a forensically aware killer stalks the city and is marking the victims with their unique signature. Even more worryingly, the killer appears to be using skills they may have learned while attending her forensic science lectures at Glasgow University.There are signs that Rhona is being targeted, that the killer is playing with her and the police, drawing them into a deadly race against time, before the sin-eater’s next victim is chosen . . .Sins of the Dead is the thrilling thirteenth book in Lin Anderson’s forensic crime series featuring Rhona MacLeod, followed by Time for the Dead.

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Motorcycles entered military service in World War I, replacing the mounted despatch rider and mechanizing machine-gun and stretcher units. The conflict brought an enormous upsurge in the use of motorcycles in Europe and America. This comprehensive new book covers the lively history of the machines, highlighting the roles of military motorcycles, and how they have evolved. An A-Z directory focuses on 160 motorcycles, showing their diversity. Detailed specification boxes are featured for every motorcycle described. This expertly written book, with its wealth of rare and previously unseen photographs, provides enthusiasts and historians with key information about these diverse and multi-tasking vehicles. The story of the military motorcycle, from the early years of the 20th century to the present day * An illustrated A-Z of over 160 vehicles, including makes such as Harley-Davidson from the USA, Royal Enfield from the UK, BMW from Germany, and other famous manufacturers from around the world, such as Husqvarna, Henderson and Kawasaki * Specification panels provide at-a-glance information about each motorcycle's official name, country of origin, date, crew, weight, dimensions, powerplant and performance * Features over 550 photographs, which illustrate each type and include rare and unseen images from archives, museums and private collections * A glossary explains key terms and abbreviations

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Welsh Environments in Contemporary Poetry' examines the question of how recent English-language poetry from Wales has responded to the diverse physical environments of Wales. The first volume to offer a sustained assessment of Welsh poetry in English within the context of recent developments in environmental literary criticism, this book also draws on aspects of human geography to explore the rich contemporary poetics of Welsh space and place. Opening with an examination of poets from the 1960s as well as the early work of R.S. Thomas, 'Welsh Environments in Contemporary Poetry' subsequently concentrates on the poetry of writers who have come to prominence since the 1970s: Gillian Clarke, Ruth Bidgood, Robert Minhinnick, Mike Jenkins, Christine Evans, and Ian Davidson.Close reading of key texts reveals the way in which these writers variously create Welsh places, landscapes, and environments - fashioning rural and urban spaces into poetic geographies that are both abundantly physical and inescapably cultural. Far from reducing Wales to mere scenery, the poetry that emerges from this book engages with the environments of Wales, not just for their own sake, but as a crucial way of exploring key issues in Welsh culture - from the negotiation of female identity in a land of masculine myths to the exploration of Welsh space in a global context.

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Poetry Projects to Make and Do, edited by Deborah Alma, The Emergency Poet, is a ‘how to’ handbook of essays, prompts, advice, and ideas designed to help both aspiring and established poets find new ways not only to create new poetry, but to share and take it out into the world through collaboration, projects, performances – and more. With an array of real-life examples from experienced poets, Poetry Projects to Make and Do provides imaginative case-studies and inspiration for readers to roll up their sleeves and get stuck in. Each essay encourages experimentation alongside plenty of practical tips and guidance. From projects which poets can try out at home, to ones which take poetry out into the streets; from having a go at making poetry films or podcasts, to hand-crafting a poetry residency; from how to apply for funding, to working in collaboration and involving music, art or photography in your poetry. This indispensable book covers a broad range of topics to empower and encourage poetry as part of everyday creativity. Poetry Projects to Make and Do follows previous popular creative writing handbook titles for Nine Arches Press – including The Craft, Why I Write Poetry and How to be a Poet – and is edited by Deborah Alma, aka The Emergency Poet and founder of the world’s first walk-in Poetry Pharmacy, based in Bishops Castle, Shropshire. Includes 20+ essays by: Deborah Alma; Jean Atkin; Casey Bailey; Roshni Beeharry; Julia Bird; Jo Bell; Jane Burn; Lewis Buxton; Jane Commane; Jonathan Davidson; Helen Dewbery; Pat Edwards; Jasmine Gardosi; Roz Goddard; Daisy Henwood; Sophie Herxheimer; Helen Ivory; Gregory Leadbetter; Arji Manuelpillai; Caleb Parkin; Nina Mingya Powles; Jacqueline Saphra; Clare Shaw; Degna Stone and Tamar Yoseloff.

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What is your highest ideal? What code do you live by? We all know that these differ from person to person. Nonetheless philosophers have long sought a single, overriding ideal that should guide everyone, always, everywhere, and after centuries of debate we're no closer to an answer. In How Should We Live?, John Kekes offers a refreshing alternative, one in which we eschew absolute ideals and instead consider our lives as they really are. Kekes argues that ideal theories are abstractions from the realities of everyday life and its problems. The well-known arenas where absolute ideals conflict-dramatic moral controversies about complex problems involved in abortion, euthanasia, plea bargaining, privacy, and other hotly debated topics - should not be the primary concerns of moral thinking. Instead, he focuses on the simpler problems of ordinary lives in ordinary circumstances. In each chapter he presents the conflicts that a real person - a schoolteacher, lawyer, father, or nurse, for example - is likely to face. He then uses their situations to shed light on the mundane issues we all must deal with in everyday life, such as how we use our limited time, energy, or money; how we balance short- and long-term satisfactions; how we deal with conflicting loyalties; how we control our emotions; how we deal with people we dislike; and so on. Along the way he engages some of our most important theorists, including Donald Davidson, Thomas Nagel, Christine Korsgaard, Harry Frankfurt, Charles Taylor, Alasdair MacIntyre, and Bernard Williams, ultimately showing that no ideal - whether autonomy, love, duty, happiness, or truthfulness-trumps any other. Rather than rejecting such ideals, How Should We Live? offers a way of balancing them by a practical and pluralistic approach - rather than a theory - that helps us cope with our problems and come closer to what our lives should be.

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Dirk Sager versteht Psalm 9/10 als einen programmatischen Text, der vorhandene Gebetsäußerungen (Lob, Klage, Vertrauen) zu einem dialektischen Konzept verarbeitet und als Stimmen von 'Elenden und Armen' interpretiert. Dabei beziehen sich die Schreiber auf ältere Psalmen, in denen sich die Beter selbst jedoch nicht als 'elend und arm' bezeichnen. In der Konsequenz entpuppt sich die herkömmlich unter dem Begriff 'Armenfrömmigkeit' gefasste Traditionslinie als integraler Bestandteil der Religionsgeschichte Israels und nicht als Sonderzweig elitärer Gruppen. Der Autor vergleicht Psalm 9/10 mit ihm zeitlich und konzeptionell nahe stehenden Entwürfen aus dem Bereich der Psalmen, der Prophetie und der Weisheit und bringt so den vielstimmigen Diskurs über die Lage der Bedrängten ans Licht. Dabei zeigen sich ein engerer und ein weiterer Diskurszusammenhang. Diese Diskurse sind untereinander kompatibel und haben etwa denselben sozialgeschichtlichen Hintergrund, nämlich den Übergang von der persischen zur hellenistischen Epoche des nachexilischen Juda (4. Jh. v. Chr.). Die Psalm 9/10 inhärente Programmatik erschließt zudem dessen hervorragenden Platz im Gefüge des ersten Davidpsalters (Ps. 3-41) sowie seine Rolle im Zuge der literarischen Komposition dieser Psalmen. Im Konzert mit seinen Nachbartexten entsteht so eine 'Polyphonie des Elends', in der sich parallele und tangentiale Armenkonzepte gegenseitig interpretieren.

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Contributions by Christopher Baker, Cristina Borgioli, Louisa M. Connor Bulman, Antonella Capitanio, Marco Collareta, Peter Davidson, Francisco Freddolini, Cristiano Giometti, John Harris, Elisabeth Kieven, and Cinzia Maria Sicca This handsome book is the only full-length study of John Talman (1677–1726), first director of the Society of Antiquaries and one of the most influential collectors of drawings in early 18th-century Britain. Prominent scholars discuss the history of Talman’s acquisitions, shedding light on the competitive nature, social practices, and aesthetic ideas of connoisseurship both in England and abroad. Talman’s collection, amassed in England, Florence, and Rome between the 1690s and 1719, focused on Italian medieval art, architecture, and textiles as well as Renaissance and Baroque architecture and sculpture. It reflected the tastes and preoccupations of artistic and intellectual élites in pre-enlightenment Europe. A vehicle for disseminating aesthetic and historical ideas, the collection became not only an extraordinary document of the state of ancient and modern Italian monuments but also a history of architecture and culture at large that provided visual evidence of buildings and rituals lost through time. Distributed for the Yale Center for British Art and the Paul Mellon Centre for Studies in British Art

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'Laugh-out-loud funny, intensely suspenseful, page-turning fun' Allison Brennan_____________Del Sol, New Mexico is known for three things: its fry-an-egg-on-the-cement summers, strong cups of coffee - and, now, a nationwide manhunt?Del Sol native Sunshine Vicram has returned to town as the elected sheriff, expecting nothing more than a quiet ride. But now a teenage girl is missing, a kidnapper is on the loose, and all of this is reminding Sunshine why she left Del Sol in the first place. Add to that the trouble at her daughter's new school, plus a kidnapped rooster named Puff Daddy, and, well, the forecast looks anything but sunny.But even clouds have their silver linings. This one's got Levi, Sunshine's sexy, almost-old flame, and Quincy Cooper, a fiery-hot US Marshall. With temperatures rising everywhere she turns, Del Sol's normally cool-minded sheriff is finding herself knee-deep in drama and danger.Can Sunshine face the call of duty - and find the kidnapper who's terrorising her beloved hometown - without falling head over high heels in love . . . or worse?'A Bad Day For Sunshine is a great day for the rest of us' Lee Child'From the creative genius who brought you Charley Davidson comes your newest obsession: Sunshine Vicram. Mother. Sheriff. Warden of weird' Susan Donovan

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In this engaging book, Douglas Anderson begins with the assumption that philosophy—the Greek love of wisdom—is alive and well in American culture. At the same time, professional philosophy remains relatively invisible. Anderson traverses American life to find places in the wider culture where professional philosophy in the distinctively American tradition can strike up a conversation. How might American philosophers talk to us about our religious experience, or political engagement, or literature—or even, popular music? Anderson’s second aim is to find places where philosophy happens in nonprofessional guises—cultural places such as country music, rock’n roll, and Beat literature. He not only enlarges the tradition of American philosophers such as John Dewey and William James by examining lesser-known figures such as Henry Bugbee and Thomas Davidson, but finds the theme and ideas of American philosophy in some unexpected places, such as the music of Hank Williams, Tammy Wynette, and Bruce Springsteen, and the writings of Jack Kerouac. The idea of “philosophy Americana” trades on the emergent genre of “music Americana,” rooted in traditional themes and styles yet engaging our present experiences. The music is “popular” but not thoroughly driven by economic considerations, and Anderson seeks out an analogous role for philosophical practice, where philosophy and popular culture are co-adventurers in the life of ideas. Philosophy Americana takes seriously Emerson’s quest for the extraordinary in the ordinary and James’s belief that popular philosophy can still be philosophy. Philosophy Americana: Making Philosophy at Home in American Culture is available from the publisher on an open-access basis.

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Exploring how DH shapes and is in turn shaped by the classroom How has the field of digital humanities (DH) changed as it has moved from the corners of academic research into the classroom? And how has our DH praxis evolved through interactions with our students? This timely volume explores how DH is taught and what that reveals about the field of DH. While institutions are formally integrating DH into the curriculum and granting degrees, many instructors are still almost as new to DH as their students. As colleagues continue to ask what digital humanities is, we have the opportunity to answer them in terms of how we teach DH. The contributors to What We Teach When We Teach DH represent a wide range of disciplines, including literary and cultural studies, history, art history, philosophy, and library science. Their essays are organized around four critical topics at the heart of DH pedagogy: teachers, students, classrooms, and collaborations. This book highlights how DH can transform learning across a vast array of curricular structures, institutions, and education levels, from high schools and small liberal arts colleges to research-intensive institutions and postgraduate professional development programs. Contributors: Kathi Inman Berens, Portland State U; Jing Chen, Nanjing U; Lauren Coats, Louisiana State U; Scott Cohen, Stonehill College; Laquana Cooke, West Chester U; Rebecca Frost Davis, St. Edward’s U; Catherine DeRose; Quinn Dombrowski, Stanford U; Andrew Famiglietti, West Chester U; Jonathan D. Fitzgerald, Regis College; Emily Gilliland Grover, Notre Dame de Sion High School; Gabriel Hankins, Clemson U; Katherine D. Harris, San José State U; Jacob Heil, Davidson College; Elizabeth Hopwood, Loyola U Chicago; Hannah L. Jacobs, Duke U; Alix Keener, Stanford U; Alison Langmead, U of Pittsburgh; Sheila Liming, Champlain College; Emily McGinn, Princeton U; Nirmala Menon, Indian Institute of Technology; James O’Sullivan, U College Cork; Harvey Quamen, U of Alberta; Lisa Marie Rhody, CUNY Graduate Center; Kyle Roberts, Congregational Library and Archives; W. Russell Robinson, Alabama State U; Chelcie Juliet Rowell, Tufts U; Dibyadyuti Roy, U of Leeds; Asiel Sepúlveda, Simmons U; Andie Silva, York College, CUNY; Victoria Szabo, Duke U; Lik Hang Tsui, City U of Hong Kong; Annette Vee, U of Pittsburgh; Brandon Walsh, U of Virginia; Kalle Westerling, The British Library; Kathryn Wymer, North Carolina Central U; Claudia E. Zapata, UCLA; Benjun Zhu, Peking U. Retail e-book files for this title are screen-reader friendly.

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"Real" knowing always involves a political dimension, Linda Martín Alcoff suggests. But this does not mean we need to give up realism or the possibility of truth. Recent work in continental philosophy insists on the influence that power and desire exert on knowing, whereas contemporary analytic philosophy largely ignores these political concerns in its accounts of justification and truth. Alcoff engages these traditionally conflicting approaches in a constructive dialogue, effectively spanning the analytic/continental divide.In provocative readings of major figures in the continental tradition, Alcoff shows that the work of Hans-Georg Gadamer and Michel Foucault can help rectify key problems in coherence epistemology, such as the link between coherence and truth. She also argues that discussions about knowledge among continental philosophers can benefit from the work of analytic philosophers Donald Davidson and Hilary Putnam on meaning and ontology. Alcoff makes a compelling case for the need to address truth as a metaphysical issue, in contrast to minimalist tendencies in Anglo-American philosophy and deconstructionism on the continent. Her work persuasively argues for coherentist epistemology as a more realistic reconfiguration of the ontology of truth.

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"Literature matters because... it allows for experiences important to the living out of a sophisticated and satisfying human life; because other arenas of culture cannot provide them to the same degree; and because a relatively small number of texts carry out these functions in so exceptional a manner that we owe it to past and future members of the species to keep such texts alive in our cultural traditions."—from Chapter One Frank B. Farrell defends a rich conception of the space of literature that retains its links to issues of self-formation and metaphysics and does not let that space collapse into just another reflection of social space. He maintains that recent literary theory has badly misread findings in the philosophy of language and the theory of subjectivity. That misreading, Farrell says, has tended to endorse ways of understanding literature that make one question why it matters at all. Farrell here opposes some recent theoretical trends and, through a mix of philosophical and literary studies, tells us why in his view literature does truly matter. Among the writers Farrell discusses are John Ashbery, Samuel Beckett, Amit Chaudhuri, Cormac McCarthy, James Merrill, Marcel Proust, Thomas Pynchon, Salman Rushdie, W. G. Sebald, and John Updike. The philosophers important to his arguments include Donald Davidson, Daniel Dennett, and Bernard Williams; G. W. F. Hegel, Martin Heidegger, Friedrich Nietzsche, and Ludwig Wittgenstein play roles as well. Among the literary theorists addressed are Stephen Greenblatt, Paul de Man, and Marjorie Perloff. In addition to his close readings of literary, philosophical, and critical texts, Farrell considers cultural studies and postcolonial studies more generally and speculates on the possible contributions of object-relations theory in psychology to the study of literature.

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The novel returns to the aftermath of the trial of Beatrice Salandy and the villagers of Rosehill on the island of Santabella first met in Flanagan's novel You Alone Are Dancing. Though Beatrice is acquitted to the joy of the village, it is clear that nothing has changed. Though Santabella has been independent for several decades, only the new Black ruling class has benefited. Most Santabellans struggle to scratch a living, find adequate schools, healthcare or even reliable basic services. Cynical corruption flourishes and the queues to get visas to escape to America grow ever longer and more desperate. For Beatrice there is the recognition that Sonny, the man she loved, has wholly abandoned her, settled in the USA with a white American wife.But there is one new element: a rapidly growing radical Muslim movement with a growing appeal to the poor Black people of Santabella with their welfare schemes, grass-roots campaigning and air of incorruptibility. And there is the Haji, the charismatic leader of movement who combines a media-savvy native wit, a well-developed mystique and a steely control over his group. Even Beatrice is impressed. Between the Mosque, regularly raided for arms by the police and army and Rosehill is Abdul, whose aunt lives in the village and who is the Haji's second in command. It is Abdul, decent serious Abdul, who is one of the main narrative voices in the novel. But does his sincerity go with honesty about the violent coup that the Haji plans? Abdul's becomes a fascinatingly unreliable voice, part revealer, part concealer of the truth.Trinidad born Brenda Flanagan teaches creative writing, Caribbean and African American Literatures at Davidson College, North Carolina. She is also a United States cultural ambassador, and has served in Kazakstan, Chad and Panama.

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This is a major, wide-ranging history of analytic philosophy since 1900, told by one of the tradition's leading contemporary figures. The first volume takes the story from 1900 to mid-century. The second brings the history up to date. As Scott Soames tells it, the story of analytic philosophy is one of great but uneven progress, with leading thinkers making important advances toward solving the tradition's core problems. Though no broad philosophical position ever achieved lasting dominance, Soames argues that two methodological developments have, over time, remade the philosophical landscape. These are (1) analytic philosophers' hard-won success in understanding, and distinguishing the notions of logical truth, a priori truth, and necessary truth, and (2) gradual acceptance of the idea that philosophical speculation must be grounded in sound prephilosophical thought. Though Soames views this history in a positive light, he also illustrates the difficulties, false starts, and disappointments endured along the way. As he engages with the work of his predecessors and contemporaries--from Bertrand Russell and Ludwig Wittgenstein to Donald Davidson and Saul Kripke--he seeks to highlight their accomplishments while also pinpointing their shortcomings, especially where their perspectives were limited by an incomplete grasp of matters that have now become clear. Soames himself has been at the center of some of the tradition's most important debates, and throughout writes with exceptional ease about its often complex ideas. His gift for clear exposition makes the history as accessible to advanced undergraduates as it will be important to scholars. Despite its centrality to philosophy in the English-speaking world, the analytic tradition in philosophy has had very few synthetic histories. This will be the benchmark against which all future accounts will be measured.

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Motorcycle road trips across the United States were a lifelong dream, and now, with children grown up and a new work posting to Texas, it finally seemed within reach for Chris and Denise Arthey. But only a few hours down the road, on an arrow-straight stretch of Highway 35, devastation struck. A drunk driver veered across the carriageway and their Harley-Davidson was involved in a head-on collision. One medic commented after the air ambulances lifted off that "the motorcyclists may not make it". The Artheys did "make it", and then some. Both lost their left leg above the knee, and Chris suffered serious head and internal injuries, but their survival was remarkable. Even more remarkable is the story of their recovery. As Chris and Denise learned to cope with pain and a new reality, they simply refused to become physically held back, or to be frozen in anger and regret. They have gone on to lead extraordinarily full lives; returning to their vocations and taking another overseas posting to the Middle East before building new roles as ambassadors in the prosthetics industry. Chris has taken on marathons and triathlons, Mount Kilimanjaro, Everest Base Camp and a master's degree along the way. With an honesty that is both raw and vulnerable, the Artheys take us on their unique journey of hope against all odds, explaining how they rebuilt their lives, 'step by step', after their accident. More than a compelling story of survival, Highway 35 is an account of astounding personal strength and fighting spirit, of depth and integrity of relationship and uncompromising faith in the face of the most difficult of challenges.

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Peace at last, after Lloyd George declared it had been 'the war to end all wars', would surely bring relief and a renewed sense of optimism? But this assumption turned out to be deeply misplaced as people began to realise that the men they loved were never coming home. The Great Silence is the story of the pause between 1918 and 1920. A two-minute silence to celebrate those who died was underpinned by a more enduring silence born out of national grief. Those who had danced through settled Edwardian times, now faced a changed world. Some struggled to come to terms with the last four years, while others were anxious to move towards a new future.Change came to women, who were given the vote only five years after Emily Davidson had thrown herself on the ground at Ascot race course, to the poor, determined to tolerate their condition no longer, and to those permanently scarred, mentally and physically, by the conflict. The British Monarchy feared for its survival as monarchies around Europe collapsed and Eric Horne, one time butler to the gentry, found himself working in a way he considered unseemly for a servant of his calibre. Whether it was embraced or rejected, change had arrived as the impact of a tragic war was gradually absorbed.With her trademark focus on daily life, Juliet Nicolson evokes what England was like during this fascinating hinge in history.

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The book begins with an introductory survey of the better known and more influential millennium thinkers and movements through history. It shows how the millennium was interpreted as a utopia and expressed in violent ways in the fifteenth and sixteenth centuries and by the Branch Davidians in Waco and the Aum Shinrikyo sect in Japan. It also examines the teachings of the Jehovah's Witnesses and the New Age movement on the millennium. Part Two is devoted to the millennium in the Revelation of St John. It strips the millennium of utopian fantasies and the other accretions it has acquired through the centuries. It sets the millennium within the context of the whole of Revelation and its attack on the deceptive and oppressive ideology propagated by the Roman Empire and John's alternative interpretation of reality. It demonstrates that far from being an isolated reference, the millennium is integral to the whole of Revelation. It shows that the millennium is a metaphor for God's vindication of those who pay the ultimate price in witnessing to truth and justice, i.e. the martyrs, and indicates the relevance of the millennium in the world we live in today. The book is aimed at the general reader wanting an accessible introduction to recent thinking on the millennium. There is nothing here to help those who want to set the doomsday clock, but plenty to encourage those who are going through difficult times, and the book will challenge all to help today's victims of oppression and injustice. For those who wish to pursue the subject further, a bibliography of scholarly works is included.

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Unlike the stories of most visible Division I college athletes, Amanda Ottaway’s story has more in common with those of the 80 percent of college athletes who are never seen on TV. The Rebounders follows the college career of an average NCAA Division I women’s basketball player in the twenty-first century, beginning with the recruiting process, when Ottaway is an eager, naive teenager, and ending when she’s a more contemplative twentysomething alumna. Ottaway’s story, along with the journeys of her dynamic Wildcat teammates at Davidson College in North Carolina, covers in engaging detail the life of a mid-major athlete: recruitment, the preseason, body image and eating disorders, schoolwork, family relationships, practice, love life, team travel, game day, injuries, drug and alcohol use, coaching changes, and what comes after the very last game. In addition to the everyday issues of being a student athlete, The Rebounders also covers the objectification of women athletes, race, sexuality, and self-expression. Most college athletes, famous or not, play hard, get hurt, fail, and triumph together in a profound love of their sport and one another, and then their careers end and they figure out how to move on. From concussions and minor injuries to classrooms, parties, and relationships, Ottaway understands the experience of a Division I women’s basketball player firsthand. The Rebounders is, at its core, a feminist coming-of-age story, an exploration of what it means to be a young woman who loves a sport and discovers herself through it.

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Julia Tanney offers a sustained criticism of today’s canon in philosophy of mind, which conceives the workings of the rational mind as the outcome of causal interactions between mental states that have their bases in the brain. With its roots in physicalism and functionalism, this widely accepted view provides the philosophical foundation for the cardinal tenet of the cognitive sciences: that cognition is a form of information-processing. Rules, Reason, and Self-Knowledge presents a challenge not only to the cognitivist approach that has dominated philosophy and the special sciences for the last fifty years but, more broadly, to metaphysical-empirical approaches to the study of the mind.Responding to a tradition that owes much to the writings of Davidson, early Putnam, and Fodor, Tanney challenges this orthodoxy on its own terms. In untangling its internal inadequacies, starting with the paradoxes of irrationality, she arrives at a view these philosophers were keen to rebut—one with affinities to the work of Ryle and Wittgenstein and all but invisible to those working on the cutting edge of analytic philosophy and mind research today. This is the view that rational explanations are embedded in “thick” descriptions that are themselves sophistications upon ever ascending levels of discourse, or socio-linguistic practices.Tanney argues that conceptual cartography rather than metaphysical-scientific explanation is the basic tool for understanding the nature of the mind. Rules, Reason, and Self-Knowledge clears the path for a return to the world-involving, circumstance-dependent, normative practices where the rational mind has its home.

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Examines Mendelssohn's relationship to the past, shedding light on the construction of historical legacies that, in some cases, served to assert German cultural supremacy only two decades after the composer's death. By upbringing, family connections, and education, Felix Mendelssohn was ideally positioned to contribute to the historical legacies of the German people, who in the aftermath of the Napoleonic Wars discovered that they were a nation with a distinct culture. The number of cultural icons of German nationalism that Mendelssohn "discovered," promoted, or was asked to promote (by way of commissions) in his compositions is striking: Gutenberg and the invention of the printing press, Dürer and Nuremberg, Luther and the Augsburg Confession as the manifesto of Protestantism, Bach and the St. Matthew Passion, Beethoven and his claims to universal brotherhood. The essays in thisvolume investigate from a variety of perspectives Mendelssohn's relationship to the music of the past, including the significance of Bach's music for the Mendelssohn family, the homages to Bach in Mendelssohn's organ compositions,the influence of Beethoven in the Reformation Symphony, and Mendelssohn's reception and use of Handel's oratorios. Together, the essays shed light on the construction of legacies that, in some cases, served to assert German cultural supremacy only two decades after the composer's death in 1847. Contributors: Celia Applegate, John Michael Cooper, Hans Davidsson, Wm. A. Little, Peter Mercer-Taylor, Siegwart Reichwald, Glenn Stanley, Russell Stinson, Benedict Taylor, Nicholas Thistlethwaite, Jürgen Thym, R. Larry Todd, Christoph Wolff Jürgen Thym is professor emeritus of musicology at the Eastman School of Music and editor of Of Poetry and Song: Approaches tothe Nineteenth-Century Lied (University of Rochester Press, 2010).

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In The Americas Revealed, distinguished art historian and curator Edward J. Sullivan brings together a vibrant group of essays that explore the formation, in the United States, of public and private collections of art from the Spanish- and Portuguese-speaking Americas.The contributors to this volume trace the major milestones and emerging approaches to collecting and presenting Spanish Colonial and modern Latin American art by museums, galleries, private collections, and corporations from the late nineteenth to the twenty-first century. In chronicling the roles played by determined collectors from New York to San Francisco, the essays examine a range of subjects from MoMA’s mid-twentieth-century acquisition strategies to the growing taste on the West Coast for the work of Diego Rivera. They consider the impact of various political shifts on art collecting, from reactions against the “American exceptionalism” of the Monroe Doctrine to the aesthetic biases of government-sponsored art academies in Mexico, Rio de Janeiro, and Havana. The final three chapters focus on living collectors such as Roberta and Richard Huber, Patricia Phelps de Cisneros, and Estrellita B. Brodsky.A thorough and definitive account of the changing course of private and public collections and their important connection to underlying political and cultural relations between the United States and Latin American countries, this volume gives a rare glimpse into the practice of collecting from the collectors’ own point of view.In addition to the editor, contributors to this volume are Miriam Margarita Basilio, Estrellita B. Brodsky, Vanessa K. Davidson, Anna Indych-López, Ronda Kasl, Gabriel Pérez-Barreiro, Berit Potter, Mari Carmen Ramírez, Joseph Rishel, Delia Solomons, and Suzanne Stratton-Pruitt.

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Danilo Kis (1935–89) was a Yugoslav novelist, essayist, poet, and translator whose work generated storms of controversy in his homeland but today holds classic status. Kis was championed by prominent literary figures around the world, including Joseph Brodsky, Susan Sontag, Milan Kundera, Philip Roth, Nadine Gordimer, and Salman Rushdie. As more of his works become available in translation, they are prized by an international readership drawn to Kis's innovative brilliance as a storyteller and to his profound meditation on history, culture, and the human condition at the end of the twentieth century.A subtle analysis of a rich and varied body of writing, Birth Certificate is also a careful and sensitive telling of a life that experienced some of the last century's greatest cruelties. Kis's father was a Hungarian Jew, his mother a Montenegrin of Orthodox faith. The father disappeared into the Holocaust and the son—cosmopolitan, anticommunist, and passionately opposed to the myth-drenched nationalisms of his native lands—grew up chafing against the hypocrisies of Titoism. His writing broke with the epic mode, pioneered modernist techniques in his language, fulminated against literary kitsch, and sketched out a literary heritage "with no Sun as its Center and Tyrant." Joyce and Borges were influences on his writing, which nevertheless is stunningly original. The best known of his works are Garden, Ashes; The Encyclopedia of the Dead; Hourglass; The Anatomy Lesson; and A Tomb for Boris Davidovich. Over the course of nearly two decades, Mark Thompson studied Kis's papers and interviewed his family members, friends, and admirers. His intimate understanding of the writer's life and his sure grasp of the region's history inform his revelatory readings of Kis's individual works.More than an appreciation of an important literary and cultural figure, this book is also a compelling guide to the destructive policies which would, shortly after Kis’s death, generate the worst violence in Europe since World War II. Thompson’s book pays tribute to Kis’s experimentalism by being itself experimental in form. It is patterned as a series of commentaries on a short autobiographical text that Kis called "Birth Certificate." This unusual structure adds to the interest and intrigue of the book, and is appropriate for treating so autobiographical a writer who believed that literary meaning is always deeply shaped by other texts.

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New Age, Neopagan, and New Religious Movements is the most extensive study to date of modern American alternative spiritual currents. Hugh B. Urban covers a range of emerging religions from the mid-nineteenth century to the present, including the Nation of Islam, Mormonism, Scientology, ISKCON, Wicca, the Church of Satan, Peoples Temple, and the Branch Davidians. This essential text engages students by addressing major theoretical and methodological issues in the study of new religions and is organized to guide students in their learning. Each chapter focuses on one important issue involving a particular faith group, providing readers with examples that illustrate larger issues in the study of religion and American culture. Urban addresses such questions as, Why has there been such a tremendous proliferation of new spiritual forms in the past 150 years, even as our society has become increasingly rational, scientific, technological, and secular? Why has the United States become the heartland for the explosion of new religious movements? How do we deal with complex legal debates, such as the use of peyote by the Native American Church or the practice of plural marriage by some Mormon communities? And how do we navigate issues of religious freedom and privacy in an age of religious violence, terrorism, and government surveillance?

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Building on her critically acclaimed novel The Last Days of California and her biting collection Always Happy Hour, Miller transports readers to this delightfully wry, unapologetic corner of the south—Biloxi, Mississippi, home to sixty-three-year-old Louis McDonald, Jr. Louis has been forlorn since his wife of thirty-seven years left him, his father passed, and he impulsively retired from his job in anticipation of an inheritance check that may not come. These days he watches reality television and tries to avoid his ex-wife and daughter, benefiting from the charity of his former brother-in-law, Frank, who religiously brings over his Chili’s leftovers and always stays for a beer. Yet the past is no predictor of Louis’s future. On a routine trip to Walgreens to pick up his diabetes medication, he stops at a sign advertising free dogs and meets Harry Davidson, a man who claims to have more than a dozen canines on offer, but offers only one: an overweight mixed breed named Layla. Without any rational explanation, Louis feels compelled to take the dog home, and the two become inseparable. Louis, more than anyone, is dumbfounded to find himself in love—bursting into song with improvised jingles, exploring new locales, and reevaluating what he once considered the fixed horizons of his life. With her “sociologist’s eye for the mundane and revealing” (Joyce Carol Oates, New York Review of Books), Miller populates the Gulf Coast with Ann Beattie-like characters. A strangely heartwarming tale of loneliness, masculinity, and the limitations of each, Biloxi confirms Miller’s position as one of our most gifted and perceptive writers.

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In a small village in New York Charley Davidson is living as Jane Doe, a girl with no memory of who she is or where she came from. So when she is working at a diner and slowly begins to realize she can see dead people, she's more than a little taken aback. Stranger still are the people entering her life. They seem to know things about her. Things they hide with lies and half-truths. Soon, she senses something far darker. A force that wants to cause her harm, she is sure of it. Her saving grace comes in the form of a new friend she feels she can confide in and the fry cook, a devastatingly handsome man whose smile is breathtaking and touch is scalding. He stays close, and she almost feels safe with him around. But no one can outrun their past, and the more lies that swirl around her-even from her new and trusted friends-the more disoriented she becomes, until she is confronted by a man who claims to have been sent to kill her. Sent by the darkest force in the universe. A force that absolutely will not stop until she is dead. Thankfully, she has a Rottweiler. But that doesn't help in her quest to find her identity and recover what she's lost. That will take all her courage and a touch of the power she feels flowing like electricity through her veins. She almost feels sorry for him. The devil in blue jeans. The disarming fry cook who lies with every breath he takes. She will get to the bottom of what he knows if it kills her. Or him. Either way.

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A compilation of Charles Bukowski's underground articles from his column "Notes of a Dirty Old Man" appears here in book form. Bukowski's reasoning for self-describing himself as a 'dirty old man' rings true in this book."People come to my door—too many of them really—and knock to tell me Notes of a Dirty Old Man turns them on. A bum off the road brings in a gypsy and his wife and we talk . . . . drink half the night. A long distance operator from Newburgh, N.Y. sends me money. She wants me to give up drinking beer and to eat well. I hear from a madman who calls himself 'King Arthur' and lives on Vine Street in Hollywood and wants to help me write my column. A doctor comes to my door: 'I read your column and think I can help you. I used to be a psychiatrist.' I send him away . . .""Bukowski writes like a latter-day Celine, a wise fool talking straight from the gut about the futility and beauty of life . . ." —Publishers Weekly"These disjointed stories gives us a glimpse into the brilliant and highly disturbed mind of a man who will drink anything, hump anything and say anything without the slightest tinge of embarassment, shame or remorse. It's actually pretty hard not to like the guy after reading a few of these semi-ranting short stories." —Greg Davidson, curiculummag.comCharles Bukowski was born in Andernach, Germany on August 16, 1920, the only child of an American soldier and a German mother. Bukowski published his first story when he was twenty-four and began writing poetry at the age of thirty-five. His first book of poetry was published in 1959; he went on to publish more than forty-five books of poetry and prose, including Pulp (Black Sparrow, 1994), Screams from the Balcony: Selected Letters 1960-1970 (1993), and The Last Night of the Earth Poems (1992). Other Bukowski books published by City Lights Publishers include More Notes of a Dirty Old Man, The Most Beautiful Woman in Town, Tales of Ordinary Madness, Portions from a Wine-Stained Notebook, and Absence of the Hero. He died of leukemia in San Pedro on March 9, 1994.

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What is your highest ideal? What code do you live by? We all know that these differ from person to person. Artists, scientists, social activists, farmers, executives, and athletes are guided by very different ideals. Nonetheless for hundreds of years philosophers have sought a single, overriding ideal that should guide everyone, always, everywhere, and after centuries of debate we're no closer to an answer. In How Should We Live?, John Kekes offers a refreshing alternative, one in which we eschew absolute ideals and instead consider our lives as they really are, day by day, subject to countless vicissitudes and unforeseen obstacles. Kekes argues that ideal theories are abstractions from the realities of everyday life and its problems. The well-known arenas where absolute ideals conflict--dramatic moral controversies about complex problems involved in abortion, euthanasia, plea bargaining, privacy, and other hotly debated topics--should not be the primary concerns of moral thinking. Instead, he focuses on the simpler problems of ordinary lives in ordinary circumstances. In each chapter he presents the conflicts that a real person--a schoolteacher, lawyer, father, or nurse, for example--is likely to face. He then uses their situations to shed light on the mundane issues we all must deal with in everyday life, such as how we use our limited time, energy, or money; how we balance short- and long-term satisfactions; how we deal with conflicting loyalties; how we control our emotions; how we deal with people we dislike; and so on. Along the way he engages some of our most important theorists, including Donald Davidson, Thomas Nagel, Christine Korsgaard, Harry Frankfurt, Charles Taylor, Alasdair MacIntyre, and Bernard Williams, ultimately showing that no ideal--whether autonomy, love, duty, happiness, or truthfulness--trumps any other. No single ideal can always guide how we overcome the many different problems that stand in the way of living as we should. Rather than rejecting such ideals, How Should We Live? offers a way of balancing them by a practical and pluralistic approach--rather than a theory--that helps us cope with our problems and come closer to what our lives should be.

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When James Faubion visited the site of the Branch Davidian compound after its conflagration, what he found surprised him. Though the popular imagination had relegated the site's millennialist denizens to the radical fringe, Faubion found not psychopathology but a sturdy and comprehensive system for understanding the world. He also found, in the person of Amo Paul Bishop Roden, a fascinating spokeswoman for that system. Based on more than five years of fieldwork, including extensive life-history interviews with Roden, Faubion interprets millennialism as a "master-pedagogy." He reveals it as simultaneously a poetics, a rhetoric, a physics, an approach to history, a course of training, a gnosis, and an ethics. Millennialism resists the categories that both academic and popular analysts use to discuss religion by melding the sacred and secular, the spiritual and political, and the transcendental and commonsensical. In this respect, and in others, millennialism is a premodern pedagogy that has grown resolutely counter-modern. Yet, mainstream culture sees in it not a critique of modernity but dangerous lunacy. This disjunction prompts Faubion to investigate how the mainstream came to confine religion to an inner and other-worldly faith--an inquiry that allows him to account for the irrationalization of millennialism. Against this historical background, we can discern the genealogy of Adventist millennialism and make sense of contemporary religious events, including the actions of a small group in the central Texas prairie.

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Building on her critically acclaimed novel The Last Days of California and her biting collection Always Happy Hour, Miller transports readers to this delightfully wry, unapologetic corner of the south—Biloxi, Mississippi, home to sixty-three-year-old Louis McDonald, Jr. Louis has been forlorn since his wife of thirty-seven years left him, his father passed away and he impulsively retired from his job in anticipation of an inheritance cheque that may not come. These days he watches reality television and tries to avoid his ex-wife and daughter, benefiting from the charity of his former brother-in-law, Frank, who religiously brings over his takeway leftovers and always stays for a beer. Yet the past is no predictor of Louis’s future. On a routine trip to Walgreens to pick up his diabetes medication, he stops at a sign advertising free dogs and meets Harry Davidson, a man who claims to have more than a dozen canines on offer, but offers only one: an overweight mixed breed named Layla. Without any rational explanation, Louis feels compelled to take the dog home and the two become inseparable. Louis, more than anyone, is dumbfounded to find himself in love—bursting into song with improvised jingles, exploring new locales and reevaluating what he once considered the fixed horizons of his life. With her “sociologist’s eye for the mundane and revealing” (Joyce Carol Oates, New York Review of Books), Miller populates the Gulf Coast with Ann Beattie-like characters. A strangely heartwarming tale of loneliness, masculinity and the limitations of each, Biloxi confirms Miller’s position as one of our most gifted and perceptive writers.

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"The first shake shop mystery delivers all the delectable ingredients cozy mystery fans crave. This terrific series debut is certain to tempt the reading palates of fans of Cleo Coyle, Sarah Graves, and the much-missed Diane Mott Davidson."-Library Journal, STARRED Review for Pint of No ReturnThe second book in the Shake Shop Mysteries-a new murder in town has Trinidad Jones thrown for a scoop!It's Alpenfest in Upper Sprocket! Yodelers are congregating in the square, tourists flocking to the town, and Trinidad Jones is scooping up some fall flavors at her Shimmy and Shake Shop.The cherry on the sundae is her upcoming feature in The Scoop magazine. She's determined to serve up the perfect interview, but it won't be easy, thanks in part to her meddling Cuban grandfather Papa Luis who has decided to make Sprocket his home for the foreseeable future. Papa Luis has set himself up as a taxi driver in his classic 1951 Buick.But things take a turn when Papa Luis tells her he's found a corpse in his trunk. Upon closer investigation, they realize the body has disappeared. With the assistance of Juliette and Bonnie (her sisterhood of exes) and the way too handsome nut farmer Quinn Logan, Trinidad must solve the mystery of the disappearing corpse, before her father is up to his neck in a murderous mess.Praise for Pint of No Return, Book 1 of the Shake Shop Mysteries:"Murder offers the heroine a surprisingly fresh start in this charming series kickoff" -Kirkus Reviews"A delicious charmer featuring a triple scoop of murder" -Library Journal

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"It imparts the type of educational information that all stages of jewelry collectors, as well as jewelry enthusiasts from students to dealers, will go back to again and again." — Beth Bernstein, Instore Mag "The Modern Guide to Antique Jewellery will make a collector of you yet" —Annie Davidson, JCK "...filled with fun factual titbits that are presented in a witty, conversational style, with lively narratives exploring each piece’s history." — Solitaire International "The ultimate go-to guide." — Retail Jeweller World The ultimate go-to guide, The Modern Guide to Antique Jewellery takes the reader on a tour through time, venturing from the 1700s all the way through to the early 20th century. From how to look chic while wearing jewellery that outdates you by 100 years, to how to spot and score the best pieces, this book is a must-read for all enthusiasts and collectors who have an affinity for the jewels of the past. Fun factual tidbits are presented in a witty, conversational style, and lively narratives explore each piece’s history. Part travelogue, featuring the most influential shops in New York, LA, London, Paris and Amsterdam; part educational guide, with anecdotes from dealers and experts; and part celebration of historical jewellery, this book is an invaluable and accessible reference. Topics covered include (but are not limited to): how to identify the most popular gemstones, materials, styles and collectible pieces in the market today, and how to select antique jewellery to complement your lifestyle. The Modern Guide to Antique Jewellery will reveal what to look for and where to locate rare finds, as well as how the experts score the pieces that decorate the fingers, ears, necks and wrists of the collector.

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Sophy Ridge, presenter for Sky News, has uncovered the extraordinary stories of the women who have shaped British politics. Never has the role of women in the political world ever been more on the news agenda, and Sophy has interviewed current and former politicians including among others, Nicola Sturgeon, Ruth Davidson, Betty Boothroyd gain exclusive insight into the role women play in politics at the highest level. The book also includes Theresa May's first at-length interview about her journey to becoming Prime Minister. These interviews have revealed the shocking truth about the sexism that is rife among the House of Commons both in the past and today, with sometimes shocking, and sometimes amusing anecdotes revealing how women in Westminster have worked to counter the gender bias. Sophy provides gripping insight into historical and contemporary stories which will fascinate not just those interested in politics but those who want to know more about women's vital role in democracy. From royalty to writers and from class warriors to suffragettes, Sophy tells the story of those who put their lives on the line for equal rights, and those who were the first to set foot inside the chambers of power, bringing together stories that you may think you know, and stories that have recently been discovered to reveal the truth about what it is to be a woman in Westminster. This book is a celebration of the differing ways that women have shaped the political landscape. The book also, importantly, sheds light on the challenges faced by women in government today, telling us the ways that women working in politics battle the sexism that confront them on a daily basis.

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