Search results for ""author david"

"The game with yourself is often tougher than the battle againstany opponent. Smart Tennis shows you how to win the inner matchwhile having fun along the way."--Lindsay Davenport, world's #1ranked player for 1998 Become a More Competent-and Confident-Tennis Player Smart Tennis is the secret weapon that tucks right into your tennisbag. Apply these proven principles of sport psychology to your gameand gain a winning advantage both on and off the courts. "Smart Tennis is a must for players at all levels-from beginners toWimbledon champions! An outstanding book for understanding andimproving your mental game."--Vic Braden, tennis telecaster andresearcher "If you ever want to use the title of this book to describe how youplayed your last match, then Smart Tennis is for you."--DavidHigdon, senior writer,Tennis Magazine "This is an excellent book of psychological skills that can beimmediately applied on the tennis court."--E. Paul Roetert, Ph.D.,Administration of Sports Science, United States Tennis Association

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Back by popular demand, the classic JPS holiday anthologies remain essential and relevant in our digital age. Unequaled in-depth compilations of classic and contemporary writings, they have long guided rabbis, cantors, educators, and other readers seeking the origins, meanings, and varied celebrations of the Jewish festivals. The Purim Anthology recounts the origins of the first Purim, then examines festival observances in different eras throughout the world, laws and rites, and finally provides plays and poems, stories and songs. This treasury includes “The Origin of Purim” by Solomon Grayzel, “The Esther Story in Art” by Rachel Wischnitzer, “Purim in Music” by A. W. Binder (including an extensive compilation of Purim songs), “The History of Purim Plays” by Jacob Shatzky, Purim celebrations in Tel Aviv by Mortimer J. Cohen, and Purim in humor by Israel Davidson—all together a thoughtful and fun-filled literary feast.

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From Subject to Subjectivities profiles the recent debates about the role of qualitative and participatory methods in psychology, a discipline which has traditionally seen itself as a form of positivistic science. Contributors explain how fundamentally different views of the nature of reality and of scientific theory have shaped these debates, and how psychology is being transformed through the use of these methods. At the heart of the book are 10 exemplars of interpretive and participatory action research which describe the rationale for and process of using these methods in actual cases. They also articulate some of the challenges psychologists may face in adopting them, offering insights into how these complications can be successfully negotiated. Relevant beyond psychology, the models provided can be used within the context of a wide array of social science disciplines, from sociology and anthropology to women's studies and public health. The contributors represent a veritable "who's who" of qualitative scholars, including Lyn Mikel Brown, Larry Davidson, Michelle Fine, Louise Kidder, M. Brinton Lykes, Jeanne Marecek, Abigail Stewart, and Niobe Way. No previous book has examined qualitative and participatory methods specifically within the context of psychology. From Subjects to Subjectivities provides a unique and badly needed resource for those interested in learning about the practice of these methods in the field.

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Film set chaos, creative slumps, and nervous amateur actors--this critically acclaimed manga series about the passion (and pitfalls) that goes into making films is now an animated film itself!Gene Fini is a nervous, but devoted film fanatic working in the movie capital of Nyallywood, running errands for the baby-faced movie producer Joelle Davidovich "Pompo" Pomponette. When Pompo starts working on a new project, she gives Gene the opportunity of a lifetime. Can he prove that his passion for watching movies is matched only by his talent for filming them? Or will Gene's dreams of cinematic greatness wither, as he spends the rest of his life making coffee runs instead of movies?

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This is the definitive, comprehensive guide to motorcycle design. Tapping a deep well of knowledge and a lifetime of experience, motorcycle racer and historian Mick Walker sheds light on the evolution of one of the world's ultimate status symbols and style icons-a development owing as much to history, politics, and technology as it does to image, lifestyle, and design. In a survey that ranges from the late nineteenth-century pioneers like Gottlieb Daimler and Hildebrand & Wolfmuller to present-day manufacturers-Harley Davidson, Ducati, Honda, BMW, Aprilia, and Triumph-Walker sets each model within its historical context and outlines the main technological and stylistic innovations that make each bike unique.

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Matthew Sweeney's eleventh collection of poems is haunted by mortality, by other worlds and far-flung places, by visitations and violent events like the Spanish Inquisition. The poems are imaginative riffs featuring troubling companions and troublesome thoughts: ghosts and spirits, anger and guilt, crows and horses, a runaway calf and a footballing elephant. And yet amid the outlandish adventures and macabre musings in Inquisition Lane, other notes are also sounded: the poems can be lyrical as well as exuberant, saddened as well as extravagant. Dear friends are remembered. Faith is questioned. The Catholic Church is interrogated. German monks zoom by on Harley-Davidsons and chocolate is mined by French monks beneath the Madeleine in Paris.

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Meaning brings together some of the most significant philosophical work on linguistic representation and understanding, presenting canonical essays on core questions in the philosophy of language. Brings together essential readings which define and advance the literature on linguistic representation and understanding. Examines key topics in philosophy of language, including analyticity; translational indeterminacy; theories of reference; meaning as use; the nature of linguistic competence; truth and meaning; and relations between semantics and metaphysics. Includes classic articles by key figures such as Frege, Quine, Putnam, Kripke, and Davidson; and recent reactions to this work by philosophers including Mark Wilson, Scott Soames, James Higginbotham, Frank Jackson, Alex Byrne, and Paul Bogohossian.

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With the transformation and expansion of the nineteenth-century American literary canon in the past two decades, the work of the era's American women poets has come to be widely anthologized. But scant scholarship has arisen to make full sense of it. From School to Salon responds to this glaring gap. Mary Loeffelholz presents the work of nineteenth-century women poets in the context of the history, culture, and politics of the times. She uses a series of case studies to discuss why the recovery of nineteenth-century women's poetry has been a process of anthologization without succeeding analysis. At the same time, she provides a much-needed account of the changing social contexts through which nineteenth-century American women became poets: initially by reading, reciting, writing, and publishing poetry in school, and later, by doing those same things in literary salons, institutions created by the high-culture movement of the day. Along the way, Loeffelholz provides detailed analyses of the poetry, much of which has received little or no recent critical attention. She focuses on the works of a remarkably diverse array of poets, including Lucretia Maria Davidson, Lydia Sigourney, Maria Lowell, Frances Ellen Watkins Harper, Emily Dickinson, Helen Hunt Jackson, and Annie Fields. Impeccably researched and gracefully written, From School to Salon moves the study of nineteenth-century women's poetry to a new and momentous level.

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Corporate social responsibility, sustainability and acting ethically are all accepted business aims, but their meaning and implementation in a global context is far less clear-cut. Global Business Ethics cuts through the confusion to provide a coherent basis for ethical decision-making within the complications of the international business landscape. Underpinned by theory and including worked-through examples of ethical dilemmas and their solutions, this textbook will guide the reader beyond theory to real-world business decisions. Practical tools such as decision trees and suggested principles to apply in dilemma situations give readers the skills and confidence to tackle the ethical challenges they face. Global Business Ethics offers a unique working code of ethics provided as a model with guidance to readers for adaptation and implementation. Case studies include: Walmart, Hershey's, Citibank, Ford, Nike, Johnson & Johnson, Harley-Davidson, The Body Shop and Procter and Gamble. A chapter on the legal aspects of ethics provides guidance on the complex relationship between law and ethics in international business. The final part takes an in-depth look at the practical application of ethics in business life. Covering all the major theories of ethics, including an examination of the role of quantification of ethics, Global Business Ethics demonstrates how their principles can be applied to inform better business decisions. Online supporting resources for this book include instructor's manual, lecture slides and appendices.

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The long-departed Steve McQueen is still the coolest man on two wheels. Get an intimate look at his coolest bikes right here, right now, in McQueen's Motorcycles.Even thirty years after his death, Steve McQueen remains a cultural icon. His image continues to appear in advertising and pop culture and his fan base spans from car lovers to racing enthusiasts to motorcycle obsessives. In his movies, McQueen's character always had an envy-inducing motorcycle or car, but in his personal life, motorcycles were always McQueen's first true love. McQueen's Motorcycles focuses on the bikes that the King of Cool raced and collected.From the first Harley McQueen bought when he was an acting student in New York to the Triumph "desert sleds" and Huskys he desert raced all over California, Mexico, and Nevada, McQueen was never without a stable of two wheelers. His need for speed propelled him from Hollywood into a number of top off-road motorcycle races, including the Baja 1000, Mint 400, Elsinore Grand Prix, and even as a member of the 1964 ISDT team in Europe. Determined to be ahead of the pack, McQueen maintained his body like it was a machine itself. He trained vigorously, weight lifting, running, and studying martial arts. Later in his life, as he backed away from Hollywood, his interests turned to antique bikes and he accumulated an extensive collection, including Harley-Davidson, Indian, Triumph, Brough Superior, Cyclone, BSA, and Ace motorcycles.Today, McQueen still has the Midas touch; anything that was in the man's possession is a hot commodity. McQueen's classic motorcycles sell for top dollar at auctions, always at a multiple of what the same bike is worth without the McQueen pedigree. McQueen's Motorcycles reveals these highly sought-after machines in gorgeous photography and full historical context.

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A Brief History of Analytic Philosophy: From Russell to Rawls presents a comprehensive overview of the historical development of all major aspects of analytic philosophy, the dominant Anglo-American philosophical tradition in the twentieth century. Features coverage of all the major subject areas and figures in analytic philosophy - including Wittgenstein, Bertrand Russell, G.E. Moore, Gottlob Frege, Carnap, Quine, Davidson, Kripke, Putnam, and many others Contains explanatory background material to help make clear technical philosophical concepts Includes listings of suggested further readings Written in a clear, direct style that presupposes little previous knowledge of philosophy

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Winner, John Brinckerhoff Jackson Prize, Association of American Geographers, 1997Shadowed Ground explores how and why Americans have memorialized—or not—the sites of tragic and violent events spanning three centuries of history and every region of the country. For this revised edition, Kenneth Foote has written a new concluding chapter that looks at the evolving responses to recent acts of violence and terror, including the destruction of the Branch Davidian compound at Waco, Texas, the Oklahoma City bombing, the Columbine High School massacre, and the terrorist attacks of 9/11.

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Gambling Debt is a game-changing contribution to the discussion of economic crises and neoliberal financial systems and strategies. Iceland's 2008 financial collapse was the first case in a series of meltdowns, a warning of danger in the global order. This full-scale anthropology of financialization and the economic crisis broadly discusses this momentous bubble and burst and places it in theoretical, anthropological, and global historical context through descriptions of the complex developments leading to it and the larger social and cultural implications and consequences. Chapters from anthropologists, sociologists, historians, economists, and key local participants focus on the neoliberal policies-mainly the privatization of banks and fishery resources-that concentrated wealth among a select few, skewed the distribution of capital in a way that Iceland had never experienced before, and plunged the country into a full-scale economic crisis. Gambling Debt significantly raises the level of understanding and debate on the issues relevant to financial crises, painting a portrait of the meltdown from many points of view-from bankers to schoolchildren, from fishers in coastal villages to the urban poor and immigrants, and from artists to philosophers and other intellectuals. This book is for anyone interested in financial troubles and neoliberal politics as well as students and scholars of anthropology, sociology, economics, philosophy, political science, business, and ethics. Publication supported in part by the National Science Foundation. Contributors: Vilhjalmur Arnason, Asmundur Asmundsson, Jon Gunnar Bernburg, James Carrier, Sigurlina Davidsdottir, Dimitra Doukas, Niels Einarsson, Einar Mar Gudmundsson, Tinna Gretarsdottir, Birna Gunnlaugsdottir, Gudny S. Gudbjornsdottir, Pamela Joan Innes, Gudni Th. Johannesson, Orn D. Jonsson, Hannes Larusson, Kristin Loftsdottir, James Maguire, Mar Wolfgang Mixa, Evelyn Pinkerton, Hulda Proppe, James G. Rice, Rognvaldur J. Saemundsson, Unnur Dis Skaptadottir, Margaret Willson

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While many studies of religion in the West have focused on the region's diversity, freedom, and individualism, Todd M. Kerstetter brings together the three most glaring exceptions to those rules to explore the boundaries of tolerance as enforced by society and the U.S. government. God's Country, Uncle Sam's Land analyzes Mormon history from the Utah Expedition and Mountain Meadows Massacre of 1857 through subsequent decades of federal legislative and judicial actions aimed at ending polygamy and limiting church power. It also focuses on the Lakota Ghost Dancers and the Wounded Knee Massacre in South Dakota (1890), and the Branch Davidians in Waco, Texas (1993). In sharp contrast to the mythic image of the West as the "Land of the Free," these three tragic episodes reveal the West as a cultural battleground--in the words of one reporter, "a collision of guns, God, and government." Asking important questions about what happens when groups with a deep trust in their differing inner truths meet, Kerstetter exposes the religious motivations behind government policies that worked to alter Mormonism and extinguish Native American beliefs.

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'The best Scottish crime series since Rebus' Daily RecordThe sins of the dead are all consuming . . . While illegally street racing in the underground tunnels of Glasgow, four Harley-Davidson riders make a horrifying discovery: a dead man left in the darkness, hands together on his chest as if peacefully laid to rest. The cause of death is unclear, the only clues being a half glass of red wine and a partially eaten chunk of bread by his side that echo the ancient religious practice of sin-eating.Called to the scene, forensic scientist Rhona MacLeod is perplexed by the lack of evidence. But when another body is found near her own flat, laid out in a similar manner, she fears a forensically aware killer stalks the city and is marking the victims with their unique signature. Even more worryingly, the killer appears to be using skills they may have learned while attending her forensic science lectures at Glasgow University.There are signs that Rhona is being targeted, that the killer is playing with her and the police, drawing them into a deadly race against time, before the sin-eater’s next victim is chosen . . .Sins of the Dead is the thrilling thirteenth book in Lin Anderson’s forensic crime series featuring Rhona MacLeod, followed by Time for the Dead.

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The Kent coastal strip of Dungeness is a unique environment. Harshly vulnerable to the elements yet protected from inland development, it has enticed many architects, artists, photographers and creative thinkers, including of course renowned artist and film-maker Derek Jarman.Its exposed position makes it an extreme place a viewing station for the shifting sea, the passing clouds and the changing seasons. Design writer Dominic Bradbury is your guide to this border landscape both natural and manmade, from shingle beaches to black houses.Dungeness is a crucible for exciting architecture; the local vernacular includes fishermen's cottages, lighthouses and ex-industrial structures. This mix has attracted leading architects including Rodic Davidson, Fiona Naylor and Brian Johnson, Simon Conder, Guy Holloway and others to complete projects in the area. The book includes sixteen stunning case studies of homes both converted from non-domestic buildings and exciting new builds.

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The most important writings on the psychoanalytic understandings and treatments of drug and vice addiction Drug abuse, alcoholism, compulsive gambling, and other destructive addictions plague our society. Theories of addiction locate its cause variously—in factors related to the substance, the addict's personality, or to the addict's environment. Arguments about effective treatment programs are fierce. Essential Papers on Addiction presents the most important writing and the various sides of the debate on the psychoanalytic understanding and treatment of addiction. Daniel Yalisove outlines the history of the treatment of addiction and introduces important psychoanalytic concepts used in understanding addicts. The book includes case studies which illustrate the course of addiction and presents the work of the most influential theorists in the field. Divided into eight sections focusing on historical work on addiction, psychoanalytic theories of addiction, transference and countertransference issues in treating addiction, psychoanalytic treatment for the addictions, psychoanalytic therapy and disease concepts, and psychiatric illness and addiction, this definitive volume includes contributions by the most experienced and renowned experts on the subject. Contributors include S. Freud, E. Glover, S. Rado, R. P. Knight, L. Wurmser, N. E. Zinberg, H. Krystal, D. Jacobs, R. Fine, J. Gustafson, C. L. Brown, M. L. Selzer, V. Davidson, J. Imhof, R. Hirsch, R. E. Terenzi, M. E. Chafetz, A. Silber, R. J. Rosenthal, E. M. Pattison, M. B. Sobell, L. C. Sobell, J. E. Zweben, E. Simmel, B. Brickman, E. J. Khantzian, R. D. Weiss, S. M. Mirin, A. T. McLellan, and H. J. Richards.

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Exploring how DH shapes and is in turn shaped by the classroom How has the field of digital humanities (DH) changed as it has moved from the corners of academic research into the classroom? And how has our DH praxis evolved through interactions with our students? This timely volume explores how DH is taught and what that reveals about the field of DH. While institutions are formally integrating DH into the curriculum and granting degrees, many instructors are still almost as new to DH as their students. As colleagues continue to ask what digital humanities is, we have the opportunity to answer them in terms of how we teach DH. The contributors to What We Teach When We Teach DH represent a wide range of disciplines, including literary and cultural studies, history, art history, philosophy, and library science. Their essays are organized around four critical topics at the heart of DH pedagogy: teachers, students, classrooms, and collaborations. This book highlights how DH can transform learning across a vast array of curricular structures, institutions, and education levels, from high schools and small liberal arts colleges to research-intensive institutions and postgraduate professional development programs. Contributors: Kathi Inman Berens, Portland State U; Jing Chen, Nanjing U; Lauren Coats, Louisiana State U; Scott Cohen, Stonehill College; Laquana Cooke, West Chester U; Rebecca Frost Davis, St. Edward’s U; Catherine DeRose; Quinn Dombrowski, Stanford U; Andrew Famiglietti, West Chester U; Jonathan D. Fitzgerald, Regis College; Emily Gilliland Grover, Notre Dame de Sion High School; Gabriel Hankins, Clemson U; Katherine D. Harris, San José State U; Jacob Heil, Davidson College; Elizabeth Hopwood, Loyola U Chicago; Hannah L. Jacobs, Duke U; Alix Keener, Stanford U; Alison Langmead, U of Pittsburgh; Sheila Liming, Champlain College; Emily McGinn, Princeton U; Nirmala Menon, Indian Institute of Technology; James O’Sullivan, U College Cork; Harvey Quamen, U of Alberta; Lisa Marie Rhody, CUNY Graduate Center; Kyle Roberts, Congregational Library and Archives; W. Russell Robinson, Alabama State U; Chelcie Juliet Rowell, Tufts U; Dibyadyuti Roy, U of Leeds; Asiel Sepúlveda, Simmons U; Andie Silva, York College, CUNY; Victoria Szabo, Duke U; Lik Hang Tsui, City U of Hong Kong; Annette Vee, U of Pittsburgh; Brandon Walsh, U of Virginia; Kalle Westerling, The British Library; Kathryn Wymer, North Carolina Central U; Claudia E. Zapata, UCLA; Benjun Zhu, Peking U. Retail e-book files for this title are screen-reader friendly.

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What makes Northwest Coast Native American art authentic? And why, when most of art history is a history of the avant-garde, is tradition so deeply valued by contemporary Native American artists and their patrons? In Privileging the Past, Judith Ostrowitz approaches these questions through a careful consideration of replicas, reproductions, and creative translations of past forms of Northwest Coast dances, ceremonies, masks, painted screens, and houses. Ostrowitz examines several different art forms—two very different architectural constructions, a dance performance, and modern sculptures and dance paraphernalia—considering their relations to arts of the past. Chief Shakes’ Community House has endured, in various forms, at the same site in Wrangell, Alaska, for close to 170 years as an “old style” Tlingit tribal house. The Grand Hall of the Canadian Museum of Civilization at Hull, Quebec, is constructed as a Native village with an assemblage of replicated houses made by contemporary Native artists, both old and new totem poles, and references to the Northwest Coast landscape. The opening ceremonies of the exhibition Chiefly Feasts: The Enduring Kwakiutl Potlatch at the American Museum of Natural History in New York in October 1991 included a dance program by a group of Native performers from Vancouver Island, B.C., adapting traditional elements for a long and complex theatrical presentation. Finally, artists such as Art Thompson, Beau Dick, Doug Cranmer, Robert Davidson, Susan Point, and Jim Schoppert produce vital and lively art—masks, rattles, prints, and paintings are considered here—that utilizes inherited subject matter and conventionalized stylistic devices. Ostrowitz finds that these replicas and performances function as do most other works of art, referencing history in a highly selective manner. Ostrowitz draws on an extensive body of interviews she conducted with tribal leaders, artists, and artisans long known and highly respected in both Native and non-Native venues. Throughout the book, we hear their voices—members of the Alfred, Cranmer, Hunt, Tallio, and Webster families, and many other individuals—as they relate their responses to the modern adaptation of their cultural heritage. Privileging the Past explores intellectual issues raised by postmodern theory, supported by detailed studies of projects that will interest a broad audience of students, historians, museum-goers, and those intrigued by Native American art and cultural history.

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La autora de Dios vuelve en una Harley nos sorprende con una nueva aventura que dejará huella en el corazón de los lectores.Cautelosa y conservadora, Molly Driscoll sigue trabajando en el mismo hospital en el que completó su formación como enfermera hace más de una década. Cuando a su ex marido, Jason, le diagnostican un cáncer, Molly le propone un trato: si él acepta someterse a una quimioterapia, ella hará un cambio radical en su propia vida.Él acepta, y Molly abandona el trabajo, cambia su coche por una motocicleta Harley Davidson y se convierte en enfermera itinerante.A lo largo del camino, Molly se enfrentará a difíciles pruebas, vivirá momentos extraños y tiernos con sus pacientes, topará con un posible acosador y conocerá a un compañero muy peculiar.Ralph es,como ella, un enfermero itinerante y un fan de la moto americana por excelencia. Pero, además, asegura ser un ángel.

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Featuring interviews with nineteen leading U.S. literary and cultural critics, Critics at Work offers a unique picture of recent developments in literary studies, critical theory, American studies, gay and lesbian studies, philosophy, and other fields. It provides informative, timely, and often provocative commentary on a broad range of topics, from the state of theory today and the prospects for cultural studies to the role of public intellectuals and the place of political activism. These conversations also elicit illuminating and sometimes surprising insights into the personal and professional lives of its contributors. Individually, each interview gives a significant overview of a critic's work. Taken together, they provide an assessment of literary and cultural studies from the establishment of theory and its diffusion, in recent years, into various cultural and identity studies. In addition to the interviews themselves, the volume includes useful short introductions to each critic's work and biography. Interviewees: K. Anthony Appiah, Lauren Berlant, Cathy Davidson, Morris Dickstein, Stanley Fish, Barbara Foley, Nancy Fraser, Gerald Graff, Alice Kaplan, E. Ann Kaplan, Robin D.G. Kelley, Paul Lauter, Louis Menand, Richard Ohmann, Andrew Ross, Eve Kosofsky Sedgwick, Jane Tompkins, Marianna Torgovnick, and Alan Wald.

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This comprehensive Handbook presents the current state of art in the theory and methodology of macroeconomic data analysis. It is intended as a reference for graduate students and researchers interested in exploring new methodologies, but can also be employed as a graduate text. The Handbook concentrates on the most important issues, models and techniques for research in macroeconomics, and highlights the core methodologies and their empirical application in an accessible manner. Each chapter is largely self-contained, whilst the comprehensive introduction provides an overview of the key statistical concepts and methods. All of the chapters include the essential references for each topic and provide a sound guide for further reading.Topics covered include unit roots, non-linearities and structural breaks, time aggregation, forecasting, the Kalman filter, generalized method of moments, maximum likelihood and Bayesian estimation, vector autoregressive, dynamic stochastic general equilibrium and dynamic panel models. Presenting the most important models and techniques for empirical research, this Handbook will appeal to students, researchers and academics working in empirical macroeconomics and econometrics.Contributors: B.H. Baltagi, L. Bauwens, O. Boldea, J. Breitung, C. Cantore, M.J. Chambers, I. Choi, J. Davidson, V.J. Gabriel, R. Giacomini, P. Gomme, J. Gonzalo, P.A. Guerrón-Quintana, N. Haldrup, A.R. Hall, N. Hashimzade, M. Karanasos, L. Kilian, S. Kim, D. Korobilis, R. Kruse, P. Levine, D. Lkhagvasuren, A. Luati, H. Lütkepohl, J. Madeira, T.C. Mills, J.M. Nason, K. Patterson, J. Pearlman, J.-Y. Pitarakis, D.S.G. Pollock, T. Proietti, B. Rossi, F.J. Ruge-Murcia, T. Teräsvirta, M.A. Thornton, R.T. Varneskov, B. Yang, N. Zeng

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This new, revised, and expanded edition of the popular Academic’s Handbook is an essential guide for those planning or beginning an academic career. Faculty members, administrators, and professionals with experience at all levels of higher education offer candid, practical advice to help beginning academics understand matters including:— The different kinds of institutions of higher learning and expectations of faculty at each.— The advantages and disadvantages of teaching at four-year colleges instead of research universities.— The ins and outs of the job market.— Alternatives to tenure-track, research-oriented positions.— Salary and benefits.— The tenure system.— Pedagogy in both large lecture courses and small, discussion-based seminars.— The difficulties facing women and minorities within academia.— Corporations, foundations, and the federal government as potential sources of research funds.— The challenges of faculty mentoring.— The impact of technology on contemporary teaching and learning.— Different types of publishers and the publishing process at university presses.— The modern research library.— The structure of university governance.— The role of departments within the university.With the inclusion of eight new chapters, this edition of The Academic’s Handbook is designed to ease the transition from graduate school to a well-rounded and rewarding career.Contributors. Judith K. Argon, Louis J. Budd, Ronald R. Butters, Norman L. Christensen, Joel Colton, Paul L. Conway, John G. Cross, Fred E. Crossland, Cathy N. Davidson, A. Leigh DeNeef, Beth A. Eastlick, Matthew W. Finkin, Jerry G. Gaff, Edie N. Goldenberg, Craufurd D. Goodwin, Stanley M. Hauerwas, Deborah L. Jakubs, L. Gregory Jones, Nellie Y. McKay, Patrick M. Murphy, Elizabeth Studley Nathans, A. Kenneth Pye, Zachary B. Robbins, Anne Firor Scott, Sudhir Shetty, Samuel Schuman, Philip Stewart, Boyd R. Strain, Emily Toth, P. Aarne Vesilind, Judith S. White, Henry M. Wilbur, Ken Wissoker

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‘This is the weapon he has been seeking so assiduously since his return: the knowledge of how to destroy you’ Albus Dumbledore Harry Potter is furious that he has been abandoned at the Dursleys’ house for the summer, for he suspects that Voldemort is gathering an army, that he himself could be attacked, and that his so-called friends are keeping him in the dark. Finally rescued by wizard bodyguards, he discovers that Dumbledore is regrouping the Order of the Phoenix – a secret society first formed years ago to fight Voldemort. But the Ministry of Magic is against the Order, lies are being spread by the wizards’ tabloid, the Daily Prophet, and Harry fears that he may have to take on this epic battle against evil alone. These adult editions have been stylishly redesigned to showcase Andrew Davidson’s beautiful woodcut cover artwork.

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Featuring innovative research by emergent and established scholars, The Fin-de-Siècle Poem throws new light on the remarkable diversity of poetry produced at the close of the nineteenth century in England. Opening with a detailed preface that explains why literary historians have frequently underrated fin-de-siècle poetry, the collection shows how a strikingly rich body of lyrical and narrative poems anticipated many of the developments traditionally attributed to Modernism. Each chapter provides insights into the ways in which late-nineteenth-century poets represented their experiences of the city, their attitudes toward sexuality, their responses to empire, and their interest in religious belief. The eleven essays presented by editor Joseph Bristow pay renewed attention to the achievements of writers such as Oscar Wilde, John Davidson, Ernest Dowson, Lionel Johnson, and W. B. Yeats, who dominated the literary scene of the 1890s. This book also explores the lesser-known but equally significant advances made by notable women poets, including Michael Field, Amy Levy, Charlotte Mew, Alice Meynell, A. Mary F. Robinson, and Graham R. Tomson. The Fin-de-Siècle Poem brings together innovative research on poetry that has been typecast as the attenuated Victorianism that was rejected by Modernism. The contributors underscore the remarkable innovations in English poetry of the 1880s and 1890s and show how women poets stood shoulder-to-shoulder with their better-known male contemporaries.

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This book contains the stories of ten women whose circumstances and choices led them to a place that seemed far removed from the fruitful, joy–filled life we are called to live in Christ. But each of their stories is a testament to the work God does through his imperfect children. Their stories will encourage and inspire, and remind you that you are not alone in your struggles. The names of some of these women are well–known, some are less so. The first five stories are about relationships with other people; the next five stories are about inner struggles. Overcoming Sexual Sin & Identity – Rosaria Butterfield Difficult Marriage and Divorce – Joy Davidman Bereavement – Elisabeth Elliot Singleness – Betsie & Corrie ten Boom Overcoming with Forgiveness – Betsie & Corrie ten Boom Eating Disorders – Christie Dondero Bettwy Illness – Susannah Spurgeon False Beliefs – Doreen Virtue Self–Righteousness – Susanna Wesley The Fear of Man – Sarah Edwards Through exploring how other women of Christ’s Kingdom began anew in him, you will be encouraged on your own path of joy and freedom. Although you may not be in the same position as these women, there are things we can learn from each of them. In every chapter, MacLeod focuses on bearing fruit for Christ even in these circumstances and includes questions to think through and discuss how the truths learned by these women could be applied to your own life.

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‘Will you, Severus, watch over my son Draco as he attempts to fulfil the Dark Lord’s wishes?’ Narcissa Malfoy Suspicion and fear blow through the wizarding world as news of the Dark Lord’s attack on the Ministry of Magic spreads. Harry has not told anyone about the future predicted by the prophecy in the Department of Mysteries, nor how deeply what happened to Sirius Black affected him. He’s desperate for Professor Dumbledore to arrive and take him away from the Dursley’s – but Hogwarts may not be the safe haven from Voldemort’s Dark Forces that it once was. In his sixth year, the names Black, Malfoy, Lestrange and Snape will haunt Harry with shades of trust and treachery as he discovers the secret behind the mysterious Half-Blood Prince – and Dumbledore prepares him to face his own terrifying destiny. These adult editions have been stylishly redesigned to showcase Andrew Davidson’s beautiful woodcut cover artwork.

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In Sensing Corporeally, Floyd Merrell argues that human sensation and cognition should be thought of in terms of continually changing signs that can be accounted for in terms of topological forms. Focusing on qualitative and analogical sensing, rather than quantitative and digital reasoning, Merrell begins by reflecting on the concept of consciousness as developed by neurologist Antonio Damasio, whose work in turn reflects Charles Peirce's conception of the sign. By expanding Peirce's notion of the sign in light of Damasio's work, as well as that of Oliver Sacks and the Argentine fabulist Jorge Luis Borges, Merrell demonstrates the importance of the relationship between cognition, consciousness, and fantasy. The philosophy of science espoused by Michael Polanyi, and the analytic and postanalytic philosophies of Donald Davidson, Nelson Goodman, Hilary Putnam, and Richard Rorty are also explored in light of what they bring to Peircean concepts of vagueness and generality, inconsistency and incompleteness, and abduction, induction, and deduction. Merrell concludes by moving to the conceptual world of biologist Jakob von Uexk ll and his Umwelt

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Demonstrates how race and power help to explain American religion in the twenty-first century When White people of faith act in a particular way, their motivations are almost always attributed to their religious orientation. Yet when religious people of color act in a particular way, their motivations are usually attributed to their racial positioning. Religion Is Raced makes the case that religion in America has generally been understood in ways that center White Christian experiences of religion, and argues that all religion must be acknowledged as a raced phenomenon. When we overlook the role race plays in religious belief and action, and how religion in turn spurs public and political action, we lose sight of a key way in which race influences religiously-based claims-making in the public sphere. With contributions exploring a variety of religious traditions, from Buddhism and Islam to Judaism and Protestantism, as well as pieces on atheists and humanists, Religion Is Raced brings discussions about the racialized nature of religion from the margins of scholarly and religious debate to the center. The volume offers a new model for thinking about religion that emphasizes how racial dynamics interact with religious identity, and how we can in turn better understand the roles religion—and Whiteness—play in politics and public life, especially in the United States. It includes clear recommendations for researchers, including pollsters, on how to better recognize moving forward that religion is a raced phenomenon. With contributions by Joseph O. Baker, Kelsy Burke, James Clark Davidson, Janine Giordano Drake, Ashley Garner, Edward Orozco Flores, Sikivu Hutchinson, Sarah Imhoff, Russell Jeung, John Jimenez, Jaime Kucinskas, Eric Mar, Gerardo Martí, Omar M. McRoberts, Besheer Mohamed, Dawne Moon, Jerry Z. Park, Z. Fareen Parvez, Theresa W. Tobin, and Rhys H. Williams.

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This book consists of nine chapters written by internationally known and respected research workers. Lennart Levi presents a psychosocial framework for understanding sickness and health in the workplace. James Campbell Quick, Debra Nelson and Jonathan Quick give an account of their research with executives in industry and the US Air Force. Tores Theorell focusses his research on the increasing demands on workers and the reducing control they have over their working lives. Johannes Siegrist is also concerned with imbalance – in this case between effort and reward at work. Susan Cartwright and Sheila Penchal report on the effects of the increase of mergers and acquisitions in the 1990’s. Howard Khan’s focus is the stress of working for clearing banks, merchant banks and foreign owned banks in London and New York. Sandra Fielden and Lyn Davidson present evidence of the sources of stress of women in managerial positions. Cheryl Traver’s analysis of the rising costs of teacher stress is very relevant for policy makers and mangers. Michiel Kompier and Tage Kristensen make recommendations for planning and implementing stress management strategies in the workplace.

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Sometimes Always True aims to resolve three connected problems. First, we need an undogmatic pluralist standpoint in political theory, metaphysics, and epistemology. But genuine pluralism suffers from the contradiction that making room for fundamental differences in outlook means making room for outlooks that exclude pluralism. Second, philosophy involves reflecting on the world and meaning as a whole, yet this means adopting a vantage point in some way outside of meaning. Third, our lived experience of the sense of our lives similarly undermines its own sense, as it involves having a vantage point in some way wholly outside ourselves. In detailed engagement with, among others, Davidson, Rorty, Heidegger, Foucault, Wilde, and gender and sexuality theory, the book argues that these contradictions are so thoroughgoing that, like the liar’s paradox, they cancel the bases of their own meaning. Consequently, it argues, they resolve themselves and do so in a way that produces a vantage point on these issues that is not dogmatically circular because it is, workably, both within and outside these issues’ sense. The solution to a genuinely undogmatic pluralism, then, is to enter into these contradictions and the process of their self-resolution.

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J.K. Rowling's spellbinding storytelling continues to captivate readers worldwide. This stunning hardback box set contains all seven of the classic, multi-award-winning Harry Potter novels in beautiful new hardback editions, featuring elegant new interiors and stylish cover art by noted artist Andrew Davidson, to appeal to an adult readership. The perfect collection for readers new to Harry Potter, fans and aficionados alike.Contains (in reading order): Harry Potter and the Philosopher's Stone, Harry Potter and the Chamber of Secrets, Harry Potter and the Prisoner of Azkaban, Harry Potter and the Goblet of Fire, Harry Potter and the Order of the Phoenix, Harry Potter and the Half-Blood Prince, and Harry Potter and the Deathly Hallows.

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How, exactly, did the Johns Hopkins Medical Institutions come into existence? Historians may debate the issue but playwrights can imagine it. Here, Alan M. Chesney dares to go where doctors and historians may not. A one-act play, The Flowering of an Idea presents in four scenes "an imaginary conversation in which an idea is born." The dramatis personae include Johns Hopkins himself; the London-based banker George Peabody; Daniel Coit Gilman, founder of the Johns Hopkins University; John Garrett, president of the B&O Railroad; Elihu E. Jackson, governor of Maryland; and Robert C. Davidson, mayor of Baltimore. Chesney used Helen Thom's definitive biography, Johns Hopkins: A Silhouette, as a source and wrote the play to commemorate the fiftieth anniversary of the opening of the Johns Hopkins Hospital.

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Suspicion and fear blow through the wizarding world as news of the Dark Lord’s attack on the Ministry of Magic spreads. Harry has not told anyone about the future predicted by the prophecy in the Department of Mysteries, nor how deeply what happened to Sirius Black affected him. He’s desperate for Professor Dumbledore to arrive and take him away from the Dursley’s – but Hogwarts may not be the safe haven from Voldemort’s Dark Forces that it once was. In his sixth year, the names Black, Malfoy, Lestrange and Snape will haunt Harry with shades of trust and treachery as he discovers the secret behind the mysterious Half-Blood Prince – and Dumbledore prepares him to face his own terrifying destiny. These adult editions with glorious jacket art by Andrew Davidson are now available in hardback for the first time.

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Winner of the Eugene Emme Astronautical Literature Prize from the American Astronautical Society For eight days in October 1984, seven men and women orbitied the Earth on Space Shuttle Mission 41-G. The mission has begun a year earlier; however, with the select of its crew. Before Lift-off is the extraordinary day-to-day story of these astronauts' training and flight-and is as close as most of us will ever come to flying on the space shuttle.New Yorker writer Henry Cooper obtained unprecedented permission from NASA to follow the 41-G crew from its formation through the completion of its mission. He was even given access to the heart of the training program: the crew's sessions in the shuttle mision simulators.More than a chronical of different phases in the astronauts' learning process, Before Lift-off tells the story of the bonding of these men and women. It would be Captain Robert Crippen's fourth space flight, his second command in six months, and Sally Ride's second shuttle voyage. For rookies Davida Leestra, Jon McBride, and Kathy Sullivan, and for two payload specialists, the experience would mark an initiation into the most elite groups-those people who have ventured into space.

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Essential reading for all involved in the educational sector in Wales (and beyond), A Class Apart investigates the effectiveness of educational policies, such as the Foundation Phase and Welsh Baccalaureate, introduced by the Welsh Government since devolution and assesses whether they have really created the potential for Wales to become a 'small, clever nation'. Spanning all major policy developments, from Primary to Higher Education, since 1999, Gareth Evans also assesses the legacy of the two main protagonists, former Education Ministers Jane Davidson and Leighton Andrews. He investigates the issues that some policymakers wished were swept under the carpet and delves deeper to analyse the big issues effecting educational practitioners in Wales, including: Welsh education's place on the world stage The growing funding gap between Wales and England The role of schools inspectorate Estyn The truth behind Wales' ambitious PISA target The 2012 GCSE grading fiasco Secrecy and personality clashes in the higher education merger saga His chronological account also includes the events up to and following the PISA results of 2013 and his close proximity to the key protagonists in Welsh education provides him with the perfect position to judge the situation in which Wales' education system finds itself today.

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This sequel to The Black Librarian in America (Scarecrow, 1970) contains an array of contributors representing a new generation of African American librarians, addressing the same perplexing problems that their predecessors examined. This volume is being issued at a time when there is a great concern about cultural diversity in the country. Cultural diversity is laudable, but the pervasive problem in the country is institutional racism. All of the contributors aggree that it is racism that should be eradicated if a truly multicultural society that represents cultural diversity is to develop. A wide range of topics are explored. In addition, a profile of Dorothy Porter Wesley, one of the pioneer African American librarians; librarians and archivists as writers, and a provocative essay by Congresswoman Major R. Owens on "The Specter of Racism in an Age of Cultural Diversity: The New Paradigm for African American Librarians." Among the contributors are Carolyn O. Frost, Herman L. Totten, Carla Hayden, Charles M. Brown, Alexander Boyd, Jesse Carney Smith, James F Williams,II, Lou Helen Saunders, Ina A. Brown, Vivian Davidson Hewitt, Monteria Hightower, Ella Gaines Yates, and Ann Allen Shockley. Especially designed for professional librarians, library school students, and other information professionals, this volume would be a useful addition to African American collections and other scholarly collections dealing with American society. A copious index that is cross referenced makes it very useful as a reference tool.

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We’re born with a hunger for roots and a desire to pass on a legacy.The past two decades have seen a boom in family history services that combine genealogy with DNA testing, though this is less a sign of a robust connection to past generations than of its absence. Everywhere we see a pervasive rootlessness coupled with a cult of youth that thinks there is little to learn from our elders. The nursing home tragedies of the Covid-19 pandemic laid bare this devaluing of the old. But it’s not only the elderly who are negatively affected when the links between generations break down; the young lose out too. When the hollowing-out of intergenerational connections deprives youth of the sense of belonging to a story beyond themselves, other sources of identity, from trivial to noxious, will fill the void.Yet however important biological kinship is, the New Testament tells us it is less important than the family called into being by God’s promises. “Who is my mother, and who are my brothers?” Jesus asks a crowd of listeners, then answers: “Whoever does the will of my Father in heaven is my brother, and sister, and mother.” In this great intergenerational family, we are linked by a bond of brotherhood and sisterhood to believers from every era of the human story, past, present, and yet to be born. To be sure, our biological families and inheritances still matter, but heredity and blood kinship are no longer the primary source of our identity. Here is a cure for rootlessness.On this theme: - Matthew Lee Anderson argues that even in an age of IVF no one has a right to have a child. - Emmanuel Katongole describes how African Christians are responding to ecological degradation by returning to their roots. - Louise Perry worries that young environmentalist don’t want kids. - Helmuth Eiwen asks what we can do about the ongoing effects of the sins of our ancestors. - Terence Sweeney misses an absent father who left him nothing. - Wendy Kiyomi gives personal insight into the challenges of adopting children with trauma in their past. - Alastair Roberts decodes that long list of “begats” in Matthew’s Gospel. - Rhys Laverty explains why his hometown, Chessington, UK, is still a family-friendly neighborhood. - Springs Toledo recounts, for the first time, a buried family story of crime and forgiveness. - Monica Pelliccia profiles three generations of women who feed migrants riding the trains north.Also in the issue: - A new Christmas story by Óscar Esquivias, translated from the Spanish - Original poetry by Aaron Poochigian - Reviews of Kim Haines-Eitzen’s Sonorous Desert, Matthew P. Schneider’s God Loves the Autistic Mind, Adam Nicolson’s Life between the Tides, and Ash Davidson’s Damnation Spring. - An appreciation for Augustine’s mother, Monica - Short sketches by Clarice Lispector of her father and sonPlough Quarterly features stories, ideas, and culture for people eager to apply their faith to the challenges we face. Each issue includes in-depth articles, interviews, poetry, book reviews, and art.

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Big Finish picks up the events after Miracle Day with Torchwood: Aliens Among Us. Captain Jack and Gwen Cooper have restarted Torchwood. But it's in a very different Cardiff. Something terrible's happened to the city. With every day getting darker, will Torchwood need to adopt a whole new approach? 5.9 Poker Face by Tim Foley. Torchwood are in trouble. Terrorist attacks are rocking the city. Control of the police has been ceded to Cardiff's alien masters. And it looks like it's all been arranged by Captain Jack Harkness. Worse, there's a dead woman in the cells who says that Torchwood will be hers by dawn. 5.10 Tagged by Joseph Lidster. "I know what you've done. I know what you'll do." The phrase starts appearing everywhere around Cardiff. On posters. On the internet. It's just a prank, isn't it? Only a wave of vigilante crime spreads through the city. People are taking revenge. Suddenly everyone knows what you've done. And they know what you'll do. 5.11 Escape Room by Helen Goldwyn. Gwen Cooper, Rhys Williams, and the Colchester-Prices go to try out an escape room. They've heard a lot about them. Especially this one. People keep going into the game and not coming out. But Torchwood will be fine. After all - partners can trust each other. Can't they? 5.12 Herald of the Dawn by James Goss. It all starts normally enough. A car park full of ramblers is incinerated by a thunderbolt. But the next day it's clear there's something very wrong. Something's changed. Something's coming. It's the end of the world. And that's what Torchwood are best at.Torchwood has now been in existence for over 10 years from its debut in 2006 as a Doctor Who spin-off created by top TV producer and writer Russell T Davies. The huge interest following the announcement of the first Big Finish Torchwood series caused a website server crash even as star John Barrowman was breaking the news on his radio show. This release is the finale of three sets collectively created as a fifth series following on from the four series on TV, with Russell T Davies advising on the new arcs, storylines and characters. CAST: John Barrowman (Captain Jack Harkness), Alexandria Riley (Ng), Paul Clayton (Mr Colchester), Sam Béart (Orr), Jonny Green (Tyler Steele), Kai Owen (Rhys Williams), Tom Price (Sgt. Andy Davidson), Eve Myles (Gwen Cooper), Rachel Atkins (Ro-Jedda), Ramon Tikaram (Colin Colchester-Price), Terence Hardiman (Escape), Sanee Raval (Xander), Kezrena James (Serena), Laura Dalgleish (Newsreader), Kerry Joy Stewart (Waitress),Garnon Davies (Rory), Joseph Tweedale (Assassin), Richard Elfyn (Inspector Bernstein), Aly Cruickshank (God Botherer), Marilyn Le Conte (Sue),Rick Yale (Darren), Luke Williams (Hywel), Charlotte O’Leary (News Reporter) NOTE: Torchwood contains adult material and is not suitable for younger listeners.

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No one knows who exactly invented the wheel, but in the inventive hands of illustrator Tom Schamp young readers will have great fun learning about all the ways wheels have rolled through history. From prehistoric carts to cars of tomorrow, this big, fun book takes a historic journey through a world where everything has wheels, from the Trojan horse to the Harley Davidson; from the stagecoach and the steam train to the Vespa and the Ferrari; from skateboards to electric scooters. Every spread of this deliriously entertaining and educational book is filled with Tom Schamp's quirky and colorful art. His sly, subtle texts will make older readers smile. Younger readers will return again and again to these playfully crowded pages to discover what different countries' emergency vehicles look like; to learn about buses of every imaginable dimension and weight; and to choose which bike they'd use to win a race. Each viewing will reveal charming new details that are as absurdly funny as they are educationally rewarding.

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A clear-eyed exploration of the career of Leon Trotsky, the tragic hero who “dreamed of justice and then wreaked havoc,” by a leading expert on human rights and the former Soviet Union Born Lev Davidovich Bronstein in southern Ukraine, Trotsky was both a world-class intellectual and a man capable of the most narrow-minded ideological dogmatism. He was an effective military strategist and an adept diplomat, who staked the fate of the Bolshevik revolution on the meager foundation of a Europe-wide Communist upheaval. He was a master politician who played his cards badly in the momentous struggle for power against Stalin in the 1920s. And he was an assimilated, indifferent Jew who was among the first to foresee that Hitler’s triumph would mean disaster for his fellow European Jews, and that Stalin would attempt to forge an alliance with Hitler if Soviet overtures to the Western democracies failed. Here, Trotsky emerges as a brilliant and brilliantly flawed man. Rubenstein offers us a Trotsky who is mentally acute and impatient with others, one of the finest students of contemporary politics who refused to engage in the nitty-gritty of party organization in the 1920s, when Stalin was maneuvering, inexorably, toward Trotsky’s own political oblivion. As Joshua Rubenstein writes in his preface, “Leon Trotsky haunts our historical memory. A preeminent revolutionary figure and a masterful writer, Trotsky led an upheaval that helped to define the contours of twentieth-century politics.” In this lucid and judicious evocation of Trotsky’s life, Joshua Rubenstein gives us an interpretation for the twenty-first century.

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Karma is the definitive autobiography from music icon, Boy George - the fabulous Grammy, Brit andIvor Novello award-winning lead singer of 80s pop/reggae band, Culture Club.Told in his inimitable style, Karma will reflect on Boy George's life as a kid growing up insixties London, through the hedonism of the seventies and the glam rock and punk rock revolutionthat birthed Culture Club, and the heydays of the nineties meeting musical legends like DavidBowie, Madonna and Prince - as well as addressing all those rumours. The book will reveal the highsand lows of love, loss, addiction, recovery, prison, and celebrity on Boy George's journey throughfame to finally embracing the man and artist that he is today: 'I went to a lot of trouble tocreate Boy George and then I went through a whole battle for years about not wanting to be him. Butnow I enjoy and embrace it in a way that I wasn't able to as a young person.... I'm learning to beGeorge Alan O'Dowd from Eltham who it turns out is quitean interesting person.'With all the humour, honesty, sarcasm (and hats!) that you'd expect, Karma gives us a uniqueinsight into Boy George's incredible story and the true evolution of a music icon.'Culture Club is always going to be one of those lovers I go back to. I've railed against it andthat Boy George character I created. For years I convinced myself I was a creature of habit,unchangeable, immovable. But eventually you have to look in the mirror. Not looking for spots, looking for something deeper. Whythe hell am I here? I would say lifeis the point of life.'

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Featuring new and iconic images, this follow-up to Prestel's highly successful A Year in Photography: Magnum Archive includes some of the most striking photography ever collected in one volume. As readers flip the pages they will find themselves traveling from west to east across the globe. Each country is represented in three or four images captured by a single photographer. While renowned figures such as Robert Capa, Bruce Davidson, and Martin Parr are included, readers will also find younger photographers such as Olivia Arthur, Alessandra Sanguinetti, and Mikhael Subotzky, all of whom present dazzling new views of our changing world. Shining a light on the human condition in every corner of the globe, this compilation exemplifies Magnum founder Henry Cartier- Bresson's vision of "a community of thought, a shared human quality, a curiosity about what is going on in the world, a respect for what is going on and a desire to transcribe it visually."

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Jerry Fodor is one of the most important philosophers of mind in recent decades. He has done much to set the agenda in this field and has had a significant influence on the development of cognitive science. Fodor's project is that of constructing a physicalist vindication of folk psychology and so paving the way for the development of a scientifically respectable intentional psychology. The centrepiece of his engagement in this project is a theory of the cognitive mind, namely, the computational theory of mind, which postulates the existence of a language of thought. Fodor: Language, Mind and Philosophy is a comprehensive study of Fodor's writings. Individual chapters are devoted to each of the major issues raised by his work and contain extensive discussion of his relationships to key developments in cognitive science and to the views of such philosophical luminaries as Dennett, Davidson and Searle. This accessible book will appeal to advanced level undergraduate students of philosophy and related disciplines. It will also be of great interest to professional philosophers and cognitive scientists.

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In this Journal, we feature the work of Graphis Masters and Graphis Platinum and Gold award winners in Design, Advertising, Photography, Art/Illustration, and Education, as well as the latest in product design and architecture. These talents are Graphis Masters designer Holger Matthies (DE) and advertiser Robert Talarczyk (US). We also feature design firm Jones Knowles Ritchie (US) and design expert Steven Heller (US); photographers Takahiro Igarashi (US), Cameron Davidson (US), and Felix Holzer (DE), illustrator Daren Lin (US), and professor Josh Ege (US). Lastly, we feature the latest in product and architecture design with the Piper M600/SLS by Piper Aircraft Inc. (US), Jetson ONE by Jetson (SE), No Stress by Rossinavi (IT), RÄVIK Electric Surfboards by Awake (SE), Casa Flotanta by Studio Saxe (CR), and MarAlto La Loica and La Tagua Cabins by Croxatto y Opazo Arquitectos (CL).

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‘The Dark Lord will rise again with his servant’s aid, greater and more terrible than ever before’ Sybill Trelawney Harry Potter is lucky to reach the age of thirteen, since he has survived the murderous attacks of the feared Dark Lord on more than one occasion. But his hopes for a quiet school term concentrating on Quidditch are dashed when a maniacal mass-murderer escapes from Azkaban, pursued by the soul-sucking Dementors who guard the prison. It’s assumed that Hogwarts is the safest place for Harry to be. But is it a coincidence that he can feel eyes watching him in the dark, and should he be taking Professor Trelawney’s ghoulish predictions seriously? These adult editions have been stylishly redesigned to showcase Andrew Davidson’s beautiful woodcut cover artwork.

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Poetry Projects to Make and Do, edited by Deborah Alma, The Emergency Poet, is a ‘how to’ handbook of essays, prompts, advice, and ideas designed to help both aspiring and established poets find new ways not only to create new poetry, but to share and take it out into the world through collaboration, projects, performances – and more. With an array of real-life examples from experienced poets, Poetry Projects to Make and Do provides imaginative case-studies and inspiration for readers to roll up their sleeves and get stuck in. Each essay encourages experimentation alongside plenty of practical tips and guidance. From projects which poets can try out at home, to ones which take poetry out into the streets; from having a go at making poetry films or podcasts, to hand-crafting a poetry residency; from how to apply for funding, to working in collaboration and involving music, art or photography in your poetry. This indispensable book covers a broad range of topics to empower and encourage poetry as part of everyday creativity. Poetry Projects to Make and Do follows previous popular creative writing handbook titles for Nine Arches Press – including The Craft, Why I Write Poetry and How to be a Poet – and is edited by Deborah Alma, aka The Emergency Poet and founder of the world’s first walk-in Poetry Pharmacy, based in Bishops Castle, Shropshire. Includes 20+ essays by: Deborah Alma; Jean Atkin; Casey Bailey; Roshni Beeharry; Julia Bird; Jo Bell; Jane Burn; Lewis Buxton; Jane Commane; Jonathan Davidson; Helen Dewbery; Pat Edwards; Jasmine Gardosi; Roz Goddard; Daisy Henwood; Sophie Herxheimer; Helen Ivory; Gregory Leadbetter; Arji Manuelpillai; Caleb Parkin; Nina Mingya Powles; Jacqueline Saphra; Clare Shaw; Degna Stone and Tamar Yoseloff.

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What is your highest ideal? What code do you live by? We all know that these differ from person to person. Nonetheless philosophers have long sought a single, overriding ideal that should guide everyone, always, everywhere, and after centuries of debate we're no closer to an answer. In How Should We Live?, John Kekes offers a refreshing alternative, one in which we eschew absolute ideals and instead consider our lives as they really are. Kekes argues that ideal theories are abstractions from the realities of everyday life and its problems. The well-known arenas where absolute ideals conflict-dramatic moral controversies about complex problems involved in abortion, euthanasia, plea bargaining, privacy, and other hotly debated topics - should not be the primary concerns of moral thinking. Instead, he focuses on the simpler problems of ordinary lives in ordinary circumstances. In each chapter he presents the conflicts that a real person - a schoolteacher, lawyer, father, or nurse, for example - is likely to face. He then uses their situations to shed light on the mundane issues we all must deal with in everyday life, such as how we use our limited time, energy, or money; how we balance short- and long-term satisfactions; how we deal with conflicting loyalties; how we control our emotions; how we deal with people we dislike; and so on. Along the way he engages some of our most important theorists, including Donald Davidson, Thomas Nagel, Christine Korsgaard, Harry Frankfurt, Charles Taylor, Alasdair MacIntyre, and Bernard Williams, ultimately showing that no ideal - whether autonomy, love, duty, happiness, or truthfulness-trumps any other. Rather than rejecting such ideals, How Should We Live? offers a way of balancing them by a practical and pluralistic approach - rather than a theory - that helps us cope with our problems and come closer to what our lives should be.

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